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#JUST ADD THE KEEP READING
chernozemm · 6 months
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want runs deep in you, heavy and thick, and the dam is creaking under its weight.
want is like dust, thousands of years worth of dust on your heavy shoulders and you dare not move. if you stay very still and keep to yourself maybe no one will notice.
want is like grief, love left unclaimed. want is like hunger and you are famished.
wanting is dangerous, so you smother it.
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it's been said before and i'll say it again: image descriptions are not meant to be added later by other people. they are meant to be written by op and included within the op.
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natjennie · 3 months
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i think mostly we as a culture need to stop pretending media is for us and instead recognize that it's for the people making it. "the show didn't do the thing I wanted it to" is so not the point. did it do what the people making it wanted it to do? did it tell the story they were trying to tell? than it was successful. if that doesn't align with what you wanted to happen, don't get up in arms about it. don't badmouth the creators and throw a tantrum. that's what fan works are for. the text is the text, and it told the story it was telling. you wouldn't be like "ugh shakespeare is insane for act v btw like there was no reason for juliet to kill herself she should've just waited and then her and romeo could have been together wtf this ruined the whole play" like no!!! the themes were there the set-up was there the foreshadowing was there shakespeare did what he intended to. just because it wasn't a happy ending and just because you thought it should've went differently doesn't mean it was bad. read a fic where juliet lives and move on.
#this is about ghosts but honestly fandom in general#stop pretending the creators of things owe you certain story lines. they're making it not you#i explained it like this to my sister:#imagine you're reading a book and there are sort of hints and scenes that you take to interpret a character as gay#you cite quotes and talk about the themes and the impact of your interpretation#and then at the end of the book the character comes out as asexual.#and then a lot of those scenes and quotes that you were using as evidence for your interpretation-#now they could be construed to have been pointing towards them being ace all along#just because it wasnt the end you fabricated in your head based on your understanding of the hints#doesn't mean it wasnt always the writers plan from the beginning.#AND it doesnt mean you can't keep imagining a world where they're gay instead#it just means that the writer was leaving those clues to point you towards the ending#and you interpreted the clues differently#bbc ghosts#ghosts spoilers#bc like. if last resort was the ending#you could 'read' the whole series with the understanding that they weren't going to leave the house#and the foreshadowing would add up#but now with the special. you can go back and 'read' the series with the understanding that they leave#and it still all adds up. the foreshadowing was there it just meant something different than you thought.#stories have beginnings middles and ends#you predetermined the ending while still in the middle and got mad when you weren't right.#does that make sense?
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yuriyuruandyuraart · 11 months
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*sighs* precious baby version of night and his mentally drained brother/dad got me dropping everything for a quick doodle<333
au by @dreemurr-skelememer
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thelassoway · 6 months
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Jason Sudeikis as Ted Lasso Seasons 1-3 » T-shirts
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quirkle2 · 4 months
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so what if . slime rancher au
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57sfinest · 1 year
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calling harry a “can opener” was SUCH a good play for so many reasons i think about it every day.
in the context of his work, it makes him a tool. as many people have pointed out, including martin luiga, part of the hdb tragedy is that he simply cannot leave the force, and his superiors know that and are using it to their advantage. no matter what happens, even if harry hated every nanosecond of every bit of the work and wanted to leave, he can’t and won’t leave. they can leverage anything they want against him and then reel him back in with a facade of kindness when they “allow” him to keep his job, as long as he does what they want him to. the 41st knows he has this inexplicable talent with people and they use him for it. he’s a cop: that talent can be used in so many awful ways, to push so many different agendas. and they won’t even be his own. a can opener has no particular desire to open a can, aside from maybe the satisfaction of fulfilling a purpose. a can opener has no agency, it’s just a tool for someone else to use to get what they want. and he’s learned to be okay with being used as long as it means he gets to stay. his complacency with this system makes him guilty even if he’s also being harmed by it.
but in the context of his personal life you kind of... flip it. the people around him are going to be opened up whether they want to be or not, and it’s terrible for his relationships. it’s shown that the questions, the prying- the can-opening- it’s become inextricable from who he is as a person. it’s like he doesn’t know how else to communicate, except it’s hardly communication when you’re just ripping people open. he’s invasive as all hell, although whether he means to be is debatable. he’s the kind of person that wants to take things apart to see what makes them tick. he dissects people, but really that’s too delicate of a word for what he does; if he doesn’t get what he wants right up front, he’ll abandon all subtlety and go for brute force. if he can’t get your screws loose he’ll just smash you on the ground and pick through your pieces until he’s satisfied, and if what he did to you isn’t fixable? oh well, there are other cans to open. 
