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carnivalcarriondiscarded · 1 month

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ON THE TOPIC OF BARNABY. as well as his relationship with Wally.

So. To kick this off - Riv (@funonion) and I were Speculating, and they introduced me to the johari window:

They put Barnaby in the “facade” section, and I entirely agree. To quote them;

“So he’s Wally’s guide, right? He’s the “knowledgeable” one of the two and is always the one teaching him new things. And you know, it’s one thing if you’re just teaching him how to laugh or how to tell a joke. But.

Clown has given us two doors. One says that Barnaby understands Wally in a way the rest of the neighborhood doesn’t, and is willing to do his dirty work so to speak. The other says that their friendship was not a natural occurring thing and had to be enforced repeatedly within the show. HOW THAT’S BEING ENFORCED IS ANOTHER THING ENTIRELY but it is worth it to note.

What is Barnaby willing to keep? What is he willing to bury for his little buddy? I can’t say anything definitively yet, but the fact that I even have to ask is telling. The class clown archetype is usually used as a way to cover up for something else a character might be experiencing”

And my response, (I won’t directly quote because I have little things in the phrasing & elaboration to add / tweak );

Barnaby being a Comic Relief Character immediately raised so many alarms in my head. I love comic relief characters. They’re always so fucked up in one way or another, and Barnaby is almost certainly SO inauthentic. He’s wearing a comedy mask just as opaque as Wally’s own mask. In everything we’ve seen about him so far he’s either Teaching Wally, wisecracking/joking, or… pretty much nothing else. We got that moment of concern in audio 14-14, but that doesn’t reveal anything beyond genuine care for Wally.

Comedic characters have the best disguises. Their poker faces & ability to deflect is always top tier [and practiced], and just look at comedy-focused actors and entertainers - so many of them have severe issues, either with their mental health or life. From what i’ve observed both in that aspect & with fictional characters, they play it off & work hard to entertain/deflect [one in the same] right up until the end. Sometimes it’s a coping mechanism. Usually it’s both. If they laugh loud enough and make people think they’re lighthearted fools w/ nothing underneath, no one will look any deeper and thus they’re “safe”.

& I’m a little suspicious that Barnaby’s red/orange/yellow spots aren’t naturally those colors. While yes, he could be (in-universe) designed that way to echo Ms. Beagle, there’s a strong possibility that that’s not it. What if he paints them to feel a connection to her, or it’s a physical manifestation of Barnaby covering up his insecurities/issues - what if it’s part of him striving to convince the world that he is what he paints himself as.

The laidback funnyguy with a loving mom and not a problem in the world.

And I mean, Barnaby claims to be a natural blue and I believe him! But the other colors? I’m doubtful

(I was going to include the Cast As Lil Kids Designs in this since Barnaby has all blue spots, but given how early in 2021 it was posted and how there seem to be little discrepancies from the ~official~ designs, I don’t want to provide it as evidence.)

& on the topic of Wally and Barnaby’s relationship being both real and not - disclaimer, this conversation happened before my Updated Thoughts On Them post, so there may be some minor rephrasing here from what I originally said - I’m sure that the relationship started out as inauthentic. Wally was assigned Barnaby as a best friend and technically vice versa, but I don’t doubt for a second that it became real to some extent. Clown wouldn’t treat their relationship outside of “canon” WH stuff the way that he does if they weren’t actually friends. They’ve said that Wally & Barnaby would be friends in every universe (which melts my heart <3 platonic soulmates my beloved <3), so then I have to agree with Riv. what WILL Barnaby do for Wally? I touched on this in the Milk Theory, but especially if Barnaby prides himself on “knowing Wally better than anything else”, what would Barn do to preserve that?

This relates to another conversation we had - Barnaby possibly having abandonment issues. It’s such a choice to have him of all characters be explicitly stated as an orphan. That and while every other Neighbor with a mentioned family have a somewhat large one (Howdy and his gajillion relatives, Julie and her three siblings, Poppy and her crowded tree [note: Eddie has a mentioned mother, but that info is tenuous and who knows if there are other Dears]), Barnaby has also explicitly stated that Ms. Beagle is his only family. That’s it. And farm life can’t be a sociable way to grow up, not with all the chores he must have had and how rural he might have grown up. Barnaby jokes that Home is the “Big Apple”, which could just be a joke - but jokes often come from a place of truth, and Home might be the most populated area Barnaby has lived in. Who’s to say!

