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#I’m garrulous and go on far too many parenthetical asides
wrenhyperfixates · 3 years
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Loki Series Thoughts—The Variant
With the release of episode 2, I’m back with another analysis. Spoilers ahead!! This will be a combination of personal thoughts, theories, and objective analysis. This is overall, a positive review, so if you do not want to see that, I would not recommend continuing to read. I am however more than open to some friendly debate and discussion over any and all of the following points, whether you agree or disagree with them.
With all that being said, let’s dive in:
I feel gypped on the Holding out for a Hero fight scene. I mean, I liked how the scene was shot, especially with the whole loudspeaker thing (it set the mood very well), but where’s Loki fighting to that song?
Alright, I might as well address the elephant in the room: Is Loki OOC? Well, for my money, the answer is both yes and no. And I don’t mean to be wishy-washy; it really kind of depends on how you define OOC and/or who exactly you take this Loki to be.
What does OOC mean? To me, the literal definition of “out of character” would be the character acting in a way unlike they’ve been seen acting before. Likewise, according to Collins Dictionary it would be defined as “not typical of the apparent character of a person or thing.” Now, that’s a bit too black and white. What if you have a character in a new situation, how do you know how they’d react? By analyzing their past actions and seeing if they line up. And if you stop at this point and deem Loki entirely OOC, well you’re allowed to and that’s valid. I, however, would not say entirely is the word to use. Somewhat, yes, but not terribly and not inexcusably so. I’ll come back to this in a moment.
Who is this Loki? He’s the one right after the Avengers, of course, but he’s something different too. Think about it, the whole series is centered around how different choices can shape the very fabric of the universe. Wouldn’t it stand to reason that changes in Loki’s story would cause him to behave differently than what we’ve seen before? This is, in essence, a different Loki, albeit one who’s own narrative is shaped by a shared backstory with ours. It even says it on his jacket in big, bright letters: VARIANT. So while he shouldn’t be too dissimilar from the Loki we know, I do not think we can entirely look to the old to determine the new.
Now that we have that out of the way, we’re back to my somewhat noncommittal answer of the original question. Loki has some moments that seem OOC, but almost always has a (valid) reason for acting that way, both in and out of universe.
Loki’s OOC moments:
◦ The Renaissance Fair: And I by no means think this applies to his whole spiel. In fact, I think it was largely in character. What got me was “Which is absurd, because my people are, by nature, gullible fools. A trait that I, the God of Mischief, exploited time and time again simply by listening.” And then again, right after B-15 announces they are one unit away from red line. Though, my issue with the latter is how rushed it is. This could make sense because he’s worried about having time to finish his ploy. It’s a small thing to harp on for sure, though, for the point I am trying to make.
◦ In the hallway: This is where I think he’s most OOC. It feels rambley and pointless. More a desperate plea than a calculated last resort.
◦ With the librarian: I was hesitant to put this one in, but he seemed a bit unsure at points in his dialogue here. The inflection of his voice in the middle just sounded, like I said, unsure.
◦ The cafeteria (both times): More so in the first. The metaphor was, like Loki himself said, clumsy. But what I really think is OOC here is how excitable and obvious he is after Mobius concedes, “Not bad.” And the only thing on their second cafeteria chat is at the very end. His response of “I know” to being called clever, once again has an inflection to it that I would not typically associate with Loki—it’s too pronounced.
◦ Pompeii (beginning of scene only): Loki seems pretty flippant about the whole thing in the immediate moments after their arrival. (As an aside, I don’t think he’s necessarily unsympathetic here; he knows what happens and to keep himself safe and prove his point, he can’t branch the timeline.) To be quite honest, I think he might just be goading Mobius as he’s done to our God of Mischief many a time already.
◦ Before Roxxcart: He seems nervous, and his speech is a bit rushed again. Then again, this is something he wants—to be better. I’d think he’d be a bit more calm about it, though. Then again, with everything that’s happened recently, maybe it’s a natural response?
The reasons why he seems OOC:
◦ It’s on purpose: He knows what they think of him. If he plays into that, even in an exaggerated way, they’re not going to call bs on it.
◦ He’s been through a lot/Not our Loki: Like I mentioned earlier, not only is this a new environment, it’s a new Loki. He’s been shaped differently from our Loki because of how he was immediately thrust into the world of the TVA after many traumatic experiences.
