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lady-raziel · 3 days

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and alright, here's my last (let's hope) and boldest take yet. lots of people have been talking about the level of staff (around 25-ish people) at watcher, and whether downsizing that number could have been a potential avenue of reducing costs before just jumping to a subscription model. at first i was like yeah, i'm not sure that there needs to be 18 people involved in making a lets play. i was in the fucking trenches in the unus annus days and i'm still amazed how markiplier and ethan nestor managed to put out pretty well edited videos every day for a whole year with only a handful of editors and a couple people filming. what unus annus was trying to do and what watcher is trying to do are obviously pretty different, but the point is that you really don't need a whole crew of people to make lots of different types of content and do it well.

i still think there probably doesn't need to be a whole production crew involved with the creation of some of the simpler types of content watcher puts out. however, i don't think the size of the staff is the real problem. in fact, i think the staff of watcher probably should have been larger.

let me explain. if i begrudgingly go to one of my most detested websites (linkedin. *bleeegh*) and look up watcher, i can see that pretty much every person on staff is in a creative role of some sort by their own admission. at first glance, its like, oh, that makes sense. they're making creative products, it's natural that they should all be in creative roles. however, once you think about it for a little longer from a business perspective, that fact is really concerning.

after all, by watcher's own definition, this is a production studio. this is a company. So in this sea of creative roles, who's doing corporate planning? Who's managing finance? Who's doing payroll? Or brand outreach? Or human-freaking-resources??? you can hire outside groups for all this. i'm aware. but those services cost a lot of money to contract too. i'm just finding it concerning that there is pretty much no one on full time staff that is there to at least do some of this stuff. if watcher wants to be a big-boy company, that's fine, but that means you have to pay some people to be part of your company to do the not-fun business stuff like accounting. or resource management.

if they want to be a real company, they should actually have a lot more people on staff to deal with all the non-creative parts of running a company. even if they contract out most of it, you want at least a few people that are your people and don't actually work for someone else. that's how you don't get screwed over or end up in a contract you can't get out of.

which leads me to my last train of thought. like, as i go through the staff of watcher and look at what they do, it really seems like one of the ONLY people who's job it was to look at the business side of things WAS steven lim in his role as CEO. and thinking about that, i'm like god, can you imagine?? here's a guy who just wants to create cool stuff too but as one of the few people who has to think about the realities of Brand and the Business, HE has to be the one to burst the bubble. He as CEO has to say no to people and make decisions to make sure the company survives. In a group of creative people who just want to make things they're interested in, no expense spared, he was probably the guy who had to stay at least a little tethered to reality.

I'm not about to say that steven lim isn't to blame here. everyone involved in making the decisions that have led up to this point is part of this. but shit, it absolutely sucks to have to be the person at the end of the brainstorm session when everyone is coming up with their best ideas and to have to say "guys, i don't think any of these things are possible unless we make some big decisions."

is that what happened at watcher HQ? i don't know. at this point, with radio silence from everyone, speculation is all we've got. but if you follow the thread of a bunch of creatives striking out on their own to make their own business after being burned by their former employer, despite not knowing really how to run a business, and then only hiring fellow creative people and not other people who actually run business things... well, all of this starts to make slightly more sense in WHY none of watcher's actions make sense. everybody wants to stick it to the man and be their own boss with their own business, until it actually comes to the hard parts of doing that. at that point people start to realize, "oh, maybe some of the things that existed at my old job were there for a reason, actually."

all this is why lots of creatives striking out and starting their own businesses don't work in the end. they're thinking about in terms of creative products still, when they really need to be focusing more on the "business" part of the "creative business." it's sad. it sucks. it destroys a lot of good ideas and good people, because one person in every company like that has to be the one who thinks practically. could this have been avoided if watcher had been hiring people all along to manage this business and not just adding people to add to the creative output? maybe. even then it might not have been enough to curb other predictable impulses that led us down this path.

i feel bad for watcher, and i feel bad for the fandom. but i can't help but wonder if this was always the kind of situation we were going to end up in, and we just missed some of the warning signs because ALL of us were thinking, "well, that could never happen to us. we're different. not the Ghoul Boys."

#watcher #watcher tv #two stupidly long thinkpieces in one morning? wow! what a bargain!#just don't ask which of my responsibilities i'm ignoring by typing all this out

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cameronspecial · 2 days

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can you write rafe with pregnant reader 💕

Lifting My Weight

Pairing: Dad!Rafe Cameron x Reader

Warnings: N/A

Pronouns: She/Her

Word Count: 0.4K

Masterlist

Y/N loves being pregnant. The idea of bringing a little Rafe and Y/N into the world causes her heart to flip. Their bundle of joy is a product of their love after all. One thing she does hate though is the added weight to the front of her stomach. It feels as though she is walking around with a bowling ball on her stomach. It especially annoys her that the bump stops her from picking stuff up off the floor unless she gets down on her hands and knees like an animal. Rafe can see the discomfort the bump is causing his girlfriend. Her hand always rests on her back with a look of pain and it absolutely kills him that he can’t take it on for himself. So, when he finds a video that helps solve the problem for a bit, he is quick to carry it out to help her. Y/N gets home from brunch with Sarah and finds Rafe standing by the front door with a massive grin. “What are you doing?” she snips, not having energy because she can’t drink coffee and the baby was kicking her all night. He steps forward and rests a hand on his belly, “I know that I did my part for the baby-making part, but I know I can lift more of my own weight in the process. Will you let me try?”

“Fine,” she sighs. All she wants to do is take a nap and maybe have some popcorn with mayo, but she understands how important it is for Rafe to aid her with the pregnancy. This isn’t the first thing he has tried and while the others haven’t worked, she is hopeful this will because she needs a break. He steps forward and places his palm at the bottom of her belly. “What are you-?” Her questioning is interrupted by the instant relief provided by him lifting her belly. She sighs. They stay like this for a few minutes until the position gets uncomfortable and he has to step back. The weight is returned to her, but it is nice to not deal with it for a second. Her arms wrap around his neck the best way that they can and she smoothers his face with kisses. “Thank you so much. That really helped me,” she informs. His smile beams impossibly bright, “I’m so glad it did, Princess. I’m going to add it to our nighttime routine.”

