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rays-of-fire-and-ice · 2 months

Text

For What the Future Holds

Prompt: forgiveness

Rating: K/General with mild themes

Setting: Starts Ichigo defeats Yhwach, continues into the very beginning of the ten year time skip. There’s also flashbacks to Toshiro and Momo's past dotted throughout.

Synopsis: Momo notices Toshiro is acting out of sorts ever since the war against the Quincy ended. Meanwhile, Toshiro tries to look to the future.

AN: It’s finally DONE!!

I had the idea for this ages ago (around the time of Horizons, which is why they have a similar structure as you’ll see), but it wasn’t until the 'forgiveness' prompt for the @yearoftheotpevent came up that I finally sat down and wrote it out. It didn't turn out to be the main or overarching theme and the fic itself turned into quite the emotional piece to write ^^;

This was also partly written in light of my headcanon becoming canon! I was aware of the question from Klub Outside a long time ago, but Kubo has confirmed Toshiro and Momo were neighbours rather than living under the same roof, which has always been the scenario I saw for them when I was reading BLEACH and writing fic.

Finally, this fic also has a flashback that slightly ties into When the Souls Sleep and the World is Our Own, but only in that it was a deleted scene and I found a way to include it here instead. You don’t have to read that fic to understand what happens in that scene, just that the setting is not long after they met.

Anyhow, I hope you all enjoy it!

____________________________

“I should’ve told you about it earlier.”

Momo blinks, both at the quietness of Toshiro’s voice and the bowing of his head in her peripheral. She raises her gaze to his face from the now healed over wound on his arm, cancelling the kido as she shifts over to sit next to him. “Told me about what?”

He rolls the tattered sleeve down. He contemplates what to say, staring down at his lap. Behind him, Hyourinmaru’s hilt glints, and beyond, Shinji and Kyouraku watch over those they’d dug out from the ruins earlier. Next to them, Nanao is communicating with someone in the Seireitei – Iemura, Momo suspects – trying to coordinate transportation for the injured, and Isane, bandaged up and still recovering from her own injuries, heals Aikawa. Far away at the Reio’s Palace, she can sense Rukia about to be reunited with her brother.

“That form is why I was training in the caves,” Toshiro says, diverting Momo’s attention back to him. “I should’ve told you about it sooner.

“You mean Hyourinmaru’s Completed Form?”

He nods.

Was that all? She thinks to tease him, to make light of something he seems to be treating with more seriousness than needed, but she halts at his gaze. It’s not the usual icy, determined one she’s used to.

He’s tired – and who could blame him after what they’d gone through? – and it makes him look vulnerable. Something trembles within him, something he’d likely keep hidden behind many walls.

She offers a sympathetic smile. “Why would you need to tell me about it?”

“The way you reacted before…you were startled. If you’d known before, it wouldn’t have been as much of a shock. I apologise.”

It’s true, she’d been stunned, had even flinched with a loud gasp when she first saw him, and was perhaps even a little frightened. She’d stood there, mouth agape and speechless, unable to take her eyes away from him, even as her captain swore and asked who he was. She hadn’t known how else to react, but later as he motioned her towards a piece of rubble to sit on as he explained how he had somehow become an adult, the shock wore off.

She had to resist the urge to hug him out of sheer relief, this was not the time or place for such high emotions. So she’d gotten to work on healing his wounds after he’d transformed back – but only after the others had been found and pulled out from under the rubble.

“It’s all right,” she reassures. “It was startling, yes, but I knew it was you. It was incredible, actually, but also not too surprising now that I know what it is."

He’s stunned, but hides it quickly with a clearing his throat and a deepened frown. “How so?”

“I didn’t see all of the battle you and Captain Kuchiki did with the Quincy, but what I did see was amazing. You froze the Quincy’s shield in mid-air, within a second. A-And then you froze the Quincy completely! I thought for sure he was defeated then, truly.”

He nods to himself, remembering. “So did I. He gave us more than we bargained for in the end.”

“At least he’s gone.” Momo sighs, and with it, a weight is released. “At least…it’s over.” It’s like a vice has loosened around her head and chest. She lets out a shuddering breath and her eyes become watery. “We’re okay, now.”

“We’ll have a lot to do when we get back, it’s not…” Toshiro trails off when he meets her gaze again. His hand twitches at his side, clearly resisting moving it. After a beat, his lips shape into a faint smile and he let’s out a short, tired chuckle. “You gonna cry, bed-wetter?”

She can’t even be mad at the nickname, she becoming too overwhelmed. “No, it’s not the time and place to.” Even as she says this, she’s furiously wiping her eyes on her sleeve.

He shrugs. “No one would blame you.”

“But it’s like you said, we need to focus on the task at hand.” She gestures to the others a short distance away. “On transporting the injured back and figuring out what our next steps are.”

“Yeah, you’re right.” His smile widens a fraction. “I won’t tell anyone.”

Despite herself, she can’t help but grin back. She sniffs and looks down. “I’m just so glad it’s over.”

He only nods with a hum.

A silence passes between them, and Momo slowly realises her own exhaustion. She has enough energy to cast lower powered kido, but even then she might be pushing it. She finds herself sitting back against the same piece of broken wall Toshiro is, listening to the distant chatter amongst their friends and wreckage crumbling and falling. She cranes her neck on the rubble’s edge, looking up at the sky.

She’d seen him soar across it hours ago, only a spec at times, and a more recognisable figure at others. At one point, the cold of his reiatsu had washed over her like a gust in a blizzard, freezing and chilling her to bone. It ebbed away minutes later, but it made her realise the magnitude of his powers. She'd wondered if he had this power this entire time and had chosen not to unveil it until now, when he needed it most to protect the Soul Society. If he was capable of this now, who knew what he could achieve in the future.

But then her mind rolls into another thought, one that makes heat rush up the back of her neck to her ears and try to suppress a chuckle.

“What is it?”

By this point Toshiro had closed his eyes.

“It’s nothing important.”

He opens one eye, unconvinced. “The spike your reiatsu said otherwise.”

She bites the inside of her cheek, chastising herself internally for not keeping it under control. She’s tired, but it’s no excuse. She lets out a small chuckle. “I was thinking that, in a funny way, Hyourinmaru’s Completed Form has given us a glimpse into the future. It’s shown us what you’ll look like when you grow up.”

She had meant it as a tease, to try and lighten the mood, but Toshiro’s frown deepens. As if realising his reaction was unexpected, he let’s out a snort. “Anything can happen between now and then to change how I look.”

The usual bite is not there. The response itself is strange, too.

Before she can ask, her captain comes up to both of them, asking for her help with moving Aikawa’s injured leg into a makeshift splint.

As she rises and leaves with her captain, Toshiro’s smile fades away, and he stares into his lap. No, into something else.

___________________________________

There was a time where future went as far as Granny.

What would she need today? What days was she planning to go out and shop? Would he need to help her with?

When would she pass away?

Toshiro never lingers on that last thought, always distracting himself with whatever he could. At the moment, it’s with sweeping the house and yard.

He’s up to the front porch, pushing the dust and dirt off the edge with the broom. Granny is inside, sewing a new garment together for him.

“You’ve grown again,” she’d remarked earlier with a smile. “You’ll need new clothes now.”

As far as he could tell he hadn’t. The ground seemed to be as far away as it was a week ago, and he hadn’t put on any weight. But he had to admit his clothes the last few days had seemed a fraction shorter at his legs and tighter around his shoulders.

It’s a few minutes later when he hears yelling. A group of children rush past his house, some giggling, others chattering about Momo, who's at the center of attention. She excitedly tells them her application exam date, beaming so wide it must hurt her cheeks.

When was she going to the Academy?

That one stung, and he ignores it with a sweep of the brush.

Months ago, he’d asked Jidanbo what it took to become a Shinigami. The giant was just as surprised as Toshiro had expected him to be.

“Have you changed your mind about not going, Toshiro-kun?” Jidanbo had asked.

“No,” is all he said.