Either way, Barnaby was orphaned one way or another, and I don’t doubt that it weighs on him. Especially if his birth parents really did abandon him. That added to a possible life of loneliness… I wonder if he’s latched onto Wally emotionally, which would hit all the painful places if it turns out that my “Barnaby is more attached to Wally than Wally is to Barnaby” theory has merit. Abandonment issues could also strongly back the apparent walls he’s plastered over with circus tent fabric

Back to Barnaby & Wally: the fact that, at present, Barnaby and Wally seem to have the best disguises / strongest masks. That. looking at 14-14, i suspect that Barnaby is excellent at keeping his up, but as soon as Wally’s mask cracks, so does Barnaby’s.

And then there’s the side of their dynamic that we could look at - it seems to be a very multifaceted relationship. The way that Barnaby genuinely cares yet in the 00 Halloween audio Wally was left off to the side and Barnaby was just “checking on him” while socializing (then again, this could be part of Barnaby understanding Wally & respecting his space / Wally wanting a break from that socialization). Barnaby is patient with Wally and yet he seems to sometimes treat Wally as his sidekick / let him fade into the background and yet Barnaby kept checking in on Wally during the 14 bug audios (this last one I could tie into the abandonment issues theory).

Then there’s how Barnaby calls Wally kid & can tend to treat him like one despite both of them being in the same age group. The way that all of this could, in a way, relate to the infantilization of autistic people (no matter how well-meaning or unintentional) & internalized ableism.

Note: Riv pointed out that Barnaby does seem to be doing the best with what he has, and that this can connect to the Johari Window’s blind spot / unknown.

I do agree with this wholeheartedly! And I have to mention that - and making a Very educated guess here - the interactions we’ve seen take place in the very late 60s / very early 70s, so Barnaby’s behavior towards Wally is actually pretty fucking stellar given the time period. We can’t expect him to be perfect or do everything / say everything right. That would be boring I think! And one thing I deeply appreciate about the Neighbors & their dynamics is that they feel like real layered people, not cardboard cutouts being perfect caricatures of what people are “supposed” to be like.

Riv also presented this:

We likely are going to reach a point where Wally asks Barnaby something that he can’t / doesn’t want to / won’t answer. And like.. Ok. This is a slight tangent but I swear it’s related! When I first discovered WH and learned the Wally basics, I wondered two things.

Are we going to watch Wally “discover” new emotions? Because he certainly has them. Clown has said that Wally only ever feels happy, and a lot of people took that to mean that Wally can’t feel anything else. I don’t think we should take that answer at face value, because. I mean. Look at the project & creator we’re talking about. Layers, guys. Indirect direct answers. I think that Clown meant that Wally only ever feels happy in the Neighborhood because he has no reason to feel any negative emotion. Everything is as it should be. Until it isn’t - and I think that’s where he’s going to have to struggle with new emotions as he encounters them through new situations/events unfolding as the “story” starts to deteriorate. We’ve actually seen this a little bit - in Wally’s record audios (i believe the chronological second to last?), the way he says “Let Me In” so insistently. That’s definitely not a positive emotion being expressed.

How will the topic of death be handled - because it will be handled, it’s stated in the project warnings. I was wondering this even before I read the list, because I was presented with a blank slate puppet character and so went “oh fuck, this dude doesn’t know about death, does he?” Obviously I wanted to know how that would go. I want to know how it Will go!

How would Barnaby explain emotions that Wally doesn’t know how to convey? How would Barnaby explain death in a way that Wally would understand - given that Barnaby (& all the Neighbors sans Wally) knows what death is - and would Barnaby be willing to explain such a thing? I have a feeling we may find out.

And in a way, I suspect that if none of them know, Wally will find out himself and have to process it without help. But then again, how can something die if it was never really alive in the first place? Unless the death warning relates to human characters… I’m currently assuming it relates to both humans and puppets.

In conclusion: Barnaby has a carefully fabricated facade, he's doing the best with what he has but it likely won't be enough, and uh. shits fucked!

