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#John Arnatt
cleowho · 2 years
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“Yes.”
The Invasion of Time - season 15 - 1978
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mariocki · 1 year
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A Challenge for Robin Hood (1967)
"I love to see men wrestle."
"And after this, a hanging. There's no end to the entertainment."
#a challenge for robin hood#hammer films#1967#robin hood#british cinema#c. m. pennington richards#peter bryan#barrie ingham#james hayter#leon greene#peter blythe#gay hamilton#alfie bass#jenny till#john arnatt#eric flynn#john gugolka#john harvey#william squire#donald pickering#reg lye#a rollicking good time! pleasantly surprised by just how much I enjoyed this; surely one of the best of Hammer's adventure films#benefits from a rich and detailed plotting which explores not just Robin's background and noble heritage‚ but the larger Saxon and Norman#conflict and political landscape of the era. Ingham is a fine Robin (if difficult to accept as a hero; he played snobby assholes too often#in his tv guest spots) and Gay Hamilton is badly served by a script which renders Marian as little more than an object to be fought over#and rescued again and again‚ but the supporting cast of telly faces is immaculate. Arnett is a superbly snakelike Nottingham‚ all quiet#menace and unsettling looks‚ while dreamy Peter Blythe (sigh) is a perfectly spiteful and bitchy main villain. Eric Flynn (father of Jerome#and bros) is an earthy and likeable Alan a Dale (and was soon to play the lead in the BBC's excellent 1970 adaptation of Ivanhoe‚ meeting#another Robin Hood) while Leon Greene (who Hammer seem to have been considering for romantic lead status; he also did The Devil Rides Out#for them) is an amusingly blithe Little John. spectacular swordfights and a few moments of shocking violence: pure Hammer adventure fun
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lilydvoratrelundar · 4 years
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badgaymovies · 3 years
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Only Two Can Play (1962)
Only Two Can Play (1962)
SIDNEY GILLIAT Bil’s rating (out of 5): BBBB United Kingdom, 1962. Vale Film Productions. Screenplay by Bryan Forbes, based on the novel by That Uncertain Feeling by Kingsley Amis. Cinematography by John Wilcox. Produced by Leslie Gilliat. Music by Richard Rodney Bennett.  Production Design by Albert Witherick. Costume Design by Muriel Dickson. Film Editing by Thelma Connell. Breezily funny…
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John Arnatt  (Sheriff of Nottingham)
A Challenge For Robin Hood ~ 1967
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cocosse · 3 years
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“The past beats inside me like a second heart.” John Banville, The Sea, 2005 * Keith Arnatt, 1968
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rviale · 4 years
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Week 8 - Seminar Review
On Wednesday 20th Me, Ozziline, Claudia and Lucrezia had our group presentation.
Since we had to discuss an artistic work through Art Theory and History Methods we decided to find something we all enjoyed and could discuss easily and smoothly. We opted for the discussion of Conceptual Art as a whole movement, considering three main characteristics of it: Anti-Aesthetic, Anti-Technicality and Anti-Establishment/Anti-Art.
Respectively we used as examples: One and Three Chairs by Joseph Kosuth,
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Self-Burial by Keith Arnatt,
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Commissioned Paintings by John Baldessari.
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We met twice: the first time to decide the parts and the structure of the presentation and a second time to put together the power-point and finalize timings and consequentiality.
Since we had a very small amount of time to prepare something very detailed, we opted for a very simple power-point with just images and titles and decided to split the presentation into four parts: Start/Conclusion (Ozziline), Anti-Aesthetic (Lucrezia), Anti-Technical (Claudia) and Anti-Art (me).
The resulting presentation wasn’t, personally speaking, as smooth as I expected, probably for the lack of time we had to prepare it. We mostly ended up reading our notes, I tried my best not to, also because the subject I was discussing (Baldessari works and ideas) was something I covered already in a previous essay and I was quite confident in explaining.
Since Conceptual Art is so “untraditional” we also had a couple of questions and had to clarify some points, which led to a nice discussion with the others. The final result then was satisfying but could have been improved by a lot.
Perhaps due to the short time we had to talk, as well as to prepare the whole presentation, we couldn’t go into too much detail, which probably would have benefited the contextualization of each artist we discussed and would have contributed to the “depth” of the discussion.
Nevertheless, the idea behind our presentation came out quite clearly: Conceptual Art can be analyzed in comparison with more traditional forms of Art since it goes completely against all of them.