Realising he wasn’t going to elaborated, Jidanbo had shrugged and said, “First, you must have spiritual potential and the ability to show it. You go to the Shinigami Academy, where you learn to become a Shinigami. The exam to get in is tough, sometimes you have to take it multiple times --” he'd rubbed the back of his neck “ -- like I did. My brother was more lucky, he only took the exam once and got in. Once you’ve passed, you’re enrolled in the next semester and that’s about it.”

Toshiro already know even if Momo didn’t get a pass on the exam the first time, she’ll go for it again and again and again, until she was enrolled.

He’d seen her enthusiasm long before this. The day she’d rushed to him, her cheeks flushed and her hair whipped around her from running to find him, and taken him back to his house to show him what she’d just accomplished. She’d cupped her hands together, and several seconds later, a white glow emanated from between the gaps in her fingers. When she’d pulled her hands apart, the orb radiating in her palms broke apart into smaller orbs that floated away. Momo chortled in delight, and Toshiro almost did the same. When she was this joyous it was often contagious, especially when he eyes are so wide with wonder and elation.

What had stopped him was a single thought, one that shot through him and made him realise just how far he’d let her into his life.

One day, she’ll be gone.

____________________________

The next time Momo sees Toshiro is on her way to the First Division. Shinji runs ahead of her on the walkway, listing off the topics they will need to discuss with Kyoraku. She’d been listening intently, but got distracted as they passed Twelfth Division.

From this high up, she couldn’t recognise most of Shinigami out and about, but the moment she saw one with white hair and a short stature and his cold reiatsu faintly emanated up to her, she knew it was Toshiro. He steps out of Twelfth Division’s main barracks, followed by Rangiku. There’s something morose about the way they hold themselves and in their slow walk to the division’s main gate entrance. They come to a stop just as a building blocks Momo view.

“You all right back there?” Shinji asks.

“Sorry, sir! I just saw Rangiku-san and Captain Hitsugaya.”

“Ah.”

“…Are they coming to this meeting too?”

“Nah, just us, Third, and Eighth.” She can hear his grin when he continues after a beat, “Were you hoping to socialise with them?”

“Of course not!” Momo scoffs.

It’s left at that. Still, she thinks back on how they had looked. She’d be sure to visit them sometime soon, if all goes according to plan with the reconstruction of the Districts.

________________________________

Momo found him sitting on the front porch of his house, peeling chestnuts. He hadn’t noticed her at first, but when her footsteps scrapped against the dirt path, he looks up.

“What’re you staring at?” Toshiro asks.

“Sorry, I just came to visit,” she says as she comes closer. “What are these for?”

He senses there’s more to this than just a visit, but he puts it aside for now. “Baa-chan is making chestnut rice tonight. She was going to ask you to come take some back to your house. She always does it in big batches.”

Momo grins. “That’s kind of her.”

Toshiro only shrugs with a huff. Momo’s grin falls into a small, unsure smile. He’s quick to pick up a nut from the tub in front of him, peel the shell off with a small knife, then put it with the others ready for Granny.

“In that case, do you mind if I help?” Momo says. “I can’t let her do that for me and my friends without helping her.”

“You don’t need to.”

“I want to.”

She makes herself comfortable next to him. She takes a spare knife from the tray he’d brought out, then collects several chestnuts from the tub. He opens his mouth, but shut it after she starts peeling. What had he wanted to say? Did he want to tell her to leave? Did he want to ask about the Academy?

Save for the knifes cracking open and peeling the shells, there’s silence between them. In front of her, the day passes, clouds moving across the sky and the sun shining down on the swaying trees and lively Junrinan a short distance away.

After a moment, Momo pauses as she takes another chestnut. In his periphery, she fiddles with it between her hands, as if trying to wring something out of it. She puts the knife to the chestnut, but is slow to peel the shell away.

She nervous, perhaps gearing herself up to say something. He already knows she’s going to Academy, remembers her loud declaration to Granny several weeks ago that was equal parts ecstatic and anxious. He didn’t want to reflect on his behaviour since she announced it, but he knows he’s become more sullen towards her.

Granny chastised more than once him, saying he should be happier for her and congratulate her; but he can’t ignore the tightness in his chest every time he thinks about her leaving. He hates that she had become a annoying and welcomed constant in his live for the last few decades, and even worse, that he had imagined what the future – whether it was the next week or the next year – would be like, and she was there in his imaginings, along with Granny and Jidanbo. Never used to even think about the future, his life had been repetitive until she came along.

After taking off the chestnut’s shell, Momo stops. “Can I ask you something?”

Toshiro continues peeling. “Hm?”

“Even if you don’t become a Shinigami, can we still be friends?”

Toshiro halts. His brows furrow, but he still doesn’t look at her. “What’s with that question?”

“I mean, while I’m at the Academy we won’t be seeing each other too much. And when I become a Shinigami, it’ll be even less. We’re friends, and, um…I want to stay friends, even when we’ve grown up.”

Her voice wavers towards the end, losing what confidence she’d built up to speak to him.

Toshiro blinks down at the chestnut in his hands. Somewhere around them, the leaves rustle in the wind, and a bird chirps and another caws back in response. The last parts of the shell fall away.

“You might be different by then,” he says solemnly, still unable to look at her.

Momo presses her lips into a tight line. “Well, of course. Everyone changes as they grow up. They become more mature and responsible.”

“Not all adults are.”

“Most though.” She drops her chestnut into the peeled pile. “I don’t know how often I’ll be allowed to visit, but I’ll write to you as often as I can.”

“Don’t bother.”

“Huh?”

“You’ll be doing your Shinigami stuff, you won’t have time.”

“B-But I want to.”

He finally looks at her. At the hurt that flickers through her eyes, he wants to take it back. She obviously hadn’t expected this coldness from him. Yes, his usual bratiness can make him say some hurtful things on occasion, but this is different for her. This was a side of him she rarely saw, and it’s a side she is never on the end of.

But what’s the use? She’ll go to the Academy and forget about him. She’ll make new, better friends. Ones she can go into the future with and who can understand the struggles and triumphs she’ll experience as a Shinigami.

“Do whatever you want then.”

His comment doesn’t ease the turmoil in her, with her gaze falling off to the side and her shoulders slumping. She’s on the verge of a sob, but she bravely keeps it back. “Are you saying you don’t think we should be friends anymore?”

It’s an opening he should take. He has to start letting her go, so it won’t hurt so much when she turns away, and stops being a part of his future.

“I…I’m not saying that.” He’s weak. “I’m just being realistic. You’ll be busy, you won’t have the time to write to us.”

It’s not the answer she expects. Her eyes widen and her lips part, but she doesn’t speak for several heartbeats. She's stuck between being confused and stunned. “I-I’d make time. Of course I’d make time!”

Her earnestness and fierce determination fracture what little resolve he had left. “Well then, let’s see you try.”

_____________________________

Momo glances at Toshiro from across the meeting hall.

He’d just stepped back into line after reporting on his areas for reconstruction. His division is doing well, ahead of schedule in fact.

Normally the thought would make her happy. He’s always been a hard worker; never for the sake of wanting to one-up another or show off, but because he wanted to do good for others. It was one of her favourite things about him.

But something about him is different. The war against the Quincy and taking in the total devastation it had caused had affected all of them, changing each of them in both subtle and obvious ways.

Toshiro holds himself differently. There’s the usual stoicism on his face, and the straight, pulled back shoulders and slightly raised chin that have been a part of his posture since he became a captain.

It’s his hands. They’re curled in loose fists at his side. Something is on his mind, and whatever it is, it’s causing him to be tense. His gaze shows he’s present, now listening to Mayuri give his report into his latest findings, but there’s something going on in the back of his mind he can’t escape from.

She wishes she could cross the room and take one of his hands.

_____________________________

“Don’t bother coming back, bed-wetter!”

Please come back.

And she must see through him, because her high spirits aren’t dampened as she continues to smile and wave at him. He’ll never understand how she can be so cheerful so often.

Eventually, she has to turn away from him and navigate her way through the growing crowds. After she vanishes and as Granny gently chastises him for his rudeness, he can’t dismiss the thought that haunts him. The same thought that had made him try to disconnect from her weeks ago.

What if she doesn’t?

_____________________________

Momo watches Toshiro ponder over the map of the North districts. Each was outlined in the colour of the division that has jurisdiction over them, Fifth Division’s in turquoise and Tenth Division’s in dark green.

