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#I should think of a personal tag to use
dominosecho · 1 year
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they’re filler episodes TO YOU. to me they’re little windows through which i watch my favorite characters make the stupidest decisions imaginable
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starrysharks · 7 months
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hotel manager
#zeno's art#i'm not sure if i should tag the show itself as i'm not a fan but i guess its “fan”art so i will#hazbin hotel#charlie hazbin hotel#vivziepop#i was bored and wanted to draw something#my main goal here was to create a design that looked distinct and could (potentially) be moderately easy to animate#of course based on charlie's character i added as many angel images as possible through the hair and bowtie#(i know white on white is a character design sin but i wanted to show the angel wing detail ;w;)#also to express the personality and juxtaposition of a sweet devil her horns are supposed to curve into a heart shape#of course the garterbelts are upside-down/st peters crosses because of her satanic themes#i also tried to go harder into the goat theme but its still subtle i think#i actually think the goat theme is really interesting because of the story of the sheep and the goats in the bible#but i cant remember if it was actually something intended in her original design#i'm not going to draw anyone else so dont even anticipate that#this was basically a cooldown? ok i think i'm rambling now#goodbye#ok edit to say it clearly: i am not a fan of vivziepop or her work. i just wanted to redesign charlie as a cooldown/exercise for fun#because i used to be a fan of the character before i wised up about what vivzie had and has done#and before i matured and noticed the cracks and fundamental flaws in her works#so yea i dont support her at all and this redesign is critical i guess#also the reason why the tag “vivziepop” is there in the first place is so that anyone who has that tag silenced can scroll past#without seeing anything related to her work. in case that clears anything up#its the same reason why i tag “long post” and “food” and the like
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poorly-drawn-mdzs · 9 months
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Peeped the horrors
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lunarharp · 4 months
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more phoenix wright situations
#ace attorney tag#maybe i should tag this narumitsu or something. but i dont really care.#gearing up to rereading/illustrating bits of my fic i suppose...i think nick really is too dense to realise he's in love with edgeworth#without some scheming fop trying to intrude. i love villains like kristoph..villains can be fun..witnessing their pathetic folly..#or more like edgeworth would never have mentioned his feelings ever in his life if he wasn't sure phoenix reciprocates.#i want to see it this way because Falling in love during childhood with the person you're going to end up with. is not relatable#there have to be Situations that make you Realise.#as with orufrey i adore the idea of people not working out their romance with that person until their 30s+#but... i mean. even with orufrey i often think how alaira could be qifrey's ex. and oru having been pursued by noble fops through his work#there is that delicate sliver of time before orufrey start living together that such believable situations could have happened.#Then the relief of politely and amicably extricating themselves from those untenable situations#the idea of falling in love age 7 and saving your first kiss for age 35 or something is all very well but more relatable is#people realising how they really feel whilst trying something that ends up feeling wrong.#The comfort and joy of living with your dearest one as if it's platonic - much preferable to trying anything more with anyone else.#But i doubt i will ever portray that or mention it further. it is indeed very delicate to me.#and i really am an OTP FOR LIFE!!!!!!!!!!!!!! kind of person who can barely bear to consider this anyway...NOT a polyshipper i'm afraid !#so i wouldn't mind either if they do have their first kiss in their lives age 35 with each other either. I would not mind that at all.#i love bi/gay couples apparently... bi father figures & their grumpy gay men waiting for them to work it all out...#not used to using colour in comic-style drawings..or at all..so this is messy and awkward looking..but colour is refreshing#i imagine i will go back to witch hat art soon btw. my destiny in life.#i still remember writing my nrmt fic expecting to write their first kiss & then partway through twas like Umm No. They have kissed prior.#does that really line up with this comic though... i think i had their early dinner dates/first kiss BEFORE disbarment.#so i guess this comic doesn't line up with my ficverse.... No..... U___U Oh well. sorry kris! <3
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exercise-of-trust · 3 months
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seemingly cool fiber arts person i followed a little bit ago just put radfem shit on the dash, anyway the blanket statement that the only contributions of men to textile production are capitalist/exploitative and the only contributions of women are household-centric/victimized is patently untrue. while less of a documented presence, women in medieval europe [1] absolutely participated in weaver's guilds and commercial cloth production [2], and men have been participating in household knitting in all parts of europe for as long as knitting has been a thing there [3]. like i'm not trying to say women haven't been deeply excluded from economic opportunities in the textile trade for centuries but you cannot be making sweeping statements like that about everyone in every part of the world through all of history and expect them to be true. do, like, a basic level of research and have a basic understanding of nuance, i beg of you [4]
footnotes/sources/etc under the cut, sources are a bit basic because i just grabbed whatever was nearest to hand but they should suffice to prove my point:
[1] i'm only referring to western europe here because that's the only region i feel comfortable talking about in any detail without embarrassing myself. systems of medieval cloth production in european guilds are not gonna look anything like the systems of hundreds of servants employed to do textile production for a household in china. don't make categorical statements about everyone everywhere all at once, you will end up with egg on your face.
