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#I'm on my rewatch and this scene came up and I still don't get it
buggachat · 10 months
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To be clear, I goddamn hated the finale on first watch. I was withering in my seat. My heart had dropped to my stomach. I had no fucking idea what I was watching in that final scene lmao
and then Adrien said "when Ladybug gave me the rings—" and I was like— wait. LADYBUG? LADYBUG STILL EXISTS?
I THOUGHT THE ENTIRE TIMELINE HAD BEEN REWRITTEN 😭😭😭😭 I THOUGHT LADYBUG AND CHATN OIR DIDNT UFCKING EXIST uNTIL ADRIEN SAID THAT I WAS SO SO SO SCARED
and then I realized, oh wait. This isn't a complete utopian timeline rewrite. This is just a timeskip of a few months and Mme Bustier is just a kickass mayor. In fact, she's only mayor BECAUSE it's still the same timeline. And then I realized, hey, wait, if they didn't rewrite the timeline, then how tf is Emilie casually there with no questions?
And then I realized she was wearing black. And Félix was there. And I remembered Amelie exists.
Basically, I went into the finale chanting to myself "it's okay, it's okay... they probably wont bring Emilie back... they probably won't rewrite the entire timeline permanently.... right? please....", even though I didn't actually expect it to happen, but just because I was terrified that it could. And apparently that fear actually got to me so much that I misinterpreted the episode as being everything I didn't want it to be... when... it actually wasn't that at all
anyway, all of this is to say, everything in the episode happens so fast that it confused and terrified me at first. And when I realized what had happened, my opinion went from "my year is ruined" to "oh. well. okay. kind of disappointing, I guess". And then I kept thinking about it, and the ending, and all that is set up and rewatching the scenes and all the loose ends still in place and.... i realized I loved it?
like, every time I think about this finale, I love it more. every time i rewatch a scene, I get a little obsessed. this episode went from my nightmare to actually really really cool to me, and I'm still kind of reeling from it
Basically, this is why I've been kind of passionately defending the finale— not because I think people who don't like it are """dumb""" or anything, I don't blame people at all for that, and I totally get the confusion. I was confused too. And I know I'm not the only one who went in preparing themselves for the worst, or went in with very specific expectation on what will happen, because this finale has been long awaited for so long. I think everyone was shocked with how it ended. I think most people probably startled at Amelie's face (it's so easy to forget she exists....)
Anyways, I started this post basically as an apology for if I seem too aggressive or defensive about the finale. Because I get it! I get hating it! I get being disappointed or frustrated or confused! Part of why I'm so defensive is because I have all the arguments so ready on the tip of my tongue because I had the very same argument with myself already 😭 So I'm sorry if any of my posts came off as too aggressive and in advance for any future posts that might. I promise promise promise I'm not trying to make anyone feel bad for having bad opinions on the finale! I just think this episode is really cool and the fact I related to a lot of the nay-sayers makes it easy to feel so impassioned about it.
But this post is getting off the rails and I'm just gonna let it, because some of my regrets w my participation in fandom is that I find myself chickening out of actually talking about my thoughts on episodes a lot. I get kind of overwhelmed and overthink everything after I've posted it and I'm a shy person. But my inbox is closed and this is the season 5 finale and I want to ramble and ramble so I will allow myself this
Basically, I went in with some very specific expectations for this episode. We all know about the Hawkmoth defeat story. Many of us have read it in fics over and over again, it was teased in Chat Blanc, we all know what we expect, we all know our favorite beats from it.
And what actually happened....... met virtually none of those beats. (For me, at least).
Like, Adrien wasn't there for the final episode. At all. He was completely absent from the confrontation. He never found out his father was Hawkmoth. He got his rings, but he never found out he was a sentimonster. He is living in the dark.
Ladybug confronted Monarch... alone. Which is sad, when so much of the series is dedicated to the partnership of her and Chat Noir. Them against the world....... and Monarch was "defeated" with nary a Chat Noir in sight.
The whole entire "Gabriel is known as a hero" thing. I don't think anybody was expecting that. Absolutely shocking.
The fact Marinette would lie to Adrien like that. The fact she's keeping so much from him. The fact everyone is. SO MANY people in Adrien's life (Marinette, Plagg, Nathalie, Felix, Amelie, Kagami, probably Alya, maybe more I'm not thinking of....) are just... lying to him, now. He is so in the dark. He knows nothing.
But.........
I kind of like that I didn't predict nearly any of this. I like that it caught me off guard. I love how this show just completely baffles me at every turn, how it will present concepts and ideas to me that I've never read a fic about.
In retrospect, Chat Noir being absent from the final battle... makes sense. It actually makes a lot of sense, if I think about it, because... there is only one possible way that could've gone, right? Chat Noir would not be allowed to have the emotional implosion that he would have to have. This is devastating. This is SO devastating. This is the entire shattering of Adrien's entire world we're talking about, and Chat Blanc is the only real way for that to end. Adrien has an emotional implosion in front of Monarch, he gets akumatized, it turns into an emotion explosion, extinction event. The end. We've already seen it.
And........ even if it didn't end that way, even if he managed to avoid akumatization...... how could the finale satisfyingly end on that note? How could it end in any semblance of a "wrapped up" way, at the very start of Adrien's emotional breakdown? It couldn't. I wouldn't WANT it to. In retrospect, Adrien finding out his dad is Monarch and then.... what? The season ends on a close-up of him crying? The season ends with a time-skip to the new school year where they skipped his entire grieving period!? I would HATE that, actually. I would hate that. I thought I wanted it, but I would hate it. I would hate it so so so much.
What's kind of amazing is that the finale ended with Monarch being defeated.... but Adrien still has those realizations to make. He still has those betrayals to come to terms with. There is time for him to make these realizations, for him to come to these conclusions, perhaps one at a time, perhaps in a more controlled environment.... and that gets me far, far more excited for the seasons to come than an episode that tried to wrap it all up in the last 5 minutes.
Also, the reason Adrien didn't go to the final battle was because he feared becoming Chat Blanc. He didn't know the truth to it, didn't understand that literally, yes, that's what would have happened if he was there, even if he hadn't been under a nightmare curse. But he still knew. He still expected it. He willingly chose to sit it out, no matter how much he hated it, because he knew. And there's something kind of powerful to that, I think, of Adrien making a choice that is so unequivocally the Correct choice, even more than he realized. And the strength it took for him to make that decision...... damn.
As for the lies and the Gabriel statue? I... it's upsetting, but it's supposed to be. And I believe it. I absolutely believe it. I 10000% believe Marinette would keep the secret of Monarch's identity to herself to try to save Adrien the pain. I 10000% believe that the population could easily be led to believe a famous billionaire is a hero. I 10000% believe that Adrien would WANT to believe it. I 10000% believe Tomoe would take advantage of it.
And I can't wait to see that illusion crumble.
Also.... this is the beginning of The Lila arc.
And the Lila arc begins on........ Marinette telling the biggest, boldest face lie she ever told. The Lila arc begins on the most extreme city-wide illusion we've ever seen. It begins on such a huge fabrication and....
..... it's Marinette's lie.
............ and Lila knows that it's a lie.
I'm
!!?!?!?!
This is so fucking cool???? The irony here??? the deceit???? All these loose ends, all the possible confrontations, all the ways this could GO. I don't know where the show is taking this, obviously, because nobody ever can predict where this show is going apparently (and I love it for that), but oh my god. I'm imagining all the fics I could read about this. all the fics I could write. all the thoughts and scenarios that this finale has provided me with to daydream about as I go to sleep.
Adrien, going through the motions of life. Looking up to his father as a hero, despite the fact the last time he saw him, Adrien was sobbing, in tears, and cursing his name. Adrien, after all the abuse he was subject to, having to look up at a statue of his father and...... be forced to think that maybe he was wrong about his father. But he's not wrong. He WASN'T wrong. He just THINKS that he is. His father is going to continue to loom over his life in ways I never expected post-hawkmoth. Adrien's relationship with Gabriel has not ended, a new and terrifying and horrible new chapter of it has simply begun, and Adrien is still as manipulated by his father's ghost as he was by his father himself.
THAT'S. WILD!!!
also, Adrien now believes that MONARCH MURDERED HIS FATHER. Chat Noir now believes that his greatest nemesis KILLED HIS FATHER. CHAT NOIR, resident self-sacrificer, believes that HIS FATHER was a HERO who DIED FIGHTING MONARCH. Adrien thinks that maybe he should be more like his father— more like his father who died in battle. This is. Not Good. For Adrien.
And it's Marinette that started this. Well intentioned Marinette, who doesn't really understand the extent of the horrors. Marinette, Adrien's girlfriend, the person he trusts most. She did this.
And, I mean.... god. I totally get how this sucks for a lot of people, because it's objectively upsetting.... but I LOVE lovesquare tension. Season 4 is probably my favorite season for that reason alone (still mulling over if season 5 beat it for me). I love the relationship drama, I love that it's in character drama, I love how it fits everything we know about them sososo well, I love that it's horrible and it's terrible and it's awful and it's all because Marinette loved Adrien too much to want to hurt him.
I was worried no reveal would mean that season 6 would just be... what? adrienette fluff? not that I don't love that, but where's the drama? well. there it is. that's the drama.
I need to stop typing this. I know this is abysmally long and ranty and if you read all of this then I'm sorry. But I wanted to get some of my thoughts out.
But basically, I was expecting a lot of things for the finale.
In my best case scenario, it would somehow, miraculously tie up and address all the loose ends with Adrien's angst and character arc in two episodes.... and then end with me totally satisfied, ready to only half-heartedly watch season 6 like it was just a small dessert after the main course.
And I already described my worst case scenario (my first impression of the episode lmao)
But it wasn't that. I was expecting a series finale, but I got a season finale. And I love season finales. I love how they keep me wanting more. I love how excited I am for season 6, because in both my best and worst case scenarios, I honestly didn't expect to be. I love all the new ideas and thoughts and scenarios swirling around in my brain. And even if season 6 doesn't address some of the things I want addressed, I'm so excited to see the creative content in this fandom that DOES
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pandorasprongs · 11 months
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JAMIE TARTT | call it what you want.
PAIRING: jamie tartt x fem!reader
WORD COUNT: 5.7k
SUMMARY: reader's family comes to visit london and she ends up having to hide her relationship with jamie till the final game of the season.
WARNINGS: language, innuendos
A/N: this is technically a sequel to my comfort crowd story that was my first one about jamie, but it can be read as a standalone too! would recommend reading it first since it gives a little backstory to the garden and reader's past relationship. also, you'll probably be able to tell that i rewatched match scene in the finale for a certain scene AHAHAHA i really wanted to show jamie's more affectionate side, so there's def a few cheesy scenes in here! the title is taken from 'call it what you want' by taylor swift
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It's midnight when you hear a knock on your door. Any reasonable person would've ignored it and/or hid in case it was some axe murderer. Of course, you knew it wasn't a murderer, just your boyfriend.
"I thought I said you couldn't stay over tonight?" You say when you open the door to reveal Jamie, whose expression quickly turns into a pouty face.
"I know, but I missed you," You playfully roll your eyes, yet are unable to stop your smile. Christ, he could be annoying, but he could also be pretty sweet. Those two balanced each other out.
"Fine, come in, but you can’t sleep here," You take his hand and bring him inside your flat. He plants a kiss on your temple and the two of you settle down on the couch, which for you was a deserved reward.
The reason why you were up so late despite having to work in the morning was that you had been trying to make your place spotless before your brother and his family came to visit the next day. They had already been in England for a few days but were only coming to London now to visit you and to attend the final Richmond match of the season.
"How's the cleaning going?" Jamie asks, as he wraps one arm around you and reaches for the remote in the other one.
"Took five hours, but at least it’s done." You sigh as you settle closer to Jamie. Even if you had warned him not to come over tonight, you still appreciated his presence.
When you started dating, you never expected the football player to be so clingy, but not even a day after your first date, he was already hanging around you every chance he got.
You couldn’t even hide it from the team because the moment Sam caught the two of you arriving at the clubhouse together, that was it for you guys. They were happy for the two of you, though sometimes too happy, especially whenever you had to call Jamie for a physical and they automatically assumed it was code for something.
"How was practice?"
"Good. The team's having a hard time mastering the start though. The timing's always off," He explains about the surprise goodbye performance they were doing for Ted and Beard. 
They had been planning it from the moment they heard the news the two of them were leaving for Kansas at the end of the season. Well, right after they all finished processing — through crying, screaming, protesting, and the like — the news.
"You guys will do fine," you take the remote from his hand and start looking for a certain movie. "Plus, even if you fuck it up, I’m sure they’ll love it regardless." That gets Jamie to chuckle and you feel the vibrations from his chest.
"How about this? Let's watch the Sound of Music, so you can try and copy one of the von Trapp siblings!" You suggest as you press play on the movie. Jamie doesn't protest and simply wraps his other arm around you too.
You look up at your boyfriend and suddenly feel a pang of guilt. "I'm really sorry,"
You don't need to explain further because Jamie instantly understands. He kisses you on your forehead, "Stop saying that. I know you don't want your family to know you're dating such a talented football player because you're afraid one of them will try and steal me from you."
You remove yourself from Jamie before playfully pushing his head. "Yeah, that's exactly right." The both of you laugh as Jamie pulls you in again.
You had already explained why you were hiding it from them back when you found out they were visiting. You had already been dating Jamie for a couple of months, but not a single person back home knew. 
Most of your family knew about the disastrous way your last relationship ended and you were sure they'd be extra protective about the next guy. As much as you loved being with Jamie and knew he wasn’t that guy anymore, you knew that your football-obsessed family was aware of who he used to be.  Stories of the multiple scandals, hook-ups, and rumors of unsportsmanlike conduct throughout the years were the exact reason you were so afraid to tell them. Those were in the past and you knew that, but you weren’t so sure how to convince your family of that, too. 
Jamie, true to form as the prick he is, completely understood and never tried to pressure you to tell them. He was even the one to tell the whole team that your brother was coming to visit and they had to, in his words, shut the fuck up about your relationship.
This was probably the last night for a few days you two could comfortably spend together, so you didn't really want to force him away. The two of you just sat there watching a Julie Andrews classic where you'd occasionally hear Jamie sing along to the musical numbers.
It was around 2 am when the movie finished and now, he definitely had to go home. Even then, you had a hard time separating yourself from Jamie, but your rational brain was telling you it would be bad for a secret relationship if your family caught him in the apartment.