“So we’ll tackle this area together,” Shinji says while drawing his finger along the border between the North districts nineteen and twenty. “It makes sense seeing as our jurisdictions are night next to each other. Also, saves us on costs if you go with shared resources, right?”

Both Toshiro and Rangiku nod.

“Have you brought this up with the Captain Commander yet?” Toshiro asks.

“Not yet. We went to a meeting about…” he lifts his gaze to the ceiling of Tenth Division’s office, trying to recall.

“It’s was a month ago, sir,” Momo quietly offers.

Shinji snaps his fingers. “Yes, thank you, Hinamori! Geez, we’ve been to so many meetings lately I’m getting them confused.”

Toshiro scoffs. Momo tries not to smile in response; it’s the first normal, in-character thing she’s seen him do since they arrived.

“Anyway, at that meeting, the Captain Commander suggested a few ways we can save on costs for the reconstruction efforts, one of which was shared resources. Sure you got told the same whenever you went to you met with him yourselves." Shinji jerks his thumb towards Momo. “My lieutenant here suggested we collaborate on the districts that border with other divisions, like yours.”

Momo can’t help but lift her chin a little at the credit her captain gave her. Sometimes he had a way of making one feel accomplished, even over the smallest things.

Rangiku grins. “It’s a great idea, and not surprised that it came from you, Hina-chan.”

Momo laughs nervously. “Rangiku-san…”

“Stop, you’ll make her overheat,” Shinji teases.

“Sir, honestly!” Momo retorts.

He only laughs, but he eyes Toshiro. So he’d noticed it too. Normally situations like this riled her childhood friend up, made him shout something along the lines of ‘We need to focus right now!’ or simply glare at him. Toshiro’s eyes were on the map, jumping to all the districts under his jurisdiction.

It was barely perceptible, but Momo could see with each district he eyes, a little more weight is added to his shoulders.

Shinji quickly returns things to the business at hand. Several minutes later, her captaina nd Toshiro agree to do reconstruction together.

As Shinji and Rangiku start on a plan, Toshiro stands up rorm the couch. “I’ll go get a pot of tea.”

“Do you need assistance with that?” Momo asked, ready to rise up.

He shakes his head. “No, thank you.”

He leaves while Rangiku and Shinji continue to hash out a plan. His walk would not seem out of the ordinary to most, Momo saw the weight in his shoulders from before, and just as she’d noticed when she first arrived, that he forced himself to stared straight ahead, and not once at her.

___________________________

He regrets every bad thing he’s ever said to her. Every angry exclamation. Every promise or important day he’d forgotten. Every time he scared her for a laugh when they were children. Every tease about her.

He barely manages a landing, his whole body numb with horror. Ice keeps breaking around them. He can hear yelling, but it’s muffled around the ringing in his ears. For the first time in his life, he’s too cold.

She finally stirs, and her hazy, fading eyes stare up at him. He shakes and can barely breathe. He might collapse, but she’s keeping him rigid and frozen in place. She says his nickname, a pierces through him, hitting a part of him that he always associated with first meeting her. The memory of it, the feeling of someone finally looking at him like he wasn’t so different, and letting it warm him into a fleeting sense of security.

“…Why?”

Something in him shatters.

He should’ve been kinder. Why hadn’t he been? Because he’d been a child who didn’t know better when they first met. Because he’d been alone for so long he didn’t know how to interact with others. Because he’d been scared. Because he’d let her in too far. Because he didn’t know a life without her anymore.

____________________________

An evening breeze blows through the streets of the South Second district, swaying the lanterns of restaurants and brushing Momo’s hair over her shoulders. It reminds her she needs to get it cut, but then she had thought of –

“That was a really good meal.”

Momo looks over to Rangiku , who interlaces her fingers and stretches her arms over her head with a grin.

“It was,” Momo says with her own smile. “I’m glad you recommended that place. We should take the other Women’s Association members there sometime.”

“Yeah, I thought so too. I wanted to try it out with you first.” She winks as she lowers her arms. “It’s been a while since we had a girls night out, huh?”

Momo’s smile widens. After recovering from the battle in the Fake Karakura Town and being discharged from Fourth Division, Rangiku had arranged for the two of them to have lunches and dinners together. They’d be casual mostly, chatting about work for only a short while before moving on to longer discussions about their hobbies, who they’d caught up with lately, and there were a few times they’d left wherever they'd eaten from and gone shopping together. Every now and then, particularly in the beginning, their chatter would turn sombre. They’d reflect on what had happened, whether it was Aizen’s betrayal or Gin’s death, and it took some effort to return the conversation back to something lighter.

Momo remembers the look that would come over Rangiku’s face during those moments. As her friend stares ahead into the growing crowds, she can see hints of that old expression. Her eyes are hooded, her eyes take on a glassiness, and she ignores things – like the loud cheering of an izakaya they pass by, or the sprinting children that almost bump into them before dodging off to the side. What was most telling though was Rangiku didn’t comb her fingers through her hair and complain about the wind ruining her hairstyle.

Like Toshiro, something had been bothering her, but unlike him, she seems to be bouncing back from it quicker. Still, she had moments like this where she grew quiet and solemn. It sends a twinge through Momo’s chest. “Can I ask you something, Rangiku-san?”

Her friend blinks and “Hm?”

Momo’s hesitation catches up to her. She’d wanted to ask before she’d come to dinner, but at seeing Rangiku being her usual boisterous and jolly self, the question had faded into the background.

“I was wonder…”

If she asks her now, she can finally know what happened. Of course, it wouldn’t be Rangiku’s place to say what happened to Toshiro…but what if it was the same thing that affected her?

“…I was wonder if you, uh…”

Momo recalls the two of them leaving Twelfth that day over a month ago, and the chances are whatever it was…

“Do you have any style recommendations for my hair? I was thinking of growing it out rather than getting it cut again.”

Without realising, Rangiku had brought them to a stop in the middle of the street. Souls pass around them, some with skeptical or awed looks, others completely ignoring them. The wind dies down, leaving Rangiku hair slightly frizzy. There’s a gentle smile on her lips, and a knowing look briefly comes across her eyes. Had she known what Momo truly wanted to ask?

But she couldn’t bring herself to, not when it occurred to her that asking Rangiku would potentially expose what has been bothering Toshiro too. She didn’t want to put her friend in an uncomfortable position, but with a tightening of her heart, it dawns on her that asking Toshiro would only do the same for Rangiku.

She’d trapped.

“Yeah, I can think of a few,” Rangiku eventually says. "I'll bring some ideas at the next Women's Association."

Momo blinks.

Rangiku had spoken quietly, uncharacteristic given that hair and fashion were topics she often spoke fervently about. Momo manages to take a deep breath in that looks natural enough, and then a small smile. “I thought you would. Thank you.”

____________________________

Come back.

Toshiro pleads it in silence to the night sky on another sleepless night.

He’d known her for so long, had let her become his closest friend. Her being there as they grew older, as they rose up the ranks of the Shinigami and protected the Seireitei, was an inevitability. How naïve he had been. For all of his posturing and talk of responsibilities and knowledge that any of his subordinates could die on missions, she had somehow become the exception.

Somehow, she would live on forever with him.

How can he have clung to such childish ideals?

Come back, he pleads again. I know now. I want things to be different.

_________________________________

Shafts of the sunrise spill into Momo’s room. She sits up before her alarm clock goes off. Rubbing her eyes and lifting the blanket away, she starts her day.

Nerves thrum through her, and no matter what she tells herself or how many times she goes over the plan for today, they don’t settle.

Today is their first day working together with Tenth Division.

After bathing and changing into her uniform, she steps up the mirror to brush her hair. After a few minutes, she takes up her hair clip and clips it in place.

She stares at her reflection, and after a beat, worries her bottom lip. She sighs and lowers her head with tightly shut eyes. How is she going to get through today?

_____________________________

Momo bound up the stairs towards him. Her recently cut hair tousles around her, and she beams widely. She’s obviously dying to tell him something, even shouts his nickname. Perhaps because they’re not in vicinity of his subordinates or the other Captains and Lieutenants, or perhaps because her joy is so often infectious, he chooses not to shout the usual correction at her.

