#I was. thinking of this for a while but!! I finally!! know!!! which characters are which!!

[pomefioredove]

boop

summary: booping them + their reactions type of post: headcanons characters: third years additional info: is short, platonic or romantic, reader is gender neutral author's note: this would've been good to post for the tumblr april fool's event but I missed out so you're getting it now instead!

𝐓𝐫𝐞𝐲 𝐂𝐥𝐨𝐯𝐞𝐫 ˗ˏˋ ♡ ˎˊ˗

hmm... okay!

trey often navigates his interactions with other students based on his interactions with his siblings

there's an order to human behavior, after all

especially with the underclassmen shenanigans (he's really seen it all at this point; don't ask)

none of his siblings, however, have walked up to him unannounced and booped his nose

not yet, at least?

it seems to make you happy though, so he just smiles

half of his job as vice housewarden is "going along with it"

he's pretty used to nonsense

𝐂𝐚𝐭𝐞𝐫 𝐃𝐢𝐚𝐦𝐨𝐧𝐝 ˗ˏˋ ♡ ˎˊ˗

he's editing something on his phone the first time you try and doesn't even notice it

...and the second time, and the third

it becomes a sort of routine for you

tentatively trying to see how many times you can get away with it before he finally notices and says something

and it only spirals from there, of course

you'll up to him while he's talking to someone else, boop him, and walk away

(much to the other person's confusion)

does he notice? yeah, of course

do you need to know that he notices? ...maybe not

he likes the attention, just let him have this one

𝐋𝐞𝐨𝐧𝐚 𝐊𝐢𝐧𝐠𝐬𝐜𝐡𝐨𝐥𝐚𝐫 ⋆˚⸙˖°༄✩⊹

he gnaws your hand off

okay, not really. too messy for him

(and the consequences would be such a headache to deal with...)

but he is all grumpy because you woke him up for that

"What was that supposed to be? -_- Don't do that again,"

rolls over and goes back to sleep

you're lucky he reacted as nonchalantly as he did tbh, lions don't like being pet, and he could've kicked you out of his room in a heartbeat for that

(maybe you get a special pass to be annoying)

note to you: don't do that again

𝐑𝐨𝐨𝐤 𝐇𝐮𝐧𝐭 ˚⊹˚₊🕊 ˚✧ ₊

boops you back right away

does he necessarily know what that means? no, but he'll find out soon enough anyway

and based off your body language and expression it seems like a gesture of affection

...which he's all too happy to return

(he's so excited to be touching you affectionately he could explode)

now every time you see each other you end up going back and forth for hours

"boop!" "boop!" "boop!"

that's one sure way to give Vil a headache

(you may or may not end up temporarily banned from Pomefiore for disturbing the peace)

𝐕𝐢𝐥 𝐒𝐜𝐡𝐨𝐞𝐧𝐡𝐞𝐢𝐭 ˚⊹˚₊🕊 ˚✧ ₊

you'd assume he gets annoyed, right?

well, he's a little surprised at first (people just don't go around touching him, after all)

then he just smiles

"Remember what we said about asking before touching, hm?"

you're lucky he thinks you're cute

(if not a little strange)

like, so lucky

congratulations on being the only human on earth who gets away with casually touching his face like that

𝐈𝐝𝐢𝐚 𝐒𝐡𝐫𝐨𝐮𝐝 ₊✩‧₊˚⊹༄˚₊모‧₊

well. what do you expect

his eyes widen and his face (and hair) go pink and he internally freaks out (but externally just stands there)

"Um... What was that for?"

Idia might be a little more familiar with the conventions of a boop than anyone else

it's what you do to adorable little animals, right? like kitties and puppies?

so... why are you doing it to him?

if you say you "just felt like it" he might believe you

if you say it's because you think he's cute he will be avoiding you for the rest of the month

good luck!

𝐌𝐚𝐥𝐥𝐞𝐮𝐬 𝐃𝐫𝐚𝐜𝐨𝐧𝐢𝐚 ✩⁺₊°⊹ ᶻ 𝗓 𐰁 ☽｡°⊹

blinks.

has zero clue what you meant by that

but you seem happy with yourself so it couldn't have been a bad thing, right?

"I'm unfamiliar with that gesture. Is that a greeting from your home?"

you explain that it's a sort of affection you show towards cute things

"Oh, well... you're quite brave. I'm honored,"

he's definitely all sunshine and rainbows for the rest of the week

he's all but giggling and kicking his feet back and forth

no one really questions him

and he doesn't really explain

(if Sebek finds out you booped the heir to the throne of Briar Valley as if he were a kitty cat he will gnaw your hand off)

𝐋𝐢𝐥𝐢𝐚 𝐕𝐚𝐧𝐫𝐨𝐮𝐠𝐞 ✩⁺₊°⊹ ᶻ 𝗓 𐰁 ☽｡°⊹

pleasantly surprised, doesn't even question it

he is adorable, after all, he can't blame you for wanting to be affectionate with him

boops you back, of course

after all, aren't you just the cutest thing too?

if you try to walk away after booping him he will find you to return the favor

will somehow make it a competitive sport

waiting for you around corners, hiding in every nook and cranny so that he might catch you by surprise and boop you

(he is totally keeping count of who's ahead)

it makes the school a warzone for like a solid week before Silver's pleas to "please be normal about the prefect" finally work

(AKA Lilia gets bored of it and finds another way to be close to you)

#queued #twisted wonderland x reader #twst x reader #trey clover x reader #cater diamond x reader #leona kingscholar x reader #rook hunt x reader #vil schoenheit x reader #idia shroud x reader #malleus draconia x reader #lilia vanrouge x reader

[celtic-crossbow]

Blood Ties Chapter 28

Series Masterlist

Warnings: Typical TWD violence and gore; Pregnancy stuff - bodily fluids, etc.

A/N: Still worried about Daryl's character in this, but I guess I will probably continue to do that since this is a situation we haven't seen him in during these seasons. Anyway, game on.

Two days. Three centimeters. Nothing really new other than a few small, quick contractions that were nothing more than a tightening of your belly. Daryl stayed close, mainly venturing outside only to smoke or relieve himself, and, of course, he accompanied you when you needed to go. At that very moment, you were lying propped up on a mountain of pillows that everyone had given you. Daryl was sitting cross-legged by your feet, sharpening his knife.

“Do you think something’s wrong?” You asked, pulling your bottom lip in between your teeth. The archer looked up and studied you, looking back down at the whetstone before shaking his head. The sound of the blade sliding against it made your skin crawl. “Can you—stop that please?” He sighed but sheathed the knife and tossed the whetstone onto the top of the things in his bag. He hadn’t been speaking much which concerned you. You watched him scrub a hand over his face before keeping it there and propping his elbow on his thigh. “Daryl, what’s wrong?”

“Nothin’.” His voice was gravelly, tired even, but not unkind. You knew he had slept, or had at least been lying down with you while you did. “Ya hurtin’ or anythin’?” He still had his face covered.

“Mm-mm. Thumper’s awake though. It’s Cirque du Soleil in there.” His hand finally moved to smooth back over his hair, leaving the shorter pieces askew. “Hey.” His eyes met yours again, worry evident and overflowing. “Come over here?” His left hand clenched into a fist but then flexed open again. Daryl got to his feet, taking a single step toward you before bending down to press a kiss into your hair. 

“Gonna have a smoke. Right outside if ya need anythin’.”

You watched him go and sighed, turning your attention to your stomach. “I think you’re scaring your daddy, Thumps. Me too, a little bit, if I’m being honest.” The baby hadn’t been as active over the last 24 hours, but Hershel had reassured that it was normal for movement to decrease in the last part of pregnancy. “I don’t know how good of a mom I’m gonna be. I didn’t exactly have a shining example. And your daddy—he’s gonna really need our patience, kiddo. Shit, we’re both gonna need patience.” There was the smallest ripple beneath your palm. “We’re flying blind here.”

Sounds of a scuffle on the porch had you sitting up straight in a flash, eyes wide and darting. 

“Daryl?”

He staggered in the door—walker blood on his arm and his knife—before gaining his footing and bending to grab your boots. “Gotta go!” He was calling for the others while helping you get ready and grabbing up what blankets he could to stuff into the second bag. You could hear the moans and scratches and thumps just outside the wall. “C’mon, just leave the rest. We gotta move.”

You nodded, leaving the remaining blankets, pillows, and your sweatpants. It would be freezing in just your leggings but as long as you were alive, then you couldn’t really complain. 

Daryl threw one of the bags on his back—along with his crossbow—while you shouldered the other bag. Knife in one hand, he took yours in the other and was pulling, the first of the herd of corpses tumbling into the house, slimy fingers grasping so closely that you felt the tug on your hood before they seemed to have lost their grip. 

Everyone was sprinting out the back, Rick waiting until you and Daryl had passed to follow and pull the door closed behind him. The truck was blessedly close. Daryl was pulling the bag from your shoulder and opening the door simultaneously, letting you climb inside while he tossed both packs into the back and rounded to the drivers side. You had the key ready and in the ignition, your heart rate slowing the moment his foot hit the gas. 

“Y’okay?” 

Catching your breath—winded by fear and exertion and well, the extra weight of the human growing inside your belly—you looked over just in time to see him take his right hand off the wheel, flex his fingers as they moved just the slightest distance toward you, and then place it right back where it started. 

“Yeah.” You answered breathlessly, swallowing and nodding. “Yeah, we’re okay.” He relaxed a little. His next question would have been about Thumper, so why not ease his mind quickly? “Are you okay? The one outside, before you—”

“M’alright. Ain’t bit or nothin’.” He mumbled, dragging his left thumb over his bottom lip before he began chewing on the skin there, thickened from all the scarred wounds he had given himself, small as they were. He was anxious. He had every right to be. You could go into labor at any moment and another temporary home had been overrun. It had been months of this shit. Run, run, run, and—for a change of pace—run again. 