"See you tomorrow, yeah?" Jamie says as he opens the front door.
Instead of responding, you plant a kiss on his lips, catching him by surprise. He's quick to wrap his arms around your waist as he reciprocates it. You separate and finally, answer him. "Yup, see you tomorrow." Jamie gives you one last hug and a kiss on the cheek before he leaves your apartment. 
You look around your place for a second, seeing if there's anything you need to fix up before tomorrow. Once you assess that it's as clean as it can be, you go to your room and catch some much-needed sleep.
——
When you hear a knock at your door, you drag yourself out of your bed and to the living room. Before you can even twist the doorknob, you hear a voice on the other side, "You should be awake by now!"
"I am!" you respond, as you open the door. You're greeted by the sight of your older brother Frank, your sister-in-law Denise, and their son Gregory.
"Hello, family," you say drowsily, as the three of them envelope you with a hug. Once they let go, you lead them inside your apartment. "How's your vacation so far?"
"Oh, amazing. I get why you moved to Europe," Denise answers, as she looks around your flat. "They have you set up pretty nice here, huh?" She plops down on your couch and pulls Gregory down next to her.
"Yup," you head to the kitchen to make the three of them some drinks. "So, what do you two plan to do while Gregory comes to work with me?" They had already told you ages ago that Gregory wanted to visit the clubhouse badly, but you knew it was also free babysitting.
"Sightseeing mostly," your brother replies, grabbing his cup of tea from you. When you take a seat next to Denise and your nephew, the former leans into you and whispers, "And get into places where 18 and unders can't." 
You chuckle and she plants a kiss on her son's head. As they enjoy their drinks, the three of you start catching up. You steer clear of any questions about relationships and instead focus on you being a physical therapist for a football team.
"Do their feet smell?" Gregory asks and you nod your head.
"Extremely, so always remember to wash your feet, okay?" You reply and the 8-year-old gives you a thumbs up and drinks his hot chocolate.
The topic then shifts to the upcoming final game between Richmond and West Ham. You managed to get the 3 of them tickets, — thank you, Higgins, — which they said was the perfect way to end their trip.
"I'll get you some shirts today, too. Gregory's gonna help me pick them out, yeah?" You turn to your nephew who is more than excited to do so.
"Nice," your brother reacts. "I'd appreciate an Obisanya one."
"Yup, and I want a Colin Hughes one if they're available. And of course, this one here," Denise pulls Gregory into a hug, "wants the captain's jersey."
"Will do," you make a mental note, before excusing yourself to get ready for work. 
You’re freshening up in your bathroom when you hear your nephew call out to you. "Mom's asking if you have an extra blanket!" 
"Check my room!" You hear him go to the room across and as he passes you again, he shouts a quick 'Thank you!'
Once you’re done getting changed, you head back to the living room. All three of them were ready to head out, so you lock up and hail a taxi to the AFC Richmond clubhouse. On the drive there, the seatbelt was practically the only thing stopping Gregory from bouncing up and down in the car. 
When you get there, you find some members of the team along with the Director of Football Operations standing front and center near the entrance of the building. You thank the driver and grab Gregory by the hand. You say goodbye to his parents, and since they’re so excited to have some alone time, they don't even bother looking up at the scene in front of them.
"What's all this?" You say as you approach the entrance. Gregory, despite his excitement, was now walking more cautiously, lagging behind you. When they hear your voice, the team finally settles down.
"Well, a little birdie told me that you'd be bringing someone special to work today and so we decided to assemble the Richmond Welcome Committee for him." You stare at all of them in disbelief and your smile grows wider. You find Jamie in the group, whose smug expression tells you exactly who it was.
"Hello there, Gregory," Higgins turns to your nephew and sticks his hand out, who is still hiding behind you. You move to the side and crouch down next to him, so he feels more at ease.
"Hi," your nephew finally speaks up and shakes his hand. 
Higgins then bends down to the eye level of your nephew. "Welcome to AFC Richmond! We prepared a little gift for you if that's okay."
Gregory nods his head. Higgins and the rest of the team start doing a drumroll and move out of the way to reveal Isaac, with a personalized jersey. You exhale in disbelief and turn to your nephew. 
"What do you say, Greg?" Said nephew was too awestruck by his favorite player to even move. 
After a few seconds, he finally ran up to Isaac and hugged his favorite player. The team captain was now the one in shock, but slowly reciprocated it. Gregory then lets go and accepts the jersey from him. The rest of the team moves to crowd the boy and start talking with him. Almost immediately, your nephew transforms from his former terrified state to the life of the party.
You moved to the side to give them space and thank Higgins, who just shook his head. "It's no problem," he started. "Henry doesn't come here that often anymore, so it was nice to do this for another kid." You smile, before noticing Jamie going toward you.
"And here's the little birdie now," Higgins jokes before excusing himself. You see the team busy entertaining Gregory, so you take the chance to plant a kiss on Jamie's cheek.
"If only the tabloids knew how sweet the striker of AFC Richmond could be." You whisper afterward.
"I know, I'm a great not-boyfriend." He continues to show his smug smirk and before you can reply, you notice that your nephew is starting to look for you.
You put enough distance between you and Jamie to seem platonic, "Greg?" You catch his attention and see him already wearing his jersey over his shirt.
"Can we go inside now?" He asks and you nod your head.
You turn back to the "welcome committee," and thank them. "This was so great." They wave goodbye to the both of you — with Isaac giving Gregory a high-five — as they head to the field for training.
Once you're alone again, Gregory turns to you. "That was so much fun!" You laugh at the boy's reaction as you settle down in your office.
For about 2 hours, you had to deal with the boy asking you about every detail of the papers in front of you. Vitals, size charts, diagrams, he was curious about all of it. A part of you hoped that he'd want to talk about something, anything else, but you soon regret wishing that.
"Auntie (Y/N), is Jamie Tartt your favorite player?" You try and hide your shock at the question. He's 8 years old and it's probably an innocent question.
"Yes, he is." You answer honestly and turn your chair to the treatment table where Gregory was lying down. "Why do you ask?"
"Well, I saw you talking to him earlier." He observes, sitting up and looking like he's about to launch into a whole monologue. "And I saw a lot of his jerseys in your room too, so I thought you must be a fan. But you work here, so are you guys close?"
Maybe you should have closed the closet door before sending him in there. You try and keep your calm. "Kind of. I mean I'm close to all of the players, in a way."
If Gregory thinks anything is off, he doesn't show it. Instead, he nods his head and goes back to his comic book as you continue to work on some reports for the players.
Once you finish, you bring Gregory to watch the morning training. His parents were going to pick him up during lunch, so you only had to keep up the charade for just a little longer. The team was doing a few drills when you got there and Ted spots the two of you approaching. He immediately runs over and greets, "Is this the little guy? Hi, I'm Ted."
What was it with dads and shaking little kid's hands? Gregory, already getting used to meeting such famous football personnel, took his hand and shook it as firmly as an 8-year-old could. Jamie was too busy with his drills to notice you there and you’ve never been more relieved about that.
After spending the next hour watching the game from the stands, it was time for lunch and you headed to the car park to find Frank and Denise. You smile at them and hand off Gregory who started telling his parents about his brand-new personalized kit.
You feel your phone vibrate and take it out to find a message from Jamie. secret boyfriend bought secret lunch for a secret date in your office ;)
You chuckle at the message and send him a quick reply before hearing Gregory mention your name. "Auntie's friends with all the players, especially Jamie Tartt. He's her favorite and they're close."
Oh, this child is going to ruin you. You try and stop yourself from overreacting, though you instead end up letting out an exaggerated laugh. "Yeah, I mentioned him being my favorite player, but he seemed to forget that I said I'm also close with all the players, not just Jamie."
Frank seemed to buy it, but you can tell that Denise was starting to pick up on things. She could always tell when you were lying, even before you left for London. After you had broken up with Matt, it took one call before she realized what happened. So it was only a matter of time till she figured it out, but you had hoped you could delay it till after their trip. You wave to the three of them as their taxi left the car park.
You headed back to your office to find Jamie already devouring his pasta. "Hey, I thought this was supposed to be a date?" His head snaps towards you with noodles still hanging out of his mouth.
"I didn't know how long you'd take and I need my carbs." You roll your eyes as you go to the seat across from him. Jamie puts his plate down and brings out yours.
The two of you start talking about the upcoming game this Sunday, to which you bring up your usual 'night before' ritual.
"I thought your family was gonna stay at your flat that night?" Jamie asks, but you just shrug.
"I'll find a way to escape. No way you're going to the garden without me. I'm your good luck charm, Mr. Tartt." You lean towards the football player and playfully narrow your eyes at him. He breaks into a smile and takes your hand into his.
"Yeah, you are." He says softly, and your smile starts to fade. Jamie would never say it out loud, certainly not in the clubhouse where his teammates could hear him, but his nerves always reached an all-time high before a big game. Even after the Man City match and the talk with his mum, you noticed he still felt uneasy in the days leading up to this one.
He was good at hiding it from most people, but over the months, you figured out the small tells that showed he wasn't feeling his best. That's one of the reasons Dr. Sharon suggested he find a safe space, one where he could collect himself before a game, especially like the game on Sunday.
"Hey," You get him to look back at you and squeeze his hand tighter. "You and the whole team are going to dominate. You've already guaranteed a spot in the Champions League, so you’re set for next season. Plus, your beautiful and frankly, awesome girlfriend is gonna be there in the dugout cheering you on."
Jamie pulls you in for a quick kiss as a thank you before you start to fix up the table. He then suggests a rather inappropriate after-lunch activity — "Ay! Call it a motivational activity," — and you have to physically push him out the door for his afternoon practice.
——
It's the night before the match and you were currently arguing with your brother about the sleeping situation.
"Frank, I'll be fine. There's three of you, it's a king-sized bed, and you know I love couches." This time, he gives in. You watch him disappear into your room and after five minutes, you start heading out.
You go down to find a parked car outside, with its owner leaning on the side of it scrolling through his phone. Since you had dinner with family and he got a drink with Roy, the two of you had planned to meet up later than usual.
"Told you I still knew how to sneak out." You say to him, and the moment his eyes land on you, his expression seems to relax. You approach him and ask, "How was hanging out with Roy?"
"Weird, but good," he answered as the two of you got into the car. "Told me he was proud of me."
"That's nice of him. After all those training sessions and him barging on both our doors early morning, you deserve it." You’re reminded of when Roy came to your flat at 4 am after he realized that Jamie wasn't at his own house, which ended with you scolding the coach about it.
You didn't want to make a big deal of it, but you knew how much Jamie appreciated hearing that from someone he looked up to since childhood. Especially with their history back when Jamie first joined the team.
He continued to tell you about what went down, even mentioning how he convinced Roy to go to Keeley that night and finally ask her out again. Though, he admitted he partly did that was so they could finish earlier and he could see you.
You get to the garden and despite visiting it almost every week, you’re still amazed at its beauty. You remember the first time he brought you there before you were even dating. You had been so touched that Jamie was willing to share this place with you that you ended up kissing him right then and there. 
Ever since then, you ended up going with him before games, even if the two of you would just sit there in silence and simply take in the surroundings. That's exactly what was happening tonight, with you and Jamie sitting on a bench and just observing the garden.
After a while, you took the chance to look at Jamie without him noticing. He was always the most calm here and you could tell it from his side profile alone. His jaw was relaxed, his eyes were closed and he was breathing steadily.
You suddenly get the urge to admit something. "I'll tell Frank and Denise tomorrow." Jamie looks at you as you repeat, "I'm telling them about us tomorrow, after the game."
The football player breaks into a smile, and you can't help but mirror it. If the two of them could only get a glimpse of the Jamie you knew, who was thoughtful, enthusiastic, and truly kind-hearted, they wouldn't even care about all the dumb stories of the past. 
After a little while longer, Jamie drives you home and you give him a quick goodbye kiss before heading back to your flat. You try to be as quiet as possible, turning the knob ever so slowly. You soon realized you didn't have to, as you hear someone clear their throat. You open the door to find Denise sitting on the couch in her pajamas and you freeze. "You went out?"
"Yes," you finally managed to croak out, as you closed the door behind you and leaned on it. "Wanted some fresh air."
"Fresh air? From the car I just saw you get out of?" Denise crosses her arms and you accept defeat. You say nothing as your sister-in-law asks, "Who's the guy?"
"Jamie Tartt," you admit, and her eyes almost pop out of her head.
"Oh shit, you are dating him. I really thought Gregory was just exaggerating things." You roll your eyes and join her on the couch.
You quickly plead, "Please don't tell Frank yet. I promise I’ll tell him after the match. You know, just in case he gets an urge to do bodily harm to my boyfriend."
"Come on, you know he wouldn't actually do that." You tilt your head. She adds, "He probably wouldn't. But fine, I'll keep it from him." You sigh in relief until she starts giving you a look. "So, Jamie Tartt, huh?"
You groan. "Oh God, can we not do this right now? What's wrong with him?"
"Nothing! I just didn't think you'd go for a guy like him. You know, more laidback with a slight douchy vibe."
"He is not a douche!" You're quick to defend Jamie, but now Denise narrows her eyes at you. "Not anymore. He was the one who planned that jersey thing for Greg. Would a douche do something like that?"
"Okay, okay, I believe you. He doesn’t seem like the prick from before." Denise holds her hands up in surrender. "But, I only know that because of how you're acting now." She nudges you on the shoulder and you tilt your head. 
"Look, you just seem happier, lighter. Much better than when you were with Matt. I was never going to admit it, but you should’ve ended things after college. Nothing was too toxic about your relationship, but you always looked like you were holding something back."
It was true. It took a few months of not being with him anymore to realize just how many red flags he had. Yes, he was smart, polite, and always knew exactly what to say, but he was also the first to criticize you when you didn't live up to his “standard.” You had convinced yourself that he was only trying to make you better, but in reality, he was just an ass. 
Being with Jamie is what convinced you of that. He got you out of your comfort zone to enjoy things, without ever making it feel like he was pressuring you. You did the same for him too, and instead of pushing back like Matt always did, Jamie would actually listen to what you had to say and cared what you thought.
You explain all of that to Denise and at the end of it, you're sure she's starting to see why you fell for Jamie in the first place. "I'm glad you're happy." 
You hug your sister-in-law tightly before you both start getting tired. Everyone had to get up early tomorrow, so it was best to get some rest before then.