In fact, Toshiro can't help but smile. He’s been doing that more lately.

He decided to be more open, with her first, and eventually with others.

When she stops in front of him and began to gush over a new project she was working on with her division, he has trouble covering up the reaction he has to the relieved, cathartic ache in his heart. Her forgiveness is still raw, even after all these months. Thankfully, she’s so caught up in her excitement she doesn’t see him briefly glance away to regain his composure.

The future was brighter, but the fact there was even a future with her after everything is a blessing all of it’s own.

_____________________________

From a distance, Toshiro orders his and a few of Fifth Division’s officers to do various tasks, and after they disperse, he goes to the next group.

Momo looks back to the map of North District Nineteen and continues outlining the area she and her subordinates will work on. In her periphery, Shinji finishes speaking with Takaya and Katsuro, and makes his way over to Toshiro before he can reach the group.

She tries to ignore the exchange, but her ears unwittingly tune in, catching bits and pieces of their conversation over the shouts of subordinates, sandals crunching in the dirt, and equipment being unloaded from carts. From what she’d (unintentionally) been able to tell, they discuss their findings so far.

She keeps a wince from reaching her face and she recalls their brief meeting this morning. She only gave Toshiro a glance, keeping her eyes either on Rangiku or somewhere behind the two of them. Toshiro retained a stoic exterior, even made a few pointed comments towards Shinji like he did when her captain annoyed him, but that heaviness in his shoulders and eyes is still there. She wishes she could just wave it away, like the wind pushing the clouds across the sky overhead.

It had been over a month since the war ended. He hasn’t said anything to her, and she can’t tell of it’s because of the work they’ve had to do or because he doesn’t want to. Was he concerned for Rangiku? Was it something he didn’t think she’d understand? Would it hurt her?

She shakes her head. She repeatedly tries to tell herself it’s none of her business, but her concern and burgeoning frustration doesn’t waver. Both grow when she can sense, for only several seconds, his gaze on the side of her face.

_____________________________

He doesn’t recall anything of his time as a ‘zombie’ to the Quincy, nor does he want to.

The last thing he remembered was collapsing, his ice shattering around him. Time slowed, as in that moment he thought about how this could be the end. It certainly felt like it was. He was so weak, so very tired and hurting, but he was still awake when the shadow fell over him.

However, the old cliché he’d been told about didn’t happen. He didn’t think on or remember his past. He didn’t despair that he was dying.

He'd thought about Rangiku, dying below, with no one to help her.

He'd thought about his subordinates, who would be without a captain again.

As a darkness began to settle around the edges of his blurred vision, he thought about Momo. He’d sensed her before, she’d been far away from where he was. She reiatsu had been strong, she was all right.

He didn’t need to protect her. Yet he still wanted to see her. For the last few seconds before the darkness took over and muffled footsteps and a sickly sweet voice reach his ears, he thought about the fact he won’t be there in her future.

His next memory is of being put in the recovery tanks along with Rangiku. At the time he’d been exhausted from the procedure Mayuri had made him endure – he vaguely recalls Mayuri half sarcastically marveling, “I’m quite surprised you’re conscious right now.”

He was lifted and secured into the tank by Nemu. Mayuri had watched him, and didn’t approach until Nemu stepped aside. He’d spoken at him, but Toshiro wavered between consciousness and falling into a warmer darkness and only caught sections of his sentences.

“The tank will complete the de-zombification…Consider yourself…Lieutenant is…My procedure took…years off your lifespan, but…we’ll take you to the Palace, no doubt you will…”

And the tank lid had lowered as Toshiro bowed his head. As he drifted into unconsciousness, his mind clung to one part of what Mayuri had said.

My procedure took…years off your lifespan…

He vaguely remembered thinking he must have misheard.

He hadn't focused on it when he awoke again and left the tank, choosing instead to thank Mayuri and rush off into the fray with Rangiku. She surely heard too, but he'd kept quiet about it. He’d been truly grateful and yet, that piece of information, it lingered quietly in the back of his mind.

He’d focused on the fight against the Giant Quincy, and had to resort to using Hyourinmaru’s Completed Form. He thought only of battle strategies and ways to keep his enemy distracted from either destroying the Soul Society below or from causing further harm to those still in the area.

It's now hours after the Quincy had evaporated away, and he and Byakuya found Momo and Shinji, safe.

She's been clearly startled by his appearance. He didn't know what to expect, had never really thought about her reaction to seeing him like this, but he dislikes her being so confused and unsure. Certain there's no immediate danger in their vicinity and with Byakuya scouting the area, takes her aside to explain the Completed Form.

Shock turns recognition, and then finally to relief. He can't help but feel she same moments later when he's transformed back and she heals his injuries. It's only a few minutes later when Mayuri’s words fully hit him. From then on, he can barely look her in the eye.

_____________________________

The setting sun halos Toshiro's hair, and his shadow casts long over the rubble. He stands alone, arm folded and back facing those a short distance away, clearly lost in thought.

In different circumstances, it would’ve posed as quite the striking image for Momo; one she would be tempted to capture in either her drawings or as a photo on her denreishiki.

His subordinates walk around her, gathering up the materials and equipment they’d used. She didn’t have to interact with him at all today, and even if she did, she’s not sure how she would go about it.

Somewhere behind her, Shinji calls out for officers to help with lifting some of the ruins into carts to be cleared off. She turns to go and assist, but its hard to take her eyes off her friend. The turmoil from earlier arises. She can’t ask him what's wrong, and he won’t even look at her unless she doesn't notice. Still, she can’t leave him as is.

With a deep breath in, and then out, she walks to him.

Her steps crunch from the smaller pieces of rubble and dirt, and alert him to her approach. He half twists around to her, and it causes her to stop more than an arms length away.

“I was wondering…” She hadn’t thought about what to say. But with a light snort, she manages. “Sorry, I was wondering if you had any further plans for Higuchi-san or Takagaki-san. We need some help with clearing the wreckage into the carts.”

Toshiro blinks, as if coming out of deep thought. With a small shake of his head, he turns back to the sunset. “No, I have nothing for them. Their performance was good, if you need to know.”

“Oh, thank you. I’ll be sure to tell my Captain. They’re both hard workers, so that isn’t too surprising to hear.”

“I sent them with Narita to set up the rations for distribution. They should be finished by now.”

Momo swallows against the growing tightness in her throat. She gives a nod, not trusting her words, and only lingers for a few seconds more before turning to go. She wants to kick herself for not coming up with something better, something that would make her stay with him a bit longer and force him to talk with her.

She’s taken ten steps when Toshiro calls to her.

“Wait, Hinamori.”

She looks over her shoulder, squinting against the setting sun. She can’t make out his expression, but his arms now rest at his sides, and his shoulders are higher, straighter. There’s a resoluteness there, but somehow also a reluctance.

He approaches her, but stops after a few steps. He speaks lowly, and it’s hard to make out what he says. She has no choice but to come closer.

“I’m sorry, I didn’t hear what you said, Captain.”

The corners of his mouth fall and tighten into a scowl – not directed at her, she’s certain.

“When we’re done here, I want to discuss something with you,” he repeats. “I assume you don’t have time for today so I –”

“I do!” Momo would normally balk at her boldness – especially for interrupting someone, let alone a Captain. But it was if she’d been holding her breath on the brink of passing out, and now she was desperate to get air. “I-I’ll have time after we’re done here. We can talk.”

Toshiro had been surprised, but shifts his expression back to neutral. “It won’t take long. Let’s load those carts first and get back to Tenth Division.”

He walks past her, and for a moment, it's as if the heaviness within him lingers over her. Whatever this would be, she's both eager and dreading to know.

____________________________

“How long do Souls live for?”

Toshiro rolls his eyes. Ever since she got here, Momo had been full of questions. She’s more curious than the average Soul, wanting to know every little detail about her new world she called home. Just a few minutes ago she’d asked a range of questions about what rules she needs to follow she didn’t end up in trouble – as he answered her, it reminded him of telling Jidanbo the Rules of City for the first time.