#AGH I HOPE IM PUTTING THESE POSTS TOGETHER CORRECTLY.#I HAVE TWO DAYS TO WRITE AND POST THEM ALL #but anyway another thing i was wondering in relation to barnaby & wally having an imbalanced relationship was #the possibility of:#howdy < barnaby < wally < home #as in the <[x] character is more important to the [y]< character than [y] is to [x]#because howdy does seem to like barnaby a whole hell of a lot but we don't know if barnaby feels so strongly back #idk. i feel like i might be seeing a little domino line being set up here. and im Nervous <3 #what happens if the first domino falls? who will it be? how hard will it fall.#who's to say if that has any merit i just wanted to mention it! its intriguing to me #(& to be clear since im aware of my laughingstock rep - im not talkin about shippy dominoes)#(i take off the shipping goggles for analysis. howdy can fully cherish barn as a Friend while still being [y]<)#homebogging #welcome home speculation #wh speculation #i feel like i have more in my brain but. im dealing with minor flu symptoms and im exhausted <3 #today was a Lot <3 #so i'll queue this for around 10 & hopefully I'll be awake & with the next post written for you guys!

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suddencolds · 4 months

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The Worst Timing | [1/?]

hello!! I've been wanting to write a longer h/c fic for awhile. This is the exposition/first installment to that (4.8k words).

this is an OC fic - here is a list of everything I've written for these two!

Summary: Yves invites Vincent to a wedding, in France, where the rest of his family will be in attendance. It's a very important wedding, so he's definitely not going to let anything—much less the flu—ruin it. (ft. fake dating, an international trip, downplaying illness, sharing a hotel room)

—

“A wedding,” Vincent repeats.

“Yes,” Yves says. “A wedding.”

It’s his cousin Aimee’s wedding—she’s four years older than he is. Back when he’d gone with his family back to France over the summers, she’d been one of the people he’d grown quickly to look up to—someone who knew the ins and outs, it seemed, to every stage of life he was in the process of stumbling through.

Yves has always been used to being looked up to—one of the natural consequences, perhaps, of being the eldest in his immediate family—and he likes to think that he’s good at giving off the impression that he has things figured out. But he’d grown close to Aimee at their family reunions precisely because she was everything he tried to be: strong-willed and resilient, self-sufficient even in the face of hardship.

Aimee’s getting married to Genevieve—someone who Yves has only met a couple times, but who manages to be one of the sweetest people he’s ever met. All in all, it’s a wedding he wouldn’t miss under any circumstances.

Leon, his brother, and Victoire, his sister, will be there, along with Aimee’s friends and the rest of his extended family. The problem is that Leon keeps in touch with Mikhail. Mikhail let slip that Yves has been seeing Vincent. Leon told Victoire, who told Aimee. And now Aimee is offering to pay for Vincent’s plane ticket to their wedding in France in the spring—a bit of a last minute arrangement, but she’d sounded so excited at the prospect that Yves was finally seeing someone new (“I’d love to meet him,” she’d said over the phone, “would it be too much to ask him to take a couple days off work? Oh my gosh, please give me his contact details, I’ll send him an invitation,” and she’d sounded so excited about it that he hadn’t had it in him to turn her down).

“It’s very last minute,” he says, “but my cousin’s getting married, and she really wants to meet you. It’ll be some time in early March, in Provence. She says she’ll pay for your flight, if you want to go, but you’d probably have to take a couple days off.”

“Oh,” Vincent says, blinking at him. “And you want me to be there?”

“Of course I do,” Yves says. “I think it’s more a question of whether you want to be there.”

Vincent looks back at him, his expression carefully blank. “Are you sure you want to introduce me to your family? That doesn’t seem like the kind of thing that you’d take lightly.”

“They want to meet you,” Yves says. “And I wouldn’t mind introducing you. I think they would really like you.”

“It would be a waste of your time,” Vincent says, quietly, “to introduce me as someone you’re serious about if we’re just planning to break things off.”

Yves is well aware of the fact. This arrangement with Vincent—the trust he places in Vincent; the practiced familiarity, the feigned intimacy—has an expiration date. The fact that he doesn’t know when the expiration date is doesn’t change the fact that it will, inevitably, end—when Erika gets the point, or fades from Yves’s life entirely; when Vincent finds someone he considers worthy of pursuing in actuality; when either of them become interested in dating again. Whatever it is that ends up ending things, Yves knows: what he has with Vincent right now is strictly temporary.