Hand steadying your belly, you twisted in the seat to look behind the truck for the headlights of the van. When you didn’t see them, you swiveled back to check the side mirror, finding it easier to watch in that position. There was nothing but the soft red glow of the truck’s tail lights. “I don’t see them.”

“They’ll show an’ we’ll pull off. Come up with somethin’.” His eyes slid over to you and back. “Can’t keep ya out on the road.”

You couldn’t disagree. You could feel your ankles swelling inside your boots. Your pelvis and hips ached, your lower back felt strained. Your stomach was tightening in a small contraction. You were just highly uncomfortable and more than a little tired. Your head fell back against the headrest, eyes closed. You must have dozed because when you opened your eyes, the truck was still and Daryl was gone. 

“Daryl?” You quavered, grabbing the dashboard as you slid to the edge of the seat to be able to survey the surroundings. It was too dark. You could barely see inside the cab itself. “Daryl!” Just as you grabbed for the door handle, the driver’s side door opened at full tilt and the archer peered inside.

“M’right here. Y’okay?”

You exhaled sharply, not even realizing you’d been holding your breath. “What’s going on? Why’re you out there? Are the others here?” 

Daryl looked over his shoulder, tapping his fingers against the top of the door before turning back toward you, looking at the seat instead of meeting your eyes. “Nah, they ain’t here. Ain’t seen no sign’a ‘em.” You could see the same worry you were feeling reflected in his posture. 

“What will we do if they—” You couldn’t say it. You just couldn’t. Why did the world just insist on taking everything? 

“Do whatever we gotta do.” Daryl sniffed, looking over his shoulder again. He was thinking the same thing you were. Neither of you knew the first thing about childbirth. You turned to get out of the truck, an ache in your lower back while your stomach tightened in a contraction making you wince, your fingers wrapped around the door handle. “Stay in the truck.” Your hand fell away but the pain remained. It wasn’t unbearable and after a moment, your muscles loosened. The pain in your back remained but lessened.  “Y’alright?”

“Mhm.” You answered quickly. Laying back against the seat, you blew upward to move an unruly hair from your face. You were so tired but you couldn’t sleep, not while your partner was standing outside the truck alone and keeping watch. It wouldn’t even do much good to try when there was no comfortable position you could find with your back twinging. Still, you found your eyelids drooping. When the truck rocked the slightest bit, you didn’t startle. A warm hand wrapped around your shoulders and pulled, and you let yourself be guided to lie on Daryl’s thigh.

“Get some sleep.”

With a hum, you turned to face his stomach so your own could rest upon the seat. His hand settled on your ribs. 

“I love you.” You mumbled, already halfway gone into slumber. The last thing you felt was his fingertips graze along your jaw.

It was daylight when you next opened your eyes, the taut skin of your stomach pulling uncomfortably tight while your back spasmed. The contractions themselves were merely annoying while the pain in your back was constant, made worse when your muscles tensed. Grimacing, you glowered at your belly. “Good morning to you, too.” You were no longer pillowed on Daryl’s thigh, actually alone in the cab. You made it up to an elbow when you heard voices. Familiar voice.

“You sure you’re alright? Y/N alright?"

“She’s sleepin’.”

You had to grab the steering wheel to haul yourself upright, opting for the passenger door. Carol was the first to see you and sprinted in your direction. You stood still and let her come to you, your ankles just too swollen and sore to move more than necessary. Once reaching you, she wrapped her arms around your shoulders with a little less enthusiasm so as not to jar you. 

“I’m so glad you’re okay. When we didn’t see the truck—”

“I know. I was freaking out when I couldn’t see the van.” 

She brushed your hair away from your face once she let you go. “We had to go around the herd and then figure out which direction you two went.” You smiled, but it was a weak attempt. Your back was still aching. “Are you okay?” Behind her, Daryl was watching you. You wondered if he was hearing anything Rick was saying.

You waved her off. “Yeah, I’m fine. So, what’s the plan?”

“Heading South, I guess? I’m not sure. I mean, the main thing is to find somewhere safe enough for you to have that baby. Lori won’t be far behind. A few weeks, at most.” Her eyes dropped to where your hand rested on your stomach and then back again. “Are you sure you’re okay?”

“Yeah.” You nodded. “Go see what’s going on. I don’t really feel like walking over there. I”m just gonna wait in the truck.” After a moment, Carol acquiesced, calling over her shoulder for you to yell if you needed anything. You waved your hand over your head and let it fall to your back, pressing in on where the ache continued. Maybe it was time to tell Daryl something else was happening. Opening the door, you lifted your foot from the ground when you felt something gush from your opening, wetting your underwear and leggings. “Oh, great. And now I pissed myself. Way to go, Y/N!” 

You left the door open and stepped back so you could reach into the truck bed for your bag. You’d have to change but you really really did not want to tell Daryl that had just happened. He was your partner and you were pregnant, so he’d understand but you were sure to get a ya did what now and that would just make you feel more embarrassed. Maybe you could call Carol over and she could help you out of the soiled clothes and hide them until they could be washed. 

Standing on your tiptoes, you grabbed the soft handle of your bag when it happened again. Less of a gush, but a noticeable flow. That’s when reality roundhouse kicked you in the teeth.

Oh shit.

“Hey, Daryl.” You kept your tone even, unalarmed even if you were being absolutely ravaged by panic inside. You left the bag and lowered back down to be flat on your feet. Daryl’s boots were loud on the pavement but at a slow stride. Good. You hadn’t terrified him. 

Yet.

“Yeah?” He noticed where you were standing and glanced into the truck bed. “Need your bag?”

“Well, yes and no.” Your abdomen tightened again, still painless, but aggravating the cramping in your back to a new level. With a hiss through your teeth, you knew you had his full attention without even looking at him.

“S’wrong?” 

You were staring at your feet, expression pinched with pain and concentration while you persevered through the episode. Why the fuck did your back hurt? All too soon, Daryl’s boots were right in front of yours. “I—I think my water broke.” When you could finally think past the throb that was slowly ebbing away into the continuous ache, you raised your head to find him staring at the ground. And then your pants. “What?”

“Ain’t there supposed to be—I dunno—a lot?”

“How the hell should I know? You think I give birth on a regular basis?” You snapped, immediately murmuring an apology. 

“Ya sure ya didn’t just—”

“No, I didn’t piss myself.” More fluid trickled from within you, a miniscule amount but enough to be noticed. “At least I think I didn’t? I mean, I was expecting more of a whoosh. Like Noah’s Ark level of liquid, you know?” And then you were silent. And so was he. You stared at one another, each waiting for the other to say something.

Daryl cleared his throat. “M’gonna—gonna get Hershel.” He turned but barely managed a step before he stopped, looking back over his shoulder. “Or I can stay here? Do ya need me here?”

“Just get Hershel. I’ll be fine for now. Can you get Carol too, please?” You watched him nod, noticed the tick in his clenched jaw, the way he was tapping each fingertip of his right hand against his thumb rhythmically. He was freaking out. And as you felt more liquid soaking into the fabric of your underwear and leggings, so were you. You were wet all the way down past your knees. 

“Daryl said you needed me.” Carol’s voice brought your head up, your expression triggering the worry that took over her own. “What’s wrong?”

“I think—I either really had to pee or my water broke.” You shifted from foot to foot, carefully keeping your thighs apart. You had never felt so humiliated in your entire life. If your father could see you now—well, honestly he’d probably be laughing and saying take it easy, peanut, it’s just some wet pants. 

“It’s okay.” Carol soothed, encircling her arms around your shoulders. “Anything else going on? Contractions?” You nodded. “How often?”

“I don’t know. Like maybe every half hour but my back is killing me. It just—it hasn’t stopped hurting since it started last night.” She was listening so intently that it made you nervous. “The contractions don’t hurt, but man, they make the back pain fucking horrible.”

Carol smoothed your hair and took your face in her hands, giving you that sweet Carol smile. “Sweetheart, I think that your water did break and that you’re in labor.” You felt your eyes widen and your breaths coming quicker. “It’s okay, just breathe. Daryl’s on his way over with Hershel.”

Daryl came straight to you, the nervousness surrounding him so strongly that it made your chest tighten further. He didn’t say anything as he usually did when you floundered over your responses. When Hershel asked permission to examine you then and there, you began to fidget. 

“I guess there’s not much of a choice, is there?” You lamented, looking to your partner. His head was down and he was trembling. You’d have to talk to him later when there was no one else around. 

“I’m afraid not.” Hershel could see you were anxious. His soft spoken words were proof enough of that. 

Daryl climbed into the cab first and helped you in, letting you rest your head on his thigh while Carol pulled off your sodden leggings and underwear. The examination was quick, much to your relief. 

“As far as I can tell, it was indeed your water breaking. We have no litmus paper for confirmation, but the source of the fluid appears to be from the vaginal opening and not the urethra.” You knew this would happen eventually but that made it no less terrifying. “You can likely expect the contractions to become more intense, closer together as you dilate. They may or may not be painful as we talked about. Daryl, you’ll need to time them.”

“Okay.” Was all he said, quiet and contemplative. Hands at your shoulder blades, he helped you to sit up.

“Rick,” the vet called out, “we need to find somewhere safe and fast.” The deputy jogged over, looking quizzically between all the faces. Carol quickly occupied the old man’s place with fresh clothing from your bag, covering your lower half from view. “Y/N will be giving birth soon and needs a quiet, safe enough place to deliver.”

“These are likely to get wet too, but you can’t ride around in soaked clothing. Beth and Maggie had some pads, so I thought maybe they could help, too.” You nodded robotically. This should be the happiest experience of your life and all you could feel was an overwhelming sense of foreboding. What if you screamed during the birth and brought down a herd? What if the baby cried too loud? What if something went wrong? What if? What if? What if?

