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pukicho · 1 year
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Elden ring or God of war for game of the year?
Oh boy, it's a close close call. I’m gonna rant. 
In some ways, Ragnorok is an infallible game, it’s so perfect that poking holes in it seems so nit-picky that you just come off looking like a little jackass creature. I loved every second I played of it and I can't think of a better written, better performed, more charismatic experience. I've seen morons complain that the game has too many cutscenes, as if they didn't know what type of game they were buying into. I would whine about the cutscenes more if they sucked or if the game lacked actual gameplay but it most certainly does not. This game is CHOCK FULL of things to see and do, and all the flavor-text and optional dialogue is insane, on top of that, the game feels amazing to play and the move-set is sexy. When everything is going crazy, there are few games as exciting as this one. At the end of the day I can't think of a more satisfying experience, with one of the most thematically satisfying endings ever in a game.
Elden Ring on the other hand has its problems. It has a difficulty-scaling issue, it's buggy on every platform, it most certainly looks worse than Ragnorok, it has less endearing characters, and what little dialogue it has is pretty mediocre. That being said, Elden Ring is my GOTY. This game is kinda like my dream-game made real, an open world souls-like made by Hidetaka Miyazaki the legend himself - a game with the mystique of Breath of the wild without the shortcomings of content and variety. This game, in my eyes, is the single best example as to why a game should be open-world. So often in games I feel like an open world is a crutch. -- In ghost of Tsushima the open world disconnected me from the pacing and character-growth of our MC, the objectives felt so systematic and ubisoft-esque that it 'gamified' itself as you played, removing the atmosphere and experiential qualities of the experience over time - this effect can also be seen in Horizon Forbidden West, and Dying light 2. Elden Ring uses the open-world to surprise you, you learn so much, you need to be aware of your surroundings, understand the lay of the land, and find things without guidance. It does what Dark Souls did to adventure games and it removes the handrails from the experience, in this case, Elden Ring unlocks the open-world experience. As a result, there aren't many games that evoke such a CANDID experience in me. I've never had so much fun exploring a world, and I've never been so surprised by a game's sheer amount of content. I could go on and on but ultimately it removes the burdensome systems that typically plague games of this scale. I think the game has the best reward-feedback-loop ever, where every item is invaluable, versus the generic inundation of materials in other games, etc etc etc... At the end of the day, Elden Ring just another valuable lesson for the gaming industry; I feel like Fromsoft pops up and teaches the whole industry a new lesson every once in a while - like they know what people want at a fundamental level.
On paper, Ragnorok could be seen as the better overall package but as a result of it being linear, it lacks the candid experience that Elden Ring delivers in spades and I think, despite Ragnorok being one of the best-ever narratives put into a game of this caliber, Elden Ring captures what it means to be a video game better.
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mraeelli · 4 months
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Hi guys, I’m opening up my commissions! 💌 I will be doing it slot based for every month and will update my status on my tumblr page itself (on the left box). I would love to draw/paint your characters! Email me if you’re interested 😊 (more info below the cut) 🤗🎀
What I can do: +Original Characters +Fanart +Mild Nudity/Artistic Nudity +I accept text descriptions and supporting references, though the payment will differ slightly due to me having to design from scratch. +If there’s anything you want me to draw that isn’t listed here, don’t hesitate to ask! I’ll see what I can do :)
What I can’t do: -Very explicit NSFW -Anthro/furry characters -Heavy Gore/Sci-Fi (If it’s not too complicated then I might be able to do it :) -Mecha -Overly complicated armor (this one is negotiable, you can contact me for more info!) -If I find any subjects uncomfortable for me to draw, I reserve the right to turn the request down (sorry!)
Additional Info Personal usage only, and I reserve the right to post it on my blog or use it for promotional purposes unless you have stated beforehand that you don’t want me to. +Commissions will likely take around 3-4 weeks to complete, or sooner depending on how complex it is. If there are any delays I will inform you accordingly +Payment will be made once initial sketch has been confirmed and will finish through by email :) +All payments are to be made upfront through Paypal invoice
How do I send an inquiry for a commission?
Thank you so much for taking your time to inquire/commission!
To inquire about anything general regarding the commission, i.e: a simple question about if I accept drawing this/etc. can be asked through my email (stated above), Instagram-DM, Tumblr-DM, or Tumblr-Inbox.
Any inquiries will be replied within 3-4 working days. To inquire about applying for a commission, sending it through email is the best way for me. Thank you!
What do I send in for my commission?
please send an email to [email protected]
Some things to include:
Your paypal email that you’d like the invoice to be sent to
A description of what you want me to draw (eg. your OC, a canon character) and the type of commission you want
References of your OC/Character you'd like (or alternatively, text descriptions with maybe a face claim if it’s alright)
Info (some personality traits, mood/vibe of the drawing,lighting, etc. anything you think is important for me to know when I am drawing)
More Info
Character Info 
General Information : Name, Age, Race, Personality and anything you’d like me to know :)
Some reference pictures (if you only have text as reference - it would be great if you could provide some images such as face claims of the character, and/or clothes that you’d like the character to be wearing.)
If you are going for the painting option, it would be great if you could tell/provide some references on the mood and lighting that you would like to go for. (For example, a dark somber scene with only the moon as the light source) - to evoke a certain feeling/story
Don’t hesitate to ask me any more questions through DM or email!
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tightrope. 03
Pairing: Carlos Sainz x Original Female Character Warnings: Language Word Count: 7.241 Previous chapter: 02.
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Drowning myself in work is my go-to coping mechanism for more than half of my problems.
I'll either resort to racing or tracing brand strategies in an attempt to avoid having to face whatever problem throws my way and, that night, being 11 pm on a Wednesday, my laptop and the small whiteboard on my desk became my saving grace.
Despite the burning eyes and my aching back, after hours sat at my desk, my mind was still racing, high on whatever feelings the brush of his lips had evoked in my body. I fell asleep to the memory of his eyes and the velvet lips.
There was no way to escape it. We were already falling.
I woke up late, the next day.
My phone had a full wall of notifications ready to present me. A single text in the middle of the dozens of work-related emails, most of them answers to the ones I’d written during the night and scheduled to be sent in the early hours of the work day. I only realised I was smiling, probably high on my own expectations, when I felt my smile drop, after seeing who sent the text. Amanda. Not him.
“those updates on the project at 3 am??? r u okay?”
“sorry! i remembered to schedule the emails, but forgot about the notes on the project.” "got some good work done, tho”
"need to take a moment to reread all of your incoherent notes” "all that rambling is… wow” "BUUUUUT come to the office” "the things from the berlin store just arrived, you will love them”
"can’t make it today” "send pics!”
"come tomorrow, then! ill get churros for breakfast”
My phone went back to the nightstand and I pulled up the comforter, wrapping it around myself in an attempt to find some security and calm of mind. I peered out from under the comforter, staring at the dark room, only lightened by some streaks of light created from a gap in the blinds. I was still tired from the night, and my mind scrambled from everything we had shared.
Eventually, I left the bed. My mom was downstairs, and a copy of Shadow of the Wind rested on the kitchen counter while she cooked lunch. Frank Sinatra played on the old record player in the living room and the music continued to stretch around the house as we ate together. Luckily, her birthday party was keeping her busy; busy enough that she didn't remember to ask me about the dinner from last night.
Truth be told: I'm a terrible liar. I would never be able to escape her questions.
At the end of the day, I met Rocco for a workout, in a nearby gym. He was waiting for me, leaning against the reception counter, teal Puma t-shirt paired with an amused smirk; I knew he was more than ready to put me through my paces. And I was right. It only took me a couple of exercises to lay on the floor, panting and sweating."Have you thought about what you're doing next season?" I looked up, in the direction of the voice. Rocco was standing in front of me, holding my water bottle.
I sat up straight and extended my hand to grab it. "Not yet," the water was cold and refreshing. Just what I needed. "Maybe a third year in the Challenge and," I paused to breathe. "You know, the reserve seat. Not ideal, but yeah."
He frowned, sitting down on one of the plyo boxes near me. "But yeah?"
"Yeah. Works." I answered, laying back down on the green turf. The small fake grass ticklish on my legs and arms. "Not much, but it's racing."