and he’ll use it for personal gain: we already know he is (was?) manipulative. once he knows how you operate, he knows how to make you keep him. he can yell or he can cry; he can threaten you or he can threaten himself; he can be completely suffocating or he can withdraw completely; he can be an incorrigible liar or brutally honest; he can present himself as a threat or a joke or a talent. he’s a chimera- that’s why he’s got this inexplicable magnetism, even when people know they shouldn’t like or trust him. fidelity of character means nothing to him. he’ll be whatever he needs to be as long as it gets him what he wants. the can-opening is just his way in.
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weiwx · 8 months
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harrowhark nonagesimus when "i get mean when i'm nervous like a bad dog" and "i don't think about the past it's always there anyways" and "i will never die i will never die i will never die"
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wataksampingan · 28 days
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I'm rereading MILAOWM because of course I am, and I just.
Ep 27:
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Ep 79:
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we've come so incredibly far and I cannot deal with the amount of progress they’ve made; oh my heart
Seungu how DARE you call back so many chapters like this, to a completely different time when he couldn't trust her enough to even touch his hair
And now he's beaming at her because he knows exactly what she's doing
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please be happy you two dorks
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po-cky-o-o · 1 year
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I present a very unnecessary analysis of the scaralumi talk before the big fight
First of all I love the way they both can see through each other. I think often times we overlook how good Lumi is at understanding the feelings of others - mostly because Paimon does most of the talking - but here we can see just how good she is at reading him since (I believe) this is the most she has ever talked in a quest. Scara believes he knows what he wants, but Lumi knows what he needs.
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I like how he says this because it is true. We have been proven time and time again how Lumi cares about others, which is why despite her being enemies with Scara she can’t help but empathize with his situation.
But she’s not stupid, there’s where it comes the “almost” part. She is saying that as a way to try and stop his plans, not simply because she is worried about him and he knows that, but he still tries to convince her about him being, even though for a moment it almost sounds like he’s trying to convince himself.
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Scara then moves on to say how his life has been meaningless up to this point, as if becoming a god is his only purpose and without it he is nothing. So he tried to understand why would Lumi bother going through such “futile errands” of protecting everyone.
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But once again Lumi sees through him asking why then would he keep the connection with Haypasia (and consequently with Lumi herself). Even with his answer she is not convinced so he just deflects with his arrogance.
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Not to mention how everything he says about Haypasia can also be applied to Lumine, since they both share a connection with him and saw his past. I find it interesting how he was able to sense Lumi and immediately entered her consciousness to observe her
Once again Lumi is able to figure him out and say what she needed to tick him off. He says how bad she is at sewing discord, but he still goes ahead and attacks the fatui calling it an “expression of affection”like he did for Haypasia, putting the two girls on the same wavelength
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astrobei · 1 year
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every byler creator who has ever felt unappreciated or has never seen their work on a rec list or has stayed awake for hours working on something for it to get no interaction or has had their work passed up in favor of the big fandom favorites or has never been taken a chance on or has ever come last in a poll they didn’t ask to be on or has felt self conscious about posting or about calling themselves a creator if what they’re posting is not a magnum opus or has created something for themselves and still hoped deep down that people would love it: get behind me. i’ll protect u
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katabay · 4 months
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Omar El Akkad's forward to the Annotated Arabian Nights: Tales from 1001 Nights (trans. Yasmine Seale)
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averlym · 7 months
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no one would notice if i ever vanished // if bodies could sustain // this never-ending army // like blood pumping through a vein
(click for better resolution!)
:OOO hello. anyway since these are all posters i'd have in an ideal world or smth and i'd like to store the high res versions somewhere,,, here's the google drive folder for them? hehe ''
close up!
