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#I'll probably post there someday
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AITA for performing a wellness check on a student?
I (~30M) am a science teacher at a high school. It's great getting to introduce these students to some fascinating concepts in science and expand their horizons, but there is one student, S, who has taken to it in a bit of an odd fashion. She (16F) can be a little obtuse in class, sometimes trying to contradict what I or her other teachers say. She has these moments that make me feel like she's leagues ahead of the rest of her class, and maybe even me, but she simply hasn't been turning in her homework, which has me concerned.
The other day, one of my colleagues, B (~30F) approached me and asked about S. Apparently I'm not the only one who's noticed that S can be a bit odd sometimes. B has been worried, and asked S if everything was alright at home and if she could potentially visit and make sure. But she said S told her that her grandfather doesn't like strangers so it wouldn't work. But her grandfather is apparently a doctor, who I'd think would have to interact with strangers regularly??? I'm not sure what to make of that. B tried to swing by S's home anyways, but there was no house at that address? There was enough there that B and I were seriously concerned.
Which brings me to the part where we may be assholes. See, B had an idea to… well, follow S home. By the time school got out, it was dark and we didn't want her walking home alone, so we offered to accompany her, but she refused. B and I drove ahead to her address to see if this was in fact where she lived. There may have been better approaches if we'd taken the time to think about it, but we were really concerned for her in the moment and thought there might be something bad or fishy going on and neither of us want S to come to harm.
Eventually we saw her enter this abandoned lot and we went in after her, but she was nowhere to be seen! There was a cranky old man who we thought might have kidnapped her. He tried to goad us into calling the police. I almost did, too, before we heard S cry out. B and I followed her voice and ended up inside her home. Apparently, that cranky old man was her grandfather and he was pretty pissed that we had just barged in on him. I understand where he was coming from, and I've honestly been second-guessing whether we did the right thing. As I'm posting this, he's taken us back in time to the Stone Age in his time machine (which I thought was just a blue police box at first), which feels like a bit of an overreaction, but I'm not sure.
Am I (or are we) The Asshole(s) for trying to look after one of our students who was behaving strangely?
What are these acronyms?
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sleepgarden · 10 days
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new headdress I'm working on for my shop. Lambkin, the pet name varré gives us in elden ring, is such a cute word. The pink yarn is very light against the cream, it's hard to capture but it "blushes" in light, almost disappearing under certain angles and light! Accented with antique lace, and it'll have a gorgeous matching ribbon and bows.
I haven't posted any personal work in a while so here's something I'm taking time on for myself ^-^
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bobasthrone · 2 months
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Happy almost Valentines Day!! Here's my self insert in the Ca.re Be.ar Universe, Stitch Heart Bear with my platonic f/o, Gr.umpy Be.ar!
May change my s/i name but Stitch Heart will do for now.
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milgramenjoyer · 7 months
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protector
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reno2005 · 6 months
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The Taste of Your Touch
Leon S Kennedy x GN!Reader
Notes and stuff: you’re a vampire because I think they’re cool and it’s Halloween time anyways / you give Leon some loving treatment / I suck(pun intended) at thinking of titles / Nsfw
Words: 479
“You said you wouldn’t whine.”
“I’m not, it’s just- ow!” Leon Exclaimed as the rope pinched his wrist.
“There, done~” You looked proudly at your handiwork.
Leon looked at you with his typical furrowed brows as he squirmed a bit on the bed, his hands and forearms tied tightly to the headboard. The sight of his struggle made your heart race.
“I can’t move…” he muttered with slight frustration.
“That’s the point~” you purred as you crawled onto the bed and over his nude body, his muscles on an interactive display just for you. You dove in to kiss his neck and smelled his blood. The scent was tantalizing, but worth the wait, and you wanted him to be comfortable.
Speaking of comfortable, he looked the exact opposite of that, extremely tense. “Hey hey don’t worry, you’ll be alright.” You whispered sweetly to him as you placed your hand gently on his cheek.
“Kind of hard to relax when I’m tied to a headboard.” Leon grumbled as he squirmed some more while trying to get comfortable. He shook his head softly and his hair swayed back and forth. He hung his head down, hiding his face under his bangs.
You placed your index finger on his chin, raised his head, and gently placed your lips onto his. After a good moment you pulled away from Leon, who looked a bit more relaxed now. In fact, he looked as if he really wanted to keep going.
