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avocado-writing · 6 months

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Kinktober 26

26. Tentacles, Demons/Angels, Crying

You love it when they get their wings out.

It’s such a quiet affectionate thing, a little secret only the three of you share. Especially because both of them go absolutely feral when you dig your hands in their feathers. It’s so delicious to know what drives them wild, and be allowed to touch them so intimately.

At the moment you’re between them on the bed. You’re kneeling, cushioned by the soft duvet, and they’ve enclosed around either side of you. Their wings are out in a deferential and protective cocoon. Here, trapped between their gorgeous bodies, it feels like you’re the only three people in the world.

You kiss Aziraphale as Crowley lines up and presses inside of you. You hum against your angel’s lips as your demon begins to thrust, the head of his cock grazing over and over against that sweet spot delicious nestled in your velvety walls. He drops his lips to your shoulder; you can feel him mouthing ‘fuck’ and ‘i love you’ without him even having to raise his voice.

You reach out and caress one of his primaries. You feel his breath hitch, his Adam's apple bob against your skin. The feather is silky against your fingertips. You skim up and down it and watch the way his wings bristle in anticipation as you get a little higher with each stroke. Finally you touch his alula, and his knees threaten to give out.

“Oh, fuck me, nightingale–”

It seems like a funny pet name to have at this precise moment, but you’ve come to love it all the same. Aziraphale smiles adoringly at the two of you, as you slowly creep Crowley towards the edge. He cups your face in one of his hands, uses his other to guide the blunt head of his cock towards your hole too. It takes a bit of shifting and a delicious stretch to fit both of them inside but god is it worth it.

“There we are, darling,” he mutters, voice thick with lust as he starts to give gentle thrusts inside you. His cock nudges Crowley’s and, between your fingers in his wing and the feeling of his lovers against and around him, you feel your demon release in hot spurts inside you. You feel it dripping out of you, sinfully, onto the bedsheets.

Aziraphale keeps fucking you from where he has you held as Crowley collapses against your back, boneless and spent - you move your caressing touch to the angel’s wings now. He gasps and groans as you walk them across his shoulder blade and along to his scapula.

“There we go,” you chuckle, gently scratching the little downy feathers there. They’re so fluffy and sweet - a stark contrast to the rest of his wing which is solidly built and powerful. You scratch affectionately until you feel the soft skin beneath.

“Oh gosh, oh…” he moans, fucking up inside you in time with your strokes. His wings begin to shudder involuntarily as you massage them and then, suddenly, flip out to their full length as he comes. He knocks a couple of lamps off their shelves but, honestly, you can fix those later. The feeling of their combined orgasms is enough to beckon your own and the three of you collapse into the bed, sated, interlocked, and loving.

@bootlmoth @elleofdragons @angelic-anarchy27 @yeethaw13 @candlewitch-cryptic @kwyn-q @rat-that-writes @buryustogether @letthenightingalessingagain @ltlthetrifecta @angiestopit @purplefrog1sblog @wereallbrokenangels @angelspathway @clarina04 @belilwen @chaospossum @eightsdoctor @oo-delallymrcrow @silcosmoke @climbingivy97 @live-logs-and-proper @project-sad @just-a-beatlemaniac69 @imagination-phantom @anonymously35 @corgis04 @peytonpenguin37 @catlynharper @unabashedgentlemenpirate @wolfe-houler

@darktealrat @mxxny-lupin @willbedecided @detectiveapparatiagreen @shadowluna25 @kaylinelizabeth4004 @xquinn-bartonx @blue-bell22 @foolishprincipalitee @fandomawesomeness @eweweweewewe @latersgaters-steven @llamaproblem @night-affiliate @randompost18 @hunterispunk @jessica-laufeysdottir @uxcaran @bunnymallowo @jae-michael @jelly-terror @larkiesparkie

#aziraphale x reader x crowley #crowley x reader x aziraphale #Fic: the light the dark and the spaces inbetween #avo’s kt 23

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coffeebooksandmore · 1 year

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I’ve been reading a lot of poetry lately. I’ve been needing all of the beautiful words.

1. Jessica Q. Stark -Hungry Poem with Laughter coming from an Unknown Source

2. Ada Limón- Bright Dead Things

IG: coffeeandbookss

#poems #poetry #ada limón #poetry recs #poemsaboutlove #daily poems #love #beautiful #coffee and books #books and coffee #read #reader #booksarelife #booksbooksandmorebooks #read this #spring #flowers

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relatableblorbopoll · 5 months

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Preliminaries

Here's how it will work:

The first round will consist of 18 polls of 6 participants each, the first two places get a place on the bracket

For the second round, there will be 12 polls of 6 participants each, the first two places get a place on the bracket

The third round will consist of 4 polls of 12 participants each where there will be a (metaphorical) knife battle to the death where only one character from each poll will get in the bracket

All pairings of groups are randomly generated

Check after the read more for the full list of participants and for the groups of the first round of preliminaries

Group 1 poll

Nimona (Nimona)

Twelfth Doctor (Doctor Who)

Blue/Green Oak (Pokémon Green/Blue/Red)

Jack Reacher (Reacher Series)

Tsubakura Enraku (Len'en Project)

Albedo (Genshin Impact)

Group 2 poll

Jessica Day (New Girl)

Daniel LaRusso (Karate Kid)

Omota Uramichi (Life Lessons with Uramichi Oniisan)

Jack Spicer (Xiaolin Showdown)

Hatsune Miku (Vocaloid)

Eichi Tenshouin (Ensemble Stars)

Group 3 poll

Conner Bailey (The Land of Stories)

Lucy Honeychurch (A Room With A View)

Greg Heffley (Diary of a Wimpy Kid)

Gideon Nav (The Locked Tomb)

Akaashi Keiji (Haikyuu!!)