"I think I'll pretend you didn't say that."
"Why? It's just how it is."
He cleared his throat, the deep sound making me open my eyes and stare at him again. "Up," he commanded, refusing to help me get up. I brought the hand I'd just held up to the floor, to help me get up.
"I thought we were done," I said. He didn't even need to say anything to make me understand that we were, in fact, not done. "Are you mad?"
“Annoyed,” he turned back to me. “What the heck was that answer? Of course, a third year in the Challenge and a reserve seat in WEC are not ideal. I was hoping for a real answer, not some… whatever that was.”
“It’s the reality,” I shrugged. Instead of turning back and going back to do whatever he was about to do, he just kept looking at me. Not the conversation I was hoping for today.
“You had a plan. What happened?” He asked.
“Nothing happened. I had a plan. And it’s going as it’s possible.”
"Excuses, Eva," Rocco exclaimed. He stepped forward and looked me in the eye. "You have a plan. You know what you want. And you have the talent."
“Congrats, you just solved gender inequality.” I gave him an ironic thumbs up, my mind still scrambled from the efforts of the workout and the encounter from last night. This kind of conversation was not what I wanted.
“You’re more than capable of getting a decent seat next year.”
“As we know,” I wiggled my finger between both of us, “It’s a tough path. Being capable won’t get me a seat. ”
“Locking yourself in an office keeping track of TikTok trends will?” I sent him a look. He held up his hands in defence. “You’re making excuses. There are other drivers fighting for the same things as you are and they are not taking no for an answer.”
“Neither am I.”
"Come on," he chortled, eying me carefully. I could tell that he wanted the best for me, but I was not really in the mood to discuss this at the moment. "When was the last time you actually planned something for yourself, and not just some new fashion designer or boujie vegan chef?"
I felt a little bit of annoyance creeping its way up my spine. I had been pushing myself so hard for the last few months, and I was starting to feel a bit overwhelmed with all the pressure.
“Can we focus on the races I have left to win?” I asked, my voice taking on an exasperated tone. “We can talk about this after I win this championship?”
“Sure.” He bent down to grab a 15 kg power bag from the floor and dropped it off at my feet. "This wasn't planned, but that self-pity is annoying me."
“A punishment?" I took my hands to my hips, a light chortle abandoning my lips. "Burpees and never-ending lounges? That's what you think I need right now?"
"No, no burpees," he said, his grin widening. "But maybe a few extra lounges wouldn't hurt." He was clearly enjoying this. I rolled my eyes and glanced down at the power bag in front of me.
“It was not—”
He cleared his throat, cutting me off, and I went silent. Then, looking at him, I saw that he was grinning at me once again, content. Yeah, it was self-pity. Yeah, the future is scary, especially when you’re a 25-year-old woman in motorsports and your career seems to be stuck.
I took a deep breath and bent over to pick up the bag, the cold weight of it dragging my body down to the ground. Rocco took a few steps back and then motioned me with his head to start.
"Andiamo," he said. “20 steps back and forth. Three series.”
So I did. I started lounging with the bag, back and forth across the green patch of turf on that side of the gym, trying to keep a steady pace. With each step, the pressure of the bag weighed me down. I kept going, pushing forward and gritting my teeth against the pain. When I finally reached the twentieth step, I dropped the bag and breathed out, my body aching from the effort.
By the end of the third series, I had pushed my body to its very limits and back. I sunk down onto the cool grass beneath me, feeling the relief of the softness beneath me—my muscles aching and my body dripping with sweat, my hair matted to my neck and temples.
Rocco sat near me, guiding me through a couple of moves, helping me to loosen my tight muscles and stretch out my body. Despite the big (and somewhat threatening) muscles he had a gentle touch.
“What’s on your mind?”
"Hm?" I frowned, my eyebrows furrowing together as I closed my eyes, feeling his hand pressing down on my thigh, pushing it firmly against the hard floor. I could feel the pain radiating through my body, but I tried to focus on the sensation of his grip.
“You always complain this hurts,” he said. I opened one eye. Now, I could feel the pressure from his grip. Probably something shifted on my face because he instantly asked, “Now it hurts?”
"It hurt before, I was just distracted." I shook my head, closing my eyes again and focusing on the sensation of his grip. “I’m free to feel like shit when things go badly." I let out.
“Things are not going badly,” he sighed, leaving my leg and switching to the other. “You’re simply letting yourself fall behind.”
I took a deep breath and exhaled it slowly, my head falling back against the floor. I stayed there for a few moments, my heart pounding against my chest and my thoughts racing a million miles per hour. When I finally opened my eyes again, I looked up at Rocco, this time because I felt my thigh burning with discomfort, he was still looking at me, waiting for an answer.
"Too much." I glanced below while patting his arm. He raised an eyebrow, implying more pressure. "Ei!" I scrunched my nose. He just arched a brow. Sadistic fucker. “What? Are you going to hurt me until I hold someone at gunpoint and ask for a seat?”
“You talk like you don’t have good offers, Eva.”
“What is a good offer? Driving against 19-year-old boys in Formula 3? It’s humiliating.”
“W Series?” He suggested.
“I want to race with men and show people I can win against them.” I sat down. Rocco took his hands from my legs. My muscles tingled with the same intensity my thoughts did. “I like the Challenge because I’m showing them I can do it. But the team does not have a budget to race in other series. And I can’t be a reserve forever. So I can do another year and hope things change.”
“See? You’re choosing to fall behind.” He took a deep breath, understanding my frustration. "You can always look for sponsorship," he said, his eyes focused on the floor. "You have the talent, the connections—"
“I spent my teenage years sending letters and desperately trying to talk to people. You saw how that went.”
“You have results to show them, now. In two weeks you’ll have a championship.” I dragged my hands over my face. Instant regret. Both my hands and face were tingling with the same intensity my thoughts did. “W Series will give you exposure. Will give you points. You need points..”
“Why are you so interested now?” I arched an eyebrow, feeling a bit suspicious. “The year is long. Anything can happen. A lot can change.”
“I just don’t see you planning ahead.” He deadpanned, his expression unreadable. “What if you can’t do another season of the Challenge? Will you be content with just being a reserve in WEC?”
“Why so many ifs?” I asked, still feeling a bit apprehensive.
“Motorsports are unpredictable,” he replied, his voice steady and sure. “I’ve been around long enough to know that. And I’m your coach, not just a trainer. It’s kinda my responsibility to do this.”
“Nah, I’m not having it.” I paused, still not entirely convinced. “Do you know something I don’t?”
Rocco just shook his head. The dark strands of his hair moved in unison. “Eva—” He shrugged. I could see the wheels turning in his mind. Whatever he was about to say, it seemed like it wasn't completely true. "One," he continued; his tone shifting. "I don't want to be left without a job when you get bored of racing." I threw my towel at him, though I knew he was only joking. Unfortunately, he dodged it. "Two," he continued, "you're racing like a pro. You should race with the pros."
At least, in one thing he was right. I was racing like a pro.
On the other hand, I was not acting like one.
My team and my dad, the main sponsor, were the only support I had. Despite having other offers, none met our expectations. I had been a third, fourth, or fifth driver for too long. I had spent too much time in the garage, running simulations, and taking part in test sessions. Years of it. Each of these experiences had demoralized me.
Racing in the Challenge, learning with my team, taking time to understand the car and driving it to a podium made sense to me. Standing in the garage and hoping for someone to get food poisoning or COVID was not only morally wrong but also quite dull.
“Did you make this whole drama when Rio told you he wanted to stop racing and just go to college and become an engineer?” I asked, getting up from the floor and picking up my towel, still lying on the ground.
“It was worse actually,” my trainer said, following me. “I think I almost killed him when he told me.”
“We make quite the pair, don’t we?”
He smiled and nodded. “Yes, you do. Your poor father has his hands full with you two.” We stopped walking when we reached the locker room. “Go have a shower and get some rest.”
The second I reached my locker and opened the wooden door, I reached for my phone, looking for a message that hadn't arrived. Pathetic. A part of me considered taking the initiative and being the one to call or text him but, to be honest, what was left for me to say?
I had already told him everything by asking him not to kiss me and I might have told him even more by refusing to let go of him.
