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#Japanese prints
the-cricket-chirps · 7 months
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Aoyama Seizan, Horses, 1930s
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jareckiworld · 2 months
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Koki Tsujimoto — Auspicious White Dragon (mineral pigments and japanese paper mounted on wood panel, 2020)
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nobrashfestivity · 1 year
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Yoshida Toshi Mendocino, Sunrise
with reverse
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jstor · 11 months
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Bats and sycamore leaves*, a woodblock print by an unidentified Japanese artist ca. 1900. From the Taubman Museum of Art collection on JSTOR, featuring 1,701 freely accessible images of artworks, no login needed!
*What kind of leaves did you think they were, huh?
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Famous Heroes of the Kabuki Stage Played by Frogs, by Utagawa Kuniyoshi, 19th century
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crazyfox-archives · 7 months
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"Night in Kyoto" by Sekino Jun'ichirō (関野凖一郎), 1980
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city-of-ladies · 5 days
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Genmei (661-721) was Japan's fourth empress regnant. She was Empress Jitō's half-sister and her match in terms of ambition and political skills. Her rule was characterized by a development of culture and innovations. 
Ruling after her son
Like Jitō (645-703), Genmei was the daughter of Emperor Tenji but was born from a different mother. Jitō was both her half-sister and mother-in-law since Genmei had married the empress’ son, Prince Kusakabe (662-689). She had a son with him, Emperor Monmu (683-707). 
Kusakabe died early and never reigned, which led to Jitō's enthronement. The empress was then succeeded by her grandson Monmu. The latter’s reign was short. In his last will, he called for his mother to succeed him in accordance with the “immutable law” of her father Tenji. Genmei accepted. 
Steadfast and ambitious 
Genmei was made from the same mold as her half-sister. She proved to be a fearless sovereign, undeterred by military crises. 
She pursued Jitō's policies, strengthening the central administration and keeping the power in imperial hands. Among her decisions were the proscription of runaway peasants and the restriction of private ownership of mountain and field properties by the nobility and Buddhist temples. 
Another of her achievements was transferring the capital at Heijō-kyō (Nara) in 710, turning it into an unprecedented cultural and political center. Her rule saw many innovations. Among them were the first attempt to replace the barter system with the Wadō copper coins, new techniques for making brocade twills and dyeing and the settlement of experimental dairy farmers.
A protector of culture
Genmei sponsored many cultural projects. The first was the Kojiki, written in 712 it told Japan’s history from mythological origins to the current rulers. In its preface, the editor Ō no Yasumaro praised the empress:
“Her Imperial Majesty…illumines the univers…Ruling in the Purple Pavillion, her virtue extends to the limit of the horses’ hoof-prints…It must be saif that her fame is greater than that of Emperor Yü and her virtue surpasses that of Emperor Tang (legendary emperors of China)”.
In 713, she ordered the local governments to collect local legends and oral traditions as well as information about the soil, weather, products and geological and zoological features. Those local gazetteers (Fudoki) were an invaluable source of Japan’s ancient tradition.
Several of Genmei’s poems are included in the Man'yōshū anthology, including a reply by one of the court ladies. 
Listen to the sounds of the warriors' elbow-guards;
Our captain must be ranging the shields to drill the troops.
– Genmei Tennō
Reply:
Be not concerned, O my Sovereign;
Am I not here,
I, whom the ancestral gods endowed with life,
Next of kin to yourself
– Minabe-hime
From mother to daughter 
Genmei abdicated in 715 and passed the throne to her daughter, empress Genshō (680-748) instead of her sickly grandson prince Obito. This was an unprecedented situation, making the Nara period the pinnacle of female monarchy in Japan. 
Genmei would oversee state affairs until she died in 721. Before her death, she shaved her head and became a nun, becoming the first Japanese monarch to take Buddhist vows and establishing a long tradition.
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Further reading
Shillony Ben-Ami, Enigma of the Emperors Sacred Subservience in Japanese History
Tsurumi Patricia E., “Japan’s early female emperors”
Aoki Michiko Y., "Jitō Tennō, the female sovereign",in: Mulhern Chieko Irie (ed.), Heroic with grace legendary women of Japan
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emmaklee · 5 months
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The Fukujuso Plant from Ehagaki sekai / artist unknown (19090
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tierradentro · 2 years
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“Bat Against Full Moon”, late 19th century, Nomura Yoshikuni.
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It rained last night softly a nice surprise Image: Kobayashi Eijiro, High Bridge, woodblock print, 1910 - 1930
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New JTTW Book!!!
La pérégrination vers l'Ouest: Intégrale des estampes de l'édition japonaise de 1806-1837 (English: The Journey to the West: Complete Prints from the Japanese Edition of 1806-1837) This new French publication collects and comments on restored woodblock prints from Ehon Saiyuki (繪本西遊記, 1806-1837), the first complete Japanese translation of Journey to the West. I have scans of the antique Chinese and Japanese versions of JTTW on my blog, and I can say with full confidence that the woodblock prints from the latter are FAR superior. They are gorgeous beyond words. Most are in black and white, but a few are in color.
Here is the official publisher link for those looking to buy:
https://www.editions2024.com/livres/white-boy-2rslx... Below, I present a google-translated version of the product info.
Illustrations by Ōhara Tōya, Utagawa Toyohiro, Katsushika Taito II Text abridged and translated by Evelyne Lesigne-Audoly and Delphine Mulard Introductions and comments by Christophe Marquet, Vincent Durand-Dastès, Xavier Guilbert and Delphine Mulard. Under the direction of Christophe Marquet * 836 two-color & four-color pages on a Holmen Book 2.0 80g * 18 x 24cm * cardboard cover, bowls, attached labels, hot stamping * sewn binding with edge and 2 bookmarks, attached endpapers * ISBN 978-2-383870-79-1 / EAN 9782383870791 * Publication 11/2023
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the-cricket-chirps · 9 months
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Kawase Hasui
Pine Beach at Miho
1931
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jareckiworld · 4 days
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Koki Tsujimoto — Auspicious Blue and White Whale (mineral pigments on japanese paper mounted on wood panel, 2022)
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nobrashfestivity · 11 months
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Kawanabe Kyōsai 河鍋暁斎 (Japanese, 1831–1889)
Kyōsai Sketchbook (Kyōsai manga) 暁斎漫画
Meiji period (1868–1912)
1881 (Meiji 14)
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uwmspeccoll · 1 year
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Wood Engraving Wednesday
So, this week we’re replacing our usual wood engravings with color woodcuts instead because we wanted to show off some of the exquisite original wood block prints from a 2-volume set of contemporary Japanese woodcuts. The volumes have not been cataloged yet because the title and publication information are in Japanese and we have not had them translated yet. The title (we believe) is on the cover of the book, which we show here.
The two volumes contain 24 original prints by different artists showcasing traditional techniques with modern sensibilities. Each print is stored in a page composed of a polyethylene sleeve that the print can be removed from. Please click or tap on the images for title and artist information.
View more posts with Japanese prints.
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Stars over Biwa Lake, by Shoda Koho, 1930
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