Burgerpants (Undertale)

Group 4 poll

Legosi (Beastars)

Stephen Stills (Scott Pilgrim comics)

Sunny (Omori)

Tony Stark (Marvel Avengers)

Rookie (Club Penguin)

Charlie Morningstar (Hazbin Hotel)

Grupo 5 poll

Melissa Chase (Milo Murphy’s Law)

Candace Flynn (Phineas and Ferb)

V-Flower (Vocaloid)

Ciaphas Cain (Warhammer 40k)

Percy Jackson (Percy Jackson series)

MK (Lego Monkie Kid)

Group 6 poll

Jesper Fahey (Six of Crows)

Crowley (Good Omens)

Dave Strider (Homestuck)

Junior (Total Drama Presents: The Ridonculous Race)

Kim Dokja (Omnicient Reader's Viewpoint)

Donutella (Tokidoki)

Group 7 poll

Rigby (Regular Show)

Angua (Discworld)

Cao Weining (Word of Honor)

Aang (Avatar: The Last Air Bender)

Okuyasu Nijimura (Jojo's Bizarre Adventure)

Shin Tsukimi (Your Turn to Die)

Group 8 poll

Stanford Pines (Gravity Falls)

Miles "Tails" Prower (Sonic The Hedgehog Franchise)

Jonathan Sims (The Magnus Archives)

Ford Prefect (The Hitchhiker’s guide to the Galaxy)

Shaun Murphy (The Good Doctor)

Sonic (Sonic The Hedgehog Franchise)

Group 9 poll

Overlord (Bad End Theater)

Denji (Chainsaw Man)

Abed Nadir (NBC Community)

Entrapta (She-Ra and the Princesses of Power)

Gren (The Dragon Prince)

Ocean O'Connell Rosenberg (Ride The Cyclone)

Group 10 poll

Nagisa Ran (Ensemble Stars)

Waver Velvet (Fate series /The Case Files of Lord El-Melloi II)

Shuichi Saihara (Danganronpa V3)

Opossums (real life)

Midori Takamine (Ensemble Stars!! Music)

Seven of nine (Star Trek)

Group 11 poll

Mae Borowski (Night in the Woods)

Shigeo Kageyama / Mob (Mob Psycho 100)

Barry the Quokka (The Murder of Sonic the Hedgehog)

Kaveh (Genshin Impact)

Yusuke Kitagawa (Persona 5)

Nanami Kento (Jujutsu Kaisen)

Group 12 poll

Rod (Avenue Q)

Missi (Vampair Series)

Lia (The Music Freaks)

Sand (Only Friends)

Pa Jindapat (Bad Buddy)

Sara Murphy (Milo Murphy’s Law)

Group 13 poll

Cecil Gershwin Palmer (Welcome to Night Vale)

Noah (Total Drama Series)

Basil (Omori)

Stanley Pines (Gravity Falls)

Wen Ning (Mo Dao Zu Shi/The Untamed)

Nick (Only Friends)

Group 14 poll

Oz Vessalius (Pandora Hearts)

Sound (My School President)

Luz Noceda (The Owl House)

Gundham Tanaka (Super Danganronpa 2)

Saiki Kusuo (Saiki Kusuo no Psi Nan/The Disastrous Life of Saiki K)

Drew (The Music Freaks)

Group 15 poll

Wen Kexing (Tian Ya Ke / Faraway Wanderers)

Homura Akemi (Puella Magi Madoka Magica)

Nico di Angelo (Percy Jackson Series)

Heinz Doofenshmirtz (Phineas and Ferb)

Reki Kyan (Sk8 the Infinity)

q!Quackity (QSMP)

Group 16 poll

Parker (Leverage)

Gudetama (Sanrio)

Finn the Human (Adventure Time)

Rain O'Fire Frazier (Worm)

Piper Mclean (Heroes of the Olympus)

Norma Khan (Dead End Paranormal Park)

Group 17 poll

Berdly (Deltarune)

Hamlet (Hamlet)

Squidward Tentacles (Spongebob)

Hunter (The Owl House)

Szeth-son-son-Vallano (The Stormlight Archive)

Nami (One Piece)

Group 18 poll

Tobias (Animorphs)

Isaac O'Connor (Paranatural)

Trisana Chandler / Tris (Emelan book series)

Sokka (Avatar: The Last Air Bender)

Haruhi Fujioka (Ouran Highschool Hostclub)

Shinji Ikari (Evangelion)

#relatable blorbo poll #tumblr tournament #tumblr tourney #tumblr polls #preliminaries #character bracket

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finishinglinepress · 2 years

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FLP POETRY BOOK OF THE DAY: BURN THE WITCH by Aïcha Martine Thiam

TO ORDER GO TO: https://www.finishinglinepress.com/product/burn-the-witch-by-aicha-martine-thiam/

RESERVE YOUR COPY TODAY

Aïcha Martine Thiam is a trilingual and multicultural writer, musician and artist, and might have been a kraken in a past life. She’s an Editor at Reckoning Press, co-EIC/Producer/Creative Director of The Nasiona, and has been nominated twice for Best of the Net, and The Pushcart Prize; her work was selected as one of the Best Small Fictions (2021). Her first collection AT SEA (CLASH BOOKS), was shortlisted for the 2019 Kingdoms in the Wild Poetry Prize. Follow her work @Maelllstrom/www.amartine.com.

ADVANCE PRAISE FOR BURN THE WITCH by Aïcha Martine Thiam

Aïcha Martine Thiam’s Burn the Witch is a book-length magic show with a host who knows her tricks. The speaker of these poems is both witch and magician, wielding language like a deck of cards and convincing us over and over again that what we think is the truth is something else entirely. This entire collection is an incantation, and we are put under this speaker’s spell from the very beginning. What follows is Thiam showing off her ability to warp time and space, the ease with which she revises the experience of the Black woman right before our eyes. Thiam writes, “Saying goes, when you let people wound you, you are actually in control of the bruise…another trick of light,” and the speaker of these poems relies on the magical and superstitious to regain control of traumatic histories. And even in her vulnerable moments, even when the pain becomes too much, Thiam’s speaker casts another spell, says “I am a woman who can hold it together hold it together / hold it together” until the reader is mouthing along, until we say it enough to believe it.

–Taylor Byas, Assistant Features Editor for The Rumpus, and author of BLOODWARM and I Done Clicked My Heels Three Times

Aïcha Martine Thiam’s Burn the Witch is an incantation, a furtive glance, a maximalist reframing of a speaker that defies limitations. Like all strong witches, Thiam understands the difficult world in a profound way — with a firm grasp on intuition’s tenets and a steady gaze towards the contours beyond human perception, national histories, and personal trauma. She’ll swallow cyclones, she’ll magic a little world that shuns. Watch yourself, reader. Do not undervalue what plants in these deep, solitary woods. In this brilliant book, Thiam constructs “a Universe unto herself” amid the constant threat of disappearance, of “conditional bullet talk,” of the violence of everyday life as a Black woman. If you know what’s good for you, you’d better start listening.

—Jessica Q. Stark, Poetry Editor for AGNI, Comics Editor for Honey L

Please share/please repost [PROMO]#flpauthor #preorder #AwesomeCoverArt #poetry

#poetry #preorder #flp authors #flp #poets on tumblr #women poets #finishing line press #book cover #books #publishers #poets #poem #smallpress #poems #binderfullofpoets #small press

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tonin-terets · 5 months

Video

vimeo

Nike_World of Warmth from HAMLET on Vimeo.