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#adamandi#vincent aurelius lin#i'm back with the posters! or smth! idk!!#i'm maybe just a bit obsessed with vincent. such a Character.#where can i run is sustaining me single-handedly through this exam season (<- has cried thrice in the last two days; alas; but moving on)#my stress response was that in a fit of apathy i shut myself down from academia and stopped to paint this#six hours total? on this funky little thing! had to push myself to finish the magnifying glass but!! looks so cool. i'm impressed with my e#fun fact: all the shades are hand-coloured. aka everything is digitally hand painted hooray!! i havent painted for a long time (ish)#smth about this musical makes me want to paint. it's very lovely that way#it's also a miracle i haven't gotten carpal tunnel or any wrist injuries so far... i'm a lucky person! hooray#i had so many thoughts to ramble about and now i don't recall any of them.#-! about this piece: inspired specifically by that one line that i doodled in the margins of a math practice last night#the diagonal slant was very. thinky. the rendering and angle were kinda contradictory to do but it's fineeee (draft was diff. pov)#i liked the red abstraction. and the way that people (misc) gave same vibes as red blood cells.#green for vincent because contrasting colour!! considered a spotlight that was more obv bc. again theatre lighting is so cool. but that was#a bit too literal? i think. so just fun little highlights. no one look at the accuracy of anything here though.. shadows do Not do this#also like hehehe lin. forest. forest of people. i really liked thinking about that. hehehe#i didn't know the font to use!! or quote!! so i slapped on the name of the musical and called it a day... the blank one is in the google-#-folder if you want to add your own stuff :') also also i wasn't sure about cropping at all. so again high res in google drive link#which is under the keep-reading sign! kind of a choose your own adventure because i'm lazy :3#ajhshdhfhfhfhf i think i've been fuelled by the tags under each post so far. so intensely. so very nice.#also when the cast or creators drop fun facts... serotonin right there.. they're all so nice waaagh it's so cool that they like my stuff ><#<laughs> really grateful that the whole fandom's so sweet <3 thank you for your support TvT#alright!! off to mess about with chemistry. jiayou me.#oh yes. a post script about the cropping crisis: i wasn't sure how small i wanted to make him. in proportion to the crowd. so if you see it#on mobile ig it's tiny and on laptop it kind of makes sense ...
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katzenkarussell · 1 month
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Sada visiting Area 0 21/07/XX
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c-kiddo · 4 months
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finding out how much (7000+) in canadian dollars james somerton spent on film cameras while shooting youtube video essays with the ugliest most stagnant compositions and muddy lighting and those fucking goofy turtlenecks is so fascinating to me. like its really just been entirely an ego thing huh . he doesnt even know how to use them
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fictionadventurer · 11 months
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Because @maltheniel has enabled me, I'm going to tell you about William Henry Seward.
If you had the American history education that I had, you might have heard of a thing called Seward's Folly--also known as Alaska. Seward was the Secretary of State who was mocked for buying America territory in what appeared to be a barren wasteland, until he was vindicated by the discovery of oil and gold and a jillion other useful natural resources. If you had the education that I had, this is the only thing you heard about him, but the more I look into the Civil War, the more baffling this is, because this guy is everywhere in the political scene of the time.
Seward was an extremely vocal anti-slavery Whig from New York. He started as a US Senator in 1849, and he became part of President Zachary Taylor's inner circle, influencing him to support measures to keep slavery out of the new territories. After Taylor died, the question of slavery in the territories dominated politics for the next decade, with the conflict getting more heated and the positions getting more polarized. The Whig Party fell apart because of disagreements over the issue; Seward held on for as long as he could, but eventually joined the newly-forming Republican Party, and became well-known for his eloquent speeches against slavery.
When it came time to choose the Republican nominee for the 1860 presidential election, Seward was by far the top candidate. All but a shoe-in. Unfortunately, some of his anti-slavery speeches were a bit too eloquent, and gave him a reputation for being much more radically anti-slavery than he was. A significant portion of the party doubted he could win a nationwide election when slavery was such a divisive issue. This gave Lincoln's team a chance to pitch him as a less-radical option, which allowed him to come from behind and win the nomination.
Seward was extremely gracious about the loss, immediately publishing letters announcing his full support of Lincoln as candidate, and putting his own campaign manager to work getting Lincoln elected. Privately, though, he was seething. He had been in politics for decades, helped to build the party, and then lost his chance at the presidency to a guy who'd been working as a backwoods lawyer for the last twelve years.
But he knew his politics, and knew it was better to support the party's candidate than to oppose him. Lincoln offered Seward the prime Cabinet position of Secretary of State--he was qualified for it and deserved it--and Seward accepted. Seward hoped that he'd be able to help select the other Cabinet members, so he could pick people from his own faction who he'd work well with. Then he, with his extensive connections and political experience, could be the real head of the administration, with Lincoln as a compliant figurehead.
