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makeste · 3 years

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BnHA Chapter 317: My Boy Was Just Like Me

Previously on BnHA: AFO randomly blew up Lady Nagant as a good reminder of why you should never make a deal with this fucking guy, smdh. Hawks was all “well if it isn’t my two best friends, Deku and Lady Nagant, both of whom I respect and love tremendously.” Everyone was all “??” and Horikoshi was all “shh... just pretend” because it was too embarrassing for him to admit that he forgot to write a couple of set-up flashbacks I guess. Anyway so Hawks got Lady to tell them where AFO was hiding out, and everyone said goodbye to her and Overhaul, who never did get to see his boss (sorry buddy, I’ll send you a vial of my tears in the mail), and headed out to a house in the woods. AFO was all “hello Deku :) :) it sure is fun making you suffer :) :) :) anyways this is a trap”, and blew up the house. Yeah, we all here are getting reaaaaaaaal tired of your shit, AFO.

Today on BnHA: The Hawksquad and Edgeplatoon meet in a warehouse and are all “what should we do about the fact that everything sucks?” Mt. Lady is all “here’s a thought, what if we tried battling AFO with more than six people.” Hawks and Endeavor are all “great initiative, but just a friendly reminder that our friends also suck and would probably betray Deku which would suck further still.” Shouto is all “ANSWER THE PHONE DAD” and Endeavor is all “[IRONICALLY DOESN’T ANSWER THE PHONE].” Meanwhile over in Sadtown, capital of Sadland Prefecture, Japan, Deku is all “All Might, as you can clearly see I am completely fine and good, never been better in fact, definitely not caught up in the throes of an epic mental breakdown which is shutting me down emotionally, anyway so on that note I would like to leave you now goodbye!!” All Might is all “[can’t actually form any words because he’s too distraught].” Fandom is all “o(╥﹏╥)o.” Horikoshi is all “(*＾-’) 乃 [pew pew finger guns and barrel rolls into the darkness].”

sweet jesus lord

this literally doesn’t even look like Deku anymore?? this looks like Dark!Deku who shows up to fight you in that one room in the Water Temple. he looks like he’s about to crawl out of my television set and murder me with his psychic powers good lord

holy shit lmao Horikoshi is really just shrugging his shoulders and resolving last week’s cliffhanger with a single line of dialogue

fire is no one’s weakness. idk what other options you’ve got, AFO, but you’re gonna have to go back to the drawing board. maybe try bees or something. I’m just saying. we’re all expecting fire at this point but nobody is expecting bees

anyway so now they’re all sitting in some warehouse somewhere chatting about it I guess. shoutout to Horikoshi for finally giving my man Edgeshot some more dialogue at long last

well, Edgeshot, to answer your question, she exploded. so naturally she’s fine

nah just kidding, Hawks says she won’t be able to help them out much because she’s recovering from being exploded. this is the part where we all ignore the fact that Hawks got set on fire for like a full ten minutes back during the War arc and was only in the hospital for a day. anyways enjoy your temporary plot hiatus Nagant

man there’s a lot of dialogue here and I’m trying to figure out where to insert commentary but it’s kinda difficult lol. basically, Edge and the others are saying that they should gather up the other remaining heroes and get them all caught up on the whole OFA situation. which, hmmmm

like on the one hand, these guys definitely aren’t going to cut it on their own, so it’s a reasonable suggestion on the face of it. but on the other hand, do we really want to entrust the OFA secret to a bunch of other people, most of whom shat the bed during the War arc to be quite frank? is it really worth the additional risk? especially given that any one of them might go spilling the beans to the public -- or worse, betray them to AFO??

also just a quick side note here, Mt. Lady’s character development never ceases to delight me. she’s become so committed to her responsibility as a hero these days, and it fucking suits her. I genuinely consider to be one of the elites now. I mean it doesn’t hurt that all the other elites are fucking dead lol but still

wait what? Death Arms retired??

Death Arms as in the guy who was too afraid of a little fire to try and save a terrified 14-year-old kid who was slowly suffocating right before his eyes?? that Death Arms???? color me surprised. shocked, I tell you

...okay but holy fuck

Death Arms. bro. my expectations for you were low but holy shit. like I’m sorry, but I don’t even have it in me to try and pretend like I feel the slightest bit of sympathy for him or Old Man Samurai or any of those other guys today. thanks for a whole lot of nothing my dude. good riddance

(ETA: so I’m rereading this the next day and realize this comes off as kind of harsh, so let me just try to clarify. it’s not the fact that he’s quitting that bothers me, to be honest. it’s the fact that he’s quitting specifically because he feels like the public is being mean to him. that’s it.

seriously. it would be one thing if he was quitting because he was scared, because now that is human. nobody wants to die, and I doubt any amount of training can ever fully prepare someone to go up against that fear. but the thing is, he never once mentions that, or talks about the danger aspect. instead, I got the distinct vibe from this speech that Death Arms is one of those people who only became a hero because of the limelight. and I just don’t have any patience for that. if all you care about are likes and subscribes then go become a fucking youtuber or some shit. nothing wrong with that! but you didn’t; you signed up to be a hero and protect these people. they gave you their respect and admiration because they trusted you to protect them. and now that they’re no longer in the mood to worship and applaud your every move on account of them being scared shitless because they’re living in the literal end times, you decide to dip. so like okay, fine then. don’t let the door hit you on the way out. anyways lol sorry for the rant.)

anyway so yeah. perfect example of why I don’t exactly have a ton of faith in most of the remaining heroes out there lol. also let me just once again give a shoutout to my best girl Mt. Lady whom I suddenly find myself appreciating all the more

“please calm down makeste. drink some water and enjoy this fresh new jeans pun” listen Horikoshi don’t tell me what to do dammit

fine. it is a nice pun, I guess

-- damn so now Endeavor’s saying that the media is already being fed info by the retired heroes. so for some of these guys it wasn’t enough for them to abandon all the people they swore to protect and to leave their fellow heroes out in the cold; they decided they might as well actively make things worse for them while they were at it, huh. like I get wanting to spill all the dirty secrets from your old job that you just quit, but this isn’t Jeff Bezos you’re screwing over, this is a sixteen-year-old kid

-- like, yes!! this, right here!!

exactly!! let’s not forget that there are already two prior instances of this happening. Endeavor arguably deserved it, but Katsuki not so much

huh. Endeavor seems to have a more optimistic outlook regarding this than I do lol

I mean, this is the same public that didn’t hesitant to blame a kidnapped child for his own kidnapping, and then later on for being the downfall of the Symbol of Peace. but okay then

anyway so blah blah blah, more talk about how they need to use Deku as bait, which basically puts them back at square one, and then they’re all just trailing off into silence and sitting around in the dark lmao this is getting very depressing

SKDJFLSDKJ:LFKJ

SHOUTO?????

NOOOOOOOO ARE YOU KIDDING ME

OH HOW THE TURNTABLES OMG. THE GHOSTER HAS BECOME THE GHOSTEE. Endeavor you petty son of a bitch. and what a brutal cut to that flashback too. “let’s stop Touya together” nah Shouto I’ve got a better idea why don’t I abandon you in U.A. and sally off with Hawks and Jeanist to found the “let’s pretend like we’re doing something to help Deku” club, which basically consists of us sitting around making terrible decisions all day long

Shouto, honey. you deserve better my little Coca Cola can. .........but if you really do have something important you need to tell your dad you could just text it to him. all the love and support, hugs and kisses, you’re doing amazing sweetie. but if you need to pass on any vital information you can just write it down and hit send honey that’s all I’m saying love

now he’s getting another call?? -- or, no, Hawks is getting a call from All Might

ARE YOU FOR REAL HAWKS OMFG

so while you all were sitting around talking about how useless you are, the kid you’re supposed to be protecting was battling another hired gun. I see. please pardon me for one second, I have a phone call to make. the phone call is to RockLockRock and Manual. the reason for the call is to apologize for calling them the worst bodyguards ever back during the War arc. the reason for the apology is because it turns out I WAS SEVERELY MISTAKEN OMFG

JESUS CHRIST DEKU DID YOU JUST KILL THIS MAN LMAO

shoutout to Horikoshi for offscreening this fight. we get it, lol. Deku strong and scary, villains ineffectual and feeble, and AFO... [checks notes] yep, still a dick. the angst arc continues

-- the angst arc continues, SIR

jesus christ I may have to rethink all of my opinions about Deku being framed for murder in movie 3 lmao. never mind. he did it, your honor

holy fucking shit Deku. “he might blow up, so please be careful” fdlskjflk jlskdjflk lwkejflk anyway so I’ve decided the explosion running gag can stay, actually

DEKU WAIT YOU FORGOT YOUR LUNCH!!

lol why do I get the feeling some serious shit is about to go down. ALL MIGHT NEVER MIND BACK OFF I THINK HE NEEDS HIS SPACE

OH MY FUCK I GASPED OUT LOUD

NO NO NO. I KNEW THIS WAS COMING GODDAMMIT BUT NO. NEVER MIND, I CHANGED MY MIND ABOUT IT, I’M NOT READY TO CRY TODAY

shit. shit shit shit shit and OF COURSE all I can fucking think about is that stupid fucking prophecy and gahhhhhhhhhhhhhhhhhhhhh

Deku please. please please please if you really are going to leave All Might here, please be so very careful in choosing your farewell words to him now because have this sudden horrible fear that this might be the last time you ever see him alive and oh god. oh god oh god

DEKU NO, YOU’RE REALLY NOT!?!?

I HAVE NEVER SEEN ANYONE LESS FINE IN MY LIFE, ACTUALLY????

holy shit. and the fucking callback to the prophecy now. just in case we forgot. WHICH FYI, WE DIDN’T. but that’s basically confirming that this is all still very much on the table and HORIKOSHI NEVER FORGETS oh my god someone please hold me

and the fact that Deku’s flashing back to it now too, though?? because he never forgot either, because of course he didn’t, and now all this stuff is happening, and AFO’s words are getting to him, and this is literally his worst fear come to life and so of course he’s distancing himself from everyone, and now it’s finally come to even this. even the person he admires most

-- OKAY NO, FUCKING COME ON ALREADY I CAN’T TAKE THIS

I GET IT OH MY GOD, I ALREADY UNDERSTAND THE EMOTIONAL IMPACT OF THIS MOMENT WITHOUT ALL OF THE DEVASTATING FLASHBACKS THANK YOU SO VERY MUCH!! YOU ACTUALLY DO WANT ME TO CRY, HUH, IS THAT IT. THIS MAN THAT HE THINKS OF AS A FATHER, THIS MAN WHO HAS BEEN EVERYTHING TO HIM SINCE HE WAS A VERY YOUNG CHILD. EVERYTHING THEY’VE BEEN THROUGH, JUXTAPOSED AGAINST EVERYTHING DEKU IS UP AGAINST, EVERYTHING THAT’S AT RISK. LET’S JUST PUT IT ALL SIDE BY SIDE. LET’S JUST PILE ON ALL OF THE FEELS

(ETA: just a quick note that even though some of the posts I’ve read have described these as All Might’s flashbacks, I’m pretty sure they are Deku’s. most of these are scenes that only he was there for, so yeah. even though All Might is the one thinking the thoughts on the next page, the flashbacks are what’s running through Deku’s mind right now, and so we’re getting that emotion from both of them, which makes it extra devastating lol.)

wait, what???

WHAT??? do you really think that’s why he’s been so determined to protect you this entire time?? simply because you’re his successor?

-- oh no wait lol I think I got that mixed up, this is All Might saying that Deku feels the need to protect him. well that makes more sense lol

oh my god I cannot

his last words. his last words to him. and we can’t even see if he is smiling, like All Might always encouraged him to do. but what are the odds he can’t actually bring himself to do it. what are the odds he’s actually crying. oh god this scene is going to rip my heart out and STOMP on it in the anime isn’t it. Deku’s VA is going to full on murder me with emotion. not that there’ll be much of me left to murder after the thorough job that Horikoshi has already done here

YOU’RE CRYING. DEKU IS LEAVING ALL MIGHT AND IGNORING HIS OUTSTRETCHED HAND AND YOU’RE CRYING. AND BY “YOU” I MEAN “ME”, FUCK

nope nope nope nope nope nope nope nope nope no words just feels just a big ol’ pile of feels. I do not have the strength. future me... [broadly gestures] good luck with all that

(ETA: LOL, WELL THEN.

what breaks my heart here is All Might. All Might, and everything he’s been through, and history repeating itself, and forcing him to live this moment from both sides because he wasn’t strong enough to fix things.

Toshinori had only just turned eighteen when Nana died. like, I feel like we don’t mention this enough. the All Might we know is a sixty-something-year-old man, and so everyone always talks about him like he’s basically been an adult forever. but he was a child when he met Nana. and he was still just a child when she died. barely a year older than Deku is now. younger than Mirio was when we first met him.

and we don’t talk about that. we don’t talk about how devastating that was for him. and we don’t talk about how the reason he grew up to become so reserved and withdrawn -- for all that he always tried so hard to outwardly project the image of a bold, confident, smiling hero -- was specifically because of what AFO did to him. because AFO targeted him in the exact way that he is now targeting Deku. because that’s what he does. he goes after every new user of OFA, and he finds out what’s most important to them, and then he destroys it. and for Toshinori, that was Nana. if you’ve read All Might Rising, you know that AFO basically killed her in front of him (and only killed her, while letting Toshinori and Gran get away). Toshinori (while crying) later says she was like a mother to him. and interestingly enough, during this same conversation, Gran tells Toshinori that he can see “that madness in [his] eyes” when Toshi talks about becoming strong enough to defeat AFO. madness in his eyes. sound familiar??

what’s happening to Deku now is the exact same thing that happened to Toshinori when he was a boy. AFO tried every bit as hard to break him as he’s trying with Deku now. “the path you’ve chosen is a thorny one. every battle grinds away at your soul with no end in sight.” we don’t talk about how Toshinori experienced this same thing for forty fucking years. and all the while isolating himself, exactly like Deku is doing now. pushing people away, exactly like Deku. because he never had anyone who was able to reach out and pull him back. and those words that he now finds himself frozen and unable to speak -- “don’t push yourself”; “you can rest” -- are the same words that no one ever said to him until decades later, when it was already far too late to make any difference.

everything that Deku is experiencing now is what Toshinori also went through. and it’s only now, as he watches it happen to his student, the boy he loves like a son, that he’s finally starting to realize the full extent of how wrong it was. you shouldn’t have to fight alone. you shouldn’t have to bear that kind of enormous burden alone. you shouldn’t have to push yourself, and you can rest. you can rest.

but it’s too late. just as he’s finally coming to understand it all, it’s all too fucking late. and he can’t say the words, he doesn’t know how to say the words, and then just like that, Deku is gone.

and he’s alone. again.)

I can’t. this can’t be their goodbye. I’m not ready. for this to be how they finally part, and then they never see each other again except in OFA. how is that fair. how is that fair. how is that fair

fuck me. lol. how many pages are left in this thing. let’s just wrap this up lol. so now of all the times for this fucking guy to finally show up

I can’t believe Stain has been here literally this entire time hiding behind this random wall and cutting onions. that was you who was cutting the onions, right. no need to answer that we’ll just say it was

HORIKOSHI JUST END THE CHAPTER PLEASE I’M OUT OF SPOONS. YOU HURT ME SO GOOD AND I LOVE YOU FOR IT BUT YOU NEED TO LET ME GO NOW SO I CAN BEGIN THE PROCESS OF TRYING TO PUT MY LIFE BACK IN ORDER HERE. SO WHERE ARE WE CUTTING TO NOW WHAT IS HAPPENING

Stain did you also let AFO give you a new quirk. what’s with you guys. do you like blowing up

oh nvm lol because they were talking about THIS GUY ohhhhhh my fucking god

THAT’S BECAUSE HE’S SAD, LINDA!! jesus

omfg. and so yes, good, the chapter is ending here now on page 15. for once I am FULLY on board with that lmao

anyway so tune in next week for more adventures of Werewolf Deku!! that is, assuming we don’t finally cut back to U.A. at long last, which is actually a strong possibility considering that this chapter will likely mark the end of volume 31. it sure wouldn’t kill Horikoshi to start giving us some hope after everything he’s just put us through lol. KACCHAN COME GET YA BOY

#bnha 317 #all might #midoriya izuku #and endeavor and hawks and mt. lady and all the rest of them I guess #literally forgot all about them by the end lol #bnha #boku no hero academia #bnha meta #bnha spoilers #mha spoilers #bnha manga spoilers #makeste reads bnha #this wound up so long lmao I'm so sorry

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lesbianrobin · 3 years

Note

What do you think are the good and bad aspects of each season of ST?

ok 1. thank u for this question omg and 2. this answer may or may not be a mess, but either way it’s long (almost 7k words lmao) bc i’m insane, which is why it’s under a cut. it’s still by no means an exhaustive list but these are the things that just kinda came to mind.

also i realize you asked “good and bad” and i wrote this whole post as “strengths and weaknesses” which um. is not Exactly what you asked. but close enough <3 i also ended up including a lot of au ideas ksjdckmn bc like i personally hate when people say a certain plot or whatever was bad without suggesting anything that could have improved it yknow so whenever possible i tried to provide Some idea for fixing the issues i had with the show!!

season 1

strengths (this is probably gonna be the longest section but that’s because a lot of these strengths also apply to s2/s3 by default)

nostalgia and authenticity

this one’s pretty simple, but i think that season one did a good job of blending classic eighties media homages (such as the many many e.t./el parallels) with explicit pop culture references (such as mike’s yoda impression, mentions of the x-men, etc) to create a show that’s essentially dripping in early eighties nostalgia without it feeling too forced. before st, i think the most popular depiction of the eighties in mainstream media was that overly exaggerated neon scrunchie aesthetic from the mid to late eighties, and it was usually done in a comedic sense first and foremost. st took a different approach, instead focusing on the early eighties, a time that’s often ignored in favor of going either Full Seventies or Full Eighties, and i think that this choice likely resonated with adults who lived through the eighties and hadn’t yet seen something that felt quite so accurate to their own adolescence. a lot of young people who watched st were totally unfamiliar with this period of time, unfamiliar with books/movies like “stand by me” that st borrows from heavily, and i think st lent more seriousness to the eighties than most young people had experienced so far, and this was refreshing and interesting!

the use of dnd in the show is also quite genius in a way i’m not sure i can articulate?? it isn’t something Everyone would have played at the time, but it’s something that existed within a different context back in the eighties than it does today, and it really lent a sort of authenticity to the naming of the show’s sci-fi elements. like, of course these kids would name parallel dimensions and monsters and superpowers after these similar things in their favorite game! it just feels so real and it grounds st in our reality moreso than you might expect from the typical sci-fi or horror universe.

utilization of existing tropes

almost every single character in st clearly originates from some popular trope. the plot itself is riddled with classic eighties movie tropes. almost every single element of stranger things can be clearly traced back to some iconic eighties film or just to, like, overused horror/sci-fi/mystery/coming-of-age movie tropes in general. this might sound like a bad thing, but it really works in st’s favor! starting off with familiar tropes gives st the ability to easily create a lot of complexity and make a big impact by selectively deviating from those familiar, comfortable tropes!! while el’s whole plot, hopper’s character, etc, are all examples of this in action, i think the steve/nancy/jonathan plot is the greatest example. even from the start, the fact that good girl barb dies while nancy is off having sex with her asshole boyfriend is an incredibly thorough inversion of the most well-known horror movie trope in the book. how often do girls in horror movies have sex for the first time, walk home alone in the dark of night, and live to tell the tale? nancy and jonathan’s dynamic at first glance is a sort of classic “good girl meets boy from the wrong side of the tracks, discovers he’s actually got a heart of gold” thing, but instead of following this well-trodden path, st diverged. nancy is brash, impulsive, and at times downright insensitive. jonathan is angry, bitter, and actually a bit of a creep at first. while they have the capacity to emotionally connect and support one another, they can also bring out each other’s darker side, which is not what we’ve come to expect from that initial tropey dynamic.

in addition, steve, the popular rich asshole boyfriend, is actually... a human being! unlike the cartoonishly evil jocks that we’ve come to expect (especially from eighties movies), steve has complexity. despite his initial immaturity and selfishness, he’s also kind to barb, he backs off when nancy says no, he’s gentle and sweet when they sleep together, his first big Dick Move of the season is in defense of nancy, he realizes the error of his ways after the fight and does what he can to fix it, he’s worried about nancy when he sees that she’s hurt at jonathan’s house, and to top it all off, he ends up saving both nancy and jonathan’s lives when he could have just walked away, and the three of them all work together to fight the demogorgon. like... steve began as the most stereotypical character of all time, and by the end of the season, he had one of the most compelling and unique arcs among the whole cast!

finally, at the very end of the season, instead of dumping steve for jonathan as expected, nancy ends up getting back together with steve, and they’re both on friendly terms with jonathan. i realize that i just kinda. summarized s1. but my POINT is that i don’t think the dynamics between the monster hunting trio would be nearly as fun and interesting had the characters of nancy, steve, and jonathan not been set up to follow certain paths that we already had charted in our own heads. like, within the first couple episodes of s1, it’s pretty obvious that nancy and steve are gonna break up, nancy will get with jonathan, and steve will either die or go full evil or just never be seen again. like, duh! you’ve seen this story a million times! you know that’s how it’s gonna go! so, when the story DOESN’T go that way, the impact of each character’s arc and the relationship dynamics become stronger due to their unexpected complexity and authenticity.

distinct plotlines separated by age group

this one’s rather obvious, but the way that the adults in s1 were essentially in a conspiracy thriller while the teens were in a horror flick and the kids were in a sci fi power-of-friendship story and all three converged at the end... wow. brilliant showstopping etc. not only was it just really well done and unique, it also gave stranger things near-universal appeal. like, there’s genuinely something for pretty much everyone in season one!

casting

obviously this applies to every season sorta by default, but when i think about what made season one So successful, i always think about the cast, and not just winona ryder. yes, she’s absolutely amazing in the show and it’s very doubtful that st would be as big as it is today without her name being attached to it from the start!! however, i think the greatest determining factor in st’s success is the casting of the kids, particularly millie bobby brown. like... el is just absolutely incredible. she’s amazing. this has all been said many times before so i won’t harp on it, but millie and the other kids are all So talented and charismatic and i think their casting has been instrumental to the show’s success.

strong visuals

the way that multicolored christmas lights which have been around for decades are now kinda like. a Stranger Things thing. jesus christ. those lights are probably the biggest stroke of stylistic genius on the show.

atmosphere and setting

this is probably like. the least important one here for me sdjncdsc because i think s2 and s3 both had like Even Better atmospheres and shit but s1 was good too and it laid the groundwork!! i know a lot of people would have preferred st be set somewhere more Spooky with lots of fog or giant forests or whatnot, and while i do enjoy thinking about alternate st settings and how they might alter the vibe, i think hawkins indiana was a good choice. as the duffers have said, placing stranger things in a fictional town allows them more flexibility than if they’d gone with their original plan of using montauk, new york. besides that, i think the plainness and like... flatness... of small-town indiana just Works. like, the fact that hawkins is never really scary on the surface is a big part of the horror in the lab’s actions and their impact. hawkins isn’t somewhere that people just disappear all the time. it isn’t somewhere known for strange occurrences (prior to s1, that is). it isn’t somewhere shrouded in mist and secrecy. hawkins on its surface seems like the sort of place with no secrets and nothing to fear, and that’s the point! the lab is out in the open! it’s right there! everything is so close to the surface, yet so far out of the public eye, and i think that really works.

the byers family’s whole deal (specifically the joyce/jonathan dynamic)

this is going here bc i miss it so bad in s2 and s3. i’m not one of those people who believe The Byers Are The Whole Point of the show, because st is and always has been an ensemble, and el, hopper, and the wheelers are just as instrumental to the plot as the byers, but ANYWAY, i do think the byers were one of the most interesting aspects of s1. joyce’s difficulties with supporting her sons as a poor and (implied mentally ill) single mother, jonathan’s stress as a result of having to earn money, care for his brother, and keep the house in order when his mother is unable to do so, and the resulting tension between them when will’s disappearance and supposed “death” brings the situation to a tipping point? holy shit! it’s so good! that argument after they see will’s “body” is just incredible and gut-wrenching. their relationship feels so real and messy and i think it’s just... good. also winona ryder REALLY acted her heart out and she carried a lot of s1 which i think people often forget to mention so i’m saying it here.

weaknesses

pacing/timing

ok so pacing is probably going to go in each season’s weaknesses, to be honest, because i think they all had a blend of some good and some bad pacing. good pacing is invisible pacing, though, so i probably won’t be putting it in any of the strengths sections and will only be focusing on it in the weaknesses. i’m also probably not going to talk about weird day/night cycle things, just because i don’t want to get nitpicky on timelines because that would require going back and rewatching things to double check timing which i don’t wanna do at the moment lmao. anyway, when i think of bad pacing in season one, i primarily think of two things: nancy’s little trip into the upside down and subsequent sleepover with jonathan, and the sort of staggered nature of the climax in the final episode. the latter is simple so i’ll explain it first: while i understand that each group’s respective climax is like part of a chain reaction and that’s why each big moment happens separately and at different times, i think that st is strongest when the whole group is together, and i think that makes the stakes feel higher too, so i’m not In Love with the way s1 separated everyone and gave each group their own climax.

okay, now on to the nancy/upside down thing! idk if i’ve ever talked about it before, but i think the worst decision made in s1 by far is the inclusion of nancy’s brief trip into the upside down, wherein she dives headfirst into another dimension with absolutely no backup, watches the demogorgon chow down, freaks out and runs around for a minute, and then leaves. like... what the fuck? even putting aside what an idiotic decision this was (because i do think nancy’s tendency to rush into things headfirst is an intentional and consistent character trait), it just kind of destroys any remaining suspense surrounding the demogorgon and the upside down, and it accomplishes basically nothing besides scaring nancy enough to have jonathan sleep over, which is lame. i will break it down.