Perhaps it would be disingenuous to lie to his family about who exactly Vincent is to him. But then again, Yves thinks it isn’t much worse than any other relationship, with all of its ups and downs, all its hopes and uncertainties. It’s not like he can ever guarantee that a relationship is certain to work out, no matter how serious he feels about it in the moment. So is there really any harm to introducing Vincent as his current partner—as someone he feels certain about now, but maybe not always—and to leave it at that?

“It’s not really going to be my day, in the first place,” Yves says. “My relationship status is more of a conversation starter than anything. And even if you go by the timeline we told Erika, we haven’t even been together for a year. I don’t think my family will think much of it other than, like, a small and noncommittal window into what I’ve been up to. So it’s really up to you.”

“I think it would be fun,” Vincent says, “though only if you’re sure about having me there.”

“Great. I’m sure,” Yves says. “Everyone will love you.” He does think it’s true. Something about Vincent tends to have that effect, he thinks.

—

The fact that he and Vincent are traveling together is not exactly a secret.

Vincent agrees it’s best shared on a need-to-know basis—they won’t be the ones to bring it up, but if someone asks about it, they’ll answer honestly. It would be more work, Yves thinks, to have to coordinate lies about this.

But he runs into trouble not even two weeks later.

“So you and Vincent are taking the week off,” Cara says to him carefully, over lunch.

“Yes,” Yves says.

“Any plans?”

“I’m actually flying to France,” Yves tells her, uncertain about whether or not he should mention Vincent’s involvement—if Vincent has talked to Cara about this already, there’s no point in hiding anything, but he should be careful with the information he discloses otherwise. “One of my cousins is getting married there.”

“Oh,” Cara says, all too knowingly. “What a coincidence. Vincent told me he’s also planning on going to France.”

“I… heard,” Yves says, slowly. “He’s told me as much.”

“I didn’t realize France was such a popular tourist destination for march,” Cara says, smiling at him. “I thought most people went over the summer.”

“You know what they say,” Yves says. “France’s beauty knows no seasons.”

“You should ask Vincent which part of France he’s visiting,” Cara says, with a smirk. “Maybe you guys can book a hotel together.”

Yves is positive he’s being laughed at. “It’s the third largest country in Europe,” he says. “I’m sure the chance of us ending up in the same region is statistically very low.”

“I think Cara knows we’re fake dating,” he laments to Vincent later, in the break room. “I mean, the dating part, not the fake part.”

Vincent blinks at him. “Did you tell her?”

“No,” Yves says. He doesn’t think they’ve been that obvious about it. “I just told her I was going to France. She made some undue assumptions.”

“Oh,” Vincent says. “I told her I was attending a wedding there.”

An impromptu trip to France, over the same week at the tail end of busy season, to attend a wedding. Separately. Yves is starting to understand where Cara's suspicions might’ve come from.

“That would do it,” he says.

Perhaps they really need to coordinate what a need-to-know basis means. Cara is, thankfully, not the type of person to gossip, from what Yves has gathered, but if their coworkers know, that could complicate things. “I don’t think she’ll say anything,” he says. “But I’m sorry. I didn’t think she’d assume.”

Vincent seems to consider this. “It’s fine,” he says. “Though it might prove troublesome when we decide to end things.”

“We can figure that out when it happens,” Yves says.

At some point in the foreseeable future, everything will go back to how it’s always been. Yves had been fine on his own for a long time before he’d met Erika. He’s sure he’ll be prepared for it when it happens.

—

The entire drive to the airport feels surreal.

Mikhail drives them. They leave at the crack of dawn—4am, on the dot. Victoire’s in the passenger seat, dozing off, and Leon, Vincent, and Yves are crammed into the backseat.

Yves sits in the middle—there’s not much leg room to go around in the first place, but he tries to take up as little space as possible, mostly for Vincent’s sake. He and Leon have been crammed into far smaller cars on far longer road trips.

Leon says, “This is the earliest in the morning I’ve ever third wheeled.”

Victoire, who has her eyes shut, says, “It’s very nice to meet you, Vincent.”

“Likewise,” Vincent says.

“Yves has told us all about you,” Leon says.

