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#I’m aware that this is simplified
buck-yyyy · 2 years
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on one hand, i wish that the goldfinch movie had done a better job of representing theo and boris’ relationship, especially with A. kotku and B. boris only keeping in touch with theo for like a week before going MIA, but on the other hand it makes me really happy to think about how movie boris was a much better friend than book boris, so really i’m torn here
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john green quit tumblr because of the cock monologue
No, he didn’t.
This all happened a long time ago, and my memory is imperfect, but here’s my memory: The cock monologue certainly hurt my feelings! But when people are trying to force someone out of a virtual space, they sometimes resort to behavior that is similar to bullying except it’s not completely identical to bullying because the person they’re making fun of has a lot of power. (As someone who got bullied a lot in school, the feeling was similar in 2014 but it wasn’t identical--because I was aware of the fact that I was okay, that what was in danger was certain aspects of my identity/self-value that I treasured but not my entire personhood itself.)
Anyway, it hurt my feelings, and still hurts my feelings when I see it shared (it feels to me like a joke about my sexuality, although I understand other people don’t see it that way; but yeah, you don’t know much about my sexuality and I don’t really want you to but it feels like a joke about that to me, which just bums me out). 
But all of that stuff is a side effect of my job and having been successful at it, and I like my job. It is a great job. All jobs have aspects that suck. My job has fewer such aspects than other jobs I’ve had.
So yeah, I did not quit tumblr because of the cock monologue. (I also did not ask tumblr to make reblogs un-editable.) .
I quit tumblr because a few people started to make extremely specific threats. One might, for instance, send me an ask that featured a google streetview screenshot of my home alongside a plan for breaking into it.
I was super scared of these people (or possible person pretending to be a few people?) because they seemed to have a lot of knowledge about me and my family. We lived in a normal middle-class neighborhood in Indianapolis and I felt very exposed and nervous all the time in my real life, and eventually the freaked-out feeling just got too big and that’s why I quit tumblr.
(Edited to add: I am aware that prominent people sometimes use death threats against them to portray themselves as victims and protect themselves against justified criticism for their bigotry or abusive behavior or whatever. I don’t want to do that; it’s important to note that I have a lot of resources and power and so was able to, for instance, move to decrease the threat, which a lot of people can’t do. But I also feel like not talking about the experience honestly has not really helped me or anyone.)
I SHOULD’VE quit tumblr much earlier--I needed to realize that people weren’t comfortable with me in their virtual spaces and that to them I came across as cringey or even creepy, but at the time, I wasn’t nearly self-aware enough to leave for any of those reasons, and plus there was a lot of pressure from movie studios etc to stay on the social Internet so I could continue to promote my books and the stuff around them. So I didn’t quit when I should’ve, and as a result had and caused quite a few negative experiences for people. I’m sorry about the role I had in causing those negative experiences. I should’ve had a better understanding of not just how I experienced myself but also how other people might experience me. That’s something i’ve worked on over the years but still come up short on sometimes.
At any rate, I might delete this later because it makes me feel a bit like all my nerves are exposed to the air but I did just want to clarify that the, like, Tumblr Legend of this whole thing is at minimum a bit over simplified. 
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azmaarts · 1 year
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The Bat-LANGUAGE (WARNING: SWEARING)
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The process of making this comic can be simplified to that yes-no-orange-jacket-guy meme.
Me working on my pile of assignments, studying, and drafting college applications: (¬_¬;)
Me screeching at my first comic thingy and only discovering "gutters" after I spent a full day of break drafting, and about to boogie the living hell out of Koalemos himself: ( ⊙ꇴ⊙ )
This post was based off of @theaceofarrows's post! Check out their post through this link!
Since it's Epilepsy Awareness Month, I tried to finish this at least sometime in November... even if it meant starting on the 27th, finishing it on the 29th, and posting on the 30th.
If you (or anyone around you) want to get a basic understanding of epilepsy, try epilepsy.com. Even though Epilepsy Awareness Month is ending, it's not like epilepsy is gonna suddenly vanish. SO. Donate and/or spread the info. And as always, be wary of what you read/find on the internet.
P.S.
Gotta prepare my college applications Part II so I had to speedrun the rest of the coloring which has essentially become... blobs??? !(꒪A꒪|||)
Drafting and "line-art-ing" took two solid days. Bless Discord for granting me the strength to continue with supportive and uh... eccentric friends. XD
I've also been discovering a lot more Jason Todd fans IRL, so shout out to you wonderful people! It was so much fun screaming about Jason with you all! ٩(ˊᗜˋ*)و
Edit: DAUM. Thank you all so much!! I'm glad that this made your week, @theaceofarrows! Thanks so much for creating the prompt. Apart from providing me the inspiration to draw, you also got me into better understanding epilepsy. So, thank you! <3
And thank you ALL! You have no idea how much I love reading through your tags. This is legit my new form of therapy. I’m glad that this was received well! You all are amazing. Seriously. Keep thriving, everyone! ( ˊᵕˋ )°♡
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radiant-reid · 10 months
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Truth
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Summary: Reader knows there’s something going on between JJ and Spencer but she trusts him that that’s just the way they are... until he goes to LA
i cannot find the request for this, ugh !!! 
Pairing: Spencer Reid x Fem!Reader (Angst)
Word Count: 3.7k
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Y/n had let it go after that night.
"You're not seriously upset about this, are you?" Spencer asks incredulously once the apartment door clicks shut. 
It had been an incredibly awkward car ride together, twenty minutes home in complete silence. He hates when it gets cold and distant between them, even though he usually causes it by neglecting to discuss his feelings, but this time, he's fired up. Y/n can't read if he's dumbfounded or shaken. 
Although often synonymous, there's a difference here. If Spencer's dumbfounded, he thinks her suggestion is ridiculous and totally, 100% wrong. It would be offensive wording but best for the preservation of their relationship. If he's shaken, then she's correct, and he's coming to terms with the significance of that discovery himself.
Y/n sighs as she spins around to face him, her plan of making a beeline to the bedroom falling through. "That was flirting. She was flirting with you, Spencer." She tells him firmly. 
Spencer shakes his head, stunned by the allegation she's choosing to repeat. "She was- are you okay?"
"Don't make it about me." She instructs. 
"It's about you when you're talking..." Crazy is the word he stops himself short of saying- they both know it. He breathes deeply to calm himself. "She wasn't flirting with me." He maintains. "We're friends." 
Y/n shakes her head. She knows he needs it explained to him, simplified to an extent, but upholding his position so staunchly doesn't make her want to do that. "You don't have to best track record for knowing when people are flirting with you." 
"What's that supposed to mean?" He asks, his eyes narrowing. 
There's a specific incident she's referring to, but there's been more than a few annoying instances when she's left standing at his side fuming. She's aware he doesn't do it on purpose. Spencer's not an asshole purposefully trying to make his girlfriend jealous by accepting flirtatious behavior from other women, but he's handsome. And unfortunately, not immediately rejecting advances makes it seem like he's interested.
"Spencer." She had told him when she finally pulled him off to a slightly quieter corner of the bar the team was in. "Her asking you what you're doing this weekend isn't her having an interest in your Korean film festival."
Spencer had been much better at getting it since then. He profiles a bit more cynically, purposefully looking for indicators that someone's interested in him. 
Not tonight.
It was Michael's first birthday which, of course, meant it was a big celebration- BAU style. Spencer attended like the proud godfather he was, making sure every single one of JJ and Will's friends knew their son's achievements. 
What should have been a lovely day would have turned into a discussion about them having their own kids when Y/n expressed how attractive Spencer looked while he held Michael's hands so the boy could practice walking. 
But no. 
Instead, they're standing on different ends of the kitchen island, both uncompromising in their views because of more than a few moments at the party between JJ and Spencer. 
"She was flirting with you, Spencer." Y/n holds firm. "Touching your arm, giggling at your jokes, whispering stuff to you." She lists the frequently used tactics that she witnessed. She's become accustomed to them working on Spencer, but he has always admitted, upon later reflection, that the motive was more than friendly.
He can't believe it this time, and he quickly gets defensive. "Just because you don't think I'm funny doesn't mean everyone doesn't."
Y/n scoffs, irritated he would twist it so spitefully to play the victim. "Seriously?" She deadpans, waiting for him to react better. 
"It was an inside joke." Spencer tries a different tactic that only has her eyebrows raised again. He sighs dramatically, gripping the edge of the bench. 
"This is ridiculous." She states. 
"I'm glad you see that too." He argues. "JJ was not flirting with me."
His insolence further fuels her anger. "Even Will looked uncomfortable." Y/n hits back.
"She's my friend." He repeats. "We are their friends. JJ and Will have been married for years. They've lived together and raised a son for even longer. I'm their sons' godfather. She's been my friend for more than a decade. There's nothing malicious going on."
It didn't feel like that. And that was likely because Y/n had only gotten to know them years following their friendship's establishment.
Maybe he's right. It's feasible that Y/n just hasn't found her place in the dynamic. "Are you sure?" 
Spencer senses her walls coming down, and he steps closer to her in a few tense strides, cupping her cheeks in a way that makes her melt. His eyes soften until there's no anger remaining. "Yes, my love. I promise there is nothing romantic between JJ and I." He assures her.
It's so sincere. Spencer has always been a persuasive talker, and it's gotten him out of dangerous situations.
Maybe the deep gut feeling she has is off. There's no way to know what happens behind closed doors, but JJ and Will appear to be happily married. Her life seems completely fulfilling. It makes no sense for her to have a crush on Spencer. 
So she's determined to shake it off- for Spencer, her own sanity, and their relationship. "I'm sorry. I shouldn't have jumped to such a drastic accusation."
"No, no. Hey, I will always listen to your feelings." Spencer reminds her softly. "I'm sorry I didn't immediately hear you out. It was just unexpected. I would hate for you to stop talking to me about your emotions if you think I'll shut you down."
"Thank you, and I'm sorry," Y/n replies.
His words are massively relieving, and her negative thoughts aren't weighty. "I love you, Y/n."
She smiles softly. "I love you too."
"Can I kiss you now? I've been wanting to for hours." He begs, thumbs stroking over her cheekbones. He's elaborating a little but for good reason.
"Please." She agrees. 
His fingers curl around her head while he leans down to kiss her, not breaking it until they're both out of air. Everything's okay.
And so Y/n had let it go after that night.
She was with him through everything. Dealing with his mom, Mexico, prison, and the long recovery after that. She was with him through thick and thin, even when Spencer had given up on himself. He'll never understand what he did to deserve her love, but it means everything to him. She's the calm presence in amongst his chaos.
No issue in their relationship has been too hard to tackle when they worked together through Spencer's personal problems so well. Nothing between them seemed insurmountable since Spencer's life was so tumultuous.
When he gets home from his case in LA, she's in the bedroom, checking his suit for Rossi's wedding the next day is in perfect condition. The ironing is crisp, not a single wrinkle on the fabric.  
He usually calls out when he enters the apartment door, both so she'll reply, and he'll know what room to navigate to, and so she doesn't freak out about hearing footsteps on the floorboards. 
This time, he doesn't. 
It's like his brain got torn out and is still sitting on the floor of a little jewelry store in downtown LA. His thoughts remain entirely occupied by the previous day's events. Even though the jet home was long, he didn't sleep for a second. It's 7 am East Coast Time now, but it feels like just a second ago, his world got rocked.
"You're back!" Y/n grins, still unaware of the grave news he's bearing. She searches through her jewelry box for a piece to complement her dress. Her final moments of blissful ignorance. "Okay, so I was thinking you might need to nap before the wedding since it'll probably go late- I mean, you know Rossi."
"Y/n." Spencer whispers, trying to stop her from spreading joy and being the life in his life. He absolutely does not deserve that, as he lies by omission. He speaks weakly on purpose, wanting to listen to her excited ramble despite knowing he needs to be honest and say something that will crush her.
She doesn't hear him, and hasn't looked at him hard enough to see his devastation. "But your suit is good to go. I've got some other stuff to do, so have a nap, and I'll have lunch ready when you're up."
"Y/n!" He snaps much too loud. 
Her eyes flick to his, and she knows something drastic has changed. Her stomach drops in dread as the air in the room turns stale.
"What?" She asks cautiously, voice wavering. Her heart thumps in her chest. "What is it, Spencer?"
"JJ said..." Spencer trails off, looking straight past his girlfriend. He's not brave enough to look at her directly. 
No more explanation is needed for it to click. 
Her whole world gets shattered instantly, everything she built with Spencer, every dream and hope she had with him, is destroyed in a second. 