Taglist: @winterrrnight @loves0phelia @thelomlisrafecameron @wickedlovely121 @thepatriarchykeychain @drewsmusee @starkowswife @maybankslover @forstarkey @loving-and-dreaming @magicalyoura

#dad!rafe #dad!rafe cameron #rafe cameron #rafe cameron x reader #outer banks #rafe cameron imagine #outer banks fanfiction #outer banks imagine #outer banks x reader #rafe cameron fluff #rafe #rafe fic #rafe obx #rafe outer banks #rafe x reader #rafe imagine #outerbanks rafe #rafe c #rafe cameron outer banks

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tanadrin · 1 day

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so if i am understanding this correctly, the argument is that round about 2019 somebody decided the best way to measure how well google search was doing was by absolute number of queries, and a lot of subsequent changes were made to google that were aimed at increasing that number. which had the effect of making google search suck more, because that meant people had to work harder to find stuff, which increased the amount of absolute searches people were doing. because, you know. it was harder to find stuff.

A day later, Gomes emailed Fox and Thakur an email he intended to send to Raghavan. He led by saying he was “annoyed both personally and on behalf of the search team.” in a long email, he explained how one might increase engagement with Google Search, but specifically added that they could “increase queries quite easily in the short term in user negative ways,” like turning off spell correction, turning off ranking improvements, or placing refinements — effectively labels — all over the page, adding that it was “possible that there are trade offs here between different kinds of user negativity caused by engagement hacking,” and that he was “deeply deeply uncomfortable with this.” He also added that this was the reason he didn’t believe that queries were a good metric to measure search and that the best defense about the weakness of queries was to create “compelling user experiences that make users want to come back.” In the March 2019 core update to search, which happened about a week before the end of the code yellow, was expected to be “one of the largest updates to search in a very long time. Yet when it launched, many found that the update mostly rolled back changes, and traffic was increasing to sites that had previously been suppressed by Google Search’s “Penguin” update from 2012 that specifically targeted spammy search results, as well as those hit by an update from an August 1, 2018, a few months after Gomes became Head of Search. While I’m guessing, the timing of the March 2019 core update, along with the traffic increases to previously-suppressed sites, heavily suggests that Google’s response to the Code Yellow was to roll back changes that were made to maintain the quality of search results.

which seems like a pretty plausible, if stupid, way to fuck up your product!

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lesbiancarat · 4 hours

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want to give my two cents on the AI usage in the maestro trailer--

i think seventeen doing a whole concept that is anti-AI is very cool, especially as creatives themselves i think it's good that they're speaking up against it and i hope it gets more ppl talking about the issue. i also understand on a surface level the artistic choice (whether it was made by the members, the mv director, or whoever else), to directly use AI in contrast to real, human-made visuals and music in order to criticize it. i also appreciate that they clearly stated the intention of the use of AI at the beginning of the video

however, although i understand it to an extent, i do not agree with the choice to use AI to critique AI. one of the main ethical concerns with generative AI is that it is trained on other artists' work without their knowledge, consent, or compensation. and even when AI generated images are being used to critique AI, it still does not negate this particular ethical concern

the use of AI to critique also does not negate the fact that this is work that could have been done by an actual artist. i have seen some people argue that it's okay in this context because it's a critique specifically about AI, and it is content that never would have been done by a real artist anyway because it doesn't make sense for the story they're trying to tell. but i disagree. i think you can still tell the exact same story without using AI

and in fact, i would argue that it would make the anti-AI message stronger if they HAD paid an artist to draw/animate the scenes that are supposed to represent AI generated images. wouldn't it just be proof that humans can create images that are just as bad and nonsensical and soulless as AI, but that AI can't replicate the creativity and beauty and basic fucking anatomy that's in human-made art?

(also because of how kpop fans tend to react to things, i would like to explicitly say, i don't think svt need to be cancelled or whatever else because of this. personally i will probably still watch the MV when it comes out, etc. etc.)

it feels very obvious this was not just a way to cut corners and costs like a lot of scummy people are using AI for. ultimately it was a very intentional creative decision, i just personally think it was a very poor one. and even if some ethical considerations were taken into account before this decision, i certainly don't think all of them were. at the very least i feel like the decision undermines the message they want to convey

i would also like to recognize that i myself am not an artist, and i have seen some artists that are totally on board with the use of AI in this specific context, so clearly this is not a topic that is cut and dry. but generative AI is still new, and i think it's important to keep having these conversations

#melia.txt #also want to add that as musicians svt are more directly threatened by AI generated audio than they are by AI generated images #and yet AI generated images is what was used in the video #and i guess the MV director/production company are the ones directly responsible for putting that in there #whether it was their initial idea or not #and they work in a visual medium so perhaps that makes it more 'fair' but idk it just feels like #the commentary is around music. which makes sense. and using human produced music/sound #but then taking advantage of AI images #idk just feels weird #i mean i don't like it either way #like i said in the main post i understand the intention behind the creative decision #and i'm still happy svt are speaking against ai at all i do think overall they're doing a good thing here #i just don't agree with the creative decision they/the production company/whoever made #edit: deleted the part about not boycotting svt over this bc ppl were commenting about boycotting bc of the 🛴 stuff #i meant specifically /I/ am not calling for a boycott because of specifically the ai stuff #was just trying to make a general point that im not making this post bc i want to sabatoge svt or whatever #bc kpop fans love to pull that catd whenever u criticize anything #so yeah just removed that bit bc i dont want ppl getting confused what im talking about #respect ppl boycotting because of scooter/israel stuff but thats not what this post was intended to be about #edit 2: turning off reblogs bc im going to bed and having asomewhat controversial post up is not gonna help me sleep well lol #may or my not turn rb's back on in the morning

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bravecrab · 2 days

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Because it seems I can't stop looking into what's been happening with Watcher, I think something that hasn't been talked enough about the wider issue, is that trying to escape the system of ads and ad reads has been a factor in the attempt to move to this new platform, and not as some have put it, because they're just so greedy.

The proliferation of ad reads within YouTube content is an issue few talk about, and usually only in the context of problematic companies like Better Help. However the reliance on sponsorships, to subsidize from the lack of viable payment from the YouTube platform has been largely accepted without much criticism towards YouTube or the sponsoring advertisers. Combine that with a cultural attitude under capitalism that results in artists' work being thoroughly devalued, it puts creatives in a difficult place.