You're already lying down and tucked into the couch, but you grab your phone and send a quick message to Jamie.
i hope you're sleeping because this is for when you wake up tomorrow. good luck and i know you'll be the best fucking player on the field!
You hit the send button before returning your phone to the table and drifting off to sleep.
——
You had planned on getting to the clubhouse earlier than usual. You had to prepare for the match and your family didn’t want to push through a bunch of people to get to their seats. 
But even then, there was already a crowd around the building. Maybe it was because this was your first time working here with the team making it to the finals, but you've never seen that many AFC Richmond fans present.
You had separated from the three of them once they got their tickets and insisted they could find their seats on their own. Because of all the chaos of getting ready and setting up with the whole crowd, you hadn't gotten a chance to check if Jamie had replied or even look for him.
It was only when Will showed up at the dugout saying that Jamie was looking for you did you see him for the first time today.
"I've been waiting for my good luck kiss," is how he greets you and you can only laugh as you embrace him. He met you outside of the locker room, so you avoided all the whistles and 'oohs' from his teammates. 
You give him a quick kiss before telling him about last night. You could see his relief when he realized that your sister-in-law did approve of him, which you almost felt guilty about. 
Jamie Tartt, world-renowned football player, was nervous about what a relative of yours thought about him. 
"I'll tell Frank later. And, if you guys win the game, maybe he won't come after you and injure your other ankle." You remind him and he chuckles, but your straight face is enough for him to take it seriously.
"Shit. I guess we do have to win." 
After hearing Ted asking everyone to huddle up, you separate from Jamie and the two of you join the crowd inside the locker room. You with the rest of the physical therapists and Jamie with the players.
You had to admit, you were a bit nervous for the game. You knew the team was doing great, but after their crying session right before the match, you were worried they'd be too teary-eyed to make it through. And in the first half, you were right to be. Despite their efforts, West Ham was ahead much to every Richmond supporter’s dismay. 
But after whatever happened in the locker room, they seemed to be picking it up. After those 3 misses, you and the rest of the people in the dugout were ecstatic when Jamie finally scored. 
But then it led to a whole different issue. Now, West Ham was focused on marking Jamie. From both a personal and professional standpoint, you were worried. Jamie's ankle could still easily be injured after what happened at Man City and Richmond would lose what was called "their central cog." 
You were grasping your medical bag as the game continued, ready at any moment to rush over there. You flinched when Jamie fell to the ground, but when the referee called for a penalty, you knew this was one of his tricks and you sighed in relief. 
He looks at you with one of his signature smirks as he's pulled up by Sam. You playfully shake your head and roll your eyes, as the teams get ready for the kick.
And thank God Isaac was able to get it in the net. Well, through it? You could feel Gregory's excitement over it, even if you weren't sure where they were in the crowd.
After eavesdropping on Rupert Mannion ordering his manager to "take out" Jamie, you felt a lump forming in your throat. But at least George still had some integrity, even if you ended up seeing his balls after he gets pushed. As Rupert got heckled off the pitch, Jamie catches your eyes.
He notices your worried expression and gives you a reassuring look. It was his way of saying "Don't worry, you think they can take me out?" You not as the players head back onto the field.
Even then, the players were completely boxing Jamie in, but you watched as Ted signaled a strategy for the free kick which they seem to understand quickly. Jamie's trying everything to get Bumbercatch's attention, but the moment he sends it Sam's way, you know exactly what's going on.
"Go, go, go," You whisper, on the edge of your seat. You're squeezing Will's arm a little too tight, but even he is too immersed in the game to care.
Sam gets the ball in and the whole stadium erupts in cheers. You wait, but when the final whistle was blown, you and Will start celebrating too. The whole team starts running onto the pitch and at that point, you weren't thinking. 
The moment your eyes landed on Jamie, you were running across the pitch towards him. He catches you in his arms and pulls you into a kiss. You deepen it as if you weren't surrounded by thousands of people right then and there.
You break apart for a split second to say, "You guys absolutely smashed it. I knew you would win." 
He pulls you back for another kiss, before smiling against your lips. "You aren't worried about your brother seeing us?"
The thought hadn't occurred to you at that moment, but you try and find them in the crowd, still not removing yourself from Jamie's grasp. With all the chaos, you give up and just shrug it off, turning back to the football player. 
"I don't really care anymore." You admit as you laugh.
Jamie pulls you into a hug and spins you around in the air. You laugh and hold onto him tightly. When he puts you down, you find your family coming toward the two of you. Frank is the only one who seemed shocked by this whole ordeal, with Denise simply smirking and Gregory being distracted by all the people celebrating on the field.
"Right, hi Frank," you start and you slide your hand down from his arm to intertwine it with Jamie's hand to steady yourself. "Did I forget to tell you I have a boyfriend now?"
"Yeah, I don't think it's come up, no," He replies.
Jamie takes a step forward and stretches his other arm for a handshake. "Hello, it's nice to meet you. I'm Jamie—"
"Jamie Tartt, yes." Your brother firmly grasps his hand. "I know who you are." Jamie's legs buckle slightly at Frank's strength, but Denise puts a warning hand on her husband's shoulder.
"Not too hard, honey." which prompts Frank to finally let go of Jamie.
It's a few minutes of silence, — well, as quiet as a celebrating football stadium could be — before you finally try and escape the situation. "Maybe we should let Jamie celebrate with his team!"
"Yes, of course! Congratulations, Jamie! You guys did amazing." Denise says, causing Jamie to flash a genuine smile.
"Yes, you and your team did great," Frank adds on, notably less enthusiastic. "Especially with that last shot from Obisanya." Of course, he had to add his favorite player to this.
You try and pull Jamie away to bring him to his celebrating team, but your brother pulls him into a hug, forcing you to let go of Jamie's hand. You watch Frank whisper something in his ear, before letting go. He then says out loud, "Congratulations on making the Champions League. Can't wait to see you guys play next season."
All Jamie can do is nod in gratitude, as he seems to still be processing what happened before that. You decide to thank him on your boyfriend's behalf.
"See you guys later!" You say to your family as you bring Jamie away from them, his expression slightly worrying you. Once you put a safe amount of distance between them, you whisper, "What did he say?"
"Nothing," Jamie pursed his lips. "Just that he'd make my life a living hell and find a way to ruin my career if I broke your heart." He laughs it off, but you can hear a slight shakiness in his voice.
"Alright then," you interlock your arms with Jamie's, but neither confirm nor deny the truth in his statement.
"That was a joke, right?" Jamie tries to ask but you just shrug. His face almost turns white, but you laugh and instead, he playfully narrows his eyes at you. "That's not funny."
"Well, I’m pretty sure you aren't going to break my heart, so you'll never have to find out. You plant a kiss on his cheek and remove yourself from him. “Now go, celebrate your win!" 
You push him to the rest of his teammates, who are in the middle of celebrating, but he's quick to grab your arm and pull you close. "I know how I want to celebrate this win." He moves in for yet another kiss.
You briefly wonder if this is being televised and if it might be how all your friends and family back home find out, but you'd deal with that later. Right now, it's just you and Jamie. 
And you've always wanted that celebratory field kiss.
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aromanticbuck · 13 days
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Tommy was nowhere to be found when Buck was in the gym though. That was 100% about Eddie. As was the Christopher thing because he didn't want to be replaced in Eddie and Christophers lives by anyone, for any length of time. The only time I really felt him trying to get Tommy's attention was their first scene together. But that was purposeful by the writers. They wanted to have it both ways and needed Buck to want both of their attention but have no idea why.
I've sat here for almost a full day wondering how to respond to this, and honestly, I very nearly deleted it without responding because... I barely go here. I just shifted over to 911 as my main fandom. I was a One Chicago blog a little over a week ago and yeah, one well timed rewatch might put me back on that train.
I just came over here because I watched the show, enjoyed it, and wanted to have fun with other fans. My posts are my opinion and my observations, and are obviously not meant to speak for all of canon or even any faction of the fandom besides myself (and maybe Kit, but our opinions vary sometimes too, and we live together). I just pointed out what I noticed, and the trends that I picked up on, and how I thought they were intending to establish Buck wanting Tommy's attention - which, in my opinion, they did really well.
So, I'm just gonna put a screenshot of the post this is referring to right here:
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Here's the thing. If you watch every single episode of the show looking for Buddie moments whenever Buck or Eddie is on screen (and I saw a lot of that after last night's episode to the point that I'm getting exhausted and annoyed), then that's all you're going to see, even if that's not what they're trying to show us.
It's been especially bad since 7x04 and the BuckTommy kiss. Everyone is looking at his canon queerness through a Buddie lens and ignoring everything else around it. They're making his coming out to Maddie about Buddie, and they're making his attraction to Tommy about Buddie, they're making episodes we haven't even seen about Buddie.
In reality, none of that is about Buddie or confirming future Buddie or anything of the sort. He and Maddie mentioned Eddie in that scene because the conversation started when he said he felt like he was lying to Eddie and he didn't like it. Yes, Eddie and Tommy are similar, and I understand joking about Buck having A Type, but that doesn't make his attraction to Tommy any less genuine. And we don't know anything about 7x06 yet, but everyone is talking about Buddie getting drunk and sleeping together, or Tommy seeing them interact - as he's already seen because the three of them have had scenes together and he's canonically spent time with Chris - and immediately stepping back from the relationship because there might be something there.
Buck is going to his sister's wedding with Tommy. Buck told Maddie and Eddie about Tommy. Buck wants to dance at the wedding with Tommy. He wants to try for something with Tommy. Eddie encouraged him to go call Tommy and work things out. Buck is going to be out to everyone at the Madney wedding because he wants to be there with Tommy as his date.
I don't know. It's just frustrating to see this really good queer relationship tossed to the side because it's not the Popular Ship. Just because you don't ship it or you aren't looking at it directly, it doesn't mean it's not still there.
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tairona-is-taken · 18 days
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So I rewatched The Phantom Menace for the first time since 1999 ...
The last (and only) time I saw it before this was in theaters when I was 13. Some random thoughts upon rewatching it as an adult:
I am laughing so hard that Qui-Gon drags bb!Anakin into the middle of the Trade Federation's occupation of Naboo. Of course, I remembered that Anakin blows up the droid control ship at the end, but I had completely forgotten that it was because nobody stops to think that maybe it's not a good idea to take a 9-year-old into the middle of a brutal occupation. Like, even though the Jedi didn't want to train him, couldn't Anakin have hung out in the Jedi creche until Qui-Gon was done with the Naboo mission? Or once Qui-Gon and friends get to Naboo, couldn't Anakin have hidden out with some non-combatant Gungans at their sacred place?
Apparently no, because instead Qui-Gon brings him on the dangerous mission to capture the Trade Federation Viceroy. And at one point, Anakin is literally charging with Qui-Gon, Obi-Wan, and Padme straight into enemy blasterfire! Just ... amazing.
The Palpatine-Padme dynamic in TPM is delicious. The subplot of Palpatine manipulating Padme into starting the proceedings that make him Chancellor is one of my favorites in the movie. It also adds such an interesting layer of complexity to Padme's character that she's this bold, competent queen in TPM--but she's also Palpatine's pawn.
Good to see that the whole people-sucking-at-communication-in-the-prequels thing starts here. When Obi-Wan tells Qui-Gon that he thinks Anakin is dangerous, he is totally within hearing range of Anakin!
And Obi-Wan apparently got this from Qui-Gon, because when Qui-Gon is dying, he doesn't say a single nice thing about Obi-Wan or about their relationship. No "I'm so proud of you" or "I'll always be with you" or any other heartfelt death scene sentiments. Nope, it's just, "Train the boy." I guess you could argue that Qui-Gon isn't thinking straight because of the whole being fatally stabbed thing, but still. Ouch!
Jake Lloyd is adorable as bb!Anakin. I liked Lloyd's performance as a 13-year-old and I still like it as an adult! I really don't know why people hated him so much when this movie came out. I spent the whole movie wanting to give bb!Anakin the biggest hug. There is a lot that can be criticized about TPM, but Lloyd's acting isn't one of them for me.
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mylucayathoughts · 6 months
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Little moments that I love in Red White and Royal Blue. PART 7 (cannot stop sorry 🙈)
When Nora says how "Prince Henry is so yummy" Alex doesn't really contest Noras comment on Henrys good looks (read yumminess 😏), he just says how he is not really a good person (which he believed at that time) but that's besides the point. The important thing is that Alex seemed to be in agreement with that view 😏
When Bea snatches Nora away from Alex, you cannot tell me this wasn't intentional because like a moment ago she was telling Henry how she thinks Alex is hot and asked whether Henry met him or not. And next thing she does before Henry is about to meet Alex is take the one person Alex came to the party with away from him and make sure that person sticks with her the whole time. I see what you did there Bea 😏 and she was the most amused when Alex and Henry was having their little fight and the cake fell on them 😆
When Alex sees Henry talking so cheerfully with the cancer patient and stops to stare at them. He couldn't match his idea of Henry with this version. I love how he looks confused yet curious here.
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He was observing a very oblivious Henry intently, and subconsciously he was allowing Henry to change his mind about him.
During the new years party, while dancing, Alex sees Henry sitting alone and comes running towards him and almost hits Henry's face with his 😆 (baby boy was drunk 😏) I love the energy with which he tries to lift Henry's mood up - "it's aaalll in the hips, LOOSEN UP!!", laughs with his entire face, hears his song and screams "OH MY GOD, this is the song of my childhood!!!" and says "you're dancing" and then he grabs Henrys hand and pulls him towards the dance floor. He is adorable here, always trying to keep Henry close or around.
Henry making this face when he says that his brother is completely oblivious about him being gay -
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I noticed it only like a few days ago on my millionth rewatch of the movie and laughed so hard I almost fell off my bed 🤣
When Henry says that he has to belong to himself and he can only belong to someone else momentarily and Alexs first instinct is to hold his hand 🤧🤧 lt was too pure, too kind ❤️ and Henry says "not here" (and you can tell he is devastated that he couldn't let Alex take his hand) and Alex understands the sentiment immediately.
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It's not like Alex didn't know where they were, plus Henry and he were just talking about Henry not being out to anyone but Bea. Alex still wanted to comfort Henry and to him, taking Henry's hand wasn't a romantic gesture, he just wanted to be supportive and make him feel better. But he understood Henry's predicament and played along.