“Oh,” Vincent says, blinking. “What has he said about me?”

“Mostly that you’re super hot,” Leon says. Yves, who is in a perfect position to elbow him, elbows him for that.

“You make me sound so shallow,” Yves says.

“But also that you’re really good at your job,” Leon continues, patting Yves on the leg. “Did you know Yves likes people who he’s slightly intimidated by?”

“I never said that,” Yves says.

“It’s pretty obvious,” Mikhail says.

“You guys are conspiring against me,” Yves says, and Vincent laughs.

Leon launches into a series of questions—about how they met, about who asked who out first, about what it’s like at work, about what kinds of things Vincent does for fun.

“No wonder Yves is totally whipped,” Leon says, after Vincent finishes telling a story about how he’d given a presentation at a conference in place of his then-boss, who had—due to unforeseen flight delays—found out last minute that she wouldn’t have been able to make it on time. Yves hasn’t heard this story before, but it doesn’t surprise him that Vincent would be able to pull that sort of thing off, even with such paralyzingly short notice. “You’re exactly his type.”

Just great. If anyone could dig a nice, fitting grave for him over the span of one conversation, Yves thinks, it would be younger brother.

“I can’t believe he hasn’t invited you over for dinner yet,” Victoire says, her eyes still closed. How much of this conversation she’s actually been awake for, Yves can’t say.

She makes Yves promise that, after their trip to France, Vincent will be over for dinner. (“Sure,” Vincent says. “Just tell me the date in advance. I’ll clear my schedule.” Yves will have to apologize to him after this—for some reason, Vincent has an uncanny talent for ending up invited to half the things Yves is personally involved in.)

Yves is awake enough to hold a conversation, but he finds himself yawning mid-sentence on more than a few occasions. Vincent doesn’t so much as yawn at all over the entirety of the car ride. Yves has no idea if he’s always up this early, or if he’s just naturally immune to tiredness—another signature of his good genetics, next to the fact that he looks like he’s just stepped out of a photoshoot, or the fact that he manages to look good in everything he wears. Some people just win the genetic lottery, Yves supposes.

For some reason, he finds he feels a little more tired than usual. Waking up early is never easy, but usually he’d be distinctly more alert by now. There’s a strange, uncharacteristic heaviness to his limbs—it’s the kind of grogginess he only experiences when he hasn’t been getting enough sleep for awhile.

It’s fine. They have an eight hour flight ahead of them—they’ll be flying into Marseille, and then being driven up to Provence, where the wedding will be taking place. He can catch up on sleep over the flight.

As they’re unloading the suitcases from the back trunk, Vincent says, “Your family’s nice.”

Yves laughs. “I’m relieved they haven’t scared you off yet. Sorry for the… well, interrogation, by the way.”

“I can tell you’re close to them,” Vincent says, a little more quietly.

When Yves looks over, something about Vincent’s smile looks almost wistful. Yves wonders, briefly, how well Vincent has kept up with his own family. If he’d ever been packed into the backseat of a small car, back when he’d lived in Korea; if over some long road trip, he’d ever had to come up with increasingly inventive ways to pass the time. If his relatives ever teased him, then, about the crushes he’d had when he was younger, or anything else. If the ocean that was suddenly between them came with another, less tangible kind of distance, the kind that even phone calls and international flights can never quite bridge.

Yves doesn’t know. He doesn’t even know how he’d go about asking if he wanted to know. How is it that sometimes, he feels like he knows so much about Vincent, but other times, he feels like he knows almost nothing at all?

—

Aimee has booked him a seat next to Vincent.

They’re a few rows away from the others—I wanted to seat everyone together, Aimee had texted him a few weeks back, but when I was booking Vincent’s ticket, the seats up front were all sold out, so I just moved you so you’d be sitting next to him.

Now, he watches as Vincent pushes his briefcase gingerly into the overhead compartment.

“You must not be new to flying,” he says.

Vincent nods. “I’m not.”

“Eight more hours,” Yves says, taking the middle seat so that Vincent doesn’t have to. “It’ll be over in no time, especially if you take a nap.”

“I have some work to get done,” Vincent says. “Only after the plane takes off, though.”

Right—no electronics larger than a cell phone until they’re 30,000 feet in the air. “I thought this was supposed to be your week off.”

