Leo getting hit with a truth curse but instead of forcing him to admit to super sad or worrying things it’s things like “it was me who broke the remote” “I saw Mikey prank Donnie and helped hide it because it’s way funnier if he didn’t know who it was” “I rip my clothes to look more like Raph’s because he’s really cool” “my stripes aren’t even red they’re pink!”
Luffy not knowing about Zoro promising Sanji to kill him if he ever ends up losing himself makes me go feral because that's something they can only know about. Because Zoro's respect for life and death goes beyond anything, and Sanji knows he understands. Sanji knows that if somebody has to kill him, it's him.
And I don't even think it's because Sanji assumes Zoro's opinion of him is hatred and it would hurt less for him to do this, but because Sanji knows only Zoro would be able to treat the promise as it is. Because he would put Sanji's wishes before any feelings he has for him. It's not that Zoro doesn't care, but I think he respects people's ideals and decisions to the extent of being able to kill Sanji if he so desires.
That being said, he'd do it if there's no other way to fix it. If it's either dying or living as an emotionless machine, which is the same as dying for Sanji, Zoro would fulfill his promise. And there is just... Something about Luffy not knowing. Their captain. The man they're devoted to the most as if he were their God. Luffy doesn't know. It's something only the captain's wings are aware of and the thought of these two keeping this from Luffy until the end is just insane. Not even trying to make it romantic here, but the bond and respect these two have for each other is crazy.
Maybe it's the poetry of it all, too. Somebody like Zoro, who has looked at Death in her face multiple times and said "no", ending Sanji's life, who wants to give in to death to not experience a fate worse than death for him.
the gorgug-porter conversation is interesting to me because like. yea for the overwhelming majority of the conversation porter’s being shitty & trying to fit gorgug into a box that gorgug just does not fit into by trying to make gorgug’s relationship with his rage more focused on the aggression aspect of it. but then there’s also this specific thing that brennan brought up again in the ap, which is that gorgug’s relationship with his rage is wholly “this is a tool i use to protect my friends.” which isn’t a bad thing! but that’s his Whole relationship with it, & gorgug seems to place next to no value on his rage in relationship to himself. which is problematic, because it’s first & foremost his rage.
being raised in a household with a sort of toxic positivity largely meant that, whether or not it was his parents’ intention, gorgug internalized the message that more traditionally “negative” emotions such as anger are the wrong response to something. part of the reason he prioritizes his artificing is probably because it’s “fixing” things. in comparison to being a barbarian, which gorgug associates with “breaking” things. good vs. bad behavior, in his eyes.
it’s a totally unacceptable bar to measure a 16 y/o by, but i do think part of porter’s reasoning for not letting gorgug multiclass is him recognizing that gorgug generally does not value anger as a valid emotional response to something, at the very least for himself. & that directly conflicts with what being a barbarian is, because whether you like it or not, that rage is what fuels you. but again, barring a kid from pursuing something they deeply care about in part (not entirely, porter has a lot of more bullshit reasons) because of their fundamental values & world outlook is crazy.
so yes, 98% of porter’s reasoning is pretty shitty, immature, rife with a toxic view that there’s only one proper way to access rage, & generally not a good thing to do as a teacher, but also within that reasoning is the 2% of ‘there is a fundamental part of yourself that you only value if you can use it to take care of other people & you need to accept that as something that can take care of you, too.’ but that’s something to discuss with a therapist or a guidance counselor, not something that should hugely impact gorgug’s academic future.
"I decided it's my break day today,
Oh coincidentally, I'm gonna sit here, and watch you work."
also it's too cute how Nemo just came run at me whenever i sat on a bench
OMG Oliver, why did you lie? why did you tell me that your parents were addicts and dealers? that you didn't have siblings? why would you say that your father died? you came to my door crying and telling me a story about how your dad died in an awful way. Why?
I feel like Keith and Lance are both ND but in different ways. Keith is the kind of guy who would really like physical contact and words of affirmation as love languages. He's pretty good at telling Lance how he feels about him later in the series. He'd probably appreciate the lack of ambiguity and take things at face value/put trust in I love yous.
Meanwhile Lance grew up in a big family so they might not have had as much money. Receiving gifts was a really big deal for him growing up. I can imagine Keith giving Lance a cool blue shell he found at an alien market and being all confused, thinking Lance doesn't like it when he goes still. Like he wants to take it back and is disappointed that Lance doesn't like it. But he does, he's just a bit overwhelmed by the gesture. Trying to show why he thought getting some silly shell was a good idea, Keith meekly tells him to look at this pretty part of it, turning it over in Lance's hands, pointing out an opalescent part that's all different kinds of blues. Says it reminds him of Lance's eyes.
