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#It really is a product of its times
strawbie-doodle · 1 month
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havent drawn all of them in a WHILE ✸
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May I present to you one of the dumbest things iv ever drawn.
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shoreline-system · 9 months
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Really urging you to try and unpack the capitalist and ableist ideas of doing enough to justify your existence actually.
Like, yes, we live in an unfair system where you need to afford to live. On a practical level, that is the situation many people find themselves in.
But fundamentally, you don't have to earn the right to exist. You have nothing to prove to anyone before you're allowed to exist in this world guilt-free. Your right to life does not depend on your productivity or you "living up to your potential", it is fundamental and unchangeable. You deserve to be here.
Don't let the guilt of falling short of some arbitrary and ever-changing (and likely unobtainable) goal wear you down. You have nothing to prove, and you deserve to be here.
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clovenhoofedjester · 3 months
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stars when you shine, you know how i feel
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a close-up of his mug, unblasted by colors and lighting and stuff. it was surprisingly difficult to color his fur in a way i liked
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rojekte · 2 days
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seeing people's takes about the whole watcher situation is just a bit.... mind-boggling.
i think the apology they posted was good in the sense that they admitted to fucking up and walked back on their decision, and i think the model they've settled on now is a lot more reasonable (having content be released earlier for those who choose to subscribe), but like.... that doesn't mean that no one should've ever been mad at them in the first place???
like seriously, why does it seem like people are looking at a "good" apology and thinking "huh! they sure did apologize well! i guess that means that it was ridiculous for people to be mad in the first place! no one should have ever complained!!". if no one complained, they wouldnt have walked back their decision! they would've kept going with their dumb completely paywalled option!
and thats not even getting into the fact that their financial woes seem to come from completely mismanaging their money - hiring people when they can not afford to and spending more money on "high quality productions" when they cant afford to.... these are core issues that im not sure will be completely fixed by this? but idk.
also, this situation i think has really helped my own self come to terms with the fact that i do not enjoy many aspects of their content. i sorta already knew that considering i can not remember the last ghost files video i watched because i find that shit incredibly boring and overproduced, and even things like too many spirits have become a chore to watch bc they decided to extend the Not That Funny drink making portion when i just wanna hear some funny spooky stories.
anyway i guess my ultimate point here is: im glad they acknowledged they fucked up, but i also am not sure how interested i am in their content anymore in the first place. oh well
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alyona11 · 1 month
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Ok time for my big Hadestown hot take and that’s that West End Hadestown doesn’t give you a 100% Hadestown experience. It’s still ridiculously good and 100% worth seeing, don’t get me wrong (I used my opportunity and saw it twice and will likely see it again if I’m in London), but it kinda made me realise a couple of things about OBC production that will always be my Roman Empire and make me deeply upset Broadway is too greedy to give us an OBC proshot.
So, here are some of my thoughts and reflections based on seeing Hadestown live on West End + seeing different versions (including London National theatre proshot) in boots. I think you can pretty solidly say that in Hadestown there are 2 main stories: Orpheus/Eurydice and Hades/Persephone. And even though arguably Orphedice is the main most important story, it my opinion it also wins from Hadesphone story being strong. Which works perfectly in OBC due to Amber Gray and Patrick Page delivering a very deep nuanced performances as their characters.
I think part of the success of Hadestown when it works on its fullest is how it creates a very deep emotional journey. And I feel that regardless which pair of Orpheus and Eurydice you have (if we take Broadway/tour/West End take on the characters) it’ll still work! Like you need to try really hard to mess up orphedice the way people wouldn’t root for Orpheus or wouldn’t empathise with Eurydice because they are so relatable and cute. You instantly love them, they are so so lovable. So orphedice part is one thing in Hadestown that imo works if not always then in 99% of the cases.
Hades and Persephone’s part of the story in the contrary is VERY hard to nail on 100%, in my opinion, and this is literally driving me crazy. Maybe seeing Amber Gray and Patrick page in professional recording awoken some feelings in me, I don’t know. I will state straight away that I also do enjoy other actors’ takes on characters and I do see some very interesting character moments there and there. However, I keep returning to the thought that Amber/Patrick’s characterisation works SO WELL for the main narrative. I’ll try to explain why I think so. Consider it my love letter to the OBC.