You have to build a following through a combination of putting your stuff out for free, often chasing trends to insure algorithm relevance, and take on sponsorship ads, and the time it takes to properly vet those companies and their potentially shady products/services is additional unseen labour.

As much as I think that Watcher fumbled this, I do not begrudge them from trying to escape the shitty system of YouTube algorithms and attempting to court sponsors, to try to make the content they want to create without having to dilute themselves to make themselves marketable. If they had expressed this sentiment more clearly instead of focusing on "TV quality shows" and bringing Worth It to Watcher, I do think the audience would have been more sympathetic, instead of seeing them as a company cutting them off and extorting them for cash.

If this whole thing has made you think that Watcher are villains, that's fine, but they're not the sole villains. The YouTube platform, and various parasitic companies have also got a hand in this, and it's important to keep that in mind, to see the bigger problems in our current media environment.

#watcher #youtube #capitalism #enshittification

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ipushedthewrongbutton · 2 days

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Imma do this final vent and then I’ll shut up about it.

This was a dumb move, from every possible perspective.

In the og goodbye video, they really made it sound like they were doing the streaming service because they wanted to go bigger, make cooler videos, really see what they could do and let their creative vision take the lead.

Growing as an artist is what you do when you Already Have The Money To Do So. You don’t tell your audience “give me money and then I will use to it to make cooler bigger things”. That’s not a streaming service, that’s a kickstarter.

They didn’t have the numbers to pull a streaming service off either. “We think we’re ready for television quality content” no you don’t. Sorry, no you do not. Television quality content means 30-50 crew per project, means at least 4-5 production being worked on at the same time, and at least 4-5 productions being broadcast at the same time. Watcher has maybe 2 series they upload simultaneously and they have 25 employees TOTAL. Not even CLOSE to tv levels of content, who the fuck do you think you are???

Did they really think all 3 million of their subscribers were going to follow them on this? Including kids, whose spending is dependent on their parents? Including the casuals, who only subscribed for the occasional video? Including people for whom $6 dollars on another streaming service just isn’t an option? Why DIDN’T they poll this, was this being a surprise really that important??

AND why would you completely cut off another revenue? Even if YouTube is restrictive, it’s still another source of income. Cutting that off completely is… bold.

Especially since in the apology, they let it slip that no, actually, it’s because Watcher is on the brink of having to close up shop because they’re not making enough money with just the patreon, the merch sales, the ad reads, etc.

So… one of those is a lie. Or at least part of the truth.

But let’s assume they are in financial trouble, then this was still the dumbest they could’ve done.

Welcome to the entertainment industry where we follow 1 giant fucking rule: Kill Your Darlings.

Fellas, pals, amigos, bros, dudes. If your projects spend more than what they make, it’s time to downsize. Not upscale. Cut the shit that’s spending the most money, start concentrating on how you can conserve without having to fire your crew. Put the projects where you have to fly out and buy new stuff all the time on the back burner, you can get back to them once you actually have the money for them. Work with what you already have. You have a MASSIVE studio space, fuckin use it. You HAVE sets, you HAVE props, you HAVE talent and you have ideas. Start workshopping all the crazy and shit ideas you thought weren’t gonna work and start thinking how you could make them work with the lowest possible budget you can have. Your audience is there, they’ll watch whatever you throw at them. Now is the time to go crazy and see what sticks. You HAVE viewership. Collab. CONSTANTLY. Get it the fuck out there that you exist. A lot of people had no idea a patreon existed, mention it ALL THE TIME. To the point that it becomes annoying. Do it!

If your studio is becoming too expensive, get rid of it. Sorry, kill your darlings. Move some shit around in Steven Lim’s tesla garage, put up some green screens, this is where you work now until you can afford a studio in LA again, you dipshits. Editors can work from home, sound designers can work from home, writers and researchers can work from home, meetings can happen in someone’s kitchen or living room.

And finally: be transparent. Be honest to your audience and communicate. “We’re sorry to put Ghost Files on hiatus, however we can no longer justify the cost of traveling to locations.” The majority of your audience will understand and show patience. The part of your audience that matters will wait and enjoy your other wacky shit in the meantime. Hell, they might spontaneously start their own kickstarter because those who can, will want to support you financially, if you’re just hONEST WITH THEM.

As a business, you constantly have to choose between your financial stability and that of your employees, your vision and the future of your company and what you Want to do with it, and your integrity, the trust between you and your audience. (Especially that last one, businesses can’t pretend they don’t have a relationship with their audience, that’s not how business works, guys.)

When you’re in financial straits, one of those has to go. Watcher chose the latter, they should’ve picked the middle. Their grand television quality ideas can fucking wait, if money is a problem.

Look, I’m an artist too. I had a vision too. But it was either my creative vision or being able to afford food and rent. Creativity can wait, creativity will always be there once I can support it. Living comes ALWAYS first. Asking my audience to fund my huge artistic dreams though, with only the promise of something cool, NEVER even crossed my fucking mind. That’s what donations are for, that’s what the patreon is for.

They apologised. And good. But this was a dumb decision from the goddamn start. There were like 500 steps in between and they skipped all of it. And for what? For money? For grand ideas? For greed or for hubris? How many of their original subscribers are actually gonna come back? How much money did they lose with this stunt? If they really are in financial trouble, this MASSIVE risk -which is what it has always been- might just be their downfall. And it’d be 100% their own fucking fault.