Lance says something like "How would you know what colour my eyes are" because eye contact is not Keith's forte, but there's no bite behind it, and Keith doesn't get the joke anyway, just looks nervous. Keith just says they're pretty, as if he couldn't not have noticed. Lance puts it down on his side table gently. Keith says "You don't like it?" Lance gives him a super tender kiss. They kiss for a while holding each other, and Keith hugs him, sighing with contentment into lance's shoulder. Says "Holding you feels like home" then Lance dies on the spot
i think i’ve learned a lot when it comes to not applying my own values to the media i consume
for my script analysis class yesterday, we discussed two gentleman from verona, and nearly every classmate of mine was up in arms about how sexist the story is.
and i'm not saying it's not, or that it's not infuriating to read. but i'm also not putting my energy into getting upset about something written 500 or so years ago. and i'm not about to put my own beliefs onto these characters that are not me. i'm going to let their choices speak for themselves, and interpret it in the context of the story.
all that said, this now brings me to the point of alastor in episode 5, and how viscerally people are responding to it. those of you up in arms about the choices he’s making, and the violent threat he gave husk, you’re missing the entire point of his character, of this place they’re in, of the story being told. he’s an overlord, and he became an overlord by killing much bigger overlords and broadcasting their deaths over the radio.
HE IS NOT A GOOD PERSON.
if you started this show with the belief that every character working the hotel is a good person, you’re in the wrong place. watch the good place if you’re looking for a good wholesome story about getting dead sinners into heaven, because that’s not what this show is about.
you’re more than welcome to hate him after seeing the way he exerted power over a being whose soul he owns, but you’re doing the media you’re watching a disservice by writing it off so quickly. if you don’t like to be uncomfortable watching media, watch something else. this is an uncomfortable show, it handles uncomfortable topics, and it’s going to be an uncomfortable ride, and if you’re not up for something like that, then you should take a break from it and pick up something else. you don’t have to get online and defend your own ideals while you watch a show that goes against your ideals.
PJO: we need to recognize the value of the minor gods. The Olympians are important, sure, but the minor gods do a lot of work in maintaining and assisting the pantheon, have their own kids and deserve to be seen and valued just as much
HoO: Back at it again with Olympian-only nonsense!
The first time through, when everyone was saying “wow, that Jonathan sure can ignore red flags!” I also interpreted that to mean he wasn’t noticing the red flags and was comically unaware of his genre, and that’s how I understood the beginning. But rereading it and lines like “If this book should ever reach Mina before I do, let it bring my good-bye” (from day 2) makes me realize he was never not noticing them, he was, as we said, just ignoring them and rationalizing it away. He noticed but what could he do about it? So perhaps it was more comforting (for a while) to let it slide instead of facing that something was wrong. Even though things were off. Just something I noticed about how my understanding has changed
thinking about the 'I would never court Penelope Featherington' scene again and how angry our fandom has been at Colin for it for the last two years and wondering. . .what exactly was he meant to say?
Lord Fife and his friends are *slimy*. They are gross. They have 0 respect for women. Fife isn't *Colin's* friend. Fife is *Anthony's* friend. Fife runs in Anthony's circles. Misogynistic circles with misogynistic language. Fife and Co. are out here saying the debutantes are only good for being 'wed, bed, and bred'. Fife is the one out here, well into his 30s and with an established title, fucking an 18 year woman raw on her first year out in the marriage mart with 0 intention to marry her. That is 10000% an act of violence in this society. And you *know* he's bragging about it. Hell, he was probably bragging about it right before he asked Colin about Penelope.
Colin's not in those circles. Colin has female friends. Colin respects his mother. Colin cares for his sisters. The worst thing Colin has EVER said about a woman was to call her 'cruel'.
So. . .what is Colin meant to say? "No, we're just friends" isn't going to fly for people like Fife. As IF he wouldn't reply with 'Yeah, suuuuuure, wink wink nudge nudge'. Thus ruining Penelope and fucking over her future completely. A lesser man than Colin would have let them think what they wanted, and that would have still ruined Penelope in their eyes. Silence? Incriminating.
And he doesn't want FIFE of all people to know about his close friendship with Penelope. Fife who has never once been seen respecting a woman. Fife who has never once viewed a woman as a person and not a sexual conquest. Penelope is a safe place for Colin. Is precious to him. He KNOWS that conversation could have destroyed her reputation.