like, first of all, nancy just getting to waltz in and out of the upside down and get a good, long look at the demogorgon makes the entire thing far less mysterious, and by extension far less scary. like... before this scene, we the audience haven’t got a good look at the demogorgon. we’ve seen its silhouette briefly and we’ve seen a blurry picture of it, but nothing more, and i think that is far more effective at building fear than this jaunt nancy goes on which gives us a full view of the thing and makes it into less of a horrifying nightmare and into more of a humanoid animal. like, maybe this is just me, but i found the demogorgon far less intimidating after that scene than before. it also lets nancy and jonathan know For Sure that they’re right without providing any crucial information that they need to fight the demogorgon (aka it’s unnecessary to the plot), which removes a very compelling story element (the faith nancy and jonathan need to have in order to keep going against a vague and poorly understood enemy, the doubt they might have about each other and their own sanity, the possibility that they might be wrong, the trust they need to have in each other) a bit earlier in the plot than i believe is ideal. at the end of episode 5, nancy goes into the upside down and jonathan doesn’t know where she is and it’s intense!!! you’re thinking like, oh fuck, not only is nancy missing and fighting for her life now too, jonathan might be implicated in her disappearance!! some people already think he’s the one who killed will and people know that he took creepy pictures of barb and nancy before they both disappeared, maybe this is gonna cause some serious problems for him!! maybe nancy will find will in the upside down and she’ll help him survive!! fuck, maybe she’ll actually die!! this is huge!! and then episode 6 starts and they’re immediately like oh nevermind jonathan found the tree and got nancy out and she’s fine. my point with all of this is that nancy entering the upside down could have done A Lot in the grand scheme of the plot, but all it did was just... get jonathan to sleep over so he and nancy could have some awkward romance moments and steve could see them together and pick a fight. which could have honestly happened at Any point while nancy and jonathan were working together to hunt down the demogorgon, without ruining the demogorgon’s and the upside down’s mystique. so yeah <3

weird behavior and dumbass decisions that make no sense (aka the whole camera thing)

gonna go off about the teen plot again sorry but: why was nancy so unbothered and quick to forgive jonathan for taking those pictures? girl what the fuck are you doing? why wasn’t that a bigger deal? why was jonathan’s motivation for doing it so weak and why did they just kind of forget about the whole thing? why did nancy TRACK HIM DOWN AT THE FUNERAL HOME while he was PICKING OUT HIS BABY BROTHER’S CASKET to be like hey can you tell me what’s in this creepshot you took? it’s insane. it’s so insane. i mean i think the funeral home thing is hilarious and i don’t mind it being in the show necessarily but like my point here is that i think a lot of character decisions in s1 just kind of.. happened because they Needed to happen for the plot. like, they wrote this plot that required jonathan to be secretly taking pictures of the party and required him and nancy to work together after seeing something odd in the pictures, but they didn’t like... really consider what that event would mean for their characterization and relationship. the whole thing was sort of just dropped with minimal discussion and i think it did both nancy and jonathan’s characters a disservice and was really mishandled.

lighting and saturation/color grading

i am literally begging horror/sci-fi shows to let me see shit. i GET IT okay i understand that when you’re doing cgi effects it helps to keep the lights down and i’m not mad at any of the lighting in the demogorgon/upside down scenes!! i’m really not i think the demogorgon scenes in s1 all look sick!! but like... dude. the colors. where are they. why does everyone look like a vampire. i know blah blah this was probably an intentional stylistic choice intended to mimic film at the time blah blah but dude a lot of old movies are very colorful!! please just let people have color in their faces so everyone doesn’t look like a sheet of paper!!! also i’m white and not a professional lighting designer so yknow grain of salt but i think lucas was kinda poorly served by the lighting sometimes in s1. not Hugely so, not to the degree that i’ve seen poc be poorly served by lighting in other shows, but there were some times where it felt kinda like the lighting setup was just not designed with darker skin in mind.

horror

i just personally don’t find s1 very scary like... ever. i don’t think they were really Trying to be extremely scary yknow so i’m not counting this as a big deal, but i do think that each season has improved on the horror aspects. i think s1′s horror lies more in the mystery and the unknown than in what’s seen onscreen, and as i’ve said already, i think s1 kind of fumbled that suspense ball.

season 2

strengths

the possession plot

i’ll warn u rn this whole s2 strengths section is probably gonna be really short bc idk like. how much there is to really say i feel like it’s all so self-explanatory skjncmn. anyway yeah the possession plot!! eerie as fuck, and noah OWNED. so did winona tbh and finn and sean etc but like. noah. wow! i think the possession plot helped the show maintain a good amount of tension and suspense throughout the season, and a lot of scenes with possessed!will are flatout disturbing to watch. in a good way. i think the mindflayer and will’s possession were far more genuinely frightening than s1′s demogorgon, and it provided a new layer of depth and intrigue to the antagonist besides just “bad monster want eat people.”

tone and aesthetics

halloween season... literally halloween season. halloween season. that is all.

actually i will elaborate a bit and just say that i think s2 did a good job of having the sort of foreboding vibe that s1 was often going for, but without the annoying darkness and desaturation. so points for that.

also st2 is like one of the best Autumn pieces of media ever like it just. like steve and dustin on those train tracks with the fallen leaves all around them.... god. god the vibes are unparalleled. all of the halloween stuff also really contributes to the nostalgia st runs on yknow it makes you think about childhood and trick-or-treating and you kind of get transported like damn... i remember going to the rich neighborhoods to score the good candy..... idk i just think the whole thing is incredibly effective.

“babysitter” steve

by sending nancy and jonathan off together, the show created a problem: what to do with steve? this problem pushed them to create the unconventional and unexpected duo of steve and dustin, and the world is so much brighter for it. seriously though we all know steve and dustin are great i don’t need to argue that point. all i’ll add is that i think allowing steve to grow in this way, serving as a mentor figure and becoming genuine friends with someone so unexpected, really took the originality of his character to the next level. no longer content just to defy his archetype, in s2 steve begins branching out in ways that never would have been considered in s1, creating an incredibly complex and interesting person from the sort of character that most shows would have simply written out or killed off for convenience’s sake. and it works and steve and dustin are such a joy to watch and i love them. <3

the lucas/max plot

so first of all max mayfield is the most perfect baby girl on god’s green earth and idk what i would do without her but anyway. i think lumax is the best romantic relationship in the show and not just because they’re the only ones with like an age-appropriate approach to the whole thing. it’s also because their relationship accomplishes more than just putting the two of them in a relationship!! lucas and max spending time together motivates billy to do his evil shit, providing more conflict in the narrative, and it also helps establish max as part of the group in a relatively natural way while giving both her and lucas a great subplot. lucas (and dustin) has a crush on the new girl, they start spending some time together, and lucas ends up needing to decide whether he’ll keep the secret of the upside down and lose her, or risk both of their lives by telling her the truth. that’s a pretty big, character-defining decision that he gets to make!! max has to choose whether to trust this boy she barely knows and endanger herself, or to walk away and stay safe, yet another great character-defining choice that also contributes to the sense we get as an audience of max as somebody who’s incredibly lonely and desperate for love and connection. this post is way too long already and i have a ton more to say so i’ll stop now but yeah i think lumax really Works in the show without ever distracting or detracting from the overall plot and narrative in the way that some other ships (coughjancycough) often do.

balance between the normal and abnormal

s2 i think did a pretty solid job of melding daily life with more fantastical sci-fi horror elements. i enjoyed seeing so much of the kids at school in the first few episodes!! you really get a strong sense of where they’re at in life, what their daily lives are like, and you get a sort of gradual shift into madness that makes everything feel more grounded than i think it would if they had just leapt straight into the horror shit, yknow?

the el and hopper dynamic

go back and rewatch s2 and tell me that’s not one of the most moving portrayals of parenthood and trauma and growing up that you’ve ever seen. you can’t. or well you can but i won’t listen. i really can’t imagine stranger things without el and hopper’s relationship, and it’s my absolute favorite part of s2. their whole dynamic is so beautiful and complex, and gives them each amazing personal arcs in addition! the black hole scene is literally one of the show’s greatest moments of all time. any given scene between the two of them in s2 is just guaranteed to be heartwarming as well as heartbreaking, and i think that makes for an incredible show.

weaknesses

flashbacks

okay this applies to Every season they All have too many flashbacks but in s2 specifically... please stop showing me shit from season one. i watched it. i know what happened. you don’t need to spoon feed everything to me!! flashbacks can be a really helpful way of delivering information to an audience, but st has a bad habit of not only being kinda demeaning in how often they flash back to shit that the audience already knows, but they also have a bad habit of using flashbacks almost as a crutch to avoid having to deliver information subtly and naturally.

you know i gotta say it... the lost sister

this is so sad. the lost sister really is like a great concept for an st episode, and i’m not mad about the idea of st taking a break from the normal action to focus on one story for a full episode, but the execution of it was just dreadful. kali and her crew feel very over-the-top and stereotypical, and its placement in the season totally kills the tension and excitement that was built in “the spy.”

i think the lost sister honestly could have gone over far better, even with the stereotypical fake-feeling gang kali has, if they had just swapped it with “the spy” like... ok, the end of episode five has el setting off to find kali and will collapsing on the ground seizing. right? imagine if, instead of immediately following will to the lab, we’d followed el. we don’t know what’s happening with will, but it’s a very simple cliffhanger that leaves us on edge without making us feel cheated by the show cutting away. we follow el on her little journey, everything happens much the same as canon, and then at the end, el sees hopper in scrubs. she sees mike, screaming, sees that they’re both in danger. holy shit!!! what the fuck!!! what’s happened since we left will seizing on the ground??? we feel el’s fear and confusion. she decides to go home. and then... boom. “the lost sister” is over. now, we rewind, right back to will seizing on the ground, and “the spy” commences. we learn how they got into the danger that el saw in the end of “the lost sister,” and we sit on the edge of our seats all through “the spy” and “the mind flayer,” KNOWING that el is on her way back to save them but not knowing when she’ll arrive!! idk i don’t think that would have necessarily saved lost sister but i think it may have alleviated some of the issues that i and many others have with it, timing-wise.

the nancy/jonathan sidequest

once again, the idea of nancy going off on her own little mission to find justice for barb after s1 is like. amazing. genuinely i love that plot for her and i can’t imagine anything better for her to have focused on in s2. unfortunately though i think her and jonathan’s little trip to see murray was just kind of... lame. the whole thing just felt like an excuse to get the two of them alone together, yknow? which is fine i guess people contrive all sorts of situations to get characters alone together for romance reasons but in this case i think it just really doesn’t work for me because of what it’s juxtaposed with. like, will is POSSESSED, and jonathan is just off on a mini road trip and sleeping with his bestie, and jonathan never seems to communicate to joyce/will that he left town, and joyce never like... thinks to tell him that will is like sick and fucked up and they’re looking at him in the lab??? like it’s so weird i know joyce always forgets about jonathan when shit’s happening with will but jfc you’d think at some point in that like... 72-ish-hour period where jonathan was out of town she would have thought about him. like at least once. maybe i’m forgetting something and she mentioned him sometime and i missed it but even still, i hate the juxtaposition of nancy and jonathan just like cheers-ing at murray’s place and sleeping together and whatnot while everyone else is dealing with possession or trying to hunt down dart yknow? it feels really boring in comparison and i think it could have been done far better. like it was SO insanely easy for them to get into the lab and get an admission of guilt and escape with it!! i think it might have been a lot more engaging if maybe someone from the lab tailed them to murray’s place and they had to like lose the tail and race to get the recording out to as many news outlets as possible before they got caught, or something like that. the tension in their plotline is completely resolved in episode four!! episodes five and six are just them screwing around and addressing envelopes. while there were a lot of strong ideas in this plotline (i really enjoy nancy going out of her way to get justice, and the fact that they have to water down the story to make it believable), i just think the focus on nancy and jonathan getting together hindered it a lot without adding a ton to the plot or their individual characters.

season 3

strengths

starcourt mall as a setting

while i don’t think the mall was utilized quite to its full potential (something i could make a separate post about if anyone’s interested), i do think that starcourt was a genius addition to the series. i’ve said this before, but building a new mall is a literal Perfect in-universe justification for a significant leap forward in fashion and aesthetics, and it provides a great location for characters to just... be characters. idk how else to articulate this i just think that the mall is a great setting to let people interact with each other and to bring people together who may not have been otherwise (i.e. scoops troop). not to mention how sick it was to see the mall get wrecked toward the end kdjncdkm like they were able to do so much more with the mall in terms of like The Finale than they could with just the byers house or the cabin or the school or even the lab. i love all the back tunnels they run through it’s such a fun like acknowledgement of how this glitzy eighties mall is just a real place where employees get shipments and take out the trash and shit idk it’s all about the perfect facade and what’s hidden what’s underneath what’s hiding in plain sight etc etc i’m just saying words now. anyway.

willingness to experiment and go against expectations

gay robin. neon aesthetics. giant fucking meat monster. i know some people hate both the neon and the meat monster but i personally think they were kind of amazing and like. yknow regardless of personal tastes i think it’s impossible to deny that s3 had a lot of incredible visuals, and they’re all visuals that just wouldn’t have been possible if the show were too afraid to stray from its s1 aesthetic. robin being canonically gay (and her resulting friendship with steve) and the season’s striking visuals are two things that most everyone (besides like homophobes skjncdknm) can agree were great, right? and they were both departures from where the show began and what we all expected!! so yeah i think while some of the experimentation in s3 wasn’t ideal it was also that experimentation that allowed for some of the season’s strongest elements to come about.

the hospital sequence (and the season’s action/horror scenes in general)

this one is fairly self-explanatory. while they may have underutilized the “body snatching” element of the season, the hospital sequence with nancy and jonathan fighting off their possessed bosses did an amazing job of building tension and creating a genuine sense of really intense and personal danger.

in general i think that s3 melded action and horror rather well, particularly in the sauna test, the hospital, and when the mindflayer busts through the roof of hop’s cabin. horror can come from many things, and in this case, st elicited horror largely from the feeling of helplessness, and it was really effective for me personally. i think it worked better for me than s1′s brand of horror because it doesn’t rely so much on a lack of knowledge or a sense of suspense that inevitable disappears upon a second viewing.

the body horror we got in s3 was also really fun! that’s it i just think all the blood and guts and slime were fun and i would like more of them. once again, the impacts of body horror are less dependent upon the viewer being in the dark or unsure as to what’s happening, and as such i think it tends to be a little more effective at eliciting reaction in the long term.

timing and mechanics of the battle of starcourt/finale

i think the battle of starcourt is just fucking awesome, and beyond that personal opinion, i think it’s the most high-stakes and intense finale of all three seasons, and this is for two main reasons! 1. el is out of commission, and 2. (almost) everyone is in the same cental location. this means that (almost) everyone is in danger all at once, and they are all working together at the same time to fight the same threat. s1/s2 have their groups more fragmented for the finales, and while i understand why in each case and i wouldn’t call either season’s finale necessarily weak, i do think the centralized nature of the s3 finale just Works on another level. in s1 and s2, large segments of the cast are already perfectly safe by the time el dispatches the primary threat. in s3, however, everybody save for dustin and erica is still in danger up until the last moment, and el is seemingly (you can def debate how much power she still had in her when she peeked into billy’s mind and whether the memory broke the mindflayer’s hold on him or if she was actually controlling him to some degree) completely vulnerable. this increases the tension and raises the stakes, making the finale a real crescendo to fortissimo as opposed to a series of little mezzo forte moments. i hope everyone reading this knows music idk how else to phrase that my brain is stupid.

emphasis on friendship and adolescence (but in a different way than s1/2)

this is definitely a controversial one but i think that s3 really did like... show a side of friendship that had been more or less unexplored thus far in the show. el and max were amazing, and i think it’s really nice that we got an opportunity to see the kids have some growing pains as well as see them support each other through Normal Adolescent Stuff like boyfriends and breakups instead of just like. death and trauma. this is maybe just a personal preference, but i think it can be really enlightening and provide a lot of depth when you get to see how characters respond to normal everyday conflict and not just how they respond to giant world-ending conflict!! letting el use her powers for goofy teenage shit like spying on boys and messing with mean girls at the mall is not only fun for her and the audience, but it also really emphasizes just how much those powers are a part of el, making it that much more devastating when she loses them at the end of the season.

weaknesses

tonal dissonance

so this is like. obvious. but it must still be said! i won’t go on and on about it since we all know this so i’ll try to like talk about it from an angle people don’t usually? anyway. it seems to me like they were maybe a little worried about s3 being too dark. while the choice to really lean into humor was definitely driven by the sorts of eighties teen films from which s3 drew inspiration (like fast times at ridgemont high), i think it was also done in an attempt to alleviate the more troubling implications of some events in the season, particularly the russian bunker plot. like, yeah, st can be incredibly dark, but if they’d played the whole “children being stuck inside of a foreign military base, tied up, tortured, and drugged” thing completely straight without the humorous elements that exist in canon, it had the potential to be like... disturbing on a new level. steve and robin don’t have powers like el yknow their kidnapping/torture doesn’t have any sci-fi elements to sorta soften the blow. they’re just innocent teenagers being brutalized and traumatized by grown men. so anyway yeah i think maybe the writers were concerned about this storyline coming off as too dark and they wanted it to be a little more whimsical but they ended up pushing way too hard in that direction and creating extreme dissonance at times. this goes for joyce/hopper/murray/alexei too, but to a lesser extent. i think the ridiculousness in that group felt a lot more like... realistic. but still.

newspaper plot

once again i feel like i don’t even need to say this skjdncmn we all know it was insane how the show basically ended up delivering the message “while misogyny is a serious problem poverty and classism are not” and i’ve said it on this blog a million times so i don’t need to repeat myself. i’ll focus on another weak point of this plot: the fact that it completely separates nancy and jonathan from everyone else. once again, the show’s preoccupation with j/ancy held them back! like... can you imagine a version of s3 where nancy and jonathan both worked in the mall? i have a lot of ideas about this possible au and like how the plot could play out differently if they worked in the mall but first of all it’s just more realistic, second of all it further utilizes the mall as a central setting, and third of all, it would bring everyone together. as it is in canon, nancy and jonathan were unnecessarily isolated from the rest of the group, and this isolation was detrimental to both of their characters. like, they only ever get to interact with each other! if they’d gotten summer jobs in the mall, they could have had more interactions with the kids/steve/robin, and they absolutely still could have had a similar argument! maybe in this case, nancy notices the rat thing (or something else odd) herself when taking out the trash behind the mall, and she wants jonathan to ditch work with her to check it out bc she thinks it may be related to the lab. jonathan doesn’t want to ditch work because he needs his job, nancy argues that they’re working shitty mall jobs anyway and who cares if they get fired, and we get more or less the same thing as s3 without the cartoonishly over-the-top misogyny. i mean honestly i think the rat shit could have been cut entirely it didn’t rly... accomplish much of anything. in my opinion. like imagine s3 without the rat plot you literally would not be missing anything except it would be more surprising when the dudes melted into goo at the hospital. so yeah i think it would have been better if nancy and jonathan had jobs at the mall, weren’t isolated from everybody else, and were maybe absorbed into the party’s plot or the scoops troop’s plot from very early on, allowing them to interact with more characters and have a less... dumb.... plot. like god splitting up nancy and jonathan between the party/scoops troop would have been So Much better i just. sdkjcnksdmn anyway yeah.

briefness of group reunion/separation of groups

remember in s2 at the beginning of “the gate,” where mike and hopper had a confrontation and max and el met for the first time and el hugged everyone and steve and nancy had their sad little moment together outside... where’s that energy? obviously the s2 reunion wasn’t that long either, but it made space for some significant emotional moments to take place. s3′s reunion had some hopper/el/mike resolution, but besides that... there was nothing, really. i just think that the whole group getting together in s3 was SO exciting and powerful the way they did it (with both the scoops troop and the adults having their own Big Moment reconnecting with team griswold family), but the emotional potential was more or less squandered.

i also think in s3 at times they were really stretching to keep everybody separated even though it made no sense. and like... in s1 the separation worked bc nobody else knew that (x group) was experiencing weird shit too, and beyond that, each group (as i mentioned in the s1 section) was sort of operating within their own genre and bringing something unique to the season. they’ve stopped doing that though! now, the groups aren’t separate bc each plot is tonally/structurally different, the groups are just separate bc... they need to be, because it’s a big ensemble cast and you can’t just have them all be together for a whole season or it would be way too difficult to coordinate things and keep the show dynamic. all this is to say that i’m excited for s4 because the location differences make it so there’s a Reason for each plot to be separate at the beginning, and i think that’ll work better.

general ridiculousness

i dont mean like i think it’s bad that they made jokes this is just me lumping in all the dumb shit like hopper not worrying about el and not wanting to check on the kids, him and joyce bickering long after they both know they and their children are in danger, max seemingly forgetting that billy is a racist abuser, etc etc. i think many of these are just a symptom of the show 1. trying desperately to keep the groups split up a certain way even though it may not make any sense, and 2. trying to fit into a certain genre/trope mold when their actual characters are more complex than the tropes they’re imitating. this is so fucking long already i am not gonna elaborate further rn but i trust u all know what i mean.

soooo... yeah, that’s about all! i mean it’s not all there are definitely many more things i could talk about and i know i focused sorta disproportionately on the teens which is my bad :/ but i’m done for now. thank you for asking, and apologies for the delay in responding!! i’m sure some people reading (if anyone read this far) will disagree with some of what i’ve said and that’s alright like i’m not The Authority on st or anything i’m just trying to talk about like my own thoughts yknow? so yeah luv u all i hope someone enjoyed reading this!!

#asks #em talks #lesbianrobin.canon #stranger things #if u actually read all this i love u and im sorry #these r just my opinions!! and im sure i misremembered some shit my brain is swiss cheese #i did my best tho

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yayteaberry · 3 years

Text

*SFW* Babysitting (Bakugou)

Rarely did he ever take a Saturday off from either training or studying, he was determined to stay better than everyone else. But, it had been raining since yesterday and he felt like he deserved a break anyways. From morning to afternoon, he enjoyed doing absolutely nothing, scrolling his social media and avoiding liking any of his friends posts on principle.

Shitty hair still won’t shut up about the selfie he liked so now nobody gets any.

His planned day of nothing is interrupted by a knock at his door, and he’s been pacified by memes to a degree where he doesn’t react violently to the intrusion.

Instead he shoves his phone into his pocket as gets up and opens the door, plain faced until he sees it’s you and that you’re holding something. Well, someone.

“Hey!”, you greet with an unusual level of enthusiasm, “I need you to do a favor for me.”

“A favor?”, he asks while he takes in the fact that you’re holding a baby, dressed in a striped onesie.

“Yeah, I’m kinda busy with stuff and I need someone to keep an eye on this little cutie for a bit!” To emphasize the importance or maybe sway him, you turn the baby around so he can see the chubby face.

“... If you’re asking me to babysit it, then no.”

You click your tongue against your teeth, rolling your eyes. “Well don’t call her by ‘it’, and I really need you to do this for me!”

He puts a hand on the door to signal that he’s about to close it, “Nah. Ask shitty hair or Deku, I think they’d love to drool over your kid.” “It’s my aunts baby!”, you say as you put your foot over the threshold, jostling the baby somewhat, which excitedly babbles as it meets his eyes, “They’re busy too, I tried asking! Believe me, you weren’t my first choice.”

“What do you mean by that?” He speaks with annoyance, opening the door fully as his competitive nature rises.

Internally you give a sigh of relief, externally you place the baby on your hip. “Bakugou, I think we both know that you’re awful with children. But you’re my last option and I have nowhere else to turn.”

“I should’ve been your first choice! I’m a fuckin’ wiz at keeping brats well behaved! Gimme!”

“Ah!”, you step out of range of his attempted grab and put out your pointer finger, “Don’t yell at the baby, don’t be aggressive with the baby, and most of all, don’t yell at the baby.”

In spite of your words you know full well he’ll do nothing of the sort, just wanting to give the appearance so he’ll be on his best behavior. He doesn’t have to know he was actually the only one you wanted to watch her.

After all his surface level bullying you can tell he’s soft on the inside, knowing he’s the least likely to give into a baby's whims while also being gentle enough to avoid making her cry.

“Yeah yeah.”, he grumbles, taking her from you when you extend her towards him, “When are you gonna collect the brat?”

You give a 50/50 gesture, shrugging, “Ah an half hour to two hours, but I’ll be back before three hours for sure! She’s been fed and changed recently but just in case,” A bag is revealed when you pull it from behind your back, taking it off by the strap and setting it inside.

“Diapers and toys, if she’s hungry there’s something for her in there too. Just, be careful about that, she’s sorta young for it.”

He nods at your words, watching her grapple at his shirt, having not once taken his eyes off her.

“Thank you!”, you chirp and give him a kiss on the cheek, knowing that he can’t do anything about it while holding her. That makes him glance up at you with some minor malice, which is reduced severely by the dusting of pink across his nose.

With that you take your leave, confident he’ll do fine.

He shuts the door and sits at the edge of his bed, cradling her in his arms. After a moment he takes a look over to the bag you left, thinking it’d probably be best to fish something out of there for her to do.

While he wasn’t experienced in caring for a baby in any capacity that felt like common sense. Plus, it’d allow him to continue wasting time on his phone.

“You,” he gently places her on the middle of the bed as he stands, “are not taking my Saturday from me with your tiny incapable hands.”

With one hand he grabs the bag off the floor and sets it on the bed beside her, opening it and digging through its contents. You were right, the thing is loaded with diapers and many different plastic objects.

Keys, babies love keys.

That toy seems the best choice, taking that and a blanket out before putting the bag on the floor nearby, holding the baby like a barrel under his arm while he flattens the blanket, then placing her on her belly.

He dangles the keys in front of her, watching as her eyes widen as she takes a horribly aimed swipe towards them. With a laugh tinged snort he lets her have them, sitting with his back against the bed and taking his phone out, resuming his leisure hobby.

A minute passes before he peeks over at her to make sure she’s still there, idly chewing on an orange key. It reminds him of something a puppy would do, up until she shoves it in way too far.

He drops his phone and yanks the keys away with concern she’ll vomit, not expecting her to look so upset over it. Briefly she contentedly waits for them to be returned, but when it becomes apparent they aren’t, she scowls.