Before he answers her current question, he kicks a small hill of snow just in front of them, sending a white spray into the care tree they stood under. “It depends. Some live for a few decades, others live for thousands of years.”

Over the many layers she wore up to her the bottom half of her face, Momo’s eyes widened in wonder. “Really? That’s such a long time.”

“Not to them,” he says. “Time here is different to the World of Living, or so I’ve heard.”

“Thousands of years…you can do so much in that time!”

She starts listing off various activities and adventures one could do for over a thousand years, all the while her eyes shone, and when a scarf loosened from around her face, it revealed her wide grin.

He doesn’t understand her glee. Was this something specific to Souls that came from the World of the Living? Humans lived far shorter lives than Souls; perhaps the idea of being able to live that long appealed to them. He’d been born in the Junrinan, he knew only this world, and from what Granny had told him, ten years here likely felt like a year in the World of the Living.

He let’s her go on and on with her list, but when she comes to an end, breathless, she says, “Do Souls know how long they’ll live for?”

He lets out a bewildered snort. “Of course not!”

“Oh…” That dampens her enthusiasm, as if he’d popped a bubble. Before he can feel any guilt, she turns her attention back to the silhouette of the Seireitei in the distance. “So, I guess this means the Shinigami in there have been alive for a long time then.”

He shrugs. “Sure, I guess.”

It’s several heart beats later when her grin returns, but there’s a softness to it. “I hope we get to live for over a thousand years.”

He’s taken aback. We? Why 'we'? Why not ‘I’?

He wants to ask, but fears he’ll embarrass himself. So instead, he ponders on it in silence as she continues to admire the Seireitei’s silhouette. Did she mean it as a friend? That she saw them being in the future together?

Granny had been the only person who saw a future with him, planning their days with what items he’d have to go out and buy and what shrines or places they needed to visit together in the coming month.

Something about another seeing him in their future made bite the inside of his lip against the painful pang in his chest. Somehow, though, it also made him happy.

“What if we did?”

He hadn’t realised he’d asked the question aloud until Momo swivels her head back to him. “Hm?”

He shakes his head. “Nothing.”

“You mean if we live for over a thousand years?” He cringes inwardly as she considers. Her grin widens after a beat. “We’d have a lot to do, I’m sure of it!”

____________________________

Momo stares mutely at Toshiro, and then at some point, through him, and then into nothing. He shifts his gaze to the side, staring hard at the corner of the training room.

Just behind them, Fifth and Tenth Division officers shared a meal together in one of Tenth Division’s courtyards around a fire, chattering and laughing amongst themselves. Even in her shock, Momo ended up hearing her captain laugh loudly at one of his own jokes, but she can’t bring herself to smile or cringe.

She and Toshiro sit by the training room's entrance, mostly in the shadows. A strip of moonlight comes between them through the doorway, falling over his left foot and her folded knees. He sits half against the wall, his left knee bent and his arms resting in his lap. It would appear to some as the most relaxed he’s ever looked, but this is one of the few times she’s seen him look resigned.

He’d just recounted to her how a Quincy had taken control over him with her blood, and then how Mayuri had restored him. It had all made sense up until that point, but not what he’d just said. No, it was more like she didn’t want the sentence to be true, refused to let it be a part of what he'd already said.

She brings her gaze back to him as a small tremor runs through her hands. “I don’t understand,” she struggles to say. “What do you mean? How can you live for only three hundred more years?”

She thinks he won’t answer her, too overcome by whatever emotions rush through him. However, he takes a sharp breath in, but continues to stare off to the side. “Kurotsuchi says that’s at most, but it’s at least one hundred and fifty years. The procedure he used on me was crude by his standards, something he cobbled together while we were battling the Quincy. As a result of that and what the Quincy did to me, my lifespan has been reduced.”

“You’ve acting differently lately --” her voice catches, and her vision becomes misty “-- now I understand why.”

A quiet, strangled sound comes from Toshiro. “Matsumoto thought it was best to tell you.”

And it’s all the confirmation she needs that Rangiku is facing the same tragedy. She must have seen Momo’s dilemma that night they ate out, and decided to make things easier by encouraging Toshiro to tell her. She could cry for that alone, but she won’t; she’ll speak with her later.

She bows over, fisted hands bunching her uniform at the knees. “I-I don’t know what to say,” she laments. “I can’t imagine what you’re going through.”

That strikes something within him. He shifts, his back fully pressing against the wall and moving his foot out of the moonlight. Her eyes had adjusted to the darkness, and she can make out the furrow in his brow twitching and the corner of his mouth dropping into a grimace.

His gaze goes to the ceiling. “I didn’t want to say anything,” he admits. “There’s nothing I can do.”

The catch in his voice is enough to make her move over to him, coming to sit next to him, their shoulders grazing and her knee bumping up against his. She rarely sits so close to him, feeling they should maintain a small distance between them, but this felt right. And judging from his lack of comment or shrugging away, he thinks the same.

“I’m sorry for what I said at the Palace.”

He blinks and finally looks at her. “What?”

She can’t help but be a little relieved he’d forgotten her comment, but winced at having to bring it up now. “I said Hyourinmaru’s Completed Form was a glimpse into the future. How careless of me.”

He shakes his head, but still doesn’t seem to remember. “It’s fine, you weren’t to know.”

“Even so, I should have been more considerate. That form is part of your zanpakuto, not something to be joked about.”

“You were shocked by it, and we’d come out of a battle and Yhwach was defeated, it’s understandable.”

She considers, and then admits, “And we were really tired, I guess.”

That gets a huff of a humoured snort out of him, but it doesn’t reach his eyes or shape his into a faint smile.

The urge to hold his hand comes over her again. Unlike that meeting from a few weeks ago, she doesn’t resist it this time. She takes the one closest to her. It’s the one that been regrown with hojiku-zai, the original lost on the battlefield at the Fake Karkura Town. She doesn’t hold his conventionally, choosing instead to lay her hand on the underside, and her fingers loosely come between his.

She watches him tilts his head down, staring at their hands. Something soft flits over his face, something akin to being pleasantly surprised.

For not the first time, she thinks on how she never imagined all those decades ago he would lose and replace a hand. Just as she’d never imagined what they went through because of Aizen, or the battles they fought against Hollows and Quincy, or the people they’ve lost under their watch. They’d been through so much, perhaps too much for Souls their ages.

Despite the time and effort it will take to rebuild the Soul Society, she had been thinking that peace was finally going to be restored. She was going to be happy again, with her friends and subordinates. She was going to ask Toshiro out to lunches more often, and finally sit with whatever her feelings for him were. The ones she’s can’t put a name too, but feels she’s just on cusp of doing.

Had he thought about these sort of things too? About what he had been through and the future he may not have anymore? If that was the case, it’s no wonder he didn’t want to bring it up. It’s enough for one of her tears to roll out the side of her eye.

She’s quick to wipe it with her free hand, but it doesn’t go unnoticed by Toshiro.

“I’m sorry,” he rasps.

She shakes her head. “Why are you apologising? You didn’t ask for any of this.”

“No, it’s not that. I didn't want to...”

He hesitates, and when he doesn’t continue, Momo finishes it for him. "Hurt me?"

He blinks, surprised she had guessed the rest. It still astounds her that he can't see the good within himself, but always in others.

"You don't need to apologise. When I saw something was bothering you, I wanted to know."

She senses there's more, a second apology he wants to make. When he doesn't, she stares straight ahead.

“We Shinigami are taught and prepared to die in battle for Humans and our friends,” she continues. “If we’re lucky, we can reach an old age with our accomplishments. Thinking about how long we'll live for is not something we're supposed to contemplate, our focus is on our duties and responsibilities. Even so, we’re not meant to die like this. You’re not meant to --”

He snorts again, and the faintest, saddest smile shapes his lips. “You’re not Reio, Hinamori,” he says, and she can imagine in another setting it would be a tease. “And even if you were, you doubt you would have the power to change this. I have accepted it's a likely possibility, and I will plan ahead accordingly. I never thought about how long I would live for --" his shoulders deflate with a shaky breath "-- and I shouldn't."

"Nothing is set in stone," she says, fiercely.