First and foremost, I feel like Hadesphone story has a very fine dynamic that the actors have to nail, so you would feel that: 1) these two still love each other; 2) these two are buried under their problems and see no way out, only a miracle (aka Orpheus and his song) can save their marriage.
And if the first one usually works at least due to Epic 3, the second one, imo, often (at least partially) falls victim to acting/directing choices which can cause troubles with point 1 as well. I think one big thing I’ve noticed is that often Persephone’s alcoholism gets forgotten in the acting performance. Like yeah sure her choreography includes drinking from a flask but in comparison to Amber you never get a feeling that she is absolutely wasted. Which, is in my opinion something that you should feel when you’re watching the show and something I was constantly forgetting about when I was watching the show on West End. I feel in Amber’s performance you can constantly see that her Persephone’s feel good attitude is a façade of a broken person who knows that her marriage is going to hell in front of her eyes yet she is too passive and hopeless to try to make an active change (well, she does try in Chant and nothing happens), so her only way is to chase the sense of normality that the “medicine” gives her. But when she is alone, if you get to catch a moment when people are not looking at her, you can see a deep sadness under her positive front and her memory of the old days when everything was more simple. Nevertheless, the main point that the lyrics literally say is that Persephone is blinded by the river of wine. And this is crucial to her character and her relationship with Hades because the story states that even though Hades is a problem and he is an active actor in creating more problems, he is not the only failure in this relationship. Persephone needs to be woken up from her apathy almost as much as Hades does and this is something that we see during If It’s True.
From Hades’ side I feel like it’s not a good decision to make him a total villain because when he is irredeemable you don’t feel like the whole “song that will fix the world” has any chance of working long term. I think Patrick nailed a deep antagonist very well. His Hades is weird and lowkey creepy and alien. He does objectively bad things but when you look at him you can’t stop thinking that he doesn’t operate in regular human logic or morality. When I look at him in Chant, it feels to me that his words about building stuff to impress Persephone are absolutely sincere, and I can absolutely see that his Hades doesn’t understand why she is so upset about it when his intentions are so so clear. Maybe it’s my vision but even before Epic 3 when he is so far gone and buried in his projects and messed up ideas I don’t have a single doubt that Persephone is a single motivator and goal of Patrick Hades’ life and that he literally doesn’t need any other being to care about. And tragically this fixation is what makes him blind to all other things he does even if those things ruin Persephone’s life (and other people’s but tbh I don’t think he cares).
I feel like by removing Persephone’s Chant 2 verse Hadestown created more problems for Hades and Persephone part of the story making it a much harder job for the actors to prove to the audience that Hades and Persephone have a chance to make their relationship work. Like I get that maybe it was a necessary things to do (even though I think the show is much better with it) but it made it so much harder to empathise with this particular part of the story unless the actors use the choices that work in the narrative. Because for example when I was watching the show on West End part of me was wondering “what is Persephone’s deal in all of that, what does she win by staying with Hades?” With the verse, and with Broadway Previews or London 2018 in particular this part was clear: Persephone still loves Hades and believes that he has the opportunity to change and become a better man he used to be. Without the verse, however, the actors should give you the same idea during the show which is a hard task considering Hades and Persephone have only 2 big conversations together (Chant and How Long). So apart from those songs there are only subtle mostly silent moments they get together through which the actors have to convey the same thought which is hella difficult and probably hardly will be appreciated by anyone apart from the people who sit closely.
So, maybe because in the actor combo I saw (Zachary and Lauren), I got a feeling that even though they were great separately, I didn’t feel much chemistry between them as a pair. I think, Persephone seemed pissed and tired of Hades all the time until How Long and I didn’t feel that she still believes in his willingness to change. And Zach Hades despite being entertaining, kinda gives the impression of Hades who has other options, he is not into Persephone enough. The only sparkle appears between the two in Epic III which is still cute but I’m not sure if it works just as well if that’s the first time you see the show? Also considering Zach Hades gives more malicious intent in His Kiss, The Riot it seems that he is not even slightly interested in Orpheus having any opportunity to succeed with his quest. Which is not bad, don’t get me wrong! But in comparison to Patrick who is deeply self projecting into Orpheus to the point where you could see that even though he doesn’t want to let him go, part of him does because it would prove he too could succeed in his challenge of waiting for Persephone, this take seems a bit lacking. And overall because of His Kiss, their promise in Wait For Me doesn’t seem as giving much hope that the story won’t repeat itself next Sunday. Which in its turn makes Orpheus’ sacrifice feel a bit… worthless. If on Broadway, when Orpheus turns, but spring comes again you feel like it is the start of something new: hopefully a kinder and softer time. On West End the show also wants you to feel it but when you think about Hades and Persephone you feel…less certainty that this sacrifice will have a long term effect?