“No,” he preemptively says, putting the keys down at his other side to keep them away, “you did something fucking stupid, so now they’re off limits. Don’t get all upset over it.”

She huffs and slams a hand down a few times, making a ‘gah’ with very demanding intent.

“I said no. Let me find something else then, calm down.”, he says as he reaches over to grab something random out of the bag, finding a plush red dinosaur. “See? Fun. Chew on this.”

He sets it down in front of her, and she immediately pushes it over, repeating herself. If nothing he gives her credit for having a strange amount of object permanence.

“I. Said. No. The fuck do you want me to do? You’re the one who can’t handle having the damn thing!” With a curt ‘no’ as a final statement, he leans over her to shove the keys back into the bag.

This turns out to be a huge mistake.

In a universally understood way, her face screws up as she starts taking in heavy breaths, which makes his eyebrows raise.

“Don’t. No crying.” his tone is as assertive as he can get it, shaking his head as if to cement it. Her tiny face turns red, sniffling once before fat tears begin to roll down her cheeks.

With no idea what to do in this situation, he starts rummaging through the bag for a solution, diapers spilling out as he digs for a similar toy if there even is one. He cringes as she really starts crying, caving and getting the keys back out, giving them to her. “See? See??”

She either doesn’t notice or doesn’t care, bawling in the way only babies do, arms giving out as she lays down.

His instincts on consoling anyone are terrible and usually not to be followed but he acts without thinking, picking her up and setting her in his lap, bouncing his leg as he pets her back, softly shushing her, ignoring the part of him that does in fact wish to yell at the baby.

Her tiny body trembles, pawing at his shirt as she rubs her tear stained face into it. Continuing to follow his instincts he lifts her up, both arms cradling her as her head rests against his shoulder. She does eventually calm, relaxing as quiet hiccuping replaces her sobs, breathing regulating.

She's effectively soothed, he on the other hand is completely shaken up.

Jesus, why did that scare him so much? He’d heard babies cry before and always was irritated by it, but this time there was something so different about it. Even now his heart is still racing, mouth dry as he stares forward into the wall with a mixture of worry and gratefulness.

Once she’s relaxed, he picks up the previously discarded dinosaur, placing it in his lap next to her. Thankfully, she seems to have forgotten about the keys, happy to latch onto the plushy.

He takes his phone back out with the intent to resume his earlier scrolling, but he can’t entirely take his eyes off her. He’s more interested in watching her reactions than he’d ever admit.

In some ways she reminds him of you, mainly the eye color and the way her cheeks pinch up when she smiles.

You seem the motherly type to him so he assumes you’re leagues better at this than he is, but you’ve never mentioned having to babysit her before.

In fact you’ve never mentioned her before at all.

Maybe you enjoyed doing it but kept quiet so you didn’t have anyone intruding or asking to see her, babies can feel stranger danger so that made sense, it’d probably be overwhelming. She doesn’t hate him though, maybe you knew that she wouldn’t?

Despite the panic she’s sent him through he really wouldn’t mind watching after her again. It'll probably be easier with you here, though he isn’t sure what he’d do if you were, he’d just be sitting around while you did everything.

God, she is really goddamned adorable. He smirks as he takes a second to allow himself to outwardly express something positive, watching her slap her tiny hand against the toy.

Usually the idea of having a baby is the worst one anyone can have, but right now he isn’t all that opposed to it. Not that it looks simple, more that it looks to be worth it.

He knows he’d make super cute babies, based on what he looks like and has always looked like the kid would outshine any other snot maker.

While he didn’t know what you looked like as a baby he just assumed you did too, briefly considering what a baby would look like if it came from you and him.

He’s got his mother's blonde hair despite his father's brunette coloring so that’s a dominant trait, possibly overriding your own but who can know, it’d more likely have more of your features.

Out of anything he’d want a little girl just like this one, though he’d be happy with anything as long as it's yours. Your features have always been something he likes, face as well as body, you’re built well in every aspect he tends to care about.

That, and your winning personality, even he can see that it’s a very pleasant contrast to his own. A kid with a mixture of both would be undoubtedly unstoppable, making him proud left and right.

Suddenly the thought bubble pops as reality rises to the surface.

You’re not his and he doesn’t like you anyways, this doesn’t bear so much thinking since it’ll never happen.

A heat takes to his cheeks as he tries to move on and pretend he wasn’t having a domestic fantasy involving you, mostly pretending he hadn’t had any fantasies about you.

It was something that’d creep into his mind sometimes.

Kirishima and Deku tended to have some softer traits alongside their bolder ones but it just wasn’t the same coming from either of them.

You had a certain tenacity to you, it was totally within your options to let some rich older man take care of you but you wanted more for yourself, you wanted to be a hero.

It made you strong, and you were strong because you worked for it constantly. As thick as your innocence tended to be, he was fairly confident you could knock him unconscious if it strikes you as the right choice.

He shook his head and made an effort to clear out all his emotions, directing his attention back towards the baby to ground himself.

At some point during his daydreaming she’d knocked out cold, the dinosaur laying on the floor beside him, propped up against his chest, quietly snoozing while drooling a slight amount. Even if he wanted too he couldn’t be grossed out, it was way too cute of a sight for him to get mad.

Looking at her makes him feel tired, so he decides that taking a nap wouldn’t be a terrible idea. Careful to avoid waking her, he shifts around to get comfortable, hooking an arm around her so she doesn’t teeter backwards while he’s moving.

He thinks about whether he should turn her over and lay her on the blanket, unsure of what the proper protocol is.

His neck is gonna get super fucked up if he stays sat like this, so he very slowly gets up and lays on his bed, keeping her held to his chest until he’s flat enough to let gravity do the work. For a moment he returns to thinking about laying her on a flat surface but he lets her stay as she is, being a light sleeper means he’ll be able to deal with any problems if there are any.

After thanking Aizawa for the extra sparring lesson, you quickly get yourself showered and changed.

It’s been about two hours since you left her with Bakugou and you were getting increasingly worried he was reaching his limit.

Honestly you didn’t expect to be gone this long, but you were glad you gave him the estimate because it meant he’d have less reasons to be upset with you.

You prepare yourself for him to yell at you for leaving him alone with a demon for so long, even if she’s rarely a problem you do suspect he’ll be dramatic.

Still, it was a godsend that he said yes to begin with, you were going to make sure to tell him that.

When you get to his room you don’t bother with knocking, opening it to let yourself in without hesitation.

You were going to say something, but you forget the instant you lay eyes on the scene in front of you.

Practically swooning, you place a hand over your mouth to prevent making any noise, getting your phone out to document perhaps the cutest thing you’ve ever seen.

He’s laying on his bed, one arm over her and one over his eyes to block out the light, her tiny hands secured around the collar of his shirt, both of them peacefully asleep.

Not intending it to be blackmail but being aware it would probably become that, you take pictures from several different angles, wanting nothing more than to show everyone.

Though, for his own sake, you don’t actually send them anywhere near the class.

This doesn’t mean you don’t send them all to his mother, you do.

It does pain you to know you’ll have to hold off on showing people lest the information come back to him, but you do make it your phones home screen anyways.

#bakugou katsuki #bakugou baby shenanigans #fluff #mha fluff #SFW #gender neutral reader #gn reader #bakugou katuski x reader #a03 fic

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feysandfeels · 3 years

Note

Which TS songs remind you of the different couples in SJM’s books???

Boy do I ??

You are a blessed soul for asking me this, and know that I adore you.

There is now a part II to this.

Feysand:

Begin Again: “I've been spending the last eight months Thinking all love ever does Is break and burn, and end But on a Wednesday in a cafe I watched it begin again” Baby Feyre finding that love is not toxic, that love is supportive, that love can be wonderful. “You said you never met one girl who had As many James Taylor records as you But I do” but think of is as “he said he never met a girl who wasn’t afraid of his power, but i do”. Also also “Walked in expecting you'd be late But you got here early and you stand and wave I walk to you” because Feyre’s used to T*mlin’s mediocre ass but Rhys surprised her by being a decent human and treating her with respect, which makes her realize that she was starved for respect and that T*mlin was not giving her what every decent human being should get from the get go from their partner.

Ivy: Feyre slowly falling in love with Rhys, thinking about Rhys in the Spring Court between Night Court visits Also throughout ACOMAF how she battles with her ever growing feelings for the Lord of the Night, while feeling guilty about T*mlin, because they *just broke up*: “Oh, goddamn My pain fits in the palm of your freezing hand Taking mine, but it's been promised to another Oh, I can't Stop you putting roots in my dreamland My house of stone, your ivy grows And now I'm covered in you” and “I wish to know The fatal flaw that makes you long to be Magnificently cursed He's in the room Your opal eyes are all I wish to see He wants what's only yours”.

End game: I can practically see Rhys singing this in the shower thinking about Feyre, when she decided to work with him and him thinking like “YES THIS HAS TO BE A SIGN”. His reputation precedes him and in rumours he’s knee deep, him and Feyre would be a big conversation, he has enemies, he has heard about her and she has heard about him. He thinks “she’s so dope that he might overdose”. She’s been calling his bluff on all his usual tricks so here’s the truth from his red lips!!!!!

Dress: “Even in my worst times, you could see the best in me Flashback to my mistakes My rebounds, my earthquakes Even in my worst lies, you saw the truth in me And I woke up just in time Now I wake up by your side My one and only, my lifeline”. Need I say more? I think not your honor.

Call it what you want: “I said you don’t need to save me, but would you run away with me?” That’s Feyre’s whole arc, I rest my case.

Nessian: the happiness I feel about the fact that these two are together is just enough to make me smile on a Monday

False God - The song literally opens up saying “We were crazy to think Crazy to think that this could work Remember how I said I'd die for you” HELLOOOO?? NESTA THINKING ABOUT THAT SCENE IN ACOWAR?? but also feeling that she’s unworthy of Cassian and that there is no way in hell that he will love her with all that she is.

Don’t Blame Me - The power of this song lies in the I unapologetic- powerful-full on I give myself to you and I will do it over and over again energy it has. And this is the energy that Nesta has for Cassian (even when homegirl really tries to pretend otherwise lol boo you tried). The “through your love I found salvation” religious aspect of Don’t blame me is Nesta, because through Cassian’s love and presence she found the perspective she needed on herself. Also this book was a religious experience for me. Jesus fuck.

Sparks Fly: From Cassian to Nesta, with love. First of all Cassian would be a diehard swiftie (all of the bat boys for that matter, merch a the concert, what will we do if we get invited to the rep room?? fans. Az woud be like the quiet yet “no, speak one ill word of Taylor and that’s your end, she did nothing wrong she was framed and I have evidence”). Second of all “The way you move is like a full on rainstorm And I'm a house of cards You're the kind of reckless that should send me running But I kinda know that I won't get far” That’s him alright, that’s him knowing that Nesta is a force to be reckoned with and he wants nothing nothing but to be in that storm and live within the force of nature that she is. Thirdly “My mind forgets to remind me, your a bad idea You touch me once and it's really something You find I'm even better than you, imagined I would be I'm on my guard for the rest of the world But with you I know its no good And I could wait patiently But I really wish you would”

Elucien: This is an Elucien blog.

Lover - In all honesty wanted to give this song to Feysand, because they are my main otp and this song is the highest of the high from Taylor, but I can’t deny the fact that this song screams Elucien. “With every guitar string scar on my hand” I think is a beautiful parallel for Elain and gardening, “My heart’s been borrowed, and yours has been blue” this speaks of Gr*yson and Jesminda, “I loved you three summers now but I want them all” that’s Lucien speaking ma’am. “Have I known you 20 seconds or 20 years?”, both of them about the bond. “And you'll save all your dirtiest jokes for me and at every table, I'll save you a seat, lover” we all know Lucien has a mind for dirty jokes and sass and Elain would always save him the sit next to her because he is the one who truly saw her and, in his distance, was the presence she needed while she figured it all out. Finally, The fact that the song has very clear wedding tones I think fits the headcanon, that more than a mating ceremony, Elucien would have a wedding, because it feels like something Elain would feel more comfortable with.

Treacherous -“I can't decide if it's a choice Getting swept away I hear the sound of my own voice Asking you to stay”..... mmmmmm is this or isn’t it Elain getting closer to Lucien, but still wondering if it’s the bond or her, yet nonetheless surrendering to the fact that she wants him to stay. “This slope is treacherous This path is reckless This slope is treacherous And I, I, I like it” Elain doesn’t want an easy love, to simple do as the bond suggests she wants something that has twigs and branches and where she needs to question herself and truly ask what she wants out of life and this relationship. Also the softness of the melody juxtaposed with the vulnerability, brings a soft rawness that is Elain.

King of my heart: Neither of them expected to feel like they could love with all the hope and unapologetic free falling feel characteristic of first loves, yet here we are. They rule their kingdom inside the room because they are discovering their feelings for each other away from prying eyes and people that have expectations on how they should work with the mating bond and all that. “Late in the night, the city's asleep Your love is a secret I'm hoping, dreaming, dying to keep Change my priorities The taste of your lips is my idea of luxury” Again, with the love away from everyone, feeling their world shift around what they are starting to feel for one another. “Is the end of all the endings? My broken bones are mending With all these nights we're spending” did we say healing arc through love and support an “not expecting anything to come off this, but I just want to see you well” à la sjm?? I THINK WE DID.

Emorie: I’m working with crumbs here, delicious crumbs that will make a delicious emorie cake, but crumbs nonetheless.. I need more and I need it now.

I think he knows - My girl Emerie crushing hard hard haaaaaaaaard on Mor.

Cruel Summer - “I don't wanna keep secrets just to keep you And I snuck in through the garden gate Every night that summer just to seal my fate (oh) And I screamed for whatever it's worth "I love you, " ain't that the worst thing you ever heard” this is prime PRIME PRIME ANGST, we will get from these two.

Gwynriel: this is an edit because I'm not a hoe for these two (yet...trust me once I see Az heal this is the tag where you will find me) and I did not know which songs might fit them and then when I posted it I was like WAIT WAIT I KNOW.

Gold rush - Gwyn talking herself out of her crush on Az after finding out about the whole necklace and being like “I don’t want a gold rush”.

Daylight - Az is a Taylor hoe first, spymaster second. She just makes him feel things. But in all seriousness “Like daylight It's golden like daylight You gotta step into the daylight and let it go Just let it go, let it goI wanna be defined by the things that I love Not the things I hate Not the things that I'm afraid of, I'm afraid of Not the things that haunt me in the middle of the night I, I just think that You are what you love” this is Az healing and being in better place where he can reflect on how he used to relate to love and romantic relationships, he now understands that love is not black and white but golden. He stepped into this notion of love and through it he found a beautiful relationship with Gwyn, he wants to be defined by the love he feels for her and the love he feels for his family, not by the things that haunted him, not by his mistakes, not by his trauma. He is golden, he is daylight, shadows and all he is daylight.

Az + Elain: As a romantic end game they are not my ship, but I do stand by my pre-acosf position that these two would be really good friends

Out of the woods - Where we stand after acosf I say that it is not far fetched that they might hook up and then realize that it’s not for them and that experience helps them access a new part of their healing: “They lost each other, but they found themselves”. The anxiety that this song mirrors is the anxiety of them knowing something doesn’t quite *fit* right, that they are both in turbulent times emotionally and this relationship is not giving them the peace they thought it would. They are paper airplanes, because they know that it’s not the right call for where they are in their own journeys if they want to heal properly and that neither will get what they truly want from the other one. The monsters who turned out to be trees, they are in the woods in this relationship, they were built to fall apart.. are all images that speak of the dynamic we could see of them, they try it doesn’t work and then after, when they are in better places mentally they will look back and be like “we dodge a bullet there didn’t we”.

Bonus: His necklace hanging around her neck, the image is clear there and so is the commentary.

Az + Mor: formerly known as Moriel, the ship that used to reign my heart

Breath - This song is entirely from Az’s perspective once he and Mor talk about, well, everything. This is not how he had planned it, this is not how he wanted this to go, but “people are people and sometimes it doesn’t work out, but it’s killing me to see you go after all this time” referencing letting go of the romantic feelings he had for her. They were a crutch for him and now he has to face life and the things that torment him about it, without the protection and comfort his crush on her offered him. “And we know it's never simple, Never easy Never a clean break, no one here to save me You're the only thing I know like the back of my hand,” regardless of what you all want to think, they do love and know each other but shift in their dynamic will mean an adjustment for both of them... it’s not a clean break. “Never wanted this, never wanna see you hurt Every little bump in the road I tried to swerve”, also Idc about what you all think, Az never never never wanted to hurt Mor, if he knew his behavior was in someway affecting her he would have done something, and I think from the aftermath of him going after Eris on ACOWAR we can see that... also this might allude to him actually knowing that Mor is a lesbian and he has tried to make sure she feels safe around him and knows that he has her back agains the whole world if need be, regardless of her lack of romantic feelings for him.

Feyl*n: honestly who knew there would be so many songs that would fit these two. Such bops for a crappy dude like T*mlin.

Exile - “I never learned to read your mind (never learned to read my mind) I couldn't turn things around (you never turned things around) 'Cause you never gave a warning sign (I gave so many signs)” He never even tried to learn to read her mind, he never turned things around and she gave so so many signs. The way he looks at Rhys like he’s his understudy, but no sugar he’s the principal actor and you got fired.

Getaway car - and I oop. Because that is essentially what they were both to each other. Feyre needed someone to give her security and financial stability, T*mlin needed someone to break the curse: “It was the best of times the worst of crimes”.

Bad blood - LOOOOOL. They used to be mad love and now they have bad blood.

Tell me why - Imma just leave a collection of quotes here that well allude to them through the first act of ACOMAF: “I took a chance, I took a shot And you might think I'm bulletproof but I'm not You took a swing, I took it hard And down here from the ground, I see who you are” Feyre seeing T*mlin for the abusive person that he is, from the ground.. where his behavior put her. Also “I'm sick and tired of your reasons I got no one to believe in You tell me that you want me, then push me around And I need you like a heartbeat But you know you got a mean streak Makes me run for cover when you're around Here's to you and your temper Yes, I remember what you said last night And I know that you see what you're doing to me Tell me why” The if he loved me, why did he do it and the “it’s not a question of if he loved you but how” conversation she has with Rhys.

I could go on and on forever placing all T-Swift songs around acotar characters, but I think this is getting longer than we all anticipated.. or did we? we all know I am not ✨concise✨. Anywho, thanks for sticking around.

Besos!!

BOOOONUUUUUUUUUSSSSSSS:

Obviously, Invisible String is for all my mated/soon to be mated boos, and I think Peace is a song that can apply to both Feysand and Nessian from Rhys’ and Nesta’s perspectives respectively.

#Feysandfeelsasks #Taylor Swift #Sarah J Maas #SJM #ACOTAR #ACOMAF #ACOWAR #ACOSF #Feysand #Nessian #Elucien #Emorie #not to toot my own horn but I think the Daylight one with Gwynriel is amazing #I will pat myself on the back.#Gwynriel #Moriel #and when I tag moriel i mean friendship moriel

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egcdeath · 3 years

Text

a blip in the reader-verse

chapter 6: extra! extra! read all about it

series summary: a minor mistake causes a shift in the multiverse that only you have the capacity to fix.

chapter summary: you kept your friends close, and your enemy even closer.

pairing: politician!andy barber x journalist!reader, steve rogers x reader

word count: 4k

warnings: american politics, fake dating/marriage, angst at the end, heavy codependent behavior at the end

author’s note: i saw @jtargaryen18 post about politician!steve a while ago and must’ve internalized it because this chapter pretty much wrote itself. just a heads up: all of my political knowledge comes from political sitcoms, so sorry in advance if i get some things wrong. another warning is that there are still some very unhealthy relationship dynamics at play here, so promise me you won’t be like reader okay?

previous chapter / series masterlist

Is Andy Barber Really the Best for Our Nation’s Future?

Opinion

by Y/N L/N

Feb 7, 2021, 4:36 PM ET

After tonight’s debate, the question that’s begged is if Andrew Barber is truly fit to run our country. Although he’s clearly a front runner for his party’s nomination, he’s shown time and time again that he may actually be our weakest candidate.

His weaknesses were highlighted during the debate, with his dodged questions and vague answers. At this point in time, it’s hard to tell if Barber has a platform at all.

With Super Tuesday just around the corner, I ask you to reevaluate your support for Barber. Though a charming candidate, it seems that that’s all he has, his charm. His policies are weak, and borderline impossible, and he certainly isn’t the right person to become the most powerful man in the world.

—-

When you became conscious, you were no better than unconscious. Your eyes opened and were immediately met with a harshness from the sun peeking through a window. You shifted away from the brightness, body sinking into a memory foam mattress while your nude form rubbed against similarly soft sheets. You sleepily rubbed your eyes before they flitted throughout the room you were in. Observing an oddly clean, generic looking area, you’d quickly connected the dots that you were in a hotel room. A rather fancy one at that.

Soft breathing came from next to you, and as you turned your head a bit more, you were met with the back of a fluffy and dark haired man. You weren’t completely sure, but judging by your history of finding your way to Steve, you’d assumed that it was some alternate form of your partner.

The man in bed next to you yawned, and haphazardly threw an arm in your direction, before rolling over to greet you, “morning sunshine,” he slurred sleepily.

The beard was a bit of a surprise to you. Though you’d begged and begged your Steve to keep it, he often refused for one reason or another. Seeing the man next to you who (what was now much clearer to you) a version of your boyfriend, was a rather pleasant surprise.

“Morning,” you responded in an equally sleepy manner, ignoring the rhythmic vibration coming from your night stand.

“Mm, you should get that,” he mumbled, pressing a disoriented peck to the side of your head while you reached over to grab your phone, which you could now see was the perpetrator of the vibrations.

“Hello?” you asked into the phone.

“Are you dumb? Or are you fucking stupid?” Aaliyah’s voice scolded through the phone. “Do you know what kind of position you’ve put me in? This is a fucking mess, Y/N. All for some dick? How could you be so careless?! Jesus!”

“What are you talking about?” You glanced over at Andy, and sat up a bit, pulling the crisp blankets over your body in an attempt to retain some form of modesty.

“Don’t play dumb with me. You’re fucking Andy Barber, but you’re writing articles about him like you just watched him kill your dog. You realize that this puts all of us at risk, right? You’re gonna lose your job, I’m gonna lose my job since I decided to edit and publish your shit, and you and I will lose any sort of journalistic integrity we’ve ever had, or will have, for the rest of goddamn time! Seriously, you could’ve had anyone, but Andy Barber? Andrew fucking Barber?” she groaned over the line.

“Uh, I’ll uh, call you back,” you whispered.

“You’re joking right? Are you with him right now?”

“Aaliyah!”

“Oh my god, you’re with him right now. You’re a fucking mess,” she huffed before hanging up.

Why did the universe have to send you off to such a shitshow?

You rolled out of bed, and sulked into the bathroom, desperate to find out what was going on. While sitting on the toilet, you scrolled through the wall of notifications; tweets directed at you, messages from confused friends begging you to call them when you had a chance, and even the occasional concerned email.

You grimaced as you read through each one of them, eventually clicking on the article that many seemed to be referencing, which included a paparazzi photo of you and this Andy Barber character entering a hotel together sometime in the late night to early morning, partnered with an article or two of your own criticizing him. At first, you wondered if he was some sort of celebrity, but what you ultimately found out was much worse.

He was a politician. A senator who was running to be president.

You screamed into your hands, before tossing your phone aside, and starting a warm shower for yourself. Perhaps the shower could help jog your memory a bit.

Stepping into the steamy chamber, and letting the water pelt down onto you did do wonders for you, and it gave you a moment of focus. With both your memories from this universe, along with the information you’d been given through your phone, you were able to piece a few aspects of the universe together.

You were a journalist, a popular one at that, Andy was Steve, but not Steve, and also a presidential candidate. Aaliyah was your editor, and a higher-up at the Times, and you were about to have your ass handed to you over an affair. At least Andy wasn’t married.

Your shower must’ve taken longer than you’d expected, as there was a soft knock on the door after some time.

“Everything okay in there?” a slightly muffled voice asked.

“Yeah. Just peachy. Why aren’t you more worried about this?” you called back.

“I have a good publicist. And campaign manager. I just have a good team,” Andy paused briefly. “When you’re ready, room service is ready.”

----

Over aggressive mouthfuls of fresh fruit and bitter coffee, you conversed with Andy.

“How are we gonna fix this?” You questioned while setting down your fork.

“Well, it’s simple. We just have to find some kind of spin to this whole story. Maybe you were just interviewing me, or getting a soundbite from me.” “Why would you agree to get a soundbite from someone who clearly has it out for you?” You set your fork down, and crossed your arms over your white robe clad chest.

“That’s a good question,” Andy nodded a bit, “a good question for someone else to answer.”

“Why don’t we let your publicist figure out how to play this?”

“I’d say I’m a bit of an expert at this at this point, but I’ll call my team.”

“You do that, I need to assess the damage to my career,” you huffed, moving to sit on the bed so that you could aggressively scroll on your phone in peace.

Andy called someone, and you patiently waited while he chatted with them.

“Okay, Y/N. We can’t leave through the front, so my guy’s gonna pick us up in the garage. We have like, half an hour,” he tossed his phone aside, then maneuvered himself to get in bed with you, setting both hands down on either side of you, and placing a soft kiss on your lips. He slowly began to inch down your body, untying the belt of your robe as he did so, when you interrupted him.

“What do you think you’re doing, Andrew?”

“We have time.” He looked up at you.

“We are not doing this. What do you think got us into this mess in the first place?” you frowned, moving one of his hands so you could slide away from him.

“Are you serious?”

“Yes! Why aren’t you taking this seriously! Do you realize that both of our careers are at stake here? I don’t want to lose my job because I’m having an affair with you. You shouldn’t want to lose a shot at office for a woman you’re not even with.”

“Come on, we’ve been doing this for almost a year, and you only have a problem with it now?”

“Yes! The public had no idea before! They’re going batshit now! And the worst part is that I’m the one taking the most heat,” you sighed, and Andy gave you a frown.