Carol helped you get dressed and situated in the truck while Daryl looked over a map with the others. You watched him from the side mirror, smiling when you saw that he could barely focus, continuously glancing toward the truck. You could feel the beginnings of another contraction, the twitching inside before your stomach would tighten and you’d need to breathe through the pain in your back. It still wasn’t unbearable but it was enough to coax a whimper from your lips. Right in the middle of the episode, there was a gentle tap on the window. Lori was looking through the glass sympathetically, waiting patiently until you could use the window crank.

“How’re you holding up?” She asked, reaching in to tuck a strand of hair behind your ear. 

You saw no reason to lie. “I’m terrified.” Wringing your hands over your belly, you sniffled in an attempt to hold back the tears. Crying wouldn’t solve anything. “I don’t know what to expect. The pain, you know. What if I cause someone to get hurt because I can’t take it? What if something’s wrong with Thumper? What if—”

“Hey, hey, hey.” Her hand landed gently on your shoulder and you lost the battle with the tears that were demanding to fall. “Everything you’re feeling is normal. Well, as normal as it can be in a world full of the walking dead. It’s all going to be fine. All things considered, you’ve handled this pregnancy like a warrior. I have no doubt that you’ll get through bringing that baby into the world just fine.”

You wiped at your face almost angrily. “Really?”

“Really.” She smiled, looking as if she were going to say something else but her eyes moved to somewhere behind you. She squeezed your shoulder. “It’ll all be okay. We’re going to be leaving soon. We’ll find a safe place.” Another glance behind you and, holding her smile, she walked away. 

You were rolling up the window when the driver’s door opened and Daryl climbed in, shutting the door behind him. “Ya doin’ okay?” His voice was just as shaky as he was.

“I’m okay.” You kept your expression soft and reached for his hand. He let you take it. “Are you okay?” 

“Mhm.” He squeezed your fingers and pulled his hand back to start the engine and take hold of the shifter but he didn’t move it.

“Daryl?”

“M’scared shitless.” You blinked for a moment before quickly dismissing the shock from your expression. “Dunno what m’doin’. Dunno how—what m’s’posed to do to help you.” He was staring straight ahead, carefully avoiding your gaze. It was obvious that wasn’t easy for him to admit. 

“Hey.” He ducked his head but he didn’t look at you. “We’re both lost here, but we’ve made it this far.” With a noise of effort and discomfort, you scooted across the seat. The movement had him looking your way with a quick turn of his head.

“What—quit it ‘fore ya—”

“Shut up.” You wrapped a hand around the back of his neck and pulled him forward for a kiss. It was difficult to hold the position you found yourself in, your back singing with pain, but you both needed the comfort, the closeness. When you separated, you kept the hold on his neck and pressed your forehead to his. “We’re in this together. ‘We’ll handle it’, remember?” Clearing his throat, he waited a moment before he nodded, his forehead bumping yours. 

The van pulled up alongside the truck. With a last kiss to his forehead, you slid back across the seat and slouched to take some of the pressure off your back. Daryl nodded to Rick and then pulled off the roadside and followed behind the others.

“That one actually hurt.” You breathed, rubbing a hand over your belly as the pain faded. You’d been on the road for about three hours, stopping at two homes, both with too many dead wandering too close by. Daryl glanced up at you and then back to the watch he had balanced on top of the steering wheel.

“Last one was ‘bout 21 minutes ago, this’un was ‘bout 52 seconds.” He sat the watch on the seat by his leg and switched hands on the wheel, resting his left elbow on the window panel so he could rub his thumb back and forth across his lip while he obviously chewed the inside of his cheek.

“So they’re lasting about the same amount of time but they’re definitely getting closer together.” Shifting in the seat a little, you hissed at the twinge of pain in your back. “God, my back is the worst part right now, but if it doesn’t get any worse than this, I’ll be golden.” You were very doubtful you’d be that lucky but one could dream, right?

“M’sorry.” Daryl mumbled from behind his thumb.

Your brow furrowed, your head shaking back and forth in confusion. “Why are you sorry?”

“M’the reason you’re goin’ through this.” He cleared his throat sharply, biting into the side of his thumb with more vigor than you’d ever seen before.

“Last time I checked, I was a willing participant in the creation of this tiny human.” You chuckled, attempting to lighten the mood. There was a dense fog of tension building inside the cab, one you intended to disperse as quickly as possible before it could soak into either one of you. “This is our baby, Daryl. We decided to do this together.” You started to reach for him but thought better of it for the moment. “We’re going to do this together.”

He looked over at you, glancing back at the road every few seconds. “Yeah. Yeah, okay.”

You shook your head and smiled fondly. “If the baby is as quiet as you are when they’re upset, then we won’t need to worry about them attracting walkers.” You had meant it as a joke but the archer immediately blanched. “No, Daryl, I just—shit, that was the worst. I’m sorry.”

“Babies cry. How—what—”

“We’ll deal with it when we have to deal with it. Right now, let’s just focus on actually having a baby, okay?” That was enough to at least have him lapse into silence with a nod. You watched the sky darken, knowing two things: there would be no shelter before dark and the vehicles would soon need fuel. Daryl must have been thinking the same, his eyes darting down toward the dashboard. His thumb was hovering in front of his mouth, a smear of blood on each.

“Gonna have to camp tonight.” He swallowed so hard that you saw his throat working. “They’re gonna hafta go lookin’ for fuel.”

“You’re not—”

“I ain’t goin’ nowhere.” The conviction in his tone filled your chest with warmth, even if he didn’t look at you. You couldn’t express your appreciation before another contraction began to build.

“Fuck.” You breathed, holding the side of your belly with one hand while the other reached for the dash. Daryl didn’t need clarification, just reached to pick up the watch. Your back screamed while your stomach tightened and cramped, pulling a whimper from within you that you couldn’t seem to stifle. Breathe, idiot, you told yourself. In through the nose, out through the mouth. It wasn’t the worst pain you’d ever felt, but it still fucking hurt. Seconds felt like hours but soon enough, you could feel the pain ebbing away, your body relaxing. “Christ.” You fell back against the seat, completely wrung out. 

Daryl was still holding the watch, glancing between it, you, and the road. “Minute an' four seconds, last'un was 19 minutes ago.” Before you could comment, the truck sputtered and jerked. The archer was barely able to get it onto the side of the road before it died. He flashed the lights to signal the van, the brake lights illuminating the road ahead as Rick turned around. Daryl’s hands dropped to his lap, his head bowed to stare at them. “Gettin’ closer together.” He almost whispered.

“Yeah.” It was all you could think of to say. “I am not having this baby on the side of the road.” Even as the words left your mouth, you didn’t believe a single syllable.

#murda writes #blood ties #daryl dixon #daryl dixon x reader #the walking dead #daryl dixon fanfiction #daryl dixon fanfic #daryl dixon x y/n #daryl dixon x you #Daryl Dixon sm #daryl dixon smut #Daryl Dixon x f #daryl dixon x female reader #Daryl x f #daryl x female reader #pregnant! #pregnant!reader #Daryl ang #daryl angst #Daryl sm #daryl smut #Daryl Dixon an

[deus-sema]

My two cents on Shogun finale with spoilers:

I think the way this finale was handled can be used as a fine example of how to subvert expectations in the *right* manner. This is not the kind of ending that would make us go WTF after momentary shock value only to disappoint us terribly but an ending which might not be what I - as a show only fan had predicted - but one which makes sense in the longer run like all the pieces of a puzzle falling into place to make a beautiful picture.

The actual event of the battle matters not as much as the actions of the people involved who contributed to its occurrence and affected its results. The wheels of fate are already in motion. We know that, come what may, Toranaga shall prevail. But that is a tale for another day. The one which we have been following until now was about Toranaga fighting against all odds and carefully setting the stage in order to achieve his dream, about Blackthorne who started his journey as an outsider in a foreign and hostile land with less than noble intentions finding a home in that place and about Mariko who patiently strived to fulfill her destined purpose and add meaning to her existence. And so she did. For even after her death, her presence was imbued in almost every scene leaving an everlasting impact on them.

The misleading opening of the episode with an aged Blackthorne who seemed to be back in England reminiscing about his days at Osaka clinging onto Mariko's crucifix was done in a clever manner. I was momentarily led to believe that Blackthorne might get to sail home afterall and I failed to understand why they would do that. But the lines between what was a fleeting dream and reality became abundantly clear when I witnessed Blackthorne letting go of Mariko's crucifix into the oceans. Mariko had become one with her homeland and by living there forever, Blackthorne had become one with her.

The writing of Shogun also shows us how one can make significant changes to certain characters and their relationships that differ from the source material and handle them wisely while adapting a story which is linked to the actions of its key players. Mariko's friendship with Ochiba and Ochiba's regard for her paid off because her death led Ochiba to withdraw her support for Ishido, even if she wasn't going to ally with Toranaga. This particular change from the books affected the plot and in a meaningful way. It's an achievement which certain other adaptations that introduce drastic changes without any regard for the overarching plot cannot boast of.

As a MariThorne shipper, I was left satisfied albeit in a bittersweet sense because while John had lost Mariko, his love for her still persisted. It was heartbreaking but this is a tragedy well done. One that I would remember forever. The last scene was oddly satisfying because, even if he doesn't know it yet, Blackthorne is exactly where he belongs now.

The acting was stellar as usual. Cosmo Jarvis and Tadanobu Asano deserve a special mention for this episode while Hiroyuki Sanada never disappoints. I'm grateful to the entire team of Shogun for delivering a show that I enjoyed wholeheartedly until the very end. And off I go to read the book next.

#shogun fx #shogun #yoshii toranaga #toda mariko #john blackthorne #anna sawai #hiroyuki sanada #cosmo jarvis #shogun ep 10

[echos-gal]

ok i'm rapidly losing hope that Tech is still alive, and this sucks because it was basically the top thing i desperately wanted from this season. i wanted to see him survive. so here's my exhaustive and embarrassingly long list of reasons why he SHOULD still be alive, and if he isn't, why it was a missed opportunity. obviously no hate to the writers or anything, i love them dearly for creating this show!!!