#Watcher #Ok that’s ACTUALLY the last time i talk about this i need to move on #I dunno why this played in my mind so much #No i do know: it was boredom #But even as an outsider to whole streaming service just Felt Gross #And as someone who’s worked in the entertainment industry… i just.. SAW all the red flags #And it’s BAFFLING none of the so-called professionals at watcher entertainment stopped this #Or maybe that’s the hubris of the ceo’s talking who tf knows at this point #Anyway all of this was playing in my mind and i had to type it out to get my brain to hopefully shut up #Imma pirate some fucking tv shows now #If paying for it isn’t owning it then pirating isn’t stealing #Long post #like LONG-ASS FUCKIN POST

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the---hermit · 15 hours

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24|04|2024

The week started in a very stressful way, so much so that I decided to skip class today. Yesterday was really too much for me with my commute and everything, and at the end of the day I am not missing anything too important with today's lecture. I took this as a way to start working for my English lit exam. I realized I had a pretty big block with it, I just couldn't bring myself to do stuff for this exam because it makes me very nervous (especially writing a paper for it). I decided to start with easy approachable tasks in order to get started and so far it's working. My paper will be on The Merchant Of Venice, which means that I need to reread the play and annotate the useful passages, but before I do that I wanted to write in pen all the annotations I originally wrote in pencil. So this was my main task of the day. Tomorrow I will start my first reread of the play, and once I am done with that I will plan the next move. I feel like this is the best way for me to approach a task that scares me. Just break it down in much smaller tasks and start on the easier ones.

productivity:

read first thing in the morning

small plan of my tasks for the next few days

rewrote in pen my book annotations

run some errands with my mum

updated my reading journal

Irish on duolingo

📖: Miti E Leggende Dei Celti by M. Fois

🎵: Miracle by A Day To Remember

#studyblr #studyinspo #uniblr #university #studying #journal #journaling #student life #productivity #notebook #study space #knife gang #mine #the---hermit

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treecove · 2 days

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youtube

here's the watcher update.

they key part:

"We also want to deeply apologise for our ignorance around the impact of the cost. We regret stating and implying that it's a price that anybody can afford, and we fully acknowledge that it is not.

With that in mind, we're making some changes to ensure that there's a way for our community to continue watching our content for free.

If you wanna watch our shows early and ad-free, you can catch them on the Watcher platform a month earlier. After that, you'll be able to watch our shows on YouTube for free."

i think that this is the best change they could have made, tbh. i'd personally be okay with a few new shows being sub only, or behind the scenes stuff- since i can understand them not wanting to creatively stagnate. i do think they should be more comfortable with their regular shows not being so high budget, and have their personal projects take up a bit more of their production energy. but that is stuff you can access via their patreon anyways. speaking of-

"All current Patreon members will recieve a free subscription code to the platform. If you already purchased a subscription, please contact us and we will issue you a full refund."

so, yeah, while the video is a little... awkward, it's likely that they're either reading from a screen prompter to make sure they don't mess things up, or are staring at a wall or something to try and maintain the serious tone.

it's an alright apology, something i'm personally at least willing to accept. it's also good that they released a video like this BEFORE their upcoming live show this week. it does make sara look like a bit of a douche now though

and for me personally, i think this exposed a lot of the fandom's bias towards ryan and shane, and shane in particular, and how willing and gullible some people are to fork out the money anyways. like don't think people didn't notice some of you paying for the year's sub when there's actual people in need in palestine and sudan rn.

i feel that it's good that they acknowledge the upset over their announcement, including the tone and how dissmissive they came across in the video.

they've got a LOT of work to do in winning back the trust of their viewers, but it's good enough.

#watcher #Youtube

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kateisprettyodd · 3 days

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Discussing Watcher again lmao

Okay, now that a couple of days have passed and emotions aren't running high anymore - I wanna talk about the situation, the backlash, their potential response and everything else once again (with somewhat of a refreshed POV lmao).

I haven't changed my mind about this move whatsoever since the moment I heard about it. I'm an international fan, and through the very kind Tumblr user who is organizing a subscription match-up between fans through Email - I think it was @prettyghoul- someone was thankfully willing to reach out to me and share their account. So the money issue isn't a problem for me, sure, but WAIT - the website isn't international, I don't know if it's gonna be made available in my 'insignificant' Eastern European country (lmao), so a whole slew of issues arise that aren't money related (but of course, someone else would be paying, so I can't really speak on that issue on that person's behalf).

Secondly, people who are defending Watcher on here and on other social media - I understand you, I get you, but to be perfectly honest some of you are cherry-picking the information you present and are somehow blind to their intentions, either on purpose or genuinely. I don't understand how people can't see that making this move is so incredibly selfish. That's the best and frankly only way to describe it. And no, it's not because creatives don't deserve to be paid for the work that they do, and it's not because we are ENTITLED to receiving free content on YouTube (which is the main narrative being pushed by defenders on here) - but it's because their ambitions do not line up with the audience-based shows they have been creating. They have incredible creative abilities and true passion for creating shows which are "much higher-quality than other YouTube shows" (simply not true but I digress), but nothing will ever change the fact that they started on YouTube, that their main audience was cultivated on YouTube, the place they have come to despise because of the limitations to THEIR creative work, such as appealing to advertisers and whatever else they mentioned in the video. This I can understand, YouTube's algorithm sucks and advertisers are also horrible, as well as the fact that 'unappealing' yet passionate shows don't do well - this can all take a hit on their creativity and their passion for YouTube. I understand. But they have to weigh these cons against the pros, and they clearly did a horrible job of that. YouTube allows them to increase their relatability and their marketability if you play by the rules, YouTube allows them to connect with other creators WHICH SOME OF THEIR SHOWS LITERALLY depend on, YouTube allows them things like the discover page and the trending page where new audiences can find your stuff once you expand your reach to appeal to different demographics and interest groups, YouTube Membership is a thing if you need income, whatever. I understand that they don't want to play by the rules, but if your audience is gone then who are you making these shows for??? When your main venture is paid, even if it is 'only' 5.99 a month (lmao again), other options where they can make revenue immediately close up, since they can't really justify them. Why does their Patreon still exist??? What was the purpose of PodWatcher??? How are shows like Are You Scared? and Too Many Spirits going to survive on a streamer, shows which are based on that exact YouTube vibe of low-production two dudes chilling and laughing. Why are they considering their shows TV-caliber? Puppet History and Mystery Files are certainly NOT TV-quality and they are the second- and third-most popular.

Which is what brings me to my next point - how this all seems Ghost Files and Travel Season centered. No one can convince me that most of their expenses are not going to these two shows right now. Ryan said it himself, a season of Ghost Files takes hundreds of thousands of dollars to make, which is fine and I commend him for that effort. I don't even have to tell you why Travel Season also may have cost them a lot of money - which is also fine and I understand the appeal of it. But why not try a different approach? A season of Ghost Files doesn't necessarily have to come out every year, they could space out their budget, spend time churning out Too Many Spirits and Are You Scared (also shows that perform quite well), update their Patreon to look more Mythical Society-esque, do a merch drop (I have seen so many people asking for box-sets of their shows, and I can guarantee people would have paid A LOT of money to get a Puppet History karaoke thing on Patreon or WHEREVER)... Just generally diversify their income??? And space out these GIANT, extremely expensive shows, generally pace themselves and take it easy?