When Alex writes to Henry "I'm out here giving my all for my mother. I cant have smut filling my inbox, corrupting my mind and bulging my pants like this! look buddy, you know I'm incorrigible, so don't incorrige me" and Henry writes "I'll behave" you can tell that Henry is trying to stifle a laugh and that he is so proud that he can make Alex feel that way 🤣 I know that it's supposed to be a written part in the movie but they had Taylor and Nicholas say these out loud and you can hear the emotions in their voices and I absolutely love Nicholas's delivery here.
My dumbass noticed something else a few days ago as well. That Alex practices speaking in front of the mirror before delivering his speeches. My boy really worked so hard to get his Texan votes 🤧
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All the little scenes where Alex is shown to work in his Texas campaign perfectly capture Alex's passion for politics, his dedication to the Texan campaign, his desire to help mom with her election and his wish to do something for people. I love how this part also portrays how mature he and Henrys relationship has become. It was not about just their physical needs anymore, which is still there (obviously 😏) but they act as each others support system. The way Alex tells Henry about his fear "I'll only admit this to you and no one else..." that he is gonna let his mother down, and the way Henry reassures him 🤧 and then Henry says how his ribbon cuttings are so meaningless and how he wished he could do meaningful things like Alex. And even though Henry is not proud of it, Alex still makes sure to watch Henry's appearances. I love how sweet and kind and supportive they are to one another. And the passion with which both Nicholas and Taylor read theirs emails 🤧😭 so good!
At the V&A when they were slow dancing, you can't take your eyes off Taylor and Nicholas's hands 😍 they just keep lovingly caressing each other. It's soo beautiful to watch. They are so gentle and caring in those scenes.. Their eyes are soft, full of love 🤧 This is yet another scene where you can't possibly ask more from Taylor and Nicholas. They really went all in 👏
Their soft little smiles in this scene 😍🥺 Henry looks so relaxed and happy! They make me cry ok 🤧
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kerizaret · 13 days
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Hello everyone and welcome once again to my brain! Today I want to ramble a bit about
✨️ Tsukasa and Rakunosuke (Emu's grandpa) parallels ✨️
Because I feel like we don't talk about them much. Or at all actually
Now, I'm not pulling this out of nowhere. It's quite literally stated at least once, outright, in the game, that Tsukasa is really similar to Emu's grandpa (or even twice – but the other time I'm unsure 100% whether its about Tsukasa specifically, which I'll get to later). That's not to mention the other little things throughout the stories that I think similar between the two
So here's just some thoughts I've had on the topic after rewatching some events, more or less cohesive
1) Tsukasa's PXL auditon & WMS speech
Starting at the very beginning, we've known ever since the wxs main story that there's something in Tsukasa that has drawn Emu in to him already the first time she's ever saw him, at his audition for PXL, which made her hire him herself. She says "found you" at that moment, as if she's been searching for someone exactly like him. Out of all the possible candidates who applied who she might've seen, why Tsukasa specifically?
It could be just about him boasting about making fantastic shows, which of course is a part of it. But I feel like this isn't all, that there was something else that she noticed, that maybe she didn't fully realise at that moment
Then later, in Wonder Magical Showtime, after Tsukasa's motivational speech, Emu specifically thinks back to that audition and how she felt something special there. And, most importantly, she thinks it as if she's talking to her grandpa – like he's somehow tied to it, to her realisation that Tsukasa is the one
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Putting aside the fact they were fighting for Rakunosuke's park, which obviously makes Emu think back to him, there's something more. Emu doesn't think anything of the sort about Rui, even though he was the one who came up with the night show, or about Nene. Nor did she mention any kind of this strong feeling/conviction about having them on the Wonder Stage in the main story
She's focused on Tsukasa, because he's the one that brought all these people together and gave them the last push they needed to fight for PXL. He's the one they listen to, he who understands what this park was all about and why they need to save it. He's standing on the stage her grandpa built, looking at all those people working here, and he's leading them, telling them this dream CAN be made a reality and it's more important than anything else
And I feel like she could have looked at that and been reminded of her grandpa a bit, with how much he loved the park he built and brought people together with the same ideals and love and made dreams come true
2) Miles
Speaking of WMS, I'm sure we all remember Miles, the sorcerer Tsukasa played in the night show in WMS, and how he was a character very clearly based on Rakunosuke. It's not very surprising it's Tsks who got this role, but it's still interesting to me. It feels like no-one else would've been able to get this character right and neither would Emu as Shao with someone else playing Miles
I won't get into what "Miles" Tsukasa says in the play, because that's just the script and not a representation of Tsukasa himself, but I do want to draw attention to the specific scene where Emu's father is watching the night show and looks at Tsukasa, then says this:
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This is the first time that – i suspect – Tsukasa is outright "stated" to be like Rakunosuke. Here I say "suspected" since I'm not 100% sure of it for two reasons. One of them being that as we know, the ensekai translation is sometimes often bad. For that I looked up the original text as well as an old translation of the event on YT to check for differences
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The line ends up being similar in meaning, more or less, but a bit more vague. That also ties to my second doubt though, which is that Emu's father might be referring not to Tsukasa himself, per se, but rather to the character of Miles he's playing
I feel like both can make sense, in their own way (and the event is a Tsukasa focus for a reason, too), but for here I'm throwing it more as a hint than any kind of outright proof. Food for thought
3) Tsukasa and Rakunosuke's deams
Then, as we reach Popping in my Heart! and learn more of Rakunosuke from Riley's pov, there's another interesting thing that pops up. That is, the fact that Tsukasa and Rakunosuke share the same dream
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And then, that's when Emu confirms what I've talked about before – that this whole time, she's felt something about Tsukasa being so reminding of her Grandpa
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So Tsukasa has all this time "carried the same spirit" as Rakunosuke – which is possibly the reason why Emu has been feeling strangely drawn to him from the beginning
4) The Wonderland SEKAI
Hey. Hey. Remember this line?
(tl by tsukasa's #3 fan on YT)
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Yeah, this one. The same reason why wxs even has "Wonderlands" in their troupe name
You know what else has Wonderland in its name?
That's right! Tsukasa's SEKAI!
Tsukasa's SEKAI. A different world that's created from his feelings, that's a place born from his desire to make everyone smile with his shows. A world that just recently expanded to include plushies representing all those different shows – different worlds – wxs created as a troupe. It's a world that Tsukasa, in a way, made by himself (albeit unconsciously)
Oh did I mention the Wonderland SEKAI is also, primarily, pre-wl, a theme park? With a big ass ferris wheel and several stages and a castle and a train and a merry-go-round, a rollercoaster and more? You know, kind of just like Phoenix Wonderland? Which was built by Emu's grandpa?
Do you ever think about that? That both Tsukasa and Rakunosuke "made" their own "Wonderlands"? That the SEKAI is so similar to PXL? Because I do
Anyway. Those were the main similarities or references I noticed, but I still have some few other miscellaneous thoughts i had aside from that that I'll sum up a bit quicker
Tsukasa and Emu's grandpa both care more about the shows (& pxl) themselves and the effect they have on people to make them smile than any kind of fame or recognition
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A reminder, too, that despite the movie's popularity, nobody really knew that Rakunosuke worked on "Smiley" (or that it was even a Riley Entertainment movie at all)
There's also the fact that both tsks and rknsk get stuck more on the excitement they want their audiences to feel rather than on the technical sides or worries about how it would be possible – as seen with Rakunosuke convincing Riley to include all his dreams and ideas in "Smiley" without focusing as much on the budget and all to install that wonder in the viewers, and Tsukasa doing anything to perfect his acting, and also agreeing to most of Rui's stunts and experiments and production ideas as long as it gets the audience to become more immersed
I noticed as well that they're both people who wear their hearts on their sleeves, who easily get emotional and enthusiastic, who empathise a lot with the others' emotions and struggles, becoming happy when something good happens to them
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^ he cried here. And later at the fan festa seeing nene sing confidently and happily he teared up again
And also just *gestures vaguely at pandemonium event and Rui's "tsukasa's friends' happiness is his own happiness" line*. Yeah
Most importantly, Tsks and Rknsk both care so, so much about shows ending with smiles and not tears
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And overall about everyone smiling and being happy. Like Tsukasa telling Emu in the main story, on the ferris wheel, that when her grandpa meant making EVERYONE smile, it included Emu, too, and he wanted to make sure she's happy as well
There's also everything with Emu, too. The way she's very clingy with Tsukasa, always throwing herself at him (not that she isn't with everyone, but she does seem to jump at him the most often)
She's also implied to open up a bit more around him – in Smile of a Dreamer, when wxs expressed their worries about emu hiding her problems, KAITO implies that its unusual she "hasn't told EVEN Tsukasa"
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And it's Tsukasa who first understood that, despite how it may seem that "she always is so optimistic and says whatever's on her mind", in the end "the bigger the problem, the less likely she is to talk" (paraphrased quotes from smile of a dreamer). And also underdstood what's the most important to her and how to give her a push to voice her worries to them
It's Tsukasa who Emu first got so scared of leaving their troupe and her behind
I simply feel like Emu is aware of the similarities her grandpa and Tsukasa share and, subconsciously, trusts him a lot and gets attached to him easily
Anyway. This is just a bunch of thoughts that came to mind that I wanted to share and hear your thoughts on maybe too. I love emukasa so much they have such a great dynamic, and I feel the implied similarities between Rakunosuke and Tsukasa add a lot to that too. I'm really curious if it'll be something they'll explore more in future events. Because I feel these parallels are there for some reason
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chronicowboy · 11 months
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rewatched the will scene for editing purposes and nothing i'm about to say hasn't been said before its just like I Know its an insane scene, i know that every second of every day, but you forget just how truuuuly insane it is until you watch it again.
eddie's vacant stare right at the start as he's rehearsing what could potentially be one of the biggest most important speeches of his life, the way he literally blinks himself out of his daze when buck enters with his faux-casual oooookay, there's something about buck's little smile when he says then we can get out of here that makes me want to BITE things, the absolute steel on eddie's face as he gets buck to sit down realising what it is he's about to do, buck's cautious everything alright? because he's not sure he can handle any other bad news after Everything, buck sitting down as far away from eddie and his terrifyingly serious energy as he physically can, the way eddie can't look at him and buck can't look away at first, eddie literally can't look at him like i cannot express to you how actively eddie avoids buck's eyes on him its a fucking love confession and he can't let buck read that on him so he hides in plain fucking sight.
the way buck tries to run from the reminder of eddie's mortality, eddie's soft but firm let me finish because if he doesn't say it now he'll have to wait until the next near death experience to find his courage again, the beat of wildly intentional eye contact in which buck's face says please whatever this is don't make me face it now and eddie's face says trust me please trust me the way i have trusted you with my heart, eddie's bitter chuckle about the well, buck desperately clinging to the fact that eddie survived that and wondering if he knows buck screamed for him then too, eddie's huffed laughter wondering if buck knows he saved him both times, how fully eddie sinks into the memory of realising he needed to give christopher a just in case, the framing of the shots capturing buck's reactions always featuring an out of focus eddie, the choice to focus so closely on buck's reactions even when eddie is speaking, the way its really only the both of them in focus when their eyes meet, the way eddie goes quiet when talking about the what ifs, eddie staring at buck as he talks about christopher being taken care of but looking away as he says by you because absolutely everything is written plain as day on his face for buck to read.
and then the switch, the way buck can't look at eddie and eddie can't look away, he needs to make sure buck understands, but buck can't face up to it, ITS IN MY WILL IF I DIE YOU BECOME CHRISTOPHER'S LEGAL GUARDIAN, buck going through the five stages of grief in a single second before landing on bargaining and reminding eddie of his family because he's the guy who lost christopher in a tsunami and broke down when chris needed him to be strong, my attorney said you could refuse/but you know i wouldn't/i know you wouldn't, buck's panic on his face even as he says it because of course he'd do it but that would mean eddie was gone, eddie's gentle and fond smile because even terrified buck is confirming everything he already knew, buck's pain when he says other family like he's still not entirely sure he's a part of the diaz family but the subconscious other because deep down buck knows where he belongs, eddie's casual reaction to buck's wouldn't they fight for him? because he knows no one will EVER fight for my son as hard as you, that is what i want for him, the little chuckle and the blatant shock on buck's face.
buck going through the five stages of grief again landing on a little anger this time with why are you just telling me now which means i might have had to do this with no warning still reeling in my grief for you, BECAUSE EVAN, the way buck's snaps to attention, eddie's disgust - not at buck but at the way buck's brain treats him, you came in here the other day and said it would have been better if you were the one who got shot, buck frozen and unable to look away from eddie's grief, you act like you're expendable, the way they both look away, eddie's big deep breath, but you're wrong, and the way they turn to each other in unison not a single millisecond separating them as they seek out each other's eyes and share a look that says: this is a love confession, i cannot say in what way, i cannot even comprehend that myself, but this is as close as i can get to showing you what you mean to me//this is a love confession, i do not know what it means, i cannot begin to understand, but this is as close as i can get to what you feel for me.
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eviebane · 6 months
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Maggie is a Nephilim (hear me out)
Yes, I know. We've seen theories that Maggie is a demon, that she's an angel. But on my nth rewatch last night, I thought, what if she's a Nephilim?
I have never seen this theory until this morning this pops up on my dash so give this a read too This is also a great post on who/what is Maggie
What is a Nephilim?
The Nephilim were on the earth in those days, and also afterward, when the sons of God came in to the daughters of man and they bore children to them. These were the mighty men who were of old, the men of renown [Genesis 6:4 English Standard Version]
The Hebrew word Nephilim is sometimes translated as "giants" and sometimes taken to mean "the fallen ones". Some view them as offspring of fallen angels and humans. Another view that aligns with the fallen angel interpretation includes Nephilim being the offspring of demon possessed men and godly women. [Source]
I'm presenting the possibility that Maggie is half angel and half demon.
Maggie doesn't drink just like angels (except Azi) don't drink alcohol. I'm not sure she drinks/eats anything on screen?
"No judgement" is also an interesting response. We know angels judge a lot for consuming human things. Did she grow up around this judgement?
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We know she sleeps at least, but so do demons.
2. Maggie struggles with spelling just like most demons.
The only characters with spelling issues are demons and Maggie. The writers are too good for this to not mean something. It is the first thing we learn about her character!
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3. Maggie doesn't "know how to conduct a courtship". Her language in general is... strange.