I guess the creators wanted to concentrate on Orpheus and Eurydice more and forget about Hades and Persephone by making them more secondary story or maybe there was a lack of director’s involvement to give the cast some hints on how to make this particular part of the story work better, but it feels to me that in its current state the show works in its 85% power which is still great but once you know there is something missing you can’t stop thinking about it and wishing the show would give you those 15% you crave.
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opens-up-4-nobody · 4 months
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Thr thing abt me is that I want to know exactly how psychiatric medications work. I don't want the simplified version. Dont give me the "I'm talking to the public" answers. I want the specific mechanisms and how exactly it causes its side effects.
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uncanny-tranny · 11 months
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It's actually kind of heartbreaking how many people feel their life has ended right after high school or college, and honestly, the heavy romanticization of that period of time is so overwhelmingly predominant that it can be hard to avoid. It's insidious to constantly be told that ages 10-24 are the only worthwhile parts of life, that everything after is essentially meaningless and dull.
It's hard not to look around you and think that your life still is open and full of potential when you're told over and over again that the rose-tinted childhood is the last time you were alive. It's hard to realize that your life isn't over when you walk off the stage of your graduation.
We must realize that we will always be full of potentials. Your life won't be over until you take your final breath, and then? That's simply another chapter in your story, one of many. Let yourself realize that you're alive in the here and now. There will be good and bad, but never a complete loss of potential or hope.
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widevibratobitch · 2 months
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so... about that last weekend...
did going to the opera with @girlscarpia and @verdiesque fix me or did it make me worse? guess we're all gonna find out soon <33
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homeofhousechickens · 12 days
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I just know im going to lose Blue and probably Greenie soon. Blue is acting hyper and energetic but she has a lot of pressure in her abdomen that my vet said is likely caused by cancer or EYP considering their breed and other genetic factors. I always thought Greenie would be the first to go after she got really sick but now i think its going to be Blue and i just have this sinking feeling that Greenie will leave with her soon after because of how bonded they are. The worst thing about production Leghorns is their short lifespan. Right now they both are fine but i know the signs. Maybe i will have another year with them.
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anurarana · 2 years
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None of this matters actually look at how iconic Miss Piggy is
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You will never be her
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girlwiththegreenhat · 1 month
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i genuinely love when you can tell an older show was Not made with high quality video viewing in mind. i am watching knight rider and constantly seeing all the little mistakes they surely brushed under the rug thinking nobody would see them on their crunchy little CRTs back in the 80s, that are huge attention grabbers now in HD fullscreen on my 3 foot computer monitor
the biggest one of course is all the drivers/controllers for the (in-universe) self driving car, kitt. there's guys tucked down in the footwells who can't always stay out of the shot. there's a guy who has a Car Seat Suit to blend in and look like the drivers seat from a distance, but you can always tell when that's the method they're using for a particular shot because its so much thicker than the passenger seat next to it and the headrest is missing it's cutout section. in at least one instance he starts taking the suit off too early, on a focus shot of the damn car, so its REAL visible.
all the extremely obvious stunt drivers or performers who look nothing like the character they're supposed to be
props, such as animals, vanishing from the car interior for stunt/race sequences.
the production crew (or their shadows) being visible in the background. only at a glance, but its especially hilarious in shots where nobody else is supposed to be around
the camera panning out from a sound stage set far enough that you can actually see over the edges of the set and into the stage they were filming in. mostly this happens with their truck trailer mobile unit thing.
this one isn't a mistake but every time the car "turbo jumps" they CLEARLY hide the ramp behind another car, a prop, the environment, and its just. so charming. sometimes its blatantly on screen just for a moment. like... of Course in real life this car isn't magically leaping 20 feet, of course its a ramp, but it's still so silly and fun to be reminded of how they were doing those stunts to begin with.
also not really a mistake but related, the bracket they keep on the front of the car for stunt work.... is just left on half the time. cuz it's a pain to take on and off.
and there are more examples that are more unique that haven't cemented themselves in my head well yet, but these are the more notable or common things i see and it's really charming. if i'm not giggling to myself noticing the "seams" and flaws and so human imperfections of your show or movie what EVEN is the point. hollywood is too flashy these days i think!