◦ It’s an acting choice: No, it’s not one you have to agree with. But I believe Tom could be doing it to highlight moments where Loki is saying things he personally does not actually believe or that he knows others believe. Just to distinguish from the more calculated lying he does.
So, are there moments when Loki acts OOC? Yes. Is it inexplicable? No. Are the answers to those questions always the same from person to person? No, because like so many things, it’s all about how you frame it. And, of course, every person perceives each moment of time through their own eyes, with their own thoughts, in their own ways.
Loki has plenty of moments in character, too. In fact, I’d say he was overwhelmingly in character, for my understanding of it. In the earlier parts of the Renaissance Fair he is witty and lying with ease. At all other points that I didn’t mention, I found his vocabulary and inflection perfectly fine. I can’t think of any one moment his hand gestures particularly stuck out to me as out of place. And during his impromptu magic lesson, he seemed so sure of himself. He has snark without being rude. His interactions with “the variant” are on point. Even in the majority of the Pompeii scene, he’s not acting OOC, he’s just acting. He wanted to make an over-exaggerated splash to test his theory. Between that and speaking Latin, aren’t we seeing his cunning and wit?
Well, with that divisive and slightly negative topic out of the way, let’s move onto Mobius, his character, and his role in the show. He’s a bit different than the Mobius we see last time. Don’t get me wrong, there’s still moments where he seems to be manipulating Loki, or at least attempting to (the walk to the elevator; dangling a meeting with the Time Keepers in front of Loki’s face). In episode two, he’s presented as a victim. Mobius is just as much a slave to the “sacred timeline” as those living in it. He can’t go into the world and do the things he wants to do. Even any questions about time that Loki has, he answers seemingly by rote (perhaps drilled into his brain through propaganda?) or he can’t explain well (note, two times he somewhat hesitantly deems what Loki says as “an oversimplification”).
We’re also told that Mobius has a soft spot for broken things. That seems like a bold thing to say if Mobius hasn’t done something big before. Has he possibly ever used a variant like this before? Could he even possibly have a deeper connection to the rouge variant? Probably not on that second one, but it’s not wholly impossible. Though, going back to “has he done this before?” (and get ready for me to get absolutely insane now) do the rings on the table have deeper symbolic meaning pertaining to this? Yes, it could have just been for comedy, it may have just been a cool shot, but why put so much focus and emphasis on it like that with the camera and dialogue if it has no significance. Basically what I mean is, it’s symbolic of Mobius messing up. He messed up Renslayer’s table, maybe he botched a mission. Or maybe he even screwed up when working with another variant. Regardless of whether that’s symbolism, we do see him have a soft spot for the people at the hurricane shelter.
Mobius’s role in episode 1 was trying to break down Loki and recruit him. In this episode, he was more of a guide, more of a friend. Yes, there are lines like at Roxxcart when he says he knows he can’t be trusted, but there’s also a lot of camaraderie between the two. By the time Loki and Mobius are having their second chat in the cafeteria, they seem familiar with each other, engaging in what seems to be a friendly bout of verbal sparring. They seem, at very least, fond of each other, and I believe Mobius is, to some extent, on Loki’s side.
In fact, Mobius and Loki share something in common; they want something more than what the time keepers have preordained for them, even if Loki is more ready to admit that. Mobius is still, however, playing the part he’s been assigned, his “glorious purpose.” And, yes that includes some digs like that at Loki, whether Loki’s in the room or not, and whether they’re subtle or not. Is “I’ll delete him myself. He’s really arrogant.” really a dig though? I mean, it sounds like he could just be saying what Renslayer wants to hear. And when he talks about Loki wanting something more, wanting to change, I don’t think he’s actually talking about Loki. With the inflection and stage whisper, it almost sounds like he’s projecting. Remind you of anyone? Mobius will likely end up helping Loki, or may even turn into a tragic hero, his fatal flaw being his unwillingness to admit the TVA is not infallible.
The TVA workers. Isn’t odd how some of them have names and others don’t? Do they name themselves? More likely, I think whoever is in charge of a branch of the TVA gets a name, and all underlings get the less than human mix of letters and numbers with which to identify themselves. It also seems that the people with the most personality are the ones with names. B-15 has a personality, sure, but it’s more just in line with “I work for the TVA. This is what they want. I will do exactly that.” It’s almost lacking something that the named characters have lying beneath the surface of their character arc.