“It’s my turn to take care of you.” You said softly as you brushed his hair back and landed your lips on his again. Unable to help yourself you used one hand to run your hands over his biceps and the other to squeeze his pecs.
The longer the both of you went on the more you could feel the tension leave his body despite the squirming from your touch. You moved the hand that was feeling his bicep and wrapped it around his dick.
“Fuck” you heard him try to mutter under his breath as you both continued to kiss. As you started to slowly stroke him off Leon’s squirming and soft breaths intensified.
You separated from his lips and slowly increased the speed of your strokes making his breathing and squirming become more and more intense, his body raised as if wanting to be even closer to your touch, until he finally couldn’t hold it in anymore. Cum shot out of his dick and onto his stomach. Leon slumped down; his body fully spent.
“Hot and ready~” you joked as you dived into his neck, garnering a chuckle from him before your teeth met his throat. The taste was exquisite and you could hear his heavy breathing as you drank.
Fighting your desire to drink more, you pulled away and gave him one last passionate kiss on the lips before untying him.
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prismatic-starstuff · 8 months
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okay was anyone going to tell me that ascended Astarion calls MC 'little love' and 'my treasure' in the smoothest most sultry voice I've ever heard or was I just supposed to get absolutely smacked around the head with that knowledge myself—
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rayfishandchips · 2 months
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Bonus to the previous red hood costume appreciation post: long winter coat version
By this point I have to admit I really like his whole costume idea, it's got this very handsome street crime vibe + military utility style.
(from the Joker: the man who stopped laughing)
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miraculouslumination · 9 months
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I might go further into detail on this and I haven't really looked much in the tag to see if anyone else has offered this idea, but, like
Here's one of my biggest theories regarding the shenanigans in Welcome Home, summarized in one sentence:
Wally is sick.
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theheirofthesharingan · 4 months
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Me at the end of 2023 reading people harping on about how Itachi was meant to be evil from the start and Kishimoto retconned him into being a good guy halfway through, when there are ample evidences in manga this is complete bullshit.
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levi-dayne · 3 months
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omg wait also adhd has a tendency to be accompanied by rsd (rejection sensitive dysphoria) which could be part of why mello takes his second place status so personally and has such an inferiority complex??
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parab0mb · 26 days
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Crosscode spoilers:
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I DIIIIIID IIIIIIIIT!!!!!!!! *SOBS*
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mispelled · 3 months
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Yall don't even know how insane I am about Ulysses Anderson
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purplequay · 1 year
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theyre like ocs to me
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ottiliere · 1 year
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what are your go-to resources for phantom blood fashion historical accuracy...... ...
ok I'm glad you asked this because I've been writing up a whole other post on dio's fashion sense and i wasn't sure how much of the period's fashion trends to explain since I didn't want to make an assumption that nobody knows anything about late victorian fashion. this will be a good reference post for me...and you... and anyone else who wants to use it.
regardless; I hate to say it but the best way to start drawing period clothing is to do a little reading on the fundamentals of [late] victorian dress because it will seriously assist you in the long run, e.g., you won't have to scratch your head and spend time wondering why you keep coming across two different lapel types on tailcoat fashion plates if you're aware that both peak tips and shawl collars were in vogue in the late 1880s and the '90s.
I'll put some basic information that I've collected for myself here so you don't have to go looking for it; I'm going to write this assuming you're a newborn baby deer poking your nose into the victorian era for the first time in your life fully unaware of the customs.
reference links for the wayfarer so you don't have to scroll all the way to the bottom:
Etiquette books. Look for anything written in the 80s/90s; again, period trends change. There's usually always a section on how men should be dressing on different occasions (weddings, funerals, daily casual travel, etc.) in these. In an ideal world one would only have to reference books written/published in London, however I've found that there are many more from US. This is fine though IMO, there was a lot of cross-talk between countries due to the implementation of the telegraph and hence a lot of etiquette standards are "universal" (it's why fashion between EU/US/AU can look pretty similar at the same time--they were all talking to each other). If there's a difference between the "New York" way of doing things and the "London" way of doing things, the authors usually point this out. kind of funny. I love reading these, they're also very good for understanding the general quirks of late Victorian society and how the standards at the time characterize their behavior.