Her stomach stays dropped so low it feels like it's weighing her down and that she could be physically sick. She feels paralyzed until tears start streaming down her cheeks. 
"Oh." She whispers, although it's as loud as a jet engine in the silent room. "Wow. Okay."
Spencer wanted more than that. He wants her to scream at him, telling him he should have stopped thinking he knew everything and listened when she was suspicious. Spencer would take any range of passionate emotions over the silence she's giving him as she processes it. He begs with his eyes for her to tell him what she's feeling. 
It's to no avail. 
He thinks he's getting somewhere when she stands up, that maybe she'll hug him or enquire about the cut on his hand. 
"What happens now?" Y/n asks, ignoring her own tears and his. She always cups his cheeks and wipes them up gently because seeing him in pain pains her. That's how love works.
"Y/n..." She needs him to say more that time. Her soft-spoken name leaving his lips is bad news.
She forces herself to nod and swallow down her distraught tears. "It's okay. I know." It would hurt to hear him admit it, but she might think he's not a coward. 
Now Spencer's paralyzed, watching his nightmare play out in front of him, and he's incapable of preventing it, of making her stay. 
Her delicate, shaking fingers unclasp her necklace, and the 18k gold chain with an 'S' pendant burns a hole in her hand before she thrusts it into his. 
It's warm against his cold hands, a sign it's not where it should be. It's supposed to be daintily sitting on Y/n's chest, near her heart, for the rest of forever.
"No." He finally says, gasping a breath out. "What are you-"
She cuts him off before he talks for too long and causes her to remain so in love with him that she can overlook a massive problem. "You love her." She voices what they've been dancing around. It's an ugly, hurtful truth. "You might be in love with me, but you love JJ more than you should."
Spencer shakes his head, frantically denying the claim they both know is factual. As awful as it is, he's thought about a future with JJ on more than one occasion and during a long-term relationship. It's not that he wants to be with her- which would be a complicated mess and break everyone involved hearts- but something between them remains unresolved. All because of two tickets to see the Redskins.
Y/n speaks before he can, tilting her head upward as she tries to brush back some of her tears. "Don't lie to me, Spence. Please don't." 
He figures he owes her that much. Nothing he could say would fix the torpedo that ripped through their relationship. So he doesn't protest or fight for their relationship as she readies to leave him.
"I'll go now and get some stuff once you've gone out." She decides.
Her stuff which means she's planning on separating everything, and he'll never see her things again. Never mind the possessions- he might never see her again.
There's no point in making a case for her to come to Krystall and Dave's wedding when she only knows them through him, but Spencer isn't sure how he'll be able to sit through a ceremony and speeches and dinner and drinking and dancing- where everyone's feeling the love- when all he would have been thinking about is how it should be his turn next. It sounds like torture.  
Spencer stands there, horrified and helpless, as she slips past him. "Goodbye, Spence." 
And just like that, she's gone. 
It's surreal. 
Surely- surely- the love of his life hadn't just walked out the door and left him. That can't have happened.
He doesn't even feel overly tired, but he must be so sleep-deprived that he's imagining things. Having visions is a less scary thought than Y/n leaving. 
The surreal feeling and eerie silence deepen, and he quickly collapses on the couch from overwhelming fatigue, hoping the past hours have been a terrible nightmare. 
When he wakes and calls out for Y/n, quickly realizing she's not there and his worst fear has come true, Spencer sobs. He cries so much through getting ready for the wedding that his cheeks are blotchy, and his eyes blood shocked as he looks at himself in the mirror. He looks terrible, but he feels so much worse. It's emptiness. His eyes look dull, his hair scruffy, and his heart aches. 
Her dress is still there- dark blue that compliments his suit, but it's matchy-and it hangs in the wardrobe on a coat hanger from the dry cleaner, taunting him. Spencer's hand comes to cup his mouth as panic and nausea rock his stomach. Y/n should be wearing the dress and beside him the whole afternoon while they celebrate love. Something's amiss, and he hopes no one calls him on it because he will, without a doubt, break down in sobs.
Germs feel permanently on him, and he's guilt-ridden. Sure, JJ's words in LA weren't his fault, but- fuck- he should have said something to stop the love of his life from walking out under the wrong impression that he loved someone else.
He makes a beeline for Penelope at the bar to avoid being around JJ and get some alcohol in his system so that maybe everything will hurt less.
She looks pretty, but Will gazes at her like she hung the moon, and Spencer quickly realizes he could never feel that way. Her glances across the room at him piss him off, whereas Y/n's would make him blush.
"No Y/n?" Penelope asks, looking disappointed when he walks over alone. 
That's the reaction his amazing potentially-ex-girlfriend inspires in his friends. People love her for her warmth and humor, and Spencer's sure the team is grateful someone's making him smile. 
"Unfortunately not." Spencer grimaces as he gets the lie out. "She's sick." Or, more likely, bawling her eyes out at her friends because her boyfriend is a jerk, Spencer figures. He would feel worse for lying if it were possible. 
"Oh damn, I have heard there's a bad flu." Penelope easily believes the lie.
"What are you making?" Spencer asks, redirecting the conversation to the cocktails she's expertly whipping up. 
The wedding is small, which Spencer's sure is appropriate for a fourth or third round 2. It feels wrong to be there without Y/n. If he's eventually going to have one of these with her, surely he should be looking at the flower arrangements while she notices hair options. Not judging, just getting ideas.
It would be nothing like JJ and Will's wedding. Y/n would hate a surprise wedding with no choice in decor or food, even though it's romantic in theory.
He could never marry someone like JJ. He could never marry JJ. 
She's a real person. That seems to be a fact he keeps forgetting when he thinks about a future with her. She can't be the idealized version of her from his 24-year-old self's fantasy, and with her sitting no more than 20 feet from him, he's positive she's not who he's compatible with.
It's worse at the speeches. Emily stands with perfectly crafted words, and Spencer's almost in tears when the story verges from being Dave-and-Krystall specific.
"...that this was fate." His running thoughts halt at Emily's words. "...that their marriage was in the stars."
That's him and Y/n. They lived a block from each other in DC but had to travel three and a half thousand miles across the Atlantic Ocean to meet. That's fate. He recalls her laughter when he joked that the universe got sick of them not finding each other and forced them together. And the subsequent, love-filled conversation where they decided soulmates, and twin flames, must be real because they are the embodiment of the term.
Rossi is always a high-roller at Vegas casinos. There was no doubt he'd meet a blackjack dealer. It's not fate the way he and Y/n are fate.
He's always been sure she's the one, but this is the ultimate determining tool.
They have to be together. Spencer and JJ had bottled up their crushes without voicing them for more than a decade, and that's why it messed with his brain so much. Emily talking about confessions taking time to work out is not about them.
His fingers play with the tablecloth as he drafts a speech of his own, one that will set things right. He's too antsy to enjoy the rest of dinner or dessert. All he's thinking about is how soon he can leave- of course, after wishing the happy couple well. 
Spencer knows where she is. The doorbell camera already notified him when she had arrived at their apartment, which might now be an invasion of privacy.
It's a bit of a drive to get home, and he's thankful he stopped at one cocktail so he wouldn't do something stupid, like yell at JJ in front of their friends. As mean as it sounds, he doesn't have emotion to waste on her. It's all poured into love for Y/n. 
He doesn't have time to wait for the elevator, taking the stairs three at a time.
"Y/n!" He calls out as soon as he swings open the door. His heart pounds in his chest thanks to his poor athleticism, but mostly because this is the most important thing he'll ever do in his life.
"Yeah?" She replies, her voice coming from the bedroom as she steps out
She looks heartbroken seeing him, destroyed by the damage he caused over the last ten hours, and there's no way this can be how he leaves her, that this can be the last time he sees her.
"Don't say something that hurts." Spencer can tell Y/n's trying to be firm, but she's begging. There is no way he can ever hurt her.
"I won't." He swears. It's tense, and he feels award standing there. "Y/n, I-"
"I told you." She reminds him, referencing one conversation he's been thinking about. She was so good at dropping it after he offered her unknowingly untrue reassurance. Her plan to let him do the talking flies out the window, and she can't help releasing the brewing emotions. "I knew she loved you and hoped you didn't love her back. And now everything is fucking mess, and I just didn't think that you would do that."
"I don't love her that way." Spencer declares, and he doesn't feel guilty because he's not lying.
Y/n rolls her eyes. "You owe me the truth."
He tentatively steps closer, and she doesn't stop him. "I don't look at JJ and see my future. She's not the person I think about when I see an old couple walking down the street. I don't know the songs she listens to when she's sad or the correct amount of syrup she likes on her pancakes. I don't know the number of her childhood home or favorite piece of art in the Met. I'm not sure if she sings in the shower or if she ties her shoes with two loops. And I don't want to know any of that. You're the only person I ever want to know that personally. I don't love her the way romantic love works. But I didn't know that until I met you, and the very first day, I realized it was different. I know you said that, and I am so sorry I convinced you not to listen to your gut."
Y/n's crying by the end of his beautiful, naturally spoken words. He rushed to get it out, and she processes it for a minute. "Okay." She decides, accompanied by a choked sob.
Spencer frowns because he can't read her properly. "Okay?" He repeats softly. 
She steps forward, which has to be a good sign. "I need you to kiss me now." 
Spencer's crying too slightly as he closes the gap between them, cradling her face like he might shatter her in his palms. "Okay." He whispers, closing the distance between their lips without wasting another second. It's heavier than usual, holding a thousand unspoken words, but it feels like a resolution.
He holds her long after they've run out of air, finally feeling like he can breathe now that he's home.
"I am so in love with you." He tells her. "There is no one else I could ever be with."
She smiles softly back at him. "I'm in love with you too." She replies. "And this suit... you look very handsome."
He smiles widely. "You're the most gorgeous girl in the world." She doesn't bother reminding him that she's been crying and looks washed out. Spencer will forever insist that she is perfect. "Can I take you to dinner? Because I have missed you."
She nods. "I'd love that. And I have the perfect dress."
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etrata · 1 month
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New Phyrexia As A Cult
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Content Warnings: Heavy discussion of cults and cult recruitment, mentions of sexual coercion, abuse, gore in images (New Phyrexian art so if you’re good with that should be all clear)
I’ve seen many people talking about New Phyrexia with the release of Phyrexia: All Will Be One and March of the Machine. And I’ve seen people talk about the misconceptions of New Phyrexia, like assuming it’s a hivemind. Which leads me into the key point I wanted to discuss with this. New Phyrexia isn’t a hivemind, but there’s a reason it’s assumed to be one by most casual fans. I believe it’s most accurately conveyed as a cult, and that analysing and interpreting the specific ways it is like one has a lot of merit for how it is viewed. I’m also aware that most of what I’m saying isn’t new. Am I the first person to say New Phyrexia is a cult? No. But most of the time, I’ve seen people simply use it as a pejorative term to add on to the list of problematic buzzwords to attach when criticising New Phyrexia or the Praetors. And regardless of whether I agree with those people, I do feel it warrants much deeper exploration into why New Phyrexia is a cult.
I know this post likely will stir up a lot of people saying some not positive things about me and it but I felt it needed to be said. To those people who have a knee jerk reaction towards this and are going to immediately want to send me something criticising this, I don’t anticipate you’ll read all of this. But at the end of the document I did include a list of questions I anticipate a few readers will ask, and I would simply like to politely ask that you read that segment before sending anything to me or replying to this post.
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To start talking about cults and the nature of New Phyrexia as one, it’s first necessary to answer a few important background questions. Many people are going to ask if I have personal experience with a cult. To that, yes I have, I was raised in one from birth until around age 17. I would not like to discuss this further, I am simply including this so people know when I speak here I know what I am talking about. Another important thing is the definition of a cult. What differentiates a cult from any other religion? Many people disagree on the exact definition, and every now and again you’ll get someone claiming that all religions are cults. But simplifying it that much loses track of the real harm cults do to a person. I feel a key aspect for what a cult is is Dr. Steve Hassan’s BITE model. BITE stands for Behaviour control, Information control, Thought control, and Emotion control. The key difference between a religion and a cult is one of control. Cults invade every sense of your being, they seek to make it so you don’t have a life outside the cult and what is necessary to maintain it. This is why it’s so difficult for people to leave them. There’s a sense of fear of the unknown. That if you leave there’ll be nothing out there for you. Who knows, maybe they made you do terrible things you can never undo, how will the people who weren’t there forgive you? You can accept the bad parts, because the good parts are there and there’s this giant fear of what will happen if you face the unknown, if you leave. Which brings me to my first major discussion point: Ixhel.