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She seems to have similar concepts of love to Aziraphale from books - she was hoping to get locked in with Nina so they could talk about her feelings, like literally locked in a room together trope and she loved the awning scene and the dance.
4. Aziraphale assumes she can feel the angels arriving.
I don't think Azi is aware there's anything different about Maggie, but just like Shax's comment about her being a nobody, the ethereal and occult alike seem to sense something different about Maggie.
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5. The Record Shop
Love of records - literally the only other characters who have expressed interest in records are angels (Azi, Gabriel) or demons (Beelzebub, Crowley-ish). The humans (Nina) question why she bothers with them.
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I can't help but wonder, if something is different about Maggie, does she know that Aziraphale is an angel? Did she seek out that particular corner that used to be his bookshop (a former outpost of Heaven!) for her record shop? To keep safe because she thinks Heaven or Azi may protect her if needed, or perhaps to keep an eye on Heaven because they don't know about her existence or could pose a threat to her. Ultimately we don't know how Heaven or Hell feels about Nephilim (though Adam could have been a Nephilim, if his mother was human).
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6. Maggie is very calm during the Whickber Street Association Dance (I mean- Formal Business Meeting) and the attack on the bookshop.
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The humans (mostly Nina) repeatedly question what is going on and are in fear of their lives.
She literally looks Shax in the eye and is unbothered! The show made it VERY clear to us that Maggie isn't fazed by demons.
What possible reason would they have to put this in the show? I don't think the 'allowing them entry' accident is motive enough alone to have this in the show. The writers are phenomenal, they would have found alternative ways to get the demons in that bookshop if they wanted Maggie to be as scared as the humans were.
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Honey what have you been scared of your whole life??
We've seen nothing big in her backstory that might explain why she's spent her life being scared of things. But what if she's spent her life hiding - from Heaven, Hell?
7. Nina calls Maggie 'angel'.
This could be to highlight a parallel between Nina/Maggie and Crowley/Aziraphale, but I still think this particular choice of endearment was interesting.
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8. Azi's miracles do not work on her.
Nephilim are typically more powerful than their angel parent, so it's possible that it didn't work on Maggie because she is more powerful than Azi, a principality.
Which means she is 100% acting normally during the whole dance scene, not under any influence from Azi unlike the humans.
9. Maggie's clothing seems to lean more toward what angels wear - white - but then she's got a lot of colour.
Perhaps this is to show her goodness like the angels, but also her humanity. (like Adam being 'human incarnate'?)
Her necklace is a toucan, which has different culture symbolisms. The most interesting for this comparison being; wisdom, communication, a messenger from the gods, divinity, grace, and higher knowledge. It is a very interesting animal to associate to Maggie's character.
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Birds (though doesn't appear to be a toucan) are also on her clothing.
Also, her yellow cardigan reminds me of the Ladies of Camelot?
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I feel like Maggie has the most diverse wardrobe out of any of the characters. We see her in pretty much every colour of the rainbow whereas other characters stick to similar colour palettes.
10. What if Maggie has owned the record shop since the 1920s - that her 'great grandmother' owned it in the 1920s the same way Aziraphale's 'grandfather' owned the bookshop?
The same way her 'great grandmother's' ring could have maybe been hers in another life, to a human that died.
If Maggie has also been alive longer than she seems, it would explain why she was 'not that sort of teenager'. Perhaps she was raised in Heaven, Hell, or in secrecy. Perhaps she came into the world in an adult form.
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Credit to all the wonderful accounts for images & GIFs: wearecrowley, goodomensgifs, vinylattes, purplexedhuman, sparknala, fandommiss, sainztander, raywooposts, mametupa, noneorother, ferndaphnia, halemerry, drconstellation, rosettyller, sparknala, mametupa
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That's my Nephilim theory. But here's an extra, special crazy addition:
Maggie is the offspring of Crowley & Aziraphale.
It's a very popular idea that someone (Metatron, God, who knows) has been messing with timelines. If Maggie is a demon and angel hybrid, what couple would that lead us to suspect as the parents?
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Maybe only one of them is the parent. Crowley is a fallen angel, it could fit with the idea that Nephilim are the offspring of a fallen angel and human. Aziraphale, too, in many ways, could also be considered 'fallen'.
What's one, sure-fire thing to make Crowley & Aziraphale believe their love is safe, true, right, okay to be felt?
A product of their love.
If someone has been messing with timelines, Maggie could have been born in the future, and either as a result of someone messing with time, or through her own powers, have travelled back in time to be there when her parents needed her most, to prevent the Second Coming.
We know how powerful Aziraphale and Crowley are when they work together. Can you imagine the enormous power an offspring of theirs could have? It would be monumental in the fight against Heaven and Hell.
We also know they have the power to hide an archangel. Could their future-selves have hidden Maggie, and now even their past (present day) selves can't see her true self?
It's Maggie who insists to Nina that they should talk to Crowley & Aziraphale about their feelings, Nina says it won't help, Maggie says we should try anyway. Maybe she thought it was the only way to get Aziraphale to stay, if he knew how Crowley felt about him, and that it could somehow thwart the Second Coming that she's seen in the future and is now trying to avoid.
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Maggie is associated with toucans- messengers of God, wisdom, higher knowledge. Her blue cardigan has birds. (No nightingales). Her yellow cardigan has what looks like the Ladies of Camelot, the night that Azi performed the magic show and Crowley nearly shot him. What if the ring on her necklace is a future wedding ring belonging to Azi or Crowley - who died in the Second Coming in her timeline? She has Azi's love of records and Crowley's sense of humour.
For the Ineffable Husbands, a product of their love would be huge in overcoming the barriers that they - and Heaven, Hell - have put between them. It would show Crowley that he isn't truly evil at heart, that he is a good person. It would show Aziraphale that God accepts their love, or at least won't prevent it. That their feelings are okay, safe. They can be an us. That they truly do work best as a team.
We've speculated that either Crowley or Aziraphale will (temporarily) die in Season 3. What if it's Maggie?
Just to end by saying I don't think this will be true for season 3, but I enjoyed putting this together.
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xjackjackx · 2 months
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Alan Becker Analysis: Hazard's Mysteries (Or Maybe I'm Overthinking???)
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Ok so unlike this last post about Victim and Glasses Guy / "Agent", this isn't really me bringing anything solid onto the table (well besides one or two things). This is just me overanalysing random shit that frankly is likely irrelevant.
Anyways this post is about Bathroom Sign Guy aka Hazard aka Warning aka Sign, the gray pictogram mercenary from Animator vs. Animation VI, and why he might have a deeper role (prob doesn't).
Part 1 - The Overthinking of Minor Details
Ok this is the part where I'm 100% convinced I'm just talking stupid shit due to rewatching the episodes too many times, but eh.
Let's start off with something... relatively normal actually, which I saw pointed out by others. When Chosen attacks the mers with lightning, Hazard has this shit happen to him:
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This is... frankly weird and idk what it means. When Wanted first came out, this and his movement made me think Hazard was a robot, but since then I started believing he's just a normal stick figure like the others. Besides, this whole series is on a computer so everyone besides the Animator is an AI lol.
So if he's not a robot, perhaps Hazard is connected to technology, and thus taking away the ship's energy took away his? That's the only other thing I can think of.
The second one was actually told to me by a friend, and tbh even in this whole post this might be the biggest stretch, but I still think this is worth bringing up. When Orange and Chosen return to the Outernet, Hazard is seen looking... somewhere.
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(btw agent looks so stupid here lmfao)
The most likely answer is that he is simply looking around, like Agent and Primal - the cave drawing - are seen doing like immediately afterwards. But my friend did point out that it could easily look like Hazard is looking up - in which case, he could've possibly noticed Chosen and Orange, and then chose to not tell the other mercenaries until Agent notices them and thus forces Haz to intervene. Likely just huge overthinking of a one-off scene, but still.
The last one from Wanted is this shot of the Mercenaries in the elevator.
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In this scene, Hazard briefly looks at Ballista - the pixel gremlin - and then proceeds to look away when the little guy stares back at him. Is it most likely them just finding the awkward elevator silence uncomfortable? Probably yea, but it could also be a sign of Hazard and Ballista having a rocky relationship - we see Ballista is pretty aggressive, so maybe Hazard is nervous around such a batshit crazy dude?
In "The Box", the first Hazard scene worth talking about is the first of his reactions to Victim's torture of Chosen.
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We know he is a mercenary and a villain, so it should be expected that he's a cruel bastard, but still, falling asleep while watching torture is just another level. What kind of shit did Hazard see, or do himself, that he finds Victim's actions purely boring?
...and yet, just a few moments more later, Hazard has an actual reaction to Victim pulling out a lasso.
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Now, the three dots - and thus, Hazard's silence of a reaction - could mean anything. Maybe he's still bored, just awake now. Maybe he's curious to see what will happen. Maybe he has actual standards. But it's still interesting to see that Victim's lasso got a reaction out of Hazard (meanwhile Ballista just crosses his arms, prob in curiosity or impatience, while Primal stays completely still - I'll get to their personalities later).
Similarly, Victim ordering Agent to clone him also gets a small reaction out of Hazard, his head jumping a little (I don't know how else to call it).
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This time, it's definitely just shock/curiosity/surprise that Vic is doing something new, and/or that the Box lets you clone people, but still worth pointing out.
A long time later, we finally get something worthy of note from Hazard, that I actually find interesting. While the other mercs are too busy looking through Chosen's memories, Hazard notices Orange returning.
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I feel like this was actually an intentional choice. Like, why make all the mercs focused on Chosen's memories, excluding only one of them - and it's not even the most important mercenary that's the big bad's right hand? Also, why is Hazard so far away from the other mercenaries? While I consider this whole section of the post just major overthinking, this one moment specifically is actually pretty sus to me.
Now, to close off this section, there is Haz's reaction to Super Orange.
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Mainly, how he and Victim are the only ones who are inarguably scared/panicking. Primal just leans in like "de fuk", Ballista flinches once and then watches in silence, while Agent double checks on both the small and large monitor. Primal and Agent are confused, Ballista is shocked(? idk how to call it), but Hazard and Vic are the only ones with a true "OH SHIT" reaction. What this means? Idk, again this whole section is just overthinking things.
Thankfully we can leave the part where I talk meaningless shit and get into the parts that hopefully actually have a point.
Part 2 - Hazard and His (Lack of) Personality
Another part I noticed since Wanted first dropped (part of the reason why I first thought Haz was a robot) was that, compared to the other mercs, he has so little personality... which might be intentional.
I mean, Agent. He also doesn't showcase a lot of himself, but we still see that he's cool, calm, loyal to Victim, kind of a taunting asshole who plays with his victims instead of instantly getting serious, and despite it all, not unbreakable - He panicked when Chosen attacked him with the iceberg, and he was caught off-guard by Super Orange like everyone else.
Ballista probably has the most personality out of everyone. His body language shows emotion pretty much all the time: most specifically, anger. Whether it's his fighting style, his pose, or walk cycle, Ballista is pissed off 24/7. It's implied it even makes his co-workers nervous. At the same time, the grin he flashes when jumping off the ship in Wanted shows he enjoys his job.
Primal is second only to Hazard in lack of personality, but there's definitely still something there. Mainly, is that he's a very fight-focused person that is basically an empty shell outside it. He's so ready to fuck up a rhino in Wanted, and sharpens his spear for another hunt while bored, but outside of fighting Orange?... he's pretty dull. Only a bit more emotional than Hazard. He seems like a Kraven-type character who just wants to hunt the biggest prey possible, while having zero life outside it. Also he has a Hulk-style form which reduces him to an animal sapience-wise.
Hazard, though? He uhh... he wants to get Chosen, is very focused on completing the job, and that's kinda it. He's such a blank it feels intentional. Perhaps he has his own goals and is hiding them?
Part 3 - He's Either Holding Back or He's Fucking Useless
Yea not gonna sugarcoat this. There has to be some sort of big reveal of Hazard's true power in later episodes, or this dude's so weak it's laughable to think he's supposed to be a threat.
I mean, Agent has a toolbar that makes him a Mini-Animator, and he can pause anything and anyone. Ballista can shapeshift his body and pull weapons out of his ass. Primal has a stronger form that can pick up a rhino without difficulty, and he probably has more.
Hazard?
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He, uh... is good at dodging. He also has this one Shock Sign that killed a bird. Yeah.
Ngl if this is all Hazard has then it's impossible for me to see him as a threat on par with the other mercs, or even Victim. Hell, I wouldn't even be able to see him as above the Stick Gang in strength, with how slow Orange was in that scene compared to his fights in the AvM Shorts.
So yeah, on top of possibly hiding his true personality/hidden motives, Hazard was most likely holding back heavily in Wanted, which only makes him more mysterious.
Part 4 - The End
So, this is kinda it. Was Part 1 all overthinking, or did I get a few things right? Is Hazard actually hiding something, or does he only show little personality because none of his scenes let him show off anything? Is he holding back his true strength, or is he actually weak?
Frankly idk, but I am excited to see where things go with this guy, as he has tons of potential.
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zoe-oneesama · 2 years
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Hi Zoe! I see you're done with Party Crasher. If I'm not wrong, Frozer is up next. What do you think about the episode?
This episode is a prime example of why Season 2 has nearly no rewatch value after you've endured Season 4. It's so hard to watch with hindsight.
So, the biggest funk of this episode was definitely Chat Noir - it was him when the episode came out and it still is now. Literally opening the episode with another romantic gesture when Ladybug confirms this MUST be post "Glaciator" because she very gently and sadly reminds him that he knows she's in love with someone else.
Well, he took the rejection SO WELL in "Glaciator", so why should we expect any different here?
This episode (paired with "Glaciator") is the episode that launched the "Nice Guy(tm) Chat Noir" idea. He says things in this episode that I swear were pulled right from reddit. He decides they should go solo because she turned down his rose... "We don't always have to do everything together, after all. It's not like we're a couple." Seriously dude? All this time together, our partnership, our relationship, our friendship, it all means nothing because I don't want to be your girlfriend? Because I was honest about having feelings for someone else? THAT'S the kind of person you are? What a great role model.
But then he's over it, like, immediately. I'm so confused as to why this was even here. To make Chat Noir look like a dick? Way to sell your main love interest, show~
So Sadrien sadly takes his sad rose to fencing practice and gets his sad ass handed to him by Kagami, who's like "wtf kicking your ass is boring if you just let me" and he asks her "do you ever feel like you're stuck, replaying the same story over and over again and hoping for it change but nothing ever does?"