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syncopatedid · 7 months
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I am watching all the Link Click endorsed CMs, Part 1 : Link Click X 王老吉 Wang Lao Ji (herbal tea drink)
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coolnonsenseworld · 2 years
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hAVE you heard people shaming themselves for still being into klance in 2022? WELL go unhinged and subscribe to klance in 2023, because the Calendar is now available to pre-order on:
mmezzy.bigcartel.com (usd)
payhip.com/mezzy (eur)
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redrobin-detective · 5 months
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the first language
Touch comes before sight, before speech. It is the first language and the last, and it always tells the truth. ~ Margaret Atwood
"Simon! Simon!" Finn shouted excitedly as he and Jake burst into Simon's house. Well it had technically been Marcy's first but though it's only been a few months since Simon became human again, it felt like it had always been their place. "Wait until you hear about this crazy wild monster we foug-"
"Stop," Simon commanded, peeking around from around the kitchen wall to give them a light glare, his lips pressed together in a line. He and Jake froze midstep. Finn was a bold teenage adventurer who took orders from no monster, king or extraterrestrial entity. Until Simon, only PB could boss them around and even that wasn't a sure thing. The older human flicked his eyes over them with an unimpressed stare that made Finn want to shrink into himself. Even without powers or magic, Simon was way more intimidating than Ice King. 
"You boys are filthy and I just cleaned up the place." Simon sighed and rubbed at his eyes underneath his glasses. "There's a hose outside, wash off the worst of the dirt and other various stains. I'll leave towels on the porch and for god's sake take off your shoes before you come in."
"Yeah okay, sorry Simon," Finn said, trudging outside and turning on the hose to spray down his arms and legs. Now that he looked, they were pretty gnarly covered in mud and monster guts.
"Simon's kinda like a mom, dontcha think?" Jake added as Finn sprayed him down with the hose. He laughed as Jake guzzled some of the water and spat it back at him. 
"I mean I guess," Finn shrugged, pointing the hose up so they both were getting rained on. "It's kinda nice you know, to be fussed over. It's different."
"I fuss over you," Jake frowned.
"I know man and I appreciate it," Finn said, showing his appreciation by spraying Jake in the face. "I can't explain it but it's different with Simon, kind of like how you and Lady have your own thing going on that's special but separate from what you and I have."
"Yeah okay," Jake responded. "Is that why you insist on stopping by to see him anytime we're in the area?" Finn didn't answer, instead impressing Jake but wiggling the hose to make it look like a snake. They continued to laugh and splash each other with the water until Simon stepped outside and hung some towels on the porch.
"When you're done playing, I have hot chocolate waiting for you. Then you can tell me all about your latest adventure," Simon smiled before stepping back inside. Finn whooped and rushed over to turn off the hose. Hopefully Marcy wouldn't be back before all the water on her porch and front lawn dried. 
They toweled off and Finn did remember to take off his shoes before entering the house. The place looked different from when it was just Marcy living there. The small loveseat had been exchanged for a bigger couch along with some mismatched armchairs. A keyboard was propped in the corner next to Marcy's bass. The house was cleaner, more organized with Simon around. It really felt like a home.
Simon was at the stove, stirring something in a pot as they took their seats at the kitchen table. Their assigned mugs were set out for them and snacks were on a large plate in the middle. He and Jake dug in. Simon came up behind them and poured the hot chocolate into their mugs from the pot and sat down, pouring his own cup.
"Finn, your hat still has blood on it," Simon noted, taking a sip. "How do you usually clean it?" 
"Oh uh you know, I usually just rinse it off and if it gets too grody or it comes to life, I go skin another bear," Finn said awkwardly. Simon nodded as if he expected such an answer and excused himself to go get something.
"Ohhhh Finn's in trouble with Mommmm," Jake sang under his breath and Finn kicked him under the table. Simon returned with a box of something before it could escalate into a full out foot war.
"Animal skin usually requires special care, it's doubtful those products exist anymore so we can also use shampoo to get some of those stains out. May I?" Simon asked, holding his hand out.