“I’m sorry, Y/N. You know I didn’t want this to happen.”

“It’s kinda too late for sorries now.”

——

You stepped out of your suite about five minutes after Andy left, suitcase in tow, blocky sunglasses on your face, and a heathered grey peacoat draped over your shoulders. Although you were stressed from the controversy you’d found yourself in, you couldn’t help but feel the buzz of excitement from having to hide from the paparazzi. At the same time, you felt quite bad for this version of yourself.

When you finally got out to the designated Cadillac, you asked for his driver to roll up the partition, like you’d done a million times before, then looked out of the tinted windows. The ride was pretty awkward, considering you were in no mood to talk to Andy, and Andy felt bad about the issues he’d imposed on you from his own carelessness. He set a cautious hand on top of yours, and though you were agitated, it did brighten your mood the slightest bit.

After what felt like forever, you arrived at his campaign building, and you were ushered into a small, soundproof space, with a large and round pine table in the center of it. Surrounding the table was a very tired looking Aaliyah, and… Tony Stark?

“How’s everyone’s weekend been?” Tony asked, breaking the ice as you and Andy settled into your seats.

“Are we really doing small talk right now?” Aaliyah deadpanned, “sorry, that was uncalled for.”

“Alright, straight to the elephant in the room then. You two were out spotted, big deal, happens all the time to politicians and their mistresses-“

“I’m not his mistress! You know this, Tony,” you huffed.

“Tony knew and not me?” Aaliyah gasped.

“Well-“ you began.

“Save it.”

“It was on a very need-to-know basis,” you muttered.

“Back to what I was saying. I suggest that we don’t address it, unless addressed.”

“I don’t know if you’re dense, or what, but that’s the exact opposite of what we need to do. We have to get on top of this story before the story is that you,” Aaliyah gestured at you, “are packing your shit at the Times.”

The door shot open, and quickly closed. A slightly flustered blonde man stumbled through. “Sorry to interrupt,” he began.

Aaliyah rolled her eyes at this notion, muttering a ‘sure you are’ to herself.

“We just finished polling numbers, and Andy, you’re up?” He projected the screen of his iPad onto a TV in the room, then passed the device over to Andy on his way to sit down.

“Thanks, Vis,” he gave him a curt nod.

“Why would our candidate allegedly hooking up with someone who hates him boost him in the polls?” Tony asked.

“Middle America loves a family man, you know that,” Vision said in a matter of faculty manner. “Andy has had a hard time connecting with that demographic because when they see him, they see an Elitist East-coaster.”

“Hooking up with a hot reporter does not make you a family man,” Aaliyah retorted.

“That brings me to my next point. If you don’t mind, I’d like to add a proposal of my own,” Vision stated, and received a shrug from the rest of the room. “Well, if we need to put a spin on this, the obvious choice is to explain that they’ve been seeing each other the whole time. Under wraps, of course. The photos the paparazzi received are not damning by any means, and look more romantic than sexual, to be quite frank. Y/N wrote those articles to throw the public off her scent, and she didn’t really believe anything she said, and Andy? He’s just a good, all American man who was tired of keeping his relationship under wraps. Everything’s to gain from this plan.”

“Well, I lose my journalistic integrity. That’s a pretty big loss to me. I may never work again,” you rubbed your forehead in a distraught manner.

“You won’t have to worry about working when you’re the First Lady. Think about it, if we can get votes from the swing states, we’ve secured enough electoral votes to have a Barber win. All over a little character rebrand.”

“Excuse me, the First Lady?” You nervously glanced between Vision and Aaliyah while you attempted to pick your jaw up from the floor.

“Well, yes. We can’t exactly get the full ‘family man’ look without Mr. Barber being a real husband.“

“Are we talking, real wedding?” Aaliyah questioned.

“Yes. You just have to be legally bound together for around four years, eight years tops. About twelve would be preferable, but I understand that not everything works out.”

“I don’t object to that,” Andy winked and nudged you a bit.

What a mess.

“Back to what I was saying, we’ll probably need about a two week PR period before we do a press briefing announcing the engagement. Give or take. During that time, we could have your publicist arrange all sorts of good photo ops for you two.”

“Either way, my career is ruined,” you sighed, and Andy set his hand on your back.

“Sorry, sweetheart.”

“You don’t have to do that. We’re not currently standing in front of 30 cameras.”

“Well, we should prepare for when we are in front of 30 cameras.”

“Is it though?” Vision interjected, bringing you and Andy back from your aside. “We can just deflect, maybe have a few of your friends make articles about how what you did wasn’t all that bad.”

“Is it not a valid criticism of me that I was sleeping around with the person who I was also slandering?”

“Is it not possible to criticize someone you care about? In fact, helping someone learn how to improve can be very romantic,” Vision shrugged.

There was a brief silence throughout the bunch while everyone pondered a counter argument.

“That right there, that kind of insight is why we call you the Vision,” Tony shook his head and proudly clapped the man on his back.

“So it’s settled then? We’re really doing this?” You glanced around at your peers while Aaliyah spoke. “Any objections, love birds?”

Andy shrugged, “I’d be happy to spend the rest of my life with her.”

You, on the other hand, weren’t so sure.

——

Barber and his Greatest Critic Break Bread Together on Friday

Y/N L/N Announces She’s Not Resigning from Senior Position, and That She’s Been Seeing Barber!

BREAKING! Barber Announces Relationship with Critic Y/N L/N

Is L/Nber the Ship that Shows us How Relationships Are More Powerful than Politics?

Our New Favorite Political Power Couple Showed Up Together at a Rally, and We Couldn’t Be More Excited.

Barber 7 Points Ahead in the Polls, Leaving Loguidice and Kline Trailing Far Behind

Was Y/N Really in the Wrong?

“L/Nber” Celebrate Valentine’s Day Together

These L/Nber House Hunting Photos Are Giving Us Life!

This was your reality for the next two weeks. The news cycle was filled with a plethora of articles about you, some criticizing you, some criticizing Andy, but most, supporting the two of you in your romantic endeavors. Unsurprisingly, the world loved a good story about two attractive people getting together.

During this period, you didn’t particularly feel like leaving, though the thought had certainly crossed your mind. You just weren’t sure that you wanted to be dealing with those terrible symptoms again in the midst of an already stressful stage of your life. At the same time, it seemed like the universe was not going to be fair with your time in this reality. You were convinced that you were here for the long haul, or at least, until Andy proposed to you.

Although it was a bit annoying, cameras around every corner, a watchful eye on everything that you or Andy even considered doing, you found yourself growing on Andy. In some ways, he was a bit more intense than Steve, whose personality had mellowed out a bit since the Snap.

This had been the first time in all of your travels where you felt like ‘Steve’ was the one pursuing you, and in all honesty, it made you feel good. Even if everything the two of you did had an aftertaste of artificiality.

You spent more and more time with him every day, staying together with him in hotels across the country, visiting local businesses with him to get the perfect photo op, and attending galas with donors. It seemed like in every candid photo of Andy, you weren’t too far behind. By the time the day of your proposal arrived, you weren’t even all that opposed to the marriage.

When the proposal finally arrived, the two of you were sat inside a rather fancy restaurant, finishing up your meal when Andy settled on one knee in front of you, “Y/N,” he began, and you felt the all too familiar tremble of your watch on your wrist.

You almost had to restrain yourself from exclaiming out loud. It’s not that you didn’t like Andy or anything, he’d genuinely grown on you. In the least cheesy way, it wasn’t him, but you. Being somewhere so unfamiliar for so long had begun to create a cumulative exhaustion that wore a bit more on you every day. Feeling homesick was an understatement.

You brought your hands up to your face, and gasped dramatically, squeezing your eyes shut to see if you could possibly produce a few tears, while mobile cameras and a few professional flashes were directed towards you. A few warm droplets slipped down your face, and for a moment you weren’t even sure how fake they were. It seemed like once they started, they couldn’t stop.

You missed Steve, your Steve, the man you’d fallen in love with. You missed your friends, teammates, and family. You missed the stability of knowing what the world held for you next.

In the midst of Andy’s proposal, in what should’ve been the happiest moment of your life, all you could focus on was your overwhelming desire to have a sense of normalcy in your life once again.

——

You woke up in a cold sweat, heart racing in your chest, and shaking your ribcage. You looked up to the ceiling of what you had grown to know was your room in the Compound, your real room, and felt your eyes well up in tears that stung you.

You sat up, and took as deep of a breath as you could manage, when you noticed Wanda sitting by your bedside.

“Oh good, you’re awake,” she said softly, coming closer to you, offering you a glass of water before sitting at the foot of your bed.

“Where’s Steve?” you asked, trying to gauge where you were.

“Honey,” she sighed softly. “I’m so sorry. He’s still missing.”

Your lip trembled as you took a sip. You really were back home.

“I know you’re hurting, but when you feel a little better, we’re going to Medbay. Banner decided that we should probably keep an eye on your vitals, but you were gone before we even had the chance to get you there.”

You gulped down the water, then set it on your bedside table, “so was that all just a dream or something? Why isn’t Steve back?” you huffed frustratedly.

“I don’t know why he isn’t back, but I don’t think you were dreaming. I was trying to watch your dreams, but I couldn’t read you, or your thoughts at all.”

“Hmm,” you mumbled, throwing your legs over the side of the bed, “let’s go.”

As you settled into the cold, and sterile medical facility you were hooked up to a plethora of monitors, and a cacophony of devices beeped as they read your physical state.

You tuned out the words being spoken around you, zoning out and looking forward to your vital signs monitor. Your mind wandered to your last few thoughts in your previous reality, the desperation to come back, to see your estranged lover again. You couldn’t help but to feel disappointed, lamenting the fact that you’d found your way home, yet felt the ever present void in your heart where your Steve used to be.

“Y/N?” a voice asked you, and you glanced in its general direction. “What happened while you were out? What did you see? Did it work?” Bruce pelted you with questions.

“I don’t know if I’m ready to talk about it yet,” you sighed softly, bringing a hand up to your neck and rubbing it. “The watch worked though, I was definitely in other universes. I just couldn’t reach him. Bring him home. I failed.”

“Do you think he’s really out there?” Bruce whispered to Wanda hoping that you might not pick up on it.

“I’m… I don’t know. I just don’t know how likely it is that we’ll manage to find him,” she responded in a hushed tone. You bit back tears as she spoke, resuming your empty gaze on the pixelated green text of your heart rate on the monitor.

“I’m sorry, guys. I have to go back,” you interrupted. “I can’t give up on Steve yet. I know he wouldn’t give up on me.”

“Y/N, you could be gone for centuries before you find him, then return back here with no time passed at all, and possibly no Steve. You don’t deserve to take on all of that pain,” Wanda set a hand on your shoulder. “Steve would’ve wanted you to move on from him. To find happiness without him.”

“I can’t do that, Wanda. Without him I don’t even know who I am,” your voice trembled as you spoke. “He’s literally been my only tether through all of this.”

“I just don’t know that this is the best thing we could be doing. Sure, you’re physically fine, but it almost seems like you’re doing worse emotionally than you were before you left,” Bruce added.

“I’m not!” you sniffled before continuing. “I’m just tired from going to all those new places.”

Bruce and Wanda didn’t seem too convinced. “Don’t you guys believe in me? When have I let you down on a mission before? I’m gonna find him, okay? I’ll find him if it’s the last fucking thing I do,” you blubbered.

Wanda’s hand slid down your shoulder, and to the watch that was currently on your wrist.

“Don’t,” you uttered, swinging your opposite hand to grab onto your own wrist. You were aware that there was absolutely no way you could overpower her in taking the watch from you, but even in your minor hysterics, you were able to think fast enough to press the round button before the watch was able to be taken off of you.

You, and your wrist shook. Wrist shaking from the watch, and promise of sending you elsewhere, and you from a mixture of sobs and adrenaline. Though not the most ideal exit, it was an exit nonetheless.

You weren’t even sure if you cared that you were on good terms with your teammates anymore.

You just needed to be with Steve again.

#steve rogers x reader #captain america x reader #andy barber x reader #andy barber x you #marvel fanfiction #ABITRV

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yikesharringrove · 4 years

Note

Changing the theme a bit, since I saw you dont hate Jonathan thank goddd, maybe Jonathan having to ask Steve and Billy for tips because he's aro or ace? Or something he knows Lonnie wouldve actually killed him for, which Billy gets and Steve is fully willing to help soft Jonathon be a THING and they are just his gay mentors and mayhaps. Nancy just doesnt get it and it gets messy and Will just stands up for his brother in full anger and slams the door in her face and hugs jon so tight he falls

Steve is sex-positive ace, Billy is sex-repulsed, and Jon is greyace bc I’ve gotten so many messages about how many people were affected positively by showing ace diversity in that one drabble I wrote, so we’re keeping this goin’ because you’re ALL VALID. 😤

Jonathan had been crashing on their couch for a week and a half and has yet to say anything about the situation more than Nancy and I had a fight.

Billy and Steve didn’t know what the fuck to do about it. Jonathan was obviously fucking heartbroken over whatever the fight had been about, but they didn’t wanna pry.

“Thank you guys for taking me in. I’m sorry, I’ve probably been cramping your style.” Steve just shook his head, serving three plates of eggs and toast.

“There’s not a lot of style going on in this apartment for you to cramp.” Steve smiled at him as he placed the plates on the table. Jonathan gave him an odd look.

“What do you, what do you mean?”

“We don’t really fuck.” Billy was always the blunt one. Jonathan’s fork clattered to the table.

“You don’t, why not?”

“Neither of us are really into it.” Jonathan looked like he could fucking cry.

“Me neither. That’s what the fight was. Nancy kept asking why we don’t have sex, and if I stopped loving her, and I do! I love her so much, but I just, sometimes I feel that way about her, but I usually don’t, and I’m so fucking confused.” Steve reached out, placing a firm hand on Jonathan’s arm.

“Jon, it’s okay. I mean, I don’t think we’ve had sex in like, a year?” Billy nodded.

“It was before we actually talked about how we both felt about it.”

“And is that-” Jonathan trailed off, but they got it. Is that like me.

“I don’t mind sex. If I’m with someone who wants to have it, I can be cool with that, but I don’t always get off, and it’s more about making the other person feel good, or using it as another way to be like, intimate. But I don’t really think about it, and I can definitely go without.”

“I actively don’t like fucking. I kinda think sex is, is fucking gross. I mean, you do you and all that, but like, every time I had sex it just, it made me feel gross.” He pulled a face.

“I just, I don’t know what I’m supposed to feel for her, honestly.” Jonathan ran a hand down his face. “Sometimes, sometimes it just feels like a fucking chore. And she just, she kinda confronted me about it, and I probably could’ve worded it better, but she got so angry, and hurt, and we just, we decided to take some time apart.” He pushed the eggs around his plate. “And there are some situations that I just, I want it with her so badly, but most, most of the time I just, I just want to be with her, like just spend time with her. And she, she’s never been very good at being sensitive about things, or, or, sympathetic, and she just, she made me feel fucking broken. Like there was something wrong with me.”

“First of all, fuck her for making you feel like that.” Billy had one eyebrow raised.

“Bill-”

“No. Jonathan, you are not broken, and it sucks she made you feel that way. If she can’t be in a relationship that respects your boundaries, then she is not the one.”

Steve sighed.

“Jon, Bill’s right. A relationship should be safe. She should be more mindful of your boundaries and feelings, and should not be making you feel bad for those things. I’m not saying you should like, dump her-”

“I am.” Steve batted a hand at Billy.

“-but, if you have an open conversation with her, and nothing changes, then you are always welcome here.” Steve squeezed his arm again.

The talk with Nancy had been bad.

She had taken everything really personally, said that Jonathan needed to sort out his priorities and to let her know when he’s attracted to her again.

And he tried, he tried so hard to explain the way he felt, that it all comes and goes like the fucking tide, but she had put her foot down.

So he showed up back to Billy and Steve’s apartment with two more suitcases and tears in his eyes.

“I just, I know I can fake it when I need to, I don’t know why I didn’t.”

“Because forcing yourself to do shit like that sucks. Fuck Nancy for being a bitch. Figure yourself out, and then find someone who respects your boundaries.”

Billy was pacing in front of the sofa, talking sharply, pointing at Jonathan a lot. Steve had one arm over his shoulders.

“You deserve respect, Jon. And you deserve to feel safe and happy in a relationship.”.

He couldn’t sleep that first night.

The fight was circling in his head, over and over and over and over-

He heard the bedroom door open, and someone creep out through the living room and into the kitchen.

He looked over the back of the couch, saw a bleary eyed Steve filling a glass of water for himself, wearing one of Billy’s faded band shirts, and a pair of panties.

Jonathan laid back down before Steve could see him looking.

The next morning, he found himself staring at Steve.

He had put shorts on, and even a chunky cardigan while he made breakfast, but Jonathan knew.

“Can I, can I talk to you about something?” Steve smiled brightly at him. “I, um, I noticed you coming out here last night.” Steve just nodded, a look of recognition in his eyes.

“You wondering about panties?”

“Um, yeah.” Steve shrugged. “I just like ‘em. And it’s not like, a sexual thing. Sometimes they make me feel sexy, but that’s not what it’s about. I just like them. Have a lot of women’s thing.”

“What about them do you like?” Steve shrugged again.

“It’s hard to describe. I’ve never felt like, super masculine. Like, big macho tough guy, I wanna hunt and never talk about my feelings.” Steve put on a stupid-sounding deep voice for his macho man. “And I mean, not all men are like that, but that’s kind of how you’re expected to be. And women are expected to be pretty and delicate, and I’ve always related to that more. Women’s clothes help me feel that way.”

“I’ve, um, I’ve always felt that too. Not necessarily the kinda, pretty and delicate part, but the, not feeling connected to masculinity and like, what’s expected from you.” Steve set down a plate of eggs and bacon in front of Jonathan, putting one down for himself as well, and one in Billy’s empty space.

“Hold that thought, I’m gonna grab Billy. He doesn’t like it when I yell for him.” Steve patted him on the arm, and was gone for a few minutes before he returned with Billy in tow. “Okay, Jonathan. Please continue.”

“Well, not much to say. I feel like my dad kinda always shoved that like, macho man shit on me. Would take me hunting and stuff and I just never liked it.”

“Jesus, mine did that shit too. Not with hunting, but he was all about men having their place, and women having their place.” Billy took an aggressive bite of his bacon.

“Mine was too! I got sad once when I shot a rabbit, and he called me a pussy for like, a week.”

“When my dad was layin’ into me, if he ever saw my cry, it would just get that much worse.” They were nodding at one another, trading shitty dad stories back and forth. “He would like, get mad if I helped my mom cook and shit, too.”

“God, it’s like we had the fuckin’ same dad.” Billy raised his mug at Jonathan. “It’s hard to break outta that shit, even though he’s not in your life, anymore.”

“I think so, too. I haven;t seen him in years, but every time I do something he would’ve thought was too soft, I can still hear him in my head. And you know, that’s one of the things I like about Nancy. She’s really hard, and tough, and never expected me to be that way.” And he knows that in the end, Nancy was bad news for him, not being able to love and accept him, but that aspect of their relationship was so nice, so easy.

“There doesn’t always have to be both. I mean, Steve’s more outwardly soft, but we’re both real mushy at our cores. There doesn’t have to be a big tough one and a sweet soft one. Sometimes you have elements of both and you make it work.”

“You just have to find the balance within yourself, I think. And learn to embrace the parts of you that are soft and the parts that are hard.” Jonathan was nodding vigorously at Steve. “And it’s always different. I love getting to feel soft and pretty in a dress or something, whereas Billy finds ways to be soft by taking care of things, like me and all the plants.”

“Do you think, do you think you could help me? Find that, I mean.”

“Of course! Just think of the things you already feel, things that feel right when you do them, and that’s a good starting point. And maybe that’s your photography, and maybe it’s something else.”

So they let Jonathan experiment with things to find his softness.

He would help Billy tend to the fucking garden they had on the balcony, or bake with Steve. He took a million pictures, and Steve was thriving under the camera, would put on make up and something pretty and pose around the apartment.

It was just nice.

Getting to live with these two, and train himself not to be ashamed, it was nice.

Will would come and visit quite often, and he and Jonathan spent a wonderful Saturday evening coming out to each other, and validating the ever loving shit out of one another.

Billy and Steve came home to the two brothers hugging one another on the couch and trying to hold back tears.

Steve had inserted himself into the hug while Billy patted each one of them on the head and started making dinner.

But he figured of course this would happen.

His perfect little cocoon would crumble apart at some point.

Will had come over, and Steve and Billy had gone out to dinner together, leaving the two of them to order pizza and have a movie night.

It was great, hanging out with his brother like when they were little, not a fucking care in the world.

There was a knock at the door.

“Jon, it’s me. It’s Nancy. Can we talk” Jonathan’s heart stuttered to a halt in his chest.

Will was staring at the door like maybe he could set it on fire if he glared hard enough.

Jonathan sighed, opening the door to face his fate.

“Are you seriously still mad at me?”

“Yes.” She huffed.

“C’mon. Come back home.”

“Nancy, I can’t. Not if you’re not going to respect me.”

“We were fine. I don’t know why we can’t just go back to the way we were-”

“Because I was forcing myself to do things I was uncomfortable with just to make you happy.”

“Relationships are compromise, Jonathan.”

“I know that, but when I brought up to you what wasn’t working, you refused to listen. I was the only one forfeiting my boundaries and comfort in that relationship, and I deserve more.” She rolled her eyes.

“Jesus Christ, Jonathan, this is-” Will was shoving Jonathan back, stepping between the two.

“Nancy, he’s done talking to you about this. Unless you can respect that he doesn’t always feel that way, then move the fuck on.” He slammed the door right in her face. “You don’t need her.”

Jonathan was gobsmacked. Will had never spoken to anyone like that, at least not that Jonathan’s every seen.

“Why did you...?” He trailed off, still staring at the door.

“She was pissing me off. You’re right. You compromised everything in that relationship and she couldn’t even give you the bare minimum.”

Jonathan swept Will up, hugging him as tight as he possibly could.

“Thank you.”

“You deserve better than her.”

“Yeah, I do.”

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originalcontent · 3 years

Text

Well. Forgot to make our final pathologic post, because we did it, we finished the game. We just played all the remaining days at once. Not going to go super hard on the plot details bc if you know them then you know them, all I can say is holy shiiiiiiit this was such a good story/mystery/choice/everything.

First order of business: casualties.

All the children except Grace survived. When we had five panaceas, we chose Sticky, Murky, Khan, Notkin, and Capella, and we weren't able to find any more shmowders until it was too late. Taya was lucky and Grace wasn't. I feel kinda bad but also I don't know what more we could have done. God all of the kids and their final conversations when they all think they're going to die, they're so sad and sweet and I love them all so much.

The thing I'm SUPER bummed about is that Stakh, Lara, and Bad Grief all died. Like we did everything we could for all of them, but I'm still sad about it. One regret from this game is that I think we should have spent more time with them. I should have tried to make things right with them. I was so focused on the kids, and I don't regret that, but also I kept putting other things before them as well and I should have tried harder.

The other casualties were Big Vlad, Maria Kaina, Eva Yan, and Anna Angel, who was apparently a character but I think we literally never spoke with her in our playthrough. And Aglaya, although I don't know how we could have saved her either. Everyone else survived. I don't know the typical death toll for this game, but we did better than I was expecting us to, all things considered.

Oh wait, Nara's also dead. That wasn't an incredibly disturbing scene or anything. Like I'm getting ahead of myself a bit but jesus the kinfolk terrify me sometimes. My sister mentioned that it's probably a very different game if we commit super hard to exploring their plotline, and she's probably right. That whole sequence though... the blood, the hearts... it's a lot. I'm not going into detail bc if you've played the game then you already know what's down there, but hhhhhhhhhhhhhhhh.

I feel like replaying this game knowing everything would put a LOT of earlier conversations into new context.

Still! That was the only place we death spiraled this time! Death spiral escaped! That's probably due in no small part to the presence of the soldiers. Like yes they're terrible and them burning people alive is terrifying, but also we discovered the strategy that every time we were attacked by someone we could just have them chase us past a soldier who would protect us. We still had to sneak around a lot but overall it meant we had a lot fewer fights.

The polyhedron was gorgeous. We probably wasted a lot of time visiting it, but it was wonderful. I wanted to go back when all the kids were there but they didn't let us. Super into the earth/sky dichotomy of Notkin's and Khan's gangs.

Block was sure something. When I first met him he was meeting with my three [living :(] best friends but none of them would talk to me. Anyway. When he arrives everyone's saying they loved him, then later on we accidentally walk into the most obvious coup ever, and then the next day he's back in charge like nothing happened. And then on the last day there's this massive violent internal conflict? Plus the whole thing with him and Aglaya (weren't they working together in the prologue?) and plus they keep giving us heart attacks saying they're going to level the town and then changing their minds. Thank god for Changeling who was apparently the single persuasive voice in saving everyone? I guess? We've had our ups and downs but honestly she was waaaaaaay more reliable than Daniil at the end.

I told her I'd help her cure a patient in the hospital, but I didn't have any panacea or shmowder so in the end I couldn't, but afterwards I was glad I hadn't helped her. I already felt terrible I didn't have enough living blood for all the children when they were all spontaneously infected, and it would have been so much worse if I had been able to help another but I'd wasted it on a random person earlier.

... Is Aglaya in love with Artemy? Or are they just two agents who recognize said agency in one another? Everyone spent all game hyping her up as some sort of monster but she was my friend and she listened to me. And she died trying to save everyone I guess.

The kids...just. All of them. Notkin and Capella both told us to let them die but to make sure Khan was okay. Murky saying she'd loved Artemy since the first time she saw him. God everything they said and did I love them. I can't imagine playing this game as either of the other characters because I can't imagine going through this town and not carrying deeply about all the kids like this.

So I think...I think I made my choice long before I actually made the choice itself, you know? There was only ever going to be one choice.

