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#ITS OFF MY CHEST
pokimoko · 10 months
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I can't keep being fundamentally changed as a person by animated movies, it's just not sustainable.
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itistimetodisappear · 3 months
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Yes we've all heard aroace people complain about the 'you haven't met the right person' line. But to the idiots citing this as the reason aroace people 'aren't oppressed’: No, micro aggressions aren't what's oppressing us.
I could talk about corrective rape, but I'm not going to because that's not what scares me the most. The worst thing about being aroace (aromantic, and asexual to a certain extent) is that society is set up for couples.
Being aromantic is a crushing economic disadvantage. As a couple, you can save more. As a legal couple, you can borrow more. This puts Mortgages out of reach for a lot of aromantics. Adopting too. Although aro people can adopt, you must have a similar income to a couple, which again, rules out a lot of aros. Don't forget Immigration, spousal visas will never be an option for us.
Being poor and aro means you're denied housing, family, international movement, basically anything that allos of a similar income would get. And anything you can get, you'll have to jump through many more hoops for. But we can't fix this by legalising aro marriage, like we did for the gays. Until our society's economic system is completely revolutionised, we'll be waiting.
It's impossible to compare oppression. You can't objectively say which minority group has it worse and I really mean that. But also I'd rather be called slurs and hated by Christians all fucking day.
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mammutblog · 8 months
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he's post-patrol sweaty
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starry-bi-sky · 3 months
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Broke: danny runs away from bruce wayne because he reminds him of Vlad (bad, overused, fundamentally misunderstands Bruce’s character as a whole for a shit joke)
Woke: bruce wayne doesnt remind danny of vlad masters, but of his best friend sam manson
black hair? check ✅
jewish? check ✅
richer than god? check ✅
gothic? well, mister wayne isnt himself but he lives in the most gothic city on earth so quasi-check ✅
loudly and proudly an activist for various rights including environmental and womens' rights? check ✅
im tired of the "oh danny runs away from bruce because he's rich and reminds him of vlad" give me a danny who actually likes bruce because he reminds him of his awesome kickass best friend who is also stupidly rich
like i’ve been told about the whole “oh fruit loop joke” before and i still think its a cheap, shallow joke if i’ve ever heard one that flanderizes Bruce’s character to an impressive degree. Vlad and Bruce are only comparable in the same sense that they’re both rich and Bruce adopts kids — but he isn’t doing it because of the “adoption addiction” joke, he’s doing it because he sees himself in the kids he adopts and he wants to give them better than he did. Vlad wants Danny as his son to spite Jack, they are not remotely comparable beyond that.
Like, beyond that too i highly doubt vlad masters gives his employees benefits like bruce wayne does. who canonically hires reformed villains and has various branches of medical, industrial, technology, etc in his company in order to help the people of gotham. does Vlad Masters run charities, soup kitchens, etc?? is Vlad contributing to the community? No, no he isnt.
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corvidcall · 2 years
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None Of You Know What Haiku Are
I'm going to preface this by saying that i am not an expert in ANY form of poetry, just an enthusiast. Also, this post is... really long. Too long? Definitely too long. Whoops! I love poetry.
If you ask most English-speaking people (or haiku-bot) what a haiku is, they would probably say that it's a form of poetry that has 3 lines, with 5, and then 7, and then 5 syllables in them. That's certainly what I was taught in school when we did our scant poetry unit, but since... idk elementary school when I learned that, I've learned that that's actually a pretty inaccurate definition of haiku. And I think that inaccurate definition is a big part of why most people (myself included until relatively recently!) think that haiku are kind of... dumb? unimpressive? simple and boring? I mean, if you can just put any words with the right number of syllables into 3 lines, what makes it special?
Well, let me get into why the 5-7-5 understanding of haiku is wrong, and also what makes haiku so special (with examples)!
First of all, Japanese doesn't have syllables! There's a few different names for what phonetic units actually make up the language- In Japanese, they're called "On" (音), which translates to "sound", although English-language linguists often call it a "mora" (μ), which (quoting from Wikipedia here) "is a basic timing unit in the phonology of some spoken languages, equal to or shorter than a syllable." (x) "Oh" is one syllable, and also one mora, whereas "Oi" has one syllable, but two moras. "Ba" has one mora, "Baa" has two moras, etc. In English, we would say that a haiku is made up of three lines, with 5-7-5 syllables in them, 17 syllables total. In Japanese, that would be 17 sounds.
