So I've been rereading skip beat from the beginning for the first time in uhhhhh almost 10 years and I'm going inSaNE over characterizations and development that I have to write it down
At this point I'm only at the Heel siblings arc so I haven't gotten to the Guam or Saena arcs which are very big for Kyoko and Ren's character development and healing which I haven't reread since those chapters came out
Can we just take a moment to appreciate Nakamura for basing Kyoko and Ren's childhood struggles and trauma on very real things that aren't often, if at all, dealt with in anime/manga and also writing them with utmost care (Not only do the traumas inform their personalities, but their healing arcs aren't just a one and done thing!! It's a very slow process) Like starting with Kyoko, her single mother neglected her so much that she was raised by a family friend. On top of that, nothing Kyoko did was ever good enough for her mother, and both of these things are so apparent in Kyoko's character. She attaches herself to fairytales and magic as an escapism and because she relates to stories like Cinderella. She literally cannot function if she messes up and no one criticizes her. She can't properly acknowledge her own talents and beauty without it being attached somehow to fairytales; she never quite believes shes good enough. Similarly, she didn't want to bother anyone with her troubles, so she always dealt with them alone/in private spaces. Pretty sure she also has lowkey abandonment issues. And this is all parental trauma!! Things she already has before the series starts and she gets so utterly heartbroken she swears off romantic love entirely so she can never get hurt the same way again.
(I don't think I'll ever get over how Kyoko told all this to Kuu and he was literally like I'm adopting you. Your mine now. Sorry I don't make the rules ¯\_(ツ)_/¯ And Kuu going home to his wife like hey we got a new kid 😂 Like Kyoko freezing up when she made mistakes and then Kuu showing her love instead of reprimanding her makes me go 🥹😩💖✨😭💝 Kyoko getting all fluffy from head pats🥹🥹 But on the downside she literally can't bring herself to call him dad unless she's in acting mode sjdfhsf)
When I really consider it, I wonder if Kyoko really loved Sho as a person or like.... the idea of him. Like he was just a convenient guy via proximity bc Kyoko needed someone to be her "prince". We haven't been shown exactly why she fell in love, but it would explain why she stuck with dedicating herself to him despite his terrible personality and knowing he never saw her the same way. It's portrayed like the concept of hatsukoi in anime where its ✨pure✨and innocent✨It seems very idealistic. Whereas Kyoko's love for Ren is more mature. She sees every aspect of Ren and doesn't sugarcoat it, she sees him as he is (she does him up on a pedestal but partially bc she admires him but also as an extreme measure to protect her heart and hide her feelings imo)
And REN. trauma to the max. He had to deal with the hardships of making a name for himself when his parents are already famous, extreme racism from being biracial, his friend/mentor dying from an accident he unintentionally caused???? Like boy hates himself so much he's literally disassociating 24/7 he needs a fucking therapist. I get how being Ren has helped him in some capacity but he needs a professional asap. Though deep diving into this is so interesting because Ren/Kuon compartmentalized his issues and the parts that he hates about himself so much he created its own persona ("Dark Kuon"), to the point he's rarely ever just himself. And he buried it so deep that as soon as he cracked the lid open, those emotions just spilled out. He can't even allow himself to be happy, and when he does feel truly happy, his automatic response is acting nonchalant,,,,,,,,,,,, he didn't even realize he was doing it at first 😢
Also the symbolism with Ren's watch makes me go a little feral. I don't remember if it's originally his or Rick's but it obviously stopped when the latter died and Ren keeps it as a reminder of what happened and why he went to Japan. It's a weird item since it grounds him but also represents his heavy trauma, and I think having those two things in one kinda showcases Ren's unhealthy coping mechanisms (like grounding himself to something traumatic isn't... great...). But that scene where he realizes he took it off and he has a moment of whether it to keep it on as Cain Heel or not??? *clenches fist* it was so good. (To recap it, he had his watch so he wouldn't lose himself in the role of BJ and then forgot it in the bathroom after an unexpected trauma response) Ren narrates his thoughts as choosing between Rick or Kyoko but interpreting this, he's choosing whether to keep himself stuck in his past trauma or move forward and let himself be happy AKA stick with unhealthy coping mechanisms vs try something healthy and rely on people he trusts. Kyoko essentially becomes someone Ren grounds himself to 🥺 He still needs therapy though lmao. He's so mentally unstable in this arc,,,
As I'm writing this I'm seeing a parallel between Kyoko and Ren and how they both had an experience that completely and utterly broke them, and it was this that pushed them onto their current paths in showbiz. And they likely would never have met each other again if those things never happened (they had to lose themselves to find each other?? 😭). It's so funny to me that Ren is all like ThEiR fAtEs ArE iNtErTwInEd with Kyoko and Sho when you have to consider the fact that him and Kyoko meeting again was like. a chance in a billion. It was fate 😂