The office smelled of churros, so I knew Amanda was around. Either that or someone else had the same idea as her.
Familiar faces smiled back at me as I crossed the corridors and the work areas until I finally reached the common area and took one of the available seats. Since I had chosen to work remotely, and only visited the office casually for occasional meetings or when I needed a place where I could focus, I wasn't given an office.
The room was filled with the buzz of people chatting and the occasional laughter, making me feel a bit out of place. I knew most of them (read: I knew their names and which projects were under their purview), but rarely talked to any of them. Amanda, one of my friends from college, and the one who had introduced me to this agency was the only one I regularly talked with.
I sat down in my chair and pulled my laptop out of my bag. After talking with Rocco yesterday, I decided to take action on my career and spent last night looking at emails and reading my dad's notes on the sides of those he considered important enough to print. So, when I opened my laptop, my screen showed me my Notion board, which honestly felt like a showcase of my own failures. Not the first thing I wanted to see that morning.
A knock on the glass divider of the office made me lift my head up and find Amanda on the other side of it. A beautiful purple jumper highlighted her beautiful curves; her hair was pulled up in a ponytail. In her hands, a white box.
I waved at her.
“Vamos,” she motioned with her head. “Before anyone tries to steal these from me.”
I smiled and grabbed my laptop, zipping it up before getting up and walking towards her. “You know I have an important weekend ahead, right?”
She laughed, opening the box. “A churro won't weigh you down, don't worry.”
I took one of them and walked near her to the cafeteria. The morning light was soft, and the day was not too warm. Ideal to sit on the balcony and talk for a while. So, that's what we did. I grabbed coffee for both, while she walked outside.
The sunshine on my skin was just a slight warmth as I leaned on my chair, and the smooth breeze of the morning cooled off my skin. Traffic sounds in the background, the ruffle of chairs and the occasional bark of one of the dogs playing on the balcony of the start-up that shares the building with us.
While having a sip of her coffee, I noticed Amanda's eyes widening, and I could practically see the bell ringing in her mind. Instantly, my brows were drawn together. Brace yourself, Eva.
"So, I heard on Twitter dot com…" I rolled my eyes at the last part, and despite provoking a small chuckle from her, she didn't stop talking and her gaze still remained twinkling mischievously. "Carlos was in Mugello last weekend."
Oh, for fucks sake.
"If that's what Twitter says, it must be true."
"Yes. So," she paused. Her head tilted slightly, honestly looking like a pup who saw a threat in the distance. "Did you two talk?"
I shook my head; my fingers busy on the handle of my mug, desperately trying to seem unbothered by the question. "Nah, we didn't talk."
"You sure?" She asked, her eyebrows raised in suspicion.
"Yes, I'm sure," I said, my voice steady. "It's not like we're friends or anything."
"That's too bad," she murmured, a hint of disbelief in her voice. "It's not like Carlos and your brother are still like, the best of friends and maybe— maybe he went there to visit him and you end up talking?"
I sighed. "Stop it."“You're a terrible liar, Eva.” Amanda said bluntly, her gaze intense.
“Amanda,” I said, my voice stern and my eyes piercing. "Stop it."
“So, you talked.” Amanda gave me a knowing look. "I knew it. I saw those tweets and I realised we had barely talked this week, and that only happens when you're too busy overthinking. And then boom, I woke up to dozens of notes made at 2 am? You always go to bed early." She crossed her arms, her gaze still intense. "Come on, just tell me what happened. If it’s not him, it’s anything else. That worries me too. I'm here for you, no judgement."
I sighed. "Fine," I said, setting my mug down and leaning back on the chair. "We talked. A lot. We actually had dinner."
Amanda's gaze softened, but then she frowned again. “Dinner? The three of you?”
“The two of us.”
"Just the two of you?" Amanda's eyes widened in surprise, lips smiling brightly. I nodded to her question. "What did you talk about?"
A part of me wanted to end it there. The other part of me needed some guidance. And Amanda was a friend, she always had good advice. On the downside, she loved to gossip. But we were friends. Guidance. But gossip.
I shrugged. “Just normal things. Racing.”
“Okaaaay, that’s good.” At this point, her lips were curving up like she was the one having dinner with him. I couldn’t decide if her reaction annoyed me or made me happy. "So, what now? Are you going to keep in contact with him?"
I shook my head. "I don't think the dinner changed anything.” Liar.
“Eva,” she propped her elbows on the table. “You’re a terrible liar. Spit it out. What happened? If you don’t want to talk about it, tell me that. Just don’t lie.”
Talking about it would make a big deal. A bigger deal, actually. I dragged my hands over my face, tired and confused. Thinking about it was challenging enough and I truly didn't want to transform all my confusion and emotions into words. Amanda, on the other hand, couldn't hide the fact that she wanted the truth, her gaze so strong it almost made me melt over the iron (and obnoxiously red) chair I was sitting on.
So I told her. Every single detail. From the glorious vision of him under the bright lights of my garage, which for a second made me feel like I was living in an alternate world, through the call at dawn, to his gauze under the beautiful sunset glow. His warm, velvety lips brushing against mine. I told her about the “I think I might have loved you, too”, and the way that even in my dreams I couldn’t seem to forget his scent when he hugged me goodbye.
I felt so exposed, so vulnerable, as I spilled my heart out onto that small table, and when I finished all I could hear was the sound of her sigh. A ridiculous rom-com kind of sigh.
“I just feel like we messed it up because of pure desperation,” I said, crossing one leg over the other and looking around. “He messed it up. I think we just missed each other so much we… I don’t know. Got confused on the feelings?”
“He messed up?”
“I didn’t kiss him back. I just asked him to please, don’t.” It was more ridiculous saying it out loud now than when I recalled the moment in my mind.
“You’re even stupider than I thought,” was her answer. I arched my brow. “The guy cooked for you, at his place, told you he “thinks he loved you too” and tries to kiss you and now you’re mad because he didn’t text you?” She paused. “What the hell will he say? Of course, he won’t text you. What would you say to someone after being denied a kiss? Text him yourself.”
“No.”
“Why not?” Why not? I asked myself the same question. Because I can’t trust him to stay. Better, because I can’t trust him to not leave. “Don’t be stubborn, come on. Just by looking at you, I know you’re dying to get that kiss.”
“Can’t we go back inside and talk about work?”
“Oh, no, missy.” She shook her head. “Those AB tests can wait. I want to talk about you and how you’re so dumb you might lose the chance of your life.”
“You’re exaggerating. As always.”
“Eva.” She was stern, her eyes burning on me. “He was your best friend. At least try to mend that friendship. Even if you don’t want anything else. Whatever the reason.”
I sighed, bowing my head in defeat. Amanda had a way of making me see sense, even when I didn't want to. "And if I can’t see him as a friend but still can’t give a step in the other direction?”
“Then, you give it time. Just don’t give it too much space.” She got up from her chair. Mug on one hand. The empty white box on the other. “Remember how that worked up last time.”
Fact one about Amanda: she was probably the most curious person I knew. Any arguments in the office, celebrity rumours or gossip of literally any kind she knew by heart, down to the last detail. And while that was remotely irritating, especially at exhausting times, like during Amber and Johnny’s trial, or when (especially when) the news broke about Pique and Shakira's divorce, it could also be a blessing. At least from my point of view. Perhaps all the stories contributed to her having a broader view of relationships and, as a result, being so good at giving advice. Fact two: there was no one more insistent than her, so, evidently, she couldn’t leave the office without reminding me to text him.
It was 5 pm, and I was utterly absorbed in the presentation for the new restaurant. I was head down, consumed by the details of culinary and marketing analytics, and, to tell the truth, my mind was so focused on this project that I couldn't really think of anything else.
Amanda was getting ready to leave. Jacquemus purse over her shoulder and a strong pink lipstick on the place where a less saturated one had been during the day.
“You stay?” She asked me.
“Aham,” I briefly made my eyes leave the screen to look at her. “I need to finish this. Next week I’ll be too busy.”
“You leaving for Italy on Monday?”
“Tuesday,” I corrected her, my eyes going back down to the laptop. “Don’t want to leave this to the last minute.”