To describe the Anti-Aesthetic through the analysis of One and Three Chairs, we considered the fact that traditional ideas of Aesthetic included aspects typical of early paintings and sculptures (such as perfect proportions, colors, shapes, perspective ...), looking at this particular work you won’t find any of those. In fact, there is no kind of “traditional aesthetic” value in this work, which for the definition of the Conceptual movement itself in which it identifies, is not about formalisms but purely about the idea behind the work itself.
Since this can be said to every aspect of the Movement, to make a complete and detailed presentation on the matter, we would have needed way more time and many more examples and in-depth analysis. Probably, for the kind of timeframe we were given, we should have chosen an argument that we could clearly synthesize in the time given, without leaving the audience with a “need to research further” in order to understand fully, which is what I feel happened.  
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kwebtv · 5 years
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The Main Chance  -  ITV  -  June 18, 1969 - July 18, 1975
Legal Drama (45 episodes)
Running Time: 
Stars:
John Stride as David Main
Kate O'Mara as Julia Main  (Series 1)
Margaret Ashcroft as Margaret Castleton
John Wentworth  as Henry Castleton
Anna Palk as Sarah Courtney  (Series 1-3)
Philip Bond as Peter Findon  (Series 1-2,4)
John Arnatt as Sidney Bulmer  (Series 1-2)
Glynn Edwards  as Walter Clegg  (Series 3-4)
Estelle Kohler as Hilary Nash  (Series 3)
Sharon Maughan as Inge Lindstrom  (Series 4)
Ingrid Hafner as Laura Granton  (Series 4)
Gary Bond as Andrew Retford  (Series 4)
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marcogiovenale · 2 years
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post su gammm dal 1 gennaio al 5 febbraio 2022
post su gammm dal 1 gennaio al 5 febbraio 2022
– shusaku arakawa. natural history (“..geometry of decision / the nature of taste or bullshit”). 1969-1972 [15-01-2022 .en] – keith arnatt. self-burial with mirror. 1969 [04-02-2022] – julien bal, térence meunier. sans faust. 2013 [17-01-2022] – erica baum. embrace. 2021 [22-01-2022 .en] – george brecht. two exercises. 1961 [02-01-2022 .en] – john cage. cartridge music. 1963 [04-01-2022] –…
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tachtutor · 3 years
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» Mystery Movie Review: THE THIRD ALIBI (1961).
» Mystery Movie Review: THE THIRD ALIBI (1961).
THE THIRD ALIBI. Grand National Pictures, UK, 1961. NBC, US, TV airing, 1961. Laurence Payne, Patricia Dainton, Jane Griffiths, Edward Underdown, John Arnatt, Cleo Laine. Director: Montgomery Tully. Available on YouTube here.    A mildly interesting crime thriller that tries hard but doesn’t quite have the oomph to follow through. As the title I am sure suggests, it all revolves about a killer…
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cleowho · 4 years
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“I’ve got a ringing in my head.”
The Invasion of Time - season 16 - 1978
#Four in Order - 23/42 A Fourth Doctor-era GIFset each day, in story order.
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Tate Modern Visit - 30.01.2020
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Tate Modern visit in my eyes was a meant to be a starting point to start thinking about ideas for wall, page or screen. the problem was that I didn't know what group I would be going into, we had to write a proposal to get into the one we wanted. the was a first choice and a second choice. My first choice was page and my second choice was the wall. I have little ideas for both and hadn't a clue what I wanted to do for any of them.  Now was the waiting game to see what topic I would be doing.
Artist’s that I came across while looking around the Tate were
- Mitch Epstein 
- Marwan Rechaoui 
- Claudia Andujar
- Yinka Shnibare 
- Graciela Iturbide 
- Keith Arnatt
- John Stezaker 
- Irving Penn
Work all from theses artists was interesting and there was some I could inspiration from but I was having such a creative block that I just couldn't seem to think of anything. 
There was a part of the Tate where loads of statements were projected onto the wall and theses states were from loads of different photographers and I feel this was a good way to show what they thought of the way times have changed and the way we see work.
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clarestrand · 5 years
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Signs of A Struggle showing in Home Sweet Home curated by Isa Bonnet for the Arles Festival. 1.07.19 - 22.09.19
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The British's attachment to their homes has continued to assert itself since the early nineteenth century, becoming an important component of their identity. The English language has invented the words comfort and comfortable, words imported into French because nothing better expressed the link between the well-being of soul and body and the domestic interior. What's better than the theme of the home, the home so dear to the heart of the British, to highlight the richness, the diversity and the development of photography across the Channel? Home Sweet Homebrings together thirty artists of all generations who allow us to share the intimacy and the everyday life of Britain from the 1970s to the present day. A look around the property that sheds light from different angles on the social, cultural and political realities, past and present, of British society.