She’s always considered herself an optimist, perhaps to a fault. She remembers being more hopeful for the future when she was younger. Maybe that’s what came with growing up, you lose a little bit of hope every year, and cling to what still remains – foolishly, she suspects some think, but not her.

With a thick swallow, she lists her head up to the ceiling. “You said before that Captain Kurotsuchi was working on a way to restore your lifespan, right?”

“Yes.”

She mirrors the faint smile he'd had moments ago, but in her misty eyes there’s something less fragile. She tightens her grip on his hand. “Then let’s hope he does.”

It doesn’t dissolve his grief and cynicism -- she knows he hates leaving something he feels responsible for in the hands of others, and she can’t imagine what it must feel like to put your life in the hands of Twelfth Division’s captain. She has not words she can offer to console him or give him a new perspective of this. She has her own emotions to deal with too, ones of helplessness and a flickering hope, small but bright.

Her heart throbs when he flips his hand around and interlaces his fingers between hers in a tight grip. It's all they can do for now as a cloud passes over the moon and the laughter continues outside.

#hitsuhina #toshiro hitsugaya #momo hinamori #rangiku matsumoto #shinji hirako #bleach #fanfiction #angst #spoiler for the ending: I didn't intend it to be so bittersweet at the end (with an slight emphasis on the bitter)#but after a while it felt like the right note to end on #I may write up a small follow up that's most fluffy and shows Toshiro's determination to make the most of his life #whether that's in the short time he has or the thousand+ years he may get back once Mayuri comes up with something #because I am 100% certain he has tome to terms with it once the ten year timeskip has gone by #he doesn't like it of course but he has accepted it #and also write a follow up to explain what that 'second apology' was...👀#unless you were able to guess it in which case woo!

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will-o-wips · 4 months

Text

It is 4 am. I'm staring at the ceiling of my bedroom, coincidentally having my phone right in my line of sight, and write this with the exasperation and intense focus that I probably won't ever have again. I'm about to attempt to make any sort of sense of the latest Hayao Miyazaki movie, The Boy and the Heron (or rather, How do you live? in Japanese), that I watched for the first time in theatres a day ago.

I cannot claim to be right, or to know everything about this movie. Actually acclaimed critics and people with obviously more braincells than me have probably better takes than I do. But I must speak, lest the insanity truly take over my brain, lest I really end up combusting because of how much I want to talk about this.

Prepare yourselves for the most incoherent train of thought and line of consciousness you will ever experience.

FILLED WITH SPOILERS READ AT YOUR OWN RISK. YOU WILL NOT UNDERSTAND UNLESS YOU HAVE SEEN THE MOVIE.

Before I start with my actual thoughts, however, I'll state my personal feelings about the movie, because I feel that matters too, and this is my post anyway so! But I personally left the cinema feeling somewhat mellow. I was not insane about it yet. It was,,, "meh". The impression of the ride was great; I was giggling along with the funny and even sometimes not purposefully funny moments, I enjoyed the animation to the point I would genuinely flap my hands in excitement at how good it was, I understood the story in great lines by noticing small details and going "oh so does this mean x?". But I did not cry. Not a single tear during or after or before the movie. I did not waver with my opinion on it as I rambled about it to my friends online and irl, much to their annoyance. I did not hesitate when I put it in my silly little Studio Ghibli movie tierlist maker that I update whenever I watch another one of these films together with my friends, categorized (in)discreetly under "all vibes no plot but there's a witch/wizard". I still don't, in fact.

So, given all of this, you'd probably say that I disliked the movie. That I would not have so much to say about it, after doing my mandatory ramble and update. Wrong. I still have more to say, somehow.

Despite that, I didn't rewatch the movie itself. I read an entirety of one (1) review of it, together with one (1) random video essay of 8 or so minutes, covering the basics of it. I reblogged one (1) post about its protagonist on tumblr and otherwise kinda read through the rest of the posts on here. I did not re-experience or re-examine this movie again. I cannot (again) accurately reference anything besides that what I vaguely remember from watching it a day or two ago. It's not playing anywhere near me anymore/not out anywhere else yet, so really, I don't even know what possessed me to write about this, or even say anything. The most fascinating thing (to probably all of us here) is; what made me change my mind about it?

It might've been the review on IndieWire. David Ehrlich and his well-written review, bringing things into much needed context as to why this movie was created. It could've been the fact that I've actively processed the movie better, now a little bit of time has passed. [Honestly it deserves a second watch/view for something more concrete, but I'm repeating myself with this, you get it.]

But I don't even really understand it myself. I felt and still feel so detached from this movie in a sense. I appreciate the artistry that went into it, and I adore the way it simply tells the story and leaves it up to interpretation. It references every single film Hayao Miyazaki has ever made before, and elements of other Ghibli films can probably be found in there too, if you looked hard enough. The vibes were similar to those of Spirited Away, and Howl's Moving Castle, given how inexplicably fantastical the world was. It just existed and breathed, and we as the audience jumped straight into it. We never got more exposition than what was needed; honestly I have a feeling that the second half of the movie was the vaguest piece of media I have ever consumed in my life. But it also had this perfect balance of the more drama-focused Ghibli films. The Boy and the Heron, in my opinion, is like the golden middle between reality and fantasy, both in terms of its narrative as well as comparison between other Ghibli movies.

This might also be the reason why I felt confused. The lines between reality and fantasy were so effortlessly blurred, that you could only process a singular picture. And when things are vague to me, I constantly need to pick them apart and analyse them, simply to satisfy my own curiosity.

The moment before I stepped into the movie theatre, my friend who watched along with me told me they heard it was a film about grief. I nodded along and said "yeah, okay, that just means it's another one of many Hayao Miyazaki and Ghibli films. Most of them are about some kind of loss, and dealing with it, either way." I sat down together with them; row 9, chairs 17 and 18, with my two bottles of water (one carbonated, one stilled) and the bag of terribly sour packaged chocolate pretzels I bought at the theatre itself. Horribly overpriced for the quality, I must say. My friend held onto the popcorn, and we sat through the ads, talking and laughing, anticipating something that was supposed to blow us away.

I cannot speak for my friend, but I think they really liked the movie regardless. They didn't cry at it either, even though we both know of each other that we always cry at such things. Somehow this movie evoked a certain stillness in us both; a stalemate between emotions and confusion. Maybe delayed processing. Maybe something else entirely. We both, or at least I, hid it until later.

It was midnight, and right before we stepped on our train home, I was excitedly going on about the references and animation, the things I did appreciate. I bragged a bit about how I recognized Kenshi Yonezu's voice in the final credit song that we didn't get to listen to entirely, because it was so late and we had to rush to get home. They laughed at me and told me to take some time to actively formulate any coherent thoughts on it. I disagreed (lovingly and jokingly of course), and we left it at that.

In the train itself, the same high dimmed into a simmer, the excitement replaced with contemplation, and I kept talking.

I told them: "I believe that this truly is his last film. This felt like a goodbye." And in return, they replied: "It's crazy how this is the last time we'll ever get to live in such a moment. The release of the final Ghibli movie in theatres.

"I'm glad we got to go."

I was too.

I got home, rambled about the intrinsic way The Boy and the Heron referenced other Ghibli movies to my online friends who had yet to see it. Followed by a heated tangent about how When Marnie Was There truly could have had better direction in regards to the narrative, as well as how Only Yesterday was the most boring out of all Ghibli movies. It was a nice night. I didn't think about the movie again.

The following morning, I contacted other friends, who told me about how Robert Pattison voiced the Heron in the English dub, which I hadn't seen or heard at all. He did a great job, judging by the trailer. This led me to another opinion, namely the video essay (I will try to find it and put it in the notes later if you are curious), which claimed something similar to this (of course, paraphrased):

"This is a farewell. The one true movie to tie such an expansive career. It is another movie where you are allowed to explore the magical together with the main character, while sticking close to the processing of it all."

The review I read said it was a swan-song, that it was the question and title of the movie in Japanese, posed at us, after The Wind Rises left it open to interpretation at the end of its run. That this was a story about the legacy that Miyazaki is leaving behind, how reality and fantasy coexist together, possibly influencing each other (not explicitly said but what I interpreted that review saying, so no this is also not completely like this).