Now, they won't be able to expand their reach EVEN IF they bring new personalities onto the streamer. No one new will hear about them, and if they do, why would they pay for something they've never heard of before? There is no algorithm to cater to the masses which recommends their videos to new people. People who were here from the BFU days are disilluisoned and probably won't pay. They legitimately sacrificed their audience for money to fuel their creative ambitions, but their creative ambitions don't have an outlet anymore.

TO BE CONTINUED as this is too long already

#watcher #ryan bergara #shane madej #steven lim #ghost files #mystery files #watcher entertainment #are you scared #puppet history #too many spirits #travel season

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girlfriendsofthegalaxy · 2 days

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tuesday again 4/23/22

three months unemployed YAY. also wherein i get SUPER pressed about star wars lore

listening

funeral by tele novella. popped open tiktok to see something my best friend sent me and this was there, the first thing on the for you page. let's yoink a description of their previous album from an interview i'm going to quote at length in a bit: "The result was “exactly what we wanted it to be,” a perfumed mist of jingling, jangling, lilting, off-center pop—a strange little snowglobe gathering dust at the back of the shelf."

youtube

the lyrics did hit me like a train bc i often find myself mourning places and situations that were not necessarily good for me but were familiar.

Oh, you're not tied up Here comes the train The tracks feel safe because you know 'em

if you had told me this was made in about 2007-2009ish i would have believed you. very spare production in the way folksier songs of the time were spare. a bit raspy and direct in her delivery. there's a bandcamp interview wherein i found out this is the side project of a vintage/antiques dealer and she has a fascinating perspective on her own music:

Her passion for the craft is evident—in our conversation as much as in listening to the band—but music, for her, is a means to an end, a way to transmit stories. “As a musician, I’m mediocre at best,” Ribbons says matter-of-factly. “I think that my talent lies in my storytelling ability. I think that I’m a good storyteller.” It’s something instilled in her by her grandparents, “voracious readers” who were always buying her books and secretly wanted Ribbons to be a writer, she suspects.

i really adored this whole album as a cohesive work. "vampire cowgirl" is another standout for obvious reasons.

youtube

You came barrelin' down Rabid with some talk Of a gal who rides at night Picking off the stock

remarkably good at reproducing the general vibe of the midcentury cowboy western album, when tv cowboys were sweeping the nation

reading

T. Kingfisher's Nettle & Bone. enjoyed it, but not quite as much as her other stuff. whereas her other series are almost always comical and often stray into farce, this one was a bit grim. even with the addition of a demonic chicken. had to stop and really think about if my own experience with funerals and funerary rites (too many, too often) was coloring this for me but i think it is simply not as funny or interested in being funny as her other works. not a ding against it, but not what i was really expecting or in the mood for. image from tor, let's yoink the description from macmillan

This isn't the kind of fairy tale where the princess marries a prince. It's the one where she kills him. Marra — a shy, convent-raised, third-born daughter — is relieved not to be married off for the sake of her parents’ throne. Her older sister wasn’t so fortunate though, and her royal husband is as abusive as he is powerful. From the safety of the convent, Marra wonders who will come to her sister’s rescue and put a stop to this. But after years of watching their families and kingdoms pretend all is well, Marra realizes if any hero is coming, it will have to be Marra herself. If Marra can complete three impossible tasks, a witch will grant her the tools she needs. But, as is the way in stories of princes and the impossible, these tasks are only the beginning of Marra’s strange and enchanting journey to save her sister and topple a throne.

paywalled article, sorry, but i personally have a bone to pick with fanduel due to [REDACTED INCIDENTS] from [PREVIOUS JOB] so it does not surprise me in the slightest that they don't really seem to be doing a single fucking thing about money-laundering. allegedly.

watching

the bad batch, or the 13/16 episodes of the third and final season that are out. all these images are from comicbookreview bc i watched this on my actual television

one of the plots i hate most is the trying to get someone back plot. for example, i think finding nemo does this really well bc it's also a coming of age/parenting movie. i do not think the second finding nemo movie does this well bc as soon as one person is reunited with the group, through a wacky series of coincidences they lose another member. plus that movie is part of the downturn of modern pixar where they forgot how to tell interesting stories but that's neither here nor there. the bad batch falls into the finding nemo 2 category. it's simply frustrating to watch. it turns into a desperate floundering after whoever happens to be missing instead of using a The Searchers style plot to say something about the act of the search itself. i realize i am once again saying "what if star wars was good" but like. come on.

the bad batch s3 is surprisingly focused on retroactively filling in the backstory of how and why palpatine got cloned with his force powers intact, which is apparently a difficult technical problem. i would have cared about this if this show came out before the last movie and we had a cool breadcrumb style approach leading up to the movie. unfortunately that movie (and the sequel trilogy more broadly) killed a lot of my interest in modern star wars. anyway, this cloning problem leads to a lot of very technical conversations in a children's' show that are interesting to me, a grownup, bc no star wars media has ever successfully explained 1) what midichlorians actually are and 2) the biological processes by which they operate but refuse to be cloned? which is extremely funny to me bc midicholrians aren't supposed to be real. qui-gon has that whole little speech and blood test in the phantom menace but the series had So scrupulously stayed away from explaining how the force works before that. they still fail to explain it but they at least attempt to break two inches of new ground. side note this show gives us TWO canon trans girl clones and i really wish they were in a better show.

it's annoying that i'm annoyed about a children's show meant to sell toys. some fun things: the pyke syndicate shows up, a slew of my favorite bounty hunters show up, this show is much better at painterly backgrounds and has an overall more concept-art feel than the clone wars proper or rebels. i think it would be cool if they stopped whitewashing the clones. i'm going to finish out the season but i don't exactly have a lot going on in my life right now. i am not terribly sad that this is the final season but BOY do they have a lot of loose ends to wrap up in three episodes.