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For the unaware, Ixhel is the protagonist of the Phyrexia: All Will Be One side story A Hollow Body, by Aysha U. Farah. It’s a fantastic read, I would highly recommend anyone who finds this essay at all interesting read it. For a brief summary, Ixhel was created by Atraxa- who was herself formerly a Mirrordin angel before every Praetor save Urabrask compleated her- to be used as a soldier/assassin. She feels devoted to Atraxa, but tries to suppress her other feelings- the feeling of love, of want of affection and approval. Throughout the story, she faces challenges to this suppression: a phyrexian named Belaxis who aids her in her mission, the Thane of Contracts himself, Geth, who challenges her on her devotion even as she kills him, and Atraxa herself in the end. She successfully completes her mission to slay Geth, but his words bother her. About her being a faceless drone, replaceable. So she takes Belaxis and Geth, and uses the Dominus of the Dross Pits to combine them into one being, now named Vishgraz. 
Atraxa is furious at the idea of their creation. But it’s not necessarily their creation itself that she really has an issue with. It’s that the creation was made without being ordered to. Vishgraz represents a threat to her not in their existence but in showing that Ixhel took an action other than what was ordered, even if she did it in hopes of imitating her superior in the cult. Because if she can take one action away from orders, she can take more. And that is a threat to her loyalty, which must be punished to ensure she stays in line, to ensure she stays another faceless drone. And Ixhel does take another action aside from orders, an even more direct disobedience: she spares Vishgraz’s life when ordered to kill them. 
Ixhel represents someone born into a cult. She only ever did what was ordered, because it was all she knew. But cults are not a natural state of mind, they’re a method of control that can be broken free from. And this shows with Ixhel. She obeyed mindlessly, until she was given another option, an idea of what could help her, what could make her fix those feelings she had been taught to ignore and repress. This is a common experience, it’s certainly one I went through. It’s not the only experience with cults though. Because another thing to mention is recruitment, and Phyrexia: All Will Be One provides a great example of this too.
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Another aspect of the storyline for this set was the idea of compleated planeswalkers. This is a new thing for Magic, with the idea introduced in Kamigawa: Neon Dynasty, with Tamiyo. However this was most fully analysed during Phyrexia: All Will Be One’s main story, by Seanan McGuire (who also did a fantastic job with that story, I would highly recommend that one as well). But something I recently came to the realisation of, that I have not seen discussed, is the common factor between every single compleated planeswalker: they’re all the exact types of people who are most vulnerable to recruitment by cults.
If you’re reading this and thinking “most vulnerable” I want you to keep in mind I mean exactly that. Anyone is vulnerable to recruitment by a cult, especially if you think you’re too smart to be recruited. And that’s where our first victim I’ll discuss comes in, Jace Beleren. Jace is a man who prides himself on his intelligence, on his skill with his mind. But in the story, he falls prey to New Phyrexia because he underestimates them, and overestimates his own skills. The love of his life, Vraska, has clearly fallen to compleation. But he thinks he can be smarter; he can use his illusion and mind magic to give her one last day, one last day together with him, where they can pretend like she hasn’t been infected. And that is what makes him be taken in by the cult.
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Jace fell for it because he wanted to be clever and thought he was too smart, but also out of love and devotion to someone else who fell. I believe even if he knew what would happen he would do it again out of devotion. And who knows, the story so far seems to imply he had a plan, that he knew what he was doing. Maybe I’ll be proven wrong and he’ll turn out on top of this situation. But even so, he still lost to New Phyrexia due to this.
Next off is Vraska, another key type to fall for cults. Vraska throughout her entire life has been abused by society, a victim of racism and police brutality. All of those are horrific acts done against her. And cults reach out to those people, they tell them they have the answer, that if they simply follow them they will find the ability to help other downtrodden like themselves, or find a sense of community with others who will not judge them, so long as they follow the rules. Lukka is also very similar to this, but slightly different. Lukka is an outcast, rejected by his entire society, like a very extreme example of ostracisation and bullying. Humans are naturally social creatures, and this can easily be turned against us with a want for acceptance leading us to take abuse we should not tolerate. New Phyrexia also promises him strength, the strength with which he can avoid being hurt again, which he can use to carve a new place in this world and hurt everyone who hurt him, but much much worse. 
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Nahiri also falls under a similar umbrella with Lukka, but slightly less self motivated. Nahiri has a burning desire for revenge, for power against the figure in her life who let her down, Sorin Markov. But also, she believes in her heart of hearts that she is a protector, that everything she’s doing is to protect her homeland and her people, the Kor. And what leads her to being compleated is this sense of protection. She sacrifices her own health and her chance at a cure because she wants to ensure the success of the mission of stopping New Phyrexia. And her self sacrifice to do this may have helped the mission succeed, but it doomed her to fall.
Nissa is very similar to her here actually, as she also fell due to helping someone. She trusted Lukka, and tried to help him to the end, and this led her right into New Phyrexia’s trap. Others who fell this way too include Ajani and Tamiyo. They all trusted someone or sought to protect someone, and that trust was used against them. This shows the type of people who fall for cults because they are selfless. Those who fall because they don’t see a value in their own worth as an individual, but do see it as a collective. This is one of the major flaws of white mana: it’s bad at putting yourself first. It’s so easy to simply fall in line with a cult when you’re used to falling in line and obeying to help the greater good, because with the right words it’s easy to convince anyone that anything is the greater good. It feels safe to take some sacrifice, because after all, we’re taught to admire martyrs. We’re taught to emulate, and share. And those are good instincts don’t get me wrong, one of the most beautiful things about humanity is our capacity for love for our fellow man, the ability for strangers to care for strangers so readily just because they need help. But cults take advantage of that, and New Phyrexia is no different. 
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This is also touched on in the story Cinders, by Cassandra Khaw. This story is unique because it showcases an aspect of New Phyrexia we haven’t touched on here, the Quiet Furnace. While most aspects of New Phyrexia are definitely considered bad, the Quiet Furnace is the one I’ve seen the most arguments for about it being ethical and good. And while it has the most potential for good with this freedom, it also shows more of how cults prey on the most vulnerable. In the story, a Mirran woman, Reyana, is tempted towards compleation by Slobad. Reyana lost everything. She’s fighting a war she never asked to fight, constantly on the run, constantly in fear for her life. And they show her her mother. At peace with the cult, happy, caring. A lot of people join cults simply to follow loved ones. And this is the exact way Reyana joined. A key thing to showcase that this was not genuine freedom, that despite this promise of peace this was a corruption of herself, is the consequences after. Does Slobad and his group allow the Mirrans to freely mingle with the compleat, to simply talk among them knowing they chose differently? No. While he claims this is a free choice, he also artificially holds back interaction between the cultists and their Mirran family, all interaction unless it is for the purpose of recruitment. This shows the real reason for all of this. It’s a show, a show that things can be good, a promise that life will be better if you join and obey, because those you care about made that choice too. If they really believed in this freedom of choice, the Quiet Furnace would not shun contact with Mirrans, simply tolerating their presence without compleating them, it would embrace contact with them, embrace the diversity of perspective those who did not choose the same as the compleat bring to the table. There are good people among the phyrexians, people who believe what they are doing is right and towards peace, towards helping everyone come to a common understanding. Most criticisms of New Phyrexia I’ve seen make the mistake of calling them all monsters, not thinking for a moment that they aren’t monsters, but people, people who made a bad choice for good reasons. But those people don’t realise that they themselves are a victim, a lure in a trap to make others take a choice they never would’ve made otherwise, with the threat of losing contact with their loved ones if they don’t make that leap.
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Another point to consider is what cults offer you, and what New Phyrexia offers you. People join cults because they promise something they lack. Most often that is a sense of community, of welcoming, of becoming, and of love. The price to pay is simply your individuality. When you think about New Phyrexia, that fits perfectly in theme. The oil takes away your worries, it makes you unconcerned with what troubled you prior to your compleation. It doesn’t feel like something wrong, something infecting you, it feels like…. completion. Like something you’ve always been missing has been found. And that’s alluring. That’s genuinely a tempting proposition. Think to yourself, what price would you be willing to pay to not have to think for yourself anymore, to be able to feel safe and just live day to day. That’s the promise of cults. And that’s the promise of New Phyrexia. But it’s not a healthy promise. Following charismatic leaders blindly simply leads to suffering, whether it’s for you or those outside the cult, or others inside of it. This is even shown in the text, in the story for March of the Machine by K. Arsenault Rivera. 
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When Elspeth faces off against Elesh Norn, she has been changed. She gave up her life in a moment of turmoil, sacrificed her being to save the multiverse. And she was ascended because of it, having her sense of self altered and her physical form transmuted, when her only choice otherwise was death. Sound familiar? So when Elspeth threatens Norn's rule of power, what does Norn promise her? Friends among the phyrexians, lovers among them. She points out their similarities, how Elspeth is transformed as well, simply in a way deemed prettier by society, how her form is irrevocably altered, how she has a creed she is following just as much as Norn. And Elspeth does think of this offer, she does look around and think of how happy everyone looks, how content they seem to be to be cogs in a great machine forged with glorious purpose. But Elesh Norn doesn’t even think to talk about the consent of those people in the cult for whether they’d even want to be Elspeth’s friend or lover. Many cult members do end up coerced into relationships they do not want, and this is a showing that Norn is no different from any base cult leader. She knows that people deserve freedom of choice, and freedom of thought. The moment Elspeth realises Norn is wrong, the moment she realises she is nothing like Norn, despite the similarities between her religion and Norn’s cult, is seeing how Norn treats Jin-Gitaxias. Jin raises a simple objection, a logical one, that Norn is spending time discussing and talking while their soldiers, their people, are dying. And Norn tells him to be silent. Chief among all things, cults silence dissent against the leader. One could say that’s the cardinal sin in a cult. And that is what makes Elspeth realise she could never be like Norn. And hopefully, eventually, it is what will help Elspeth keep in touch with her humanity after her transformation. Because no matter what, the key lesson is, even the strongest of us is still vulnerable to temptation, to the urge to lose ourselves in obedience of another. And it's more important now than ever to remember to fight that urge.
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Anticipated Questions (FAQ I Suppose But Ahead Of Time)
But I don’t see New Phyrexia this way, I think it’s (Insert X Narrative): That’s your view. You’re entirely entitled to it. This wouldn’t be very much of a good essay talking about cults and the importance of the freedom of choice if I insisted everyone else follow my point of view and agree entirely with everything I’ve said.
Are you saying I’m wrong for liking New Phyrexia?: Not at all. Again with the point before, this is my interpretation I am posting for literary merit in hopes it may interest others and perhaps aid their understanding of New Phyrexia. There’s absolutely nothing wrong with liking villains. It’s simply an understanding I came to through a lot of thinking about New Phyrexia I felt others may enjoy. The last thing I want is to start some sort of flame war over this. In fact if you use this essay to start such a flame war and try and make others conform to your beliefs, you have missed the point entirely.
Tell me about your personal experience with cults: Respectfully no. I will talk about that to people I am comfortable talking about it with. People who friend me on Discord may ask me, I may answer but I will not mind them asking. Otherwise I prefer not to share.
If you don’t want people to change their views, why did you post this essay?: I was thinking about my personal experience with cults and I thought others may want to see them and it may interest others, and it helped me type out my own personal feelings.
Isn’t it meritorious to discuss how New Phyrexia also has Christofascist elements with the Machine Orthodoxy and the specifics of the religion and how Norn demands they conquer?: For this specific essay, I actually believe no. A key thing a lot of people don’t think about is not all cults are the same belief systems. They don’t all approach with end of the world rhetoric, or some crazy theory, or hatred of others. Sometimes they’re a group preaching love and acceptance and tolerance, and claiming that you will feel much better with the cult. Sometimes they’re groups trying to take in the underserved of society and use their righteous indignation to serve their own ends. It doesn’t matter that New Phyrexia is Christofascist for why it is a cult, for all we care it could be about refusing violence entirely and spreading tolerance and goodwill to non phyrexians and preaching for coexistence. The key common factor is a manipulation of the members and control of their lives.
Despite all this I’m going to send you an ask or DM saying you’re horrible for this post in some moralistic way: Ok.
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I’m really torn over Ascended Astarion because, yes, he would have you sit naked on his lap like the good little pet that you are (it simplifies a lot of things). Giving you some two-hour-long edgy monologue over his Dark Desires™ (you're just nodding along), while nonchalantly blowing 1000 gold cigar smoke in your face (you haven’t decided how hot you actually think this is).
But on the other hand, it's a given that Astarion would take one drag of the cigar and suffer a violent coughing fit midway through his Ascended Bullshit®, requiring you to fuss over him (not in front of the servants, pet, please!), only to later pretend it never happened (he can pretend all he wants; you won't. Not in private, at least).