For an example of the difference, the word "haiku", in English, has 2 syllables (hai-ku), but in Japanese, はいく has 3 sounds (ha-i-ku). "Christmas" has 2 syllables, but in Japanese, "クリスマス" (ku-ri-su-ma-su) is 5 sounds! that's a while line on its own! Sometimes the syllables are the same as the sounds ("sushi" is two syllables, and すし is two sounds), but sometimes they're very different.
In addition, words in Japanese are frequently longer than their English equivalents. For example, the word "cuckoo" in Japanese is "ほととぎす" (hototogisu).
Now, I'm sure you're all very impressed at how I can use an English to Japanese dictionary (thank you, my mother is proud), but what does any of this matter? So two languages are different. How does that impact our understanding of haiku?
Well, if you think about the fact that Japanese words are frequently longer than English words, AND that Japanese counts sounds and not syllables, you can see how, "based purely on a 17-syllable counting method, a poet writing in English could easily slip in enough words for two haiku in Japanese” (quote from Grit, Grace, and Gold: Haiku Celebrating the Sports of Summer by Kit Pancoast Nagamura). If you're writing a poem using 17 English syllables, you are writing significantly more content than is in an authentic Japanese haiku.
(Also not all Japanese haiku are 17 sounds at all. It's really more of a guideline.)
Focusing on the 5-7-5 form leads to ignoring other strategies/common conventions of haiku, which personally, I think are more interesting! Two of the big ones are kigo, a season word, and kireji, a cutting word.
Kigo are words/phrases/images associated with a particular season, like snow for winter, or cherry blossoms for spring. In Japan, they actually publish reference books of kigo called saijiki, which is basically like a dictionary or almanac of kigo, describing the meaning, providing a list of related words, and some haiku that use that kigo. Using a a particular kigo both grounds the haiku in a particular time, but also alludes to other haiku that have used the same one.
Kireji is a thing that doesn't easily translate to English, but it's almost like a spoken piece of punctuation, separating the haiku into two parts/images that resonate with and add depth to each other. Some examples of kireji would be "ya", "keri", and "kana." Here's kireji in action in one of the most famous haiku:
古池や 蛙飛び込む 水の音 (Furu ike ya kawazu tobikomu mizu no oto) (The old pond — A frog jumps in The sound of the water.)
You can see the kireji at the end of the first line- 古池や literally translates to "old pond ya". The "ya" doesn't have linguistic meaning, but it denotes the separation between the two focuses of the haiku. First, we are picturing a pond. It's old, mature. The water is still. And then there's a frog! It's spring and he's fresh and new to the world! He jumps into the pond and goes "splash"! Wowie! When I say "cutting word", instead of say, a knife cutting, I like to imagine a film cut. The camera shows the pond, and then it cuts to the frog who jumps in.
English doesn't really have a version of this, at least not one that's spoken, but in English language haiku, people will frequently use a dash or an ellipses to fill the same role.
Format aside, there are also some conventions of the actual content, too. They frequently focus on nature, and are generally use direct language without metaphor. They use concrete images without judgement or analysis, inviting the reader to step into their shoes and imagine how they'd feel in the situation. It's not about describing how you feel, so much as it's about describing what made you feel.
Now, let's put it all together, looking at a haiku written Yosa Buson around 1760 (translated by Harold G. Henderson)
The piercing chill I feel: my dead wife's comb, in our bedroom, under my heel
We've got our kigo with "the piercing chill." We read that, and we imagine it's probably winter. It's cold, and the kind of cold wind that cuts through you. There's our kireji- this translation uses a colon to differentiate our two images: the piercing chill, and the poet stepping on his dead wife's comb. There's no descriptions of what the poet is feeling, but you can imagine stepping into his shoes. You can imagine the pain he's experiencing in that moment on your own.