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Ed Alcock (1974), Dana Ariel (1983), Keith Arnatt (1930-2008), Laura Blight (1985), Juno Calypso (1989), Natasha Caruana (1983), Mark Cawson (1959-2018), Edmund Clark (1963), John Paul Evans (1965), Anna Fox (1961), Ken Grant (1967), Anthony Haughey (1963), Tom Hunter (1965), Sarah Jones (1959), Peter Kennard (1949), Neil Kenlock (1950), Karen Knorr (1954), Sirkka-Liisa Konttinen (1948), Chris Leslie (1974), Stephen McCoy (1956), Iain McKell (1957), Michael McMillan (1962), Daniel Meadows (1952), David Moore (1961), John Myers (1944), Martin Parr (1952), Magda Segal (1959), Andy Sewell (1978), David Spero (1963), Eva Stenram (1976), Clare Strand (1973), Colin Thomas (1950), Gee Vaucher (1945), Gillian Wearing (1963)
Exhibition curator: Isabelle Bonnet. Exhibition coproduced with Institut pour la photographie, Hauts-de-France. Publication: Home Sweet Home, Isabelle Bonnet, Editions Textuel, 2019.
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oneyearofbooks · 7 years
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John MacLean, Hometowns
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Self-published, 2016
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Hometown of James Turrell, Pasadena, California
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Hometown of John Baldessari, National City, California
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Hometown of Robert Frank, Wipkingen, Zurich
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Hometown of Robert Cumming, Mattapan, Massachusetts
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Hometown of Lee Friedlander, Aberdeen, Washington
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Hometown of John Gossage, Staten Island, New York
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Hometown of Gabriel Orozco, San Angel, Mexico City
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Hometown of Wassily Kandinsky, Khamovniki, Moscow
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Hometown of Robert Rauschenberg, Port Arthur, Texas
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Hometown of Takashi Homma, Ottowa, Tokyo
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Hometown of James Turrell, Pasadena, California
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Hometown of Lewis Baltz, Newport Beach, California
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Hometown of Keith Arnatt, Oxford, Oxfordshire
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Hometown of Lee Miller, Poughkeepsie, New York
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Hometown of John Baldessari, National City, California
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Hometown of James Turrell, Pasadena, California
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hillonphotography · 4 years
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VIDEO LECTURES
MA Visiting Lecturers 1996 - 2009 De Montfort University, Leicester (In No Particular Order)
John Darwell Mark Durden David Moore Brett Rogers Martin Harrison Dave Lee Jenny Matthews Jane Fletcher Peter Cattrell Gerry Badger Martin Parr David Brittain Martin Barnes Daniel Meadows Paul Reas John Davies Chris Steele-Perkins Hannah Starkey Susan Bright Mark Sealy Kate Mellor David Campany Emma Dexter David Hurn Elizabeth Edwards Liz Rideal Clive Landen Paul Wombell Olivier Richon Charlotte Cotton Roger Taylor Roger Bradley Steve Mayes Victor Burgin Keith Arnatt John Kippin Dave Chandler Joy Gregory Pavel Buchler Melanie Manchot Hamish Fulton
Jem Southam Mark Power John Goto Rosy Martin Anna Fox Deborah Baker John Hilliard Ian Walker Sharon Kivland Mari Mahr Stephen Bull Peter Finnemore Anne McNeill Simon Norfolk Michael Hiley Robert Clark Jane Prophet Patrick Sutherland Helen Sears Brian Griffin Dewi Lewis Mark Haworth Booth Pete James Andy Earl Tom Hunter Thomas Joshua Cooper John Blakemore Terry Dennett Evergon Julian Germaine Dave Chandler Joy Gregory Pavel Buchler Melanie Manchot Hamish Fulton Gina Glover Val Williams Gina Glover Val Williams
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kwebtv · 6 years
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  Passages - The Adventures of Robin Hood
Richard Greene  (August 25, 1918 – June 1, 1985)
Bernadette O’Farrell  (January 30, 1924 – September 26, 1999)
Alexander Gauge  (July 29, 1914 – August 28, 1960)
Archie Duncan  (May 26, 1914 – July 24, 1979)
Alan Wheatley  (April 19, 1907 – August 30, 1991)
John Arnatt  (May 9, 1917 – December 31, 1999) 
Victor Wolf  (1911 – 1975) 
Ian Hunter  (June 13, 1900 – September 22, 1975)
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