And then she gets enchanted, and if Wunmi Mosaku wasn’t already shining with the limited story for the character, oh boy she is now. When B-15 comes to, she is scared. It’s on her face and in that little shuddered breath. And when asked what happened, she seemed so unsure, timid. I’m definitely interested to see how that progresses!
Back to the workers in general, they didn’t seem as sad about their coworkers this episode as in the last. Even with C-20 it seemed to be a respect thing. I mean, they reset the timeline with their colleagues lying dead on the floor. I think in a lot of scenarios, dead soldiers would be given a proper burial.
Ravonna Renslayer and the time keepers. Renslayer is even more steadfastly devoted to the sacred timeline and the time keepers than anyone else. Why? Well, I think it’s because she is the time keepers. Any time they’re brought up, it’s quickly explained away with a simple “they’re busy.” That’s because they’re not real. But Renslayer sure seems chummy with them, huh? What other reason then its her timeline she has everyone protecting.
Then again, she may only be second in command, but not to the time keepers. (I mean, omniscient and omnipotent beings who are relatively aloof and unreachable? They’re perfectly set up to be revealed as not real. Plus the constant non-answers when it comes to them, I’ll be more surprised if they’re real than if they’re not.) But in the comics, her plot line is interwoven with that of Kang the Conqueror, a time traveler, among many other things. Even more likely than her being in charge, is him being in charge.
And now for the variant. It’s not Lady Loki, we all know that right? Ok, that comes off a bit harsh, but she is listed as Sylvie in the credits for languages other than English. This was also who Sophia Di Martino was previously listed as on IMDb. I won’t get into her story in the comics now, but I’d bet we’ll take elements of that in her story in the series. And if you’re still not convinced that’s who this is, why have her blonde? It just doesn’t make sense to change that about her. Plus, Sylvie takes on the name of Enchantress. What does Loki say her powers are? Enchantments. She doesn’t want to be called Loki either. She does say the main Loki variant is her, but if she’s framing him or taking on his persona for her crimes, why stop now? Her language is distinctly un-Loki like, too. She also boldly declares “This isn’t about you.” And finally, there’s the foreshadowing in Loki’s line, “I would never treat me like this.”
I only wonder what her motives are. Is she looking for revenge on the Loki from her timeline? Or perhaps she’s working fo him? Maybe he’s dead and she’s avenging him? Or he’s alive and she wants to grab his attention? Maybe she has motives all her own. And what of Mephisto? Does he actually play a part in this? I’m just spitballing, I need more information.
When Loki finds the file. No. Like. Give a detailed description of this please!!!!! He thinks he’s evil. That he causes all that death with malicious intent. Even if he doesn’t, there’s clear pain over the destruction of Asgard. And look at his eyes, the only thing we’re shown as he process the information fully for the first time. He’s hurt, confused. Disappointed and angry with himself. The bit we’re shown of his face before it zooms in on his eyes portrays this too. He looks so lost in that shot. And he looks to be tearing up a bit.
Maybe I’m just being dumb, but what does it mean 9,719 casualties? Didn’t they all escape? His face as the scene zooms back out is... defeated. Scared. Scarred. He’s barely holding it together. Then something else catches his eye, giving him an idea. And I’m sure more than anything he wants to be distracted from the storm in his mind. So yeah, he’ll happily throw himself into his work. The epiphany on his face as he’s still recovering and discovering new things is just so perfect too.
The confrontation at Roxxcart. This was really well done, I felt. Loki felt in character, and he was fighting smartly, using what he could. Because clearly the enchantment also lent Sylvie’s powers to the person. But Loki manages to hang in there and dig for information while keeping the battle going.
He gets mad, too. He starts yelling. And that makes sense. He wants answers, and for so long he’s been denied them; it’s a recurring theme in his life. He’s losing control of himself a bit here. And that’s a large part of the reason why he goes through the time door. Loki doesn’t want to lose control again. I don’t even know if it was exactly a betrayal of the TVA. I don’t think he’s on their side, but I think he just saw that he couldn’t lose the variant again. Because for what he says his plan is, he wouldn’t have followed the variant. However, he does because he wants answers.
What about that plan though? I’m working a bit in reverse with this scene I realize, but bear with me. That look on his face as he stands, it’s calculating. I think he’s lying about his plan. I think he’s trying to bring the variant in, not work with them.