"But tumblr user corvidcall!" I hear you say, "All the examples you've used so far are Japanese haiku that have been translated! Are you implying that it's impossible for a good haiku to be written in English?" NO!!!!! I love English haiku! Here's a good example, which won first place in the 2000 Henderson haiku contest, sponsored by the Haiku Society of America:
meteor shower . . . a gentle wave wets our sandals
When you read this one, can you imagine being in the poet's place? Do you feel the surprise as the tide comes in? Do you feel the summer-ness of the moment? Haiku are about describing things with the senses, and how you take in the world around you. In a way, it's like the poet is only setting a scene, which you inhabit and fill with meaning based on your own experiences. You and I are imagining different beaches, different waves, different people that make up the "our" it mentioned.
"Do I HAVE to include all these things when I write haiku? If I include all these things, does that mean my haiku will be good?" I mean, I don't know. What colors make up a good painting? What scenes make up a good play? It's a creative medium, and nobody can really tell you you can't experiment with form. Certainly not me! But I think it's important to know what the conventions of the form are, so you can appreciate good examples of it, and so you can know what you're actually experimenting with. And I mean... I'm not the poetry cops. But if you're not interested in engaging with the actual conventions and limitations of the form, then why are you even using that form?
I'll leave you with one more English language haiku, which is probably my favorite haiku ever. It was written by Tom Bierovic, and won first place at the 2021 Haiku Society of America Haiku Awards
a year at most . . . we pretend to watch the hummingbirds
Sources: (x) (x) (x) (x) (x) (x)
Further reading:
Forms in English Haiku by Keiko Imaoka Haiku: A Whole Lot More Than 5-7-5 by Jack How to Write a Bad Haiku by KrisL Haiku Are Not a Joke: A Plea from a Poet Who Has Had It Up to Here by Sandra Simpson Haiku Checklist by Katherine Raine
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zarnzarn · 8 months
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i see all these comments talking about this after the new episode, but. i would like to state for the record that stolitz isn't. toxic.
first off, the concept of a toxic and a healthy relationship are such... vague terms. when you're online, drenched in language and tight moral boundaries, trying to put a nuanced story like helluva boss's into boxes is easy to attempt and impossible to do.
a toxic relationship is one where one or both parties is maliciously affecting the other. I'm talking fetid, nasty, rude interactions where there is more hurt than love. they're unhappy more often than not when they're with their partner, there's no respect or give from the other side.
stolitz is nothing like that.
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Stolas actively cares about Blitz and actually has no fear or hesitation in ADMITTING IT OUT LOUD TO OZZIE. he has been calling, texting, commenting, laughing and finding ways to spend time with Blitz. he's throwing everything he has to the wind, finding the courage to move forward with the divorce, putting everything he has into trying to keep him. he's been alone in a palace since he was born, on medication, with such less people dear to him that he remembered the circus boy who spent a day with him DECADES ago- so when blitz comes into his life and brings back in laughter and color and sex, he's holding on with everything he's got.
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and blitz does care!!! he cares a LOT, the whole series we see him falling in love with stolas through SHOW NOT TELL (his expressions, his choices, his fear, his lashing out) and utterly unable to process that stolas cares about him too when talking to fizz; almost a desperate kind of denial-
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cause yknow. the first time he tried to confess something to someone he really liked, he accidentally killed half the people he knew and ruined the lives of the rest?
thats gonna leave just a teensy impact on the will to express your emotions in the future, methinks.
even before that, he clearly felt like on some level that he was unworthy and he's said twice that he despises himself for the accident even though it wasn't actually his fault. being self aware doesn't stop the emotions from emotioning.
he keeps insisting its only sex so urgently to anyone who doesn't ask because he can't even imagine it being anything else. he's both disappointed and relieved when he repeats that stolas sees him as a novelty, because what else can it be?
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(there's a whole other spiel of how brave both Stolas and Blitz have to be to say it out loud even when asmodeus can't afford to, considering how publically and completely beaten down both were at the club.)