The only thing that truly ascended was Astarion's ego; any self-awareness whatsoever went down the ritualistic drain. He can see himself in the mirror again, yes, but he’s blissfully ignorant of the silly little man looking right back at him.
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mintybagels · 9 months
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not exactly a full tutorial, but here’s the process sth like this goes through
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first is the rough sketch. when i’m translating a real person to 2d work i try to hone in on personality to determine what shapes to use.
for example Crowley is a demon and very cool looking so i emphasize his actor’s sharper features using shapes like triangles. whereas with aziraphale i ephasized the softer band more rounded shapes. exaggeration is really important when it comes to animated/cartoony characters to distinguish their features, but also be aware to not overdo it or fall into stereotypes.
i really love this shot because of the contrast between their expressions, so i tried to bring that out as much as i could
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when i choose colours it’s really a feeling/vibe i go for. so in this pic i chose to use warmer base colours for crowley, and cooler bases for aziraphale to have them contrast with their expressions. the lighting mostly covers this contrast during rendering, but it’s still useful to have to exaggerate the mood for the overall picture.
when it comes to backgrounds i always just simplify the biggest shapes down to their colours, unfortunately i don’t have the separate picture for just the bg here but i’ll probably show my background process at some point if anyone is interested in that sort of tutorial
if y’all have any questions feel free to speak in comments or ask box :3
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philsmeatylegss · 17 days
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Have seen very little discussion on this website about the situation in Haiti and figured maybe I’d try to start the conversation?
For those who aren’t aware, Haiti is the only country that led a successful slave rebellion which led to the establishment of an independent country, and a day hasn’t passed where they haven’t been punished for it. The country never had a chance to flourish as the west made sure to suck it economically dry and then dip when nothing was left.
This has left the country horrifically unstable in every way possible. However, the last few years, it has been on the brink of collapse due to absolutely no political leadership and as of now, Haiti has completely collapsed. The country is mostly run by gangs all competing for power. There is no where for refugees to escape. The west has completely abandoned any meaningful intervention and it has mostly been South American, Middle Eastern, and African countries who only seem interested in trying to bring peace. But since 2024 has begun, it is a terrifying place to be full of completely innocent people being screwed over by the west for standing up for themselves.
Of course, this is heavily over simplified and I have no personal connection to Haiti. So under the cut, I’m adding much more accurate and insightful information, as well as fundraisers, books, petitions, and Haitian run businesses and social media accounts. As someone who is studying history, it doesn’t take long to realize most nations struggling today have been victimized for wanting autonomy and freedom. From Palestine to Sudan, to DRC to Ukraine, there is so much preventable tragedy. As someone from a country who has historically inflicted these conditions on a lot of these nations, it’s frustrating to feel powerless to the injustice. I truly find the only thing that puts my mind at peace is education and spreading awareness. Don’t let their suffering be in vain.
*please correct me if any of this information is inaccurate*
Basic information:
Wikipedia
HAITI: A Brief History of a Complex Nation
Britannica: History of Haiti
How Haiti Was Forced To Pay Reparations For Freedom
[video] A Super Quick History of Haiti
The Root of Haiti's Misery: Reparations to Enslavers
Timeline: Haiti’s History and Current Crisis, Explained
[video] Why Haiti is in a Constant State of Emergency
A Brief History Of Haiti
The Haitian Revolution and the Hole in French High-School History
[video] How the World Destroyed Haiti
A Timeline of Haiti
Haiti: a history of intervention, occupation and resistance
[video] Fighting for Haiti
How Toussaint L’ouverture Rose from Slavery to Lead the Haitian Revolution
The Disappearing Land : Haiti, History, and the Hemisphere
History of Haiti
A History of United States Policy Towards Haiti
What is the history of foreign interventions in Haiti?
Haitian history and culture: A selection of online resources
Books:
The Black Jacobins: Toussaint l'Ouverture and the San Domingo Revolution
The Haitian Revolution
Silencing the Past
Fault Lines: Views across Haiti's Divide
Awakening the Ashes: An Intellectual History of the Haitian Revolution
Haiti: The Tumultuous History
Written in Blood: The Story of the Haitian People 1492-1971
The Haitians: A Decolonial History
Why the Cocks Fight: Dominicans, Haitians, and the Struggle for Hispaniola
Outrage for Outrage: A History of Colonialism in Haiti and Its Legacy
Avengers of the New World: The Story of the Haitian Revolution
Black Spartacus: The Epic Life of Toussaint Louverture
The Black Republic: African Americans and the Fate of Haiti
The Farming of Bones
The Rainy Season: Haiti Since Duvalier
The Uses of Haiti
The Butterfly’s Way: Voices from the Haitian Dyaspora in the United States
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Heartline Haiti
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Locally Haiti
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Childrens Nutrition Program of Haiti
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Urgent Need to Complete Our Haitian Adoptions
Desperate Plea to Help Haitian Family
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Help a Deaf Haitian restore his life in Maryland
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Support Young Haitian Artists!
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PLEASE HELP and PRAY for OUR FAMILY IN HAITI
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Urgent Help for Marc Henry and his family in Haiti
Help Michaël in Humanitarian and Political Crisis in Haïti
Lycender Chery & Family
Trapped in Port au Prince, Haiti
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Help My Family escape from ruthless gangs
Haitian Orphanage School: Classique Mixte du Rivag
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Haiti Emergency Relief of artist community
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Aid for Haitian Artist Mario and his Granddaughter
Haitian-Owned Businesses
Kreyol Essence
LS Cream Liqueur
Creole Me Up
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Tisaksuk
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Kòmsi Like
Créations Dorées
Aeva Beauty
Levie's Essential Care
Bel Ti Boujique
It’s Seasoned™
Cremas Absalon
Kreyol Pale Creole Konprann
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Bijou Lakay
V.BELLAN
AYITI Gallery
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shina913 · 8 months
Text
Dandelion | KNJ
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Dandelion
Pairing: Namjoon x Fem!Reader
Rating: M 🔞; NSFW
Genre: Infidelity!AU; exes!AU; angst; some fluff; smut
Warnings: cussing; sexually suggestive language; clit play; protected sex; questionable morals; open conversation about infidelity; hurt without comfort
Word count: 4.8K words
Summary: You and Namjoon reunite to celebrate a special evening.
A/N: If you don't like reading about cheaters - please feel free to skip! Thank you, Sim @roaminginthenights for your notes. They added more depth and nuance to the story in so many words. Thank you @midnightagust for looking this over as well and helping me simplify and improve some of the wording. I appreciate you both!
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You’re sitting in the airport parking lot, tapping your fingers happily to the beat of the song playing on your car radio. You glance at the time, it wouldn’t be too long; he’d be walking out of those doors soon. Until then, you continue to hum to the song.
Tonight is special. A night you didn’t think you’d ever celebrate again. Yet here you were, in a rental car, in a town you’d left years before.
Other than one particular overnight reservation, there are no other formal plans. You’d order takeout and perhaps pick up a bottle of wine or two from the corner store.
Your phone rings. You bring it up to check the caller ID and smile when you recognize the name flashing on the screen.
“Hi, honey!”
“Hi mom,” your daughter greets you on speakerphone.
“Is everything okay?”
She goes on to ask permission to do a facemask with her cousin. While she rambles on about other activities they have planned for their sleepover, you distantly hear the passenger door open. You quickly turn your head to smile at him then bring your pointer finger to your lips signaling him not to say a word.
“Mom? Helloooo? Are you listening to me?”
You scramble to get back to your call as your passenger shuts the door. “Uh–sure, honey. That all sounds great. Just make sure you get some sleep and listen to auntie, okay?”
“Okay.”
“And you know I told you that I have a late-night meeting so no phone calls but you can always text–”
“I know, mom.” She’s exasperated in a manner that only middle-schoolers who know it all would be. You exchange ‘I-love-you’s’ before she ends the call.
And now, you can properly greet your new arrival.
“Hi,” Namjoon says.
“Hi,” you greet him with a smile. “That was Yuna.”
“So I heard,” he smiles. “Is she sleeping over at Emma’s?”
You nod. “She’s thrilled. It’s a school night and she gets to stay up late with her favorite cousin.”
He chuckles. “I don’t know if I can top organic facemasks when she comes over next week, but I’ll try.”
“I’m sure she’ll be happy with whatever you’ve got planned for her.” 
“Right. As long as she’s happy.”
You nod then let out a long sigh before telling him, “You know, at some point, we need to stop meeting like this.” That’s what you also said last time. And the time before that. You’re fully aware of it and you think that if you say it enough times, you’d believe it and actually stop.
“I know,” he breathes out before cupping your nape to bring your face to his, sealing his lips over yours. You don’t pull away or give any hint of protest. You melt right into him, your mouth parting to let his tongue savor you.
You miss this. You miss him.
Somehow, you find the willpower to wrench yourself away from him. “Easy there. We’re still in the parking lot.”
You can see the mischief in his eyes even through his glasses. “So? It’s not like that’s stopped us before.” His hands trail between your legs, cupping your heat.
“I know but,” you gently push his hand away. “We have a reservation and it’s late so we should probably get going.”
He sighs, relenting. “Okay.” He reaches back for the seatbelt then stops short of buckling in. “By the way, happy anniversary,” he grins.
You feel a flutter in your chest and your cheeks warm up. “Happy anniversary,” you reply.
******
Namjoon scrolls through his phone, scanning for the email confirmation that contained the security code and instructions to unlock the rental.
“Are you sure you have it?”
You are both standing on the front porch of your Airbnb, using your phone's flashlight to help him see his phone better. He was nearly blind as a bat, especially in the dark, even with his glasses on.
“I’ve got it! Trust me.” He scrolls some more until he exclaims, and finally sees the coveted email.
He carefully punches the code on the door’s keypad until you hear it chime, confirming that you’ve gained access.
You walk through the door and into this place that is known to you. But seeing it again after so long, makes it feel unfamiliar.
The first thing you notice is that the foyer has been redone. The divider wall that used to separate the kitchen and living room has since been knocked down to give it a more ‘open’ layout. 
The furniture is all generic. Not much thought was put into picking them out. The colors also don’t provide much contrast to the equally bland walls. It all blends in but not in a good way.
“Why is everything so white?” You remark.
“It supposedly gives the illusion of a bright and open space.” Namjoon sets your bags at the base of the staircase.
“Feels more like a hospital to me,” you reply dryly, to his amusement. He moves into the kitchen, helping himself to the contents of the cupboards.
You follow behind, wandering over to the counter, where there is a binder listing the ‘house rules.’
“No parties, no loud music,” you read random bullet points out loud. “Quiet time at 10PM. Interesting.”
His arms circle your waist from behind, and you feel him nuzzle into your neck, planting a soft kiss. “Can you stay quiet after 10PM?” He murmurs against your skin.
“Shut up,” you giggle and break out of his hold and playfully pinch him on his side. “Only if you keep your hands to yourself after 10PM,” you tease him back, making him burst into laughter.
You walk around the place some more, scanning and assessing. You’re surprised at how many more modifications have been made. Gone were the warm, earthy tones that you painted the living room and the kitchen.
What was wrong with the way things were before? The interior designer you hired found a great way to marry modern and vintage concepts!
You shake your head in mild irritation.
The upstairs bedrooms feel just as desolate with the plain white, sanitized walls. At least the new owners attempted to break the monotony with a few framed watercolor prints and scenic photographs, no doubt purchased from a big-box store.
You find yourself standing in the midst of your old master bedroom. You see hints of the old furnishings layered with the new. It certainly wasn’t how you remembered it.
“Huh.” Namjoon says when he walks in. “Why didn’t we think of putting the bed against that side of the room before?”
You roll your eyes at him. “Because you get up to go to the bathroom more often than I do so that’s why we put it on the side that was closer to the en suite.”
His mouth drops slightly with a soft ‘ah,’ in sudden realization. “Well, I’ll have to admit, you were right. You should have ignored me and gone with your original plan.”
“I appreciate you acknowledging that, years later.” You roll your eyes and brush past him on your way out. “But as you know, marriage is about compromise,” you call past your shoulder. 
“I’m ordering the pizza!” Your voice echoes down the staircase.
Namjoon spends a few more minutes in this room, allowing himself to reminisce before finding the strength to tear himself away and rejoin you in the kitchen.
******
You’re sitting at your old kitchen counter, eating pizza and sharing a bottle of wine that Namjoon ended up stealing from the owner’s kitchen. When you question him as to whether the alcohol was included in your AirBnB reservation, he shrugs and promises to replace it instead.
“So, are you seeing anyone?”