“Okay. I’ll try to have a look at it before you leave. Also,” my eyes went up again. “Send the man a good luck text.”
I sighed, rolling my eyes at her. "He doesn't need my luck text.”
Amanda nodded, her eyes still twinkling mischievously. "Okay, send him a whatever text, then. An emoji. Like his Instagram story.”
“I’m afraid liking his story won’t work.” I leaned back on her office chair, which I had taken in the middle of the day when she needed to leave for a meeting and left me to use her small office.
“Text him, then. Anything. I wouldn’t let Carlos Sainz escape, but you do you, babes,” she shrugged, turning her back to me to walk to the door.“Enjoy the weekend. Besos!”
“Bye!”
I didn’t text him. Of course. In the same way, she was insistent, I was stubborn.
Actually, let me rephrase it.
I didn’t text him then.
Mid-afternoon, Rio had called inviting me to dinner, and when I asked about the kids, he told me he had booked a nanny, so they would stay home. It was either business or pleasure. I didn't need to ask; as soon as he mentioned my dad was invited, I knew we'd be discussing business. And after Rocco's worries last night, I knew it was partly my business, too.
My nerves were on edge as I prepared to leave the office. They only worsened as I neared the restaurant - a way too fancy place for a Friday dinner with the family.
Crossing the sidewalk, my heels clacking on the cement, my head spinning from the long hours in front of my laptop, and the anxiety building in my chest, I looked inside. My dad was seated at the end of the table, with an empty seat to his right - the seat I was supposed to take. Marjorie was already waving at me. Smiling politely to the man standing at the door, I said, "They're waiting for me." He nodded and let me enter.
My eyes drifted to their table, and I allowed myself a few seconds to study the mood. They were laughing, but my palms were still sweating as I settled in for what would surely be an uncomfortable conversation.
"Sorry, traffic," I said, punctuating my apology with a kiss on each of my parents' cheeks. "Am I too late?"
"No, no," my dad said, his voice warm and comforting. "Your brother was about to tell me something, but you just distracted him. Go ahead, Fabrizio."
I turned to him, curious.
"I'm sure we can wait a bit more. Just... after the food," he said.
"Why are you so nervous?" Marjorie asked, her violet fingernails softly laying over his arm in a gentle caress. "It's something good," she said to me. "Don't worry."
"Are you pregnant again?" my mom asked.
"No! No, no!" my sister-in-law responded quickly, her voice almost echoing in the room. Even Rio seemed surprised by her rapid response. "It's Rio's news. Not mine."
“After the food, then,” my father said.
“I hate it when I do that,” I muttered to my brother, grabbing the menu from the table and letting my eyes drift through the print. “You haven’t ordered yet, right?”
My dad shook his head. "We were waiting for you.”
I glanced at the menu one last time before setting it back down. My dad's hand called for a waiter and, after the young man left, the conversation resumed. As usual before any Grand Prix, the race weekend was the matter on the table and, that night specifically, Carlos' penalty was the urgent matter. Ferrari had the pace and Carlos had the skill, but as I sat there, hearing my brother and dad's input on how wise the choice had or hadn't been, my attention diverged to the DNF he had suffered in Austria, less than two weeks ago. Vivid images of the flames engulfing the car, the heartbreaking words on the radio, and the cheers that echoed through the crowd as his teammate stepped onto the top step filled my mind.
One feeling the glory, the other one consumed in ruin.
“Good luck out there this weekend.” "Don’t pull another Austria. That one was scary.”
Done. I’d texted him. For better or for worse, it was done. And I didn’t have time to put the phone back in the purse before it vibrated again in my hand.
“Thank you. I really need it.”
I checked the time.
“Shouldn’t you be resting?”
“I’m resting." "Listening to my teammate rant about food, but resting.”
“Why? Did you tell him about the cheese-less pasta you tried to feed me?” “If I expect Leclerc to teach you something is how to cook pasta."
"He’s a terrible cooker.” “I’m better learning it from you.”
"I’ll be sure to give you a lesson someday."
"I'll hold you to that."
  "What are you smiling about?" Marjorie asked, my attention immediately being grabbed from my screen to the table.
"Nothing, sorry," I said quickly, tucking my phone back into my purse. "Amanda just texted me about the work I was finishing.”
"Ah, Eva, if you put that effort into racing…" he said, as the waiter came back with our food. I tried to ignore him, especially because there was no use fighting back his comment.
Even with the food on the table and the anticipation to find out about Rio’s news tugging on my chest, the conversation didn’t go further from Formula 1. My dad, a lifelong Italian Ferrari fan and a very biased Carlos supporter was ranting over the lack of professionalism he was sensing from the team and how the choices they repeatedly made ruined not only the drivers but the prestige of the team. Nothing new. Rio and I have been listening to the same tirade for a long couple of years and nothing seemed to change, even after the amazing start to the season the team had.
“I had my reservations at first, but you could be a nice fit for the team, actually”, my dad said, pointing at Rio, with the knife he was using to cut his steak. Rio looked confused at him, and then, at me. “Have they given you an answer?”
What?
For a moment, I felt like I’d fallen on a different table, a completely different conversation. My gaze shifted from one to the other, confused by my father’s question.
“Who’s they?” I asked. Marjorie was biting her lip; her violet fingertips on my brother’s arm, once again.
“Ferrari,” my father responded, clearly stepping over my brother’s feet. Rio seemed bothered; clenched jaw, restless fingers that Marjorie tried to calm by positioning hers over. “Are those the news?” He asked him.
Rio nodded, his jaw unclenching and his lips transforming to a slight grin. "Yep. They offered me a job." He looked around the table, his gaze caught mine for a second but quickly left again. “I need to let them know my decision until Monza.”
“You applied for a job at Ferrari?” I asked. Honestly, I was so confused I couldn’t piece all the things together. “We’re doing so good at the Challenge, you could have waited for just one m—”
“Eva.” My dad interrupted me. The strong stern voice pulled my attention. The authority value of his words over the sweet comforting voice of the beginning of the dinner. The mood had definitely shifted “Wait? You’re the one that’s always urging the team to aim for higher heights.”
"Exactly. The team won't do that without Rio."
"But your brother will. And so will you." I tried to interject but with no success. He continued before I even had the chance to talk. "You can't possibly think your brother would stay with the team knowing he could have this huge opportunity."
"I didn't know about any opportunity." I was replying to my father, but my eyes were directed to Rio. "What about the team? And the Challenge?" I inquired.
"In less than two weeks, the championship will be over. I have no doubts you will win it. You're just losing time there," my father's tone was bothering me, but the fact that he was still cutting his steak as he talked was really aggravating my temper.
Rio, on the other hand, didn't react. His expression didn't even shift. He remained silent, eyes shifting between mine and dad's face. In his silence, though, he was telling me much more than he thought.
"This is not a formality," I said to my father. "Can you please look at me while you talk about our future?"
Finally, he put down his cutlery and remained silent for a few seconds. Deep blue eyes looked up at me, cold and serious.
"There's no future for you if you're afraid to take a serious step," he said finally. "I won't let your brother get stuck in the Challenge when I know he can do so much more. I won't let you make him fall behind because of you."
"Because of me?"
"Why else would he stay at the Challenge?" I stayed silent, feeling my fake sense of confidence being stripped away with the weight of my dad's question. The answer that my conscience gave me was selfish and I refused to say it out loud. I was afraid of staying alone, rather, I was afraid to see Rio flying solo in the higher aims I ambitioned for me and not being able to carry along. Only if he waited, we could jump up together. "Why would he choose anything less than Formula One?"
"So, you have it decided, then?" I asked Rio. "How did that even happen?"
His tongue crept in between his lips, eyes wandering on my face, afraid to reach my eyes. It was making me nervous. Not just because he was about to leave me, but because he didn't tell me about it, prior. My dad knew about it. He even thought that I knew about it. And like a lightning bulb lighting up on my head: Rocco knew it, too.
"It was proposed to me. The job. At Silverstone, a few weeks ago." Even though Rio was stuttering, and his words barely constructed a sentence, piece by piece it all fell together. "Apparently, Carlos talked to someone about you. About the Challenge. And he mentioned me, my results..." he explained. "Carlos invited me there for the Grand Prix and surprised me with an interview."