The National Portrait Gallery (link is an advanced search; you can change the dates. I set the results to be located in "london")
Victoria & Albert museum online gallery
The Met museum online gallery (in general for clothes on mannequins, but they also list an archive of fashion plates here, separated by year. A lot of them are misfiled though so be wary of that)
Alamy website. genuinely one of the most all-encompassing resources I've used, I use it for everything and especially when I'm into period pieces. "boy 188*" "man 1880s portrait" "man 188* suit" etc. you find a lot of illustrations from the time period this way too. it fucking rules. my computer is on the brink of crashing 24/7 because I keep too many alamy tabs open at all times. A lot of really good Vanity Fair illustrations are on here too, just plug it in with a year and see what pops up.
Sites like this (Gentleman's Gazette) with little articles giving a run-down of period clothing can be helpful...... to an extent. idk. I don't really trust them. GG is solid for the most part and so is The Black Tie Blog and Victorian Web, but I've spotted too many errors on other sites to trust anything they say wholesale. Fashion Institute of Technology is worth mentioning as well, though, despite their coverage on men's fashion being pretty brief. Goes by decade, though, with a lot of information on women/children's fashion, too (it's very interesting! I linked their 1880s fashion rundown, highly recommend going through it, especially the Aestheticism segment). TL;DR: My advice when it comes to website hopping is "stick with primary sources".
How to Read a Suit (A Guide to Changing Men’s Fashion from the 17th to the 20th Century) by Lydia Edwards. Look this up on libgen. It's broken down into chunks of decades; REAAALLLYY recommend reading the introduction to "Chapter 4: 1860-1899". Probably the most historically informative consolidation of relevant fashion information in one place. Very interesting writing, pretty short too. If you're gonna read one thing out of this whole list, make it this.
The Dictionary of Fashion History by Valerie Cumming. look this up on libgen. for when you don't understand what some article or book is talking about and google will not give you answers. as it is it wont to do. (could not wrap my head around top frocks until this point; the wikipedia article for it is quite frankly embarrassing.)
here's my google drive of fashion for this time period, I had just been keeping these on local folders but I think drive would be better so I started transferring them here... compiled myself. this is a "work in progress" and will be updated.
I am going to write a bit about men's fashion at the time period under the cut because I think it's important to understand, if you don't know much about the victorian period, that the dress decorum was heavily emphasized and if you wore the wrong ensemble in the wrong setting everyone WOULD think you were ill-bred and would not invite you back into their home again. because just seeing you exist like that was impolite and quite frankly very embarrassing to witness. these resources are great but not if you don't know where and when these guys would be wearing these things... for instance i know the fashion plate archive there are some drawings of men in livery and you may be tempted to put dio in something like this because WOW! they do look kind of cool. with the big brass buttons... but I think he would more readily batter another human being physically than dress up like a butler at a dinner party and get mistaken for a butler. it's the little things.
first thing: you were expected to dress differently for different times of day. This consists of: morning dress, afternoon dress (semi-formal; not really "mandatory" except at special events, like weddings, at least for men), and evening dress (anything past 6 o'clock or "by candle light" is the general rule).
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here are overview excerpts from Modern Etiquette in Public and Private published by Frederick Warne and Co. in 1887:
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and excerpts from The Complete Bachelor: Manners for Men by Walter Germain, written in 1896:
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Cecil B. Hartley states in his Book of Etiquette and Manual of Politeness (1860) that "by dress we show our respect for society at large, or the persons with whom we are to mingle".
He advised men that there were “shades of being ‘dressed;’ and a man is called ‘little dressed,’ ‘well dressed,’ and ‘much dressed,’ not according to the quantity but the quality of his coverings.”
Black was "the" color. As Lydia Edwards writes in How to Read a Suit (2020), "while it is unrealistic to imagine that all men everywhere only wore black, the acceptable color palette was certainly more limited at this point than it had been for the first half of the century. The rising professional middle classes seemed to embrace a centuries-old association with black for certain professions, which perhaps made this an inevitable choice for the evolving and expanding world of work in the nineteenth century."
I'm going to add illustrations now; humbly request you ignore how terrible the paint canvases i threw things in. Things to note moving forward:
there were three different types of shirt collars in vogue at the time: stiff, high stand collars that hugged your neck, wing-tip collars, and one that's closer to the "regular" collars you typically see nowadays (banker collar). don't really see the last one in any of the fashion plates but you do see it in portraits.