Credits:

Nike China Brand Creative Senior Director: Simon Lee, Che Lin Narrative Director: Seven Yang Senior Narrative Manager: Yuling Yao Narrative: Elaine Weng, Phoenix Zhao Senior Copywriter: Yi Qi Art Director: Diana Tang Designer: Cyan Wang, Xiaojing Li, Cathy Shang-Kuan Production Director: Kelly Zhan Senior Producer: Cora Liu Producer: Monika Jiang

Wieden+Kennedy Shanghai Chief Creative Officer: Ian Toombs / Vivian Yong Head of Creative: Matt Meszaros Creative Director: Zhong How Associate Creative Director: Ruby Li Senior Art Director: Alex Litovka Art Director: Edmund Chang Copywriter: Pat Cholavit Head of Production: Fang Yuan Senior Producer: Iris Li/ Jazzy Zhao Head of Planning: Summer Yang Associate Planning Director: Alan Wu Strategist: Katie Li Group Brand Director: Qinna Ye Brand Director: Esther Choi Senior Brand Executive: Wayne Zhang/ Louise Cai Business Affairs: Jessica Deng, Hui Ye, Gloria Ji Head of Design: Juni Hsu Designer: Qi Zhang Junior Designer: Chumeng Design Producer: Vic Zhang Senior Retoucher: Changqing Lee FA Artist: Dennis Chen

Production Company: Hamlet China MD/EP: Yimeng Zhang EP: Ruben Goots, Jason Felstead Hamlet Producers: Claire Qin, Duffy Du Production Manager: Winson Wang Line Producer: Wang Zhiyuan, Sun Ying Production Coordinator: Selene Xu

Director: Henry Scholfield

DOP: Pat Aldinger 1st AD: Stella Gui 2nd AD: Yan 1st AC: Terry Yan Assistant Camera: Ma Chao, He Xiaohu, Cao Cheng, Zhang Hongming, Zhang Zhaoyu, Ou Wentao B-Cam: Ben Kang

Gaffer: Dickson Lim Lighting crew: Sun Zhanchao, Yu Puping, Tang Yichun, Gao Binbin, Wang Yongcheng, Chang Dan, Ma Chong, Wang Jie, An Dongdong, Jing Deliang, Jing Xudong, Li Yaohui, JIn Xin Production Designer: Maruxa Alvar

Art Director: A-Liang Assistant Art Director: Alec Wei, Tziyi Yu, Kuo Hung Tsun Prop Master: Guan Guowu Prop Assistant: Lian Guanglong, Zhang Lei, Liang Jiancong, Li Zhao, Li Xiaolong, Liu Ruijie, Guan Weiwei, Sun Haoyu, Li Bo, Wang Xian, Ding Jun, Huang Yanfei, Gao Xiuquan, Zhao Bangyin Special Props: Julius Mak Special Props Assistant: Tang Cheng, Zhang Zhipeng, Zhai Heguang, Yang Jun, Zhang Bo, Yin Rongliang

Key Grip: Sun Weibin, Wang Hengru, Nan Ben, Xiang Yang, Zhang Po, Wang Weitao Stylist: Cheyuan Lee

Wadrobe/HMU: Alice Hsu, Sunny Chen, Dong Hongjuan, Qin Mengyao, Cao Chenyi, Huang Yu, Chen Weikang, Tian Zhao, Gao Qi, Dong Lulu Casting: Baiwen Zhang, Feifei Zhou Storyboard Artist: Vince Wei DIT: Luo Dong Q-take: Sun Haichen Runner: Yan Baowei, Jiao Qiqi, Xie Jun, Liu Gaochen, Shi Chenhuang, Jia Youpeng, Kong Shaogen, Wu Junqian Chaperone: Joyce Sun

Post Production Post Producer: Joy Chiang Offline Editing (UK): Sam Bould Offline Editing (Shanghai): Bing Feng CG & Online Editing: Wicked Pixel VFX Lead Artist: Eddie Van Rensberg, Carl Jeppe Post Producer @ Wicked Pixels: Kamila Kelly, Leigh Human, Leticha Kisting On-set Supervisor: Schalk van der Merwe, Paolo Gnoni Music Studio (Composition, SD, Mixing): Mr.Pape Colorist: Marina Starke

Special Thanks to: Art Director: YETI Art Studio Online Editing: HUE, Bottles Color Grading Studio: MZ Studio, Fin Design Mixing: Hush Studios

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coloradohq · 1 year

Note

mw fcs? and do you allow model fcs?

i'm going to go ahead and provide some mwfcs since we're mere hours away from opening for plotting and when admin c returns, they can speak to the use of model fcs. do keep in mind that we have a wanted tag and some of these fcs may have been previously mentioned.

jessie mei li, kiowa gordon, martin sensmeier, niko terho, adelaide kane, danny pino, dj cotrona, ricky whittle, peter gadiot, zion moreno, kiana madeira, kiana lede, santiago segura, santago cabrera, harvey guillen, shamier anderson, zahn mcclarnon, jessica matten, nathalie kelley, nick sagar, raymond ablack, uli latukefu, jessica lucas, andrew koji, madison jaizani, alp navruz, deniz can aktas, michael trevino, levy tran, aiysha hart, ronen rubinstein, oliver stark, rafael silva, natacha karam, devery jacobs, alex meraz, tyler james williams, ryan o'connell, milo ventimiglia, gabourey sidibe, richard madden, jai courtney, cody christian, jesse james keitel, lucy liu, maggie q, tom austen, amita suman, jd pardo, clayton cardenas, hari nef, danny ramirez, keanu reeves, elliot fletcher, laith ashley, jordan gonzalez, mason alexander park, lindsey morgan, amber midthunder, adria arjona, alaqua cox, brian tyree henry, don lee, george robinson, aja naomi king, kofi siroboe, iko uwais, joe taslim, apo nattawin, carla gugino, michelle yeoh, tony leung, charles melton, ross butler, oscar isaac, mahesh jadu, anya chalotra, deepika padukone, varun dhawan, alia bhatt, sidharth malhotra, tabria majors, ben barnes

edit: model fcs will be allowed!

#wanted.#new rp #oc rp #mumu rp #appless rp #answered.

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lasvocesdelosotros · 1 year

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febrero 2022

once

there were vast orange orchards in Tripoli,

and when they were in bloom

the whole city smelled like citrus—

it was like a beautiful woman's perfume,

it was like you could smell sunlight,

and during the war and after

and every time Tripoli burned—imagine

the fruit peeled in your palm,

now imagine that fruit is a city—

It was unlike anything, he says,

I'm telling you, anything.

(Ruth Awad)

(el animal

entra en un periodo de reposo

antes de proceder a la muda)

todo artista

es el grito

y luego

pum

se muere

(Myriam Moscona)

Frases que se convierten en silencio. Frases que, de tan dichas, nadie escucha: hay 840 millones de personas que no comen lo que deben, cada cinco segundos un chico se muere por el hambre. La he leído, la he escrito, la he oído y dicho no sé cuántas veces: como quien dice llueve —incluso cuando llueve.