You stop mid-bite, taken aback by his question. “Wow, already?”
“What? I’m just making conversation.” He says casually as he takes a sip of wine. “And I’m nosy,” he snickers.
You giggle at his admission. “Nope, not seeing anyone. I had–what I thought was a connection a month ago…but that was a false flag. I’ve decided to hang back, take a break…be alone for a bit, you know? I’m not really looking for anything serious anyway.”
His expression turns sullen. He clears his throat before saying, “I thought you had a connection with Seojun. Things looked pretty serious.”
The reminder of your fatal mistake doesn’t sting as much as it did before. And he wasn’t as angry and bitter when he brings it up.
“Seojun was…” you sigh, collecting your thoughts so as not to create unnecessary ripples in this still water. “He was good for me at the time. He was who I needed at the time. But long-term?” You scrunch your face and shook your head. “I didn’t think that far down the road.” 
He used to always ask ‘why.’ Why did you do what you did? Why did you make those choices?
You were together for five years before you married. Two years later, you had Yuna and everything seemed picture-perfect. You thought that you were doing well and that you might really have a knack for marriage and monogamy. It was a point in your relationship when you thought that nothing could ever break you.
But it turns out that anything and everything can break you.
Seojun came along and it was as if something that had long been dormant ignited within you. You thought it would be a one-off, but it wasn’t. For months you thought Namjoon would suspect whether anything felt off. It wasn’t like you were trying to get caught but maybe some part of you wanted him to catch you. But that didn’t happen. Instead, he seemed happily blissful in his own world, seeing everything through rose-colored lenses.
You pick up your wine glass and tip the contents into your mouth, emptying it. When you set it back down on the counter, you look at him, staring at you.
“But you loved him, right?” He asks between mouthfuls of pizza.
You pause for a few long beats before responding. “Sure. In a way, yeah.” Your answer is noncommittal but the truth was, you didn’t know for sure if what you felt for Seojun was love. It certainly wasn’t the same as what you felt for Namjoon. He was in his own category.
“I don’t get it though. Why would you want to be alone?”
You scoff and straighten in your seat, feeling the urge to be defensive. “I don’t get why you’re suddenly concerned about my choice to be alone.”
“No, sorry. I didn’t mean it like that.” He switches tact, sensing that your walls start to go back up. “I remember back then, you used to say that a lot…that you like being alone and that you didn’t believe in marriage or lifelong partnership. And yet–you still agreed to marry me when I asked. So no, I don’t believe that your ultimate desire or goal is to be alone.”
You pour yourself another glass. “You were different. Being with you, what we had–it made me want to prove myself wrong. That perhaps I do have the marriage gene in me and I can make it last.” You pick at a piece of pepperoni on your slice. “I’d like to believe that I did. I tried to keep things together to make things work for us.”
Namjoon reaches for your hand and brushes his fingers over your knuckles in an attempt to console you.
“Turned out well, right?” You remark sarcastically, throwing your free hand up in defeat. “I failed. So, I conclude that I just don’t have it in me.” 
“The marriage gene?”
“Uh-huh. I’m doomed!” You laugh darkly.
You were happily resigned to that fact. Namjoon was a beautiful anomaly. While your time may have been short-lived, it still added meaning to your generally doomed perspective on marriage and relationships.
His fingers curl around your hand to give it a reassuring squeeze. “For what it’s worth, I thought you were great at it.”
You smile wistfully and bring his hand up to your lips to kiss it. “Thank you. That’s kind of you to say.”
******
You were in the upstairs bathroom washing up when Namjoon excused himself to retrieve a couple of things from his jacket pocket downstairs when his phone starts buzzing.
“Hello?” He answers.
“Hey, how’s it going? I’ve been trying to reach you. How was your flight?” the female voice says on the other line.
He clears his throat and hides away in what used to be his office. “Uh, yeah. Sorry, sweetheart. You know how it is at my dad’s house. The reception’s shit.”
“Why are you whispering?” She asks.
“Dad just fell asleep. You know how he’s such a light sleeper.”
“Oh, yeah. You’re right. Do you think you’ll be able to finish up whatever you need to over there? I have some miles on my card and fly out tomorrow to come over and help?”
“No, that won’t be necessary,” Namjoon tells her calmly. “Dad and I are just about done packing up some of his old things here so, he’ll be ready to move into the facility. He’s really looking forward to it.”
“Is he? That’s great.”
“Yeah. Anyway, I have to go. I’m trying to sort through a few more of his things here while he sleeps. I work faster when he doesn’t stop to admire each item and talk about what it meant to him.”
“Okay. Just call me if your flight changes. I love you!”
He hears the floorboard creak and looks up from his seat to find you leaning against the door frame, dressed in nothing but a black lace teddy. Biting his lower lip, he says, “I love you, too.”
As soon as he hangs up, he tugs at your wrist and ravishes you.
******
“You think she’d ever suspect anything between us?” You wonder out loud while you both lay naked in your former marriage bed, basking in your post-sex high.
He shakes his head adamantly. “I think ‘you and me’ is the last thing on her mind.”
You laugh at how confident he made that sound.
“I’m serious!” He says firmly. “This is not even remotely on her list of possibilities! She knows what happened between us so this is highly unlikely for her.”
You sit up against the headboard and stare at him in disbelief. “You told her about us?”
He shrugs, not seeing the problem with it. “It was all part of my therapy and healing process so…yeah. I told her everything.”
“So, does she think I’m, like, the devil incarnate or something?” You try to mask the pang of guilt in your chest by making light of it.
“Nah. She doesn’t really think about you.” Then he immediately adds, “I’m not saying that to be hurtful or dismissive. I think at the time she thought she was somebody who could, I don’t know, put me back together or something.”
Even though you’ve both said your pieces over the years and talked things over, traded apologies, and accepted them, it still felt inadequate.
“I’m sorry,” you say instinctively.
He sits up to mirror your posture and dips his head to kiss your bare shoulder. “You’ve said that already.”
“Yeah but–” He cuts you off mid-sentence with another kiss, his lips lingering over yours.
“No buts. We’re good, okay? I’m good.” He reassures you.
But you press him anyway. “Okay, I’m sorry to keep dropping the reality check here but what if she finds out?” 
He sighs, a wry smile on his lips. “If she does…” he trails off without finishing his thought. He straightens his posture, turning serious. “I guess you could say that I’m no longer scared of being labeled the bad guy. I spent a good chunk of my life trying to do the right thing and being a good person. Always doing what is morally acceptable.”
You tilt your head at him in curiosity. He’s changed a lot, but just like your old house, even though the fixtures have been replaced, walls knocked down and repainted, and furniture layout rearranged, you can still see hints of what it used to be.
He’s still the same Namjoon you fell in love with, beneath this new cynical, detached exterior. He wasn’t always open about his emotions but in the rare cases that he would wear his heart on his sleeve, you saw and felt it.
Right now, he was baring his soul to you.
“I’m not saying that I’m proud of it. You know, the affairs. I have needs that she can’t fulfill,” he shrugs. “There’s acceptance on my part. I’m not trying to claim righteousness or hide behind morals. And that’s okay. I’m okay with that!”
You’re silent as you take in his ruminations. In a way, it saddens you that he’s adopted this perspective. You always knew him as an idealist–someone who, as he said himself, ‘always did the right thing.’ Which was why it crushed him when you confessed your infidelity.
He stares at you for a minute before breaking into a chuckle. “What?”
“What?” You echo, your eyebrows furrowing.
“Say something!” He laughs.
“I mean, what do you want me to say?”
“I don’t know! Anything. Scold me or, I don’t know…tell me that this isn’t right. ‘Your wife doesn’t deserve this! You’re a terrible husband!’” He says jokingly.
“I am the last person to judge, okay? If it doesn’t keep you up at night…” you trail off.
He nods at that.
But then you cock your eyebrow at him, picking up on what he said moments ago. “So, ‘affairs?’ You mean, there’s more?”
“I had some fling a few months ago. It was meaningless,” he add quickly, as if that contributed to anything. “And there were a couple of one-night stands but I don’t think they count.”
“Mm…” you hum vaguely.
******
Namjoon cracks open another bottle of wine and brings it upstairs, where you both drink in bed and continue to trade stories.
“I didn’t really want to get married again. We were having a good time and she’s great,” he recounts the early days of his new relationship. “Sometimes it’s easy to confuse great sex with love.”
“Mm-hmm. Speak for yourself,” you remark.
He smirks at your comment. “But…there she was, down on one knee, asking me to marry her. And so I did. We’ve been living together anyway so, might as well, right?” He shifts and changes his tone, feeling the need to clarify that he’s not a complete asshole. “I hope you’re not taking this the wrong way but she and I are good. We’re comfortable. It’s like, we speak the same language.” 
He’s tipsy and babbling but you let him. “That’s great,” you smile softly, taking a sip of wine.
“The sex is not.” You nearly choke at his revelation. “A month after we got married–phew–” He makes a whistling sound and makes a quick, swooping gesture with his hand. “Out the door, it went.”
“I’m sorry to hear that,” you say with all sincerity.
He shrugs. “It is what it is.”
“But don’t you love her?”
He purses his lips and tilts his head from side to side. “In a certain way, sure.” He mirrors your answer from earlier this evening.
You nod vaguely, letting the words hang in the air while you both fall into a comfortable silence.
After a few beats he says, “I’ll never love anyone the way I loved you. That’s a fact.”
This isn’t the first time he’s told you this. He’s declared it several times, at least once during one of your clandestine meetings.
“When we were together, I never thought we’d split up. That never occurred to me. So–what I have with her it’s…it’s an entirely different kind of love. But if or when she suddenly comes to me and asks for a divorce, I’d give it to her. I feel like that’s where this is headed anyway.” He downs the rest of his wine before setting it down on the nightstand. “I would compare it to a piece of tape. You stick it on then peel it off and try to stick it someplace else. It might take, if you tried hard enough but…it’s never quite the same.”
You lick your dried-out lips and let out a shaky breath. “God, that sounds really sad,” your voice cracks.
“Hey, it’s okay. I’m not sad about it so you shouldn’t be!” He maintains his lightheartedness. “I think it’s perfectly fine to have different types of love, different types of relationships. Mine happens to be unconventional.”
“Unconventional, yes. But the way you speak about it, it’s as if you’re saying that you’re totally comfortable with the fact that you’ll never truly love again. That’s what saddens me.”
“I never said that,” he says in defense. “I never said I’ll never truly love again.” Then he looks you in the eye and says matter-of-factly, “I’m here with you, aren’t I?”
The look he gives you sends an involuntary shiver down to your spine which makes its way between your legs. “Yes, but what we have is different. We’ve both gone through the worst possible thing that could happen in our relationship; which is why when you’re with me, there are no surprises. No unrealistic expectations. There’s no fear lurking around because it’s all laid out for you.”
His expression is steady and unchanged. “And I’m saying this is what works for me right now. This is what works for us–”
“Ugh, Namjoon…” you groan, sinking back into the mattress and turning on your side, facing away from him. “That’s such a fucked up way of looking at the situation. You know how fucked up we are! We’re still reeling from how our marriage ended and…” You bury your face in your palms and groan in frustration again. “Who would have thought even after we signed those papers, that it didn’t really mean the end…Like, right that second? I wish that somebody told us that breaking up takes much longer than that.”
You feel the bed dip behind you as he scoots closer, wrapping his arm around your waist to pull you flush against him. “It’s like we said, it just takes time, baby.”
“But it’s been five years!” You whine petulantly. “I just want to be done with it! You said that after we’re divorced, we’d move on and start fresh.” You turn your body around, his face is so close to yours. “Now, we’re just in this endless cycle of grief and trauma.”
You close your eyes and you feel him press his forehead on yours in silent agreement. You don’t remember how long you hold each other like that. He quiets your whimpers with the softest kisses until you both drift off to sleep.
******
“No!” Namjoon cries out, jolting you both awake. He sits up abruptly, with his head in his hands. His back is covered in sweat and his heart feels like it’s about to burst out of his chest.
“Hey.” You sit up and rub circles on his back consolingly. “Did you have a bad dream?”
“Yeah,” he sniffs and wipes his tears away.
You offer to get him a drink of water but he declines. He gets out of bed and paces around the room.
“Do you want to talk to me about it?”
“Uh…” he breathes before sitting back down on the edge of the bed. “Yeah. I’m…trying to remember bits and pieces.” He takes a minute to regulate his breathing while simultaneously collecting his thoughts. “We were walking down the street, coming back from a dinner party or something. And then, we needed to cross the street for whatever reason.”
You hug your knees to your chest while you listen to him.