(if you're a "Tech should stay dead for the stakes/so someone in SW stays dead for once/i hate delusional Tech stans" person, kindly keep scrolling, this ain't for you)

SEASON 2:

right from the start, Romar connects with Tech and calls himself "a survivor." HELLO???

in this same arc, Tech breaks his leg in a fall which he survives. he continues to walk on it, fighting off troopers to save Echo & Omega, showcasing his persistence and grit.

one of Phee's first lines is "better late than dead," and we know she shares a connection with Tech. she flirts with him later in this scene. it would be a shame not to reuse this line, i'm just saying....

Cid still owes Tech for racing for her in Faster. we see Cid looking miserable as she betrays the batch in Plan 99, so her playing a part in his rescue/comeback would be a nice way to show her growth. (i'm afraid there isn't enough time for this, though- as much as i thought a Cid redemption was on the horizon!)

Phee and Tech's departure is awkward, and although we have some context from season 3 (they talked more than we realized), the scene would do best if reconciled in person imo. it felt like it was setting up for something, and feels weird to leave hanging.

"don't go running off with any pirates or smugglers" could not have just been a throw away line. it set up for him to do exactly that. how fitting would it be if pirates or smugglers actually did manage to pick him up before the empire made it to the railcar crash site?

Hemlock's retrieval of the goggles shows that he sent a team to look through the wreckage. he thought there was a chance Tech survived, and may have him.

i won't go into the logistics, but big falls ARE survivable. in star wars especially. we have no idea what was below the layer of clouds/mist Tech fell through.

SEASON 3:

this is mostly CX-2 centric. their armor is very similar: the jaw/mouth shape, the hexagons over the ears, the rectangles on the chest, and the pouches/pockets.

"domicile." that is all.

CX-2 uses technology more than the other operatives we've seen, and he gets past the encryption on Phee's ship with ease.

"who are you?" was enunciated in the exact same way Tech says it to Trace and Rafa, which i definitely think was intentional.

CX-2 stops to use his rifle scope in the exact same spot where Tech and Phee stood to let down the ladders in the sea surge on Pabu.

he survives a waterfall plunge on Teth, which appears to have fooled Rex's group into thinking he'd died. the writers could have killed him off there and sent a new operative, but they chose to stick with CX-2 pursuing them to Pabu.

it's worth noting that while this CX is designated as "2," Tech's CT number is CT-9902. he is associated with the number even on a visual level: he's a dual-wielder, he wears goggles, he salutes with two fingers.

FROM A STORY PERSPECTIVE:

firstly, i am sorry and i LOVE the writers, but if you want people to accept a character's death, you've got to show his family and friends' grief. we saw no reaction from Crosshair or Phee, no tears from Hunter or Echo. it feels like fans were sadder about Tech's death than the characters in the story.

Tech seems to have been mentioned more in the second half of season 3 than the first half, which works if they want to bring him back in the finale.

the finale is called "The Cavalry Has Arrived." i really don't think you can have the cavalry (aka the bad batch) arrive without every member present. i also don't think it would feel right to play their theme without Tech there. idk, that feels incomplete!

we saw no body, and Hunter received Tech's goggles not from a trusted ally or friend, but from Hemlock. this calls into question the legitimacy of his claim that the goggles were "all he could salvage."

Tech alive and being held on Tantiss would provide a nice parallel to Echo in the first mission where we meet the batch, in TCW. and [ep 14 SPOILERS] we see that Echo is currently looking more like his TCW self, with his earpiece removed.

feels kinda sour that a character who a lot of people related to as neurodivergent representation would die just a few episodes after having a deep conversation with his sister about it.

likewise (and as a white woman i can't speak for WOC), from what i have seen, Black women are rarely the main love interest of a series! Phee is the ONLY love interest in this whole show, and it would suck to just cut off that romance before it could really become something. a lot of people wanted to see TechPhee become canon.

CX-2 is the one who destroys the marauder. it works well storywise for its pilot to have been the one to do that- the person who worked so hard modifying it, flying it, and teaching his sister to fly it. i'll be lowkey pissed if it turns out some random dude blew it up.

it's also CX-2 who invades and sets fire to Pabu. this is emotionally gripping on its own, but if he is Tech, it's even more so.

we have no idea what the operatives go through. Crosshair isn't telling, but it clearly put him in a really bad place. if Tech underwent this conditioning in his post-fall injured state, there's a chance he could come back from it. Emerie is probably the key to this, if they take the CX-2 route.

this show is all about a family trying to stay together as the Empire desperately tries to rip them apart. seeing the whole family together again - even if not everyone survives - in the finale is the satisfaction that the show ideally would go for. the last time they were all together was the season 1 finale. that was about 2 years ago in the show's timeline.

leaving Crosshair and Tech's final interactions be where they parted on the Kamino platform also feels off. Tech was the one who really vocalized the need to rescue Crosshair in season 2's finale. Crosshair, in the meantime, has changed significantly as a person. Tech's comment about Crosshair being "severe and unyielding," and unable to change this facet of his nature, is incorrect. leaving Tech dead would mean that he never gets to see this change in Crosshair, which makes me feel like a deflated balloon.

FROM MY SELFISH PERSPECTIVE!!!

give me Tech with cool scars and slightly disheveled longer hair. this is such a good opportunity for the creators to give him a sweet new look!

we never got to see Tech without his goggles on, despite Phee constantly referring to his eyes. he definitely doesn't have them right now (they're in the Archium), so we could get Mister Big Brown Eyes if he's alive. it's another missed opportunity if not, imo!

the goggles being placed in the Archium was a beautiful scene that makes me tear up whenever i think about it. it's symbolic, it's bittersweet, and it's exactly where the goggles belong. but was it closure for me? not really.

Tech is a character who became a LOT of people's favorite in season 2, including my own. why kill off a fan-favorite with an entire season to go?

yes, i desperately want a Rex and Echo series. yes, i want the batch to cameo in it, and yes... that includes Tech. making up for lost season 3 Tech content 😎

the finale will feature the zillo beast, and Tech loves the zillo beast. FREE HER! REUNITE THEM! he would love to witness her rampage.

FROM A "SURPRISE!!!!!" PERSPECTIVE

it seems like most people think Tech is either CX-2 or dead. it would be a great finale twist if we DID get CX-2's identity, it's NOT Tech, the audience loses hope, and then he shows up. i think this is actually plausible given the other assassin schematics Hemlock was looking at in Point of No Return. Tech might be in Hemlock's grasp, but not an active operative. having an enhanced clone to toy with is something Hemlock would want to keep under wraps. we see him step out of the assassin chamber at the start of that episode - if Tech is anywhere on Tantiss, i think it's here.

i think the writers have expected us to have all lost hope by now, so his finale reappearance would ideally come as a shock. the finale is almost guaranteed to be a very long episode, so we really might have quite a bit of time to explore his return, if it happens.

secret 16th episode: i know, i'm putting my clown makeup on as i type this. but the previous 2 seasons each had 16 episodes, with a two-parter finale. season 3 is just 15, with a single episode finale. TBB formally ends may 1st, so what if we get a may 4th surprise episode detailing how Tech survived? (that or an epilogue leading into a new series, which i think is more likely actually!)

#i definitely forgot some points but i just need to post this and be done with it #feel free to add your own observations 👀 #tbb tech #the bad batch #tech lives #techphee #tbb spoilers #the bad batch spoilers

[mary-kasexual]

In honor of lesbian visibility week, I present a full list of female characters from Total Drama who have canonically shown no attraction to men! (as far as I'm aware)

Staci - Only present for one episode and only spoke for one episode, having no lines in the finale. None of these lines hint at Staci displaying any interest in men.

Dawn - The closest thing I could find was the "I didn't know you were a beetle whisperer!" scene, but even then, that could easily be read as platonic. Svetlana - Similar case to Staci in that her lines are pretty limited due to being actively suppressed by Mike or Mal. However she has not, in fact, said anything that hints at her liking men in those few lines.

Sammy & Amy - Other than that one "Topher thinks you're fat" line of dialogue (which could easily be played off as Amy trying to mess with her), neither of them have shown any on-screen interest in men.

Scarlett - The only extensive interaction she has with men are Max, whom she DESPISES, and their alliance is only romantically framed for the sake of a gag.

Sugar - Nothing in canon hints at her liking men. She admires Leonard, but this is most likely due to his perceived magical abilities rather than any sort of attraction as she displays a similar interest in Max later on.

Tammy - Similar case to Staci, she only had a very brief speaking role in episode 1 and never in these lines was it implied she was attracted to men.

Mary & Ellody - Only here for a short time (with Mary only having dialogue in the episode she was eliminated in rip), but neither of them express interest in guys.

Laurie & Miles - Same deal as Mary and Ellody, they go pretty early overall but haven't been shown to like men.

Jen - You'd expect someone of her character archetype to mention looking for 'cute guys' or something similar, but surprisingly no? The closest thing she has would be her friendship with Tom, which is treated as 100% platonic by the show even if you don't take into account the fact that Tom is gay.

Taylor - Another surprising one imo, it's never stated or implied that she likes guys in the show, not even a passing mention from what I've seen which I could've sworn happened on first watch. Mandela effect I guess 🤷

Josee - Similar deal to Jen as far as I'm aware, being that her closest relationship to a guy is with a gay man and treated as platonic throughout the race.

Sanders - Pretty clear-cut, no scenes of her expressing interest in men or romance in general.

MacArthur - "What about Brody?" The only time she's shown to return his affection is during the finale and she's actively trying to throw him off his game by using his crush against him. She only asks Brody to call her in the Surfers ending, which she doesn't do at all in the Cadets ending implying that she's most likely only in it for the money.

Scary Girl/Lauren - While she does hold an interest in Damien, nothing in canon says she's attracted to him, only to the sound of his screams.

Nichelle - Too busy having no lines to talk about boys. seethingwithrage

Millie - Zero attraction to men in canon, the most interactions she has are with and about Priya. She's sorta friendly with Damien, but it doesn't rise anywhere above platonic (probably because she shoved him into a meat grinder but who knows) and actively seems to be disgusted by or otherwise pretty averse to most of the male cast.