[2] quotes from "when did weaving become a male profession," ingvild øye, danish journal of archaeology, p.45 in particular.
england: "in norwich, a certain elizabeth baret was enrolled as freeman of the city in 1445/6 because she was a worsted weaver, and in 1511, a riot occurred when the weavers here complained that women were taking over their work" + "another ordinance from bristol [in 1461] forbade master weavers to engage wives, daughters, and maids who wove on their own looms as weavers but made an exception for wives already active before this act" germany: "in bremen, several professional male weavers are recorded in the early fourteenth century, but evidently alongside female weavers, who are documented even later, in 1440" -> the whole "even later" thing is because the original article is disputing the idea that men as weavers/clothiers in medieval europe entirely replaced women over time. also: "in 1432-36, a female weaver, mette weuersk, is referred to as a member of the gertrud's guild in flensburg, presently germany" scandanavia: "the guild of weavers that was established in copenhagen in 1500 also accepted female weavers as independent members and the rules were recorded in the guild's statutes"
[3] quotes from folk socks: the history and techniques of handknitted footwear by nancy bush, interweave press, 2011, don't roast me it was literally within arm's reach and i didn't feel like looking up more stuff
uk/yorkshire dales: "...handknitting had been a daily employment for three centuries [leading up to 1900]. practiced by women, children, and men, the craft added much to the economy of the dales people." (p.21) uk/wales: re the knitting night (noson weu/noswaith weu) as a social custom practiced in the 18th/19th c.: "all the ladies would work on their knitting; some of the men would knit garters" (p.22) uk/channel islands: "by the early seventeenth century, so many of the islands' men, women, and children had taken up the trade of knitting that laws were necessary to keep them from knitting during harvest" (p.24) -> this one is deeply funny to me, in addition to proving my point uk/aberdeen: "the knitters, known as shankers, were usually women, but sometimes included old men and boys" (p.26) denmark: "with iron and brass needles, they made stockings called stunthoser, stomper, or stockings without feet, as well as stockings with feet. the men knit the legs and the women and girls made the heels" (p.32) iceland & faroe islands: "people of all ages and both sexes knit at home not only for their own use but for exportation of their goods as well" (p.35)
[4] actually? no. i'm not begging for shit from radfems. fuck all'a'y'all.
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unforth · 3 months
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We are one Iowa caucus into the absolute shitshow that is going to be the US 2024 elections, and I'm already sick of seeing takes downplaying the risk that Trump and his fascist followers represent.
Look. Around 1900, my mother's grandparents immigrated to the Lower East Side of New York City. They brought with them children born in Europe (Poland? Ukraine? which country they were in depends on what year we're talking about) - we're not 100% sure they were THEIR children, even, but there were three, and they were young, and they came. But my great-grandparents had siblings, parents, cousins, uncles, aunts, huge families. And while my understanding is that an attempt was made to convince those folks to move to the US, none of them ultimately opted to.
They all kept in touch as they were able, exchanging letters and pictures, but through World War 1, through the 20s, through the Great Depression, through the worsening situation in Europe in the 1930s, my entire extended family who chose not to immigrate...continued to stay.
I think we all know how this story ends.
I have an entire family photo album of people whose names I will never know, because after every single one of them died in the Holocaust, my great-grandparents and grandparents couldn't bear to even label them. And they were PEOPLE, poor, vibrant, eager to maintain connections with their loved ones abroad. One was a Klezmer musician, and we have photos of him with all the different instruments he played. They're so real on the page, and they all ended in ashes.