Lincoln was having none of it. He listened to Seward's suggestions, but he'd basically already chosen the people he wanted for his Cabinet, across all factions of the party. While he made use of Seward's expertise and trusted him as Secretary of State, he was going to be head of his own administration and be the one making all the final decisions. After a rocky start, Seward came to recognize that Lincoln had a shrewd mind and good judgement, and he became Lincoln's loyal supporter and a good friend.
But there was a persistent idea that Seward was the real power behind the throne, sparked partly by the prominent role he took in Washington between the election and the inauguration. States started seceding almost as soon aa Lincoln was elected, and Seward was the one who had to hold things together in Washington while Lincoln was tying things up in Illinois. He was getting reports from informants, watching out for Southern spies, and keeping Lincoln abreast of what was going on. He gave a stirring speech to Congress urging the Southern states to keep the Union together, offering all sorts of concessions to mollify them, such as amendments preventing the federal government from interfering with slavery. It was a highly controversial speech, and his wife, Frances, raked him over the coals for it. She understood, earlier than almost anybody, that this crisis would turn into a long war about slavery, and that they couldn't afford to bend on that issue, even to keep the Union together. (Lincoln privately approved of several measures Seward talked about, but publicly said little, preferring to see the public's response to Seward before taking official positions.)
Seward was a little bit like a Civil War version of Evil Chancellor Traytor. Under both Lincoln and Johnson, rumors persisted that Seward was the shadowy figure who was really in charge, secretly manipulating the president into making unpopular decisions, even though most of the time, Seward had nothing to do those decisions, and often disagreed at least partially with what the president chose to do.
Best example of the effects of this misconception is the time Seward came under attack during the middle of the war. The war was going badly, and since people couldn't directly attack the president, they started going after Seward. Chase, the Treasury Secretary, told some members of Congress that Seward was the reason the Cabinet couldn't get along, and that he was always trying to take control. These senators wanted to meet with the president and force him to get rid of Seward. When Seward heard about this, he gave Lincoln his letter of resignation, not wanting to cause problems for the administration. Lincoln responded by allowing the senators to join in a Sewardless Cabinet meeting. When confronted with both the senators and the Cabinet, Chase was forced to admit that his stories had been exaggerated, and the other Cabinet members rallied to Seward's defense, resenting Congress' meddling. Lincoln refused to accept Seward's resignation, and Seward returned to the Cabinet, having been saved by Lincoln's political acumen.
I'm going to skip ahead so I can tell you the craziest part of the story. Four days before the Civil War officially ended, Seward got into a carriage accident that left him bedridden with a broken jaw and a bunch of other injuries. When told of Lee's surrender on April 9th, Seward said (through a broken jaw, after barely surviving a painful accident), "For the first time in my life, you've made me cry." (Which is both touching and an incredibly badass claim, given what he's just suffered.)
Five days later, John Wilkes Booth shot the president at Ford's Theater. Everyone knows (or should know) that part of the story. What I didn't know was that his conspiracy also called for Seward's assassination. Booth knew his Shakespeare and didn't want to leave Seward alive as a Marc Antony to eulogize the dead tyrant. (He also wanted to kill Andrew Johnson, but that assassin chickened out, and it's not really important to this story).
While Booth was at the theater, his co-conspirator went to Seward's house under the pretense of delivering medication. When Seward's son wouldn't let him go upstairs, the assassin tried to shoot him and broke his skull with the gun. The assassin then made his way to Seward's bedroom--where, I need you to remember, Seward was still bed-ridden--and stabbed him five times in the face and neck. Like, sliced away flaps of flesh. The only reason Seward didn't die was because the splint for his broken jaw deflected the blade away from his jugular vein. And because his other son and bodyguard made it into the room and forced the assassin to flee.
Chalk this one up in the "Parts of American History I'm Furious No One Told Me About" column.
While Seward was recovering, they hid the president's death from him, thinking he wouldn't survive the shock. But he figured it out three days later when he saw the flags at half-staff through his bedroom window, and realized that if Lincoln were alive, he'd have been the first to come see Seward after the attack.
Of course, Seward survived (badly scarred) and went on to buy Alaska. Which is an interesting story. But not half so interesting as all the stuff that came before it.
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