And Kagami's response is her infamous "the biggest mistake a fencer can make isn't choosing the wrong technique. It's choosing the wrong target. Change targets" advice.
First of all, her metaphor sucks. Fencing is a 1 vs 1 sport, you can't "change targets". You can switch from aiming for the chest to aiming for the leg, but it's still the same opponent, weirdo.
Second of all, nothing about what Adrien just asked you suggested he was talking about a person or a romantic suitor whatsoever. Your only hint was that he was holding his Reject Rose, but even so, why wouldn't your first thought be that he's talking about his father???
Seriously, this could've been a good lead in for the Adri////gami set up if Kagami had assumed he was talking about Gabriel and responded with empathy. "Yes, sometimes I feel like that with my own mother, but I realized I don't like feeling like I'm waiting for change to happen. I make my own change happen. If you want your story to be different, maybe it has to come from you."
And Adrien, still thinking romantically, is struck. 'Wow' he thinks, 'she understands me in a way that honestly? Not a lot of people would.' And he declares that she's right, he's going to change his story starting now, and hands her the rose, starting their romance story.
But no, sure, a bad fencing metaphor about how he should forget other hoes and look at her, that works too, who needs BUILD UP amiright? I was a fool to think that maybe Kagami would need a REASON to be into the Writer's Pet Adrien when he's OBVIOUSLY already PERFECT.
Not that any of this matters since Adrien all but tells Kagami to her face "I had a great time but I'm sticking to my original pick." and she says she'll wait for him, girl, have some self respect.
But that's getting ahead of ourselves. After the two part ways, we have a scene with him and Plagg about Adrien maybe switching targets, and uh..
Look, I noticed a real problem with the dialogue in this episode - there's a lack of connectivity throughout the episode with the things people say. I know I make jokes about the show having five writers per episode who don't communicate with each other, but here it reeeeeally feels like maybe that's not a joke.
Like here: Plagg suggests that Adrien is going to start pursuing Kagami and Adrien rejects this idea because he's in love with Ladybug ("No, no way. Ladybug's the only one I love), and it probably wouldn't work with Kagami anyway because it's his technique that's wrong and he needs advice on what to do.
This seems to suggest that Adrien isn't going to go after Kagami, and if he did, it would be to test out a technique on her. Like going out with Kagami would be practice. Now that's obviously not verbatim what he said and could justifiably be seen as reaching, but do you see my confusion? Not once does he say anything about being into Kagami or wanting to go after her (though admit-ably he did give her the Reject Rebound Rose).
But then two scenes later when he's asking Marinette for help, he's describing Kagami as if he's in love with her, as if he's really interested in her. Where did THAT come from between scenes?! Writers! COMMUNICATE!
Also he says in the French version that they have classes together, and in English that they study together, and I would just like to see WHEN?!
There's another example when Marinette goes off to the bathroom after Kagami gives more..."advice". Tikki asks why she's sad, and instead of pointing out the very obvious "Oh, I don't know Tikki, my crush asked me for advice on how to get close to another girl, I'm third wheeling his date and am forced to watch them skate around holding hands, she practically claimed him when Phillipe was trying to recruit Adrien for his ice rink by reminding him AND me that Adrien is with HER, aaaaand I fell on my butt in front of him, her, and the guy who I also have caught feelings for but am feeling bad about potentially leading him on because of my lingering feelings for Adrien. And then my crush's date basically told me it's my fault that all these things are happening to me because I 'hesitate'. That might have something to do with why I'm sad."
But instead her answer is she likes Luka but doesn't know if what's between them is that they're just friends, like with Adrien????
Even if that WERE a part of it, that's not the thing that started this or even the thing that set her off. So why is that the thing they made her stuck on??? That's like the fourth thing on the list of Things That's Made Her Upset. Her answer sounds like it comes from a pre-edited script or something.
So yeah, the dialogue is...weird. But that's almost normal for Miraculous Ladybug at this point.
So anyway, Adrien vows to get advice from someone who is Not Plagg and realizes very quickly that every adult in his life is utterly worthless so he scouts out his friends. Except of the 4 couples he zones in on (Marc and Nathaniel, Ivan and Mylene, Alya and Nino, Juleka and Rose) 3/4 of them are together because of Ladybug and an akuma.
"Hey bro, I need some advice, how'd you and Alya get together?"
"Oh, Ladybug locked us in a panther cage during an akuma attack after you tried to set me up with her best friend."
Maybe it's not as crazy that he went to Marinette as I initially thought.
(That said this gave me flashbacks because for some reason all my friends came to me for relationship advice despite being chronically single for most of high school, so, I felt that pain Marinette.)
And just...wow, writers, I know Marinette is your punching bag but this was just cruel. Having her crush, the guy YOU'RE SELLING as her true love go off about how pretty and special and amazing this other girl is right to her face? Is this supposed to be an equivalent heartbreak to what happened in the first scene? Because this doesn't feel equal, this just feels malicious on the writer's end. Ladybug didn't grind into Chat Noir's face how AWESOME the mystery boy is and at least Chat Noir got to throw a tantrum about it, where's Marinette's tantrum?!
I'll say the one point I give to the Girl Squad is them telling Marinette she's crazy for agreeing to third wheel this date and that she should definitely cancel on Adrien. If he can't handle being alone with the girl he wants to date, that sounds like a them problem, there's being selfless and then there's being masochistic, girl.
But then they lose that point for yelling over her when she tells them she's going to try being Just a Friend for Adrien.
The Girl Squad scene is also frustrating in this way that Miraculous is continuously frustrating in that the characters just don't quite say the thing that makes sense (like in "Maledictator" with Marinette calling Chloe "useless" instead of things that would actually stick like "bully"). Marinette says she's giving up on Adrien because she stutters around him and dating would be impossible if she can't even talk to him, and that she's calmer when she's trying to be his friend instead of dating him.
But what she should have said was "he just asked me advice on how to ask out someone else, he's clearly not into me!"
She has a good point with the stuttering thing, but that puts all the weight on HER for the relationship not taking off. It's HER that can't get it together, it's HER that can't get her words out, it's HER that's stopping them from being together. Meanwhile Adrien's over here asking out other girls, calling her "just a friend", not showing up to meet ups that she'll be at... Hell, he tried to set HER up with SOMEONE ELSE ("Animan"). He doesn't want to date her! Message Recieved!
So she brings in Luka, (which honestly, smart move, because how much would Kagami have REALLY hated Marinette if she showed up by herself on THEIR date) and we get The Metaphors.
Marinette is clumsy, this is a known fact, yet the only times she's clumsy at the ice rink is because she's focused on Adrien - when she focuses on Luka, she's smooth, easily let's him guide her, and is pulling off professional moves. ALMOST like he's a good, calming influence compared to the chaotic energy that Adrien brings.
The "problem" (if you're writing for this show and want to encourage Adrien and Marinette being together) is that the episode never challenges why this should be a bad thing. They want her to be with Adrien, soooo why are they basically visually proving why Luka is the better option? Why does this whole episode feel like it's actively trying to turn Marinette away from Adrien?
I mean obviously they're starting the Love Rival drama, but I mean long term. With the Skating Metaphor and Marinette bringing up how her own inability to think clearly around Adrien is a problem, and then never COUNTERING those problems, why are we supposed to root for them again?
Oh because Luka gave his consent in the end, not because of any merit that Adrien brings to the table, got it.
Then there's the obvious Two Guys Reaching Out to Help Marinette Up and She Hesitates Because Her Heart is in Conflict Metaphor. I only give this one props because at least none of the characters explained that one, they just let that one speak for itself, even if it was obvious.
Though that one accidentally extended when the reason Marinette doesn't choose is because Phillipe forces his way into the interaction to beg Adrien to join his rink - kinda like random, out of pocket shit that she has no control over is CONSTANTLY MESSING UP HER ATTEMPTS TO MAKE MOVES.
Gosh Kagami, maybe Marinette would've made a choice if she'd gotten five seconds between them without INTERRUPTIONS! Maybe she even would've grabbed BOTH of their hands, then what would you have done?
Sighhhh, I'm sorry Kagami, I don't mean to rip on you. It's just that you were so freaking RUDE in this episode to anyone who wasn't Adrien (and also a little bit to Adrien tbh). You can turn Phillipe's offer down without telling him his favorite sport is basically trash. You can help Marinette up without rubbing it in that you got the guy first. You can let Adrien turn Phillipe down himself without peeing on him, as if you're jealous of a this guy just for asking Adrien to join a sport ("he already fences with ME!"). Let the boy speak for himself - maybe he actually was interested, did you check in on what he wants?
Yes, Adrien shouldn't just go along with people to make them happy, but he's not going to learn to stand up for himself if you just speak for him.
And Luka...well you're just here for a good time, aren't you? So patient, so kind, so the only person in the room who can read the writing on the wall. At least someone in this group isn't lying to themselves.
I'm losing steam, so let's rapid fire:
I knew I'd hate Phillipe as soon as I saw him and I was right. He's annoying and I bet he's the reason no one wants to come to his stupid ice rink because he's lurking there interrupting other people's dates. I was on Andre's side when he ragged on him for trying to force people to join (though dude you gave him ten minutes, what did you think would happen?)
Luka's so magical he can play electric guitar without an amp or any sound amplifying device, impressive. Or the people on this show have never touched an instrument.
Also Luka, your advice to just be natural and go with the flow is great and also WASTED on Adrien, his "natural" is a DISASTER.
Adrien panic-lying that he brought Marinette to teach him how to skate was pointless. Maybe Kagami would've thought it was endearing you were too nervous to go on a date with her alone if you were just honest about it, but now it's just Another Thing Kagami has to turn into a competition because she sees Marinette as a RiVaL (which honestly amazing jumping to conclusions because wut, where'd you get that idea?)
Also, does Kagami shoot a bow? She says she only participates in "noble" sports, like bow or fencing, but I can't tell if she's listing sports she considers noble, or listing sports she participates in. Also what does a "noble" sport even mean?
S-stalac-Tikki...and Plagg-lagla. I know it's Plagg-Glacier in English, but it's Plagg-lagla in French and it sounds like Adrien's VA is gargling or stuttering when he tries to say it.
What happened to Luka and Kagami, you're not even going to show them frozen?!
Frozer is so ugly omigoooood not looking forward to drawing him.
So yeah, anyway, Frozer is hard to watch, especially with hindsight, the bad parts with Chat Noir are really bad but don't stick around long, so there's that, and while it doesn't feel like the characters are being too bad during this whole "dating" fiasco, it suuuuure feels like the writers were~
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usertimothee · 1 year
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Hey, I haven’t read Little Women or any of the books related, the only adaptation I have seen is Greta Gerwig’s and I’ve recently rewatched it. And I have some thoughts are mostly ramblings and need to express to someone so I hope you don’t mind me popping in here. I don’t really know where people got that Jo was In love with Laurie? She loved him as a friend but romantically? I never got that really. And how I took that scene with Jo and Marmee was Jo admitting she was lonely and if Laurie asked her to marry him again she would say yes. That’s kinda unfair to herself and him when you think about it, marrying someone just because you’re lonely? Not because you are truly in love with him? How would you both be happy together? I’ve seen some discussion around them and I don’t really like people putting in the tropes “oh lovers who went wrong or right person wrong time” to Jo and Laurie. Because they weren’t lovers, they were friends. And I don’t understand where people get Jo being the “right” person for Laurie. I wish we could have gotten more of Jo and Friedrich. They were cute I think. And I wish we could have gotten more with Amy and Laurie. I think this summer I’m gonna find the books and read them. Anyways, there’s my thoughts and hope you are having a good day.❤️
hi anon! never be afraid to come into my inbox and ramble about little women bc talking about it is literally my fav thing.
especially when ur thoughts are so spot on, and i'm honestly so surprised and pleased u got this from greta's version. bc a lot of people think she made laurie and jo be that "right person wrong time" couple when they're not like that at all, in any adaptation, even greta's.
ur totally right, jo never loved laurie romantically. like, ever. and it's made obvious multiple times. ("i can't love you as you want me to...it would be a lie to say i do when i don't," in the proposal scene.) and it's especially made clear in the attic scene, with jo admitting she's just so lonely. but if you can't get it from: marmee: do you love [laurie]? jo: if he asked me again, i think i would say yes. do you think he'll ask me again? marmee: but do you love him? jo: i care more to be loved. i want to be loved. marmee: that is not the same as loving. jo: i know. like ur honestly dumb i'm sorry? or don't know how to read media at all. or ur just being willingly obtuse idk.
and i would go even further. i firmly believe that laurie never loved jo that way, either. that boy was lonely before he met the march family. maybe even lonelier than jo was after beth died. he was an orphan, lived with his tutor and his grandfather (who was kind of cold to laurie before he met the marches, as well.) he had no friends. jo was the first girl he loved at all, in any way. of course he thought he was in love with jo. he didn't know any other love except the love had for her. and laurie was a romantic, as well. of course he thought the two of them were meant to be.
but they weren't, ever, and that's made so clear from their conversation in the attic. laurie: jo, i have always loved you, but the love i feel for amy, it's different. and i think you were right about this, i think we would've killed each other...i think it was meant this way. like...do jolauries think laurie is lying to jo? what reason would he have to do that? it doesn't make any sense.
and jo looks so stunned (this is admittedly clearer in the book than it is in greta's version) because it's amy. not because she's jealous, or expected laurie to still love her, but because her best friend just came home married to her little sister. that would stun anyone. and she looks sad, again, because she's so lonely, and she basically looks at the rest of her family coupled up and in love (amy and laurie, meg and john, marmee and her father) and she aches, because she doesn't have that.
i really think greta's only mistake was including that stupid letter to laurie. it didn't make sense and wasn't true to jo's character at all.
and finally, once again, laurie doesn't love jo like that. not back then, and certainly not now. i mean, the journey from "i think you will marry, jo. i think you'll find someone, and love them, and live and die from them, because that's your way. and i'll watch," to "i never thought i'd prepare a carriage to help jo march chase a man, but i like it!" he's delighted in that scene, just like everyone else. bc the jo he saw with friedrich was so different that the jo that was around him. he can tell the difference because he knows the difference now, because that boy is so desperately in love with amy it's not funny.
