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#Johann Ludwig Krebs
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Johann Ludwig Krebs (1713-1780) : Meine Seele erhebt den Herrn Magnificat
Intèrprets: Ex Tempore; Florian Heyerick (conductor)
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clamarcap · 3 months
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Toccata e fuga in mi maggiore
Johann Ludwig Krebs (1713 - 1° gennaio 1780): Toccata e fuga in mi maggiore «pro organo pleno». Massimo Gabba all’organo Mascioni della Chiesa di San Giovanni Evangelista in Alessandria.
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elmartillosinmetre · 10 months
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Mi crítica del concierto de Alejandro Casal y Javier Núñez esta noche en el Espacio Turina.
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tirinocat · 8 months
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Johann Ludwig Krebs Complete Organ Works Vol.2, Gerhard Weinberger
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dchla69 · 11 months
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The chorale "Wer nur den lieben Gott lässt walten" is one of the most famous compositions of German sacred music. Written by Georg Neumark in the 17th century, this hymn has spanned the centuries and continues to be performed in many churches and concert halls around the world. The text of the chorale expresses a deep faith in divine providence and God's love for his creation. The composer wrote the music in such a way as to underline the words of the text, creating an effect of emphasis and emotional depth. In the link below you can listen to an organ version written by Krebs
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gasparodasalo · 3 years
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Johann Sebastian Bach (1685-1750) - Fuga sopra il Magnificat, BWV 733. Performed by Francis Jacob, organ.
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mascle-e-marsihes · 4 years
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Johann Ludwig Krebs
Compositeur. Elève de J.S Bach.
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radiofreesatan · 6 years
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Vox Satanae - Episode #373
Vox Satanae – Episode #373
Vox Satanae – Episode 373 – 196 Minutes – Week of 18 December 2017
This week we hear anonymous and traditional works as well as works by Robert Carver, Tomás Luis de Victoria, Giovanni Gabrieli, Francesco Durante, Gottfried Heinrich Stölzel, Johann Ludwig Krebs, Hugo Distler, Krzysztof Penderecki, Nicholas White, Johann Sebastian Bach, and Franz Liszt with performances by The Boston Camerata,…
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markseow · 2 years
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Programme notes: Brecon Baroque Festival 2021 22-25 October 2021   Buxtehude, Bach, Johann Bernhard Bach, Johann Ludwig Bach, Johann Krebs, Johann Kerll, Johann Gottlieb Goldberg, Stötzel, Corelli, Albinoni.
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Johann Ludwig Krebs (1713-1780) - Toccata & Fugue in A Minor, Krebs-WV 411: I. Toccata ·
Manuel Tomadin, organ
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clamarcap · 6 months
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Preludio e fuga in re maggiore
Johann Ludwig Krebs (12 ottobre 1713 - 1780): Preludio e fuga in re maggiore. Gerhard Weinberger all’organo Holzhey dell’Abbazia di Neresheim (Baden-Württemberg).
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vidaspinkevicius · 4 years
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How about ending the entire Clavierubung by Johann Ludwig Krebs with the Tutti registration. Well, not the entire Tutti since I don't use the strings here but you get the picture... Principals, flutes, mutations and reeds all combined in the 1st manual to create this pompous and grandioso sound. Isn't it majestic? And of course multiple improvised diminutions on repeats of this minuet!  I hope you are ready for some Kauffmann tomorrow because I am... Sonatina Sesta: III. Tempo di Minuetto (Johann Ludwig Krebs): https://youtu.be/jrt9Gy9xa9o https://www.instagram.com/p/B_Je91_A277/?igshid=1kogx4s8x7czc
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gasparodasalo · 3 years
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Johann Ludwig Krebs (1713-80) - Concerto for 2 Solo Harpsichords in a-minor, III. Allegro. Performed by Mariangiola Martello and Giorgio Tabacco, harpsichords.