playing

new genshin update on uhhh thursday and it's kind of exciting bc i THINK it will finally fill in this hole on the map and the associated shorelines of three different countries!

i thought i had long since found all the chests in liyue (the second area released) but in the process of doing a recently released character quest set in liyue i found another chest. this game is very good at hidden objectives and little secrets but i wish it was better at letting you know when you have Actually cleared an area completely of all the little hidden stuff. anyway i have been holding back the last character hangout (ningguang, my best beloved ruthless girlboss business high femme) for a terrible day and that day came! unfortunately hanging out with the fake pretend video game lesbian did make me feel better!

also unfortunately i fucked up and cannot count so the gacha pity system (every 90 pulls you're guaranteed a 5-star character) gave me Neuvillette. who i don't hate but i wasn't really planning on pulling for. i do like his questline and his voice actor, he simply doesn't fit in super well with a mono-electro team bc i play this game like an insane woman.

the real bitch of the thing keeping me from upgrading him is going out in the overworld and collecting enough sea stars. why can't he need flowers or little gears or anything else i have a thousand of.

anyway this gal will be dropping sometime in the next six weeks and i AM extremely excited to pull for her. she has some cool abilities (GUN) and is part of a popular pair with the steampunk lolita character i love and leads my other main team. i hope their abilities play well off each other but she has such a cool storyline and design i don't super care if she fits in with my playstyle. i will adapt for her in a way i am not willing to do with neuvilette

making

i am once again obsessed with gallery walls, bc a friend has asked me to find the correct gigantic size frames to put some comics on his wall, and that has given me an excuse to go to thrift stores again.

unfortunately i have mostly found frames for me, and the projects i have been working on have kind of a long tail of when they will actually be on my walls. i picked up four 16x20 frames for $2.50 each (solid wood! remarkably detailed!) bc i eventually want to put up these fallout maps in the style of national parks maps up on the map wall in my office. i suppose this means i should join @ruffledringdove and actually play '76, bc that's the one modern game i haven't played. these are getting scuff sanded with 120 and painted with a eggshell paint sample in a bright white u all know the drill at this point. ive painted a lot of frames in the past few weeks.

left is one of the painted 16x20 map frames, right i have also finally sanded and painted both 12x16 deckle-edged wood frames i picked up off the side of the road in MA. and found glass + backs for them! eventually i will procure fancy mats and print + frame my grandmothers' portraits. they will eventually go on the living room wall, which is a neutrals and blue-greens wall of slightly disdainful women. this will help me swap the three maps in there to the office map wall.

i have also acquired this gigantic plaster-over-wood mirror for $15. i am using leftover rub n buff bc i don't have a great spot to spraypaint here without sheeting my entire front porch, and rub n buff is way less susceptible to 80% humidity than spray paint. also i would have to buy spray paint. i am looking up suspiciously bc i thought there was a bug. not sure what mackie was looking at.

#tuesday again #tuesday again no problem

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waywardmillennial · 1 day

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watchergate & where we go from here...

To start at the end, I purchased my annual Watcher TV subscription on April 20th because I wanted to support them when it felt like so many others were not. I'm cancelling another subscription to make this work with my budget, and I'm very happy with this!

Watcher has always made high quality, entertaining content that I love, and I'm happy to support them as they try to grow like they've always wanted to so they can bring on more creators and give us more diverse art.

So, moving forward, I'm going to be posting about Watcher TV when it comes out - spoiler parties with the sexy moots! - and I'll be blocking any and all haters I see. 💜💜💜

(read more bc ofc this got long)

To walk this back and give a little history/context, *ahem* [sotto Byron voice]

April 12, 2024: Watcher announced they had a surprise coming for us in a week's time. The news came in the form of a very spirited ad-read in the Mystery Files s2 finale. And afterwards there were a few blogs posting about it, but I commented to a friend that my dash had been devoid of Watcher posts (oh, how that sweet summer child would grow to long for a day such as that).

There were some corkboard theories, and I broke down the new logo design, but nothing big happened until the following Thursday.

April 18, 2024: I saw the leak for the announcement. It was on reddit and a sock tumblr blog was made sending the link out to people. I didn't post it or share it because it wasn't my news to share. I wanted to wait to see how they were going to explain it.

Maybe I should have said at the time (but it's fine if you don't believe me now I guess) but I was hoping Watcher TV would become like their enhanced Patreon replacement, where the new shows like "Puppet History Karaoke" and "Road Files" would be exclusive, and some other perks like early access. [note: if Apollo is laughing at him right now, I'd kindly request he stuff that red ball somewhere Helios doesn't shine]

I imagined some people would be mad at the streaming news but it didn't prepare me for how bad it would get...

April 19, 2024: Most of us know what happened. The announcement was not well received. Watcher's silence right after wasn't helping, but I don't think many people were willing to give them any grace for their pre-planned trip to the UK and instead demanded answers immediately.

Do I think maybe their announcement could have been timed better? Or maybe given a different tone? Perhaps. But either way what they were trying to communicate was not what people chose to hear, and the response from many viewers was, to choose a very formal phrase here, absolute bonker banana balls insane.

The main anti-streamer "arguments" I saw basically boiled down into these categories:

"high production tv quality content is what they want to make, but we don't want that - we only want them to sit in a blank room and talk to each other with blue and yellow text like the bfu days!!"

"Steven's the one behind all this bc he's rich and greedy and only eats gold"

"they already make enough money off their patreon why are they doing this?? they should have consulted [insert other yt-er here]"

"they've become the capitalist elite that we swore to destroy! so we have to tear them down from their thrones!!"

Even now, feeling better than I have in days, I don't have the energy to say why each of those takes completely misses the point of who they are as a company, as creators, and as human beings. But there are some eloquent posts in my #watchergate tag, or my other post, if you're interested.

April 22, 2024: We got the Watcher update - giving people access to all videos after a month on the new streamer - and that seemed to placate a lot of viewers and those on the fence. But it was also the day I learned about that horrible petition against Steven, and I'd been following all this drama for several days (foregoing some self-care) and so I had a little meltdown...

Even though the new setup is closer to what I'd hoped for like 10 days ago, I hate how we arrived at it. It's shown people that they can bully creators to get them to compromise on their company. In fact, I've seen accounts celebrating this.