Day 11 was the first and only day when I knew exactly what I had to do. I mean I guess it was in the stage directions and everything. Thank you dear Fellow Traveler for feeding us the night before--did you know we'd never visited the dead item shop until the last night? Probably would have made finding food and medicine a lot easier. But anyway, when the day began I didn't quite understand the significance of the stage directions because the Haruspex looking for couriers did not sound like the dramatic climax to the story that I knew this day was supposed to be. Still, I looked for the couriers.

I think I visited the three locations in the order I was supposed to. Seeing Daniil like that with his gun and bloody hands, sitting in a room of corpses...hearing him ramble...oh man I was so conflicted, this whole game I'd thought that even though I teased him, I would always ultimately back his plays because I trusted him and I knew that ultimately he wanted to help people too. Hearing him tell me what he wanted me to do then at the end of everything...he honestly scared me a bit.

The Changeling and I seemed much more on the same page at the end of everything. Being in the middle of a field with armed soldiers closing in from all sides was kind of terrifying though. I didn't stay to witness what she did with them. She’s okay though, she’s alive.

Wild goose chase for the final courier eventually took me to the bar where I met an injured bandit and was able to actually perform a surgery for the first time in the entire fucking game. I really enjoyed that because I'm supposed to be a fucking surgeon.

Meeting my understudy fucking killed me. I cannot BELIEVE that the final courier who was carrying the only file that could save the whole town was canonically murdered by the understudy of the protagonist. How the hell is that a real plot point, do you have any idea how much I adore that, that is more meta than literally anything else that has happened in this whole game. I fucking died. I definitely have been playing this game as Artemy rather than as Actor, and I think that made the whole scene even funnier. His whole thing about taking a new direction with the character, the whole "you're getting paid for this??", the fact that Artemy was so offended by literally every aspect of his existence that we didn't even know what to criticize. At the end I was like "yeah I'm definitely going to kill this guy" but we're nice people and we let him surrender. His inventory consisted of a rusty scalpel, a hazelnut, and a single piece of twyre, which was the most incredible parody of Artemy's inventory that I can imagine and killed me all over again.

The kin folk all met with me and begged me not to let them die. Maybe things could have been different, but again, I knew my choice and deep down I always knew what we were going to choose at the end. When you start the game, day one, there are two things that are immediately striking about the town. One, it's full of living folklore, and two, it's full of children, and those are the two things that make the town special and wonderful. When you look back on it all, there was only ever one way this could all end.

The dead courier (murdered by my own fucking understudy rather than an actual character, still dying) was a dramatic sight. It's lucky I had to sleep then or I probably wouldn't have found him.

After I made my choice, the disease tried to murder me. It infected literally every district I moved through, manifesting in every single passageway. I just chugged my tinctures and moved as well as I could, because fuck you disease, you are nothing to me. Obviously at that point nothing really could stop me. I considered saving in the cathedral, but what would be the point?

Day 12 was so bright and peaceful and nice. I could just walk around for once with no fear of getting lost or hungry or running out of time. I'm still really sad my childhood friends weren't alive to share it with me, but I enjoyed talking to everyone. My favorite little end conversations were Taya and Notkin for sheer adorable factor, Yulia so Artemy could say he wanted her to be the one to tell his story and to make it as undramatic as possible (fuck you Mark), Daniil because it was super cute and I’m glad that after it all things are okay between us and I got to make fun of him for trying to talk in my language, and Andrey and Peter because literally nothing made me feel better about my choice to destroy the polyhedron than listening to them complain about it.

And then the theater, where I talked to everyone who'd died and to Mark Immortell. He told me he'd need to try again with a different protagonist (gee I wonder who he could be referring to, such a shame we'll never know) and that I could go into the back and take off my mask now. I considered it for a bit, but it didn't feel right, so I decided that I was Artemy and I went back outside.

This game was wonderful. It was beautiful. It has such a fundamental understanding of what theater is and what makes something theatrical (lose me with your cinematic games, theater and cinema are completely different things and the former is impossibly beautiful but is also almost impossible to recreate when not in person). It's worldbuilding was immaculate, and for all the stress it caused I'm really happy for it.

I say this every time, but I love Artemy so fucking much. Give me a character who is a monster and a healer and who is full of anger but also so much love, and then just have him adopt 7+ children why don't you. He is so wonderful and good and interesting and I am in love with him.

(Edit: And then like a month later, just now, we went back to our last save and threw the documents in the trash so we could play through the other ending. I think the diurnal ending is definitely the better one, although it was nice to see the polyhedron again and to talk to all the game developers. <3 Also the goodbyes to Daniil and Notkin were super sad in that one, I did what Daniil wanted, he won’t even stay? This is so sad.)

Well that's our pathologic playthrough. We know there's a lot we missed and we may return to the game at some point. (Looked up a plot summary afterwards and there’s just so much else. Must save my childhood friends next time.) Game is very good though. It's been wild. Marbles sometime in the next few days. :)

#kj plays pathologic #pathologic #pathologic 2 #this has been in my drafts sorry d:#thanks for reading everyone

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365days365movies · 3 years

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January 14, 2021: GoldenEye (1995) (Part 1)

He’s suave. He’s sophisticated. He’s spy. He’s...

The late, great Sean Connery.

Ignoring the less then savory aspects of his personality (AKA the Barbara Walters interview...both of them), Connery is undoubtedly the most famous Scottish actor of all time. Sorry, Whovians, I love David Tennant, too. But Connery’s got him beat. He’s been in so many iconic films and roles, his influence is undeniable. But most famous of all is his turn as Agent 007, the man himself, James Bond.

I’ve seen all of Connery’s original Bond films (not counting Never Say Never Again), and my favorite is Goldfinger, in case you were wondering. But outside of that...I haven’t seen any Bond movies. Since him, the character’s been played by David Niven, George Lazenby (now THAT’S an interesting story, lemme tell you), Roger Moore, Timothy Dalton, and the two I’ll be looking at this month: Pierce Brosnan and Daniel Craig.

I’ll be looking at Brosnan tomorrow, in Casino Royale. But today, I’m looking at arguably the third most-famous Bond, Pierce Brosnan, in one of the most famous modern Bond movies, GoldenEye.

Also, yeah, never played the game I KNOW IT WAS A ‘90S CLASSIC I WASN’T ALLOWED TO HAVE VIDEO GAMES.

So, what to expect from a Bond film? Well, I’ve got a checklist here, hold on...HERE we go:

Gadgets

Girls

Good-for-Nothings

...Good music?

I’m feeling a little alliterative of late. But, yeah, looking for the Bond Girl, looking for cool gadgets, looking for dastardly villains, and listening for the theme song for the film. Got my list set, and expectations are set to Connery levels. Let’s do this, shall we?

Recap

We start at a dam in Russia. Bond James Bond (Pierce Brosnan) is infiltrating the dam, and we get our gadgets checked off right away, as he whips out an acetylene torch. He barges in on a guy in the bathroom (rude, and awkward), then meets up with Alec, AKA Agent 006 (Sean “he dies, he’s the villain, or he’s the villain who dies” Bean).

Yeah, calling it now, Alec here’s gonna die, or he’s the villain, or he’s the villain who’s gonna die. It’s Sean Bean. More importantly, it’s Sean Bean in the ‘90s. There are very few options for him. Anyway, the Russians try to stop them from blowing up the plant, and...well, Alec’s being held hostage. Yyyyyyup. And he gets shot?

I don’t know how...but I’m betting that he’s still the villain. He’s Sean Bean. C’mon. He doesn’t die this early in a movie.

The unambiguously evil Russian general (hey, the Cold War just ended) almost get Bond, but he escapes in typical Bond fashion. They chase after him, and Bond chases an airplane. How, do you ask? I WILL FUCKING SHOW YOU HOW.

WHAT??? WHAT??? Physics just broke, and Issac Newton just tunneled to China. And then the facility blows up.

And THEN the opening begins. Let’s hear the Bond song and check out the opening.

youtube

...WOW. Just...I mean...OK, so Bond songs. From the first Bond movie, Dr. No, up until the one before this one, Licence to Kill, the intros were designed and directed by Maurice Binder. They were all composed of silhouetted women, often against colorful backgrounds, and almost always nude or skimpily dressed. There would often be themes or objects seen in the film itself, and sometimes actual scenes, often projected onto women themselves. They all definitely had a similar feel and style. And then, Binder sadly passed away in 1991.

Enter Daniel Kleinman. This is Kleinman’s first take, and this is also the first movie to use CGI. While it’s not terribly obvious or gaudy in the film proper, Kleinman uses this new technology to make this intro SURREAL AS HELL. It expresses the film’s connection to the fall of Soviet Russia, and a post-Cold War society. And is does that in a pretty obvious, if abstract and dramatic, manner. And honestly, on retospect...yeah. It definitely works. Even the song, which is sung by Tina Turner and written by Bono (yes, really), works well by itself, and in my opinion, better when with the actual film. So, crazy and weird as this sequence it...kinda grew on me. I like it! Weird, but I like it a lot.

We cut to nine years later, with Bond taking a woman on a drive/race on a cliffside highway with...well, there’s our Bond girl! This is Famke Jannsen, playing...Xenia Onatopp.

Yes. Really. Oh boy. We aren’t being even slightly subtle about this, huh.

The woman in the car demands him to stop, and they make out, as one would expect. That night, he heads to a party, as James Bond does. At the party, James enters a card game with Xenia. Again...as James Bond does. This is immediately followed by him hitting on Xenia, ordering a vodka martini (shaken not stirred), introducing himself as “Bond, James Bond,” commenting on the Bond Girl’s name, and saying suave shit.

HOLY SHIT THAT SENTENCE ALONE HAPPENED WITHIN 1 MINUTE OF SCREEN TIME

Look, movie, when you got a Bond...you gotta space that shit out. Ration it a little bit, not front load all of it WITHIN FIVE MINUTES AFTER THE OPENING’S FINISHED. It’s like giving someone a beer, and then they EAT THE FRIDGE.

Jesus. OK, Miss Moneypenny (Samantha...Bond, that’s neat!) gives Bond some information, tells him not to have sex with Xenia until they tell him to (yes, really), and then say’s that she trusts he’ll say…”On-a-Topp of things.”

YES. REALLY.

Speaking of Xenia, she’s with an Admiral, having the most TERRIFYING sex I’ve ever seen in a movie. And I’m legit not sure if he survived after it. Like, real talk, it was...frightening. Somebody steals his ID, real nonchalant like, and we cut to the next morning, after his maybe-death? James makes it onto the yacht the next morning (they were on a yacht, by the way), planning on getting some information.

Meanwhile, the ID is used by...someone...to get into a leader of global military leaders. Pretty sure the Admiral got Kegel’d to death; not even joking, it’s a real possibility, and I am shaken AND stirred. And so was the Admiral.

See? Toldja.

Looks like their unveiling a new tactical helicopter, the Tiger. However, the pilots are shot by Xenia and someone else, and they take their place, stealing the helicopter. Bond tries to stop it...even though there’s literally no way he could’ve known they were going to steal the helicopter? I mean, I guess you could assume that, but...I dunno, it’s a stretch.

Meanwhile, in Siberia, a group of radar analysts or some such, where we meet Boris (Alan Cumming, who I feel like I never see play an actual Welsh person...or in a good movie) and Natalya (Izabella Scorupco). Boris is a thirsty computer nerd who hacks the US government for fun (because ‘90s nerds in movies were basically only this), and Natalya puts up with him.

The Tiger helicopter arrives, carrying Xenia and the General (Gottfried John, by the way) from the dam 9 years ago. They show up here, seeking something. Xenia shoots up the place, killing everybody except Natalya (and maybe Boris, since we didn’t see him die). Xenia, by the way, appears to be a straight sadist, enjoying inflicting pain on unsuspecting victims. The two leave, getting what they came for.

London! James Bond returns to MI6 headquarters, and meets his secretary Miss Moneypenny, who calls him the fuck OUT. She is my favorite character now.

MI6 has intercepted a distress call from the station in Siberia, and found the helicopter. The mission is heard by both Bond and M (Dame Judi Dench herself, pre-Cats). Meanwhile, the base in Siberia is hit an electromagnetic pulse originating from an orbiting satellite, which causes EVERYTHING to explode. Pretty sure that’s not what EMPs do, but why not? Suspension of disbelief.

Natalya’s still alive in there, by the way. And she’s not having a great day. You know those work days, right? Your coworkers are all dead, your equipment and office space explode, you’re trapped in a burning building, two American jets get hit by an EMP and crash into the building. Mondays, amirite?

And in case literally everything didn’t make it clear by now, this is a Cold War movie, taking place after the Cold War was concluded. See, the McGuffin for this film (it’s a Bond film, it’s kind of a requirement) is Project GoldenEye, a nuclear weapon meant to detonate in the upper atmosphere, creating an EMP. The weapon was developed during the Cold War, and has now been stolen by the Janus Crime Syndicate, whose heads include Xenia Onatopp. General Ourmunov is also suspected to be a part of it.

This information all comes out during an exposition speech, as is standard for a Bond movie. But after that speech...OH...OH, it’s so good. See, up until now, Miss Moneypenny was really the only major female recurring supporting character in Bond’s life. But we’ve flipped the script, having M played by Dame Judi Dench. And lemme tell ya...what follows is Dench REAMING BOND THE FUCK OUT. And it’s glorious.

Mind changed, M is now my favorite character. She tells him what’s what, then gives him his mission: get GoldenEye back.

We finally get our big gadgets showcase, as we see...Q (Desmond Llewelyn)! First introduced in From Russia With Love in 1963, Q is the MI6’s spy gadget man, and has been played by Llewelyn since then! He’s the only remaining cast member from the original Connery films, and it’s awesome to see him here! He’s been in more James Bond movies than anyone else, at 17. Sadly, he died in 1999, but it’s still cool to see him! We get cool gadgets, of course, including a pen grenade, a car with missiles behind the headlights, a leather belt with a grapple, a LOT of shit in the background, and a missile hidden in a leg cast and wheelchair. This is such a funny sequence, and absolutely the best scene in the movie so far, holy shit. More of THAT, please.

Meanwhile, in St. Petersburg, the General finds out that Natalya is alive, as well as Boris being missing. Calling it now, he’s been taken by Janus, or he’s working with them. Bond arrives and meets up with CIA Agent Jack Wade (Joe Don Baker), whom I also really like. He’s had enough of Bond’s spy bullshit, and he cuts to the point. He also identifies himself by showing a rose tattoo with the name of his ex-wife, Muffy. Yes, really.

Bond meets up with a Russian gangster whom he has a...pre-existing relationship with. Apparently, he shot him in the knee, then slept with his wife. You stay classy, Jimmy. You stay classy. This man is Valentin Zukovsky (Robbie Coltrane), an ex-KGB agent and current gang leader. He tells him that the head of Janus is descended from Cossacks, a group of Russians that worked for the Nazis in World War II.

Natalya finds a way to contact Boris over the internet, who tells her to trust no one, and sets up a meeting with her at a church. This is, of course, a trap, as Boris is working with Janus. Xenia, for her part as a Bond Girl, does her duty and finds James to have sex with. Xenia, it should be noted, is ABSOLUTELY THE FREAKIEST of the Bond Girls. Like, Goddamn is she kinky, you have no idea. Like...is this sex or a fight scene? The film genuinely can’t decide.

Bond forces Xenia to take him to the head of Janus, who’s in a Soviet statuary of some kind. And who’s waiting there but…

Yup. Called it.

See you (and Sean “died, but didn’t die, and is a villain, but is still gonna die” Bean) in Part 2!

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idlecreature · 3 years

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the buried fic comment from hell (it's so long i'm SO SORRY, I GOT EXCITED)

DEL.. I WASN’T SURE IF IT WAS APPROPRIATE TO LEAVE A LONG ASS COMMENT ON UR BURIED FIC IN PUBLIC….. SO I’M DROPPING IT HERE i’m so sorry in advance this is about to be a mess,, i’m so fucking emotional right now

((the review under the cut is in response to my fic which can b read here))

okay first –

The mental image of tiny gangly Barnabas and Jonah crouched with their hands in the dirt….. is so fucking cute?? I could feel Jonah’s jealousy just burning off of him. You had me right away. Fuck. You know how to open a story and I’m deeply envious, I’ve always struggled with it. Also, you threw in that little hook:

Despite what Jonah believes, there are some things that just can’t be explained in words.

Barnabas’ voice is so fucking good… guh… you know. I didn’t much care about Barnabas in any deep way before I joined the Jonah server and you guys have all just completely GUTTED me, I can’t believe how much I care about this highly-strung bastard,, he is so GOOD. HE’S SO GOOD???? HE’S SUCH A SWEETIE. LIKE. BARNABAS FEELING GUILTY AND HORRIFIED THAT PEOPLE ARE GRATEFUL TO HIM AND WANT HIM AROUND???? AAAAAAAAAA. And the melancholy aspect, too, which I imagine is how Mordechai was able to relate to him, get attached to him… Barnabas being bitter about how useless his tears are while he’s crying anxiously at the prospect that he might not be able to help those families after all…….

All of those scraps of Barnabas’ letter to Jonah made such EXCELLENT transitions, holy hell. Again I am inspired by your storytelling prowess. I am taking notes, for whenever my ability to write longform fic returns from war. This one was my favorite, made my heart clench:

A good world starts with a good person and a few choices that are made with the heart—

He’s so earnest I’m going to weep ;_; Barny.. you can’t make Jonah a better person he’s AWFUL,,

(Side note, super digging that I can indent stuff, block quoting makes this SO much easier.)

Also really digging that Jonah doesn’t have as nice a reputation as Barnabas… Jonah is the bad influence friend lmfao. AND JONAH’S CAT… I LOVE HIM…

And then you delivered a swift blow straight to the religion kink, as promised… “There’s something undeniably old testament about Jonah; the fire and fury of creation, the self-annihilating stare of Lot’s wife.“ LOSING IT I’M LOSING IT… WHAT A WAY OF DESCRIBING HIM God, here I thought I couldn’t possibly be more attracted to this bastard man. I am aghast at myself.

LOSING IT EVEN MORE OVER BARNABAS STACKING TEACUPS ON JONAH’S HEAD???? Why must you make them so fucking cute oh NO this is going to hurt isn’t it. ((This was the note I stuck in the Word doc while I was reading it and I thought I’d leave it as was for your enjoyment))

“Taking cues from your dreams?” Barnabas replies. “You know only the desperately mad do that?”

“Or desperately inspired—savants and prophets and visionaries.”

And then you continued to try to kill me… Jonah thinking of himself as a prophet……. hhhhh canon-typical overambitious zealotry I’m HERE FOR IT………

“Are you trying to make me angry with you by playing the devil’s advocate?”

“Just testing you,” Jonah says in his alloyed voice, silver-and-honey-gold.

Del I cannot stress enough… My religion kink………. It’s been SO VERY ACTIVATED.

“Your morality has only ever been a thin cover for your shame.”

OUCH, JONAH, JESUS

Every bit of their dialogue was so familiar and tinged with bittersweetness and I owe you my entire life… Sincerely. Ugh. Like, how you described Barnabas’ internal angst about it later on – when he’s thinking of Mordechai, and he refers to "his many dog-eared fantasies” about Jonah it just really vividly conjured the thought of he and Jonah having a sort of? Queer solidarity, ESPECIALLY having grown up together. And that makes Jonah’s flash of betrayal at Barnabas not wanting to be SEEN with him that much more agonizing, personally. Like. I’ve had that happen to me more than once in real life. And much as Jonah is a piece of shit who is absolutely manipulating him………. still, ouch. Ouch. (Barnabas’ thoughts on the company Jonah keeps also made me wince. You did an AMAZING job with all of the internalized shame and frantic rationalizations, hooooooboy.)

The Lukases being colorblind is such an interesting piece of lore by the way I love it????? Now I have. Some questions, about Peter. Mordechai’s characterization in this is so fascinating to me. I’m enTRANCED by how you reverse-Uno’d it so that Barnabas was the reason Mordechai lost himself to the Lonely… the power dynamics……. so tasty. Ugh. And all of the sensual descriptions, especially of that first visit Barnabas had at Moorland house?? I didn’t clip any because I would have ended up clipping the whole fucking thing. It was aching, haunting, beautiful, holyshit. Their romance is somehow more fucked up than Barnabas and Jonah’s…

Also, I was so eager to read this I skipped the tags/warnings and completely didn’t realize Mordechai was going to be an actual vampire so that was a VERY fun surprise lmfao.

Barnabas feels like he’s close to learning something about violence and desire, how close they are, how the wires can get crossed.

THIS QUOTE IS EVERYTHING TO MEEEEEE ugh I’m having an aneurysm over how Jonah managed to fashion Barnabas into a creature that could understand him by gifting him to Mordechai for a while… letting Mordechai crack him open at the points where he was already brittle and experience an influx of some of the true darkness of the world. Just a tasty taste. That way when he discovers the truth of Jonah’s occult interests he won’t run away, because he’s already got his own fingers in the mess. He’s already given himself to one horror, why not Jonah? Shave some of the shine off of his morality, make him nice and gray so he won’t contrast so much with Jonah… And satisfying his curiosity at the same time. Two birds.

Oh, also, still sobbing about this line:

he realises that he doesn’t want to wear any colours that Mordechai can’t properly see.

EVERY TIME I let my guard down for ten seconds you smacked me with more of Barnabas being the most precious bleeding heart in the universe!!!!!! He aches so much for the people he’s trying to help and he hates people like Mordechai but part of him also wants to save Mordechai, somehow… maybe recognizes the parts of him that are like these people, still. Nearly faded but not quite gone yet. And as you’ve already established, Barnabas simply cannot let things go. Can’t disappoint people… can’t leave them when he could be doing something. Anything. Augh, FEELINGS.

Of course he knew Mordechai and Jonah were friends, he’d just temporarily believed in a sane and fair universe where things like this don’t happen.

AND YOU HAD SUCH A PERFECT BALANCE OF HUMOR… This could have been such a feelbad fic, and tbh it still would have been spectacular. But you always eased it at just the right moment to keep it from going off the rails into irretrievable deepdark territory. Fed me little soft moments so I’d still be vulnerable enough to have my HEART RIPPED OUT LATER…

I’m not super interested in the Buried canon-wise but I love how you’ve written Barnabas’ natural affiliation with it… so subtle but powerful? (Of COURSE Jonah was jealous, lmao. He had to work so hard and he’s still not on Barnabas’ level. There’s some kinda beautiful commentary on ambition versus goodwill in there somewhere but I’m too busy nursing my battered little heart right now to articulate it.) It wove its way in and out of the rest of the plot so naturally, too. For some reason it compliments Barnabas’ temperament as I read it in canon just… so well. Was there a discussion about this on the server, and if so, PLEASE tell me about it sometime I’m so fascinated.

Jonah wasn’t even present for a lot of the fic but his characterization was so INTENSE and luminous, Christ… I know I already praised it a bit but. Woof. I wasn’t expecting to get a taste of his POV at the end and I was so excited I kicked my feet (my cat was very disgruntled) like, this line!!!

Now, he thinks there’s some truth in those false statements, in the lies we tell and why we want to be believed.

GOD, YOU’RE REALLY GONNA GIVE ME FEELINGS ABOUT JONAH AND FUTURE-JONAHLIAS IN THE SAME FIC?????? EVIL… I’m so so so fucking here for it, oh my God, Jonah with an amplifying anxiety disorder, THE PRICE OF IMMORTALITY… too bad the Eye doesn’t let you see the future, Jonah, lmao… the line “immortality just made his anxiety turn nuclear” is SEARED into my brain now, I am NOT accepting canon to contradict this ever again. I’ve always wondered how Jonah’s neuroses might have worsened in two entire fucking CENTURIES and I love the way you wrote it. I am fucking. Losing my mind.

There’s so many other things I could comment on, like. The brief but glorious Jonah-grinding-himself-off-on-Barnabas’-thigh shenanigans. Was incredibly hot, and Mordechai’s poor fragile heart breaking, and Barnabas telling Isabel that it’s fine to call him Barny…….. I’m hhhhhhhhHHHH fuck, fuck, fuck. I’m just!! I am incomprehensible!!! Everyone told me this fic was amazing but it’s fucking amazing, Del, what the hell. I’m never gonna be the same after this. The end was SHOCKINGLY sweet and I have WHIPLASH.

………… So, now that I’ve made you read a novel. Hah. Sorry. My point is. I loved every bit of this. It deserved heaps more praise but my eyes are starting to cross. Thx for sharing :’)

Love,

Tony xx

TONY. TONY THIS MEANS EVERYTHING TO ME. FIRSTLY I’M SO GLAD YOU LIKED THIS. SECOND OF ALL, THANKS TO YOU I’LL BE SCREAMING FROM THE ROOFTOPS FOREVER HAVE YOU ANY IDEA HOW THIS REVIEW HAS AFFECTED ME? IT’S THE BEST FEEDBACK I’VE EVER RECIEVED IN MY LIFE I FEEL LIKE A FIRSTGRADER GETTING THEIR FIRST GOLD STAR I FEEL ON TOP OF THE WORLD LIKE I COULD THROW THE JEWEL OF THE SEA OFF THE SHIP AND LEAN OVER THE RAILINGS BECAUSE YOUR ARMS ARE AROUND ME TONY IT’S BEEN MONTHS AND THIS REVIEW HAS BEEN A FIREPLACE KEEPING ME WARM THROUGH THE WINTER MONTHS I LOVE YOU DEARLY FOR THIS YOU ARE AN ABSOLUTE CHAMPION IF YOU WERE IN FRONT OF ME RIGHT NOW I WOULD FRENCH KISS YOU WITHOUT HESISTATION UNTIL THE BOTH OF US HAVE RUN OUT OF AIR!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! FUCKING BLESS YOU TONY!!!!!!!!!!!!!!!!!

#fic review #mayormurdock #what the fuckkkkkk tony when are you getting your sainthood #long post #submission

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need-a-new-hobby · 4 years

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dead man’s party

s1 e03

‘how can shadowhunters be better than what you call mundanes?’ well, the leather jackets and badass tattoos for one thing.