Caparrós

Es cierto que la mayoría de los gobiernos africanos son más que corruptos; en general son corruptérrimos. Pero lo que se roban no es nada comparado con lo que pierden sus países y sus ciudadanos a causa del orden internacional en el que están inscriptos desde hace siglo y medio. Los organismos internacionales usan la corrupción de los gobiernos del mismo modo que los gobiernos nacionalistas usan la avidez de los poderes internacionales: es fácil decir que millones de africanos pasan hambre porque sus gobernantes son corruptos y ladrones; es fácil decir que millones de africanos pasan hambre porque el capital globalizado es rapaz e insaciable. Las dos cosas son ciertas —y eso hace menos cierta a cada una de ellas si se la enuncia como razón única. Y las dos esquivan el problema de la propiedad privada y la distribución de la riqueza, esas minucias.

Caparrós

¿qué diferencia entre un petrolero tejano que se queda con tierras sudanesas y las explota y un funcionario de gobierno que le saca beneficio? ¿La forma de adquisición de la riqueza? Porque suponemos que tener la propiedad o la concesión de un terreno te habilita para quedarte con lo que hay ahí, y en cambio administrarlo en nombre del Estado no. Es lógico que administrar algo en nombre del Estado no te legitime para sacarle rédito. ¿Es lógico que tener un título de propiedad de eso mismo sí te legitime?

Caparrós

Siempre me sorprendió que envejecer fuera tal deterioro: nada en el funcionamiento físico de las personas mejora con la edad; el tiempo nos es pura decadencia. Durante siglos, muchas sociedades intentaron compensar esta penuria con la idea de que el saber era cosa de ancianos —«el diablo sabe por diablo/ pero más sabe por viejo»—; ahora, desde que suponemos que los saberes que valen son los más recientes, también ese valor simbólico se pasó al campo joven.

Caparrós

Siempre me pregunté por qué la naturaleza, que suele hacer mejor las cosas, nos somete a ese proceso de degradación. Hasta que entendí, bobo de mí, que la vejez contemporánea no es en absoluto natural: es uno de los grandes inventos de la cultura humana. En su estado «natural» cavernario los hombres no vivían más de 25 o 30 años: se morían antes de degradarse. Y hasta hace poco, la esperanza de vida media de los países ricos no pasaba los 60. Ahora, en cambio, esa media subió a más de 80, y sigue. Cantidad de mejoras técnicas lo consiguieron, pero estamos en plena transición, un momento mixto: hemos aprendido a prolongar la vejez, no a evitar sus estragos. Pero no es culpa de la naturaleza. Inventamos un estado antinatural —la vejez extrema— pero nos falta mucho: nos queda a medio hacer, lleno de errores todavía.

Caparrós

we all know there are no true villains—we’re just a bunch of hungry animals.

I would jump with you, I would. I would give it all for you—laughter at

sundown, laughter at the feet crushing statuary, laughter until our very

last word on this dying Earth that just keeps turning and turning its

silhouette shadow figures slipping back into human skin at dawn

(Jessica Q. Stark)

NOTIFICACIÓN

A los que traten mal

a los prisioneros

se les avisa

que serán declarados

criminales

por desprestigiar

la guerra.

(Rafael Cadenas)

Como esta piedra

es mi llanto

que no se ve

La muerte

se paga

viviendo

Giuseppe Ungaretti

[traducción de Guillermo Fernández]

Las cosas oscuras tienden a la claridad,

los cuerpos se agotan en un flujo

de tintas: éstas en música. Desvanecerse

es entonces la dicha de las dichas.

Tráeme la planta que conduce

adonde brotan rubias transparencias

y la vida se evapora como esencias,

tráeme el girasol enloquecido de luz.

Eugenio Montale

[traducción de Guillermo Fernández]

al hablar o escribir renunciamos a decir muchas cosas porque la lengua no nos lo permite. ¡Ah, pero entonces la efectividad del hablar no es sólo decir, manifestar, sino que al mismo tiempo es inexorablemente renunciar a decir, callar, silenciar.

Ortega y Gasset

Cada uno está solo sobre el corazón de la tierra

traspasado por un rayo de sol

y de pronto la noche.

Salvatore Quasimodo

[traducción de Guillermo Fernández]

El lenguaje poético se introduce en la medicina para hablar de lo invisible, para expresar una realidad que nada tiene que ver con las palabras, convirtiendo los "ríos de la tierra" en "arroyos de sangre", creando la poética del macrocosmos y el microcosmos. Igual que el lenguaje poético de la música.

Menchú Gutiérrez

Si hay un instrumento musical que sepa hablar del interior del cuerpo, de los latidos del corazón, del trasiego de la sangre en las arterias y de la relación de ese órgano con el espacio, de la sonda que la música lanza para palpar a su vez los latidos del espacio, ése es la tabla india. Formado por dos pequeños timbales, este instrumento de percusión puede tocarse con la palma de la mano, con los dedos, o arrastrando la muñeca por el parche de piel, produciendo expresiones de una variedad infinita. Su sonido parece el resultado de un cruce entre distintos órganos humanos. Quizá sea un órgano más que el hombre ha inventado para relacionarse con las realidades invisibles; quizá todos los instrumentos musicales finalmente sean eso.

Menchú Gutiérrez

Carecer de "presagios", de "pulso", de ese órgano que palpa en la oscuridad.

Escribía Federico García Lorca en el Poema doble del Lago Eden: "porque yo no soy un hombre, ni un poeta, ni una hoja / pero sí un pulso herido que sonda las cosas del otro lado". Quizá nadie haya escrito una definición más profunda de ese órgano poético: "un pulso herido que sonda las cosas del otro lado".

Menchú Gutiérrez

Cómo saber qué es ver bien si siempre has visto igual, si no hay referente alguno ni punto de comparación

Verónica Gerber

La búsqueda de la página en blanco no es otra cosa que una guerra contra el imperio del lenguaje, una contienda para comunicar sin tener que usar una sola palabra, para que el concepto deje de ser una justificación. Pero el lenguaje es ineludible. Desconfiamos de las personas y nos cuesta trabajo dudar de las palabras. No sospechamos de las palabras sino de las versiones de un hecho que se enciman sin corresponderse. No tememos de las palabras sino de cómo se acomodan en los enunciados, de lo que podrían estar diciendo en realidad. No desconfiamos del silencio sino de la ambigüedad que implica

Verónica Gerber

Del texto a la acción. De la página al cuerpo, de la palabra al espacio, al lugar; de la frase al suceso; de la novela a la vida escenificada.

Verónica Gerber

What is mine stays with me,

my heart in the glitter

of his heart. My dreams

have no bones. Love

is never saved in layers

of rock. So much of me

will never be found

on this earth.