Opinions like this have given me trust issues when it comes to the Watcher fandom at large now. As many of my beloved mutuals have said, I'm going to be wary of accounts that follow me and be applying that blocking feature liberally.

I can also only imagine how things like this must have broken some of the trust that the Watcher crew feels for us - fightingfuries really said it best. If they do start distancing themselves on socials and things, I wouldn't really blame them.

I don't have more to say, other than I'm going to support them as much as I can, for as long as they continue to make content. I'm going to send the team a care package. And I hope in time we'll earn back their trust.

Now I'll let Ryan Bergara play me out...

As for the question of why we decided to launch our own platform, when we started Watcher in 2020, we wanted to create shows that we were proud of, that we had ownership over, and that would provide you the caliber of content that we felt you deserved. However, we were finding it harder and harder to stay relevant to advertisers and the constantly changing YouTube landscape. We faced some incredibly challenging decisions. We didn't want to compromise our content to ensure they met advertising requirements. And we definitely did not want to lay people off that have brought Watcher to life behind the scenes. And we didn't want to bring Watcher to a close, which would have happened if we stayed solely on YouTube. - An Update, April 22, 2024

#watchergate #I needed to wrap up some feelings #but closing the tag now #onto posting about happier things!#and I have a little idea/project I want to work on next for any of you who are watcher tv members #vi rants #we now return to my normally scheduled queue

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aristotlecoyote · 3 days

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i'm sorry you aren't able to pay for watcher's new service. it was a tough decision for me too - i'm unemployed right now and had to look at my savings and decide to skip on buying a few things - but in the end i chose to support them. there are fans sharing accounts and gifting subs. some people in the fandom want to help with solutions but you can't hear them over everyone blaming watcher for suddenly being in the 1% somehow?? (they're not) this is still in beta mode so we all need to take a breath and see what they announce after seeing the feedback. but watcher didn't ruin the economy and make it so hard for people to get welfare and help - you need to contact some government officials for that - not shane's wife

You are fundimentally missing the point. And why are you feeding a problem when they have clearly show they dont respect their fans with their silence, and their employees and spouses snide comments.

The watcher hate train that you think is clouding my thoughts simply isnt. I look at other fans to see if i my perception is more then just automatic frustration. And its not. I think alot. I get heated when i feel theres injustice. But i think through every single thing in this situation for flaws in my own logic because i know people like you will say i am blowing out of proportion. dont patronize me with those arguements.

Yeah governement stuff isnt their fault but they know where the world is. Or atleast they should and they are choosing to bleeding their fans dry. I never said they were the 1% but they are rich. Being rich doesnt automatically put you in the 1 percent but it does give you a leg up to being safe.

I took a breath. I took a whole breath today and lived my life on an extremely small trip on a train. To get free samples from an event with a discounted ticket. I bought a single nice thing that i wanted and for the first time in three days i didnt think about this shit show.

I wanted to support them but seeing as they dont care that they are making

1. A bad decision that everyone except people like you can see

2. Using a base platform that is notoriously unfriendly to creators

3. Didnt respect their fans enough to do market research and give us a finished product or a timeline for things moving forward

4. Act like they are drowning while they are on a yacht. And show that yacht to the people they kicked out of a lifeboat. Then blame us for needing to get a slightly smaller yacht. (This is an analogy)

Its not the same.

3 shows i like is not worth. 6 dollars.

I dont want Sara rubin's fucking help. I am saying she is showing the reality. That these people dont care. Its a common fact of todays world that very few youtubers actually care. That you giving them 6 dollars for a thing that has never worked in the long term unless years of effort and research is put into it. And you are on unemployment? I dont know.

You are the ones that dont see the reality.

But like i said in my post. I respect that humans can do whatever they want. I just think you should think and ask questions and when you dont get clear answers. Wonder why.

All of this mess is something you need to watch before you jump.

I simply chose to step away from the cliff because i saw sharks in the water.

EDIT: some parts in this feel unfinished. I am tired and working on very little sleep because of how my brain has chosen to process this situation. I wont update this post with corrections unless someone can give me a hard reason to.

#the vessel speaks #watcher #watcher entertainment #wearewatcher #feeding the beast that bit you wont stop it from biting you again

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netherworldpost · 1 day

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Fantasy Bank / Insurance / Etc. (blog post, free, always + booklet, few dollars, if you want it printed)

Netherworld Post operates in cycles -- "write" / "art" / "do business." The business kinda stretches into a continuous loop these days (hi we're open), and I'm having to recalibrate how I think about things.

Moving on to the point.

I'm about to enter a "write + business" cycle and and my business is SIGNIFICANTLY different these days than when I originally came up with it.

We are going to the polls!

This would be offered in two forms, if it launches:

Blog posts. Free. ALWAYS FREE. No pay wall, no log in, just a good ol' blog post series. "Here is how you can make a bank for your RPG. Here is how you can..."

Booklet, a few bucks. The blog post in printed / formatted form. This is in addition to, not replacing, the blog posts. It's for "I want to bring this to a table and not read a blog on my phone, I want to make notes on paper."

To be clear and explicit THIS IS NOT A REAL WORLD FINANCIAL PRODUCT.

IT IS NOT FINANCIAL ADVICE.

IT IS PURE FANTASY. NOT TO BE USED FOR ANYTHING OTHER THAN ENTERTAINMENT.

MY LAWYER IS EXPENSIVE.

Sorry.

I am inundated regularly with "hey you should launch a fantasy blockchain thing to take advantage of" and I just. Want to scream. Okay that's a rant for another time.

Lawyer if you are reading this I love working with you(r skills) and you're worth every penny (genuine).

This would be game-independent, not based on any specific game. Just a general toolkit to write about a bank (etc.) / use in your game.

There will be optional variants included -- "This is how you can do a crooked bank that robs everyone. This is how you can do a paladin-bank who is Very Lawful. This is how you could..."

I'm asking for a check on interest because this would be a very large project to tackle for each -- bank, insurance, etc. -- and while a lot of fun, I don't want to explore if it's too real for fantasy.

Let me know!

Thanks!