“It is,” Vincent says. “I just want to make sure everything’s still in one piece by the time I get back.”

Yves has never quite been comfortable on planes. It’s not that he’s afraid of flying, or that the turbulence bothers him—it’s more just the cramped space, the noise, the anticipation, the discomfort—all of it compounds. It’s usually difficult to get to sleep, but he’s so tired right now that maybe this flight will be an exception.

There’s just one problem: whoever is in charge of the air conditioning in the airplane cabin really hates him. Compared to Provence, New York’s climate is generally more extreme—colder in the winters, hotter in the summers—so all he has on him right now is a thin jacket. It’d be perfectly reasonable attire in most situations, except for the fact that this airplane in particular is unusually frigid. It’s definitely cold enough to be distinctly uncomfortable, especially considering that he’s just sitting in place. Yves crosses his arms, suppressing a shiver.

“Do you think Aimee will be convinced?” Vincent asks.

“Convinced?”

“That we’re together.”

“I’m sure she has better things to do than play detective over the state of my relationships,” Yves says, with a laugh. “You don’t have to worry about that.”

“It’s why you invited me,” Vincent says, “is it not?”

“Pardon?”

“To show the rest of your family that you’re not still hung up over Erika.”

“I invited you for a lot of reasons,” Yves says. “For one, you’re good company.”

“So are all your friends.”

“I thought we could both use a week off,” Yves adds. “It’s France, in the springtime. What could be better?”

Vincent says, “I need you to tell me what to do.”

“What?”

“Your cousin paid for my flight,” he lists, counting off his fingers. “Your family is paying for the hotel. Your best friend drove me to the airport.” He says these things as if he’s listing off all the ways in which he’s indebted to them. “It’d be easiest for both of us if you told me how to make a good impression. That’s what I’m here for, right?”

Yves blinks. “I don’t think you’d need my help to make a good impression.”

“You could’ve taken anyone with you, but you’re taking me,” Vincent presses. “There has to be something you need me for.”

If there was nothing, you wouldn’t have invited me. The sentiment hangs between them, unspoken. But Yves can see it in Vincent’s expression.

“My favorite cousin is getting married,” Yves says, fervently. “To her fiancee—who is also super cool, by the way. My whole family is going to be there. Do you think I’d choose to endure an eight hour plane ride sitting next to someone I didn’t like?”

“Maybe,” Vincent says.

Yves shakes his head. “It’s true that my family wants to meet you. But if I didn’t want you to come to France with me, I could’ve come up with an excuse.”

He twists around in his seat so that he’s facing Vincent directly. Narrowly resists the urge to reach out and grab Vincent’s hand. “I like spending time with you. I wouldn’t have invited you if I didn’t. You don’t have to do anything out of the ordinary—if you have fun on this trip, that’s more than enough.”

Vincent stares back at him, his eyes wide.

Yves has a feeling he’s said too much. It isn’t Vincent’s fault for assuming this is all just for show, considering everything that’s come before. Part of it is, but another part of him just really wants Vincent to have fun—to take in the sights at the gorgeous venue Aimee’s sent him pictures of, to have a week off in one of the most picturesque countrysides in the world (Yves may be slightly biased, but still) and not have to think too hard about impressing everyone.

“Is that… okay with you?” Yves asks.

“Yes,” Vincent says. “It’s just unexpected.”

“Which part?”

“All of it.”

“Oh. Well. I’m sorry if I misled you, or anything.”

“You didn’t.” This time, Vincent really does smile—a sly, quicksilver thing. “For the record, I am very excited to go to your cousin’s wedding.”

“Thank god,” Yves says. “That’s good. I was beginning to think I was holding you hostage.”

He leans back into his seat, suppressing another shiver. Something about the changing pressure in the airplane cabin is making his head start to ache. It’s probably the elevation. Perhaps he should try to sleep just so that he doesn’t have to sit for eight hours with a headache brewing.

He shuts his eyes and tries. It’s no use. He’s tired, and the cabin is quiet enough, but it’s too cold to get to sleep—it feels impossible to get comfortable like this.

So he picks up a novel he’d been meaning to get to—something suspenseful, to offset the monotony of the flight.

