Jean-Auguste-Dominique Ingres (French, 1780-1867)
La Vicomtesse d’Haussonville
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Jean-Auguste-Dominique Ingres (French, 1780 - 1867) - Tête de jeune femme
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Oedipus and the Sphinx (detail), by Jean-Auguste-Dominique Ingres, c. 1808, Napoleonic era
Musée du Louvre, Paris
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Jean-Auguste-Dominique Ingres (French, 1780 - 1867)
Le Bain turc, 1862
Musée du Louvre
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Mr. E Gallery 'In The Mood' (09-23)
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1805 Jean-Auguste-Dominique Ingres - Mademoiselle Caroline Rivière
(Louvre Museum)
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Jean-Auguste-Dominique Ingres, Madame Moitessier, 1851
Jean-Auguste-Dominique Ingres, Mademoiselle Caroline Riviere, 1806
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Jean-Auguste-Dominique Ingres - Virgil reading from the Aeneid, 1864.
Versions >> 1 | 2 | 3 | 4
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Jesus Returning the Keys to Saint Peter, Jean-Auguste-Dominique Ingres, 1820
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Daguerréotype de Désiré François Millet montrant un tableau de Jean-Auguste-Dominique Ingres (tableau disparu ou détruit) en arrière plan le portrait de Madame Moitessier
1852
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MWW Artwork of the Day (1/12/23)
Jean-Auguste-Dominique Ingres (French, 1780-1867)
Raphael and the Fornarina (1814)
Oil on canvas, 64.8 x 53.3 cm.
Harvard Art Museums/Fogg Museum, Cambridge MA (Grenville L. Winthrop Bequest)
This composition, the first of six versions, articulates Ingres’s conception of the art of painting. For him, the oeuvre of the Renaissance artist Raphael was the pinnacle of artistic achievement. Here Ingres draws on Raphael’s relationship with the woman known as “La Fornarina” (the Little Baker), which, according to the biographer Giorgio Vasari, led to the young artist’s death from an excess of lovemaking. Raphael has just sketched the famous portrait of her, and his beloved subject sits on his knee. But Raphael has eyes only for his own creation, which, like Ingres’s representation of its model, meets the viewer’s gaze. This triangle of glances is complicated by the presence of the Virgin in Raphael’s "Madonna of the Chair," seen against the back wall, where she resembles the artist’s lover.
Ingres is one of the featured artists in this MWW gallery/album:
https://www.facebook.com/media/set/?set=a.727184920720213&type=3
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Jean-Auguste-Dominique Ingres (French, 1780-1867)
Portrait de la princesse de Broglie
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Roger Freeing Angelica (detail) (Jean-Auguste-Dominique Ingres, 1819)
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artwork by jean-auguste-dominique ingres
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