Why didn't it surprise me? Carlos. The “right time”, of course.
"Your results? Why hide this from me?” I asked, looking around the table. “Clearly, everyone else knows.”
“I wanted to tell you, but didn’t get the chance to do it.”
“But what?” I asked, half defeated, half annoyed. Angry, even. There was so much going on inside me, I couldn’t think straight. “You just said you had the interview in Silverstone. Weeks ago. You had plenty of opportunities.”
“I knew you would snap and react like this,” Rio tried to justify himself.
“Snap? I’m not—” I paused and took a deep breath. At this point, I was seething with anger. “I’m asking questions. I’m not… snapping.”
“You should be happy for me,” I would if I didn’t feel betrayed. “I know you well enough to know that you would react… badly to the news. Especially if you knew Carlos was involved**.**”
Even though his name was blinking on my head, in bold red letters, I tried to set apart his involvement in this story. So, I carried on,
“And you’re just going to do it? Leave the team, the whole project and ditch us? Without even consulting me?”
He shrugged. “I’m consulting you now.”
“This is not a consultation, Rio. Please.” A pause. “This is you telling me what you’re going to do, without even considering my opinion or the team that’s behind your great results.”
“Go ahead.” He made a gesture with his hand. “What’s your opinion, then? You are the one that’s always telling me to aim higher. This is my dream. Always has been.”
“What? Formula One? I thought your dream was to drive in Formula One. Or was that before you noticed you’re a shitty driver? Enlighten me.”
“Eva, enough,” the deep voice cut me off.
I felt like I was going to burst. I wanted to scream, to cry, to express my anger somehow. But my dad's stern gaze kept me in my place. I felt completely helpless and unheard.
“You’re being ridiculous,” said Rio, cutting through the silence. “Childish, even. Ungrateful.”
“Ungrateful? I’m not the one leaving.”
“Why does leaving need to be bad?” The question settled in for a second. “Grow a bit, and maybe you’ll get some good opportunities too.”
“Sure, maybe then my friends will get me jobs, too. Is that what you mean?”
“Enough.” My dad's fist hit the table, loud enough to silence us, but not to the point of attracting too much attention.
My gaze lingered on his clenched fist on the table. I nodded, forcing myself not to say anything else. I placed my napkin on the table and got up, making sure my chair wouldn’t make any noise when pushed back. Before turning around, I paused briefly, my gaze now resting on my brother. “Good luck with your new job.”
  *
  It didn't surprise me when I saw Carlos fly through the track the next day, setting amazing times in the qualifying session, despite the penalty waiting for him for the race. He was dancing with the car, tracing beautiful lines within the colourful ones Paul Ricard was known for. Carlos would start P19 the next day, only ahead of Magnussen, who also had a back-of-the-grid penalty.
I traded the interviews for a dip in the pool and lingered there for the remainder of the afternoon. Perhaps because I was not the best person to have around that day, my parents had left just before lunch and didn't get back until after dinner. Alone, with music echoing throughout the house and the crippling anxiety the events that week had provoked, I felt myself get lost in the doubts and uncertainties.
My phone rang when I was already getting ready for bed. On my nightstand, the name Carlos appeared over an old photo of both of us. Like I couldn't control it, I walked to the phone and sat on the bed. I let it ring a few times before picking it up.
“Hi,” he said. I just looked through the window, to the dark backyard. “No good luck text today?”
“Guess not.”
“And why's that?”
“Did you know Rio had an interview to work at Ferrari?”
“Yes...?” He paused. “Is that a problem?”
“Did you know he got a job offer?”
We both fell into a moment of silence. A long sigh stretched through the line. I closed my eyes, not sure what to expect from the conversation. The next time his voice was heard, it was more serious.
"Can we stop asking questions instead of answering them?"
"The timing is funny," I said. "Just that."
"What do you mean?"
"You coming to Mugello? Was that a coincidence?"
"Eva, what?" Carlos was silent for a few seconds. "Don't make this into a drama," he said. "Rio is talented and if he got a job offer it's because he earned it. The things are not remotely related."
"I'm not complaining about him getting the job."
"Then what are you complaining about?" Carlos asked.
"That it took you years to finally come back and talk to me and it happened just when he got a job in your team. Did you really want to talk to me or did he make you do that?"
"I didn't do it for him," Carlos said. "I did it because I wanted to see you."
"I wish I could believe you."
"And why don't you?"
"It's been three years. Coincidences don't just happen."
I could hear him breathe. Silence weighed down my chest. He wasn't denying it. He wasn't telling me why he was there, that night. "Can I see you this week?" He asked me, before a long sigh.
"No."
"I'll be in Maranello for a few days." I bit my lip, shaking my head to the void. "You'll be in Imola, right? I can go there—"
"I don't want to see you." I talked over him and then paused for a brief second. "Don't show up there, please. It's an important week and I don't really need more distractions."
“Eva, por favor.”
“Good luck tomorrow.”
I put my phone away and let myself sink into the bed, feeling nothing but the warmth of the comforters on my skin and the instant sense of security that came over me. I allowed my eyes to close and my mind to drift away, and before I knew it, a prayer for Carlos came into my thoughts.
I prayed for strength for both him and me, for us. I knew that, whether we were on or off the track, we would need to find a way to get through whatever was to come.
Next Chapter: 04.
Thank you for your support in the previous chapter! Carlos will become a more present character in the future. Pinky promise. Don't abandon me until that happens, please! <3
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mythrilthread · 1 year
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This was made as a gift for @lootthecoyote — it's a collection of her favorite QuiObi fics by @antheiasilva
Every work in the anthology has its own theme. I used kintsugi for After the War (I've decided on it before reading more of it, based on my general feel from a summary, and let me tell you, the vindication I felt when the same imagery was featured in the story itself...); rain on the surface of water for Water and Sunlight. And as Invitation is the shortest one out of the lot, I decided to really have fun with it. The story itself feels like a battle of will, almost, AND it very conveniently has seven chapters, so I put illustrations of all seven lightsaber forms in the headers (and, of course, Soresu vs Makashi for the title page).
Also, I drew Obi Wan and Qui Gon's lightsabers for decorations, because why not. These were my first half-cloth books, and I really loved constructing the covers. They are made with cotton, wrapping paper (I could not for the life of me find anything thicker with pretty enough pattern that evoked both water and gold veins/inclusions, so I made it work). I used Trajan Pro for headers (and the author's name I linoprinted on the spine), and Georgia for body text. (I chose it for a number of reasons, which are: Reena requested increased readability, I really like the way it looks, and also, it's a really great inside joke.) All in all, a very fun project! The book with the light accent stripe is for Reena, and the one with the dark teal was sent to the author.
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klededouze · 7 months
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Finally got around to do an in-depth analysis of The Garden by The Crane Wives
(mostly of the text)
TW: religious oppression/violence
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Ok so. The singer is talking to someone they're close to (bed=intimacy) and asking them to conceal something shameful, because ''bury'' is a pretty extreme way of hiding something and the singer can't even name it, using ''this''. Usually when you use ''this'' there is a precedence in the text, but there's none here.
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The religious imagery begins with the garden probably referencing the garden of Eden. But the supposed paradise is now full of crows, an animal associated with bad omens and superstition (!), creating an antithesis. We understand the singer has been exposed and lies can't help them anymore. Hiding didn't work out!
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Anaphora of ''my'' showing the strong bond between the singer and their lover (also aliteration of ''s'' right after the ''my'' which sounds absolutely lovely. One of my favorite parts of the song). The singer needs the other person, talks directly to them and asks them to help again.
The lover is presented here as a protector and a supporter but also a way to fight back.
There's a dichotomy between light and darkness: notice how ''your light'' opposes ''the darkness'', the lover's light is a part of themselves but the singer's darkness is something external that made its way into their head, probably a consequence of the environment (they're being bullied by crows).
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(ok i lied all parts of this song are my favorites urgh)
Lexical field of the body, the singer is abandoning themselves to their lover. This is also pretty erotic, evoking high intimacy between those two people.
The singer seems to resign themselves to being unable to conceal the shameful thing that are their feelings, manifesting here into ''blood-stained clothes'' (as if they comitted a crime). But at least the lover can give the singer something beautiful that no one else can see.