“I was holding your hand so we could go together but you went on and darted out into the dark road. I kept calling out to you but you kept moving farther away from me. I tried so hard to run after you but it was as if my feet were sealed into the concrete.” A tear rolls down his cheek. “I felt so helpless because I wanted to get to you and–I couldn’t see you. You were gone.”
“Hey, hey, it’s okay. C’mere,” You open up your arms and beckon him to come back to bed.
He obliges and nuzzles into touch. “I couldn’t get to you,” he cried.
“It was just a dream, baby.” You whisper calmly into his ear, rubbing his back to console him.
He burrows his face into the crook of your neck. “It’s not the first time I had a dream about losing you. I’ve had different versions of that dream where you disappear into the dark and I can’t move my body to reach out to you. It’s like–I’m perpetually stuck or something.”
All you can do is listen. This was his trauma talking. You continue to rub his back and rock him gently.
“You know, sometimes I wonder if…if I’ll ever love anybody. Like, truly love them. Or maybe I’ve never been truly loved before. Maybe…maybe that’s what it means. I’ll never be able to have the ability to–“ 
“Hey,” you interject. You pull his face away from your shoulder and cup his cheeks. “Listen to me— I love you. In my own… twisted way. And I know that you love me. In your own way.”
He smiles ruefully, his eyes welling up with emotion.
You gaze at him, brushing his cheekbone with the pad of your thumb. “I will always love you,” you say reassuringly before bringing your lips to his.
Your gentle kisses turn hungry and you can’t help when your body responds to him instinctively. Your need for him is unrelenting.
One moment he’s telling you about a nightmare and the next, you’re wrapped up in each other’s arms, your legs on either side of his hips. It doesn’t take him long to be ready for you, especially when you’re naked and bare for him.
You undulate your hips, grinding your slick over his length. His hands gripping your waist, guiding you while you pleasure yourself with the delicious friction.
“Mm, you’re so wet for me,” he whispers, reaching between you to rub circles on your clit.
“Mm-hmm,” is all you can muster.
“You ready for me, huh?” He nips at your bottom lip.
You give him a nod and he manages to pause his ministrations to reach across the nightstand. Once he sheaths himself, he takes one swift move and slips right into your center.
Each thrust is purposeful. Your fingers grip his hair as you moan into his shoulder. He gently sinks his teeth into your tender flesh, groaning. You're both floating and it’s a special kind of high.
One look at him and you heat up to a fever pitch. You take comfort in the deep baritone of his voice, goading you, whispering his naughtiest fantasies about you when you’re apart. You feel him touch you and you know it’s what you’ve been missing. He completes you. 
You move in perfect sync as if you never separated. When you’re intimate like this, the questions and doubts fade when your bodies close in, filling every gap. Your connection is unrivaled.
He pulls back. “You close?”
Not that he needed an answer but he just loves watching you come undone. He ups the ante, cupping your ass cheeks and combining deep plunges with swivels, thrusting sharply and retracting slowly. Your head lolls back, dizzy with pleasure and at the same time awed by the heights he takes you to. Places where you can simultaneously forget and remember. Where nothing and nobody else exists except you and him and the mutual passion you share.
The sweat misting his brow glistens in the dusky light, his face beginning to strain as your release crests and finally crashes down. Instantly, you shudder, the tingling becoming too much to bear, your skin too sensitive. He is attuned to your body, because he stops his movements and applies pressure where you need it, keeping your hypersensitivity at bay, as his own climax hits him hard. His growls are suppressed, his face crimson with the rush of blood to his head. Your walls squeeze him greedily, prolonging your pleasure as he empties himself into you.
Namjoon drops you both onto the mattress, collapsing in a heap of exhaustion. He is glued to your slick chest, where he will remain for the next ten minutes, snoozing, nuzzling, and kissing your neck. You hold him and savor the moment before you part and return to the alternate realities you both worked hard to establish.
Deep down, you know you’ve ruined him. You didn’t mean to. He was nothing but an innocent bystander in your own path of self-destruction. Perhaps, as your lifelong penance, you’d spend the rest of your days assuring him that he’s not broken and that he deserves unconditional love. 
You breathe into his shoulder as you settle, holding him as close as you possibly can. In your own quiet way, you're telling him that you're happy to remain like this.
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markrosewater · 2 months
Note
"It varies mechanic to mechanic, but they don’t score any lower as a group against other mechanics. Some, like Monarch, are quite popular."
People are criticizing the helper card mechanics because they are very complex, require specific varied tracking and they are virtually impossible to play with unless you constantly refer to helper card (compared to most cards that you can understand by simply reading its oracle text or reminder text).
The Monarch doesn't have any of those issues. It's an elegant and masterfully designed mechanic. The Monarch is very simple and straightforward, so much so that the oracle text from The Monarch token could fit as reminder text on several monarch cards. That can't be said about Day/Night, The Initiative, Venture in the Dungeon, Rad counters or Tempted by the Ring. I've probably looked at the double sided Tempted by the Ring helper token over 100 times and I can't confidently tell someone exactly how the mechanic works if I don't have the helper token to read from. It's an extremely complex and multifaceted mechanic. I would say more complicated and wordy than 98% of other Magic mechanics.
Can you please make more "outside of the game" helper card style mechanics that are easy to comprehend and intuitive?
The Monarch and Ascend are examples of mechanics like this. More of that please! The more complex mechanics that create outside of the game elements are intimidating (i.e. Venture into the Dungeon, Tempted by the Ring, The Initiative, Day/Night) and in my experience, they slow down the game because players can't understand them easily.
Lastly, I'm offering this feedback as a major Magic enthusiast and long time veteran player who also plays with experienced players regularly. I can't even begin to imagine how daunting these types of mechanics must feel for novice players!
I talk a lot about how different players enjoy different aspects of the game. What I talk far less about is different players struggle with different aspects. Some can’t handle excessive processing; some have issues with sequencing; some don’t understand the nuances of the rules; some aren’t good with memory.
My best guess with you is you internalize (aka work from memory) card abilities most of the time, so cards which exceed your ability to memorize cause you issues.
Because players see the game through the lens of their own experience, the feedback they tend to give is “stop doing thing X” because thing X is the element that they personally struggle with.
The challenge is there are players that don’t struggle with that element of the game and thus enjoy thing X. For example, my biggest note on this blog about dungeons isn’t they’re too hard to process, but there aren’t enough of them.
So, it’s a balance. We need to understand the ways in which people struggle and help accordingly where we can. I agree that we need to be cautious how complex and wordy we are on elements off the card. And we have to be careful how often we use that tool.
Now there is a threshold where enough players struggle, that we have to question if a particular aspect is worth it. I don’t think we’re there yet with external game pieces, but I do loudly hear the note that we have to be better with as-fan of the helper cards showing up. The note that we need to auto-include more helper cards in the prerelease kits is also a strong one.
So yes, I’m aware that outside game pieces come at a real cost for a certain type of player, and it is something we have to keep in mind when designing them. I personally think we could have simplified Tempted by the Ring a bit, for example, but I do think it was right to include in the product.
Thanks for your feedback.
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johannestevans · 9 months
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Patriarchy does damage to us all, and Barbie (2023, dir. Greta Gerwig) clearly depicts that.
We went to see Greta Gerwig’s Barbie at the weekend and I was honestly surprised by how much I engaged with it — it’s a fun, entertaining flick, but where it really took me by surprise is in the three-dimensionality and nuance it applied to the male-female divide in the film, and especially the care it extends to its male characters.
As a gay man and especially as a trans one, I’m often left a little cold when it comes to some films’ explorations of gender dynamics — they often end up simplifying gender roles to a simple binary where men and women exist as homogenous blocks of society, assuming all men are masculine, all women are feminine, and assuming that all of them are cis and straight.
Barbie is refreshing for a few reasons — there aren’t many films where the titular female character proudly proclaims she hasn’t got a vagina — but one thing that really stood out to me was the variety in the male characters and the way that the film really criticises patriarchy whilst realising the ways in which patriarchy harms men in similar ways that it does women.
I honestly felt pretty seen and reflected in the character of Allan, who exists very much outside the expectations the cishet Kens project onto one another, and although the film doesn’t deeply explore queer relationships beyond the blatant gay vibes between Barbie and Gloria, it’s really unusual to see so many queer-coded characters in a film like this, particularly so many male ones.
Ken is kissed on the cheeks by his fellow Kens; there are multiple Kens with queer vibes; two of the businessmen hold hands as they run after Barbie. In general, the film doesn’t hold its male characters to the same stringent expectations of cishet masculinity so many films do — and there’s an inherent play with every male character’s gender in this film.
You get the sense watching it that part of the wonder of the world is that it exists in the minds of the kids playing with it, that it’s not yet tainted by the often obsessive focus many cishet adults have with binary gender roles.
Especially as a kid growing up, knowing I was different, knowing that I didn’t conform as certain adults wanted me to with strict gender roles as imposed on girls — or even boys — I was always aware that sometimes I or other kids would be playing with dolls and action figures, and adults would interrupt effectively to panic that we weren’t being strict enough about those toys’ imaginary genders.
The plot as it plays out in Barbie, larger than life as it is, feels similar to that process, funnily enough.
Read on Medium / / Read on Patreon
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italoniponic · 2 years
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Hello! Can I rq a hc with Malleus, Jade and Leona with a s/o who has a small dragon/eel/lion plushie in their colors the s/o made themselves?
𝐂𝐡𝐞𝐫𝐫𝐲'𝐬 𝐇𝐚𝐫𝐯𝐞𝐬𝐭𝐢𝐧𝐠 - 𝐖𝐫𝐢𝐭𝐢𝐧𝐠 𝐄𝐯𝐞𝐧𝐭
| Notes: Hi, anon!
First of all, I might have interpreted it as some kind of hobbie for the reader (so the hcs could have something going on) just because they made themselves the plushies. If that wasn’t the case, I’m sorry!
But overall, it got pretty cute~~ There is a small reference to the Kelkkalot of Harveston event in Jade’s part because it kinda related to the request. Hope you like it!
Thanks for the request <3 |
Malleus Draconia, Jade Leech, Leona Kingscholar x gender neutral reader / plushies for the boys / headcanons / fluff… I guess literally? / established relationship / use of “you” pronouns
Cherry’s Harvesting event 🍒 Masterlist
Little Plushie
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Malleus was aware that you knew a little about sewing — at least, enough to tailoring on old socks and your own clothes. He even taught you a few more tricks and from then on, sewing no longer seemed like such an impossible challenge. But you were surprised that a prince like Malleus knew how to sew;
Apparently, it was his grandmother who taught him the basics in her spare time, and during the last few hundred years, Malleus did so much embroidery to distract himself from the fact that he couldn't leave the castle that he became a master at it. You were so grateful for your boyfriend’s help that you decided to make him a gift with your own hands;
Then — without Malleus realizing your main goal — you began to practice making stuffed animals. Malleus usually helped you buy fabrics, buttons and whatever else you needed, in addition to giving you some ideas of animals to make. Your first plushie was a gray gargoyle which he made the mascot and guardian of his club room;
Your subsequent attempts got better and better. You filled Ramshackle with so many plushies that Grim was starting to get jealous. And when you told this to Malleus, he laughed heartily. Just because in that second you could see his sharp teeth, you had an idea;
Well, you wanted to give him a gift but you didn't know what — and that gargoyle turned out too ugly for you to have given Malleus as a present, though I suspect he would have liked it just the same. According to him, it reminded him of some handmade gifts from Lilia... you couldn’t tell if this was a compliment or a “you need to improve your techniques”;
One day, Malleus saw you on the main street arranging some fabrics you had just bought. You quickly disappeared from there, not realizing that he was watching you. This filled Malleus with curiosity, especially since you didn’t tell him anything about your new plush. So on certain nights, Malleus peered into your room and saw you working on a relatively complicated stuffed animal;
You had a whole map to guide yourself, but it was turned upside down from where Malleus was, so he didn't know how to identify what difficult animal you were building with black and green fabrics. Between your desk and your bed, you hummed a rhythm without lyrics, dancing around the room. Malleus smiled as he realized that despite the hardships, you were having fun;
His wait was finally over when one day, you called him up to the Ramshackle to deliver something. Malleus was actually surprised to find that the end result — which he ended up not seeing because he left you to work alone — was a dragon plushie. It was almost a miniature, simplified version of his own dragon form, including the horns;
“All that work... was it made for me?,” Malleus asked, hugging that precious plush. He was feeling so many emotions that he didn't quite understand how to react. As a prince, it was normal to receive gifts of all kinds at diplomatic celebrations among the fairies, but this was no ordinary gift. It was something made by you and that was already more than special; 
As it turned out, it was you who approached and gave him a tight hug. Malleus realized that you were a little exhausted from all that work. You were a human, after all. Even though you were working with your heart, the tiredness came in the same way. Malleus kissed you on the forehead and smiled, thanking you for your affection and consideration;
The stuffed gargoyle may have been the guardian of the Gargoyle Study Club, but the dragon plushie was safe in Malleus’ room — as you ended up checking days later. It was next to his pillow, but you didn't dare ask Malleus if he slept cuddled up to the plush. Anyway, it was like having a little bit of you in his room.