Also, I’m so concerned for C-20. What’s real? I want to know!! But we’re already getting a feel for Sylvie’s powers. The people she enchants live, but they’ve seen something they’d rather not. What other reason is there for the similar way B-15 and C-20 act? And I know she mentions telling Sylvie the time keeper’s location, but really, it’s their location to her knowledge. It doesn’t necessarily mean they exist. Or maybe it’s just Kang.
And Mobius at the very end of this scene, the very end of the confrontation, the very end of the episode. The last thing is him calling after Loki. And he sounds genuine, almost. It didn’t sound like he was fearful for his own life, but rather more worried for Loki. Though, maybe I have that confused and it’s worried about Loki. Whatever the reason, it sounded like genuine fear in his voice to me.
Finally, some random thoughts that didn’t fit anywhere:
Gugu Mbatha-Raw is so talented. I mean, I got a lot of emotion from Renslayer. Confident and proper at the beginning, panicked and afraid at the end. Even in her talks with Mobius, there’s many subtleties to pick apart. I think it’s heavily implied through her words and actions that she’s evil.
The casual magic use was great. Hope there’s more.
Why do setting off reset charges in the main timeline have a different effect than setting them off in the branch timelines? Like shouldn’t it wipe it, not make branches?
Loved all the rapport happening in the episode. There was a lot of good dialogue.
Despite the manipulations going on, I like the relationship forming between Mobius and Loki. I think they make a nice little duo.
I love all the Loki variants we’re shown. Very, very interesting. Just give us Jötunn Loki for real, please.
Loki was very clever this episode, particularly with figuring out you could hide in an apocalypse and at Roxxcart.
Does Roxxcart have a link to Roxxon?
Their little motto thing is a bit creepy. “For all time. Always.” Sounds like it’s just part of their propaganda.
“You see, I know something children don’t. No one bad is ever truly bad. And no one good is ever truly good.” I love this line. Seriosuly, why not use this sound bite in the trailers? Loki himself is morally gray, and I love that we’re addressing this fact of life; the world is not all black and white, not all good and bad.
CASEY!!!
In the second cafeteria scene, there is a guard in full armor just standing there. I guess they’re monitoring the employees. How likely does whoever is in charge think it would be for an uprising of sorts to happen?
Between sleepy Loki, him putting that jacket on, his hair, that talking to himself and that annoyed little shh in the library, and just being the happy goof that he is deep down (Miss Minutes scene and salad metaphor) Loki was just so adorable this episode.
I think it’s important Mobius said sorry when talking about ragnarok. He knows Loki cares.
Mobius does kind of understand Loki when saying he has an “insecure need for validation.” He’s right, honestly, albeit harsh. But that’s all he wanted throughout the Thor movies too, not to be looked down upon. To be treated as equal. As worthy.
Of Mobius’s two options for why he’s sticking his neck out for Loki, I think they both hold some truth.
Interesting how TVA agents like to keep souvenirs from lives they can never live. Though maybe Renslayer keeps them for a different reason. Like from timelines that were particularly a threat to order—her order.
The score is still on point. Loving the theremin.
Wow an explanation pertaining to time travel I’ve found no holes in. It’s unstable and they have to enter in real time (furthest point on the branch) because of that. Ok, yeah. Checks out.
I’m so glad they kept the title card from last week. I like it so much better than the one from the trailers, and it fits the vibe of the show better.
Is it bad I want all these new branches to red line? I think it seems a little too early into the show for that to happen, but maybe a few of them will? Perhaps improbable but not impossible. But think of the chaos! What better playground for the God of Mischief than a universe thrown into disarray.
And now, my final thoughts. A very good episode with a mainly in character Loki. I like how we’re slowly learning more with what’s going on, while still keeping an element of mystery. Though, Marvel’s twists aren’t landing as well as I think they were hoping (assuming I’m right of course. I’ve seen plenty of other people who were thinking along the same lines though, so). It’s lacking a certain je ne sais quoi that Glorious Purpose had, but I still enjoyed it. Overall, 8/10. Let’s just hope my rating doesn’t go down point with every episode.
Like something I said? Totally disagree? Really want to talk more about one point? Whatever it is, I’d love to hear! Reblogs and comments are appreciated. My ask box is always open, and anon is always on. I look forward to hearing your thoughts! Thanks :)
Me, after not liking one, but two episodes:
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