Other tumblr posts I've seen on here say it was a film most likely dedicated to his son, Goro Miyazaki. That it was a gentle "I'm sorry, the shadow I leave behind is huge. I know that you will try and fail to fill it. It's okay; you don't have to. You can leave it behind. It's alright if this legacy dies with me."

Some other sources I've seen compare the main protagonist to Miyazaki himself, trying to grapple with the ending.

Yet somehow, all of these interpretations seem to fail to explain the entirety of this movie. The bigger picture if you will. These themes and moments and interpretations are not wrong, but to me, they're not satisfying enough.

Because maybe I am the only one who actually was insane about this moment, but I will never forget the delivery room scene between Mahito and Natsuko. How Himi addresses the magic stone, pleading to let the two go, saying "Natsuko and the boy who is to be her son". (Again, paraphrased, I cannot remember the exact line.) Maybe I am the only one who witnessed the whimsical fire witch and the going back in time plots and the fact that a younger Kiriko and Himi were there, already part of an ecosystem. How we already know from the other grannies in the house that Mahito's mother disappeared once for a whole year into the tower, and then came back the same as before. How the pelicans were BROUGHT there, that they did not belong there, and yet were forgetting how to fly. How they ate the Warawara, these creatures that were rising above to be born in the upper world. How the Heron's weakness was his 7th tail feather (or something along those lines), and how the fish and the frogs chanted for Mahito to join them in the tower. That the great-great-uncle was hoping for Mahito to succeed him and build a new tower, yet the king of the parakeets butted in and haphazardly did the job, resulting in it immediately toppling over, as well as the stones getting cut.

I think about the final scene where the Heron says "It's best to forget. Do you have any keepsakes?" And Mahito shows not only older Kiriko's figure, but also a piece of the stone paths they walked upon in order to get to the centre, the beating heart, the magic stone and his great-great-uncle.

How this is taking place during a war, that the timeline goes from his mothers death that Mahito cannot get over, to the welcoming of his stepmother and his new younger sibling. Them moving back to Tokyo. The way the tower completely collapsed. Completely and utterly collapsed and perished; not even a trace of it left behind. The way that older Kiriko keeps yelling it is a trap to Mahito in the beginning, but that both he and the Heron know. That it is inevitable to tread this specific path. That he must see for himself, whether his mother is truly alive. The way she both was and wasn't; first a mirage of her older self disappearing into a puddle of water, and second a firey spirit of her younger self coming to help Mahito. The way that he reads and cries at the book she left him, the way he hits himself with a rock after his big fight with his classmates; the way Mahito in general drowns consistently in the beginning of the film. He drowns in the fire that he lost his mother in. He drowns in the mud and the dust when he tries to enter the tower at first. He drowns in his dreams, in his tears, drowns right into his quest to find Natsuko (straight through the floor, by behest of his great-great-uncle), drowns in pelicans trying to eat him, nearly drowns in the actual sea until younger Kiriko fishes him out.

Now these things may seem like me just randomly naming shit that happens in the movie. Hopefully in a slightly poetic way, possibly. I could go on and on about the imagery, truly. But my point is, this movie may have been Miyazaki's last movie, his way of closure, his way of speaking to his son about his legacy, his way of describing the grief of losing his mother (idk if this is autobiographical or not. It very well may have been), yet...

Even so, it doesn't really fit the entire picture. It feels incomplete. The analyses always focus on the true meaning behind this movie, what happens behind the scenes, this one key climactic moment between Mahito and his great-great-uncle. But that's as if you would ignore the rest of the movie in general. As if the fantastical aspects weren't there to abstractly tell a story besides just being a symbol of closure for the person that directed it.

Personally, this is a tale of rebirth. Of losing yourself, and then rediscovering yourself in a way. I associate it with my own personal loss of my grandfather; the family member I felt closest to out of everyone.

The way you look back at such a traumatic stage in your life, something that irrevocably changed you for good, something that you probably don't ever want to relive again, but also mustn't forget. The way you instinctively are afraid to learn about who the person you love and grieve was, before you were in their life.

To this day, I still cannot speak to my mother about whether my grandfather had a favourite song before me forcing him to sing along with my favourites. A favourite book before he read out bedtime stories to me tirelessly. Who the boy in him was, and what wisdom and life lessons he carried on, into his grave, into the hearts of his children.

This movie depicts so much more than just grief, it's so much more than just legacy, even. It directly reflects the way I know I would have felt had I dared to actually see things for myself. If I actually dared to go through my grandfather's old things; the books he wrote and dedicated to me, the books he read when he was young. This movie depicts not how to live, but how to live on.

And the only way to live on is to move forward. To look at the foundations upon which it was built, to evaluate whether you truly want to have this be your burden to carry for the rest of your life. Mahito's abstract grief in regards to his mother, and the solace he finds in the fact that he at least knew who she was; that he at least had her in his life as both his mother and the girl that his stepmother knew, that at the very least he knows his mother would do it all over again, if she could. That despite everything, she did not regret a thing, and that she was not afraid. That somewhere, in the past, she lives on, happily marching toward this fate, because she knows that Mahito will be there to meet her again in the future.

And Natsuko, god, she worries relentlessly about whether Mahito will accept her. She worries to the point she yells at him, telling him that she hates him and his existence, because he rejects her so coldly and yet still bothers to show up in front of her during her most vulnerable moments. That he only takes and takes and takes; he steals her cigarettes in order to learn how to sharpen a knife from one of the servants. He uses those techniques to create a bow and arrow, a weapon. He gets into fights at school, he gets gravely injured on the side of his head, leaving a lasting scar.

If I were in her shoes, I would be furious at him too. Especially if he walked straight into the delivery room, trying to drag me out of bed while I was doing my damn best to keep the other child in my belly alive.

That scene, that sheer rage, and the way it ALL FUCKING SUBSIDES the MOMENT Mahito accepts her and calls her mother. The moment Mahito understands that through the literal whirlwind of plasters, things used to tend to wounds, none of those pleasantries/guards will truly allow him to reach her. The way he tries to nurse his own wounds, as well as try to nurse hers, over the loss of their shared connection (Natsuko's older sister, Mahito's biological mother), will NEVER allow him to make a connection with her. By being careful, by being polite, he will never get to be her son.

And he realizes, in that moment, that he wants to.

The magic stone tries to stop this. The magic stone dislikes disruption; dislikes things changing, dislikes breaking traditions (the taboo of entering the delivery room). The parakeets in the tower flourish because they follow the magic stone's whims more or less. They agree to follow its rules, even if it means they are prone to its abuse, because it gives them an advantage, a place to stay. The pelicans have to eat the Warawara, because there is no other food available to them.

The way younger Kiriko says "you reek of death", and how they establish this place is mostly made up of death and dead people. Dead people, or dying people, creatures that are begging to survive another day. Creatures that are begging to be reborn. That want to change, that wish to fly once more.

My mother once gave me a poem dearest to her heart. We have always been a family filled with literature and stories, but my mother was always the best at both writing them and reciting them. She used to read them out to me, back when I was in a particularly bad spot mentally, to the point I could not get out of bed for weeks on end, to try and reach me. She read with the sincerest passion in her voice, a small plea to get me back to the girl I was before.

I cannot explain or remember the poem by heart, but once I was at my true rock bottom, she told me to look it up. A Serbian poem, written by Miroslav Antić (I will add the name of it later), that was about growing up and growing into your own person. It made me weep, for it had a phrase I think I can only translate to this:

"Run and don't look back."

Somehow, whenever I look at all of these birds and creatures in this fantasy world, trying to fly desperately, trying to get to the skies, trying to get to even live, and think about the fact that the only way they can is by leaving this place. That the only way they can fly and survive as themselves is by leaving this tower, this stone, this foundation. By leaving and being born, by leaving and being reborn.

And, after all of this. Somehow I'm not even done yet. I haven't talked about the great-great-uncle in depth, nor the king of the parakeets, nor the heron whatsoever. I have not yet even touched upon what I might think the magic stone is, and the sheer amount of like symbolism I picked apart in my brain because of my insanity.