"Oh yeah, thanks, Simon," Finn said pulling off his hat which caused his long hair to flop against his shirt with a wet plop. Jake snickered, it was probably getting time to cut it again. Like his hat, it was getting dirty and tangled, easier to just shave it all off. Simon turned on the sink and began gently washing the hat. 
"I've talked a bit to your mother and some of the other Islanders and the history of humanity and the animals hats post-apocalypse really is interesting," Simon lectured. "The hats originally were intended to keep people warm in the elements but evolved to protect humans from vampiric attack, covering their vulnerable neck area. Even when vampires went extinct, humans continued to wear the skins as a form of cultural identity."
"Mom uh Jake and I's Mom said I was wearing a hat like that when they found me. It used to be the only clue I had about where I came from so I kept making similar hats in case someone was looking for me." Finn took a long sip from his cocoa to avoid the look Jake was giving him. He wasn't usually one for sentiment but hanging out with Simon usually made those deep inside feelings spill out.
"Okay, we'll just let that soak and- Finn," Simon said before turning around and sighing. "Finn, your hair is a mess. I keep telling you it's not healthy to jam your hair in that hat 24/7. Your scalp needs to breathe, especially with all the running around you do. Here," he grabbed the towel from earlier and wrapped it around Finn's shoulders. "Let me wash it for you and try to work out the worst of mess."
"Oh uh you don't have to it's fine, I'll take care of it when I'm home," Finn stumbled, embarrassed. Ice King had been a mess but Simon always looked so put together. It made Finn a bit self conscious but then again, until recently, he didn't have any other humans to compare himself to. Simon gently guided Finn back to the chair, tilting his head back. 
"I want to," Simon smiled from his upside gaze. "I used to do this all the time for Marcy. Besides, we humans have to take care of each other after all." Simon poured some shampoo in his hands and went to work on Finn's hair. The feel of fingers scrubbing at his roots, running through the length of his hair and massaging those sensitive, untouched areas of his head made him go boneless. Finn groaned, worried that his bones had become soup and he'd slide right out of the chair and into a puddle on the floor. He can't remember ever feeling so relaxed in his life.
"Oh my glob Finn, are you alright? What did you do to him?" Jake demanded but Finn barely noticed. He felt like he was in the 47th Dead World or something where everything was good and nothing hurt.  
"Head massages are relaxing to humans," Simon paused in his scrubbing and Finn moaned in disappointment. "Has he never had one of these before?"
"Mom and Dad used to pet us and I do it to Finn sometimes when he's upset," Jake defended.
"He's not a dog," Simon said, some unnameable emotion in his voice. "I'm sorry, I suppose I'm taking for granted what it was like to live in a society designed by and for humans. Finn, I'm going to rinse out your hair and start working on these knots. You really should work on maintaining your hair if you're going to keep it long. It's such a lovely color and texture."
"Hmm don't really know what to do with it, no one really had hair like mine," Finn mumbled as Simon rinsed the shampoo out.
"I suppose so and Marcy's is much thicker and textured requiring different styling," Simon mused out loud as he massaged some thick goop and gently, so gently, began working out the knots. Finn could die here happily. Jake hummed and stretched himself so he could see what Simon was doing.
"What's that stuff?"
"Conditioner or my best homemade equivalent with honey, olive oil and milk. It softens and moisturizes the hair and scalp. It will help prevent the hair from tangling so easily and overall keep it healthier, especially if he's going to continue to wear his signature hat," Simon explained. They chatted easily about human grooming methods while Finn's eyelids fluttered in relaxation, drifting in and out of the conversation as the comb made long, easy swipes through his hair before rinsing it out again. He loved his Mom and Dad, knew they did his best with him but he knows he missed out on something being raised by dogs. If he could recapture even a little bit of that missing piece with Simon...
"Finn? You still with us? Ground Control to Major Tom?" Simon teased, gently tapping at Finn's forehead. Finn blinked up at him. "What do you want me to do with it? I can braid it, put it in a ponytail, leave it flat." Finn wasn't ready to stop being touched.
"Braid please," he said quietly, sighing in contentment as Simon began combing and separating the strands.