And you know how that started? Fascism started with every inch allowed, with every well-intentioned moderate who tried to maintain a middle position even as the whole ground shifted right beneath their feet and even "middle" became extreme, every "no that change isn't coming fast enough, I want instant full improvement NOW" liberal who felt that doing nothing was better than accepting a slower improvement in the (truly awful!) post-World War 1 living situation in Germany.
Most of the members of my extended family also downplayed the risks. They never imagined that the worst could happen to them. They never fathomed how bad things could become.
And now I have their example always before me to know and to scream:
I KNOW HOW BAD THINGS CAN BECOME. I KNOW WHAT HAPPENED TO MY FAMILY THEN.
I WILL NOT LET THAT HAPPEN TO MY FAMILY NOW.
People look at me like I'm crazy when I say I've got our passports ready (and have had since before the 2020 election).
Look. I don't know what will happen if Trump is elected, but there's a very real possibility he will, and he's been extremely clear about saying what he'll do. He did a lot of the things he said he'd do last time. I expect he'll continue to do the things he says he'll do. And the things he say he'll do will lead to the deaths of more people than we can imagine - in the US, in Palestine, throughout the world.
Don't tell me there's a middle ground here. Don't tell me I'm over-reacting. Don't tell me the worst won't happen. Don't tell me the risk is mild. Don't tell me we're safe.
We. Are. Not. Safe.
The lives of dozens, hundreds, of members of family were lost in the 1940s amid the horrifying statistic "6,000,000 dead Jews."
I will not let my life (as a Jew), my wife's life (as a disabled woman), my son's life (as a biracial boy), my daughter's life (as a biracial trans girl), be part of the statistics that come from our a second Trump presidency.
If you won't vote like YOUR life depends on it, vote like someone ELSE'S life depends on it, because IT DOES.
And if you can't even do that much, at least shut the fuck up and stop spreading your poison around. You're wrong. The danger is real. Downplaying it now won't make your conscience feel any clearer when it actually happens, and comforting everyone else downplaying it will just make you that much more complicit.
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loud-whistling-yes · 1 month
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so as literally everyone following me in the past 24 hours knows, im fucking obsessed with her. take her shes everything i have
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milfygerard · 2 months
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but fr outside of my contracted madness i absolutely refuse to give joe alwyn gold rush like how is that song at all related to their relationship the lyrics clearly spell out a relationship that either never existed or only existed in implication and fantasies and maybe-maybe nots and its so bitter and yet desperately soft in the bridge where it almost projects a sense of envy, of wanting to be them as much as you want them. It continues an interesting oft ignored lyrical trend of taylor wanting just as much to be her lover as to have them, envying their easy charisma (you were flush with the currency of cool/i was always turning out my pockets) or quiet dignity (your integrity makes me seem small) dating back to her earliest songs (the kind of flawless i wish i could be). Theres a projected self hatred and yearning to be better that twists itself into both romantic and sexual lust for her partners thats so fascinating and speaks to how all of her songs regardless of who theyre about are also an act of self reflection on who she is and who she wishes to be.
#barry.txt#taylor swift#putting this in the tags as a form of self protection but make no mistake this is a gay thing to do especially in gold rush#which through simple context clues is Obviously About A Woman or maybe even women in general#whivh is a totally seperate post on how taylor constructs and uses gender identity in her music#her girlhood and femininity are earnest but also so carefully constructed and so high effort and kind of desperate#shes a deeply self concious and obsessive person who never looks comfortable in anything ever unless shes#onstage or like. by herself in loose jeans and a tshirt#i think thats one of the things that subconsciously irritate ppl when it comes to her shes constantly and clearly putting in effort#to appear As The Celebrity Taylor Swift and struggles not to self censor or overperform in interviews (when she gives them)#especially present in pre 1989 interviews where the interviewers really didnt have to respect her or worry abt how they frame her#if they didnt want to. Like the fearless era rolling stone interview where she almost has a meltdown over her mom buying eggnog instead of#milk. That whole interview is strange looking back not just bc of the weird misogyny but also because of what it does share#taylor is....weird. She has a strange and desperate vibe and always reacts slightly too much and uses slang poorly#shes media trained and has learned how to socialize but you can feel her discomfort whenever she doesnt have a guitar in her hand#idk these tags have once again gotten so unweildy. i just find it interesting that she finally feels some level of comfortable#in sharing that construction w us in songs like mirrorball and mastermind and imo gold rush#and scene#should i write this up and put it in the swiftieism zine#i should write something and put it in the swiftieism zine
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uncanny-tranny · 9 months
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The most infuriating form of sanism is this idea that mentally ill people/people with mental disorders are just too stupid or too unenlightened to know how to be a proper, well-adjusted person
So many therapists have ignored signs of my unwellness simply because they assumed I was just... being stupid, and I just needed educating about why I'm acting disordered (apparently, mental disorders stop disordering you once you are condescendingly told why you're just disordered and dumb, who knew (sarcasm)).