When the seatbelt sign flickers off, Vincent unclips his seatbelt so that he can retrieve his briefcase from one of the overhead compartments, and spends the next half hour paging through multiple documents and leaving notes in the margins at a dizzying pace. Yves slinks down lower into his seat, trying hard not to shiver.

“Is it just me, or is it kind of cold in here?”

Vincent frowns at him in a concerned way that seems to suggest that it really is just him. Then again, Vincent is unfazed by New York’s cold winters, so Yves isn’t sure he’s the best point of reference.

“Do you need my jacket?” he asks.

“No,” Yves says quickly. “It’s not that bad.”

“Okay,” Vincent says. “If you’re certain.”

He turns his attention back to the screen, and Yves resigns himself to reading—or, more accurately, trying and failing to read. It’s mercilessly cold, and his head hurts enough to make focusing on any one thing an uncomfortable task. He gets through another couple chapters, finds himself rereading the same passage over and over again, and—finally, defeated—dog-ears the page and slides the book into the pocket attached to the seat in front of him.

The next time the flight attendants come around, Vincent says something to one of them Yves can’t quite make out. Yves asks for orange juice—it’s not supposed to be symbolic, or anything, but on the off-chance that this headache ends up being a precursor to something more unpleasant, he thinks it might be wise.

The flight attendant pours him the orange juice he’s asked for—no ice (right now, something ice cold is the last thing he needs)—and sets it down on the tray table in front of him. Yves stares down at it, blinking. He hasn’t eaten all day, but strangely, he doesn’t have much of an appetite.

He doesn’t register the flight attendant from before—the one Vincent talked to—is back until he hears Vincent’s quiet “thanks” to his left.

Something brushes against his arm.

He looks up. It’s one of those travel blankets they sometimes carry, neatly folded, though this flight hadn’t given them out to everyone at the start. They must be reserved—given only upon request, maybe.

“You said you were cold,” Vincent—who’s holding out the blanket for him—says, by way of explanation.

Yves blinks at him. He’s about to reassure Vincent, instinctively, that it’s not that cold—that he would’ve been fine without the blanket, that Vincent didn’t have to go out of his way to ask for one.

But his head hurts. He hasn’t been warm all flight. To say that the blanket is a relief would be a massive understatement.

“Thanks,” he says, taking it. “This is perfect. I won’t be cold with this.”

He ends up wrapping the blanket around his shoulders, pulling it tightly around him—like a cloak, or like the jacket that he might have brought with him if he’d had the foresight to anticipate feeling this cold on a commercial flight.

It’s nice. He’s still a little cold, with the blanket, but it’s enough to keep him from openly shivering.

He should really try to get some sleep, he thinks. It’s going to be evening in France when they land. A seat away from him, the window shutters are pulled up, but he can see, from the crevices around the window, that it’s light out.

“I’m going to try to nap,” he tells Vincent. “But wake me up if I need anything—elbow me if you have to. I’m not usually a heavy sleeper.”

“Okay,” Vincent says. “I’ll try not to wake you.”

“You can wake me whenever,” Yves says, muffling a yawn into his hand. “Don’t work too hard.”

Vincent smiles at him, the kind of smile that implies he thinks he’s working exactly as hard as he should be. “No promises.”

It’s not easy to get to sleep, despite his exhaustion. He lays there for a while, his eyes shut—it’s certainly warmer with the blanket, but for some reason, he feels strangely restless. Maybe it’s the adrenaline of being here, with his family, with Vincent—on the way to see one of the most important people in his life get married. Maybe it’s the cup of black coffee he’d downed this morning to be awake enough to help Mikhail navigate and, subsequently, awake enough to actually be useful at the airport.

In the end, he falls asleep to the static hum of the aircraft, to the sound of Vincent hammering away at his keyboard next to him, incessant and comforting.

—

Yves wakes to someone tapping him on the shoulder.

“Sorry,” he says. “I’m up.”

“A ‘light sleeper,’ you said,” Vincent says. “We just landed.”

Yves says, “I’m wide awake.” The yawn that he hides behind one hand is apparently not subtle enough, because when Vincent looks away from him in favor of staring straight ahead, it looks like he’s trying not to laugh.

Vincent’s stowed away his laptop already—Yves hopes that’s a sign that he’s done with work for the duration of this trip, but more likely he just had to put it away for landing.