(C. L. O'Dell)

Tienen tal vez las cosas en sí mismas sus pesos, medidas y propiedades; pero adentro, en nosotros, el alma las talla a su antojo

Montaigne

En nuestra propia y peculiar condición el ser tan dignos de risa como

capaces de reír

Montaigne

ese reconocimiento de no poder ir más allá es una característica de su acción, incluso una de las que él más se precia. Algunas veces, en un asunto fútil y huero, el ensayo consiste en ver si hallará con qué darle cuerpo y con qué sostenerlo y afianzarlo. Otras veces, lo llevo de paseo por un tema elevado y muy transitado, en el que nada suyo puede encontrar, por estar el camino tan trillado que solamente puede caminar tras las huellas de otro.

Montaigne

The flowers are without reason,

without economy or moderation.

Pink and gold, they tower above

the double doors, a citadel of silk

impervious to logic. They glow against

the dark of December despite rain,

despite deprivation and mortality, as if

an entrance to some other winter,

some world in which the stream of time

runs slant, or in reverse

Hannah Hirsh

PERSONA

el querido animal

cuyos huesos son un recuerdo

una señal en el aire

jamás tuvo sombra ni lugar

desde la cabeza de un alfiler

pensaba

él era el brillo ínfimo

el grano de tierra sobre el grano

de tierra

el autoeclipse

el querido animal

jamás cesa de pasar

me da la vuelta

(Blanca Varela)

CHANCE DARKENED ME

Chance darkened me

as a morning darkens,

preparing to rain.

It goes against its arc,

betrays its clock-hands.

The day was a dark-eyed giraffe,

its unfathomable legs

kept walking.

A person is not a day,

not rain,

no gentle eater of high leaves.

I did not keep walking.

The day inside me,

legs and lungs, kept walking.

(Jane Hirshfield)

Dearest Mother, how many rivers

did I run across your belly?

Do you love

that they will never dry up?

Dearest Mother, I’ll make all

this water worth it.

(Kayleb Rae Candrilli)

Decir ensayo es decir pesada exigente, examen atento, pero también enjambre verbal que libera su impulso.

Starobinski

#deshojadas

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nebris · 1 year

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The clitoris has 10,000 nerve endings. Here's why experts say the discovery is 'just the beginning' for sexual health

When it comes to sexual pleasure, there’s one spot on the female anatomy that tends to get the most attention: the clitoris. Yet despite the clitoris's association with orgasms and female pleasure, not much is known about the organ. For years, the clitoris was said to have 8,000 nerve endings — stated as fact in the 1976 book The Clitoris by Thomas Lowry and Thea Lowry, who cited a study on bovines. Now, thanks to a new study led by the Oregon Health & Science University (OHSU), which was presented at an Oct. 27 conference hosted by the Sexual Medicine Society of North America and the International Society for Sexual Medicine, we know that there are actually a lot more nerve fibers packed into the tiny sexual organ.

According to the new research, that number is a whopping 10,281. By comparison, the palm of one’s hand has 17,000 nerve endings — in a much, much larger area. Yet this study on the clitoris provides more than just a fun fact — it also can have major implications for sexual health.

Why look for nerve endings in the clitoris?

There have long been questions on the validity of the claim of 8,000 nerve endings in the clitoris. Activist Jessica Pin, who lost sensation in her clitoris after a labiaplasty and has been outspoken since about the lack of knowledge of female genitalia in medicine, penned a Medium article in 2018 suggesting that the bovine study should not be used as a source for human beings. Yet in order to really analyze just how many nerve endings there are in a human clitoris, one had to, well, actually count them.

Dr. Maria Uloko, one of the study’s authors and an assistant professor of urology at UC San Diego and a urologist who specializes in the treatment of female sexual dysfunction, says that the inspiration for the study came from frustrations she was feeling with the lack of knowledge about the clitoris.

“If we look at the difference between what we know about the penis and what we know about the vulva, it is a stark, very concerning difference,” she shares. “I treat a lot of vulvar pain, and if you look at that demographic of patients, it usually takes four to five providers before they even get a diagnosis. When you look at the healthcare cost to those patients, it’s in the billions of dollars. For very common, treatable conditions, why is there such a barrier to care? So that was the question. I’m a researcher, and I’m an advocate and I’m just also pissed because I keep seeing the same thing.”

She brought her frustrations to her friend Dr. Blair Peters, an assistant professor at OHSU and a board-certified plastic and reconstructive surgeon who specializes in gender-affirming surgery. Uloko pointed out the “knowledge gaps” in what we know about female anatomy.

“I was like, ‘And they don’t even know how many nerves are in the clitoris! It’s from a cow!’ And Peters said, ‘I can get you those nerves ... let’s quantify it,’” recalls Uloko. “That’s how this project came to be: It was me ranting at the right person, and having someone as skilled as Dr. Peters, who was willing to do this work with us. Our goal is to establish, and reestablish, the knowledge gaps in our anatomy and physiology, and bring attention to the fact that there is this disparity.”

How were the nerve endings identified?

Peters, one of the study’s authors, says they were in a unique position to study the nerves in the clitoris. Phalloplasty, which is the creation of a penis as part of gender-affirming care, is the only surgical procedure that requires cutting into the nerves of the clitoris.

“In that procedure, it’s routine to connect nerves in the penis centers in the groin, so people that have that surgery will have sensation and erogenous sensation recovering the penis,” Peters shares. “And — at least to the best of our knowledge prior to this work — the most powerful donor for that surgery was assumed to be the nerves of the clitoris, given its well-documented erogenous function. I initially started out doing some work to kind of quantify all of the nerves that I use in that surgery to determine if there were nerves that were better used in different combinations because we didn’t have that information before and there hadn’t been any standardized way to connect to those nerves.”

Following the conversation with Uloko, Peters designed the study and collected samples, and then collaborated with scientists at Washington University in St. Louis to count the nerve endings.

“A lot of different staining techniques are used,” Peters shares of how the nerves were counted. “The nerve samples are sliced by what’s called an ultra microtome to these very, very minuscule sections, that are then magnified over 1,000 times and counted basically with an automated software system.”

What are the implications of this study?

Trans healthcare, Peters stresses, is an integral part of how this study was able to be conducted. Calling their work on gender-affirming surgeries “helping someone physically actualize their internal sense of self,” Peters notes that trans healthcare is a vital part of this study’s findings and is critical to talk about, as so much anti-trans legislation is brought forward.

“If we start limiting care for one group, everyone else indirectly suffers too,” Peters notes.

Gynecologist and obstetrician Dr. Jennifer Conti, who is an assistant professor at Stanford University School of Medicine, says there is a huge disparity between what we know about the male and female sex organs. Studies like this one are a way to close that gap.