‘kay, clary kinda does have a right to be salty right now, but i gotta defend izzy. she left simon in the van to protect him. bringing a mundane into a fight would have been worse. but alec’s response to her salt is so funny

‘there is some truth to the idea that human beings should have a modicum of common sense.’ this is so in character with him, but seriously he could have a little compassion for the guy abducted by vamps

i don’t like clary’s salt anymore. i dunno how to explain it but she’s very hyper. (see ‘oh but there’s like this magic cup i hid on the planet bongo)

‘i can’t turn into what you are overnight’ the first correct thing she’s said all day, well all night really, but who cares? in this universe it’s day for like 5 minutes

alec just wants the mundanes out of his institute right now. ‘what are you, her spokesman now?’. i don’t envy his position, all he wants to do is just report back to the clave so they’re safe from scrutiny. he still hasn’t reported any of this.

RAPHAEL!!!! sorry, i get very excited but s1 raphael doesn’t live up to expectations (possibly cause he dead)

‘kay, i know clary wants to find simon asap but she can’t run into things head-first without a plan (which she keeps doing throughout the show). and if anyone really needs to know why i prefer alec, it’s cause he’s so level-headed, though to be fair, it’s not his best friend that’s been kidnapped.

‘right, seelies have their charms apparently.’ cue jace’s stupid grin. ‘izzy can tell you about them, she’s got a thing.’

raphael has had simon for 10 minutes and he’s already 100% done with him. ‘i really hate fidgeting.’ what would raphael look like with squirrels?

‘kay first point, did simon just throw a knife perfectly right into raphael’s chest? second, has this kid not watched vampire movies?

aight, camille is super creepy but her lines are gold. ‘how sweet. you’re bleeding.’ WHO COMES UP WITH THIS STUFF?!?

‘typical mundane failure of imagination’ hahaha, s1 alec is so salty. where’s magnus, alec needs to light up?

izzy’s so done with her brother being miserable and i love it.

oooh, alec got in trouble with jace.

‘kay, this episode kinda sets the tone for the rest of the season, especially with clace. i mean most of this season is just alec and izzy doing their jobs and jace ‘being there’ for clary. literally every 10 minutes, clary pulls jace from her job to talk about how miserable her life is becoming. whiny clary is boring and annoying

wooah. ‘are you so desperate to get laid that you’d risk killing us?’ yikes, alec, even i know that was a low blow.

‘beloved servant? who puts that on a headstone?’ - yeah, clary wouldn’t know anything about serving others.

‘don’t touch that, you don’t know how to use it’. haha, that sounds like something i’d say to my brother if he tried to use the electric whisk.

‘what, like in pandemonium, when i killed that demon?’ technically you held a sword and freaked out when jace shoved the demon into it.

first thing i noticed was alec’s dialogue is super clipped. i replayed the scene a couple times and you can kinda tell that alec’s really resigned to helping clary, probably because he knows it’s only gonna get them into trouble.

okay, jace training clary is giving me pain. its so cliched ugh

also is using a sword really that complicated?

‘could i even do this without you?’ jesus clary, you’re just waving a glowing sword and if she’s friends with simon, chances are she’s watched star wars. personally, i played with mock swords all the time as a kid. it ain’t that hard. but that might just be me.

‘alec doesn’t like anybody’. for the record, that’s true. i’m not sure where, but in the books, cc kinda mentions that alec doesn’t really like people, they just annoy him until they don’t, which is what happened with clary and jace (although personally, idk why she doesn’t annoy him anymore). the cutest thing though is that magnus never annoyed him. so technically, he likes magnus, ‘cept he hasn’t met magnus, yet...

‘why would he help me?’ who’s gonna tell her?

‘there’s no human bond that compares to what alec and i have.’ clary proceeds to compare that bond to her and simon. though, technically in the books, they become parabatai, but that whole plot-line is non-existent in the tv show since simon never becomes a shadowhunter.

simon apologising for trying to murder raphael is really funny

haha, subtlety is not alec’s best asset. no-one would doubt the acting head of the institute if he didn’t look so damn shifty. also, why not just grab the arrows and start runing them literally anywhere else?

hold on, clary can see jace even though he’s using a glamour but not the vampires?

noooo, simon, not camille ugh. watching camille and simon is painful.

again, alec with the unsubtlety. for someone so used to being responsible for jace’s misdemeanours, you’d think he’d be able to lie better. also for someone who’s meant to be like family, no-one seems to really care about hodge’s punishment rune literally scorching him. alec kinda just looks like the guy deserves it (which he does.)

omg, now he’s antagonising jace and alec’s relationship? bold move. also hodge slapping alec’s neck sounds so painful. like you can literally hear the slaps. but also, i feel like hodge does poke at a very central aspect of alec’s relationship with jace. alec’s always been responsible for his siblings and i can’t blame him if he’s frustrated by it. jace and izzy constantly get to do whatever they want, damn the consequences. except the consequences always seem to damn him, not the others.

how is it that jace can ride a motorbike, but can’t drive a car? i’d assume motorcycles are harder to ride than a van?

again, the soundtrack is flawless and ruelle is a goddess; the song for when they’re on the flying bike is invincible by ruelle

hahah, alec’s little ‘okay’ is slaying me. ‘great job izzy. you have fairy dust on your dress. and i hate being the distraction.’ cue dreamy sighing at grumpy lightwood.

also i love when emeraude toubia’s voice has that accent but the way she says frigging with the accent, chills.

they keep cutting to simon and camille making out, and i don’t wike it. it is gross and creepy. also her neck is bleeding and i’m very unhappy as to where this is going.

i have to admit, it’s surprising how well clary takes to the runes considering jace is literally burning her skin. although, at a certain point, if the heat is high enough, it just feels numb, or cold even. anyway, just to point out that in the books clary doesn’t get any runes until the city of glass. guess that’s impractical for the tv show.

surprise surprise, clary’s ‘not your typical girl’ and doesn’t see the romance in vampires. although it’s not really vampires as much as robert pattinson and i was always a jacob gal. i haven’t really watched all the movies though so don’t @ me, i don’t know enough. on top of that, it’s hard not to see clary as a sort of bella swan. having to deal with a love triangle between a childhood friend and a tall blond stranger and being practically useless in battle, even after she becomes a vamp. nope, no similarity whatsoever.

oh noooo, jace has never been in love. reeally heart-wrenching huh. and it’s not like clary has either. in the books, jace is like her first boyfriend, other than simon but we don’t talk about the disaster that is climon here. call me cynical but falling in love isn’t really that big a deal anyway. a lot of the time it’s just sexual attraction and i really don’t see the fuss. i dunno how to phrase it but clary feeling pity for a loveless jace is kinda icky.

haha, he doesn’t understand friendship? what’s alec, a distant cousin? cue her comparison of having a parabatai and having a best friend (see ‘there’s no human bond that compares to what alec and i have.’) and besides, you don’t know you’ll die for each other until you actually do. alec would actually die for jace and you see it multiple times throughout the show and vice versa.

i’m assuming the seraph blade works a lot like a normal sword in which case, again, i think he’s exaggerating the trick bits of it. but again, i grew up playing with pretend swords so....

i love how izzy talks about alec’s feelings while they’re trying to find vampires to distract. a lot of people tend to see this as a complete flip of normal priorities, but casual banter during what would normally be a very stressful situation is really important for me, personally. you finally get to see how izzy, alec and jace have grown up in situations like this, where they don’t know if they’re gonna make it to the next day. and yet they’re talking about their feelings. aaah im overanalysing again. sorry.

again with the banter! i love it. ‘whoever said the pen was mightier than the sword was an idiot.’ ‘when you’re right, you’re right.’ i love one pair of lightwood siblings

izzy looks way too excited to be killing vampires

ALEC WITH A BOW!!!! I LOVE MY ARCHER BOY 😍😍😍

also kudos to whoever came up with the idea of a whip as a bracelet

alec looks so happy with his arrows. aaaaaaaaaa!

okay, i love how clary kicks that vamp in the balls, but why doesn’t she just stab him? and why doesn’t she have her blade out yet? jace has to literally remind her, ‘hey you have a glowy sword in your back pocket’. this matchstick irritates me so much.

my archer boy has returned. am i the only one who thinks he was tempted to just shoot through clary? maybe it’s just me. also, you have to commend how alec thinks on his feet. i mean who’d have thought to nail an arrow through the wall to kill that vamp.

‘i killed him.’ ‘he was already dead.’ THAT’S STILL MURDER JACE! that’s what i don’t like about the shadow hunters, and it’s not just jace too. they all think that downworlders are somehow lesser beings because of their blood, but im guessing that most of them didn’t ask to be vamps or werewolves or warlocks and most shadowhunters (i.e. jace) were brought up to believe that blood somehow makes you a lesser being. that’s what i hate about shadow hunter society. but clary? she just falls into the same beliefs despite her father figure being a werewolf and her best friend being a vampire. she’s introduced to this world of angels and demons, she sees the discrimination that occurs and is silent about it, until simon becomes a vamp. reason #14 as to why i dislike clary

im sorry, but i laughed so hard when clary said, ‘thanks, but it’s not about me.’ for the record, alec had to save her from that vampire and the second one had already been punched to the floor by jace. also my tol bean is just standing in the back, waiting for this shitstorm of a mission to be over.

simon keeps punching the wrong people man. stop messing with raphael. also i love how raphael keeps thinking of the long game. camille is going to endanger the whole clan with the way she keeps breaking the accords and antagonising the clave. for non-book stans, raphael doesn’t particularly care about...well, anyone. except his clan. he cares about his own vampires, protects them like they’re his family and that’s only part of the reason why i love raph. the other reason is that his annoyance with other people is really funny for me.

i know the scene of the 3.5 shadowhunters walking in sync is meant to be like this cool badass scene, but i can’t help laughing at how they’re all dressed in black and izzy’s in this hot pink mini dress. we stan one queen.

watching climon is physically painful for me. i hate unreciprocated love.

watching jace and alec fight is physically painful for me. i hate family conflict

izzy just walks away, which is such a youngest sibling thing to do.

‘i’m older than you jace. i’m not in your shadow.’ aaaaaaaaaa my baby, noooo

‘if you really feel that way about her, why’d you help us tonight?’ JACE, YOU ACTUAL MORON. now that that’s out of my system, he is such a moron. first of all, if that mission went south, that would all have been on alec. this episode actually had me start disliking jace. in his race to help clary, he’s undervaluing the role alec plays in saving their asses. sure, alec’s not the strongest, or the fastest, or the fiercest. but when the clave comes down to rip them a new one, jace can’t save them. shadowhunters, just like police officers, have to follow the law. they have to think objectively and so far, alec’s the only one who’s been doing that. jace can fight vampires and demons all day, but he can’t fight the clave.

well, that episode was a hot mess. numero 4 coming up soon.

#shadowhunters #tsc #alec lightwood #alec #jace wayland #jace #izzy #isabelle lightwood #clary #clary fray #clary fairchild #anti clary fray #anti clary fairchild #anti clary #anti jace

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happymetalgirl · 4 years

Text

September 2020

As quickly as I caught up, I fell behind, and I’ll explain it all later, but that’s why some of the review blurbs here are really short while others are much longer. I still tried to make the shorter ones as expressive and dense as possible, even though I personally don’t like that approach so much. Anyway, September 2020, still a hellhole.

Faidra - Six Voices Inside

Drawing very obvious influence from Burzum’s Filosofem for the ambient portion of its sound, Faidra’s atmospheric black metal debut manages to marry both the snow-hazy ambience of Norway’s second wave with today’s more full-bodied naturalistic ambient black metal in a ceremony rather respectably elegant for a debut.

7/10

Heathen - Empire of the Blind

One of the more anticipated thrash metal releases of the year, Heathen’s more intensely melodically focused and unbalanced approach only drags their lethargic Testament-sequel brand of melodic thrash down, as Empire of the Blind trades out the genre’s hallmark spitfire aggression for dull guitar leads and uninspired operatic vocal lines that leave only a desire for the former.

5/10

Oceans of Slumber - Oceans of Slumber

A demonstrably competent, but woefully soulless and bloated display of neo-classical prog metal chops, Oceans of Slumber’s self-titled fifth LP is one of many of the genre’s avatars for much of its impressive face-value and numb delivery.

5/10

Corey Taylor - CMFT

We all knew this day would come, the charismatic Slipknot and Stone Sour frontman has finally released a solo album. And you could tell from the rollout with the star-cameo-studded music video for the lead single, “CMFT Must Be Stopped”, that Corey was going to lean in on it. But honestly, for as much natural swagger Corey Taylor can wield and showcases on the track, his straightforward rock songwriting that has graced Stone Sour’s discography is astoundingly weak, and this song’s more exuberant egotistical indulgence amplifies it rather than remedying it. It’s definitely one of the worst singles I’ve heard all year, especially for a project so highly anticipated as this, and there’s really no excuse for it to be this bad. If the general goal of a solo project is to transcribe your creative DNA onto an album as authentically as possible, and if this is an honest portrait of Corey’s creative core, it really just affirms for the many people annoyed by his media omnipresence that his main talent is just being the great big mouth. It should be obvious, but I’m not saying this to disparage in any way his massive contributions to the legendary legacy of Slipknot or even the genuinely important role he’s taken up as metal’s de facto representative press secretary. It’s not unheard of, and probably more normal than the opposite, for group-embedded artists to struggle to get a strong solo venture going. Thankfully, the lead single is the lowest point this album stoops to, but with its generic 80’s hard rock and glam anthems, it frequently gets pretty damn close. And look, I can tell it’s an album that’s supposed to be more about having a good time than any of that other artist DNA shit I brought up earlier, but its only routes there are through cheap imitation of other artists’ styles, and this still wouldn’t be anywhere near my first well of songs to draw from if I were making the most drunken of tailgater playlists.

4/10

Skeletal Remains - The Entombment of Chaos

Relatively new on the wider death metal scene, the Californian four-piece show once again, on their fourth album, why there remains such an appetite for old-school death metal with effective beating sessions and shredding clinics like The Entombment of Chaos.

7/10

Messiah - Fracmont

Originally part of the movement of early intensifying that inched fast, heavy, growly metal closer and closer to, and eventually over, the line that would separate thrash from what would become the vast world of death metal before their lengthy disbandment, Switzerland’s Messiah are fortunate to return to a world still hungry for new and old flavors of death metal with the stylistically and compositionally vintage (if not rusty) but somewhat technologically updated death-thrash of Fracmont, but they will need to do more than just pick up where they left off and acclimate their approach to the modern era if they intend to stick it out in today’s harsher death metal ecosystem.

6/10

Stryper - Even the Devil Believes

The Christian glam metal outfit have really leaned into the power metal glory that their high-soaring brand was always kind of adjacent to over the past few albums, and to their benefit, and despite what their goofy striped outfit look back in the day would have led you to predict, the steadfast veteran Christian rockers have aged far better than most of their 80’s hair metal contemporaries. Nevertheless, the walking oxymorons’ cheesy, on-the-nose, and occasionally preachy lyricism remain a pesky turn-off to both the religion they espouse and the medium they evangelize through. Frontman Michael Sweet took a bit of a misdirected offense from another reviewer who pointed out exactly this about his band’s new album, taking some media time to play the insufferable persecuted god-fearing follower of Jesus that so many Christians so delusionally imagine they are as a majority religious group with more political power than any other. Now with Michael Sweet claiming that his band has it so rough because they’re openly Christian, I say it really comes down to how you present it, and he especially presents it kinda goofy. One of the songs I’ve been getting energized by a lot on my workout playlist is “Devil’s Den” by Impending Doom, an also openly Christian band. And apart from the nasty 8-string groove, the song’s central refrain “slaughter the demons that are clawing on my brother’s back, until my brothers fight back” about support through spiritual struggle against one’s vices is a thrilling lyric that frames that aspect of Christian spirituality in a much more relatable and sympathizable manner. I’m not expecting Stryper to go into gratuitous deathcore brutality to deliver their message, but they can’t be mad about receiving criticism when they haven’t evolved the 9th-grade-reading-level lyricism that was begrudgingly accepted in the 80’s. Sociopolitical stuff and frontman antics aside, Even the Devil Believes is an instrumentally solid, but exceptionally lyrically corny record full of Bible verse quotes and Sunday School rhymes. I’ll highlight the song “Do Unto Others” for beating the odds on this album with its invigorating sing-along power metal melody, but that song is perhaps the sole reason my feelings in this album are more neutral overall instead on negative, while the vast majority of this album is just begging to be instrumental or at least tuned out.

5/10

Mastodon - Medium Rarities

Mastodon really could have just saved the earth-quaking opening single for their next album or released it as a stand-alone single instead of with the other forty minutes of entirely unnecessary of instrumental versions and live cuts among the other worthwhile material to compile for an album like this.

Fallen Torches/10

Ihsahn - Pharos

The now prog-immersed enigmatic Emperor frontman put out a pretty solid EP earlier in the year, but I was still hoping that Ihsahn would come through with a more essential addition to his solo catalog, and even if it’s a small one, his second EP of 2020 is that addition. Pharos is a succinct, five-song display of proggy melodicism much more confident and infectious than the still-respectable Telemark, further bolstering Ihsahn’s prog credibility and proving to anyone skeptical that he was all esoteric experimental bark and no substantive bite that he indeed has the songwriting chops to thrive in the genre.

8/10

Uniform - Shame

The New York duo’s sardonic and noisy industrial metal neither progresses nor regresses on their fourth album, Michael Berdan’s nasty vocal delivery and the backing industrial instrumentation lose steam and effectiveness rather quickly and the numbing experience ends up being over before you know it for the wrong reasons. It has its moments, but they are brief and few in number.

6/10

Cloudkicker - Solitude

Through an eleventh album under the name of his occasionally djenty instrumental prog studio project, Ohio virtuoso Ben Sharp once again flexes his technical and compositional prowess in an entertaining rather than self-congratulatory manner.

7/10

Marilyn Manson - We Are Chaos

This was a bit of a weird one, and it definitely caught me off guard for a few reasons, mostly for how it flows and for my own not hearing the title track previously when it was released as a single. The iconic 90’s boogeyman of the religious right wing in America is on his eleventh album now and (I mentioned it when I reviewed his tenth album, Heaven Upside Down, in 2011) it seems like people are finally accepting that the Antichrist Superstar’s fire-stoking strategy of blasphemous industrial metal last century was something that served its purpose for a time that has now passed. With Manson now on the more mortally introspective side of 50, the more measured rock of the latter portion of his catalog is starting to outsize what so many see as his grotesque golden age, which has seen him dip occasionally into the sounds of his beloved trilogy, but mostly dabbling in glam and indie rock sounds to find a late-career footing to sustain him. And on this album’s collaboration with country outlaw Shooter Jennings, I think the aging provocateur has found a direction that could be promising. Now I say it that way because I don’t think they gave us more than a tantalizing taste of it on this album, but I would love for Manson to further pursue what he and Jennings pull off together at the beginning of We Are Chaos. It took me a little while to warm up to the hammed up spoken word intro and industrial rock body of the opening track, “Red, Black, and Blue”, but I do think it does kick the album off well, albeit deceptively. It’s easy to forget how well Manson can hold himself on a ballad, not just on his meditation on his own aging during “Running to the Edge of the World”, but also on several cuts in his famed trilogy like “Lamb of God”, “Man That You Fear”, and “Coma White”. But after the somewhat tame fire of the intro track, Manson jumps straight into three songs of completely unexpected indie rock balladry that capture his mission to soundtrack every listener’s individual apocalypse at this time. Going through a lot of changes in life myself, I had a bit of unexpected catharsis with these songs that I think I’m going to be unable to dissociate them from with future listening. Unfortunately, Manson doesn’t re-engage ballade mode until “Broken Needle” closes the album, with the middle portion of the album having some good moments of industrial rock swagger, like “Perfume” and “Infinite Darkness”, but also some songs like “Half-Way & One Step Forward” that are just too dry on energy to be worth the time. But overall, I think the brightness in this album’s best spots make it well worth more than just a cursory listen, and I just hope that this album is a turning point for Manson and a step toward finding his groove without the flagrant heresy that built his youth.

7/10

Derek Sherinian - The Phoenix

Meandering through a generic prog rock instrumental wasteland and picking up the occasional morsel from between the dried out cracks of desert floor, The Phoenix is barely even a hearty display of the prog metal skill and street cred we all know the talented keyboardist to have.

5/10

Napalm Death - Throes of Joy in the Jaws of Defeatism

British grindcore legends Napalm Death need no introduction at this point, and with plenty of excitement behind their most lengthily-awaited LP after 2015’s well-respected Apex Predator - Easy Meat (and the sizzling appetizer the Logic Ravaged by Brute Force EP gave us), the band’s fifteenth full-length onslaught of deadly grindcore, Throes of Joy in the Jaws of Defeatism is a satisfactory dose of the band’s usual black-pilled rage against political and societal ills at most, with a few odd, to say the least, stylistic choices to say the least that beg the question of why this took so long.

6/10

Finntroll - Vredesvävd

While its adherence to the band’s boundaries within the niche genre they occupy makes it unlikely to take its established Finnish masterminds to any new heights, Vredesvävd is a professional, yet still fun serving of Finntroll’s black-metal-flavored folk metal brimming with energy and optimism.

6/10

Proscription - Conduit

Another Finnish outfit making their mark on 2020, Proscription still have some important ground to cover in ironing out and more specifically differentiating their blackened death metal sound, but Conduit is hardly a timid debut, providing a solid foundation for the four-piece to build upon.

6/10

Carnation - Where Death Lies

Not the faintest hint of a dreaded sophomore slump can be heard on the Belgians’ unflinching, merciless follow-up to their sizzlingly nasty 2018 debut album, Chapel of Abhorrence. Where Death Lies is as unyielding of a continuation as it gets, and in the best way such a straightforward trajectory can be. Nothing but skin-shredding, means-tested death metal in its most fibrant Floridian Form from front to back, Carnation showcase their skills from groove to solo in another stellar all-around display of force that provides a perhaps necessary reminder to the fans and critics annoyed by its ubiquitousness of the raw power that can come from unadulterated death metal.

8/10

Fit for a King - The Path

Fit for a King deliver perhaps the most convincing pathos yet for their more brightly melodic brand of Architects-like metalcore on their sixth album, putting on an exquisite balancing act that could sway even the most stubbornly cross-armed observer who likes the breakdowns but hates the clean singing.

7/10

Kataklysm - Unconquered

Kataklysm’s 2018 album, Meditations has ironically stuck out to me in retrospect because it was the shortest full-length review I had ever done, simply because there was so little to say about the unmemorable melodeath on that record. The band have definitely bounced back with some potent fire in their belly on the metalcore-infused Unconquered. Boasting more infectious grooves and more crushing breakdowns with a notably greater sense of urgency behind them, it’s still a pretty unambiguous and unambitious record, but it makes a far more convincing case for itself.

7/10

The Ocean Collective - Phanerozoic II: Mesozoic / Cenozoic

After a largely forgettable preceding act from all the way back in 2018, The Ocean Collective Return much more revitalized and sufficiently warmed up for a much more engaging 51 minutes of progressive metal that checks both classical and modern boxes.

7/10

Fires in the Distance - Echoes from Deep November

The debut album from the Connecticut four-piece offers a rather compositionallly directionless and standard take on the death-doom it offers. Even while taking a melodic approach very similar to that of a Khemmis or a Spirit Adrift, the attempted soulful guitar leads come off as aimlessly noodly and unplanned as the structures enclosing them, whose dynamic shifts feel more like repeated defibrillation attempts for unlively songs.

5/10

Darkcluster - Spirit of the Void

The debut album from this Canadian one-man-band studio project makes its intent to fill the sci-fi extreme thrash void that Vektor might not get to return to in the wake of the revealing David DiSanto’s domestic violence toward his girlfriend, and while Darkcluster’s mastermind clearly has the technicality down, the atrocious vocals across the rather lengthy and largely compositionally aimless project greatly hold this album back.

4/10

Swine of Dissent - An Uprising

A safer and more measured, but more successful black-metal-flavored thrash debut record, Swine of Dissent still have some work to do on the compositional floor as well, but with not as many glaring flaws, they have enough to start with and move forward with this type of thrash metal.

5/10

Gazpacho - Fireworker

The artsy Norwegian outfit returns to the more sprawling prog rock that hooked me into their music on Night for their eleventh album, but Fireworker is far from the kind tepid, nostalgic return to normal that a late-stage revisiting of older styles often suggests of other acts. Elevating their already lofty sound and massive scope to new cinematic, choral, orchestral heights with astounding ease, the soulfulness contained within the band’s clinical execution of such a daunting series of tasks makes Fireworker their most accomplished and enrapturing work yet.

9/10

Sumac - May You Be Held

While far from fatal, after the enthrallingly eccentric and humblingly heavy sludge experimentation of 2018’s Love in Shadow, the slightly tempered creativity and muddied production of May You Be Held is a mildly disappointing fourth LP simply for how high its creators have set their own bar. Nevertheless, Sumac continue to impress with a noisy, explosive, yet hypnotic approach to post-metal that thrives in the band’s love to draw outside the lines and with a deluxe box of crayons.

8/10

Obsidian Kingdom - Meat Machine

Priding themselves on their eccentricity, Obsidian Kingdom come through with one of the most stylistically diverse, genuinely experimental, and entirely entertaining sludge albums of the year, if not recent memory. Taking the thunderous sludge of Mastodon and going at it with the mindset of a band like Sumac, the quirky Catalans pack operatic vocals and even Slipknot-sequel passages into the intricate compactor that is Meat Machine, and it’s a feat they can certainly take pride in.

8/10

Deftones - Ohms

Coming from a big fan of both Gore and Koi No Yokan, Deftones’ plunge deeper into the elegant shoegaze of this later stage of their career on Ohms was bungled far too much by a lapse in the critical compositional organization that has allowed their ventures into spacey alternative metal territory to succeed.

5/10

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lottiesfics · 5 years

Text

March to August (dd)

A/N: She fell in love with him in March, but they fell out of love by August (also I write a lot of sad stuff oops!! Happy stuff coming soon!)