#worldbuilding #fantasy worldbuilding

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petruchio · 1 day

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You claim to like Taylor, but you’ve been absolutely brutal since TS11 dropped… like I don’t like the name either but I’m not gonna say half the album was unnecessary

yeah fair enough! i mean idk i feel like i tend to be pretty brutal in my takes in general, but like i obviously do love taylor and i have for years (i've literally written multiple essays defending debut on this blog) -- i think she consistently releases some great stuff, and to that end, i really do think there is some really good stuff on this album. (for example i think the black dog is one of her best breakup songs in a while, and i think the melody in but daddy i love him is absolutely spectacular.)

i think my beef with this album in particular is mainly that i feel like it's just the culmination of every marketing technique that worked on the last few albums (no lead single, releasing a bunch of vinyl variants, extra songs dropping after the midnight release, etc.) such that it's honestly soured my opinion on it as a work of ART -- because the album feels so conscious of itself as a PRODUCT. so when i say half the album is unnecessary it's not to say i think all the songs are bad, but that i think it's just exemplary of putting profit over artistic integrity and it just rubs me the wrong way. but that's just me! i mean i've seen plenty of people with alternate opinions on the number of songs, i think i just feel cynical about it because to me it's so blatant BECAUSE of the way the last several albums were marketed (you'll notice she hasn't released a lead single since fearless tv. and it's because it boosts first day streams... i'm not criticizing it as a tactic, like go off taylor, but it just annoys me on principle)

but idk. i mean i do think she's brilliant -- i think there's always some amazing stuff on the albums. my issue is that ever since lover, i've felt like the albums are just... a bit unfocused? (except FOLKLORE!!) so i feel frustrated with all her recent releases, because i just want them to be a little tighter, the imagery a little cleaner, the lyrics just a little more polished. like, it's all IN THERE! she really is that good!! it's just bogged down with the rest of... everything else.

#is that fair? like idk i dont actually think the album is that bad!! i just think its bloated #i think especially in music -- pop music -- the shorter and cleaner the work is the better it tends to be #but thats just my opinion. and who am i to say im just a random girl!#ttpd #answered #anonymous

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icyg4l · 2 hours

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PAC: How Can You Attract More Clientele?

hello beautiful people! i wanted to do something different today! this is for my business owners out there, this one is for you. if you need some extra reassurance/advice on how to gain more traction, this is for you. without further ado, please pick the image that resonates with you the most.

Top Left-to-Bottom Right: (1-4)

Pile One: I heard “something’s brewing” as I was shuffling for this pile. Pile One, do you know how lucky people are to have your talents in this world? Why don’t you take your talents where they belong? I feel like you aren’t really pushing yourself the way that you’re supposed to. You’re all talk but when it comes down to actually putting in the work, you get scary. There’s no point in planning for the future if you don’t live in it. So do what you have to do in order to be known! Another thing about you is that there’s some shame around your work. It’s like you’re embarrassed to show off your stuff so you’ll just hand it off to people that you know and when you get compliments, you won’t necessarily take them as one should. You need to celebrate your work forreal. Your work needs to be seen. You need to be around other creative people so that you can have personal muses in your life. You need to know that your talents will be recognized as long as you let them. All in all, in order to attract clientele, you need to be willing to put yourself out there.

Cards Used: Princess of Swords, The Hermit, Prince of Cups, Knight of Swords, 2 of Wands, 7 of Swords.

extras: shuffle. coffee brewer. sodastream. alliteration. mime. pasties. original invention.

Pile Two: Aggressive marketing is a tactic that you need to take on, Pile Two. This is a pile similar to Pile One in the sense that you are being too coy. I am seeing a fast-paced work environment. You deliver your products fast and you come up with ideas pretty fast. The thing is though, you do not really sell yourself. When I say this, I mean that you are too calm and humble with the way that you market yourself. People tend to overlook you because you’re not really showing off your product/brand. Invest in your brand and you will see better results. If you have a TikTok or Instagram, I’m not going to lie, talking fast or talking in a bubbly manner will help your clients flock to you. I am feeling a little chaotic right now as I type this. I feel like you need to unleash your chaotic side into this marketing. People would be more willing to buy the product if you show off your authentic energy.

Cards Used: Four of Swords, Temperance (RX), The Devil (RX), The Hermit, 9 of Wands, Ace of Swords, Prince of Cups, Eight of Wands

extras: panda express. takeoff. funeral. egg sandwich. sadistic. clueless. “you are the visuals baby.”

Pile Three: There is nothing wrong with getting shit done, Pile Three. I feel like this pile thinks that they do everything right, or do you? I think you need to stop caring about the validation of other people. Do you actually like what it is that you’re doing/selling? Is it fulfilling to present this product to other people? If so, then you need to just be patient. You are very impatient to the process of gaining sales. You need to let more time pass. Your business hasn’t taken off because you do not let shit marinate. If you let time pass by, you would actually gain more clientele. As you await for this moment though, take everything as a learning experience. If you do not feel fulfilled/personally rewarded, then it is time for a rebrand. You need to figure out how this product resonates with you. What is your personal connection with it? How can you connect to other people through this product? What lasting impact do you want to leave on people? I also see that you do need to get involved with people offline as well. Posting flyers up around your neighborhood would really benefit you, my love.

Cards Used: The Emperor, Strength, 4 of Swords, The Devil, The Hanged Man, Judgment, Prince of Wands, Queen of Discs

extras: orlando. drill rap. ohio. “earthy scents.” twisted tea. green giant.

Pile Four: I actually feel like this pile is super close to meeting their goal number of clients. You have been putting in the right amount of work and therefore, you have been getting rewarded. But you need to learn how to network. I feel like this pile just needs to be at the right place at the right time. If you find yourself getting invited to an event that needs your skills, you should check it out. It’ll be the key to your big break. I also think that you should consider trading with other creatives to gain more clientele. Consider promoting other creatives’ work so that more people can come to you. I think it really all comes down to the timing of it all. But your time is pretty soon. You’re already eating good but soon you’ll be eating real good. There’s not really much you have to do but just show yourself off.

Cards Used: Wheel of Fortune. The Magician. Queen of Discs. King of Wands. 7 of Discs. King of Discs. The Emperor.

extras: dill pickle. onion rings. pastel colors. breakfast foods. sizing issues.

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