“Until only recently, everything we knew about sexual desire and function was based on historical works like that of Masters and Johnson, which largely centered on the cis-gendered heterosexual male perspective. Only recently have researchers begun to unpack how this is hugely different for different people,” she explains. “We are truly just beginning to understand the comprehensive picture that is female sexuality, and that includes our understanding of the clitoris. We didn’t even realize the full anatomy of the organ until 2005, which is embarrassing as a medical community.”

Dr. Rachel Rubin, a board-certified urologist and sexual medicine specialist, says historically, medical textbooks focused on male genitalia, while female genitalia was more of a “sidebar.” Female sexual health was almost always focused on the reproductive nature — not on sexual function. This study, she notes, could help change that. It also means people like Pin, who has not regained feeling following her labiaplasty, may be able to find proper healthcare, thanks to more knowledgable medical professionals.

“What this study does is that it shows that this work is possible,” she says. “When you understand something, and it’s exposed and people are aware of it, it will stimulate more research. This is just the beginning of the many questions we have to answer. How can we learn more about female sexual medicine and treatment options for arousal and orgasm disorders, anorgasmia, people who have been harmed by different surgical procedures and lost function — there’s a lot of work to be done. What this study shows is how incredibly dense the nerves are in the clitoris, similar to the nerves in the hand, even — this shouldn’t be ignored and forgotten.”

https://news.yahoo.com/clitoris-nerve-endings-sexual-medicine-discovery-174720598.html

#The Sisterhood

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these-summer-nights-in-december · 2 years

Video

youtube

Please enjoy this poetry reading I took part in from December 2021.

Readers are: Mary Biddinger, Christopher Citro, Noah Falck, Jessica Q. Stark, and Issam Zineh!

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jeffstern · 4 years

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Jessica Q Stark - Savage Pageant

I read this poetry collection in an afternoon, which seemed the right way to approach it. It centers on Jungleland in Thousand Oaks, CA and while the cover says “poems” the interior of the book is structured as a play, with poetry and snippets of history interspersed.

I’m still not good at reading/appreciating poetry, I think I have too much of a craving for narrative structure and/or character development. But I’ll continue to try to improve my poetry-reading muscles, and the way that this book was structured made that a bit easier as Jungleland itself became somewhat of a character as well as a way to explore larger themes, such as how we treat the world and each other. And also fascinating tidbits such as discussions of mass psychogenic illness.

I really enjoyed reading this, and found it both informative and a good read, though I fear that I missed have missed some important stuff. But noticing the care in choice of words and their placement on the page in the poems (or those pieces that looked more like a traditional “poem” to me) also highlighted how clear and careful the writing in the historical sections was, and each section gave me a bit more affection for the others.

In full disclosure, I do know the author, and she is aware of my struggles with poetry appreciation. She recommended I check out Ilya Kaminsky’s Deaf Republic as an entree into poetry, and it’s on my to-read list, probably the next poetry that I’ll read.

#books #Jessica Q Stark #Savage Pageant #poetry #2020reading

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lifeinpoetry · 4 years

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if you can think

yourself better you can also make yourself sick

with love call it mania for a collective

breakdown a stress response against a line of history

that speeds fast like red metal towards dense fog

— Jessica Q. Stark, from “Conversion Disorders in the Burn Pits, Please Take Flight,” Savage Pageant

#quote #Jessica Q. Stark #poetry #Savage Pageant #out of my collection #Conversion Disorders in the Burn Pits Please Take Flight

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relatableblorbopoll · 4 months

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Round two of preliminaries

The first two places will get added to the bracket

(There will be a third round after this)

All pairings of groups are randomly generated

Check after the read more for the poll groups

Group 1:

Jack Spicer (Xiaolin Showdown)

Jack Reacher (Reacher Series)

Lucy Honeychurch (A Room With A View)

Dave Strider (Homestuck)

Donutella (Tokidoki)

Missi (The vampair)

Group 2:

Reki Kyan (Sk8 the infinity)

Shinji Ikari (Evangelion)

Tsubakura Enraku (Len'en Project)

Conner Bailey (The Land of Stories)

Blue/Green Oak (Pokemon Red/Blue/Green)

Junior (Total Drama)

Group 3:

Trisana (Tris) Chandler (Emelan book series)

Akaashi Keiji (Haikyuu!!)

Jessica Day (New Girl)

V-flower (Vocaloid)

Ocean O'Connell Rosenberg (Ride The Cylone)

Sunny (Omori)

Group 4:

Tony Stark (Marvel)

Stanford Pines (Gravity Falls)

Rookie (Club Penguin)

Wen Ning (MDZS/The Untamed)

Drew (The Music Freaks)

Nick (Only Friends)

Group 5:

Nagisa Ran (Ensemble Stars)

Finn the Human (Adventure Time)

Okuyasu Nijimura (Jojo's Bizarre Adventure part 4)

Szeth-son-son-Vallano (The Stormlight Archive)

Barry the Quokka (The Murder Of Sonic The Hedegehog)

Midori Takamine (Ensemble Stars!! Music)

Group 6:

Omota Uramichi (Life Lessons with Uramichi Oniisan)

q!Quackity (QSMP)

Seven Of Nine (Star Trek)

Homura Akemi (Puella Magi Madoka Magica)

Waver Velvet (Fate Series)

Nico di Angelo (Percy Jackson Series)

Group 7:

Oz Vessalius (Pandora Hearts)

Isaac O'Connor (Paranatural)

Tobias (Animorphs)

Greg Heffley (Diary of a Wimpy Kid)

Berdly (Deltarune)

Ciaphas Cain (Warhammer 40k)

Group 8:

Gundham Tanaka (Super Danganronpa 2)

Noah (Total Drama)

Lia (The Music Freaks)

Angua von Überwald (Discworld)

Gudetama (Sanrio)

Eichi Tenshouin (Ensemble Stars)

Group 9:

Sara Murphy (Milo Murphy's Law)

Sonic (Sonic the Hedgehog Franchise)

Overlord (Bad End Teather)

Shaun Murphy (The Good Doctor)

Shin Tsumiki (Your Turn To Die)

Charlie Morningstar (Hazbin Hotel)

Group 10:

Jesper Fahey (Six of Crows)

Gren (The Dragon Prince)

Melissa Chase (Milo Murphy's Law)

Nami (One Piece)

Denji (Chainsaw man)

Rain O'Fire Frazier (Worm)

Group 11:

Kaveh (Genshin Impact)

Yusuke Kitagawa (Persona 5)

Nanami Kento (Jujutsu Kaisen)

Rod (Avenue Q)

Rigby (Regular Show)

Sound (My School President)

Group 12:

Piper Mclean (Heroes of the Olympus)

MK (Lego Monkey Kid)

Albedo (Genshin Impact)

Basil (Omori)

Ford Prefect (The Hitchhiker's Guide to the Galaxy)

Hamlet (Shakespeare's Hamlet)

#relatable blorbo poll #tumblr tourney #tumblr polls #tumblr tournament #character tournament #character bracket #preliminaries

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thedearidiot · 3 years

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“A ghost is a felt

miscalculation

in the overflow of human

information and category—

reserve a space

for the crack. Look

through”

- Jessica Q. Stark, There Are Many Types of Cannibals.