(there's also another whole spiel about how frustrating it has been for ME to see all these comments over time with such bad takes based on like,, 20 min worth of info of a show that takes months to release an ep. like godDAMN have some patience?? let the story UNFOLD MAYBE? IT WAS ALWAYS GOING TO HAVE AN EXPLANATION WHY WOULD YOU CRITICIZE THINGS THAT ARENT EVEN FINISHED ESPECIALLY AN INDIE ANIMATION- i digress)
mind you, this has NOTHING to do with abuse. an abusive relationship is one where one is actively harming the other with full awareness. Stella is an abuser and their marriage is abusive.
and stolitz isn't that; it isn't even unhealthy or toxic. it's a consensual, transactional fuckbuddy relationship that slid into something more for both of them.
but!!!!! one of the main reasons for the problems that everyone looks over is-
they're in a BDSM relationship.
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I can't possibly delve into dynamics without making this a 10k research paper BUT even though we've gotten only hints and costumes and dialogue- they're very clearly and undeniably in a BDSM contract. Behind the scenes of this crazy show is a whole different story, of these two delving into the most hardcore kinks out there- knifeplay, painplay, bondage.
if you've gotten into the community, if you've read a couple dozen particularly good fics by authors who know what they're talking about, hell; even if your only experience is fifty shades or 365 or whatever- you gotta know that BDSM scenes are crazy fucking emotionally heavy. there's so much that has gone down between them during their full moons that helluva can't get into!!
but you know how in so many of these popular medias and fics, the dom in the relationship is also like,, the billionaire/mafia heir/prince, etc, the one with financial and physical power? this isnt that. it has been very clearly stated that stolas is subbing, blitz is domming.
now take a moment and think about how much that fucks up the dynamics.
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in stolas' eyes, blitz is a confident, dangerous individual who's an old friend and cherished memory of his, who he's trusted wholly with his safety during sex and he's lucky to have; and he has been in an abusive arranged marriage for the past eighteen Years, he's probably not going to be pushing his luck with his dom that much in the first place. plus, blitz is never cowed by him during their conversations- think back to the first phone call right after he stole the book, completely unafraid.
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and for blitz, it's someone trusting him again- but it's also a royal- a blue blood who's nearly untouchable and so much more powerful- who couldn't possibly like a piece of shit like him, apart from the sex he gets out of it. he only flirts once he gets some sort of cue from Stolas; he's desperately trying to view this as only a Goetia trying to get his rocks off, despite all the evidence to the contrary, because anything else is unfathomable to him, no matter how clearly Stolas shows it, because of the ptsd.
both of them thinks the other has the power. both of them aren't expecting the other to keep shut if something's bothering them.
and there's so much conflicting messages from the other too!
stolas calls him a plaything when trying to intimidate the humans; stolas cups his face gently and asks if he's alright
blitz asks him on a date and tells him to get better soon; blitz yells that it's only sex and doesn't reply to his messages
ya see?
bring it to fizzozzie for a second now; even though they do look all good on surface, you can still see fizz's trauma and doubt in all their interactions, they're still forced to keep the relationship secret. do you see his face when Ozzie says in hyperbole that he's never leaving the house again, or when someone accuses him of being a pampered house pet or when he got sexualized in the 7th ep? whatever happened in the interim between the accident with mammon, it fucked him UP. even though oz seems to be well aware of this when he tells him not to apologise and in their general interactions, fizz still visibly has trouble separating plaything/commodity from healthy relationship.
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shout the fuck out to Ozzie btw, man knows whats UP. rooting for these two so much omg.
i forgot where I was going with this point, I'll edit it when i remember. but yeah! lovely fucking relationship, but damn what angst filled issues.
anyway, to sum up- stolitz is not a toxic relationship. the relationship is stuck sludging through misunderstandings and careless microaggressions and trauma responses, but it's not unhealthy or toxic because of the simple reason that most of the current hurt comes from... a misunderstanding. stolas didn't realise blitz would need reassurance about what they were and blitz didn't see stolas as someone who could get hurt.
unecessarily calling it toxic, even online, is more impactful than people think too. almost all spindlehorse ARE on all social medias; so MANY YouTube animators i know have found jobs there; they see your words, especially since a lot don't tag posts with "anti hb" correctly to keep them out of the main tag. there are Very few queer medias made BY queer people that haven't gone through heavy corporate revisions- helluva boss is practically a historical landmark in its success. it's very very very fucking easy to forget that not ten years ago some of the only queer videos on YouTube were butter lover (one kiss at the end post credits), dirty paws and welcome to hell (subtext).
the amount of "critical talk" helluva boss gets for what it is is very unprecedented. it's a beautiful show. can't wait for the next episode.