"I'll write some notes on how to best care for it. Maybe next time you talk to your mother, you can get some ideas on what they've have been doing since I was last around." He paused in his braiding. "There's so much to being human, Finn, both past and present. Maybe it's selfish of me but I want you to proud of who you are. You may not be the last human anymore but that just means you're not alone. And we're done, not bad considering it's been about a millennia since I did my last braid."
With great reluctance, Finn raised himself up from the back of the chair. His braided hair was still wet but it felt cleaner and lighter than it had in a long time. Moreover, tension Finn didn't even realize had been in his neck, head and shoulders was gone. Jake suddenly popped into his vision.
"Bro, you look so pretty also like you just had the best rest of your life," he smiled awkwardly. "So is this like human equivalent of getting scratched in that itchy spot behind your ears? I guess that didn't really do anything for you, huh?" Finn smiled and reached up to scratch Jake's ears, smiling wider when Jake's tongue lolled out in satisfaction when Finn got to the right spot. 
"So I'm still waiting to hear about this monster you two got so dirty defeating," Simon added, cleaning up his supplies. Finn and Jake regaled Simon with the story of the evil monster they'd fought which had been terrorizing the Goblin Kingdom. Finn had felt tired initially but was reinvigorated, animatedly reenacting the epic battle. They finished their cocoa as Simon discussed his own research into the history of Ooo. They decided to head out soon after as BMO was probably getting lonely back at the house. Simon handed Finn his now cleaned hat and a container of the hair products he'd used.
"The animal skin needs to dry fully before you put it back on but it should be good by tomorrow. You should wash your hair when it's dirty or at minimum every few days. Shampoo first, rinse then a small amount of conditioner before rinsing that out too. And do try to keep your head uncovered every now and again," Simon said, before patting Finn's shoulder. "You can call or stop by anytime if you have questions about anything."
Finn had searched his whole life for answers, for comfort, for someone like him. His dad had been a massive wad and his mom was nice but disconnected. But the former sad wizard he used to beat up had shown him the best way to wash his hair. Life was funny like that. He couldn't wait to see what it was going to throw at him next.
"You're gonna regret saying that because I have about a bajillion questions."
"I'll do my best to answer them, after all, we've got all the time in the world." 
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britneyshakespeare · 4 months
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My toxic trait is that I like how my incomplete drawings look better than the finished things
#im sorry i cant be her (my searching lines)#i cant stop thinking about this drawing i have a sinking feeling that im gonna be very unhappy when its done#or. not unhappy. but not as excited as i feel about it now!#i only worked in two short chunks on it but both were pretty productive#i have a feeling that when i take the time to really dedicate myself to it im gonna fuck something up#like i can see areas i need to/can improve already but the glaring flaws are ok! bc it's not finished!#it OVERALL looks cool and LOOKS like it has the potential to turn out well#but will it... WILL IT??? WILL IT EVER?#i have never been so totally completely satisfied w any finished drawing ive dedicated myself to fully.#tales from diana#this is also only the second time ive done a really deliberate self-portrait that wasnt in some for or another. practice#like of course ive drawn my face before. not that often actually. but since yes i do draw. i have drawn myself#i probably should've drawn myself more times for how often i think id like a nice picture of myself#but then again its not gonna be so 'nice' if i make it and am not totally happy w it?#see one of the ppl who inspired me to learn to draw is ned @sneez my dearest. he's spoiled me before#and drawn me very beautifully on several occasions and it's very much a thing to move one's heart#to see someone dedicate their talent to depicting YOU.#and i might say HE has made me look more beautiful in art than i think i'll ever look in the flesh#which is not to say he drew me inaccurately. but he's so talented that his art is more beautiful than life.#and i dont compare myself in skill to him bc he's been doing it for YEARS and way more trained than me in the visual arts.#like it simply wouldn't be fair so i only compare myself to myself. naturally#but i used to think. very VAINLY i might say. that if i could draw like him id draw beautiful pictures of myself all the time#well ce n'est pas ca mon ami. since learning to draw i've found im much more interested in drawing ppl i find beautiful#rather than myself. im not art. not through my own eyes at least.#i should really draw ned sometime. i really should.#actually somewhat embarrasingly i tried to draw him like 5 or 6 years ago. and i NEVER tried to draw then#i did show him tho and he thought it was very impressive but that's probably just bc he loves me. xoxox#maybe ill post that someday as a throwback just for the hell of it. lol. thatd be cute
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