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wildwechselmagazin · 5 years
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Trio Lirico im Kulturzentrum Weserrenaissance Schloss Bevern
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Meisterkonzert Trio Lirico Am Sonntag, den 27. Oktober um 17.00 Uhr spielen Franziska Pietsch (Violine), Sophia Reuter (Viola) und Johannes Krebs (Violoncello) ein ausdrucksstarkes Meisterkonzert in der Schlosskapelle des Weserrenaissance Schlosses Bevern. Als Trio Lirico präsentieren sie ein leidenschaftliches Programm mit Werken von Ludwig van Beethoven, Mieczyslaw Weinberg, Wolfgang Amadeus Mozart und Max Reger. „Leidenschaft und Schicksal“ für Streicher Diese großen Komponisten aus unterschiedlichen Epochen haben die kleine, aber delikate Besetzung eines Streichtrios zu schätzen gewusst. Mit einer dramatisch expressiven Sprache ihrer Musik verbindet sie auf unterschiedliche Weise ein ähnliches Schicksal. Sie haben trotz extremer persönlicher oder politischer Bedingungen den Mut gehabt, wunderbar große Musik zu erschaffen. Trio Lirico gelingt es in diesem Zusammenhang, Intensität und Expression dieser Werke meisterhaft anzuspielen. » Kartenvorverkauf: Kulturzentrum Weserrenaissance Schloss Bevern, Kulturressort: Tel.: 0 55 31- 99 40 18, Schloss-Information: Tel. 0 55 31 – 12 16 436; Kulturamt der Stadt Holzminden, Obere Str. 30, Tel.: 0 55 31 – 93 64 23. Die Tageskasse öffnet eine Stunde vor Konzertbeginn. » Weitere Informationen zu den Veranstaltungen im Kulturzentrum Weserrenaissance Schloss Bevern: www.schloss-bevern.de zu finden. » Sonntag, 27. Oktober 2019, 17 Uhr, Trio Lirico: Franziska Pietsch (Violine) - Sophia Reuter (Viola) - Johannes Krebs (Violoncello), Leidenschaft und Schicksal, Schlosskapelle im Weserrenaissance Schloss Bevern   Lesen Sie den ganzen Artikel
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todayclassical · 7 years
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July 07 in Music History
1690 Birth of composer Johann Tobias Krebs.
1710 Birth of composer Arvid Niclas Hopken.
1720 Burial of J.S. Bach's first wife, Maria Barbara Bach.
1746 Birth of composer Ludwig Wenzel Lachnith.
1747 J.S. Bach dedicates his "Musical Offering" to Frederich the Great of Prussia
1778 Birth of composer Antonio Francesco Gaetano S Pacini.
1791 Haydn conducts his Symphony No. 92 ("Oxford") at the Sheldonian Theater of Oxford University, where he was awarded an honorary degree.