I'm probably not the only one who noticed these things. But so far I haven't seen anyone actively share these things, so, I will do my best to continue and genuinely wrap it up as best as I can. So that this can also bring the same amount of closure as the movie does.

The magic stone is like a shooting star that came onto the earth. It realizes dreams and worlds of whoever dares to walk into it and claim to own it; like how Mahito's great-great-uncle got obsessed and built a tower around it, caging it, taming it. And yet he still had to play to its whims, consistently making sure his own tower of blocks did not fall, that all of his work did not amount to nothing. Personally, I do believe the great-great-uncle could represent Miyazaki himself. That Miyazaki is trying to express how he built Ghibli and that now it has been going on for so long, and it has become unmanageable to continue upholding it. That it is time to retire.

A thing I find interesting and remember pretty well is the conversation between the parakeet king and the great-great-uncle. How they talked about Mahito's transgression, breaking into the delivery room (side note: he broke in and broke through to Natsuko with his mother's spirit. Mahito became Natsuko's son with the blessing of his mother; with the sheer love she had for him being carried on and through), and how the great-great-uncle says something akin to this:

"It is why I wish for him [Mahito] to succeed me."

"I cannot overlook such a transgression."

I feel this is important. It is key to how the great-great-uncle views Mahito in this. Because Mahito was not sent out on this quest to find Natsuko out of pure selfishness. Sure, his uncle would have wanted him to succeed him, but the entire reason WHY he believed in Mahito to begin with, is the fact that this boy was able to break the foundation and the traditions in the first place. Mahito inherently disobeys from the chosen path. Mahito inherently does not believe the Heron when he says that all herons lie. Mahito doesn't waver when the heron flies straight at him, he doesn't sway when the frogs or the pelicans overwhelm him. Mahito stands firm in who he is, even if he is trying to deal with new circumstances. Mahito inherently goes to places he should not be in (his curiosity for the tower). Mahito has enough power on his own to create a new tower, but only by rebuilding it from scratch.

This ready acceptance that the great-great-uncle has towards Mahito's decision NOT to inherit his legacy, is what makes me believe this is what this movie is supposed to represent. Break away from the old, off into the new. Closure. Moving on.

This is also reflected in the sentiment that Mahito truly DOES move on. He goes back to his family, his father, school, he goes back with Natsuko as his mother and a new younger sibling to Tokyo. He returns there where he came from, but he is not the same anymore. He is reborn into a new Mahito.

And god I feel like I'm repeating myself to death here; I really should have thought about the structure of this, but give me some slack okay. It's like 6:30 am already and I'm still not done, despite continuously writing and labouring at this.

So, the tower that immediately falls apart by someone who always follows the whims of a dream (the parakeet king and the stone respectively). God it is just such a momentTM. Because in the end even this shows that the parakeets, too, even though they by far had it the best in that goddamn tower, had to leave. For they could not build something on their own without learning who they were outside of the already established. Outside of just following the rules and all.

They had to leave, my GODDDDD.

As I'm getting progressively more unhinged, we shall move onto the most unhinged character in this entire fucking movie. The Heron himself. God there's too much to unpack here, really, but the truth is, the Heron was supposed to be the guide to Mahito. The Heron was supposed to be Mahito's biggest, most aggressive enemy, the direct antagonist to Mahito's protagonist. The Heron doesn't want change. The Heron tries to bribe Mahito with the fact that his mother is still alive, that he need only enter the tower, and lose himself to illusions and dreams. That fantasizing about his mother being alive won't only drown him more, that it won't just let Mahito sink into the deepest pits of his despair and anguish about such a death, that losing yourself to the belief that something is there when it is not wouldn't only be counterproductive. The Heron masks himself consistently; he says that all herons lie. He says that he only has one weakness, his own feather, that allows the arrow to automatically target him. In essence, the Heron shot himself in the foot beak. He himself slipped up in his mirage world, and came out to be who he truly was, this weird little man with a huge nose and a conniving demeanour. He adamantly cannot disobey the dream, for then his true nature comes peaking out (a small detail I absolutely love is the fact that the Heron's feathers also disappear out of Mahito's hands when Mahito is called back to reality by the grannies. The grannies protect him in the dream world too, by being his tether and support system while he gets over himself and starts trusting Natsuko). The Heron doesn't WANT to be a guide, for in order to be a guide, you must tell the truth. You'd need to know some facts about the world around you and share this information with the ones seeking guidance. This is how I believe Mahito understood the Heron before we did.

It's not that all herons lie; it's just that this particular one does not want to face the truth/reality.

Another interesting detail: the whole reason why only Mahito was able to cover up the hole in the Heron's beak was reminiscent about how only those that called you out can really patch up your old image. Only those that have poked holes in your false narrative are able to fill them back up again, and even then it is not the same, and even then it will not always be comfortable/reliable.

Either way, the Heron, after this wings partially turn into hands, his true nature, is unable to fly all that well for a while. He relies on Mahito's corkscrew thing in order to relish in his comfort zone of lies again. But throughout the movie, the Heron slowly starts to ignore the corkscrew completely; simply opting to stay in his (frankly, freakish) half gremlin man half heron costume form. The Heron changes because Mahito inspired him to change. Even though his image used to be spotless before, and he tried to deceive Mahito, after a while, he stopped doing that. The mutual trust both Mahito and the Heron had grew. The Heron became a person, although his heron-ness would never go away.

The Heron thus warns Mahito that he should want to forget. That he will forget, either way. That this struggle of his to grapple with the reality of his situation, and the fantasy that he was delving into, will become a far-off memory that Mahito should not revisit. The Heron, I believe, is genuinely trying to look out for Mahito.

"Don't dwell in what you have already overcome. Don't revisit the things you have already outgrown."

And this is where the movie more or less ends. Mahito still keeps that stone, and his mother's book, and he goes back to Tokyo; the only crucial difference is that he has overcome his own grief.

Now, I've said this like a billion times now, but this is the rebirth. This is what I think this movie stands for. What it means, at its core. This is what it means to live; to move on and to cut ties with that what has no place in your life anymore. Miyazaki, I think, is trying to give us closure, a final farewell to Ghibli altogether.

Now I don't know about any speculation that he might come back again, and personally, I don't think it really matters. If he does come back, good for him. I just don't know enough to say anything for sure, so I'll just say I cannot say.

Either way, I think, even though Miyazaki conveyed the need for a new start/a rebirth, he didn't really end on the complete abolishment of all that used to be. You are allowed to keep mementos of it; even though the Heron advises not to. Mahito is allowed to reflect upon this experience, to see it as another stone in his foundation/formation, to say that, yes, the spirit of this change will always stay with me, although it has passed.

Just like how Mahito's mom was someone who returned to the past without regrets. She never came back. She was a spirit that pushed Mahito forward, and he will always remember her, but it's better that she stay a memory than become a fantasy.

This is why I'm so impressed by this movie in general. I'm so thankful that I was able to witness this with a friend of mine. I'm glad that I was able to see this, even though my insanity knows no bounds, and the fact that I didn't even think about any of this until I really sat down to look through the options of interpretations.

I'm so glad I got to go. Now it's time to run towards the future, and never look back.

#the boy and the heron #genuinely what was I on actually #I can't believe I am writing this/have written this #Disclaimer: I am really just saying shit please do not take this as the end all be all or whatever; I just need to say it just in case.#oh btw this is DEFINITELY not meant to critique or dismiss any of the people that have other opinions than I do #I just needed to put my own interpretation out there #together with my few flourishes of storytelling here and there even though I'm not even sure if it makes any sense whatsoever #the boy and the heron spoilers #spoilers #I think like. there is so much more to be said about this. there is so much more that can be touched upon #without the repetitive stuff of unstructured “just wing it” (ha ha get it. because there's so many birds and flying metaphors in this.)#essays and shit like this #like I haven't even touched upon Mahito's father and the entire airplane thing that could just be a reference but also-#it could be a metaphor in how his father is trying to overcompensate and how he just wants Mahito to fly again so he creates and works so-#hard that he eventually just ends up being absent in Mahito's life.#which is sickening. (positive/bittersweet)#anyway I am still just saying shit. enjoy the??? idk essay upon essay upon essay of late night insanity.

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