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For a long time, Jade knew about your skills and taste for handicrafts, especially making stuffed animals. Your dedication and work on each piece was simply admirable. You have filled an entire shelf of your room with plushies, several different animals of different sizes and colors;
It almost made Jade remember the time he was invited by Epel to visit his hometown and they took part in the sled race with stuffed animals — which he told you in great excitement and detail, especially about the foods. He even asked you to make a reindeer plush for him, just like the one that piloted his sleigh. It is a very precious gift, no doubt;
Even though it was a long and laborious process, you didn't mind sewing the plushies with a company on your side. Jade didn't always have time to be by your side while you worked — even more so because he was ultra-meticulous about details too — but sometimes, when he wanted to relax a bit, he would stop by to see how things were going;
Recently, Jade had seen you return from the Mystery Shop with a large amount of cotton, ribbons and a turquoise fabric. He found it curious, very curious. But you didn't reveal anything, which wasn't much of your nature. Usually you would comment on the stuffed animals you were making, after all it was a beloved hobby;
Not only that, when classes were over, you would rush back to Ramshackle and if Jade was lucky, he would at least be able to greet you on the way. You were very involved with your mysterious project. But for how long?;
One day, Jade made sure his schedule was clear so he could spend the day with you and finally find out what you were doing, practically hidden from him. When he knocked on the door, you greeted him with a rather exhausted but happy expression. Subtle as only he is, Jade allowed himself to be led into your bedroom normally — but mindful of what you might be hiding;
Then, when he walked in, he was surprised by a turquoise eel plush stretched out on your bed. It was of a medium size, but clearly an eel. A long black ribbon stretched across its back and a smaller one near its head on the right side. You picked up the plush to show your boyfriend up close;
Jade took your work and carefully analyzed it, noticing its tailpieces in the seam and the cute detail that the eel's eyes were two buttons of different colors, one dark brown and the other yellow. He gave a small smile, understanding everything perfectly without having to interrogate you;
“For me?,” Jade inquired and you nodded. “Such a lovely job and I didn't even think of anything to give you in return.” You ended up chuckling a little. It wasn't as if you needed a gift either — not immediately, at least. But just seeing Jade happy with your gift made you feel satisfied. It was a good feeling;
Obviously, as it was a Jade’s plush to the merman himself, he took it to Octavinelle and made sure to show Azul and Floyd one more work of his talented beloved one. Jade swore he wasn't bragging about having you give him gifts — but that's exactly what he was doing, his friends knew;
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Some time later, when you went to Jade’s room to study there, you saw the plush around the lampshade near his bed. It was well taken care of and Floyd let slip that his brother always greeted that “damn plushie” when he woke up and before going to sleep, as if he were their little brother. Really, your boyfriend was cute in a unique way, just like his plushie.
Once, Leona found you leafing through a step-by-step sewing magazine while you were waiting for him in the schoolyard. You then told him about learning to sew, hoping that one day you would be able to make even a stuffed animal. Leona shrugged normally but was impressed by your determined look at your new hobby;
Since then, you have begun to practice needlework. Sometimes in the break between classes, at the Ramshackle or when you were around Leona — he would relax by your side. You thought it was funny how sometimes his eyes followed the movement of the wool, just like a cat. But you could never comment on something like that;
A while later, you went on to try to make the plushies that you wanted so much. The first attempts were amateur and weird, as you might expect. Leona had to hold back his laughter as he faced a stuffed animal that he thought it was a malnourished hyena but you insisted it was a meerkat;
But your first cute teddy bear was well celebrated. Leona joked about confirming the plushie’s exact taxonomy and you threw the teddy bear at him, laughing afterwards. In the end, the teddy bear was displayed on a shelf in your bedroom, acquiring your successful work. Jokes aside, Leona congratulated you on your achievement and you, again determined, swore that you could do much more;
And you did. Every few days, you would show Leona your final results and sometimes, the process you went through. Leona wasn’t the most interested person in anything related to sewing — see his uniform’s vest dearly missing a button — but he admitted that you were getting better and better;
But there was one plush in particular that you didn't show him. And Leona ended up discovering this unintentionally when he saw you hide a bunch of orange-brown fabric in your bag the moment you bumped into each other around campus. You seemed a little anxious and left in a hurry, suggesting that you two talked again later;
Leona wondered if it was a plushie you were working harder than usual to get perfect — and was starting to have those perfectionist’s anxieties — or if it was a gift you wanted to make for him. Maybe not him, but some friend and you were afraid to arouse his jealousy. Leona didn’t care much about this question, in part;
If it was a gift for Jack, for example, he didn't have to worry. It would even be funny watching you playing with the sensitive nerves of that poor wolf who liked to seem tough. But you seemed so concerned about this particular project — and didn't want to let him know at all. Leona didn't know what to do. A few days passed and he went straight to Ramshackle to see what you were up to;
And you let him in. Leona saw your fingers full of bandages and was a little worried, even if silently. You asked him to stay in the room and minutes later, you brought him a lion plushie made especially for him. “Is it... me?,” Leona asked, holding the dark-skinned, brown-maned lion plush that had a grumpy expression. “Even my scar, huh?”;
You didn’t know what to interpret Leona's expression, you have never seen someone so confused staring at a stuffed animal. But that's because that little lion transported Leona to a time in childhood where he was carefree and could consider himself relatively happy. Leona hugged you without saying or explaining anything, but you understood that he had liked it;
One day, going into Leona's room to wake him up, you found the lion plushie on his bookshelf along with the chessboard. The lion was practically protecting the pieces — or that was the conclusion you came to. You smiled, staring at Leona sleeping peacefully. You were glad he kept the gift in a safe and proud place.
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holyprincenerd · 11 months
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A Few Thoughts Regarding Why the ESC Jury is SO Dysfunctional
I’m going to cut right to the chase: The judgement criteria for the jury make literally no sense once you stop and think about them. They quite literally cause trolley problem after trolley problem. As a reminder, these are the criteria the jury was supposed to use to judge the performances this year:
composition and originality of the song,
quality of the performance on stage,
vocal capacity of the performer(s),
overall impression of the act.
Let’s start simple - vocal capacity of the performer(s):
As everyone’s aware, this year, we had many talented vocalists participating in the competition: A few examples are Sweden, Norway, France, Cyprus, Spain, Estonia, Albania and Portugal. They all came swinging with their vocalists. Notice something funny about this list of countries?
It’s based entirely upon the assumption that the ability to belt or the usage of one’s head voice is what defines someone’s vocal capacity. Here’s why this is a problem: Assuming that belting as an example is the peak performance of singing means to ignore other, arguably harder and more demanding techniques that are more unconventional sounding to the mainstream ear. A hilariously good example of this would be growling. It require a lot, and I mean a lot of technical prowess and control over your voice, and is thus arguably harder than say belting, as an example. Seriously. Try to growl. Right now. I bet most of you have noticed that you literally can’t growl without sounding hilariously pathetic. If you did manage to let out a decent growl, now try to sing while growling. Pick any song you like, and go for it. Pretty hard, right? And guess what! We had someone doing that this year, and being phenomenal at it.
Too bad they came last in the competition.
That’s right, if we’re going to start judging vocal abilities here, arguably the most vocally capable singer was Chris Harms. There are multiple parts in Blood and Glitter where he uses the growling technique. Not only that, but du-du-dum! He also belts during the song, and does so wonderfully. So, based on this, clearly, he was the most vocally talented artist out of the bunch, right? (Obviously, I am 100% simplifying things here, but bear with me for a bit.) He does everything that the previously mentioned group did, and more. Arguably we could also say that alongside him Alessandra is carrying the torch of the most vocally capable performer, as she does have that one whistle tone in her song (if you’re thinking what I think you’re thinking, don’t worry, we’ll get to that later).
However, this gets even more complicated than singing techniques, how hard they are to master, and how many of them you use in your song.
You see, we can’t really judge someone’s vocal capacity and compare them with the other contestants, when many of these artists were performing songs in different genres. Here are some of the genres represented during the Eurovision finale of 2023:
Metal
Industrial metal
Progressive metal
Rock
Alternative rock
Progressive rock
Pop rock
Pop
Dance-pop
House-pop
Latin-pop
Hyperpop
Chanson
Flamenco
Disco-house
Electronic
R&B
Rap
Schlager
Tractor (lol)
With this many genres, different singing techniques are more appropriate for some songs than others. So this is no longer even a question about comparing each contestant’s vocal abilities with one another (which is a problem, since you know, this is a competition), but rather who performs well within their own genre. Suddenly, we can add almost every contestant to the list of competent vocal performances. For those of you who are wondering, yes, even Käärijä came through with his vocal performance, especially in the first half of the song.
While we’re on the topic of Käärijä (and we won’t leave him for a bit), how are the juries supposed to judge the vocals of rap performances that are more heavily reliant on the enunciation of words than the vocals themselves, if the song’s not in English? Part of the reason Cha Cha Cha works so well is because of the way Käärijä raps certain lines or even words. How is any other jury, except the Finnish one, (who’re not allowed to vote for him,) supposed to catch something like how good the ”Ja mä jatkan kunnes en enää pysy tuolissa niinku” part sounds to a Finnish ear? Specifically the words kunnes, en and enää, are doing a lot of heavy lifting in that one singular line due to the rhythm and enunciation. Can a jury member who doesn’t understand Finnish catch onto the way he allows the first two words to almost melt into each other while pronouncing the last word ridiculously fast to create a very specific rhythm? I’m sure some jury members would notice that, but it’s just as likely to go completely unnoticed unless you’re familiar with the language.
Next, composition and originality of the song:
Again, we have a clear victor here: Cha Cha Cha is by far the most ”original” out of these songs (despite the Electric Cowboy plagiarism accusations, and it’s all thanks to the fact that the song does a genre based one-eighty by the end). I mean, hello? Blending industrial metal, rap, hyperpop and Finnish schlager? This is such a strange combination of genres, it becomes its own entity. And somehow it works. Personally, I’d say this is at least in part due to the melodic hook that repeats literally throughout the song. Those beeps and boops you hear after the first line of the song? They keep repeating themselves, in the chorus in the ”Cha, cha cha, cha cha cha cha” portion, and in the schlager part of the song, though there, the melody is cut in half and only the last three keys are present in the ”Niinku cha cha cha” parts and in the lines that end with an ”aa-aa-haa.” (So, ”Niinku cha cha cha, enkä pelkääkään tätä maailmaa-aa-haa” etc.) Obviously, we get to hear the melody in its entirety once again in the final cha chas. Brilliant! Douze point. Sometimes less is more, and I can’t believe I am saying that about fucking Cha Cha Cha but here we are. Simplicity is king.
Now, on the other hand, we could say that most of the pop entries are not original in the slightest. We could argue that there is literally nothing original about repeating the same pop formula and the same chord progressions which can be found in most pop songs. This is why Tattoo, Solo, Unicorn, I Wrote a Song, Break a Broken Heart, etc, are getting compared to other pop songs and accused of plagiarism: Pop music just is that generic in its building blocks. It’s also why we could argue that they’re not particularly noteworthy in their compositions.
And while we’re still on the topic of originality, songs that are tied to a specific genre are practically screwed. No one’s going to reinvent genres like cha-cha-chá, waltz or mambo here, unless they step away from what identifies these genres, the rhythm. If the rhythm isn’t there, it’s not a cha-cha-chá, waltz or mambo song. You wanna blend salsa and reggaeton? Too bad, salsaton is already a thing! Should everyone start doing what Käärijä and his team did, and mix a minimum of four genres with a somewhat unusual structure in order to be ”original”? What even is originality in the context of composition, really? There are only so many chords and chord progressions to use, there’s practically no way to actually be original, which is also why the topic of plagiarism is so fucking complicated when it comes to music in specific.