1851 Birth of composer Charles Albert Tindley.
1851 Birth of composer Carl Lorens.
1860 Birth of Austrian composer and conductor Gustav Mahler.
1865 Death of tenor Ubaldo Toffanetti.
1872 Birth of composer Juan Lamonte de Grignon.
1879 Birth of composer Jacob Weinberg.
1882 Birth of composer Zdzislaw Jachimecki.
1883 Birth of composer Toivo Kuula.
1885 Birth of English composer Ernest Bristo Farrar.
1886 Birth of composer Ion Hartulary-Darclée.
1887 Birth of soprano Grete Merrem-Nikisch. 
1889 Death of composer Giovanni Bottesini.
1889 Death of tenor Nikolai Ivanov. 
1905 Birth of composer Marcel Rubin.
1908 Birth of Russian soprano Nina Dorliak in St. Petersburg. 
1911 Birth of Italian-born American composer and conductor Gian Carlo Menotti, in Cadegliano. 
1912 Birth of soprano Tiny Alma.
1913 Birth of Czech mezzo-soprano Georgine von Milinkovic in Prague. 
1914 Birth of composer Cor de Groot. 
1914 Birth of composer Serafim Sergeyevich Tulikov.
1916 Birth of composer Robert Stevens Baker.
1921 Birth of composer Stanislaw Michal Wislocki.
1923 Birth of Argentine guitarist Eduardo Falf.
1923 Birth of composer Roberto Caamaño.
1924 Birth of composer Dieter Nowka.
1927 Birth of composer Charlie Louvin.
1927 Birth of soprano Hermi Ambros in Germany.
1930 Birth of composer Hank Mobley.
1930 Birth of bass Ivan Sardi in Budapest.
1932 Birth of composer Joe Zawinul.
1933 Birth of bass Federico Davia in Genoa. 
1934 Birth of composer Vinko Globokar.
1936 Birth of composer Friedhelm Dohl.
1936 Birth of composer Stuart Dempster.
1937 Birth of mezzo-soprano Elena Obratsova in Leningrad. 
1945 Birth of Finnish baritone Matti Salminen inTurku.
1952 Birth of composer Robert Capanna.
1954 Birth of composer Jeff Talman.
1956 Birth of composer Paula Kimper.
1962 Birth of composer Geloen Ludo.
1965 Birth of composer Chris Rupert
1965 Death of bass-baritone Jaro Prohaska.
1968 Death of American organist and composer Leo Sowerby.
1968 FP Russo's three pieces for blues band.
1969 Death of mezzo-soprano Gladys Swarthout. 
1977 FP of Sir Michael Tippett's opera, "The Ice Break" at Covent Garden in London
1984 Death of soprano Denise Monteil.
1994 FP of John Williams' Cello Concerto, at the opening of Ozawa Hall at Tanglewood, Mass., by the Boston Symphony, with the composer conducting and Yo-Yo Ma the soloist.
2001 FP of David Ward-Steinman: "Dublin Down," for 2 pianos, during the College Music Society International Conference in Limerick, Ireland, by the composer and Patrice Madura Ward-Steinman.
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Bach’s Family Tree
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 ♫ Music Notes
Much of today’s music revolves around Bach, in one way or another. The 8:00 offertory is a setting of the German chorale Warum betrübst du dich, mein Herz (“Why pity yourself, my heart”) by J. C. Bach—not J. S.  The Bach family tree is filled with many great musicians, and not only his sons. Johann Christoph Bach (1642-1703) was the uncle of JSB, and also an organist and composer. Another JC is Johann Christian Bach, the eleventh surviving child and youngest son of JSB. In his own day he was more famous as a composer than his own father. And then there is his older brother, Johann Christoph Friedrich Bach, a famous harpsichordist, composer, and fifth son of JSB.
 It’s hard to keep track of them all. You need a chart, and this one is only a small part of this family of musical giants. The word that comes to mind with this family is prolific.
           At 10:30 we will hear a well-known song by J. S. himself, Bist du bei mir (“You are with me.”) Ester Brewda will be giving an entire concert of mostly Spanish songs accompanied by classical guitar. Today you will get just an introduction to her singing—and will want to come back for more! Today’s song is a popular choice for weddings. It was included by Bach in the musical notebook he prepared for his second wife, Anna Magdalena.
Today’s prelude is a setting of a German chorale melody, Erbarm’ dich mein, O Herre Gott (“Be merciful, my God”), by Johann Ludwig Krebs (1713-1780). This chorale was set by many Baroque composers, including Sweelinck and J. S. Bach. This setting by Krebs is very chromatic, slow, and sad, reflecting the text. You can almost hear the teardrops falling from the cheeks of the penitent at prayer. The text is very penitential and introspective, reflecting language from many of the Psalms used in the Lenten season.            Have mercy on me, O Lord God, according to your great kindness.            Wash me, make clean my wrongdoing. I confess my sin and repent;            I sinned against you only, I am constantly aware of it;            even the best may not stand in your sight, you are just, though you condemn me.
Krebs was the son of a well-known organist. As a child he was sent to Leipzig to study with J. S. Bach himself. From a technical point on the organ he was unrivaled next to Bach. Unfortunately, he was writing and playing music in a style (Baroque) that was by then out of fashion, too complex and ornate. Musical taste was moving into what we now call “Classical” (the style of Mozart, Haydn, and eventually Beethoven) that emphasized clarity and simplicity. Krebs was never able to obtain a patron, or a post at a cathedral. He became so desperate he didn’t work for money, but for food to feed his family of seven children. Most of his music wasn’t even published until the 20th century.
The Rev. Dr. David Kerr Park, Director of Music
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