Word Count: 1,596

The two of them were peas in a pod. Freshly friends starting in March. She'd go to his house, and they'd pop open a bottle of cold champagne, a little something to take the edge away. Her hair fell at her shoulders, pulling down her scrunchie. "How was your day, Dave?" She smiled at him. Every time she did, his heart would skip beats. Beats like it was in 4/4, continuous, almost ready to explode and shower her with this love. "Same old same old, the vlog is really messing with me. I-I need something new! Something I could really break into," He smiled at her. His teeth so white, making her head spin in circles. She didn't wanna like him. God knows he was the last thing she needed. Her type was, well- him! The unkempt brown hair, the spiritual eyes, the veins on his forearms and the rings on his hands. It all made her melt like she was putty in his fingers. "Well, have you thought about more direction? In the vlogs?" She asked him, sipping from her glass. The bubbles traveled down her throat, feeling cool and rushed. It was a chilly night, sitting on the expensive carpet, she felt a sense of class. "You know it is funny you say that! I was thinking of maybe a short film," He laughed, he got up putting down his phone. "Come with me, I wanna show you something!" He said, grabbing her hand. She walked with him, more like dragged. He led her to his room and pulled out a tiny camera from his desk drawer. "Um, what is it?" She asked him. She laughed lightly, not sure what a small camera like that could do. "Matt gave it to me! It's a disposable camera! Pretty cool, right?" He said, picking up the camera and examining it. It had a 2002 look but was smaller. He loved the aesthetic of these things, something she enjoyed as well. It had a sort of hipster filmmaker aspect he liked, she just liked the pictures it took. "That's sick!" She laughed, looking at the camera. She took her left hand and rubbed the side of the camera like it was a genie bottle. As if it could take away any sort of problems she had. It seemed as she was making a wish, maybe she was wishing for peace or for time or for David himself. "Woah!" She looked up through his window curtains. "What?" He asked following her over to the window. "Look at that sky! Ugh, doesn't that just make you so happy!" She said, her eyes gazing through the thin white curtain blocking her from the glass. "Hey! Lets' test out the camera, we can sit up on the roof!" He said. "Yeah!" She laughed. He grabbed the camera, she grabbed her cigarettes. She didn't smoke often, only when she was nervous and for some reason she was nervous. They both scaled the house until she was sitting in front of him, pulling out the little white stick. "Want one?" She asked. "Nah, you know I don't," He said, turning on the camera. The purple haze behind her mixed with her hair color, fitting like a sock inside a shoe. "Ooh! Right there, let me take the shot!" He told her, picking the camera up and putting it up to his eye. She giggled, a genuine giggle mixed with a real smile, something only he could get out of her. That was there first real night together, both sitting on the roof, talking about the things that bugged them. Talking until the sunrise, until she fell in his arms and they slept on the roof. The next month was a whirlwind of feelings, the two were never apart. David needed to run to the grove to get a prop for the next bit, "Shit! I forgot the apples!" He was visibly getting upset trying to film the bit. Jason looked over at her, knowing she was the only one who could bring him out of this. "Here, let's go get them," She said, standing up and grabbing her keys. David grabbed his keys and off the pair went. They were singing in the car, along with some song on the radio. A Selena song, her favorite artist. The way she sang made David feel some sort of way. "You know, people say Paris is the city of love, but I believe Spanish is the language of the lovers," She laughed as he parked the car. "You know, I only know Hungarian and Slovak," He said. "I'd love to learn Spanish though," He laughed. They both walked into Ralphs. "I'd love to learn either Hungarian or Slovak, they sound like cool languages," She said, walking over to the apples. David got the materials he needed, as they walked out of the building, the sky opened up and rain poured out of the dark clouds. Both ran to the car, screaming and laughing, feeling like the 22-year-olds they were supposed to be. They got into the car, drenched. "Wow!" David said, putting the apples in the back. "Jesus! I didn't think it could rain like that!" "Hah," She got quiet. David and her sat in the seats, inches away from each other. "I can't drive in this wea-" "I wasn't expecting you to Dave, let's just take a second," She said, unbuckling her seatbelt and turning towards him. "Teach me, Slovak!" She laughed. "Then you have to teach me Spanish!" He grinned. "I only know a bit!" She said. "That's okay!" "Okay, how do you say hello?" She asked, looking into the back seat. "dobrý deň, how do you say it in Spanish?" He said. His accent was thick and beautiful. "Hola! You should know that!" She said, hitting his forearm lightly. "Prepáč, better known as sorry!" He said. "Lo Siento, it also means sorry," She smiled a flirty little smile. "How do you say I love you in Spanish?" He asked, looking down at her hands. "Te Quiero," She smiled. "lúbim ťa," He smiled. He grabbed her hand. "How do you say kiss me?" She asked him, leaning in closer. "Bozkaj ma," He said, giggling. "Bésame," She said, tilting her head as they kissed in his car. Speaking two different languages that had nothing to do with each other, except that it showed the love they had. May and June passed on with flirty confrontations, soft smiles, and hand holding. But never the question, always the "I love yous". She didn't know where they stood and at first, it didn't bother her, but slowly it did. He didn't wanna put a label on it, he didn't see the need for one. He just wanted to love her. July moved in and so did David's birthday. The gang went to Vegas to celebrate, getting a sick hotel. They had a "rooftop" room. This meant the roof was a pool, something that was open to guests until dusk. Nothing stops David and at 1 am, he pulled her right up to the roof to talk. "Can you believe your 23?!" She said. "No, not at all," He said. "I still feel like I'm 17," He chuckled. Maybe that's why you treat me like I'm 14, that's what she thought. "Yeah, but you're a mature person!" She smiled. She was terrible with these kinda conversations. "I could be married in a few years," He said. That tripped him out, it always had. He looks forward to that day, but he thinks about it way more than he should. "Yeah, I mean we all could!" She said, sitting down next to him. "I could be married to you," He smiled, kissing her on the cheek. "Yeah, you never know," She said, kissing him. And they kissed and kissed until the sunrise. This became a pattern for them, and by August, she was sure he was going to ask her out. But then he stopped. He stopped all contact with her. She ran into him on a street outside of LA. She put her head down trying not to have to see him but he reached out first. "(Y/N)?" He asked. "I'm sorry?" She cocked her head to the side, pretending not to know him. "Oh! Sorry, I thought you were this girl I used to know, but she wasn't blonde," He laughed. She had dyed her hair, trying to get his thoughts out of her head. The sunglasses she was wearing helped a bit too. "Oh, no worries!" She laughed. He frowned. "Yeah, I guess sometimes two stones roll down their own path," He sighed, walking away from her, leaving her gasping in the wind. She dried her eyes and as the sunlight would stream through her empty bed in the morning and the moonlight would gleam through her apartment at night, she finally understood what David meant. Everyone is like a stone and either you roll or you're stuck, like a statue. She decided to roll, he did too, and the paths didn't line up. But, sometimes things don't stay set in stone, maybe one day they will love again.

#david dobrik #David's Vlogs #dave dobrik #davids vlogs #daviddobrik #david dobrik imagine #david dobrik imagines #david dobrik smut #david dobrik au #david dobrik x reader #vlogsquad #vlogsquad imagines #vlogsquad imagine #vlog squad #vlog squad imagines #vlog squad imagine #zane hijazi #jeff wittek

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thebastardofgloucester · 4 years

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So...The Rise of Skywalker (Spoilers, obviously)

No Star Wars movie is anywhere close to perfect. Frankly, they all have serious flaws of logistics or plot logic or characterisation changes or deus ex machinas or lack of originality (which includes A New Hope when you look at its inspirations). It's pointless and silly to pretend otherwise. At its best, Star Wars overcomes that with captivating characters, glorious spectacle, and John Williams.

I think you'll all be familiar with how much I disliked The Last Jedi (and chafed at being lumped in for disliking the movie in with bigots, unimaginative fanboys, and the like).

I liked The Rise of Skywalker. A lot. It had more than enough to offset its major shortcomings, in my opinion. It was not 'soulless,' it was not a complete recreation of Return of the Jedi anymore than The Last Jedi was a rough retelling of The Empire Strikes Back, and it was not as bad or incoherent as Attack of the Clones, jfc are you high

There are certain areas where I am more sympathetic to that not being the case for some people than others. I don't think it completely junked The Last Jedi, but it did demonstrate a huge gap in creative visions, preferred plot structures, and other priorities. Blame for that should not lie with JJ Abrams (or Chris Terrio) or Rian Johnson, who did what they thought was best, and what they were hired to do, and what they thought audiences would enjoy. It should lie with the Lucasfilm story group and Kathleen Kennedy, who had every opportunity to make a trilogy with a united vision and simply declined to do so. (There are a set of different issues with Disney that I'll get to)

Anyway, here's my take on individual components.

Rey ‘Palpatine’

We might as well start with the single most contentious part of the film, and where it is perceived (wrongly, in my opinion) to clash the most with The Last Jedi: Rey being of the Palpatine bloodline.

Rey's arc was about pushing past her own past traumas and doubts and the repeated attempts of other people to define who she was to make her own identity. It is about the refutation of destiny, of genetic determinism. I'm not really sure how anyone really came away with a different impression. I understand being annoyed that Rey couldn't just come from nothing, but call me an annoying fanboy - I wanted some explanation for how Rey was a match for the grandson of literal Space Jesus. Anakin being the most powerful Jedi ever born (and how he was failed by those who were supposed to guide him to that destiny) is kind of central to the entire mythology of Star Wars. Is it reductive and elitist? I guess. I certainly enjoy having Jedi not born of the Skywalker bloodline in the old EU and the Clone Wars/Rebels story. I was frustrated by killing off all of Luke's students as part of resetting the universe in The Force Awakens, and never learning anything about them.

Honestly, as somebody who was in the Rey Skywalker camp (and wrote fanfiction to that effect!), I was glad to be wrong. This was better. It gave Rey more agency, and emphasized found family.

The exposition is weird and clunky. JJ clearly meant for Rey to have some kind of blood link to the previous mythology of the series - you cannot watch the sequence in Maz's castle and tell me otherwise. Rian didn't want to tell that story. JJ did. Kathleen Kennedy and Lucasfilm threw their hands up in the air and Disney raked in the cash. Looking at that Maz castle beat, there's a very good case to be made that Rey was supposed to be either a Skywalker or a Solo, and Palpatine was JJ's attempt to not completely throw out Rian's idea (that her parents went into hiding, becoming 'no one,' abandoning her and being killed somewhere else - their motivations in TLJ (drunks ditching her) are imputed by Kylo and Rey's own fears of abandonment, remember).

Weirdly, I think that of the outcomes, Palpatine was the best one. Explaining how Rey ends up alone on Jakku when she's related to either Luke or Leia is pretty hard without further damaging their characters. Palpatine having lovers, mistresses, whatever before Mace melted his face is gross but entirely plausible. The timeline is...confusing - I guess there's enough basis for Palpatine still having agents running around, chasing down Rey, that even years after his death Rey's parents would leave her behind in an attempt to protect her. It's a bit muddy, but so was Anakin being Luke and Leia's father before we had the prequels. A novel here would probably help if it is written competently)

The point is that Rey's arc refutes genetic destiny. Instead of being afraid of her, as the Jedi were of Anakin (and to an extent, the Skywalkers were of Ben) Luke and Leia (specifically Leia) allow her to grow into her own person, and ultimately she chooses to take the name Skywalker to honor them (and Ben's sacrifice). The problem in my mind is less that Rey is a Palpatine by blood or a Skywalker by choice, and more that she's the only Jedi standing at the end of the trilogy. Making Finn's absolutely obvious force sensitivity a bigger deal narratively in TROS would have helped a lot (more on that later). And we still have the important implications of Broom Boy! He's not erased from existence, there simply wasn't room for his story in these 2.5 hours.

The First Act (and a bit)

The first 30 minutes or so of The Rise of Skywalker are...nuts. They feel less like a movie and more like a series of trailers or a 'previously on' for a movie we never saw. It's about as well done as it could be at establishing plot threads, the situation of the Resistance v the First Order, and where characters are starting from, as you could reasonably expect, but it's like cramming the entirety of the Jabba's Palace segment of Return of the Jedi into about half its runtime, at most.

What it comes down to, and I said this at the time, is that The Last Jedi is a very bad sequel to The Force Awakens. That doesn't (REPEAT: DOES NOT) make it bad film, or even a bad Star Wars film. But in terms of what the middle movie of a planned trilogy should be. It is. Not Good. JJ had seeded hints of Rey's origins and opened a bunch of mysteries. You can contend that he never intended or was never capable of answering them, and I think that's entirely unfair and reducing JJ's opus to the unsatisfying ending of 'Lost' is stupid and lazy, but they were there. The Last Jedi threw all of that out with extreme prejudice. I deeply disliked that; other people didn't. Either way, you had a problem (and you would have had even more of a problem if Colin Trevorrow had directed Episode IX as planned - this could have been SO. MUCH. WORSE.). The Rise of Skywalker is a natural sequel to The Force Awakens, though Palpatine's return could have been foreshadowed much better (or at all, if we're honest?) and it really makes me wonder how much changed from the first drafts of The Force Awakens to the version of The Rise of Skywalker we saw on screen.

I saw some criticisms that we had to read the tie-in material (including a bit from Fortnite??) to understand all the specifics of what planets these were, who Kylo Ren was murdering, etc...I don’t really think any of that was particularly important. It actually opens up a ton of new storytelling opportunities and made the universe feel big again, which The Last Jedi didn’t, at least for me. Apparently the planet Kylo is fighting on is Mustafar. That...doesn’t make the slightest bit of sense (maybe we finally have a Star Wars world that isn’t a single biome?) but it wasn’t actually that important. We saw Kylo searching for the Sith Wayfinder and murdering anybody in his way, we saw Poe and Finn being pursued from one end of the universe to another, and we got the 16 hour deadline before the fleet was ready (which was...weird, admittedly, but not in the slightest less weird that the fleet running out of fuel on a slow-motion chase or needing to fly off to an entirely different system to find a ‘code breaker’ to counter a techo gadget thing that let you trace people through hyperspace.

And yeah, if you are going to forgive The Last Jedi the dumb codebreaker/fuel shit which led to the detached Canto Bight B plot, you have to just acknowledge the Wayfinder thing as a macguffin that gets the plot moving in a certain direction and gives a clear path from narrative point a to narrative point b. Rian is not ahead of JJ on this aspect.

The subsequent fetch quest is less about the macguffin and more about the character beats on the way. Kylo and his boy band pursue Rey, Rey realizes her powers are kinda scary and hella impressive (including the healing mechanic, which is entirely precedented in past canon), you get to see some brilliant, funny, and touching moments between the trio we were not allowed in The Last Jedi, Rey discovers hints about her past, and Lando shows up.

We also get to my least favorite part of the film.

Poe Dameron is Better Than This

I do not understand why they ret-conned Poe into having a past as a smuggler, or why Keri Russell’s character was even necessary. You could explain it as youthful rebellion, maybe after Poe’s mom Shara Bey died (both his parents were Rebel veterans - that’s a lot of pressure), but it fits awkwardly into the established timeline.

The one good thing that came out of it was a moment where Poe is tempted to leave the Resistance, but that only makes sense because of Poe’s terrible hotheaded, reckless characterization in The Last Jedi, neither of which at all fit with his portrayal in the Poe Dameron comics (which are excellent). Poe eventually gets where he needs to be, and the conversation with Lando after Leia passes is one of the best moments of the film, and justified bringing Lando all by itself. Oscar Isaac is apparently really frustrated with Poe’s character and I cannot blame him. Rian Johnson started this weirdness, and it is one of the greatest flaws of The Last Jedi and more people need to acknowledge how racist it was to reduce a 30-something brown-skinned veteran to an impulsive, out of control idiot who gets physically and verbally smacked around by two white women, and JJ didn’t really try to fix it. I guess his arc kinda works in a vacuum. I still deeply dislike it. Cutting that entire section down to the bare bones would have made more room for...

Finn and the Triad

The dynamic between Finn, Poe, and Rey was fantastic. There is abundant basis for Finn and Poe to be canon romantic interests, and I cannot conclude it was anything but Disney’s cowardice that prevented that from happening (and honestly, same for Finn and Rey). JJ is no more to blame than Rian - I genuinely believe this came from higher up. It sucks. A lot. What we do get is precious, and frankly makes Rian’s argument for separating them (that they would get along and it would be boring) kinda silly. They are also incredibly funny together - John, Isaac, and Daisy play off each other so damn well, and I was cackling when the Falcon was on fire and Poe was mad about BB-8.

Finn is absolutely force sensitive. It is apparently what he was trying to say to Rey, he has feelings that turn out to be correct like three times, he wielded a lightsaber with some proficiency in The Force Awakens. It’s canon. Why it isn’t explicit is a function of the Force User plot becoming divorced from Finn and Poe in The Last Jedi. JJ and Terrio also could have fixed that, and chose not to.

We got a tantalizing glimpse of what could have been with Janna and the other defectors. It was really good, but it wasn’t nearly enough, and I am Mad about it. To borrow from some great ideas on twitter, Janna could have revealed that her unit heard about Finn on Jakku and it inspired them to defect. They could have together swayed a bunch of reluctant stormtroopers to rebel (they were otherwise just treated as facist canon-fodder, which, not great when a lot of them are child soldiers!). It was perfectly set up from TFA and they just...dropped the ball.

Like I said, I’m Mad. TLJ did nothing with Finn as a defector or the child soldier thing in general, and TROS did the bare minimum. Huge, huge wasted opportunity. We got promises that we’d get to find out more about who Finn is and...we didn’t, or at least, not in the theatrical cut. TLJ had a scene of Finn and Phasma talking about his being a traitor/defector. Rian cut it down to a fight scene and the ‘Rebel Scum’ line. Writers jail for both of them, tbh, though JJ clearly cared about Finn (he’s why the character exists as he does, as why Boyega was cast, and maybe if TLJ doesn’t make Kylo into Rey’s co-protagonist we get something different. I'm not going to blame Rian for something JJ could have fixed if he cared to.

And least we got something, I guess.

Kylo Ben

I think the first time I actually cared about Ben Solo as a character was when Kylo symbolically ‘died,’ and Ben was saved by Rey’s healing abilities. That was excellent writing, even if it was not subtle. I liked Leia and Han (as part of Ben’s memories) have a role in helping him find some sort of redemption. I was frustrated and mad that Anakin Skywalker’s grandkid could be a straight up space fascist with even fewer redeeming qualities. He still deserved to die. He had no family to go back to and he was directly responsible for thousands of innocent deaths and closely linked to the death of trillions. Like Vader, you don’t just come back from that.

Like Anakin, Ben made his own choices. Was he manipulated by Snoke/Palpatine? Sure. He still had multiple occasions to chose differently and did not. It’s part of his flaws as a character. Han and Leia did their best as parents - we find out Leia even abandoned her Jedi training because she was afraid for her son. Ben’s inevitable fall (which mirrors that of Jacen Solo, a truly fascinating character who I will always be Mad about) soured the sequel trilogy from the start in some ways, but it is hard to envision it without Ben turning. I don’t know. I think without Ben being who he was we simply have a different set of movies.

The kiss is...I don’t even know. Rey clearly cared about Ben, and believed he could change, but also refused to compromise who she was in order to pull him back to the light. I would have vastly preferred a forehead kiss or something along those lines.

On balance I’m glad he got a Vader redemption. I think Palpatine came back in part because Ben simply was not a particularly captivating villain, and without him to provide contrast and make the stakes clear, Ben’s redemption is not possible, and that’s arguably an even worse outcome, especially given how he was manipulated so much at an impressionable age. I’m really glad Leia had a chance to influence his turn as her final act in this life (Carrie deserved a better ending but it was the best they could do after Carrie’s death imo).

Grandpa Palps

First, Palpatine finding a way to survive and setting up multiple contingency plans to return to power is completely in keeping with his portrayal in both the old and Nu EUs (a big part of the post-Endor stuff is Operation Cinder, where Palpatine posthumously ordered the scouring of dozens of Imperial loyalist worlds to spread fear and prevent the Empire from continuing without him). Palpatine also LOVES his superweapons - he built two Death Stars, ffs. A fleet of them is not exactly a stretch in terms of strategy. The Rise of Skywalker definitely felt like it owed a debt to one of the more divisive bits of the old Star Wars EU - the Dark Empire series of comics by Tom Veitch and Kevin J Anderson, which have cloned Palpatines, Luke turning to the Dark Side, an ungodly number of superweapons, and a planet where Palpatine hides and builds them after his defeat.

I don’t think his survival ruins Anakin’s arc - Anakin’s actions still destroyed Palpatine’s Empire (that he helped to build) and its 26 year reign of terror. The galaxy got 30 years of relative peace and then a war that was not nearly as destructive or large scale as the Galactic Civil War. People saying it makes Anakin’s arc irrelevant are just being silly.

Retconning Snoke to a cloned puppet (probably an unwitting one) is actually not a bad writing choice. It explains why he was such a cardboard cut-out villain, and why he was so easily defeated. Honestly, I’m far more okay with how he died in The Last Jedi now that I know this (even if the pacing and the placement of that scene is still utterly bizarre).

The new EU set up cults and fanatics around the Dark Side and its avatars in the emperor and Vader. None of that felt particularly implausible to me as a result.

Legacies in the Sequel Trilogy

I really loved the ‘thousand generations live in you’ conceit. I loved the power of the old Jedi, snuffed out by Palpatine, helping Rey defeat him one last time (including my girl Ahsoka, RIP, I'm sure you went out like a badass). These are legacies and powers that don’t require blood ties or dynasties, they just rely on the force spanning the whole of the GFFA.

Ben is offered the chance to either turn away from his grandfather’s dark path early enough to warrant redemption, or to follow it through until the end. He actually chooses to do neither. With Leia’s dying intercession, he ends up following Anakin’s path to an extent, but his story is ultimately about the tragedy of expectations, fears, and the immense weight of the Skywalker name and legacy. All of his family are caught up in it. Rey is mostly apart from it, and then explicitly subverts her destiny to be Palpatine’s heir, and faces her fear of ending up there, by intent or just fate. As Luke says, some things are stronger than blood. Rey’s story is the ultimate testament to that, and it’s a pretty powerful message.

Leia. Oh god. I was absolutely thrilled when we found out she trained as a Jedi, and then served as Rey’s Jedi Master after Luke failed Rey so badly (after failing Ben). I think Luke’s story from TLJ to TROS is easily the most consistent, honestly. He made mistakes, both with Ben, and then with Rey, and he recognized it. The Rise of Skywalker acknowledges that Luke wasn’t right in how he handled training Rey either, and that went a long way to making me better accept how Rian portrayed him as flippant and dismissive and cynical.

Carrie’s absence was so badly felt. As I’ve said previously, I think they did the best job they could with the footage they held back and Carrie’s recorded audio. They managed to give her a relatively coherent story and an effect on the plot which she didn’t really have in The Last Jedi. I’ve seen speculation that it was supposed to be Leia, not Luke, who gave Rey that pep talk on Ahch-To, and in some ways it might have made more sense. Selfishly, I’m still glad it was Luke, because it helped reconcile my feelings about him in The Last Jedi. But they really did a great job in a really, really tough situation.

Rose Tico

Let’s just get it out there: the film’s treatment of Rose Tico and Kelly Marie Tran was inexcusably bad. Whether her character was a great addition to the cast in the Last Jedi or not, KMT faced horrendous abuse from various bigots and assholes, and after making a lot of public promises they reduced her to barely a minute of screen-time and no real impact on the plot. It’s shitty, it’s bad, and JJ and Disney should feel bad.

Introducing a character like Rose mid-way through a trilogy is risky, and while it worked with Lando, JJ clearly had no idea what to do with her. It’s just a mess, it’s the biggest black mark on the film, and on the sequel trilogy more broadly. Nobody comes out looking good here, and Rose Tico needs a Disney + series of her own or something. Protect Kelly Marie Tran at all costs.

The Rest

- Lando was great. So great. I wish we’d gotten the line that his daughter had been stolen by the First Order (and thus was potentially Janna) - we’d better get a book or a film or something. Lando’s conversation with Poe salvaged his character arc. Billy Dee Williams did a damn good job getting in shape for the role. He came out as genderfluid recently. He’s an absolute treasure and thank god they didn’t waste him.

- I just wanted to reiterate how HAPPY I AM THAT JJ ABRAMS MADE LEIA A JEDI HOLY SHIT

- It was a blink and you’ll miss it moment for people who didn’t read Chuck Wendig’s Aftermath series, but the death of Temmin ‘Snap’ Wexley in a battle where his step-dad (Wedge Antilles) made a brief appearance was devastating and I still don’t know how to feel about it.

- The space battles were awesome. Lando and Chewie bringing in the cavalry was what we were so cruelly teased for in The Last Jedi, which I am still mad about. Forget the logistics, forget the story logic, it was awesome. Maybe in the future I’ll be more annoyed. I honestly doubt it.

- Hux lives (and dies) for drama. He’s the pettiest son of a bitch in the GFFA, he would absolutely turn informant to win his fight with Kylo Ren, especially if he suspected that Kylo had killed Snoke and then was an incompetent child. His dying shortly thereafter is honestly exactly what the character deserved.

- On the cavalry moment, and the galaxy rising to destroy the First Order - I loved it in Return of the Jedi’s special edition, I love it here. There’s a thematic resonance with our heroes overcoming their fear and the galaxy at large being stirred to action. I just wish we’d gotten a few ragtag forces to show up at Crait, but that was a choice Rian made. I’m glad JJ chose differently. It was incredibly Star Wars.

- The 3PO stuff was weird, especially given how emotionally centred it was in the final trailers. It was also tied up in the Poe stuff I disliked. I don’t really know what else to say. At least R2D2, BB-8, and him felt like characters, not purely plot devices.

- Chewie - his reaction to losing Leia was absolutely devastating, his relationship with the next gen trio was great, and his death fake-out was...weird. I could go either way with that - killing him would have been a huge risk I could have respected, on the other hand if he was going to go out he deserved better than that (like, say, a moon getting dropped on him saving the life of Han Solo's kid). His ‘death’ did set up a crucial character beat for Rey. And there were, in fact, two transports, I remember that.