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alevens · 3 months
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zolu is maybe one of the easiest ships i've ever liked. they're dating, except when they're not, they're best friends even when they're kissing and they're still captain and first mate when they aren't. they hold hands, they hug. they have sex. they don't.
Luffy can hold Zoro's katanas and Zoro can hold Luffy's strawhat and no one bats an eye. one says "You're so cool!" and the other says "You're strong" and it's just another way to say "I see you, this is why I follow you/this is why I trust you". it's not seeing each other for a long time and still knowing how the other's steps sound like against wood and sand. the captain runs and the first mate follows. it's always "Zoro and the others" and "Where's Luffy?"
if they're just friends, if they're something more, if they don't have a label for it, at its core, it's just about how they get each other. they understand how the other's mind works. however you view them, it doesn't erase they fact that they love each other in a way they don't love other people.
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harbingersglory · 4 months
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Mayhaps something with (transfem) Kujou Sara fucking a bratty reader who (intentionally) pisses her off to the point where she goes all out with her full inhuman strength, ultimately knocking them up completely by accident because she was so caught up in the moment she forgot to pull out?
I bet nobody expected her to be first out of her siblings to become a parent, least of all herself, but she ain’t complaining!
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{☆} characters kujou sara {☆} notes drabble, implied fem reader, sub reader, transfem kujou sara {☆} warnings 18+ content, breeding kink
Kujou Sara was not one to allow herself to lose her ironclad control– she was a general, above all else, a servant of the Almighty Shogun.
Yet try as she might, you..you had a way of getting under her skin in a way that had her patience and will tested. Maybe it was the bratty, teasing demeanor that had her jaw clenched so hard it creaked, or maybe it was the provocative words you'd whisper in her ear while she was trying to focus.
It was irrelevant in the face of her dragging you back to her quarters, her brows furrowed and her lips pursed into a thin line– she tried to be gentle, but her grip was firm on her arm as she pulled you into the delicately managed room, her composure cracking like shattering glass. She wanted to wipe that smug grin off your face when she slammed her hands against the door, the wall nearly splintering beneath barely restrained strength, her expression..less than amused.
"Just what are you trying to accomplish?" She ground out, her teeth aching from how hard she was clenching her jaw– and, though she refused to outwardly admit it, your little..distraction was working far better then she wanted to admit to even herself. "I told you not to..to do such things while I'm working. Do you ever listen?"
She nearly growled– like some common beast, she thinks, and she is glad for her tempered control that she did not embarrass herself in such a way. She still had her dignity. But Archons, you were testing that control even still– the way your tongue poked out like a child, mocking and teasing, as if you wanted her to snap.
She almost considered it, but..you were human, she had to remind herself. Archons knows she's never forgive herself if she actually hurt you.
"What? Can the General not handle a little playful banter?" Sara opened her mouth to snarl back a reply, but she closed it but a sharp click just as quickly, a grimace gracing her features instead. "Is that all it takes to rile you up?"
She wants to deny it, keep her sense of control, but damn it– the way your hands glide across her skin, your nails just barely ghosting across the flexing muscles of her back..she feels her control slipping faster then she can maintain it, her lip quivering.
"You.." She croaks out in reply, trying to subdue the uneasy urge that lingers in the back of her mind with every glance down at you, every touch of your hands, every word that drips from your lips like honey. The silence is broken by a low growl, her hands tugging you off your feet and practically shoving you onto the bed.
"What? Are you going to shut me up? Or are you going to admit you enjoy it?"
Fine, she thinks, fine! If this is what you want so badly, she's going to shut you up the only way she knows she can.
She wastes little time between shoving you onto the bed and climbing on it herself, one of her hands reaching up to tangle in your hair as she shoves your face into the mattress, her other hand fumbling with your clothes– just enough to expose your dripping cunt to her, nostrils flaring at the sharp tang of your arousal, her teeth bared in a snarl.