#jessica q. stark #poetry #ghosts

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finishinglinepress · 6 months

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FLP POETRY BOOK OF THE DAY: Invasive Species by Michelle Lizet Flores

On SALE now! Pre-order Price Guarantee: https://www.finishinglinepress.com/product/invasive-species-by-michelle-lizet-flores/

Michelle Lizet Flores is a graduate of FSU and NYU creative writing programs. She currently works as a teacher and co-hosts the What’s in a Verse #Poetry Open Mic in Jacksonville, FL. She has previously been published in magazines and journals such as The Miami Rail, Chircú Journal, and Travel Latina. A finalist for the Juan Felipe Herrera Award for Poetry, she is the author of the chapbooks Cuentos from the Swamp and Memoria, as well as the picture book, Carlito the Bat Learns to Trick or Treat. Her short fiction can be found in the forthcoming anthology, Places We Build in the Universe through Flowersong Press. Find out more at michellelizetflores.com.

PRAISE FOR Invasive Species by Michelle Lizet Flores

“Mixing magic and street smarts as easily as English and Spanish, Michelle Lizet Flores gifts us with an intimate but unflinching exploration of the self and the many pasts that shape it. Her Cuban roots and female ancestors imbue her American life and children with a dense, palpable other-worldliness we are the richer for. These poems don’t simply celebrate: they show us how to conjure and animate into being a life fully present in all its timelessness.”

–Andres Rojas, author of Third Winter in our Second Country (Trio House Press, 2021).

“Invasive Species plants the reader like a frog on a Florida porch as the sky oranges, time passes, a mother passes, children are born, people pass, hurricanes come and go, the sky goes violet and days become many nights. How much peace we make in all that change depends on the type of lessons we gleaned and the character we were fortunate enough to forge over the fires of hard lessons. Flores teaches us ‘how to heal with words rather than herbs.’ If not handled correctly, the act of growing can feel invasive and chaotic. However, there is a calm and understood feeling of necessity in the pain that guides Flores’ words from poem to poem to beat to story to song. Invasive Species doesn’t capture a place, time, history, culture, and simply present it; it captures you, collects you, and keeps you in a jar with these places, people, times, etc. Flores presents Gothic Florida in a Cuban dress, says: ‘y que?’, and confirms ‘It’s a verifiable fact / that whiskey tastes best / when you drink it on your porch / while staring at an orange sky.’”

–C.L. “Rooster” Martinez, a San Antonio poet and author of A Saint for Lost Things (Alabrava Press, 2020), As it is in Heaven (Kissing Dynamite Press, 2020), and Mexican-Dinosaur (Write About Now Press, 2023).

“Michelle Lizet Flores’ Invasive Species contains the expansive magic required to dress the wounds of heartbreak and survival. Part vexed, Floridian pastoral, part ode to diasporic selfhood, this book enthralled me with its vivid voice, its persistent attention to a self always at odds with geography, familial inheritance, and grief’s long tenure. Rooted in hurricanes and heat, Flores invades a southern stillness—she runs the page. And in that surge, this book will upend how you look at the miracle of our temporary bodies, of motherhood and the fleeting moments that compose an undying kind of love. For me, Invasive Species illuminates the dark hallways of life—death and its inevitable lessons—and the conjuro needed to remake the world and to carry on. I invite you to encounter the exposed nerve of these deep roots; “the kind our abuelas taught us to boil, / the kind our children consume.”

–Jessica Q. Stark, author of Savage Pageant (Birds, LLC, 2020) and Buffalo Girl(BOA Editions, 2023

Please share/please repost #flpauthor #preorder #AwesomeCoverArt #poetry #read #poetrybook #poems

#poetry #flp authors #preorder #flp #poets on tumblr #american poets #finishing line press #small press

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richardmaddan · 3 years

Photo

I have been meaning to make this for about a month now but i couldn’t find the time to sit down for the several hours to make it, till now. ^-^ It’s a new year. It is time for things to change for the better. It is up to us to give it a little push.

Last year was a shit show, yes, but I made a stand and started planning for my future. I went back to studying, I began to look after my physical and mental health and I am beginning to open up myself to others and forming more friendships. This year I am going to continue to be selfish and put myself first because I deserve it.

With all the studying, babysitting, expanding my socail life and working out I have hardly had the time to create any new content on this site but I have still managed to reach a new milstone of 12k followers 😲, thank you so so so much. i love you all.

🤍🤍🤍 below are the many many gorgeous, talented souls who have made my exhausting days better with what they create/reblog. I might not talk to many of you (if any of you cause I’m still working on my confidence :)) but I love you all so much.🤍🤍🤍

a-e

@aarontveit ~ @aaustinabrams ~ @accioharry ~ @achillese ~ @ahskatano ~ @alberto-rosende ~ @alessandroborghee ~ @alexademics ~ @alexjulies ~ @alexvogel ~ @aliencurls ~ @allenwestiris ~ @allisonaergents ~ @allthesebeautifulmistakes ~ @alwayskaysanova ~ @amandaseyfried ~ @anagonyeet ~ @anakin-skywalker ~ @anakinskyiwalker ~ @andthwip ~ @anna-kendricks ~ @anya-chalotra ~ @anyataylorjoy ~ @argentsallison ~ @argetnallison ~ @aridanvte ~ @aryastaark ~ @assemblesavengers ~ @baby-yoda ~ @baptistalba ~ @barncsbucky ~ @bartonclinton ~ @bellameblake ~ @bellammy ~ @bellamyblakez ~ @bellamysgriffin ~ @beth-cassidy ~ @betty-coopers ~ @bicarols ~ @bidoctor ~ @billiemcevoys ~ @bisexualsdean ~ @bladesrunner ~ @blaxksheep ~ @bosemanchadwick ~ @brkln-99 ~ @buckbvrnes ~ @buckky ~ @buckleyevan ~ @buckleyrobin ~ @buckwhy ~ @buckybarsn ~ @calebcovington ~ @capsgrantrogers ~ @captainmmarvel ~ @captains-barnes ~ @captnswilson ~ @carlgrimes ~ @carlos-reyess ~ @carlosreyes ~ @caroildanvers ~ @caroldnvrrs ~ @carolthor ~ @cassielang ~ @cavilhenry ~ @cheddarholt ~ @chlamets ~ @chris-evans ~ @chris-hargreeves ~ @chrisheavans ~ @chrishemsworht ~ @chrishemswroth ~ @cinderllas ~ @clarkezoey ~ @clintfbarton ~ @cmarvels ~ @connellwaldron ~ @conniebritton ~ @cptnbucky ~ @crushnic ~ @daenerrys ~ @daenersys ~ @daisy-jonshon ~ @daisyskyewalker ~ @danieljradcliffe ~ @danlevys ~ @danslevy ~ @darerendevil ~ @deansplushy ~ @deanwinchesters ~ @deckerschloe ~ @dianastrevor ~ @diegoshargreevs ~ @dindiarin ~ @dindjharin ~ @dinidjarin ~ @divinepairings ~ @downeyjuniors ~ @dragozera ~ @drew-jessica ~ @dylannobriens ~ @dylnsobrien ~ @elektranhatcios ~ @elena-gilbert ~ @elenas ~ @eva-greens ~ @evanbuckleys ~ @evanbucklley ~ @evanbuckllys ~ @evanbvckley ~ @ewan-mcgregor ~ @ewanmcgregors

