"My name is Nyota. I'm the communications officer, I- I was born in Kenya- I used to have a cat, named Kamili. My first memory is watching my dad play the piano. I'm real."
Okay but I was wholly unprepared for how much it would mean to me to see more of Uhura's African identity actually being canonised by this show. The "I'm real" especially got to me; just a throwaway line but it really made me think of the Ben Sisko/Benny Russell parallels! Nyota, born in the 23rd century, is exactly the sort of person Benny Russell dreamed could exist in the future. She is real! She exists!
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PJO SPOILERS!!!!!!
I'm only making one post tonight because I gotta be up in a few hours but WOW!!!!! What a finale episode!!!!! It was everything I loved from the book and more. Also that scene with Percy and Poseidon!? I actually got teared up. You could just SEE the pain and grief in Poseidon's eyes over the fact that he couldn't be with Percy and Sally and it was so heartbreaking!!!
Also ADORE that Poseidon saved Percy from Zeus. Not only from the bolt, but by surrendering. We all know how prideful the gods are, especially Big 3 gods, so the fact that Poseidon put Percy FIRST over his pride makes my heart melt. I always believed that as far as the Greek gods go in PJO, Poseidon was one of the better and more genuinely caring parents, and the show is just proving me right 1000%. Its also a good moment because it demonstrates to Percy that the gods aren't all black and white; they're not all terrible parents by choice. In my opinion, this moment gives Percy's motivation on fighting FOR the gods more weight and grounding. Because he sees that his dad DOES care about him. We all say Percy could've EASILY turned out like Luke, but because Percy sees that his dad does care about him, and that some gods do care about their kids, it allows him to see that not all the gods are completely terrible for the sake of being terrible. I still love his motivation in the books where he fights for the sake of his friends, but I like that the show is letting Percy see too that the gods, like humans, are multiple layered and that they have their reasons. This is not me trying to justify all the gods' actions btw, but I do think that there are SOME gods at least that aren't completely terrible for no reason like Zeus and Ares in PJO, and Poseidon protecting Percy is a great show of that and adds to Percy's decision to defend the gods instead of fighting against them, even though he and Luke are a lot alike with similar feelings of abandonment and resentment.
Also, I wonder how the TV only viewers are doing right now after Luke's betrayal. From what I heard, TV viewers loved Luke, so I can only imagine how WRECKED they must be feeling. I feel devastated, and I saw it coming as a book reader. That's how great Luke's actor was, and how great the show portrayed Luke as a older brother figure to Percy.
Overall, AMAZING final. I'll try to express more thoughts tomorrow.
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Sort of a part two to my last post here
Maybe someday I’ll explain this later. Maybe
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honestly, I’m convinced that at least half the upset about the whole [redacted] situation (other than the reactionary tension of living through a world that is the way it is, but that’s the internet in general) is anger at max for forcing a shorter season that is instead misplaced towards the creatives for trying to execute their full vision under the threat of cancellation. the pacing issues are totally valid, and I get feeling that there was no breathing room for the emotions to sit, and that those factors may have led to the feeling that it was poorly done. just…please don’t harass the writers about that 🙏🏽
if you think they should’ve handled it differently knowing the budget was cut I totally get that, but genuinely—if you had a three act story fully outlined and then were told after act i aired that you only had maybe 70% of your anticipated screentime and resources to execute it, would you rewrite the entirety of your story to adjust to the constraints, or try your best to fit everything in anyway? not saying either option is superior, but I think picking the latter is a reasonable creative choice under those circumstances that anyone would at least consider. and whether or not it worked with the pacing it had is a fair critique, but that’s still not a reason to harass or guilt-trip people. let’s try not to dunk on the person who got a plastic straw while ignoring the billionaires setting the world on fire (and yes that metaphor is extreme but I’ve seen too much homophobia/racism/etc. come out of this echo-chamber to ignore the real-world implications)
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okay, i give up. i'm calling it, time of death 11:02pm. i hereby officially unsubscribe from the l0tr newsletter. it's funny because whenever anyone asks me if i'm the type of person who always finishes a book even when i hate it, i'm like, "yes, except this one time i gave up on the fellowship otr after the first 50 pages when i was like 10." here we are decades later and i'm doing it again. and the best part is, i did actually successfully read this book and the other two in the series at some point in those intervening decades. i tried to read this book three times and only succeeded once. 33% hit rate, compared to my rate of 100% for every other book i have ever seriously tried to read. i really want to get it but i just don't. i'm giving myself permission to move on with my life. i'm not ashamed! i will say it since everyone else is too chicken apparently: some people find this seemingly universally beloved book series very boring and i am among their number!
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im not going to venn diagram discworld and good omens more than i have to (different books w/ different tones do different things. even if they share some jokes and plot beats) but all i will say is that you can tell the four horsemen scene in thief of time and the witch burning scene in iswm were written over a decade after GO and are um. better.
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So I'm curious what are your thoughts on Star Trek Picard Season 3? Based on most of your tags, I get the impression that you did not enjoy it.
It is what it is. held together by duct tape and threadbare storytelling and one last hallway shootout.
Nostalgia is a hell of a drug and it couldn't really save this one.
As it stands, ignoring the novels retcon, does it outperform "These are the Voyages", which also used some Enterprise-D flashbacks in it?
Oh I thought my answer was gonna be yes but I'm just.....
maybe by a nose, its better than that. This season was a mess again that didn't really know what it wanted, invested heavily in tropes and wanted a shootout a minute from the looks of it. All those scenes on M'Talas Prime, wasted potential of the Changelings (oh we fixed that. we got the transporters fixed), the omission of Laris in the finale when they made sure to put her in the season premiere.
Not to mention the Borg, oh the Borg. one transwarp hub down out of six and one dead queen is all it takes apparently.
In a way the closing scene of this season's Mandalorian and Picard reflect a poor attempt to reach an endgoal by some of the worst possible means. Those closing scenes are good but unearned.
And, this goes back to TNG-era Trek, Star Trek can't envision civilian life in these models. Everyone has to join Starfleet, we cant have any main civilian characters.
After listening too to Matalas on Gates' pod I have a feeling that we're trapped in another cycle of trying to Star-Wars-ify Trek, and the Trench run sorta reinforced that.
I think that's all I got tonight.
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