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Ah yes, my favorite lyrics, ''woah, oh''
Term of endearment ! ''My darling, the devil'' just sounds so sound. Religious imagery hitting you right in the face here. The singer has been led to believe that they were a sinner, so much that the devil himself knows their name ! Love contrasting with this terribly brutal notion.
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The singer decides now to bury their lover and themselves. The crows be damned, they can take what they want, at least the two lovers are together in their bed. At this stage of the song, the shame/hiding has turned into acceptance of the not so ideal situation.
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Ok this is actually a mystery to me. Who are those ghosts. At first i thought about the holy ghost in catholicism but it doesn't make much sense. Are those people dead ? Are they ghosts only to the lovers who feel completely disconnected from them ?
(also I can't stop hearing ''the quiet prayers'' which changes everything urgh)
Anyway they're pretty indiscreet, looking through a window into the singer's home (room even, with all the mentions of the bed), an intimate place. They even echo something meant to be quiet, making it known to everyone else. The antagonists in this song (crows, ghosts, is this halloween) really won't let things go quietly.
''Hammers and nails'' the lovers will be martyrs (literally like Jesus) if (or rather when) they're caught. Terrible violence expressed here, and this ''when'' presents it as inevitable.
There's also another interpretation I consider, with the nails and hammers being tools to build/fix things, with the antagonists wanting to literally fix the two lovers, which will of course only hurt them.
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Even tho the singer is repeating the same line as before, they're not singing it in the same way. There's something ferocious about it. And the repetition of ''my name'' shows that the singer is reclaiming it. I think there's some pride here, with the reclaiming of one's identity.
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Aaaaaaaaa
The singer telling the lover to get on their knees not to pray but to destroy the garden (the supposedly origin of humanity !). They're the ones using their own tools (the spade and even their hands) not only to protect themselves but to fight back (as seen before ''my stone, my shield'' ect).
Apple tree, the root of evil, actually (apple being presented as the fruit of the original sin). This is basically saying ''let's destroy the entire structure that is oppressing us''. And they've been put in that situation, we've seen that the whole song, they have no choice, because the ghosts will come for them no matter what they do, because who they are is the problem to those people.
From shame to acceptance to justified anger. Love to see it.
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moinsbienquekaworu · 1 year
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i am about to sleep but i wanted to ask what your favorite poem is? will you tell me about it? what you love and why it’s your favorite? do you like any of its translations? i love you. i hope you have a good day 🥰
(⁠〒⁠﹏⁠〒⁠) beloved thank you for the question!!! As per usual I am incapable of choosing just one of a thing, so I actually have two favourite poems, one in french and one in english (because poetry in french and in english can be pretty different since the codes and models and expectations aren't always the same!) They're the two poems I can recite and know by heart haha.
The english one is Stopping by Woods on a Snowy Evening, by Robert Frost. I really like the last stanza (like everyone else) but also just the way when you say it out loud it does feel like a quiet moment watching the snow fall all on your own. I found it recently accompanying a fic (two different fics actually but the second time I knew it) and it entranced me!
The french one is Chanson d'Automne by Paul Verlaine. It's a classic in France, some of its lines were used as a signal for saboteurs during WWII and there's an urban legend it was used to signal the landing in Normandy. I personally had to learn it by heart in primary school (I think in 4th grade?) and it just stuck with me. I like it for the way it feels to me and the images it evokes, but also just because it was the first poem I learnt by heart and being able to recite a poem is an easily overlooked comfort of life (insert those posts and quotes about art being vital and what we need to be able to turn to in dark or light times)
Other poems I like include Remords Posthume and L'Albatros by Baudelaire, Le Dormeur du Val by Rimbaud, Le Déserteur and Je Voudrais Pas Crever by Boris Vian, Funeral Blues by W. H. Auden, and Mad Girl's Love Song by Sylvia Plath. The french ones I studied in school, and I found the english ones on my own (I feel like I found both in Johnlock fics?? but I might be wrong about Funeral Blues, it's been years) I included english translations where I could for the french ones, and they're not necessarily incredible but they should let you get the vibe. If one of them speaks to you I can try to explain what makes it tick! My personal anecdotes with those because that's half the fun: we had to analyse Remords Posthume for literature class with my best friend K, and what's really cool about it is the last line, "et le ver rongera ta peau comme un remords", because it plays on the homonymy between ver, the worm, and vers, the line of poetry, meaning she will be devoured physically by worms since she'll be dead but also that his verses, his poem, will make her feel remorse; I like the albatross analogy because I was a weird kid who felt comfortable with books but not with my peers; Le Dormeur du Val is extremely extremely sad and beautiful and I think Rimbaud was a very interesting guy; technically Le Déserteur is a song and not a poem but I first saw the text without knowing that so for me it's a poem forever now, and I love talking about the original versus final ending thing; the YouTube channel Le Mock did an excellent reading of Je Voudrais Pas Crever and it's a jewel, I love it so so much; Funeral Blues was the first english poem I ever liked (or maybe read honestly) and I wrote it on the cover of my 10th grade english notebook (because the teacher was great and said that if we forgot to do our homework he wouldn't punish us if we could recite a poem for him, so I wrote it down and tried to learn if by heart in case I forgot my homework); and Mad Girl's Love Song features in a fic I read a few weeks ago and I just think it's neat. I probably forgot some but those are the ones I remember right now (edit: ADA LIMÓN!! I FORGOT ADA LIMÓN!!! Accident Report in the Tall, Tall Weeds (the I can't help it, I love the way men love poem) hit me in the chest the first time I read it and it's so so good)
My favourites (and most of the poems I like actually) are pretty popular because I'm not really into poetry that much on my own. I get attached to poems once I see how they work inside and analyse them, but I don't sit down and decide to analyse some poem from Les Fleurs du Mal at random because it feels like homework, and I don't go looking for poetry because I'm very hit or miss (I get bored at long winded descriptions in those 4-part 7-pages poems and a lot of things trip up my instinctual Pretentiousness Radar™, and while it's not necessarily accurate it does turn me off poems). So I just stay with the basics, but that's fine, because the comfort of carrying poems with you is there whatever the poem is y'know?
Also question, do americans learn poetry in school? I assume you must analyse some in literature class, but I don't know if you learn poems when you're young. I know we also do lots of La Fontaine's Fables, though I personally never did, but learning poems to recite in primary school is a thing almost everyone has done here I think.
#i just like. literature and literary analysis. when it's like poetry and it rhymes. when there's literary devices for a reason.#i'm an english lit major for a reason!!!#thank you for reminding me of what i like in literature my classes are so boring it's hard to remember sometimes#also the sheer joy of explaining poems i like to people who don't know them#like i could not explain le dormeur du val to a french person because they already know it and associate it with boring literature classes#but you don't! because you weren't forced to spend hours of lit classes on it in 8th grade whether you liked it or not!#it's like - yes they're well known poems but they're popular for a reason y'know#oh an honorary poems are some songs. like mistki's songs? that's poetry. that's just poetry!#it's like le déserteur - it's a song but isn't it poetry too? when the text follows the same rules? when you can analyse it the same?#actually all because of you feels like a poem too. if you know what i mean?#and dans ma ville on traîne by orelsan reminds me of a primary school poem - l'école by jacques charpentreau#it's all poetry and it's so cool and i love it#OH and racine's plays. they're not Poetry poetry - they're plays - but they rhyme in their entirety and follow a specific pattern#that's poetry!! that's just poetry!!!!#if you want me to get phèdre out and read you some racine i would be delighted to it's so nice to listen to#there's a rhythm to it and it becomes much easier to understand once you say it out loud - like shakespeare#anyway. LITERATURE.#wow i have a ramble tag now#wow i have an asks tag now#i love the way men love indeed
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savage-magpie · 2 years
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Read: Unnatural Creatures, collected stories edited by Neil Gaiman
The first time I tried to read this anthology I was in high school, and while I remember loving some select stories I never finished it. I have to wonder why not: the pieces collected vary in tone, in length, in style, in content and genre—humorous, unsettling, thoughtful—but all bring the fantastical or unnatural out into the light in one way or another. One that stuck out to me the most was The Smile On the Face, in which a teenage girl, struggling with body image and insecurity, swallows a cherry pit and turns into a serpentine tree-spirit, but only to the eyes of a boy who’s bullied her for years. Nalo Hopkinson presents Gilla’s teenage anxiety and uncertainty in such straightforward and direct prose that it feels as real, pressing, and obvious as similar issues felt to me as a teenager, yet now, as an adult reader, I found it uncomfortable to be pushed back into that mindset, and full of unexpected compassion for Gilla and my own younger self. So that alone would have sold me on this story, but there is the additional layer of the fantastical, her transformation into a hamadryad with fangs and claws and scales when her classmate menaces her. Gilla becomes both a young woman coming into her confidence and something else. That too evoked, for me, a certain sense, when I was a young woman, of otherness, of the strangeness of my own body and the way other people saw me as strong or intimidating when I saw only its flaws. But, of course, for Gilla, the transformation is literal: she’s not the only one who sees it.