MK - Has never been shown to be interested in guys or even romance in general. In fact, she actively seems to dislike it as seen in the episode where Caleb and Priya kiss where she goes “Yeah, that was sweet, but it’s also how you get mono” (this is ace mk propaganda btw). There was also Nichelle's intro in season 1 when she was looking at her starry-eyed, clearly a joke but yk still noteworthy.

Julia - My favorite lesbian <3 zero attraction or hints at attraction to men in canon + listen... we all watched season 2 you know what I'm talking about don't lie. The closest things she has to romantic interactions with men in canon are at most one-sided and always with her actively disliking said man on the other side (Wayne + maybe Ripper in season 1).

#total drama #tdi #td roti #tdpi #tdrr #tdi reboot #if I missed anything/anyone please lmk! #happy lesbian visibility week!

[owlpellet]

i know there's a lot of ego and assumptions about my own susceptibility to manipulation going on here but i truly think i am immune to most cults. not even from a bullshit detection standpoint, but from a standpoint of every account i have ever heard/read of someone finding themselves in a cult or mlm includes descriptions of social situations that would overstimulate and stress me out so bad that i would vomit and leave immediately. a road trip with strangers? a self-improvement seminar? giving out my phone number to someone i met in an aisle at target? having to host a recruitment party? the constant hype machine behavior? love-bombing? the pressure to socialize? unpaid morning zoom calls? maybe it's because i never went to church as a kid but i have no concept of "faith" in something unseen nor do i ache for a "community" larger than a handful of fellow hobby-havers, so the idea of manufacturing a new passion just to fit into a crowd i otherwise have nothing in common with sounds like a type of psychological torture customized for me specifically. i barely muster passion for the things i like.

i can understand completely how people get sucked into them and don't think it's something on which character should solely be judged. most people actually do ache for that community, and most people are actually flattered and not freaked out if someone begins to fawn over them, because we are social creatures isolated by capitalism and crave comfort and validation from others. but on my mother, if a new friend dragged me to a "show" that turned out to be a motivational speaker my departure would be so rude and abrupt. i am too fucking autistic to chant affirmations with an auditorium of 1000 people.

if i am ever victimized by a "cult" it'll probably be more of a final fantasy house low-scale personality cult sort of situation. while i would hope better for myself, a charismatic online person warming up to me until i'm sucked into their little circle of sycophants they have collected is not outside the realm of imagination, and all i can hope is that my true friends will be honest enough about catching bad vibes that it never happens.

#can't sleep just thoughts #binged a lot of videos last night about cults and mlms since grifts are a special interest #and every single time without fail i'm just thinking #god this wouldn't work on me #what the narrator describes as a fun time with a group of new friends sounds like actual Hell to me #what do you MEAN you attended a seminar with someone you met on a layover??? #no it's the niche fandom spider queens who collect pet artists that will get me one day

[duendepika]

There are a lot of rumors going around now ever since 420 that it's "not AFO" anymore, but these theories all seem to assume that the AFO we know is a regular human. The reality is that Horikoshi has never given us any indication that he is or was, and he has indeed done much to tell us that AFO is NOT human.

This post is primarily a character study of AFO (Part 1) with two theories added onto the end.

AFO is a unique entity in that he IS his quirk and always has been.

AFO and Yoichi are two halves of a whole, the human and the physical manifestation of the first quirk.

AFO-OFA are the same, and the singularity event already occurred. This theory is 3-fold, though I'd say the second and third parts are tangential and messier. I don't include panels for every single section, but I reference which chapters to check! I am use official translations and the Japanese originals ONLY. I know there are some issues with the official translations, but I cross-check with the Japanese. I have found far more errors in the fan translation.

Part One - Character Study

Many wonder how much quirks "control" or drive a person versus how much a person's personality and character at birth drives their quirk. The discussion is especially common with villains, but when it comes to AFO, it's largely irrelevant. He is more quirk than human to begin with.

AFO as a person has very limited emotional depth and personality (311). He consciously built his personality around a fictional character. He requires other vessels because he doesn't have enough emotion or strong will (305, 408). He only exhibits any emotion after we know he had been "contaminated" by his connection with Shigaraki. Before even getting into the theory proper, I want to point out that lacking a strong will is NOT merely a sign of being a villain. We have seen plenty of villains with extremely strong wills and feelings that have been acknowledged by the main characters. Giving villains a strong will and emotions are how Horikoshi humanizes them. AFO is unique in that he lacks these for the most part. From very early on, Horikoshi has very intentionally presented AFO as apart not just from the heroes but from any other significant villain with depth.

AFO does frequently present himself as something other than human, and while this could be wishful thinking or him trying too hard to be that "Demon Lord", there are plenty of instances in the story where it seems that he genuinely is not quite human. 1) This is even reflected in his appearance (entirely white and washed-out with blank, matte eyes without irises, etc) and his mannerisms. He isn't depicted with facial expressions or any semblance of emotions until he decides to be All For One, the Demon Lord as a teenager (407, 408). In fact, he seems to become MORE human once he decides to become the Demon Lord.

2) His choices and attitudes are completely arbitrary (365, 407). All we have is "he was born with nothing and decided everything therefore belonged to him". There doesn't seem to be any deeper logic, some originating hurt, behind his behavior. He picked a goal and an identity that seemed entertaining and just went with it.

3) Total inability to engage with fiction in a meaningful way, and given how much of this narrative centers around "stories", this is noteworthy. He latches onto one particular element of Captain Hero as opposed to engaging with the story as a whole and getting any meaning out of it (193, 333, 407).

4) He lacks the most basic human emotions. Hawks' and Endeavor's commentary on how something missing in him were not merely "o he's a villain" comments, but a reflection on the character as Horikoshi writes him. He is fundamentally incapable of experiencing his own emotions (beyond limited ones) and therefore relies on others. We see him clearly excited in 333 when he is finally starting to feel something due to his connection with Shigaraki.

Despite the fact that he can objectively manipulate people, he has a very limited understanding of human relationships. This is seen not only in his constant surprise/confusion over totally normal human behavior by others, most notably by Machia (382/383), but in his very language. When he says he loves Yoichi (193), the Japanese he uses is abnormal: 愛する is VERY rarely used despite it being the most widely-known form of the word; it's like he just used whatever word he heard first without understanding the meaning behind it. The same goes for how freely he uses the word friend (193, 333).

5) He's been acting for most of his life, not just as the "Demon Lord", but as a human at all. There are suggestions that he tries to act like other people (116) and offhand comments about human behavior as if he has to study it (234). Granted, these could be interpreted as generic villain-esque statements, but they hold much more meaning given what we know of his backstory. While his brother made an attempt to be a normal member of society, AFO made zero effort there for quite some time. He acted like a wild animal, and given that his brother was raised in the exact same environment, it can't be said it's just because of their situation. The term "people suit" very much applies to him.

6) Moving on to physical elements, he's already been brought back to life once. We are initially led to believe that he somehow survived/escaped (57, 59), but we later learn that he did actually die and was clearly dead for hours if not longer (408). If Kyudai Garaki really could resurrect the dead as a general rule, I think that would be a bigger plot point, so this is clearly something with AFO, not with the doctor.

7) He can live without his body as long as the quirk passes on, which is so powerful that he can just hijack other bodies. It's not like other quirks which, when stolen or passed on, allow people to live on as helpless ghosts in someone else's mind when their bodies die.

8) He has an abnormal ability to withstand extreme mental situations. Even though characters in this series have absurd physical limits, mentally nobody is depicted as really super-human besides AFO. Most people could not control their thoughts to the extent he does (116). He also must control what is likely hundreds of quirk vestiges at all times when awake, given that when he sleeps, they take over his nightmares (287) and when he's weakened (356/57, 409), they can rebel. (Worth noting that chapter 287 explicitly explains how it is not guilt or anything of the sort). I'd argue that this mental power level is inhuman even within the context of the manga because it requires such detachment from what is considered fundamentally human.

9) Furthermore, he was wholly sentient and aware from birth (407). AFO as a newborn infant thought and acted like a 2-year-old, and throughout his entire childhood he acted much older than he was. It's possible Horikoshi simply did this to make him more "creepy", but it's so utterly bizarre that I think there's more behind it.

10) AFO's backstory is unique among all characters in that he is presented more like a monster, for lack of a better word, than a human. Unlike all other villains given a backstory, there is no attempt made to "humanize" him. Considering the fact that even other "unforgiveable" villains like Overhaul were still presented as slightly tragic characters who had potential to be good and/or had some redeeming qualities, this is unusual. While the circumstances of his birth could be considered tragic and it's even stated that his own brother doesn't have any faith in him any longer (407), AFO was never portrayed as a victim, never presented as someone readers could be sympathetic towards or relate to.

That said, the base nature of his quirk is "emptiness". He has virtually nothing other than what he takes from others. Therefore, the argument can be made that he is "controlled" by his quirk and that he can't help it because his quirk compels him, but I believe he is a unique entity in that he and his quirk are one and the same. There's no internal conflict there.

I'm not claiming that he is wholly inhuman, as he does have some very basic human tendencies (needing attention, though arguably from him, it's rooted in an infant need to survival and not the kind of attention-seeking kids and adults want) I suspect that simply by living in the world, he does have some semblance of humanity, either from his connection to his brother or because he has been acting long enough.

AFO, as of right now, still does not have a name. 407 /408 made it very clear that "Shigaraki" was something he invented later in life (very likely with Dr. Garaki's influence given the similarities). He was the one to name his brother, Yoichi. I suspect that either: (a) he genuinely has no name other than AFO because I can definitely see Yoichi just not naming him back OR (b) Yoichi gave him a name in return, one he alone knows, and Yoichi using this name will be part of AFO's downfall. If he has a name, and Yoichi uses it, AFO will be called back to whatever slight sliver of humanness he has.