“How was the flight for you?” Yves says.

Vincent looks at him. “Uneventful,” he says, at last.

“Not enthralled by all the financial records you had to go through?”

“They were very enthralling. How was your nap?”

“Good,” Yves says, even though he doesn’t feel particularly rested. He’s just groggy, probably, and the headache is just as bad as it was, if not worse. He’s sure once he gets off the plane and gets some fresh air, he’ll feel much better. “I probably needed it.” His breath hitches, unexpectedly, he turns to the side, raising his arm to his face to shield the oncoming—

“hH-’IZscHH’iew!”

The sneeze is loud, embarrassingly, and it scrapes unpleasantly against his throat, which feels… off.

“Bless you,” Vincent says, frowning. He looks more concerned than he has any right to be.

Yves flashes Vincent a distracted smile. “Thanks.”

Everything—from the moment they step off the plane—is exhaustingly hectic.

The hotel in Provence is more than an hour away from the airport they’ve landed at. They have a bus to catch, which means that after they regroup with the others, it’s international customs, baggage claim, and then they’re headed, maneuvering multiple suitcases each, onto the bus. He sits next to Vincent, though on the aisle side, so that he can lean over and interject whenever Leon and Victoire say something that’s worth commenting on.

Other than that, he talks with Vincent, mostly—about Aimee, about how she’s been in his life for longer than he’s known how to write his name, back when his parents would take him back to France once or twice a year. (“She was practically an older sister to me,” he says, “except we never fought,” to which Vincent says, “You make it sound like not getting along is a requirement to be siblings,” to which Yves says, “It definitely is.”)

His parents flew into France yesterday, so they should be settled in already—they’ll catch up with them at the hotel tonight, if it’s not too late. He probably won’t see Aimee and Genevieve until tomorrow morning, at breakfast—and even then, that depends on how busy they are with the various wedding preparations Aimee’s been telling him about.

The roads nearing the hotel are uneven and winding. Halfway through the drive, Yves registers, faintly, that he isn’t really feeling any better from before. His head is still hurting from the flight, and when he swallows, he finds his throat feels perhaps the slightest bit sore.

He’s cold, too, in the sort of uncomfortable, persistent way that’s difficult to alleviate, even with extra layers or with a warm drink. He’s starting to suspect that maybe the airplane cabin hadn’t been the problem after all.

None of that is particularly visible to any of the others—that is, until he finds himself tensing up halfway through a sentence, burying his head into the crook of his elbow as his eyes squeeze shut—

“God, sorry, I— hh-! hHehh’iiZZSCHh’iiEW!”

“Bless you,” Vincent, Victoire, and Leon say to him, all at once.

“You’d better not be getting sick,” Leon says, turning to him, with the sort of tone that implies that he’s joking. “That would really be the worst timing.”

“I’m not,” Yves says, swallowing against the soreness in his throat. “I promise.” Or, perhaps more accurately—he can’t be.

It will be the perfect wedding, he thinks. Aimee has planned it out meticulously, and she’s one of the most thorough people he knows. The weather forecast says this week will be sunny and temperate. He’s here, in France. Tomorrow, he’ll be surrounded by his extended family, and in the afternoon he and Vincent will head off to the welcome party, and he’ll get to give Aimee the gifts he’s gotten for her and introduce Vincent to everyone formally. Everything will go as planned—the welcome party, the wedding rehearsal, the rehearsal dinner, and on Saturday, the wedding and the vows.

It will be perfect, because it has to be. Yves will be present, and attentive, and he’ll give the speech he has prepared at Aimee’s wedding, and they’ll all remember this week fondly. Even considering the small, almost negligible chance that he’s coming down with something, there are more important things he has to worry about right now, which is to say: Yves is going to do this right.

He’s going to make sure of it.

[ Part 2 ]

#sneeze fic #snz fic #sneeze kink #snz kink #snz #i'm sorry if this exposition is like #comparatively uneventful 😭😭😭#this entire fic was written with the intent of giving people-pleaser yves the worst time possible #so i promise that is to come... in the future (if i have the time and bandwidth to write more and if people want to read more)#yvverse #my fic #fun fact - i used to refuse to write characters with anything worse than a cold (the flu included) just as principle #clearly that changed over the years haha

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