Like, I could tell them that I knew my behaviour wasn't "rational," wasn't "reasonable" to do or believe and I'd still be treated like I was so dumb I needed hand-holding and scolding about why I'm acting disordered.
I truly wish that people would be able to take the idea of guidance and stop twisting it into "I am superior and enlightened and the people I am trying to help are stupid and wrong and beneath me!"
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siracethegreat · 21 days
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noooo tango don't be sad hug your emotional support large guy !!!!
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lucalicatteart · 2 months
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A new sculpture! Finally... I feel like I never sculpt anymore since I'm always sick or have some 500 other things going on or projects to finish, but I'm trying to schedule time to do it more often this year hopefully..! Just a generic fantasy creature as usual, but did try making the eyes a little more sparkly this time.. hrmm..
#sculpture#fantasy art#fantasy creature#art#elf#lol what are the tags I should use... I still never know.. EVIL social media.. hate the idea of tagging anything ever anyway. but alas..#I also would ideally like to start selling them again and open up custom commmissions and stuff again once I can hopefully get paypal#stuff sorted out. and find like.. a good way to do things.. etc.. I did still want to sell them through auction instead of agonizing#over setting prices being afraid they're either too high or too low. So being able to just be like. Here. this is $50. or more. or less.#negotiate. the worth is whatever you feel like it is so i personally dont have to make that decision. etc. lol... But etsy doesn't let you#do auctions or like pay what you want type stuff so.. then I was thinking ebay? but idk.. ANYWAY.. I want to set things#up so I can sell stuff again hopefully. I still haven't fully recovered from the costs of when I had to take my cat to the vet and put#them down last year and etc. So it'd be good to sell a few things. perhaps.. maychance... perhamble... so on and so forthe... ANYWAY#I was going for whiter more milky sort of hair that blends in closely with the skintone but after the paint dried it seems more yellowy kin#of. which is fine. But just not exacltly like my mind vision lol..#Also it's like... wow... someone with face spots and elf ears and a half open mouth with a gap tooth and wavy hair and kind of downturned#eyes... revolutionary... never been seen before... every sculpture I have ever made surely doesnt look licherally exactly like this... LOL#but maybe it's just a style. so what. People have their motifs lol.. Im just getting back into sculpting. I shall sameface in peace. huzzah#Just like the only thing I ever carve out of avocado pits anymore is eyes. Because that's just whats fun to do. I'm going to accumulate lik#25 similar avocado eyes and have nothing to do with them. I was thinking of stringing some together into a necklace of eyes or something li#like that but.. hrmm... ANYWAY.. Love to do the same things repetitively. :3c
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zadig-fate · 4 months
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Not trying to wade too deep into the ongoing Jance debate (I've already reblogged people who've made the same argument I would)
But for those who interpret Nace's line in the film as him being tired/annoyed with the shipping stuff, I will point out:
That moment was filmed pre-Stožice while they were setting up the stage.
They made that "there's an ongoing conspiracy theory and it's all true" video while backstage before the show... so probably a few days AFTER the exchange we saw in the film.
If they really were tired of the shipping at that point, I doubt they would have thrown fuel on the fire with that video. So, at least at that time, I think it's fair to assume they were more amused than annoyed by it.
How they feel about it NOW... that's a different question. But at least during that moment in the film, I really think they were joking.
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Tumblr is way chiller than Twitter for sure but sometimes I see a post and I'm like. Y'all DO remember this is a block game, right? You're not gonna get legitimately pissy and passive-aggressive over characters doing things in a block game, RIGHT???