Do note that walking sticks were commonplace and in fact expected to be touted around, hence why they (in addition to umbrellas) keep reappearing in the illustrations;
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(1890)
Frock coats were the most "formal" of the daywear. When going through the National Portrait Gallery website you'll notice that most men are wearing either a morning coat or frock coat; the lounge coat was still too informal to be considered for how much money you'd spend to get a photograph taken. Don't you want to look nice?
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Lounge suits, again, were the ultimate "informal"; they were viewed with distain by the frock-coat. (here's a good thread on this, actually; i love this fucking guy lol). really, really don't think Dio would be wearing one that often. maybe a double-breasted one? i really think he's too much of a snob to wear what he sees as filthy poor people rags. appearance is everything, etc.
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waistcoats you have a lot of freedom/liberty with, at least in regard to design (except for evening waistcoats). different lapel shapes, no lapels... unfortunately shifting into the later decades of the 19th century it was pretty much expected that the fabric of your waistcoat match the fabric of your suit (along with your trousers; called a "ditto suit"). jonathan would conform to this mode IMO, i don't think it stops dio. he has a vision & his waistcoats are likely very extensively detailed. actually I just remembered that we do see one as depicted by araki's tenuous grasp of historical fashion and it is. awesome. i, too, love to wear cravats directly underneath my shirt
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(1891 / 1892)
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Evening dress is (comparatively) much more simple & men had much less artistic freedom in their choice of dress: black tailcoat, white gloves, white tie, waistcoat in either black or white, black button boots. Regardless, it was its own beast in the fact that this was something that you really weren't supposed to dick around with. (Dio would've found a way, but that's a discussion for a post that isn't crashing every 3 minutes.) From A Gentleman by Maurice Francis Egan (1893):
If a young man is invited to a dinner or to a great assembly in any large city, he must wear a black coat. A gray or colored coat worn after six o’clock in the evening, at any assembly where there are ladies, would imply either disrespect or ignorance on the part of the wearer. In most cities he is expected to wear the regulation evening dress, the “swallow-tail” coat of our grandfathers, and, of course, black trousers and a white tie. In London or New York or Chicago a man must follow this last custom or stay at home. He has his choice. The “swallow-tail” coat is worn after six o’clock in the evening, never earlier, in all English-speaking countries.
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(1885 (misfiled) / 1888 / 1888 / 1890)
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MET evening suit ca. 1888; different aspects of the ensemble displayed solo at this link.
In the 80s the "dinner jacket" ("tuxedo" in US) was introduced. It was used for more informal occasions.
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final evening dress "tips":
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Outerwear was pretty varied… you can get a pretty wide dynamic of form depending on choice of coat, so keep that in mind. chesterfields tended to be pretty formless, top frocks a bit more fitted. Length/density would change depending on season, too.
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Children's fashion:
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end notes:
everyone would be wearing suspenders, not belts; belts were pretty much only worn with military uniform at this time (except in america)
sweater vests were really only considered sportswear until the first few decades of the 1900s. they would not be wearing these casually under jackets, they'd be wearing waistcoats
button boots were buttoned using a special button hook. video demonstration
NOTE: trousers being "creased" began to be more in vogue in the 90s; this is because they finally invented the trouser press. read article for more information--you sometimes see creases in the 80s, really not before then though. look at how they bunch at the knee (c.1880s)!
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When it comes to gloves, different colors denoted different occasions to wear them. In the text screenshots provided in previous sections, it usually states which colors are appropriate for whichever situation. The paragraph I am about to end this on is relatively useless, but I thought I'd include it anyway:
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quiescentdestiny · 7 months
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Hey does anyone want a very quickly colored sketches of the Fox Girls
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tippenfunkaport · 11 months
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Glimbow kid that can teleport through time as well a space
For Inspired By A Book
There's this part in the book, The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (so, spoilers for that book obviously) where the two main characters (who are kids) are arguing and, because of magic time travel nonsense, their future child shows up right then and greets them as mommy and daddy before disappearing and they are both like ????. And I kept thinking about that with Glimbow because what if the magic is stronger after the war, and Glimmer and Bow have a child that can travel through time as well as space so they end up meeting her before they are even together.
And then I kept thinking about on how much it would mess with Bow's head if their future child showed up right at the start of Prime's invasion, when he was at his MOST mad at Glimmer and still hadn't sorted out his own feelings for her.
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