Part Two (Theory)

There is a possibility that AFO and Yoichi are literally two halves of a whole, the human and the human manifestation of the first quirk. OFA is the ghostly remnant of AFO, and neither is complete without the other. Perhaps as the original quirk, it truly was meant to be "kind" as Yoichi said, but it needed a human element to function as such. Because they diverged in the womb, we ended up with AFO the person/quirk.

1) The terms "One for All" and "All for One" are generally said together as a single phrase outside of the manga, and this seems to be the case within the Captain Hero comic that AFO got the names from.

2) AFO is perhaps so obsessed with "owning" Yoichi because he feels incomplete without him. He might not know why, but he knows he needs to be with him, that without his brother, he's not "whole". The current known narrative is that he wants him back simply because Yoichi was the first thing he ever had or "owned" and therefore, he needs him back. I think we can all agree that he goes a tad too far there though (277, 408), given that he seems to be having an ongoing narration to Yoichi in his head (333). As with other things, it could just be to up his creep factor, but it seems like there is possible something more going on.

3) AFO makes a comment about needing Yoichi in 409, though in the Japanese he explicitly says, "I can't do it without you" (my copy of Volume 40 is in the mail, so you'll just have to trust my memory on this until I get it and can update this post with an image). This could simply mean, "I can't go on without you", but it could just as easily mean that he needs Yoichi to be truly complete. This is further exacerbated by his comment in 419: without his brother, there's no point to his final goal at all.

4) Their umbilical cords are connected to one another, not to the mother. This could simply be to demonstrate how connected by fate they are, but it could just as easily have a deeper meaning re: their individual identities.

5) The hand that grew over AFO's mouth in his new body is very likely Yoichi's (419). The 40th volume release included a note about how AFO kept Yoichi's hand for decades and carried it around. If this is the case, then Yoichi's hand grew from his own flesh. Yes, it seems like he chose to have his hand grow there, but if he can alter his appearance at will, then he would surely fix other issues with the body. This suggests, again, some deeper connection between him and Yoichi.

6) AFO's preferred vessels such as Nine and Tenko look very similar to his brother. He wants to inhabit a body that looks like Yoichi's, which is. Something. Sure, he did make an offhand comment suggesting he would have inhabited Hana's body if he got to her earlier, but narratively, the only definite examples we have are Yoichi clones. (just showing hrksh's Nine art here...we all know Shiggy)

Part Three (Very speculative theory)

NOW finally tying all of this back to the Singularity concept.

In chapter 193, Yoichi says we've already passed the singularity (特異点はとうに…過ぎてる), which is odd given that so many characters and readers seem to think we are moving towards that. This is well before Shigaraki's transformation, so unless he's referring to some yet-to-be-revealed secret about Deku himself, this is almost certainly referring to AFO, who Yoichi continues to have some weird mental connection with to some extent. If the singularity already happened with AFO, this probably happened either a) when he was brought back from the dead, or b) simply when he was born at all. Any understanding of the singularity has been misguided from the start.

Perhaps AFO is the real OFA, but because the quirk was too powerful for the "hardware" right from the beginning, the OFA user and AFO diverged in the womb. The whole story has been about them coming together, which also explains why AFO is so obsessed with finding and inhabiting vessels that look identical to his brother.

Notes: There are a couple of minor things I considered going into, but I hesitated to due to lack of evidence in the manga. However, I will quickly mention them here in case anyone is curious: (1) Quirks vs. Human Personalities: AFO-the-body-with-the-copy and AFO-the-original-quirk seem to think, act, and speak exactly the same. Unfortunately, because we only have one other example of a quirk outside the body (Hawks/Fierce Wings) exhibiting sentience and it was only for a couple of panels, I can't say if this is simply "normal" or not. (2) Quirk copies: Again, not enough in the manga to really say one way or another, but I suspect that his copies are unique in that he is just duplicating HIMSELF.

#all for one #afo #mha theory #bnha theory #yoichi #character study

[toomanyideasandfandoms]

So I have an idea, but it kind of strays a bit from the death-seeking creator.

Let's say that the creator has written in a notebook all of the many times they have died along with who (or sometimes who they think) killed them. Why did they do this? Maybe as a way to forgive but never forget. Maybe some other reason instead.

Regardless, while the Creator is healing, both physically and mentally, someone is responsible for cleaning up the Creator's room whenever they are not around. While cleaning the room, they find the notebook. Curiosity takes a hold of them and they read the contents.

They are absolutely petrified. But they can't find themselves to stop reading.

So many names. Some they know, some they don't. Finally, they breakdown crying when they find their own name in the book.

I can imagine the Creator coming back to their room and they either find them crying on the ground or suddenly find themselves wrapped in a bear hug and bombarded with apology after apology after apology.

Sorry if this is something you're not in to.

OOOO!!! This is interesting actually!!

This definitely would be more so a wholesome version of my au since being able to keep track of everything and writing it down would imply they aren't fully broken like Death Seeking is. But I still like this because it still adds to the horror of just how many deaths the creator would face, especially if it ended up being multiple journals in a pile.

Though which characters finds this...could be anyone honestly. But I definitely know that it'll spread to the others super fast, like straight up everyone will know as soon as possible.

This would lead to everyone treating the creator like fragile glass even more so, because now they have more than enough reason information to fully comprehend how much they suffered.

The creator is gonna need a lot of time to heal, but this version seems more doable than the full death seeking version.

#sagau #genshin sagau #others ideas

[chocokayke]

Here's Alkaloid for my Splatoon/Enstars AU! All weapons are referring to their Splatoon 3 kits, because that's what I'm most familiar with. I wanna give a shout out to @mdkm444 for making this fanart that inspired this whole AU in the first place. : )

More info on each character below the cut.⬇️

Hiiro

I'm giving him the highest honor I could bestow on a character... My main.

I think Splatana Deco fits him, and how he sees himself at the beginning. It's a very mobile weapon and aggro with a supportive kit. He can easily strife with opponents to draw fire from his teammates, while also setting up beacons, and setting of tentamissles to displace enemies.

The idea is that he mostly sees himself as his brother's "shield" at the beginning, and I feel like having a weapon that supports and takes fire suits that role.

As he grows and gets more comfortable with his place in Alkaloid, he would pick up more aggressive weapons. I just really like the idea of him with dualies. I think he has a lot of fun zipping around with dodge rolls. : )

He runs a lot of Quick Respawn abilities.

I think his backstory would stay mostly the same, actually.

Aira

He's 100% that guy who draws hearts in the enemy base.

He strikes me as the type of person who would play weapons that are meta without fully understanding WHY they're so good.

He started out playing vanilla Splash-o-matic, but he sucks so bad at Crab Tank. Mayoi thought something more mobile would suit Aira, so he recommended Inkbrush and Carbon Roller to him.

Hiyori wears his eye makeup the same way. This is a very important piece of Aira lore.

Mayoi

Mayoi has the biggest change to his backstory out of Alkaloid. He was originally an Octarian Soldier under DJ Octavio.

He was there for the Splat1 final boss and the Calamari Inkantation. He is NOT Agent 8, to be clear. He escaped after Marina, but before Agent 8. He wasn't in the subway. (But the idea of him in the subway is very fun, and that might be something to explore in an AU of this AU.)

He's a huge Squid Sisters fan.

He first escaped to Inkopolis, but it was too overwhelming for him, and he ended up traveling a lot before settling down in ES.

He plays a lot of weapons, and at knows a lot about the weapons he doesn't play. He's extremely skilled and knowledgeable. He's a fantastic coach, and everyone wants them to coach their teams! (Help him.)

Unfortunately, he is still Mayoi and still has severe anxiety! Despite how skilled he is, he's too scared to play alone and is pretty low ranked. That's why he got his status as an "underachiever."

Generally plays a lot of long ranged weapons to stay as far away from the action as he can. Snipewriter is his main, but E-Liter deserves an honorable mention.

Any closer ranged weapons he plays are more supportive than aggressive. This bad boy can pop out so many Inkstorms and Tacticoolers.

I probably should have added Hydra Splatling to his list instead of Heavy Edit tbh? But, eh, he can play both.

I think Snipewriter fits his main really well due to the fact that it has super long range, paints well, and has a supportive kit. At the time I'm writing this, it's also the best competitive weapon in Splatoon 3.

Tatsumi

His backstory is also similar to his canon one.

His leg got damaged and wouldn't repair itself when he respawned, so he had to get it removed it let it regrow naturally. Squids can do that, don't worry about it. : )

The guy who makes sure your base is 100% inked during Turf War.

Me and my friend both agreed it is extremely funny for Tatsumi to run around with his beginner weapon going like ^_^: so that's what he mains.

Then my other friend recommended me what they call "noob trap" weapons, which is mostly short ranged shooters (Sploosh and Aerospray) so I immediately added those to the list. I feel like they suit Tatsumi, and kind of mirror how inept he is with technology in canon.

Despite that, he's actually quite skilled! He does pretty well with short ranged shooters and has fun playing with them. They're his go to choice, but he's experienced in a lot of different weapon classes.