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generic-sonic-fan · 1 year
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In case it wasn't apparent from my recent fic, I believe that a crucial element to writing Metal Sonic's obsession with Sonic is not hatred, but paranoia.
Sonic is capable of arriving at any point on the planet within a matter of hours, if not minutes. The only places of relative safety are Robotnik's bases, but even this is not guaranteed. Sonic can speed through conventional defenses, tear through walls, achieve verticality and attack from every angle, at any time.
And every time Sonic arrives, he attacks with every intent to completely destroy Metal Sonic.
. . . at least, according to the programming Eggman shoved into its head. Everything in Metal Sonic's processor, every scrap of personhood or sentience it clings to, is based on code written with a single purpose. The only way that Metal views the world is through the lens of this purpose. It analyzes locations based on defensive angles or potential resources during a combat situation. It sorts any person it meets into one of three categories: An Ally (aligned with Dr. Robotnik), A Civilian (irrelevant), or A Threat (aligned with Sonic). Its knowledge of objects is a complete toss-up depending on what info's been useful in the past to fighting Sonic- Metal only knows what a grocery store is because he punched Sonic through one once.
And Metal is always scanning, scanning, scanning the environment around it for any sign that Sonic might arrive. When your opponent is faster than the speed of sound, a half-second warning can mean the difference between continued operation or utter destruction.
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transmascutena · 4 months
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these lines hit different when you read utena as transmasc
#i mean the first one is really awful regardless.#pretty sure i read somewhere that the words akio uses means something along the lines of 'you really should remain a child'#as opposed to 'you really should remain the gender that you are.' which speaks to his whole thing about keeping these kids from growing up#and there's So Much in anthy's line even without hypothetical misgendering#anyway the au where utena has already transitioned by the time he gets to ohtori is really good#and i of course have lots of headcanons about post-ohtori utena and gender#but i've been thinking about one where he's actively questioning while he's there and is not out to anyone.#and i guess not a lot would really change but akio's attempt at making utena more feminine would have a whole other layer of awful to it#and unfortunately i think in this scenario the first person he would come out to would be akio. which is so sad#like maybe it could be anthy but idk. i think it would be something he'd be apprehensive to be open about with her#(in the show utena does tend to be more vulnerable with akio than with anthy. at least the vulnerability with him comes first.#he's her go-to person for advice in the black rose arc and utena doesn't really begin opening up to anthy like that until the third arc)#maybe i should write something for this au. i can see it so clearly.#utena talking about his confusing gender feelings in one of those black rose scenes in the planetarium#and akio doing that thing where he sounds supportive and helpful but absolutely isn't.#that fake sympathy that's actually really patronizing and condescending and dismissive but subtly enough that utena doesn't realize it#and THEN the contrast when utena finally talks to anthy about it and she empathises by talking about her own confusing gender feelings#(transfem anthy realness !!!!!)#oh wow i did not mean to write so much in the tags#revolutionary girl utena#utena tenjou#my posts
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m1d-45 · 1 year
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small miracles
summary: washed up on the sands of ritou, inazuma’s famous helper lends you a hand.
word count: ~2k
-> warnings: n/a, just standard imposter au things. you are on the run, technically. very minor gore i guess(like veeeery tiny)
-> lowercase intended!
< masterlist > || second part >>
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dirt collapses beneath your feet, your torn shoes skidding on the edge of the cliff north of liyue harbor. you can hear the waves lap at the rock thousands of feet below you, layered under the huffs of the people in front of you.
steel blades shine in the hot sun, the millelith wielding them just as fierce. you can see the hatred in their eyes, the need for your end, whether by the spears in their hand or the waters behind you. the only reason they haven’t struck is because of the woman behind the ring of them.
a dark oak pipe balances on the tip of ningguang’s finger, her eyes as sharp as their ruby hue. she lets it tip to one side, her head following the tilt, before she spins it back into her palm. every action is defined with grace, not so much as a hair out of place. every golden ornament shows off her prestige, her power, how without even lifting a finger she has you pinned in place against a cliff.
perhaps if you weren’t at risk of dying, you might feel different about it.
one of the millelith asks if they’re allowed to strike. the red tassel on her forehead swings as she shakes her head.