TLDR;

It was a fun movie! It tried to do way too much because The Last Jedi was not an effective sequel to The Force Awakens, and that’s on Kennedy and the LFL story group more than anyone else. It nailed the broad strokes of the Jedi/Force plot in my opinion, including subverting genetic destiny and the power of blood ties over everything else. In the process, it let a number of characters down, who were unfortunately also the characters of color, which is: not great.

I found it rewarding as a fan. It rewarded my faith in the goodness of the denizens of the GFFA and the power of found family. I’ve loved Rey from the start and I’m thrilled with how her arc ended with her burying the Skywalker legacy and making a new start with her new family in Poe and Finn (and Rose, damn it). I’m glad it made me feel better about Luke Skywalker and finally made Leia a bona-fide lightsaber wielding Jedi. I was exhilarated coming out of it, instead of exhausted and frustrated like I was in The Last Jedi. It didn’t make me hate Star Wars. It had extreme Return of the Jedi energy, and that is literally all I needed out of this film.

Here’s to a load of more complex, nuanced, and adventurous storytelling that the Skywalker saga never really allowed. I’m still excited for the prospect of Rian working with his own characters in the universe. I think JJ should probably be done.

Chuck Wendig said that the Star Wars universe was junk. Fun, whimsical, exciting, but ultimately not really a well-crafted piece of art. I’m inclined to agree.

#martinus watches the star war #tros spoilers

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joyofcrime-elinorhigh · 5 years

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Top 10 Obscure Christmas Specials II:

Guys! Guys! I'll get to the review proper in a second, but remember last year when I talked about A Cranberry Christmas? I said that it was lost media. WELL IT'S BEEN FOUND! HALLELUJAH! [link]

Hell-ho ho ho everybody! My name is JoyofCrimeArt, and it's that time of year again! Christmas time is upon us, and there is no escaping it! The radio is playing the same ten Christmas songs on loop (nine if they've already banned Baby, It's Cold Outside.) The feeling of kindness and generosity shared between you and your fellow man. And best of all, their finally airing all those weird ass Christmas and holiday specials. I love Christmas specials! Even the not very good one's usually have SOMETHING good about them! Whether it be some kind of festive ambiance, a good message, or just being very easy to make fun of. Sure, everybody knows about the classics Christmas specials. Frosty the Snowman, The Grinch, Rudolph the Red Nose Reindeer, ect. But that's only the tip of the iceberg. But with Christmas being such a massive holiday, There are THOUSANDS of other Christmas and holiday specials out there that mostly go unnoticed every year! And while most of these specials go unnoticed for a reason, some are actually worth a watch, and act as hidden gems. And that'd why I'm here. To count down five more of these weird, bizarre, and unknown Christmas specials, that way you can check them out before the holidays are over. This is 5 Obscure Christmas Specials You Should Watch Part II. Now, I've done this before last year. (Link here if you haven't seen it. Top 5 Obscure Christmas Specials You Should Watch:) As such I'm going to be following the same rules as I did last time. I'll be ranking these specials not by quality, but by how much you should watch them! Because sometimes a bad or cheesy Christmas special can provide more entertainment value than a really good one. But don't take the number ranking to seriously. This is mostly just a showcase of bizarre specials that you might not have heard of, and the actually number rankings aren't really the focus here. But with all that said, let's get this started with... Number 5: Neo Yokio: Pink Christmas (2018) (Oh, the Cringe!) Just like to remind all of you that this is still running while Daredevil is canceled. Anyway, Jaden Smith is back! Just in case six episodes just wasn't synergy for you, now there is a Christmas special. Neo Yokio's Pink Christmas. This sixty-six minute long movie continues the story of Kaz Kaan, Neo Yokio's second most eligible bachelor and top demon hunter. The special opens with him having a cold around the holidays as his robot butler, Charles, tells him an original Christmas tale to make him feel better. Said tale follows Kaz as he has to prepare for the Neo Yokio top bachelor secret Santa contest. He finds out that he has to find a gift for his arch rival, Arcangelo. Being uninteresting in giving his rival a present, he hires a shopkeeper named Herbert Sims to handle the secret Santa contest for him. And while this is all going on he also has to deal with his Aunt Angelique visiting Neo Yokio for the holidays. But when both demonic forces and Arcangelo have plans to ruin Christmas, it's up to Kaz to set things right. If you've seen season one of this show, this special is more of the same. However, It is a bit more refined in it's doing so for the most part. I feel like there is more INTENTIONAL comedy overall compared to the first season. And I do like how this special manages to balance both the demon hunter and the bachelor aspect of Kaz's character. As oppose to the first season, where it felt like the show forgot half way through that it was suppose to be about demon hunting. We even get some more backstory and world building on the history of Neo Yokio and the Great Demon War, which is definitely a welcome addition. And Arcangelo, much like in season one, continues to be one of the highlights. He's like a cross between Phantom Blood's Dio Brando and Jake Paul. I love him. So I like how this special has him in a more major role. I also like some of the themes presented in the "message" of the special. How corporations around the holidays essentially try to monetize anti-materialism for there own benefit. "Sure, we'll air specials like the Grinch and Charlie Brown. Specials that are meant teach you that Christmas isn't about consumerism. Just as long as you sit through all the ads we place in the middle. It's a legit and kinda smart message that I haven't really seen tackled before. But like Neo Yokio season one I don't really know where the show stands on this topic. Is it pro or against capitalism? Maybe it's trying to show that there's no right or wrong answer, but it ends up feeling more confused than anything else. However, what does annoy me about this special is *Spoiler Warning?* the whole thing is, presumably, not cannon. I know that from the beginning we know that it's all a story told by the butler. But I was expecting some kind of twist where everything we heard would have actually happened somehow. Like Kaz would say "Wait, didn't that all happen last week Charles?" or something. Like a joke. Cause you know, this show is supposedly a comedy. But no, it's all just a story. So all the lore and world building that was actually somewhat interesting serves absolutely no point! *Spoiler Warning Over* I can't believe I let Jaden Smith trick me yet again. In conclusion, what you see is what you get here. If you want to see a Jaden Smith anime Christmas special, than Neo Yokio Pink Christmas is the special for you. Check it out for the clout.

https://www.youtube.com/watch?v=LLVazo8J9uE

You know what, I change my mind. Screw "There About to Warp!" this is my new favorite Toonami promo. Number 4: Crunchyroll's Christmas Special (2015) and Crunchyroll's Holiday Special (2017) (Oh, the Cringe!) Now this is as bizarre and obscure as it comes. Just in case Neo Yokio wasn't enough for you to get your fill of vaguely anime themed Christmas nonsense, we have not one but TWO different Holiday specials brought to you from the lovely people of Crunchyroll. For a company as big and professional as Crunchyroll, you would think that any kind of special that they would make would have to be at least somewhat well produced, safe, and marketable, right? But that's not what this is at all. What we basically got here is two half hour long "variety show" style specials that were released on both Crunchyroll and Youtube. Both specials are pretty much the same in terms of content. There both just a smorgasbord of random sketches, out of context anime clips, straight up ads for their own service and merch. All themed around the holidays and anime. This special has a real [adult swim] vibe to it, relying on a lot of surreal humor and anti-comedy. In fact, it might of even out [adult swim]'d [adult swim] in it's sheer bizarreness. It's honestly pretty hard to describe without just telling you to see the special for yourself. Both specials are hosted by some guy named Mike Toole. I don't know who this guy is, but he's one of the best things about these special. He's just portrayed as this bumbling goof who's just unfazed by everything but really loves Christmas and anime. He has some really good comedic timing and his dry but cheerful delivery is a consistently funny thought both specials. The specials aren't perfect however. Not all of the skits land and some of them go on for WAY to long. But that's kinda what happens with any sketch show. You gotta take the good with the bad. But do you know what you should do if you want REAL otherworldly experience? Watch the Neo Yokio Christmas special, but pause it at random intervals and watch this special. Treating the sketches like the bumpers you would get in between the ads of a TV show. It's a horrible idea that I'm not willing to try, but I feel doing so could lead somebody to either madness or true enlightenment. And I want someone else to be the guinea pig for that. If you're a fan of both anime and weird surrealist humor then I would actually recommend checking these specials out. There both up online for free, so what do you have to lose?

Number 3: The OTHER Charlie Brown Christmas Specials (1992, 2002, and 2003) So everybody knows about a Charlie Brown Christmas. It's like, one of the most famous Christmas special of all time. Charlie Browns sad. They hold a play. Snoopy kisses Lucy on the mouth without her consent #MeToo. Linus gives a speech about Jesus to an empty auditorium cause adults don't exist in this world. Everybody sings. THE END. Timeless classic, we all know it. But many are not aware of the OTHER Peanuts holiday specials. There are three. 1992's It's Christmas Time Again, Charlie Brown. 2002's Charlie Brown's Christmas Tales. And 2003's I Want a Dog For Christmas Charlie Brown. Like all the Peanuts specials made after Charles Schulz's death, these are all just a collection of random Peanuts comics that were animated. As oppose to the original Charlie Brown Christmas special that had an original story written by Schulz's himself. All three of these specials are just little vignettes based around the Peanuts gang celebrating Christmas. While none of these specials are as ambitious or as heartfelt as the original special we all know and love, I don't think that their trying to be. While the first Charlie Brown Christmas special tries to tell an important message about the true meaning of Christmas, these other specials are pretty much just jokes without much plot or sentiment. But, given that they are just adaptation of Charles Schulz's writing, you know that there going to be funny. I always forget how much of a little shit Sally is, and these specials remind me. However, sometimes the transitioning between scenes can be a bit wonky. They clearly just copied the strips, without putting much thought in how it would work when put together in a sequence. While It's Christmas Time Again, Charlie Brown and Charlie Brown's Christmas Tales are pretty similar. But I Want a Dog For Christmas Charlie Brown takes a bit more of a different approach. It focuses mostly on Linus's little brother Rerun, and has much more of an overall plot. (Though a lot of it is still just mini vignettes.) However, while I do admire the risk, I'd say it's the weakest of the three. Rerun just isn't that interesting of a character compared to the rest of the Peanuts gang. And that one has an hour long run time, which causing the special to drag a bit. But there still are some fun highlights. If you are a fan of the Peanuts comic strips or specials, I would highly recommend these specials. They're light fluff, but They're good light fluff. They might not give you that warm Christmas feeling, but they will make you laugh. And sometimes that's all you need.

Number 2: Olive the Other Reindeer (1999) 1999's Olive the Other Reindeer use to be a holiday tradition for Cartoon Network every year right long side such other TIMELESS and BELOVED holiday classics as Grandma Got Run Over By A Reindeer and Legend of Frosty the Snowman. But now, it's seem like it's kinda fallen into obscurity. Which sucks, cause this special is actually really good. The special follows Olive, voiced by Drew Barrymore before her magnum opus Freddy Got Fingered. Olive is a dog who isn't very good at doing traditional "dog" stuff. She's so un-dog like that she actually begins to believe that she might in fact not be a dog at all, but a reindeer. And when one of Santa's reindeer's get's injured right before Christmas, Olive believes it's up to her to trek to the North Pole and save Christmas by flying Santa's sleigh. Despite the fact that she isn't a reindeer and can't actually fly. This is just a nice special, and a lot of that comes from Olive herself. Olive is a precious cinnamon bun who I WILL PROTECC! She's just such a kind and lovable lead, and Drew Barrymore's voice talent really helps extenuate this. But it's not just Olive, there are several other fun supporting characters too. Like Martini, a con artist penguin who accompanies Olive on her journey. There's also a evil postman (played by Dan Castellaneta) who acts as the specials main antagonist. His goal is to ruin Christmas because he hates all the extra work he has to do around the holidays. It's an interesting motivation for a villain, but they kind of ruin it in the last act by adding in a cliche "was always on the naughty list" element to his backstory. But regardless he's a fun villain. Between this and Robot Devil from Futurama Dan Castellaneta really knows how to ham it up as a villain who sings. What, you thought he wouldn't have a villain song? How naive of you. While the special is based on a children's book the adaptation was headed by Matt Groening, which I never realized as a kid. Though that does explain why Dan Castellaneta is here. The special is a departure from his usual style, with art based more on the book instead of his usual Simpson style. The special is done in CGI surprisingly, despite the characters looking entirely flat. I don't really get the point of this. Why go through the effort of trying to use CG to make something look 2D, when you could just animate it in 2D to begin with. But whatever the reason, I do appreciate the pop up book look this special provides. The special also carries a bit of that more adult humor, without going to far. Kind of like Murray Saves Christmas, a special that I talked about last year and also featured a lot of recurring staff members from Futurama. However, the world of this is special is weird. Santa is a known person who does radio interviews, but I guess that makes sense if we are assuming a world where Santa really exist. But then there are other oddities, like how Martini mentions how he use to work at the zoo until he got fired. But we also see Monkey's trying to escape the zoo. If being in the zoo is there job, why are they escaping? Aren't they there willingly? And why does Olive have an owner, but also a pet flea? Is this show set in the same universe as The Moxy Show? These are all questions that need to be answered. The special is cheesey and some parts are just there to fill up time. But overall it's still a really nice special featuring some likable characters and some really funny jokes. While no means perfect, I still recommend you give it a watch if you can.

Ahhh, nothing says Christmas like Santa, Pope John Paul II, Ultraman, and Quasimodo. Number 1: Mickey's Once Upon a Christmas (1999) And to end this countdown, let's end on a Christmas special that just screams wholesome. Mickey's Once Upon a Christmas. Probably the best direct to video product Disney has ever made. (Not that doing so is very hard.) This special is pretty simple. It's three different Christmas specials stitched together to equal an hour long movie, each staring a different Disney character. We got Huey, Dewey and Louie wishing on a shooting star hoping for it to be Christmas everyday. We have Goofy trying to prove to Max that Santa is real in what I guess is a prequel toGoof Troop? And then we have Mickey and Minnie reenacting the Gift of the Magi. All these segments are linked together by a narrator voiced by Kelsey Grammer. His voice is so warm and cozy in this special, and really helps add to the mood. Sure, none of these stories are that original, but that's fine because there well executed. There's just such an earnest sensitivity to this special that it's hard not to not feel all Christmas-y while watching it. The animation, while nothing that fantastic, is good for direct to video. And it manages to do both cartoon-y slapstick and warmer more emotion moments pretty well. The special isn't perfect. Some of the segments can feel a bit longer than they need to be despite the fact that the films so short. They're written like TV episodes but most run close to thirty minutes instead of twenty two. Also the last segment, with Mickey and Minnie, while not bad, is probably my least favorite. So it kinda ends on it's weakest note, though I get why they ended with it. Mickey just isn't my favorite of the Disney cast. I personally prefer the cartoon-y antics of Donald or the kindhearted nature of Goofy more in this special. Goofy is also a precious cinnamon bun who I will protecc. And I ship him with Olive. There was a sequel, Mickey's Twice Upon a Christmas, released in 2004. I haven't seen it in a while, but I remember it not being very good. It's goes for five shorter stories instead of three more focused ones, and I remember there being less of a warm Christmas-y essence to it. It was more jokes and less sentiment. Also, they replace the beautiful 2D animation for CGI. In 2004. With a direct to video budget. I can commend the ambition, but that probably wasn't the best movie. But if you want a nice wholesome Christmas special that the whole family can enjoy, than Mickey's Once Upon a Christmas an underrated pick I highly recommend you check out this holiday season.

And so there we have it. five (or technically eight now that I think about it) obscure Christmas specials that I highly suggest that you look into this holiday season. But again, there are WAY more underrated specials that just these out there. So I may have to revisit this idea again at some point in the future and do a part three. What would you all think of that? And what weird, obscure, underrated Christmas specials do you guys watch every year? I'd love to hear all about em in the comments down bellow! I'm always looking for new specials to watch! Please fav, follow, and comment if you liked the review. And I hope you have a Merry Christmas, Happy Chanukah (Even though that ended a week ago) Happy Ramadan (Even though that ended in June) Or whatever holiday you celebrate. Life Day? Regardless, Happy Holidays to you all! May your days be merry and bright! Now if you excuse me, I have to go work on 2018 year in review. Have a great day, and see you then! (I do not own any of the images or videos in this review. All credit goes to there original owners.)

https://www.deviantart.com/joyofcrimeart/journal/Top-5-Obscure-Christmas-Specials-II-776656208 DA Link

#Christmas #Cartoon Review #Olive the Other Reindeer #Crunchyroll #Mike Toole

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sol1056 · 6 years

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six anons: wtf were they thinking

Another round-up! I seem to have poked the hornet’s nest when it comes to the EPs --- though in some ways I was just building on the same clues that prompted such awesome meta from @janestrider and @ptw30 --- and now I have a box filling up with asks, all over again.

Behind the cut: newbie writers, EP arrogance, earlier versions of S7, writerly randomness, EPs aren’t writers, and over-confidence. Welp.

Let’s get this started.

Your words about being fascinated by this trainwreck is me 100%, I'm a newbie writer & I wouldn't dream of being this arrogant and think I can handle writing something like VLD by myself, like, premise and character arcs and characterization and consistency etc. are in my mind at all times and I still would have messed things up, but minor things like that don't even matter to the EPs apparently! VLD Is a giant What Not To Do list. How did they miss the 50 signs saying Danger: Cliff Up Ahead

and a second in the same vein:

Calling the EPs newbie writers is highly inaccurate methinks, newbie writers upon getting the reins ... sit down and write the rest of the story from scratch, trying to make it make sense and not completely ruin the premise and the character arcs. Regardless of success, they WRITE the rest, they don’t assemble random story points others wrote & copy paste things around. EPs aren’t writers.

Well, there’s newbie and there’s newbie-who-doesn’t-realize-it.

Consider someone who’s ridden the train, every day, for the past ten or so years, always sitting in the first car near the conductor. They’ve been on the train when it’s broken down, when it’s late, when it’s early, when it has to plow through snow. Then someone offers them a supervisory position -- not as a driver, just a supervisor -- and they figure, hey, I’ve watched this enough, I can drive, too. Plus, the EPs had the power to force the real drivers to step aside, which just makes the entire situation even worse.

In other words, they missed the signs because they didn’t even realize such signs exist. Those things you don’t learn (or even see) when you’re only watching from the outside.

You, and everyone else replying, are classifying yourself more as the person who’s gotten a job on the train, and you kinda know trains, and you know they can break down, but driving it? Whole ‘nother ball of wax.

Hold onto that humility. It’ll serve you well as a writer. Even once you reach the point you can confidently handle a complicated storyline, you still want to retain that humility, because it’s one-half of keeping empathy for your readers.

The irony is, they were so arrogant in their belief they could do better than actual storytellers w/ years of experience (also presumably execs who checked up on them) that they not only loudly (and unprofessionally) complained about specific parts, but also broadcasted that they changed the story, and gave many clues as to where and above all why.

You have no idea how many times in the past two years my jaw has dropped in complete shock when yet another EP quote has gone by on my dash. I cannot fathom making public that I disagreed with my bosses --- let alone using an interview to re-litigate a case I’d already lost. Well, I could, but only if I didn’t expect to have a job much longer. And that bit about doing “damage control” as a result of exec demands? Jeepers crow, dude.

(there have been points where all I can say is, ‘wtf do these people have on their bosses to get away with this!?’ photograph negatives for blackmail? sleeping with an exec? I mean, srsly.)

On a more serious note, I’m constantly reminded of the old adage about innkeepers: you want to appear as a swan, gliding peaceful and serene, and never let the guests see that you’re paddling as fast as fuck under the surface. These EPs need a major come-to-jesus about that, because they’ve gone out of their way to splash loudly on a regular basis.

Then again, I don’t think either EP has much (if any) experience with interviews where they’re the main attraction. They seem ignorant of the fact that an interviewer is not your friend; there’s an agenda, and that agenda is to get clicks: something controversial, surprising, that’ll bring the eyeballs. The good interviewers can and will manipulate for their agenda. This is why PR people are usually present (if off-screen), because they’ll know the warning signs and call a halt, set certain questions (or answers) as off-limits.

Most of the EPs’ interviews, there’s been no sign of PR. Hell, the EPs have admitted in interviews they couldn’t remember what had happened in the season they’re being interviewed about! (wtf srsly wtf) If we got more than we should’ve, that’s also on the EPs for not realizing they were getting played.

And while I’m at it: an interview is not where you tell the story. Explain what did happen? Sure, though that’s a tacit acknowledgement that the story failed, if it requires your explanation after the fact. But to tell things that are vital to the story but don’t actually happen in the story? No. Just no.

did we really get an interview where the EPs confirmed there was an original script with Shiro as the Black Paladin? If that's the case then HOLY CRAP. Talk about a missed opportunity.

Yep, I saw the quote but didn’t chase down the source. I think it was one of the interviews shortly after S7 aired. You’d need to ask someone who still reads all those interviews, since I don’t. I only see what goes past on my dash.

Well, missed opportunity but also... we all know (or should know) that the first idea is never what makes it to page or screen. And once the story’s done and the dust has settled, then you can do a track commentary about how the story changed between idea and execution.

While the story’s in progress? Nope, nope, nope. You smile and say it’s all going according to plan, it’s an awesome season, you hope everyone enjoys it, everyone went the extra mile, etc. You say nothing about the disasters, the late-night sessions, the last-minute changes. If you can’t be a swan, be a cat: yep, we totally meant to do that.

To say what JDS did? I still cannot fathom why anyone would ever say that. There is no fandom on this planet that wouldn’t have some percentage enraged by news they’d been denied the story they’d expected. Hinting at discarded paths will always, always, disappoint someone --- and quite often, a lot more someones than you realize.

Really, the only reason I can see is sheer contempt. For the audience, for the story, for anyone who’d worked on that previous version. It’s gloating. It’s saying, a lot of people worked on it, but we decided to throw away everything they’d done, and redo it as we wanted.

Yes, I know that happens. It’s part of the process. But you don’t freaking boast about it, and you don’t plant in everyone’s head that there was something else out there. Especially when that something else was exactly what they’d been waiting for.

It’s an asshole move, no two ways around it.

@janestrider's post and yours about the VLD writers and EPs reminded me of a phrase JDS said in one interview after S6 about Cosmo ... "well, I wanted to give Keith a wolf, so I did". ... he doesn't seem to consider the consequences of his actions? That's also how he decided to write the Black Paladins episode ... "I wanted to make it a Winter Soldier type of thing, so I did". It feels like something a very unexperienced professional would do.

There’s no rule against throwing something into a story that you think is cool. I mean, easily 90% of any story out there revolves around something the author thinks is just freaking cool. Considering the hours we’re going to spend writing, revising, writing again, revising again, discussing, thinking, living, breathing, eating, dreaming about the story? It’d better be something we find cool.

But that said... there’s a difference between making sure the story fires you up, and treating the story like a tossed salad. I’ve seen multiple pull-quotes from LM that affirm their approach was to chase the rule-of-cool. And... that’s not quite so okay, really.

The Black Paladins episode is probably the best example, and ironic that it’s the only one JDS wrote, ‘cause it’s textbook failure. If you cannot hold the entire story in your head, then you will be blind as to how tossing in this idea or that -- no matter how cool -- may halt, muddy, or even undermine the story’s forward movement. When you can’t even pace a story properly, throwing in extra cool is just going to make the whole thing even more rickety.

I did a long walk-through on that episode to outline how I’d translate it into a written story, and I’d planned to do a follow-up talking about the emotional aspect. The problem is... once I had a chance to think about the episodes after, there is no emotional context to that fight. Sure, it got a huge budget and attention, and it’s hyped like a big deal.

But there’s no there, there.

None of it matters. Keith went through all that for someone who wasn’t even his friend, someone who dies (or whatever) right after and is treated like an empty shell. And the one who rescued him wasn’t even the person he’d fought, but the person he’d thought he was fighting for and with -- who was dead, the whole time. The two episodes that follow basically gut the entire premise --- and all the emotion --- of that fight scene, and render it null.

And that’s where the rule-of-cool smashes up against the need to hold the shape of the story in your head. You need to see the big picture of how each scene supports the story’s theme. JDS hasn’t the chops to see how what he’d created was promptly undone by what came next.

Oh, I’m aware there are lots of fans who loved that episode and he sure basked in the accolades, but I can’t ignore that in the end, it means nothing. No one pointed out this will impact another thing downstream, or this later thing undermines what came before, or this breaks a continuous motif, or contradicts a theme. Anything.

Or maybe someone did, and JDS told them that as the EP, he got the final say. Frankly, from the way he talks in interviews, I wouldn’t be surprised in the least if that’s how it went down.

@lysanatt commented on a post:

This to some degree even explains the over-confidence of EPs that avoiding the BYGs trope did not apply to them because, sure, they could do it better, landing them in the exact trap of doing a classic double BYG.

Call it what it is. It’s not over-confidence. It’s arrogance.

It’s complacency in over-estimating social capital as to what an audience might forgive or overlook. It’s an assumption that job titles or IMDB entries or the nice things people had said on twitter could be protection from being held accountable. It’s certainty that a rigid and uncreative vision of the story can and should override all other concerns, including the larger playing field in which this story is only one of millions.

It’s a lack of concern for real-world damage. A lack of care for the craft. A lack of understanding that there even is a craft and it’s not learned overnight. A lack of willingness to stop and think about what the story is saying, what it means, what it’s trying to do.

It’s an inflexible certainty, engendered and enabled by the near-constant attentive interviews and adoring reviews. It’s an inability to hold onto (or listen to) any reality-checks when it comes to hype. It’s falling so hard into enjoying the ego-strokes of constant interview and congratulatory reviewers and forgetting no one is doing anything out of altruistic reasons. Including them.

In the end, it’s a complete failure of empathy. It’s near-constant trolling of execs and the audience at large, a broken record of obvious contempt. It’s an amoral and frankly callous disregard for the characters, the story, the messages, the themes.

It’s never seeing the characters as people, and never seeing the audience as people, either. Stories matter because we, as human beings, care about other human beings, real or fictional --- a care the EPs have made clear they cannot, or will not, afford anyone but themselves.

#vld #voltron #writing #storytelling #come for the sugar stay for the salt

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