She can't help the raspy groan that tumbles from her lips at the sight– you looked perfect like that. Quiet, your face forcibly held down, your thighs soaked in your own arousal. She absentmindedly wonders if you'd been so wet the entire time– if you'd just been waiting, no, practically begging for her to just..she can't even finish the thought, her hands trembling and her control slipping even further.
Her free hand fumbles with the hem of her own shorts, freeing her straining, twitching cock, pre cum beading at the tip. Her fist tightens in your hair as she leans over you, pressing her chest against your back and aligning her aching cock to your entrance. She almost snaps out of the fog clouding her rationality, but it returns in full force when she snaps her hips forward, sinking into your cunt with a sharp hiss.
"Fuck," Sara curses beneath her breath, groaning at the tight heat enveloping her– Archons, she'd never get used to it. It only drove her further over the edge, rolling her hips to force more of her cock into you. "Not..not going to talk back?" She growled, huffing and releasing her hold on your hair to instead slip her fingers past your lips. The muffled, garbled response was..far more enjoyable than she expected, the hazy eyed look as she sunk fully into you.
It made her feel lightheaded, to be honest. She was getting a bit too carried away, but the way your walls squeezed against her..her teeth ached for an entirely different reason, tongue swiping over the sharp points before she leaned down to sink them into your shoulder, pulling out and slamming back in with a muffled groan. Her pace was frantic after that, dragging moans and whimpers from your throat like a chorus of broken notes.
She hated how easily you got under her skin, but damn it, she couldn't deny how good it felt to put you in your place. You couldn't even get away if you tried– you were human, and while it made you fragile it also made you weak. Easier to handle.
Even if your tongue was far sharper than your appearance would make one believe.
Archons, she was so close, though. She pulled her fingers from your mouth, nearly crumbling at the moan that tumbled openly from your lips immediately after– she may have chastised you for your attitude, but she still thoroughly enjoyed hearing you. Just knowing you were unable to form anything more complex then senseless babbling was a special kind of high.
She wants to speak, but even her own words fail her beyond a low groan, the absence filled with the slick sound of her wild thrusts, caring little about the stinging ache in her thighs as she pounds you into the mattress without a shred of hesitation or rationality beyond fucking you into silence.
A small part of her, the rational part, tried to remind her to pull out– but your cunt felt so fucking good she just kept going despite the sirens blaring in her head. Even as your limbs tensed and your voice grew hoarse from screaming, she kept you beneath her, nipping at your throat to leave her mark against your skin. She was so close, just..just a little more. Just a little longer. Archons, she doesn't ever want to leave– doesn't ever want to pull out.
Her hands grasp your hips tightly as she nears her own climax, slamming back into you with a broken moan– she barely registered the fact she had cum inside you beyond the thrill of it dribbling down your thighs, not even her cock enough to keep you plugged up as she tried to gain some semblance of control through the haze.
..Fuck. She was going to regret this. She was, every so slowly, coming back to her senses– the first thing she felt was embarrassment, then panic, and then resignation.
At the very least she hadn't accidentally fucked you into unconsciousness on accident.
She was much gentler as she sat up, her cock still half hard as she pulled out, inhaling sharply at the way her cum dripped down onto the sheets. She hated how arousing it was. No– no. She needed to get a hold of herself.
But then again..you didn't seem to be complaining, at least not yet. She hesitantly lifted her eyes to see your expression, her throat suddenly feeling dry at the smug satisfaction on your face.
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poorly-drawn-mdzs · 6 months
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Old Men(tor) Big Naturals
(for @3luecactuz)
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Hey, I had a thought for the fantasy au! So on one of the previous versions of the WH website, there was a rhyme for the show that went:
A house is a place with four walls and a floor,
with a ceiling above and a lovely front door.
There's a bed to cradle you safely at night,
and windows to bring in the morning sunlight.
Your house is a mirror of just who you are,
A reflection that tells you to never stray far.
Which I thought might make a good incantation for when Wally properly summons Home (I can't remember if that's ever required for Warlocks but hey, it's still a fun poem regardless).
ohhhh this. i like this...
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bonus og sketch! big ol eyes...