and that's another thing jolauries disregard: laurie's love for amy. because he does love her. and amy loves him, and understands him in a way that jo never did. and laurie wants to be better for amy. because, let's face it, that boy was a mess when amy found him in europe. (and this is one other thing the movie leaves out: laurie realizes in the book that jo was right shortly after he leaves concord - the two of them would've never worked. and by the time he meets up with amy again, he isn't still mourning his relationship with jo, he's just insurmountably lonely again, just like he was before, and he doesn't see an end to it.) he heals bc he falls in love with amy. he wants to be worthy of her, because he admires her and respects her. there's a great first draft of the script which is floating around on the internet which includes this letter from laurie to amy: Dear Amy, I have gone to make something of myself, so you might not be ashamed to call me your friend. like...he just got his heart broken by her. but he doesn't get angry at her, like he got angry at jo, because he loves amy. and he wants to be around her and is desperate to have her in his life, even if it's just as a friend.
and, just to give more evidence that amy is the first and only person he's in love with (and because i just love it a lot), here's the original draft of their kiss scene: laurie: i love you. amy, i love you. amy: you do? laurie: more than anything or anyone in this world. you are first in everything. you do not have to accept me, but i love you, amy march. [amy cries even harder. he kisses her.] amy: i love you, laurie laurie: i love you, amy march. laurie literally has gently but ardently resigned himself to loving amy even if she doesn't love him back, which is such a change from when jo rejected him.
and ur totally right, jo and friedrich are so cute together (even though louis garrel is unfortunately an asshole). and more importantly, friedrich understands jo in a way laurie never did, and lover her for who she is instead of who he wants her to be. and come on, when friedrich says, "my hands are empty," and jo takes his hands in hers and says, "they're not empty," and then he kisses her in the rain. like that is peak romance idk what anyone says.
anyways. tl;dr jo never loved laurie, laurie never loved jo, laurie is in love with amy, jo is in love with friedrich.
anon, feel free to come into my inbox anytime! and let me know how u like the book! i think if u have these opinions, u will like it a lot :)
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kairiscorner · 9 months
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I rewatched the Barbie movie again and I must say, it's one of my favorite movies without hesitation, but I came up with an idea for the Spider-Noir 🖤 x Spider-Barbie Reader 💖 and it's this: Do you remember the scene where Barbie goes to the real world and is harassed by men? Well we know that Barbie Reader can hold her own, but I'm pretty sure Spider-Noir wasn't going to let that happen in this scenario, right?
- Crystal ✨️💞
hello again crystal >:)) OHHH MAN HE WOULD NOT LET THEM GET THEIR HANDS ON HER FRRR
(reblogs are greatly appreciated, it helps get my content out there! if you guys like what you see, please reblog it too <:D)
hands off — spider noir x spider barbie!reader
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summary: spider barbie and noir go out and about in town as ordinary people right now—or as normal as normal will allow, because noir is still in spider man mode, and when he is, he does not let a single thing slip from his fingers, especially when it comes to some creeps wanting to get their hands on spider barbie. word count: 562
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"wow, peter! this town is very... colorless. colorless, but charming! in a dull kind of way, but it's charming!" barbie remarked with a gleeful smile as she and peter walked hand in hand, looking like complete polar opposites of each others' aesthetics. miss barbie was all decked out in pinks of all shades, with such an elaborate get-up for a sunny day that a lot of people who'd have their eye caught by her would stop and stare at her for a minute, think to themselves: 'does this woman think she's an actual barbie doll or what?' peter, on the other hand, was clad in full on black—as if he were to attend a funeral service, but no, he's just here with miss barbie, going out and about like ordinary people, it was their reward to themselves for tirelessly saving a few universes.
peter chuckled at barbie's comment, agreeing with her that it was kind of boring here in the city, but it was a wonderful day out, he just had to take her to see sights here. but it seemed as though a lot of other people were treated to sights, too, as the couple strolled down the sidewalk. peter couldn't help but feel a little conscious and protective, what with him sensing a lot of men staring down at barbie.
it was at that moment that they both sensed a creep coming close to palm at barbie's behind, and though barbie could've hit him, smacked him on her own—peter instinctively apprehended the guy. he grabbed the arm that was going to inappropriately touch barbie, pulled it way back, and kind of, sort of... broke the guy's arm. peter and barbie's eyes widened as barbie grabbed his hand and ran away. "fucking pervert!" barbie exclaimed as the creep was groaning on the pavement.
"you're not... you're not mad i went a little too far?" peter asked barbie. "oh i'm angry, but you did it for me, so it's a little bit more of 'i wanna kiss you' with a little bit of 'maybe i'll punch you for that later because it wasn't a fair fight because you've got powers', but more on the former!" she exclaimed as peter and barbie ran away from a couple of cops that witnessed the whole thing and were now chasing them down to bring them to a precinct.
peter then had the wonderful idea of quickly donning on his mask,gently holding barbie by the waist and carrying her, and then swinging upward to get them away from the cops. "i don't regret anything from that, though, dearest." he said with a smile as barbie rolled her eyes and moved his mask upward a little and gave him his kiss. peter was flustered for a minute after the kiss, and as a smile formed on his face, barbie threw a punch at him. "like i said, a little bit more of 'i wanna kiss you' with a little bit of 'maybe i'll punch you for that later because it wasn't a fair fight because you've got powers'. but thank you, peter." she said as she planted a kiss on where she punched him. peter chuckled as he took off his mask and put her down. "anytime, love. even if you'd punch me again, i'd beat a million creeps that think you'd be easy."
tags !! @thecoolerdor @sabcandoit @k4tsu3 @fiannee @fictarian @yuridopted0 @luvstarrstruck @maxoloqy @thee-fantastic-mrfox
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I had coffee my thoughts are all over the place it's not gonna make sense and I'm probably gonna change my mind about some of the things I said later but here's my ramble.
I'm so mad right now. There's so many things that piss me off with Peter B. I keep thinking about all the mess he keeps pulling throughout the first and the second movie. The fact that he betrayed Miles not once but twice BUT THREE TIMES (typing Miles up in ITSV, not telling him about the Spider Society or that he was an anomaly, CALLING HQ ON HIM BECAUSE HE WANTED TO SAVE HIS FATHER. Technically that's 4 but moving on.)
He refuses to acknowledge Miles as a fellow spider(which is probably why he didn't feel bad about finding Miles was an anomaly now he has a reason to not take Miles seriously.) And he keeps trying to insert himself into a mentor role when he's yet to do a whole lot of mentoring. What also throws me here is how he had the audacity to say the trauma builds character while being a mentor to help guide Miles into becoming Spiderman so Miles' could avoid the mistakes that Peter made.
I WILL NEVER BE OVER THAT CHAIR SCENE IN ITSV. How is it you as a grown man. A grown white man no less took a black teenage boy who you viewed as so much of a liability that you had to tie him up. And I know multiple people have talked about everything that's wrong with this scene but there's still something so haunting about watching him just nonchalantly be tied up kicking and screaming about how he wants to be let go that bothers me so much. And I find it hard to believe that this was just a scene we're supposed to just move on from. Did they do this on purpose? Was this supposed to showcase something about Peter's character that I'm not picking up on? Because I find it so hard to believe that the writers who made sure to explicitly show how Gwen's Peter is Christian because he later turns into a lizard wouldn't understand the implications of this scene.
I also don't think he's a strategic as he thinks he is. What do you think was going to happen when you forcefully tied this boy to a chair? You thought he was going to sit still? Also would you think the boy who's trying to save his father was going to do? Actually listen to your words? Sit back and be like, oh you're right I should just let my father die. (This is me going off my reasoning that he didn't plan out that one scene in ATSV. I think that he thought that because he's Miles' "mentor" he could get through to him in a way others can't. Which pretentious much?) His actions do more harm than good and it just works out for him somehow. (For instance Miles saving them in ITSV because he came late.)
These are my thoughts do with this what you will. All the stars decided to align today ig because I haven't been able to come up with coherent thoughts like this in a minute.
(I really need to rewatch itsv. So if there's anything here that I'm wrong about regarding itsv it's been like 5 years since I've seen it.)
I GET THISS SOOO HARD (I waited until I had coffee to answer this lol)
BUT YESSSSS Because like I can understanding giving Peter the benefit of the doubt, it makes plausible sense for a movie to have a certain amount of wiggle room plot wise.
But with writers who clearly understood punk enough to accurately show it in Hobie's arc, repeatedly put in the work to respect Cockney and Puerto Rican culture, who wrote every one of Hobie's lines with PERCISION - would just overlook the glaring hole in their story that is Peter.
Because we as a viewer are continually told we SHOULD look up to him and we SHOULD trust him - but in doing so they accidentally make him the exact opposite. Like.. It doesn't make sense to me.
The Focus on Jess & The Absence of Peter:
aka GODDAMN I hate Peter B. Parker [yet another rant about 'bad' writing, plotholes, and Peter not showing up for Miles or Gwen.
For example,
Jess is Gwen's mentor, and we see her mentor style is extremely different from Peter's and that's suppose to be a contrasting dynamic between them and the relationship between Miles and Peter. Okay, makes sense.
But by NOT having Peter be Gwen's mentor, the writers are implying that he didn't step up as an emotional mentor when all this given - HE SHOULD. Because he's the only adult that she knows, and she a freshly homeless teen who needs to be around people she trusts, rather than working at a society with an auditorium of adults.
But by trying to show off how much we should judge Jess, the writers have inadvertently given us a Peter who just..didn't take responsibility. That's what they're implying - that Hobie and Jess were the ones who came to get aid. And we're suppose to look the other way. I... can't do that, sir.
"Look at how mean Jess is, why not blame her-" Jess is doing her job. Where's the adult she actually knows and trusts. Can we get some dialogue about what he did for her? Or did he just do nothing?
Did they just forget to include that, or did Peter just forget to help?
For me, that's two points in the bucket. Not housing Gwen, and not being her mentor. He could've done one, the other or both.
But because he didn't, we're left asking "What WAS he doing in the Society?"
Missions, I assume. Cause he wasn't mentoring her, so he must have been off putting in legit work for Miguel, I assume.
If we're looking at the characters as full-rounded - which I would hope they are considering the depth of Gwen, Miles and Hobie, it's not a large jump to ask 'How involved was Peter in Gwen's time at the Society? Why is he not her mentor, or why is she not living with him?"
Gwen..should be staying with him. If you're an adult who knows a teen and they become homeless, and it is within your means - yeah, I do think it's a moral obligation to open your home to them, at least temporarily. If you care about them. But that aside, let's extend the benefit of the doubt. Maybe Gwen didn't want to see him.
But then the ratting Miles out thing. This, I can't get around-
Some may say that it was simply for plot development and that Lyla spoke suddenly as a mistake on her part.
And I gotta call bullshit.
Firstly, because this is the same movie where we're shown Hobie stealing parts prior to learning what the parts are for. The same film that literally animated a fight accurately to Bushwick down to the very street. Let's cut it some slack here.
And moreso - I could understand the justification that it was a mistake on Lyla's part.
If Lyla was human. She's not.
She's an AI, and a very sophisticated one at that. Lyla runs on protocol, because that's AI's do. She's made to do things the way that is mathematically most effective, based on her analysis and her code.
It's easy to see Lyla as just an avatar, and a comedic one at that - but Lyla is literally one of - if not the - smartest 'person' in the multiverse. She's the only one who can track Spot in real time. If Jess and Miguel need aid on a mission or with Spot, they call Lyla. And she's handled every Society mission prior to the chase.
Her speaking out of turn suddenly and giving Peter away is an understandable plot mistake, if she was subjected to human mistakes.
So far, Lyla isn't. It doesn't make sense, based on what Lyla is.
I think Lyla would know better than to give Peter away suddenly by detecting Miles' presence and still speaking out loud.
A lot ask 'What motive does Peter have for ratting Miles out?', but we also should also ask "What motive does Lyla have for ratting herself out?'
It's her goal to find Miles no matter what. She doesn't care, she kinda can't - she's an AI. She just has to find him and send Miles' location to Miguel. Her objective.
So her locating Peter without his knowledge and then giving herself away to him doesn't make sense - especially if Lyla knew Miles was that close, from a human standpoint and definitely from the standpoint of the most sophisticated AI in existence.
So I was under the assumption that - like you mentioned now, that before when he gets Miles alone, he may genuinely be trying to convince him still, but by the time they get into that space, I think that's around the time that it becomes a 'Okay, let's just get Miles back to HQ and talk about this' situation.
He genuinely ratted Miles out. In my eyes.
Because at this point, Miguel hasn't assaulted Miles. That comes later. So realistically speaking, his goal was probably to calm Miles down, and get him back to HQ however he could, and talk to him there.
Peter could've helped WAYYYY earlier.
People give Peter credit like 'Oh but he came over to Miles' side at the end-'
NO. YOU DO NOT GET A COOKIE.
Peter could've helped SO much earlier, and if anything, he was THE ONLY ONE in a position of helping.
Gwen can't do anything, like they physically restrain her when she tries to. And there's no point after they come to HQ that Gwen has the chance to turn around and help Peter.
Gwen doesn't get that chance. Peter DOES.
Had Peter helped Miles HERE, IMMEDIATELY, Miles would've gotten away without being assaulted by Peter.
If Peter had turned around and changed course in this moment, Miles would have been better off.
Fuck Peter B. Fuckkkkk hiiiimmmmm. NAWWWWWW
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If Peter had let him go here, or helped him escape - Miles wouldn't have been taking hits up on that train. That's crazzzy.
But he wasn't trying to help Miles escape. If he wanted to, he would've. He could've just said "Matter of fact Miles, I think setting the WHOLE Society on you is a bizarre move and you should probably get out of here until Miguel can calm down and I can talk to him."
But he was like 'Nah, hold my baby. Matter of fact lemme tell you story in this pivotal moment when you're actively in danger. Here, look at me. What do you mean - I'm not stalling? I didn't rat him out on purpose.
Like either you did. And even if you didn't you didn't help him when you were literally the only person in the universe who could. In fact, he got away slower because of you. Lovely.
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Peter is a grown man. He's not an idiot.
He knows Miles is in active danger. Why would an adult turn the conversation in that direction - about his baby - KNOWING Miles has no time.
As soon as Miles got his hands on MayDay, Peter is trying to change the conversation. Suddenly he's joking and laughing.
Even though Miles is freaking out. Why is Peter joking? He knows this isn't a joking situation. But here he is wasting Miles time, either accidentally or intentionally.