As for the role of the suspiciously animated cherry tree that dropped a cherry on her head, which she then ate and whose pit she then accidentally swallowed, it’s never explained. Another story might have ended with Gilla returning home and thanking the tree. I like to think she went and learned more about the why behind her sudden foray into the supernatural, but in this story, Gilla cares for little except her own insecurity, and then the fact of her deliverance from it. She’s too consumed with her anxiety and then her own shocking, delightful strength to worry about hows or whys. That too is a profoundly teenage thing, and I think the story is stronger for allowing the tree and the magic to just exist.
Gaiman talks in the introduction about wanting, as a child, to visit a Museum of Unnatural History, to see things from the shadowlands of mystery and fantasy and folklore, if only those things could be displayed in a museum without losing their very essence. A unicorn that could be caught and dissected and stuffed in a glass case wouldn’t be magic anymore. The Smile On the Face is a story that brings magic into one girl’s life in a very real way, but doesn’t sever it from the shadowlands whence it came. Unknowns abound and Gilla doesn’t worry about them. Good for her.
Some other favorites—The Cartographer Wasps and the Anarchist Bees, of which I definitely read at least part when I was younger, and which means so much more to me now with half a decade of training in things like political structures and cultural awareness; Moveable Beast, for scratching a very particular itch about young women who are thought to be the sacrificial virgins instead being the keepers of the beast; The Manticore, The Mermaid, and Me, for reasons that I honestly can’t quite pin down; and The Compleat Werewolf, which was just a fun ride start to finish.
Also Reading:
Godsong, a verse translation of the Bhagavad Gita, with commentary, by Amit Majmudar—progressing slowly because this is the sort of text one consumes slowly with much thought given to the contents
Dark Money by Jane Mayer—progressing slowly because it makes me incandescently angry about things that I, in my present life position, can’t do anything to fix
Small Odysseys, short story collection edited by Hannah Tinti and introduced by Neil Gaiman—probably going to finish today or tomorrow; wonderful stories shorter on average than the ones in Unnatural Creatures. The collection isn’t explicitly about the supernatural but there are certainly supernatural or fantastical elements in some stories.
A Handbook of Saxon Sorcery & Magic by Alaric Albertsson—really interesting look at specifically Anglo-Saxon folk magical practices as opposed to the related, but distinct, Norse and Icelandic folklore. I’m especially enjoying the exploration of the Younger Futhorc runic alphabet.
Next up:
Devotions, Mary Oliver
A Declaration of the Rights of Magicians, H. G. Parry
Supreme Inequality, Adam Cohen
Cultish, Amanda Montell
Call Us What We Carry, Amanda Gorman
Horse, Geraldine Brooks
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yes-sikorskiy-yuriy · 5 months
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runes#runic magic#sorcerer
A real connection to the channel of rune magic - apply the rune of the day to your left hand with the words “For Good”, the next morning we gratefully wash it off with the words “I Give Good” and apply the next rune. Connecting the runes requires reading and understanding the following text. It differs for everyone (in terms of time), but for everyone a new chapter of your life begins… Take the steering wheel into your own hands.#YS
VUNYO – PERFECTION CLIMINATOR GOLDEN MEAN (joy, glory, harmony rest) This is not the king’s business, and don’t interfere with the car’s progress.
Color - gold, golden Gods - Odin (in the part where he performs the functions of Santa Claus) Element - Earth
Controls the transition Jotunhelm - Alfheim: collective experience and knowledge, training received by a person, the contents of his mental field, including his defeats (evil eyes, mental programs, egregorial connections) and the future of a person, everything that this future builds - the contents of the etheric body, including formed goals, actualized desires, etc. and energy defeats (damage, love spells, slagging of energy channels, etc.), stable views on the future (pessimism, optimism) and methods of its formation based on social attitudes.
MAGIC: GALDOR Darkness and misfortune have befallen you, gloomy as a cloud, you curse life. Call on the light of Asgard - it will be a beacon to brighten up the endless darkness. The sun will rise over your head - you will be happy and loved. If the soul asks for peace, there is no calm, peace, or love in it. Draw a luminous sign for yourself, it will cover your soul with a soft cloak
Illuminate your spirit from within. You will be filled with strength. The power of peace. I know that all the Power is at rest.
WHAT IS IT USED FOR? Helps to determine the best time for the necessary actions and thus achieve the best results. Induce joy, a surge of energy, a feeling of elation and good mood. A state of joy accompanies new energy - energy that was previously blocked. It evokes a feeling of self-confidence - not vain pride and arrogant complacency, but a humble awareness of one’s own importance among other beings. Capable of causing cleansing of the astral body and removal of energy blocks. Can cause improvement in well-being. Causes increased sexuality and attraction. This rune helps fulfill desires. Enhances success and happiness in all matters. Brings success to travelers like the Raido rune Brings back energy that was wasted Clears random and superficial feelings and experiences Eliminates alienation in relationships with loved ones I want a holiday or relaxation Establishing friendly contacts For complete satisfaction in any type of activity, especially in love or career. For successful trips. Supports a person’s desire to achieve a goal Makes the trip successful Removes energy blocks Increases self-esteem Creates a feeling of psychological comfort (indoors - apply to the door frame) Helps improve mood and strengthen friendships and love relationships (apply to clothing) Sanatorium. Bringing a person out of sadness and depression. Rune of synthesis, connection. Working with this rune requires a person to control his passions and aspirations. You should not give in to doubts.
USE IN AMULETS (according to SHAPOSHNIKOV) Rune of joy and happiness. But this joy and happiness must be deserved. There must be some result and it must cause joy. And the more perfect this result is, the greater the joy. But you can’t isolate yourself in this joy. It can harm further development. And the rune says something else about that. That joy should not be confined to one person. Joy must be shared with others WOMEN'S LOVE AMULETS: KENAZ-GEBO-LAGUZ-WUNJO: BERKANO-GEBO-LAGUZ-WUNJO
JOYFUL, SUCCESSFUL, HARMONIOUS LIFE: WUNJO-SOWILO-JERA
Good action of the formula. Brings you out of depression and despair.
SUCCESSFUL WAY OUT OF THE SITUATION: SOWILO-DAGAZ-WUNJO.
DAMAGE: FOUR RUNES
You can also cause damage with such a light rune.
TOTAL voluptuousness: WUNJO-GEBO-WUNJO
Another option to ruin a person’s life.
Glory to the runes, thanks to the Internet.
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princip1914 · 3 years
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I am so obsessed with the atmosphere of Gods in the Gaslight , by @antikate and @redfacesmiley.  It really makes you feel like you’re in an old theater lit by gas lamps, or wandering through the late night mists of 19th century London.
Gods in the Gaslight  is part Prestige pastiche and part Good Omens AU (Or is it an AU? Read it and decide for yourself!). If you haven’t read it yet, run, don’t walk to AO3! 
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michimichim · 3 years
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in-dee-ca | rosé
disclaimer: dom!fem!poc reader x sub!roseanne, substance use, semi exhibitionism, etc.
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the church bells chime a brassy and insistent sound; an ear-splitting, melody you still struggle to get accustomed to as you leave the bustling building. your friends fall into step with you and together you trudge down the steps of assembly hall, hands in the pockets of your school blazer while they chortle with laughter.  
a shiver wracks over your body as the breeze drifts into your hair and frost your cheeks.