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& no capalet because uhhhh eh nah and also i wanted Home's pendant to be on full display!
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madarasfloofyhair · 7 months
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I still can't get over stsg's introduction as a concept. gojo was built up to be isolatingly powerful, a league of his own: childish, annoying to all those close to him, hard to stand but respectable (aka nanami and utahime), a slippery guiding mentor, unruly and untamable, a whole force of his own and solely his own (the confidence, the disobedience to elders, the reputation, the fear and awe around him)---all introduced through yuuji's non-judgemental and curious lens. I think someone pointed ages ago out how- the closer someone is to gojo, the more tired they look inside. and that's why when they actually introduce the fact gojo had an actual, real friend- a best friend- you start to think, what? what kind of person would suit and match satoru gojo? who is this? who would make gojo feel equal? and it's somehow??? this obnoxiously moral guy?? filled with a kick of anger and buckets of tormented righteousness, and a witty (later turned bitter) benevolent streak. and you watch gojo watching him, always standing by him, watch him fit into place there like he couldn't see anything else. watch the in-sync laughter, the back-and-forth banter, watch them just be teenagers admist it - someway and somehow - same childish attitude, but younger, impressionable, and its like gojo's storing all his experiences with geto away in his mind. the discussions of who to protect-? gojo lives it out. the pain of geto's fall-? gojo carries it for the rest of his life, an aching open wound. it almost hurts that gojo's childish antics aren't complimented by geto's indulgent, light-hearted admonishing anymore. something you didn't realise was missing the whole time until now??? didn't realise "after all, I'm the strongest" used to be been "after all, we're the strongest". and in getting to know geto, you puzzle through how he was gojo's 'one and only': a guy who's personality comes off a bit controlling, a bit forceful, way too philosophical, clinically considerate- and somehow this really was gojo's best friend. they clashed over all their differences all their time together and yet even that was so important to them both, and you come to know it couldn't have been anyone else. this is who helped make gojo who he is. this is who was missing from him at the start.
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coolnonsenseworld · 8 months
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(this is part of the calendar 2024 lore, now on pre-order, to know more check out prev posts)
April was Keith's idea of relaxation. He enjoyed parks, the feng shui of them, nature's ability to thrive despite and against anything happening - the silence of it. Watching Keith wind down and relax when he is a strung wire most of the time, would definitely make Lance feel all lovey-dovey and clingy (as he tends to get) and when he’d worry he is disturbing, Keith would comment this is exactly how it should be - the constant yin to his yang, and the yang when he feels yin.
Also - both shirt and hoodie are Keith's (he has way too many hoodies with quotes). Lance took the hoodie for Keith, but Keith insisted he won’t get cold, so he wore it himself. On the way home Lance funds Keith the biggest sushi serving he could find on the menu, and, believe me, nothing lights up Keith's eyes like a table full of rice and algae. Lance just watches with a soft smile. (Keith does end up getting cold)
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spaceinvadeeer · 2 months
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vegan werewolf x scrawny vampire imp
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sad-leon · 3 months
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I've reblogged my moots' posts, but i want to say it for myself as well
I don't care what you make, I don't care what you support, as long as you tag your stuff properly, I have no problem with you
This goes for Tcest, April x Turtle, NSFW - if you create or engage in this content, you're welcome here as long as you don't force it onto me, which despite what a lot of people complain about, is not a problem I've run into
They're fictional characters, I just wanna have fun with my silly little turtles, and if you wanna have fun with these silly little turtles with me, you're welcome here
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rabiesram · 1 month
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how it feels being the only person in this fandom that doesn't like nar1/lamb /not neg
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etoilesbienne · 4 days
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ive held this back for a year now but i hate cucurucho i hate that fucking bear i hate that nasty white thang and how it tortured people i dont think it was ever misunderstood it was always clearly some kind of weird science experiment thang if not just a straight up robot and working for an evil shadow corporation if cucurucho has 1 million haters im one of them if cucurucho has 1000 haters im one if cucurucho had 10 haters im one of them if cucurucho had 1 hater its ME and if cucurucho had 0 haters ASSUME IM DEAD fuck that bear for real i hope it dies
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