“no. this fake is not worth liyuen metal.” ningguang tucks the pipe away in a smooth motion, crossing one arm over her chest to rest the opposite elbow on it. a clawed finger swipes an invisible hair back into place on her bangs. “send them to the sea. their bones will serve as an excellent toothpick for osial.“
well, that was a horrific visual.
in an instant, the millelith spin their spears around, careful to keep the blades away from themselves and each other to jab to dull ends at you. behind them, ningguang barely looks fazed, examining a geo crystal in her hand. you know the nonchalance is manufactured, a subdued silence, but that doesn’t make it any better. she doesn’t care that she’s sending you to your death. she knows it, wants it, and what would the millelith be if they couldn’t remove one person from the tianquan’s presence?
your left foot is standing half on air. the part that is on ground is shaky, uncertain, dirt nowhere near as stable as stone.
you risk a look at ningguang.
ruby eyes are the last thing you see before you fall.
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you wake up on a beach, sandy and exhausted. invisible wounds bleed harder as sand gets into them as you sit up to look around. your clothes are hard with saltwater, and it’s a miracle you made it here alive. though teyvat has been kind, fruit and clean water always within reach, you didn’t think that you would live long enough to hit land.
you stand—nearly falling—and shake out as much sand as you can, looking around. across the sea is a small island, within swimming range, but youre not inclined to explore when your limbs still feel so heavy. to your right, the beach narrows off, overtaken by the cliff behind you, but it seems to open up more to the left.
you decide to stumble that way, passing a spike of driftwood, and stop just as quickly.
you can see green roofs of houses, spires and what is maybe a watchtower in the distance, the architecture familiar. red and orange trees are interspersed between them, and your hopes fall.
you’d hoped you were in the stone forest. you’d hoped that you’d have a chance, knowing the abundance of hilichurls on the small islands, but now you’re…
you start walking, hoping to find some clues to prove your hunch wrong.
you see an okay looking boat, but youre preoccupied by the path branching to the left. wooden boards seem to make a walkway, and you step over them on your way inside. theres a small tent, a lantern, a block of supplies and a cooking pot. in the tent is a bed fashioned of hay, but embers light up the wood beneath the pot.
it would be a cozy enough place to stay, but you can’t risk whoever owns it coming back.
you head back the way you came and continue towards the city. the sand slides beneath your ragged shoes, but theres flowers following the breeze in the grass near the cliff. purple and a soft blue, they distract you long enough that a guard walks to their post further down the beach.
oh.
oh no.
you recognize the uniform, and the logo of the tenryou commission embossed on the armor. if inazuma is the same as any other nation—likely worse, considering the way its run—you need to avoid those guards at any cost.
you look to the cliffside. its steep, too steep to climb when youre still soaked from the sea.
you sigh, and decide to find another way up.
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youre not quite sure how none of the guards saw you, but under the dwindling light of dusk, you manage to make to the southern(?) outskirts of what appears to be ritou.
…not that that means anything. you still don’t know how to get off the island, and trying to forcibly get deported will only result in an arrest. though there’s a food cart that most certainly can see you, the worker didn’t report you to the guards when they passed. you don’t remember her name, but know she sells some kind of food. maybe a fish dish? or was it egg? not that it matters, food is food, and if you’re lucky you’ll have enough mora for some.
you sit against a wall, checking your pockets. most of your stuff was either stolen or lost to sea, but your mora was still securely tied to your waist. after checking twice that you were out of people’s line of sight, you started to count, stacking the coins in piles of 10 on the grass in front of you. after a hundred, you moved them into one bigger pile.
you had more than you expected. though your pouch always seemed to weigh about the same, you didn’t think you could fit almost three thousand mora inside- or that you even had that. then again, chests typically had a few hundred, and you’d been pretty lucky in mondstat…
you set aside five hundred and hope it’s enough, but knowing teyvat’s economy… if salt was 60 mora, who knew how much you’d need?
whatever the case, you needed to eat. cradling the coins against you as you attach your pouch back at your waist, the go to move for the food stall.
your plans are dashed the second you stand.
a familiar face walked up the path towards the food stall, but quickly diverted towards you.
shit.
you step away, behind a tree, hoping against hope that he’d only seen somebody next to you instead of-
“hello there!”
you jump at how quickly thomas voice appeared at your side, taking another step back.
shit. that’s definitely him. weird horn headpiece, blonde hair, too-short jacket, dog tags and all.
you lick at your lips. they taste of salt. “hi?”
you hate how shattered your voice is. how quiet and rough it’s gotten.