KyoRen is such a poetic ship to me. The fact that they're different people when they meet and don't recognize the other. How Ren starts falling in love AS SOON AS HE REALIZES KYOKO IS THE SAME GIRL HE MET (Ren being gray/demiromantic.... more at 5). Kyoko lowkey starting to crush on Ren when she witnesses a bit of his real personality. These two things happening around the same time??????? And Ren being SO afraid of being Kuon, his true self, because of his bad qualities, but Kyoko pulling out the good qualities without him fully realizing it?? (I'm 100% referring to Kuon being a mischievous little shit and I live for how he teases Kyoko) tbh they treat each other differently from other people without even realizing it lol. And Kyoko being surrounded by toxic and possessive men pursuing her, and Ren being anything BUT. Like my man is a gigantic green flag. He recognizes that he can't seriously pursue Kyoko bc she's a minor and he really tries his best to only be a friend and mentor in her life and keeping her trust and never crossing her boundaries despite the stereotypes of men being "unable to control themselves." Y'all take point this should be the standard at minimum☝️
I have to talk about Sho bc this boy is so fucking toxic but he makes such a fascinating character. As much as I hate how Kyoko got heartbroken in the way she did, I think it was necessary so that she could leave Sho's sorry ass and cut him out of her life. Seriously,,,, he took advantage of her and used her as a servant. she literally dropped out of school, moved to a different city, and took on two jobs for the sole purpose of helping his career and then he threw her away like a used rag (JUST THROW THE WHOLE MAN AWAY). And then he has the audacity to fall in love with her smh. Anyway the fascinating part about him to analyze is how he's so possessive of Kyoko. Like she was a mere fly in his life, but she was always his. Until she wasn't. And I think those twisted thoughts kinda morphed into feelings for Kyoko. Ig in a way he still cares about her, but it could never hide how toxic he is. Anyone who's like I don't care how this person thinks of me as long as I take up the biggest space in their heart is egotistical and narcissistic. BUT he and Kyoko bickering like siblings will always be funny. Like epitome of two people who've lived with each other for way too long so they know how the other ticks and also get on each other's nerves 😂😂Sho does makes a good foil for Ren though. Like he's basically everything Ren is not: immature, temperamental, possessive, vain, the list goes on. His only redeeming qualities as a character is providing good drama and humor and being an example of what Ren isn't.
Skip Beat is really a story about healing and learning to love yourself and letting others love you and Nakamura is such a good story teller 🥺
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Now that we know Ed kept that robe, do we think Stede didn't know that Ed had kept it until he saw him wearing it that morning or or do we think that maybe just maybe he found it while cleaning up the cabin and maybe just maybe when he brought Ed back on to the ship after the dinner with Anne and Mary and he decided that Ed needed some extra love and care and maybe just maybe talked him into stripping down out of his clothes to get comfy and maybe just maybe wrapped him up in that robe all nice and safe and cozy as a bug in a rug.
ANYWAY.
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one action that i haven't seen a ton of people discuss online is writing a letter to the editor (not one specific editor, that's just what they're called). i'm thinking of palestine, but a lot of this can apply to other things. jvp has a letter to the editor guide here if u think you'd find that helpful. it's specific to jvp members from what i remember, so take what applies. individual papers will sometimes have their own sets of guidelines as well so be mindful of those. letters are generally more likely to make it to print when it comes to local papers, but you can also write letters to like. the nyt or wapo. you're just more likely to not get a response. as tools for social change, letters' purpose is to sway public opinion and pressure via institutions of media. i focus on local papers because, like with bds campaigns targeting college campuses, this stuff is going to start on a smaller scale first, but can and does build over time. think of one berkeley branch voting to divest very soon after another did first. this is like that to me.
i recommend seeing what other articles individual papers have about palestine just to get a feel for what might be most impactful for you to write about, or what still needs to be said. for local papers, you might want to tie it to your community in some way (and that might even be a requirement to get in the paper), so you can talk about, for example, how much money comes out of your specific area for israel, using uscpr's funding map. you can talk about protests in your area. if there are arab, palestinian, and/or muslim communities in your area, you talk about them. if there are medical facilities or lots of families in your area, you can talk about them. if there's a big tech presence in your area, you can relate it to that. education, youth, food, policing, etc. there's something. there are probably multiple lines of connection between your local community and palestine. you can also just respond to a published article or lte.
if you are writing a letter to the editor, it will be considered an opinion piece, so you can include opinions or things that may be seen as more subjective. check out other letters to the editor to get a sense for the type of tone/content/etc they are looking for. don't be afraid to break or bend those rules, but it's helpful to be aware of the general vibe of the paper, what's likely to get published, and what needs to be said.
what do you want your community to be talking about? what needs to be brought to their attention? what misconceptions need to be corrected? what issues do you want to put on the table? what do you want to add to the conversation? what's missing? what should be done about it?
if you can't make it to in-person actions, this can all be done online. and if you consider yourself good with words, this may be an area in which you're uniquely effective.
ps: citing other articles or sources is always helpful and is a way to platform other articles/books/texts that u think should be shared, although i don't think that's usually a requirement for ltes. if u can't think of one, ask around.
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