Anyway, you know how the Sunken Scrolls in Splatoon 3 introduced Squid Jesus--

#splatoon #enstars #ensemble stars #alkaloid #mayoi ayase #hiiro amagi #aira shiratori #tatsumi kazehaya #2024 art #au #splatstars au

[waltwhitmansbeard]

so i just read a post explaining why the op (and, according to the op, a lot of other people, even tho the post in question only had 32 notes, some of which were from people who disagreed with them) didn't like the cut to the crown keepers in last week's episode. while i'm totally on board with people not jibing with stuff that just doesn't work for them, i wanted offer some reasons why this seemingly hard pivot to people who are not the main characters of the story being told was a good decision to make (note good decision, not inherently the best decision, which i believe no one, including the dm, at a ttrpg table should ever be expected to make).

matt had an extremely powerful, extremely unexpected character decision dropped in his lap in the final moments of the previous episode. we don't know exactly how much time matt has between recordings, maybe a full week, maybe not, but either way, there's a very real chance that matt just did not have enough time to fully prepare a session to deal with fcg's death and what comes next.

sam now has to create a new character that a) is of a level with the rest of the party and b) makes narrative sense for him to be there. that takes time for both him and matt, and they might just need some space to work on that. when laudna died, marisha was willing to sit away from the table for several weeks because she knew that she wanted laudna to be resurrected, but sam may not want the same thing, and that's okay!

matt may want to fold the crown keepers into his main story, some or all of them—particularly dorian, whom both liam and the fans have been asking to return for a while now. dorian is clearly important to orym and the story that liam is trying to tell, and bringing the crown keepers in may be matt's way to do that.

matt—and dms generally—has always had to straddle a very fine line of making sure that his players are the main characters of their story who feel like their actions have real consequences and effects on the world, while also understanding that in reality, it doesn't make sense for half a dozen chucklefucks to have such an outsized effect on major cosmological goings-on like *checks notes* the potential release of a god-eater. this becomes especially true when you're on your third campaign set in the same world, and your players' previous ultra-powerful pcs are still around and definitely more adept and connected than their current pcs are. i, personally, think matt does a great job at walking that line, and one of the things he does that i appreciate is that he doesn't shy away from the fact that a) his players are powerful but not the most powerful and b) his players aren't the only one who care about what's going on in the world and who are taking actions to effect change. the current plotline re: ruidus is absolutely world-shaking and is causing all the divine girlies to cower in their demiplanes, so of course even the evil ones are going to be calling on their champions to help out. it makes more sense for opal to be involved (which, btw, matt has been hinting at for a while now) than not.

matt might need a fucking break! he's been doing this consistently for nine years now, and shit is complicated! handing over the reins to aabria for a week or two or three may be what he needs to not get burnt out.

dnd is an emotional game, and the entire cast might have been rocked hard by fcg's death. some space away for a week or two could help them process and regroup to get back into a story that is otherwise very stressful and action-packed.

or it's none of these! what do i know! i'm a random idiot on the internet! matt doesn't consult me on these matters! (though my dms are open if he wants to chat, i do have ideas)

i think it's tempting to think of the decisions made in and around critical role (or any ttrpg show) like those made for a television series, because the episodes are serialized and we love them so much. but this show is, first and foremost, a group of friends playing a game together, and not a carefully constructed narrative with the primary goal of entertaining an audience. the audience always has been and, frankly, always should be second to the wishes and fun of the people around that table. matt would not have asked aabria to step in and dm a crown keepers side arc if he didn't think it was a good decision for him and his players, and that priority is the correct one. we are being invited in to watch these friends have fun together, and that's a privilege that we're super lucky to have. as long as the cr story isn't doing things that are outright abusive or harmful to the cast or the audience, i don't think we should begrudge them the choices they make in the name of their own game.

again, it's okay if you're not vibing with the crown keepers! i didn't love the aeor arc of c2! not everything is for everyone! but i think accusing matt and the cast of narrative malfeasance is a bit much when, tbqh, they don't answer to us. they answer to each other.

#me #critical role #cr meta

[wannabe-cartoonist-blog]

Last Game hair style fixes, in order of who needed it most.

I've never liked the canon hair styles in Last Game. They're either hideous, or just simply don't fit the characters/style of the main series. I get its a (mostly different) art department and meant to age the characters up, but most of the time, they simply just look off-model to me. I know I'm not the only one who's got issues with the hairstyles in this movie too, so I did my best to fix them up and give them styles that I personally think suite them. Originals below cut as well as my explanations! Important to note, these are my preferences/headcanons for them so take everything I'm about to say with a grain of salt.

**Akashi isn't here, because believe it or not, I actually think his hair looks the best out of everyone in LG.

I wouldn't change it. I like to draw him with neater hair/his bangs pushed out of his face when I age him up, but for the summer after the Winter Cup - when LG takes place - the canon hair is exactly the sort of style I think he would/should have. I like the allegory that the rough chop is something he did when his mental health wasn't good, so now as his mental scars heal, it's growing back out. ❤️

Midorima

A neater/shorter hairstyle does fit Mido's character/personality, but the LG hair simply just doesn't look like the same hair type we see in the main series. Mido's hair has got the slightest wave to it (which I tend to over-exaggerate whenever I draw him).

With this in mind, I went and gave his hair some more body/volume by extending the sides. (You'll see a lack of volume/body is the key issue with the other LG hairs as well).

Murasakibara

Mura's hair in this movie looks so so flat and greasy. Now I didn't do the best job fixing it up, but this is basically how you'd go about doing it; just add more flowy strands. His hair is pretty pin-strait in canon, but there's lots of flowing strands, even when he's not moving much, which give it a clean-look.

When it's all just one limp form, like the movie does, it appears unclean as opposed to just long and sleek.

Momoi

Another victim of the lack of body/volume. The style they gave her is also simply bad, like she just took a pair of scissors and cut in a straight line. There isn't even really any style to it. Its kinda just laying there on her head, which is not what her hair usually looks like in the main series. There's always strands/some lift to it. Also Momoi has always had some sort of bangs/framing pieces in her face, so for her whole forehead to be out was just a tiny bit jarring.

I think the style I came up with is a little more mature while still having personality and life to it. Plus, LG takes place in the summer, so a shorter hair style would be more comfortable in the heat.

Kise

Kise I don't think I did a good job of fixing to my liking either. It was hard to edit it without making it look bad in general, because I really don't think this choppy sort of style suites him like at all, so it was too much to change. Now his hair is one of the better drawn ones in this movie for sure, but it feels more like a Kagami hairstyle than a Kise one to me. I just don't think his modeling agency would let him have such a choppy, hard-to-style haircut. I also think a more polished look fits his handsome, princely sort of appeal that makes him popular with girls.

Aomine

Alright, now its time for me to be playful and silly with some out-there hair styles. Aomine (and Kagami's hair) in Last Game I don't mind. After Akashi, I would say Aomine looks the best. BUT. We have NEVER seen Aomine with long hair, even in flashbacks when he's a child.

So for him to finally decide to grow out his hair - in the SUMMER HEAT - just feels like a weird move to me. Feels out of character. He strikes me as someone who likes his hair out of his face when he plays ball and just wants to roll out of bed and not worry about brushing/styling it or anything. The animators also aren't consistent in this movie and sometimes his hair looks particularly long in the front and back, which again, I don't think he'd like. This picture below and the ones above are from the same movie/take place within like a week of each other, yet look so different.

He looks cute and it definitely gives him a more youthful look; which is a weird choice, because they want to age up everyone else but Aomine in this movie. So, I think a fade would really suite him (I don't think I drew it that well tho). Keeps his hair short and out of his face but also ages him up a little more with a mature style.

Kagami

Alright, Kagami's look here is pure indulgence. @knbposting said "Kagami with a mullet" and I haven't stopped thinking about it. Sue me. His LG hair isn't bad and makes sense for his character and the time of year. But its just sorta plain. Honestly, Kise's hair style in this movie would probably suite Kagami more. I always liked how in the main series, Kagami's hair is a little scruffy in the back so I really wanted to lean into that.

Is a mullet suitable for the summer heat/something he'd like? Well, maybe not but I think it ages him up while also seeming like something he'd get at some point in his life. So here we are. I will end this with saying this is probably the longest he'd ever let his hair get.

Kuroko

Finally, we have Kuroko, whose hair I've barely changed. Now, the animators/artists do a really bad job of keeping his face on-model (eyes too beady, features too sharp) but that's a whole 'nother issue, and I managed to find a scene where they kept him on-model lol. I think a shorter, neat style is good for the summer and suites him, but a main feature of all the hair throughout the main series is the spikes/strands of hair on nearly every character - Kuroko especially - so I just added a tiny bit more here.

And that's the end! If you read all the way to here, thanks for coming to my insane-person rant.

#kuroko no basket #kuroko's basketball #knb last game #kagami taiga #kuroko tetsuya #aomine daiki #kise ryōta #akashi seijuro #akashi seijurou #midorima shintaro #midorima shintarou #murasakibara atsushi #momoi satsuki #kise ryouta #generation of miracles #kiseki no sedai #wannabeartw0w #wannabespeaks

[kafus]

SO... do you headcannon anyone in horizons as autistic?

OH BOY DO I

so dot is the most obvious choice. there is no universe in which she is not autistic to me. this is one of my strongest dot headcanons actually and one of the main reasons i enjoy her as a character. there are so many reasons for this i could go on endlessly but i'll just list a few big ones here

her extreme passion for her interests at a disregard for almost everything else & her ability to self teach those topics (not to mention her interests have to do with computing)

her difficulties with food overlap a lot with food sensitivities autistic people often have, also her latching onto donuts as a sort of samefood after finally trying them once

the tendency to wear loose, comfortable clothes and more recently she has complained while wearing tighter clothes (the orange academy school uniform) so it's not just that she prefers loose fabric, she also is put off by the alternative. girl your sensory problems

irritable outbursts when struggling to articulate herself/make herself understood

her connection with kanuchan (tinkatink) felt really neurodivergent to me. she wasn't offput by her behavior, even after stealing her prop mic, and was immediately able to understand her when no one else could or was willing to. not sure how to articulate this one right now but i hope you see what i mean

her tendency to sit cross legged and lean over herself reminds me a lot of my personal autistic tendency to need a pressure/weighted feeling while i sit or have body parts touching

social exhaustion, the need to be alone sometimes even when she cares

the list genuinely goes on i have to stop myself LOL

as for other characters,

so for liko i'm more loose about the headcanon, it's definitely more of me projecting than her being overtly autistic in canon but i still think it lines up if u wanna view her that way. i'm autistic and i personally relate to liko a lot becauseee

she is giving hyperempathy autism to me. the way she is overly empathetic and compassionate to her own detriment and yet still has to have her hand held through articulating & dealing with that or putting the logical parts of empathy together

the way she absolutely fucking Explodes with excitement sometimes

the way in which she relates to cats, and her whole thing about having a hard time getting other people to understand her. these two things go hand in hand

there's something neurodivergent about her trying to connect with sprigatito by studying her and writing notes about her behavior lol

while this is kind of just on the account of her being an anime character and a protagonist at that, liko's facial expressions and body language can be pretty exaggerated sometimes which reminds me of my own body language, i'm cartoonishly animated in real life often LOL

so like basically dot is so obviously autistic to me it's like breathing but for liko it's kind of a hc i apply to her for projection purposes & fun but i think it's reasonable

and lastly so i'm not just talking about solely liko and dot for the millionth time,