Because that'd be some good ass stalling.
There was nothing stopping Peter from helping him leave. But Peter was still on The Society's side, so he didn't. If he was on Miles' side, he would've helped him. He should've, but he was still for Miguel, because at this point Miguel hadn't assaulted Peter yet.
Congrats, Peter. Big L. Humbling Reality Spider-man everyone.
Like combine all this. AND THEN THE SCENE IN ITSV.
LITERALLY AND PHYSICALLY PETER IS ALWAYS HOLDING MILES BACK.
You cannot expect me to believe that the writers of a movie I can write 10k+ words about, just so happened to leave these two glaring plot holes for ONE character.
That I'm just suppose to ignore that Peter restrained Miles, a black boy, in ITSV. That he betrayed Miles for months, wasn't very active in Gwen's time at the Society, and he actively hinders Miles escape - if not actively ratting him out.
It baffles my mind.
It doesn't make sense, that these writers can write Hobie, Jessica, Miguel, Officer Stacy, Rio, and Jeff as fully rounded, well-thought characters. But for some reason, when it comes SPECIFICALLY to Peter B. - they just forget how to write. They just stop thinking about him the second they don't look at him.
IN BOTH MOVIES?
I don't buy it.
To have every other character be thoroughly thought through but have one of, if not these most iconic character full of plot holes...
I think the likely answer is they wrote him that way on purpose and he's just a bad person.
I'm sorry, and I'm laughing while writing this but like.
Either Peter is the ONE singular character who has a series of emotional plotholes - or he's just a bad mentor. It's one or the other. And it's open to interpretation.
But I wanna cut the writers some slack and say, No - they thought it through. And No, Lyla did not just randomly speak out of turn, he contacted her first off-screen before she replied to him.
And by waiting till the very end to come around, waiting until the person who looks up to you is deeply wounded to finally turn around - that's the same arc Officer Stacy goes through.
And we're not supposed to clap for him. It's lovely, but he doesn't get an award. And neither does Peter, not at all.
Maybe if had helped Miles escape in that moment. Maybe if he was Gwen's mentor or he housed her.
But as far as we know he spent those months of Gwen in the Society doing fuck all. We've seen no sign of his contribution anywhere.
And in a story about mentorship, that says something.
Anyway. This is long. Again fiosfgihrgirturetuier I'm SORRY
Once again, Fuck Peter B. All my Hobies hate Peter B. (not a typo)
He's worse than Jess.
And he's not worse than Miguel but I like Miguel more and it's not because of the ass that's just a bonus Miguel is cool (but also very wrong. but like personality wise we're cool).
Ummm I feel like I got off track here. Oh well!!
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Damn he be doing Miles dirty. SMH
Bye.
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I Am All In Rewatch - Episode 2x9
But if you'll notice in that scene when she came up at the end, one of the last scenes in the whole thing..and she's coming up to say, hey, you know, I still dig you and you're part of my life and you know this kind of thing, and she she's saying what she's not saying what she mean. She's saying what she means without having to be direct about it. So, um, and I'm fixing a watch. I had a tiny little watch screw driver. I had it face open. How does Luke know how to fix a watch? Couldn't fix a toaster, right. Exactly what is he doing, like with an intricate piece of jewelry that is very complex? How is he in the watch fixing a damn watch?...So this is a choice that you make, because I remember making this choice. And I'm not saying that this was a genius choice. It was just a choice because they always tell you in acting school the genius is in the choice, right, And that's the mark of you know, an actor or an actress. What choices are you making? Now I I could have been without that watch. I could have been with many other diner like things. A watch is not a diner like item at all. And I said to myself, and here's here's a perfect example of somebody overthinks. Here's a but here's a perfect example somebody overthinking something trying to make a point that nobody got. And I don't know if they got it or not. But Props came to me and says, what do you want to be doing in this scene? Because if you know, it's a big kind of important scene. I said, And I should have said you know, there are any number of things I could have done that would have maybe been a better choice than trying to fix an intricate piece of jewelry that happened to be a watch. Um, I could have been doing nothing. I could have been wiping. I could have been doing the Ketchup bottles. I could have been, you know, with my receipts...I thought to myself, in my actor brain, it's either the best or the worst choice I think I ever made, uh was Luke doesn't know what time it is because his watch is broken. Luke doesn't know what time it is with Lorelai. He doesn't know what time it is in his life with her, and he wants to fix the watch because she if she's running around with young guys and not having deep experiences, then what the hell is wrong with me? I need to fix my watch and be so I can know what time it is. That was the thought process. So I thought of it symbolically and I thought, you know, get me a watch. I'll fix a watch because he doesn't know what time and I didn't tell them in the prop department because Luke didn't know what time it is and they decided to keep it in...It's not bad on a certain level. It's kind of genius right?...Anyway, there you go, that's just a fun...Well, you know, I he became very relaxed, and he's smiling and looking down and being a little bit shy. He was in love again because he fell out of love. I don't know if he fully fell out of love. But it was like, is this girl just ridiculous and like, am I just know what? Like he was confused for that episode. Yeah, I think I think his ego took a hit and he sort of came back. You know, guys, guys can be delicate creatures. -Scott
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pastafossa · 1 month
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How do you get past writer's block? I have a fic that I'm working on that is updating on a schedule, and I made the mistake of giving myself a month off in between parts and now I can't really get back into writing it. I don't want to leave it abandoned because I have a few people who I know are really invested and I don't want to leave them hanging, but I'm having a hard time getting as excited to write it as I did before.
Ok so I'm in a weird place for this, hilariously. Because The Answer That Usually Works For Me (TM) and that carried me through a regular weekly update schedule for almost two and a half years is, in fact, not at present working for me apparently my brain can write through a pandemic but not through recovery from the shit that went down in December/Jan so we found my writing kryptonite. However, I'm going to assume you're closer to 2021 Pasta than 2024 Pasta. SO LET'S GO WITH THE METHOD I NORMALLY USE SINCE IT WAS SUCCESSFUL FOR YEARS. Cause that's the thing: sure, I've written almost a million words, and pumped out chapters for years (ignoring the past few months) but I promise, I hit the same walls as everyone else even when nailing weekly uploads. But over those years, I came up with a fairly solid list of steps that I'd go through one by one.
Fun one first: when I'm in a block, I almost always try re-engaging with canon first. I'd rewatch my favorite episodes, binge a whole season, or even the whole series depending on how much of a boost I needed. For me at least that was often like Pavlov's bell, my favorite story triggering a flood of affection. I'd remember why I loved this fandom and the characters so much, and it could often kickstart my brain and excitement back into gear. If you really want to dangle a carrot and your fic touches on canon, focus on watching parts you're excited to get to in your story. A big one for me in TRT for example was the post-Nobu, Nelson v. Murdock episode, since I'd had that planned for TRT almost since the start, and I was very excited to reach the hurt/comfort I had planned. Even if your fic isn't following canon though, see if it'll give you a creative rush again!
So let's say step 1 doesn't work, either because the canon just isn't hitting the spot or because your fic is dealing with something else. In this case, my next step was usually to jump ahead to write a scene I was really eager to get to. It was often a short blurb, but it was always something I REALLY wanted to explore, and because I'm also a reader who likes exactly the tropes and plots I'm writing, I want to read what fucking happens. Except, fuck, I'm not there yet, am I? And I can't see how that scene finishes until I write my way up to it and finish it. This is my own carrot. Multiple scenes in TRT were written months or even years in advance, simply as a way to bribe myself. This is also an option!
But maybe this doesn't work. Sometimes it didn't. This is when it got a bit more serious. For anyone who was reading at the time, you'd have noticed that I'd sometimes drop side fics, either Matt POVs or one-shots. This was me, in essence, working on the shower principle (basically, ideas/solutions will come if you stop thinking about it and do something else, like take a shower). I figured if I went and wrote something else - either with less stress, or something fun and dopamine-inducing - the part of my brain focused on my Big Fic would wander around the writer's block beneath my notice. And it almost always worked, all while I still kept my brain trained that, hey, even if we're not writing This Thing, we're still writing.
But let's say this doesn't work either. You're well, and truly, stuck. Been there now and then. And, you're going to hate this one. I hate it but it works 9 times of 10. And it is: Write anyway. Half of it was spite. I was not going to give up my schedule, I liked my schedule. The other half was that I knew myself. I knew if I could just get past the chapter/plot/dialogue I was struggling with, I'd be able to roll along again. And so I made a rule: whatever I wrote didn't have to be pretty. It just had to exist. If that meant I wrote, "Jane chased the cat in circles and caught it. She was happy." then that's what I wrote. Because everything, EVERYTHING, can be fixed in editing. But you can't fix what doesn't exist. And so there were those nights when I would scowl and groan and snarl and bash my head against that writer's block until 5 in the morning, but in the end Jane chased that fucking cat adn caught it, it was written. Hilariously, sometimes those chapters have wound up amazing (likely because I spent so much time hammering at them) and reader favorites. There are absolutely, I believe, moments where you can, and should, see if you can push through.
But that brings me to *waves* now. A lesson I've only recently recently and with encouragement. Namely... sometimes brain no go and that's ok. My steps work for me 99.9% of the time, but I've done the above during the past few months, and it just... hasn't dragged me out entirely out of it yet. Sometimes, our brains demand that break, especially when things just aren't going great. There's a reason TRT had a break of roughly 2 years between chapter 4 and chapter 5 (feel free to check the chapter index with dates on AO3!). I had some life things happening and I just was not in a place to write, even if I was still busily plotting and planning and thinking about TRT behind the scenes. And that was ok. We're not machines. I came back like a bulldozer in Jan 2021, yes, and bulldozed through weekly updates, but that break was needed. And now I'm obviously taking a short one again while I recover from everything. It's ok if you're not in a place for it. So the last step is one I've been told a lot by dear friends recently as they helped me through this: be kind to yourself, and try not to stress if none of the above works. The story will always be there, and if TRT is any indication through all its highs and lows, your readers will be there when you start up again.
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inventedfangirling · 10 months
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Episode 7 Pat : To lose or not to win that is the question
Okay I saw a post talking about how episode 7 pat "loses the bet everyday" and how in this rooftop scene...
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Pat raises the stakes (asking pran to confess in public) to keep Pran from saying the words just then (knowing he won't take that option) is making me feel and think a lot of things and now my brain is all over the place and i might as well just all note it down here or i won't have peace of mind.
At the outset i want to confess that eventhough i know that the bet has been for pran's sake i still viewed at as a legitimate competition that both pat and pran were trying to win, but i'm realising more and more how (for a large part of the bet) that just wasn't the case at all.
Pat came all the way from Bangkok to the hostile architecture trip alone only and only for Pran. Pat wants to be with him. Pran knows that and Pat knows that Pran knows that. He hasn't tried to hide it at all.
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Pat knows that Pran has feelings for him, Pran knows that Pat knows that. But he also isn't ready to admit what it would entail and the familiarity of competition between them allows him to explore that.
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"Whoever falls in love first loses" - when both of them know that they have feelings for each other, is hilaaaarious on first watch, but once you've rewatched it countless times and reached a whole new level of brain rot where your blood cells have p cells embedded within p cells in them then it isn't funny, it isn't funny at all * screams into a pillow *
Coming back to the bet, and what it actually means which is that whoever admits it(their feelings) first, loses. And all of us including pat and pran know that pat has already lost. Him coming to the trip just to get Pran to talk and his confession that he actually didn't like Ink 'like that' is all pointing to just one very obvious thing.
So Pat has already lost and yet they're both entering into the bet as if on equal ground. Pat could (and is very much willing to) keep losing over and over again, he very clearly wants to be with Pran but he would keep the charade of the bet up if it meant Pran wasn't ready.
Which means that the entire time that they were teasing and flirting with each other, all throughout episode 7, pat keeps on losing just for Pran's sake.
Do you realise how absolutely insanely madly crazy (mature) in love Pat is???? This might be a childish bet to YEW but to him its a space for Pran (and him) to explore their feelings without the responsibility of a relationship on them, it's actually revolutionary.
Kinda like killing with kindness, which basically sums up the kinda guy Pat is when he's with Pran.
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"Don't force me to" he says in response to Pran's "You're just not brave to" (confess) when all of us know Pat is very well brave enough to do that and that is exactly what Pat is reiterating here. He's saying "you very well know why i'm partaking in this charade don't act like you don't i could kiss your competitive ass right now but im not doing it cos i want you to (admit that you) want it".
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The man is basically losing (coming over to play and then offering to clean pran's face cos he looked upset screams somebody who wants to win real bad right hahahah NOT *argh pat can you not be so unreally sweet people have to go back to their real lives with real men to be disappointed by*) over and over again asking Pran to "just let me love you, you dork".
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Here Pat is literally doing the confession, the very thing they started the bet stating, "i'll make you beg on your knees for me", well he's almost doing the next best thing, and he's doing it willingly, in front of people, with the most genuine smile on his face.
And when he raises the stakes on the rooftop and he does it entirely for Pran again. As much as he wants to be with Pran he equally wants it to be when Pran is ready for it. Not for it to be a decision he is forced or boxed into. He doesn't want to beat Pran he wants Pran to walk into the loss like he himself did, over and over again, because that's just the kinda guy he is.
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Boy basically said if me winning the bet means you losing your chance to make that choice for yourself then i don't want that kinda win.
Which is why he's been willingly giving up all the chances to win throughout the episode, but continuing to put up the charade of the bet cos 1. yeah ofc its loads of fun teasing pran and he is so grateful he gets to be close to him again but more importantly 2. he can't (but he is fully willing to) wait for Pran to mentally be ready to get into a relationship.
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"As for me, when i have a lover, I always let my lover win" - And truer truths haven't been told. Man has been losing since the very beginning. And that too happily. He is only doing it to give Pran the time that he deserves to process the whole thing and accept his love.
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See even here he isn't expecting Pran to confess his love and sweep the whole bet thing away.
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Look at Pat pausing trying to figure out what Pran is doing here. I can almost hear the cogs in his brain turn, until the very moment that Pran extends his hand to wipe the stray piece of rice away and then gives him that look. The look that says, "I love you, i'm done making you wait, thankyou, i love you".
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So to conclude, Pat like the simp he is entered the bet (and kept willfully losing) only to make Pran comfortable. And literally the first moment that he completely feels comfortable, Pran gives in.
This whole post is borne out of my thoughts after i read what was said in here.
For more of my bet era patpran brainrot :
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