Anyway, let’s move on to the quality of the performance on stage:
To avoid making a lengthy repetition of the previous point, let’s keep this short: Depending on the genre of the song, a certain type of performance is going to be more appropriate than another. Imagine Alika having a performance like Let 3, or Teya and Salena performing like La Zarra. What’s that? It’s the taste of good ol’ thematic and tonal dissonance. Each song is elevated by a performance that matches that song in specific, and the artists can either perform well or fuck up. Again, this becomes a trolley problem, where the juries have to ask themselves: ”Do we value a performance like Joker Out’s above a performance like Luke Black’s?” When both perform well, it’s hard to compare them because they’re playing in two completely different ballparks.
Finally, the overall impression of the act:
Literally what the fuck does that even mean? This is actually just a preference question. Unless someone fucks up tremendously, everyone should be getting points for this. And that’s the core issue here. Because we’re dealing with such a large variety of different artists, different genres, different languages, it becomes impossible to judge them fairly against each other. Do we value belting above growling? Trolley problem. Do we value pop above metal or rock? Trolley problem. You get the point.
”Okay, but obviously the juries are basing their votes upon objectivity and looking at the whole package,” someone might say, and if they do, they’ve missed the point: There is no objectivity here, and because of that, there is no comparing whole packages either. Literally the only way to be objective about this is if everyone has an identical performance; same song, same staging, same camerawork, same choreography. And that’s not the point of the ESC. We’re supposed to be celebrating our individual cultures and our differences. Variety is quite literally required for this contest to work the way it’s intended to. At the end of the day, music is art, and art can be many things. You can’t argue that EAEA is more artistic than Mama ŚČ! (or vice versa) without opening a philosophical can of worms that is way too big for this silly competition. You can’t say Tattoo is objectively better than Cha Cha Cha (or vice versa), because, again, the songs shine in different criteria and are playing in two completely different ballparks. As a matter of fact, their ballparks exist on completely different planets. There are too many variables at play here for anyone to logically be able to be objective. And that’s when this becomes a question of voting based on opinion and personal taste (you know, if the concept of jury darlings hasn’t made this obvious enough). And personal taste is what the audience is supposed to base their votes upon.
Oh, and before I forget to touch upon that, Alessandra: According to some tabloids, her vocals were struggling during the jury show, and that’s why she in specific didn’t receive as many points from the jury as she probably should and could have otherwise. And that’s ridiculously unfair. Why should the jury and the audience base their judgements of an act on two completely different performances? As Käärijä has said in many interviews, each performance is unique and its own entity. Shit happens. Sometimes your vocals are struggling, other times a wire tries to murder you, etcetera. It’s actually bizarre that we don’t give our votes based on the same performance.
So yeah, shitty system, does not work, 0/10. Zéro point in French.
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simdulgencemods · 2 years
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Updates to SimpleGens & RealGens
If you’re not aware, the recent WW update changed the sim rig. Parts of the very largest anatomy options I offered broke with this update, which meant they needed to be fixed. (I’m trying to be very generic in my use of terms here - hope it makes sense). I’ve uploaded two different updates to my shared SFS directory: one for SimpleGens, which is my current anatomy mod, and one for RealGens, which is my older anatomy mod. These updates replace any older versions you have installed, and should fix any errors you’re seeing with body parts after updating WW. SIMPLEGENS Along with the needed updates to the rig, the SimpleGens update also simplifies the files by merging several components into one package. The Base, CAS Default, and Color Overlays have been merged together; all three pieces of content are now packaged together in the Base file. The file has also been renamed from its previous filename. I recommend removing previous SimpleGens package files from your /Mods folder and replacing them with the new versions. SimpleGens download: http://simfileshare.net/folder/147692/ REALGENS There are FOUR zip files in the RealGens folder. They are four variants of the RealGens mod, and you should INSTALL ONLY ONE of them. Variant 1: 20220608_Merged.zip All RealGens sizes, with my original texture covering groin and backside, merged into one package. Variant 2: 20220608_Merged_CC.zip All RealGens sizes, with a smaller CC-friendly version of my texture, merged into one package. Variant 3: 20220608_Separated.zip All RealGens sizes, with my original texture covering groin and backside, separated into packages by size - pick and choose which you want to install. Variant 4: 20220608_Separated_CC.zip All RealGens sizes, with a smaller CC-friendly version of my texture, separated into packages by size - pick and choose which you want to install. The RealGens update is only available for male sims (no anatomy I released for female sims was affected by the rig update). RealGens download: https://simfileshare.net/folder/164024/
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noodleblade · 5 months
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soundstar 19. talking late into the night
(GOD IM FINALLY ANSWERING SOME OF THESE PROMPTS. IM SO SORRY THIS TOOK FOREVER). I also gave myself the personal challenge to keep this under 1k. I'm proud of myself:3
Anyways, uhhhh I'm obsessed with the idea of Starscream being able to have full-fledged conversations with Soundwave without Soundwave saying a word so that's the premise of this fic<3333 enjoyyy!
AO3 Link xx
“Do you ever recharge?”
Soundwave did not jump. Nor did he move in any such way to signify his surprise. Not that he’d ever admit Starscream got the drop on him. 
He remained in his still, rigid stance in front of the central console, helm directed at the various screens despite no longer paying attention to them. Rather than turn and face his midnight visitor, Soundwave pulled up one of the surveillance cameras on the bridge to his internal HUD and watched Starscream posture at the doors. 
Soundwave watched as Starscream’s expression dulled from his sneer, clearly put out by Soundwave’s lack of response. Curiously enough, those sharp optics darted to the exact camera Soundwave was monitoring. 
“It’s rude to ignore your superior officer.”
Soundwave swiveled his neck enough to have his visor directed at Starscream. 
There. No longer ignored. 
“Glad you are putting in the effort to appear professional,” Starscream grumbled as he stalked forward. Without his usual audience of the vehicons, Knock Out or Megatron, Starscream approached him quietly, subdued. He knew his usual antics would not garner him any reaction from Soundwave so the effort was simply not needed. It wasn’t a sight Soundwave was granted often. Suspiciously, he kept his guard up. Something was off.
Soundwave tilted his helm to the side, his visor glinting off the dim lights. 
“I’m fine,” Starscream muttered. “I appreciate the concern.”
Soundwave gave one nod, before turning back to his work. Peripherally, he could feel Starscream saddle beside him, his wings nearly touching him as the seeker flexed and stretched. 
“Of course you’re working.” 
Soundwave didn’t bother to respond to that and continued to type away. Starscream leaned closer, optics squinting to read the code. 
“Are you rerouting earth tech surveillance to our main housing?”
It was a bit more complicated than that. But, Soundwave had no interest in explaining so Starscream’s simplified version would be suitable. He inclined his helm, a bit pleased with Starscream’s mouth ticked up in a smile. 
“Impressive as always. Maybe we should withhold recharge from you. You don’t seem to need it.” 
Despite his teasing words, Soundwave took note of the formality of his words. There was no jeer, none of his typical bravado. Quiet was the only way Soundwave could describe it. Perhaps even concerned, which Soundwave was even more perplexed by. 
It wasn’t like Starscream to be considered with others, let alone Soundwave’s recharge patterns. He cocked his helm curiously, biolights pulsing. 
“I’m not concerned,” Starscream snapped, though it was light. “I’m merely observant. Wouldn’t you consider that an admirable quality?”
Soundwave found himself amused with Starscream’s deflection. It seemed in his tiredness, his typical insults became softened. That being said, Soundwave noted it was well into Starscream’s scheduled recharge slot. It wasn’t often the seeker was roaming about at this hour. 
He brought up the hour to his visor and directed it fully at Starscream. 
“I’m aware of the hour, thank you,” Starscream sneered. “No need for you to be concerned either. I just…” Starscream let the sentence die, his gaze turned back to the central console screen. 
Despite his words to not be concerned, Soundwave could not help the matter. While it was rare for Starscream to be up at this hour, it was even more rare for him to lose his words. The quiet was now disquieting. Starscream was not one for quiet. He liked the sound of his own voice too much to not fill the gaps of peace with it. Soundwave felt on edge, waiting for the silence to end. 
Awkwardly, Soundwave shuffled slightly to his right, opening up the space at the console. For them to share. 
Starscream huffed a mildly unamused laugh but didn’t say anything still. For a few kliks, nothing happened and Soundwave felt the tricking of dread. Perhaps his gesture of kindness was rather that of foolishness. 
Slowly, Starscream leaned closer. Soundwave made no move to notice it, continuing to type away. Another klik passed before Starscream stepped closer, helm bowed to look at the screen. 
“You know,” Starscream started again, his usual cadence back, “if you are so desperate for my assistance, you could just ask.”
Soundwave turned his visor to Starscream unamused, but relieved by the smirk cropping up on the Air Commander’s face. His field was warmer as his vile grin covered his face. 
“Don’t worry, I’ll keep you company.”
Unexpected words, but Soundwave found them to be not completely unpleasant.
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magicpumpkin3 · 1 year
Text
The curse of the bat
AU- Master of the monster estate
Characters: Lilia Vanrouge; GN!Reader
Note: An AU I came up with while watching Overlord, that will be featuring almost all nonhuman twst characters.
You were invited to one of those shady auction houses as a new head of your family and it’s business and by a coincidence one of the biggest manors in your whole country. As a business owner it was a great opportunity to establish some relationships and gain even more support from the merchants and dealers. While you were planing to sell almost everything you bought here, there was one specific relic that caught your attention.
“How much for this?” You asked pointing at the bat sculpture. It was rather simplified version of the said animal, but those wings and ears were good hints on what animal the said relic represented. The owners eyes rounded in surprise, he looked at the sculpture and back at you multiple times, to be completely sure that you meant this specific peace of… art. “Are you sure you want this one?” He asked, one of his eyebrow raised in suspicion. This question normally never leaves a good merchant’s mouth, which means…
“Where’s the owner of those items?” You asked in a calm tone. The man stilled and looked around nervously, as if he was about to get punished for something. “He’s out doing… business. Listen, I understand your suspicions, but I’m his servant, so he is aware that I’m here and-“ That’s not what you wanted to hear at all. “Let me rephrase my words. Why are you so hesitant to sell me this item?” You asked, leaning slightly closer to him. The man stiffened again. “I’m not supposed to tell you, but this item is cursed! It was found in the ‘Briar Valley’ castle, it should not be here, amongst humans…” The servant whispered-yelled at you.
“Hmmm, cursed you say?” You ask, with seemingly calm tone. In reality, this poor man had no idea how much your interest has been picked. “Yes, it’s very cured and that’s why-“
“I’m buying it.”
After scaring the merchant’s servant half to death and buying what seems to be a cursed relic from once a fae castle, the rest of the working day was quite uneventful. After arriving home, you went straight to your office, ordering everyone not to bother you the rest of the day.
Placing the bat sculpture on your shelf, you sat down and began to do some paper work, after which you planned to mess with said relic some more. But you’ll be damned, the servant was right, the relic was cursed, it kept plugging your thoughts, to the point where it was hard to think properly.
Picking it up once again, you placed it on your working table to inspect. Gliding your hands over its seemingly smooch edges, watching closely how lighting from your candles, make it look almost alive like, in a strange peculiar way. Perhaps you were too deep in your own thoughts, but suddenly your hand slipped a bit, causing you to prick your ring finger on one of the sculptures teeth.
Tender flames of your candles started to flicker, as if there was a small breeze in your office. Surprised, you put the sculpture down, while turning your head towards the window’s direction. They were closed, just as you saw them be, when you first entered the room.
Suddenly, a cold wind picked up inside your room. Blowing out almost all the source of light you had, leaving only moons cold shine pecking through the curtains. Freezing on spot, too afraid to move, you kept looking at the moon, as if her kind light could save you from whatever you brought upon yourself.
“Please, kind human, look at me. I’d love to know whom should I thank for my freedom.” Behind you, you heard a smooth, silk-like, voice spoke. Slowly, you started to turn your head around.
Before you, on your office table, sat a young looking man. Skin white as a snow, beautifully illuminating in the moon light, eyes of the color of blooming red roses, that lovers present each other on their dates. Hair dark as the ravens wings, with stripes of bright pink in it. He looked quite petite, yet you felt an undeniable strong aura radiating from him. The man was dressed in all black, which only made his pale face and rose red eyes stand out even more. The stranger was smiling slyly at you, with glints of excitement in his mesmerizing eyes.
Hopping off the table, he stood before you, looking you up and down, as if confirming something to himself. “My name is Lilia Vanrouge.” He said with slight bow, before he got down on one of his knees before you. “And I shall repay you, for your kindness, by serving you to the best of my abilities.” He said bowing even deeper, hand resting on his chest, where the heart was supposed to be. After his small speech, Vanrouge lifted his head, looking at you expectingly. Smile spreading both on his face and in his voice as he spoke once again.
“What shall your first order be, Master?”
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