f-k

@favreaus ~ @ferrisbuellers ~ @finellines ~ @fionacoynes ~ @fypedropascal ~ @geraltcirilla ~ @ghostes ~ @glenn-rhee ~ @gownegirl ~ @gwandas ~ @gwen-stacy ~ @hannabananasundae ~ @hannahjohn-kamen ~ @hannahsgrose ~ @hargreevesdiegos ~ @harmony ~ @hauntedrichietozier ~ @hawkaye ~ @heartsofblood ~ @heychastain ~ @hoeberynmartell ~ @hollywoods ~ @hughdrysdale ~ @hvitserkk ~ @hvitstark ~ @imbradpitt ~ @inabroomcloset ~ @inkorn ~ @intothemilesverse ~ @ironwlw ~ @isakvaltersnake ~ @jacklines ~ @jackmans~ @jamesbvck ~ @jamesvaldez ~ @javier-pena ~ @jemmablossom ~ @jeromemonaghan ~ @jewishpoedameron ~ @jmoparrillas ~ @joe-alkaysani ~ @josetteforbes ~ @jukephantom ~ @julie-molinas ~ @juliephantoms ~ @juliesghost ~ @justinsjessica ~ @jynerso ~ @kalaadandekar ~ @kalena-henden ~ @kamalaskhans ~ @kateverdeen ~ @keanureevves ~ @keanurevees ~ @kieumyvus ~ @kingmakings ~ @kreeves ~ @kristeens

l-q

@ladystarks ~ @lancetucker ~ @laylahassan ~ @laylaskeating ~ @le-livres ~ @ledszeppelin ~ @leifdonnellys ~ @leilaorgana ~ @lesbiansykkuno ~ @lightwoodtobane ~ @lilshitwayne ~ @lilysjmes ~ @lorelaigilmoure ~ @loveswitch ~ @lucifer-chloe ~ @luke-patterson ~ @lydmartinski ~ @lyrassilvertongues ~ @maarvvel ~ @macvewiley ~ @maddenikaris ~ @madeline-kahn ~ @madney ~ @magnusedom ~ @magsbane ~ @maiazula ~ @marcus-moreno ~ @margeaery ~ @mariahills ~ @marishaswingkink ~ @marthaskane ~ @marwankenzari ~ @maybank-jj ~ @melas-kyknos ~ @merceralexs ~ @miriammaisel ~ @mischiefsmanaged ~ @mishacollis ~ @missorgana ~ @misterodamore ~ @momentofmemory ~ @monsieurphantom ~ @montygreen ~ @naaleys ~ @natasharomonoff ~ @nathanmillers ~ @nattdyers ~ @nellcrain ~ @newtsthomas ~ @nickykaysani ~ @niinazenik ~ @ninahzenik ~ @obi-kin ~ @ohbrien ~ @ohdaenerys ~ @ohkstewart ~ @oliverstark ~ @ourteeth ~ @padmeamdala ~ @patel-dev ~ @peachshawn ~ @pedrito-pascal ~ @pedritopascals ~ @pedropaskal ~ @peeta ~ @pendragonlefay ~ @perfectopposite ~ @peter-quint ~ @peterstarkss ~ @peytonsawyers ~ @phoebwallerbridge ~ @pterparkcr ~ @puppyjaskier ~ @qilliananderson ~ @quellcrist

r-t

@rachelsqreen ~ @rackhamjack ~ @rafaelsilva ~ @ramonda ~ @ransomflanagan ~ @realoscarisaac ~ @reymanova ~ @richardmadens ~ @rockyblue ~ @rodgersteves ~ @rogeradeakins ~ @ronan-adam ~ @ronenrubinstein ~ @ronvanlynch ~ @ronweaslley ~ @rorygilmore ~ @royalblakes ~ @sailors-moon ~ @saltforthesea ~ @samaraweaving ~ @samwinchesster ~ @saoirseunaronan ~ @sci-fi ~ @sergantbucky ~ @sergeantbuckybarnes ~ @shadowsweavers ~ @shawnsguster ~ @sheiscompletewithhim ~ @sheisraging ~ @skywalkeh ~ @skywalkerforce ~ @sleepsongs ~ @sonyarebecchi ~ @spacesbetweenus ~ @spidreman ~ @stanning-seb ~ @starhlord ~ @stark-tony ~ @starringselena ~ @stevengrnt ~ @stevenrogered ~ @steventrevor ~ @steveroger ~ @steviebuds ~ @stewart-booboo ~ @stormbreakers ~ @strandtk ~ @stvnrgr ~ @stydiea ~ @stydixa ~ @summersblood ~ @superrman ~ @tanclybowen ~ @tennant ~ @teresapalmr ~ @thataintmymerlotx ~ @the-most-beautiful-broom ~ @thebiggerme ~ @thefinalgirls2015 ~ @theocrained ~ @tvandfilm ~ @thisissirius ~ @thislittlebadwolf ~ @thoresque ~ @timotheechalamed ~ @timothyolyphant ~ @tkstrrand ~ @tonyspep ~ @trixs ~ @tyler-strand ~ @tylerposey

v-z

@vanderlinde ~ @vanveronicango ~ @vetseras ~ @victoria-pedretti ~ @viejaguardia ~ @visenyatargaryen ~ @williampoulter ~ @winterbeck ~ @wintersfell ~ @wndavision ~ @wonderwomans ~ @z-ukos ~ @zackfcir ~ @zendadya

#mutual appreciation #i'm going to be a little inactive this year due to work placement. MoH duties. babysitting. and much more #:(((#🤍🤍🤍🤍🤍🤍🤍🤍🤍🤍🤍#if i've missed anyone i am sooo sorry #this actually took me a couple of days to complete :/

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