ORIO!! honestly we don't even know that much about orio but the one episode where she was helping pokeball lady i forget the name of fix her machine. the really narrow attention to detail/seeing the smaller parts instead of the bigger picture. also her expertise in engineering contrasted with her struggling with tasks outside of that (like when she was trying to sew holes in the brave asagi and for the life of her could not do it so she called murdock for help lol)

and actually one more - while i don't necessarily headcanon amethio as autistic, i think it's a fun headcanon/au idea to not only give him a redemption arc but an autism unmasking arc at the same time. representation for all my repressed autistics out there. in my mind

thanks for asking i'm so autistic about horizons so of course i headcanon them with autism too JOISJOIFD

#i'll tag this one a little why not #pokemon horizons #anipoke #trainer dot #trainer liko #trainer orio #trainer orla #pokemon #pokeani #anipoke spoilers #pokemon horizons spoilers #kiki was here #asks #anonymous

[tocomplainfriend]

REDESIGN AND TIME PERIODS!

SirPentious died in - 1800 / Alastor - 1933 / Nifty - 1950s / Angel Dust - 1947

So I realized unless you told people who didn't know trough streams or wikis-they wouldn't know what time period the character is from! So here have some small stuff for redesigning here! Do research, you have no idea how fun it is to design with all the big references pulled up!!

The most obvious ones are Sir Pentious and Al.

Pen talks in an old way, not actually accurate, but you would get the point. +The Napoleon outfit by the end. +Steampunk is based on 1800-1900! Besides that, him calling the female character Miss/Missy or similar also part of it. Him imidiadlty saluting blabla

His suit doesn't match old suits and seems to be stylized the usual way all the others characters with Suits. (I know Pen wants to be hip with the kids but trowing away the idea of old clothes would be crazy to do) The entirety of the 1800s has different styles each decade too, we are focused on British late 1800s. There are fun variations of clothes too! (btw, in terms of redesign, search up for accuracy videos of people enjoy that style of clothing! Or steampunk!)

he colors can change and figures can always be exaggerated. Take this site I found while making this:

But he is Steampunk! Which is even more similar to the time period, and Pen pretty much gets a washed up version of Steampunk aesthetics. Many more fun outfits are there (for inventors too!)

Alastor is easy to tell more,' 'when' he is from. His specific way of speaking is also easy recognizable. +Radio theme.

The 30's were difficult in the USA, specially for the not 1%... to casual outfits and practical compared to years before, still stylish. + there is the place where you give attention to his Radio star and being mix person in those times affects his clothing!

Watch this video!

Angel: He does not communicate nor 40's or Mafia (why put on those themes and not used them, I understand the idea of Angel being more modern or kicked out of his mafia family but common!) + remember the possibility of drag!

Nifty: She died in 50s (her old puddle skirt was PERFECT!) There are so many iconic Hairstyles from this decade too... She would still be a maid, but she still has a style. (I don't think you can tell when she is from, even in her acting, tho).

Some redesigns:

#vivziepop critical #vivziepop critique #hazbin hotel critical #hazbin hotel critique #hazbin hotel criticism #vivziepop criticism #hazbin hotel redesign #Youtube

[ms-cartoon]

Hazbin Rewrite idea . . .

Thinking up some hazbin hotel rewrite ideas cuz the show needs it goddammit! And I wanna see what y'all think.

First of all, Hazbin needs more episodes besides just 8. Like-- I'd say probably 12-20 would be good just to flesh everything out instead of fast-pacing it, crumbling every single character into this one season, y'know, the usual Vivziepop error.

Instead of Adam and Lute being season 1's antagonists, the three Vees should've been the main villains. They can be one of those recurring groups of villains that show up in most episodes instead of every single one.

I don't think they should've been introduced in episode 2, we probably could've waited on that. I guess ep 3 or 4 could've been their first appearance.

I don't know what the Vees' goals are as the Hazbin crew's enemy. Vox and the other two try to come up with a way to keep Charlie from ever striking a deal with Alasor (a little late for that as far as the last two eps), but I don't know why it would be much of a problem for them if she does. I suppose since they're trying to take over hell, he would imagine Charlie (being the princess of hell and higher rank of an overlord) and Alastor (being one of the most powerful overlords of hell that rivals him of some sort) would be his main obstacles to achieving his goal. And somehow the two making a deal together would make it 10x worse for him. If that is the case then I guess I can see that.

But even if so, I don't see why the Vees would want to take over hell. What would possibly motivate them?? I mean-- they are already well-known by tons of folks and are very popular and wealthy. What exactly is taking over hell gonna change?

All in all, the show of course needed more episodes

The Vees should've been season 1's antagonist while the Angels could've been the finale. (I don't know what the Vees' goal could be or what could motivate them to achieve it, but anything better than what Viv had up her sleeve . . . which isn't much of anything as far as I know)

#hazbin #hazbin hotel criticism #vivziepop critical #hazbin hotel critique #hazbin hotel critical #hazbin rewrite

[twisted-wonderland-shenanigans]

So, for a while now, I'd been trying to figure out how to draw Yuu/mini!Yuu doing random shenanigans with the boys/random cuteness while still keeping them fairly neutral enough to visualize. It's been ongoing for a while since I started this AU, and I only now thought to try and put mini!Yuu in a onesie! The hood would be pretty big to cover the eyes, but generally speaking, I want to make a design that's easy to draw and still free to interpret one's character easily.

Let me know what you guys think, and the top three will wind up as concept sketches for me to practice and do a final decision! If "Other" has more votes though I'll likely have to figure out which ones are the most common out of the bunch unless something else catches my eye, then I may just add another concept doodle to the batch 😅

#twisted wonderland #twst #twisted wonderland monster au #twst monster au #twisted wonderland polls #twst polls

[toorumlk]

Hi I'm so freaking obsessed with your twitter.

Also what's your favorite Romione moment in the books and why?

ohohoho thank you, friend, i’m quite proud of some of the stuff i’ve posted on there B)

and as for my favourite romione moment in the books, when i read the question i first blanked out for a couple minutes, thinking of a bunch of smaller, sillier scenes. but then i remembered that i do have a favourite and it’s from chapter 11 of DH, when remus visited the trio at grimmauld place and filled them in on he goings on of the war -including the implementation of the muggle-born registry. ron’s response upon hearing this (after his immediate outrage) was

and it’s not just the hand holding and the “‘you won’t have a choice’ said Ron fiercely” that played out so vividly in my head like this:

but this scene demonstrates so perfectly the political weight of this pairing (muggleborn/blood traitor) which i think is the immovable narrative foundation of romione. all of their silly moments and idiosyncrasies aside, there is genuine narrative purpose behind this love. ron has always had an astute understanding of the blood supremacist politics of the wizarding world (need i remind that he was ready to curse shitco at the ripe age of 12 for calling hermione the in-universe slur) and just how wrong it is. ron is a pure-blood wizard and by design has so much privilege in this society bc of it, but by virtue of having parents like arthur and molly, he’s grown up knowing the importance of fighting against blood supremacist ideology. always.

so, after hearing about the completely horrifying muggleborn registry ("People won't let this happen," said Ron. "It is happening, Ron," said Lupin.), he immediately turns to his muggleborn best friend and love of his life and says “i’m making you a family member, i’m going to use the protection my family-name has and use it to protect you from the awful injustice of our situation, no you won’t have a choice but to let me help you”

i remember having such a… visceral reaction while reading this scene like holy shit .. these kids, THESE KIDS!!!!! this is the bone-marrow-deep love that makes me feel insane. this dynamic of the blood traitor/muggleborn always there, from CoS all the way to the epilogue. We get to see that romione is the story’s pure blood/muggleborn that finally made it (rip jily and tedromeda :(). we see it in hermione keeping her muggle last name after they get married (oh my god these two actually got married) and we also see it in the hyphenated Granger-Weasley (granger being first!) in their kids’ last names (oh my gof these two had TWO kids). they are a true symbol of change and progress in their world.

also this is one of those moments where i’m so glad that our only window to romiones relationship development is through harry’s narration because it so brilliantly shows the readers this blossoming love story instead of just telling us about it because harry obviously doesn’t have access to the inner thoughts of his two best friends, he can only witness them fall deeper in love. showing the audience acts of love is always more powerful and my god is this an act of showing your love to your beloved.

(and not to go on an unrelated tangent, but this is exactly why i could never ship my girl hermione w any DE or DE-adjacent character. no fucking way. not when the concept of a muggle-born registry exists in this universe, not when the antagonists in this story wish to eradicate people like her from their society. idk about the rest of y’all but im going to keep taking the narrative seriously bc the worldbuilding obviously has real world ties/implications and i like engaging with the canon. tangently to the tangent, i saw someone (a ron basher) on twitter say that ron, OUR RON FROM THE ABOVE EXCERPT, was “one bad day away from becoming a death eater” ohhhh ohhh i ought to beat you with sticks bc HUH? this is the same kid who said he would’ve boarded the train back to kings cross if he got sorted to slytherin, the house notorious for birthing DEs, at the tender age of 11)

anyways, all this to say is that romione is incredibly, realistically, materially romantic and i love them and i love their love <3

#romione #harry potter #harry potter and the deathly hallows #pro romione #bc duh #romione meta #hp meta #harry potter meta #toorumlk #nusreplies #my art #bc the hands #ron weasley defense squad