People talk about how he 'ruined her prospects', but in actuality, Colin responding the way he did. . .likely SAVED her prospects. There was NOTHING he could have said except for a vehement refusal, completely shutting down the conversation, that would have spared her from their judgement and cruelty. Sure, they laughed, and maybe it was at Pen. Maybe it was at Colin. (frankly, how good of a twist would it be if they WERE laughing at Colin? Colin the 'green' boy back from his travels after being oh so gullible and getting lied to by his ex fiance? Anthony made fun of Colin for being a virgin, we think these men, all 10+ years older than him, wouldn't do the same?) But at least they didn't go 'yeah, I guess she's a ruined woman' about it, because that *would* have destroyed her reputation
We talk about how Colin could have worded it differently, but honestly?
I think he said the exact right thing in those circumstances
i am begging people who keep pushing the wriothesley is a father figure to the melusines/sigewinne agenda to read his lore. begging. he's not a father figure, in fact, he's like their borrowed grandkid. the melusines adopted him, not the other way around!!!
pondering on a meta diving into Gale's abstract brand of selflessness (willingness to go away to a corner of the world to die so that none of the faceless masses will be harmed by his mistake) vs his personal selfishness (willingness to stick by tav despite being repulsed by tiefling camp murder + general vocal approval or interest in accumulating more power) and Gale's status as someone who is good aligned but generally ineffectual at enforcing actual good (the way that wyll or karlach will actually leave the party) which is fascinating for a fairly good-aligned person. just love when the Good Guy is actually kind of fucking weird. edit: tumblr cut off my tags Okay. and how all of this ties back in an interesting way to his relationship and power imbalance with mystra. he was wronged, deeply, but he also desires still that ... status / closeness to divinity in some way, by her influence. Gale thinks that he would be a better god simply by virtue of his mortality but he cannot escape the appeal of holding himself apart from others and being more than, greater than, something closer to godliness and thus inherently removed from mortal values and standards of right and wrong, which the gods themselves don't adhere to in the same way.
eiffel's problem is that he sees every injustice as an interpersonal issue. he doesn't understand how his flippancy or apparent leniency towards hilbert might look to hera; in his mind, it doesn't contradict his support for her. to eiffel, it seems obvious - he is also one of hilbert's victims, hera is his friend, of course he's completely on her side - but he fails to fully grasp how the stakes are different for her.
ep 19: "you need to stop treating this like a joke, officer eiffel." / "hey, i'm the person for whom the joke tolls." / "i get you're scared he put something inside you. but i hope you haven't forgotten emergency code alpha victor. he put that in me." and ep 51: "they're just jokes! they don't really mean anything." / "see, eiffel, you get to have that. they can be 'just jokes' for you because you're... well, you. but we don't get that."
the issue in shut up and listen is eiffel's repeated, if unintentional, microaggressions, but it's also his general use of dark humor as a coping mechanism - jokes he feels justified in making because of how the subjects of those jokes have impacted him. eiffel sincerely believes in treating people equally, but his idea of 'equal treatment' can be idealistic and naive. he has an awareness of interpersonal harm, but he's lived most of his life without ever being confronted with the reality of structural harm - being pre-judged and othered and having his life devalued on the basis of outside categorization.
but the thing about that is that it has happened to him, too. eiffel is an addict, and a convict, and marked as from a lower socioeconomic class than minkowski or lovelace, and those things are the reasons goddard futuristics was able to buy him as prison labor and - without his consent - consider him expendable for medical experimentation. none of that is a coincidence, but he doesn't see the systems at work, only his own actions and regrets. which he then equivocates to the worst actions of people who don't share his sense of morality or guilt.
eiffel's ability to recognize and bring out the humanity in the people around him is one of his best qualities, but... on the basis of his identity, he's been able to live a life where he conceptualizes himself as the default person, and that's been reinforced by the pop culture he loves so much. that's a massive blind spot. he assumes everyone navigates the world in a similar way, and so, on some level, he sees everyone around him as an extension of or a reflection of himself. if evil is always personal, then it can always be reasoned with.
little rich boy sirius who gets disowned and can barely survive without his expensive brands and the basic human need to eat at least once a day meeting the entirely too generous james potter who just falls for the vanity and sincerity of the reformed rich boy and decides that once sirius stops caring about brands and status and rich boy things and just cares about what matters in life he decides to spoil his boyfriend to pieces because he’s secretly sitting on a fucking fortune
is it me misremembering cinderpelt as being more important than she actually was in arc 1, or is it the rest of the fandom misremembering and forgetting she exists, because having not read the arc in a while i genuinely can't tell at this point but it still seems so strange to me how excluded she seems from tpb fan content lmfao