“hey! i’m thoma.” he extends a hand, the small ribbon on the back of his glove rippling in the soft breeze. “it’s nice to meet you!”
you hesitate. it feels like you do a lot of that lately.
you remember him being affiliated with the kamisatos, which means he’s almost certainly heard of everything you’ve been accused of. but… there’s no way he would come up to you so casually if that was the case, right?
you want to trust him. you do. but there hasn’t been anybody else yet that you could.
carefully, you meet his hand with your own weak grip. the cloth on his gloves is leather, unsurprisingly, and though it is cold with the dusk chill, his fingers are warm. you have a feeling it’s from his vision, and your mind flickers to the last time you slept by a fire.
it’s been months.
“oh, you’re freezing! what are you doing outside?” his voice jumps a few octaves and his hand tightens around yours. “oh jeez, you’re going to catch a cold if you’re not careful. what are you doing without a coat in the middle of winter?“
is it winter? you don’t really remember the last time you knew the date for certain, but if that was true, then it was bad news. the clothes you wore you got from hilichurls and abyss mages, but the main enemies in inazuma were nobushi…
your worry must show on your face, because thoma’s frown deepens.
“now that i look at you… you’re not from inazuma, are you?”
you shake your head no.
“oh no… did you get caught up in the outlander affairs agency? they haven’t gotten any better after the decree, have they….”
“no, i-“ you cut yourself off with a coughing fit, tasting a bitter mixture of salt, blood, and bile climb up your throat. it’s disgusting, and alarmingly salty. you must have drank more ocean water than you meant to; it’s a wonder you didn’t choke on the trip over.
(how did you make it over? the distance from liyue to inazuma was too large for you to have simply floated, surely? but didn’t thoma himself float over?)
thoma’s other hand lands between your shoulder blades, patting lightly. “hey, it’s okay. it’s good you haven’t ran into the agency, but that cough doesn’t sound good at all…”
you adjust the tattered mask on your face, straightening and doing your best to look like you haven’t been on the run. “i’ll be fine.”
your chest tightens with the need to cough, but you set your jaw. you can’t afford to get involved with the yashiro commission. you’re certain the mora clutched in your grip is enough to buy you a decent meal and—alongside the rest of it—some kind of warm herbal tea.
gentle green eyes catch the money in your palm and widen. you can see the gears clicking inside his head, and he speaks before you can.
“is that all the mora you have?”
“i-��
“and you don’t even have a- ah, i can’t leave you out here like this. could you come with me to the teahouse? there’s a waypoint just inside ritou, and i’d feel a lot better if i could get you some tea and clean clothes. it won’t be the fanciest, but i know there’s some spare sets and anything would be better than risking an illness. inazuman winters aren’t kind, and the shogun hasn’t been in the best mood as of late.”
the pros and cons weigh in your head. you could go with somebody you know is kind, and get what is certainly good food and hot drinks with clean clothes to boot. or, you could risk walking into a trap with, arguably, one of the most influential people in the yashiro commission at least, if not all of inazuma. it’ll either be the best choice you’ll ever make, or one that’ll land you in front of tenshukaku in chains.
thoma picks up on your hesitation, taking his hand off your shoulder and giving you space, though he keeps your hands linked. “can i at least bring you some dinner, then, if you don’t want to come with me? or a blanket? or- or something?“
he’s awfully worried for somebody he just met. you’re not sure if his determination is evidence of his benevolent nature, or if he’s trying to make you trust him as he calls over some shogunate soldiers.
…you also can’t decide if it’s your desperation for connection with somebody you can rely on or your need for a better environment that makes you agree.
maybe his bright smile has something to do with it. or the comforting warmth in his hands as he leads you away? maybe it’s the way he holds you tightly against him after you ask to go to the teahouse and are nearly sick coming out of the teleporter.
or maybe, by chance, it’s the light in his eyes when you say ‘thank you’.
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