“honestly,” it’s one of your closest friends who speaks up, “what does ‘stricter regulations’ even mean? as if the school doesn’t already have a stick up its ass.”  
“it means open up your books for once, dipshit.” jennie, a senior and representative on the school board, snides as she brushes past you along some of her friends busy trailing after, hot on her heels.  
you bite back a laugh whilst a ruckus of guffaws resonate around your small crowd.  
“fuck off, kim.” your friend shouts after her, eyes rolling in nothing but annoyance, however their expression remain soft. they watch jennie’s retreating form before resting their eyes on something behind you. “here comes miss sunshine.” or rather, someone.
you spare a glance over your shoulder, an agitating feeling erupting in the pit of your stomach when your eyes fall on a familiar sight. she's surrounded by a total of three girls, all tittering as they saunter up the steps of the assembly hall. the dark red and blue of the school uniform brings out the peachy color of her skin, singling her out from the small crowd that’s assembled around. picture perfect she is with her plaid skirt hiked up. all pretty, pale thighs and slender legs. eyes naturally veer her way; she always seems to capture everyone’s attention, and it wasn’t solely due to her father being the headmaster, but rather the vivacious and nonpartisan aura she constantly carries around.  
roseanne is the epitome of natural beauty. some still whisper about her loose hair and ruddy cheeks, and stout red lips, and lithe slender body that never seems to walk but rather float through the walls. she's perfect in every sense, the type of perfect that draws in boys and girls alike, girls like yourself.  
as if sensing the heat of your gaze, her eyes flicker to yours and you stare back, eyes unwavering, challenging her to glance away first with a slight cock to your eyebrow. doe orbs scale down your body – syrupy and casual posture leaning against chilly stairs; it gives you an air of nonchalance – in such swift manner it might have never occurred, but attention from roseanne park could never be forgotten. dulce creamed, dreamy eyed with stars in her nebulas roseanne could never be forgotten. she averts her attention back to her friends.
“what’s it with you and the park girl?” it's someone else that speaks up near you, voice tinged with nothing but curiosity.  
you turn to face them; their eyes seem to trickle with a mix of wonder and apprehensiveness.
you shrug in a dismissal manner, “nothing.” you hate denying it, but you learned to be discreet even when the questioning comes from your friends. even when you despised their questioning. even when you despised them for attributing you a role – one that doesn’t include roseanne in it, the golden girl who knows everything, does everything right. you disdain it and so does she.
the conversation lapses into one of silence and your friends say nothing else, some assess you before emitting out a low hum and dropping the topic.  
you tune them out, distracted, as your attention returns to her, the latter’s laughing along to something – could be anything, really. it's not hard to get her laughing. you return your gaze to your friends and stand up. “i’ll text you.” you throw over your shoulder, willing an apologetic smile on your lips as you trade down the stoned stairs.
-
the sun’s seeping through the arched windows, a kaleidoscope of warm and golden light gushing out over your bodies, tangling with roseanne’s blonde locks. the room she pulled you in belongs to an abandoned and obsolete west wing of the school. no one actually comes here; it has been forgotten, gradually, by its founders until room 144 became nothing but a discarded memory. something close yet hidden.  
the furniture around you is covered with white silky material, gently flapping from the frigid breeze sipping through the cracked open window.  
your hand absently brushes up and down her smooth thigh, drawing arbitrary patterns; she's delicate under the pad of your fingers, a skin so silk angels would exchange for their wings. the hem of her blue plaid skirt is sitting higher than it ought to, her blouse unbuttoned lower than the hall surveillants would ever permit, and between her lithe fingers, something her father would pop a vein over – she’s at her best here with you. your rosie who plays the sweetest of melodies with your heartstrings.  
the sound of fluttering pages fills the cracks of the comfortable silence and she shifts, her legs twirling down over your lap, shoes swiftly thrown off and her gaze, unknown to you, flicks towards your face. she calls you by your nickname, head tilted, exposing the slim curve of her neck as she releases a blanket of smoke through the cherry glossed curve of her lips.  
“hm?” you hum in response and with one hand, the other effectively occupied with multitasking where they usually reside, turn the page of your book.  
a laugh escapes the sheen of her lips. “i'm sensing some sexual tension between you and that book, am i interrupting?”  
the side of your face ticks up into a half-grin, warmth infiltrating your ribcage and through your chest. you glance up from your novel, “kinda,” you tease, eyes softening into a warmer hue once they connect with pools of deep, hypnotizing browns. “mind giving us a moment?”    
“ha. ha." the corner of her lips curve upwards, sarcastic, as she removes the blunt from her parted lips. she sits up and slide over the wooden floor, much closer to you and the substantial, sweet floral aroma of her jasmine and basil fragrance mingles with the herbal scent of weed as she hands the joint over.  
“your mother was the one to assign this to me, you know.” you slump your weight against the soft beige wall, holding the blunt between your lips, before taking a drag out of it, inhaling, holding and releasing it through parted lips.  
“of course she did,” roseanne replies, vexation beneath the delicate pastel shade of her words. you abstain from calling attention to it because here, golden girls like roseanne shouldn't feel anything synonym to anguish. golden girls like roseanne have everything, so why would there ever be a fold between her brows? here, golden, beautiful girl roseanne never has anything but euphonious laughter.  
but the glint of sport in her eyes never wavers, so casting the book aside, you resort to laying a comforting hand on her thigh because you know the golden girl with saccharine smiles, the one who evoke tropical storms in your chest is solid bones and perfect imperfections in a sea of deceptive beings.    
“what’s it about?” she adds, her fingers stringing with yours as the syllables overflow on her smiling lips. her smile, all-too-familiar, whirs something up your spine and her touch seems to burn into your palm, through the cracks of your fingers.    
you take a drag, holding it until it burns, and pass it back to her, “charles duhigg,” your hands never part as you reply, a blanket of smoke slipping out. “the science behind habit, creation and reformation.”    
“so, tell me,” she quips, rustling, inching closer, all hot breath and intoxicating perfume, the tip of her ears crimsoning when you maintain eye contact, “would you rather kiss charles duhigg or, me?”    
"roseanne," you taunt good-naturedly, a laugh looming around to waver your lips. "are you jealous of a forty-something-year-old?"  
you follow her eyes fluttering down to your lips, sharp and wanton. she breathes in another hit then says, "can you blame me for wanting all the attention?"
she wraps her lips around the opaque blunt once more, the scene arbitrarily sinful but then, rather than inhaling it, she cradles your jaw and hovers your lips. exhaling her breath into your willing mouth; it's undoubtedly one of the hottest things you’ve ever witnessed, and if possible, it heightens the smoke wafting in your gut with a coiling warmth.  
“there’s no way i can blame you when you’re pulling shit like this.” you breathe out, slightly dazed from the smoke or her. you don’t really know. 
“i know,” she whispers, several beats too late, breath ghosting atop your lips until they’re meeting in a smooth plash of lips, fluttering lashes and warm breaths.  
the second roseanne’s tongue presses into your mouth, light and pliant and sweet-tasting of hot chocolate, imbued with the smoky aftertaste, you float through a state of euphoria. your hands linger down to the soft curve of her ass, squeezing. you can’t resist the urge, sticking a resounding slap on the round of her ass, loving the surprised moan that’s torn out of her.
she captures your bottom lip into her mouth, teeth toying with the flesh and something about that is thoroughly gratifying to you, as is her quiet pant against your mouth when you draw away – dizzy from lungs running out of air, she pecks your lips a final time before shifting back.  
she sinks herself comfortably between your legs again, perched on your lap while you continue passing the second joint back and forth. as it shortens in size, you grow more physical. your hand never leaves her ass, ghosting over the silken lace of her underwear. roseanne is not far off; she sighs under every single one of your touches, hands threading down through the collar of your shirt, nails roaming up and down your back, scratching lightly at the plains of your shoulder blades.  
you take two to four more hits, you think, you’re not too sure. you've lost count because now the haziness in your head is growing stronger, the sounds are softly intertwining with themselves that you have to haul her closer by the waist as to anchor yourself and think.  
“you think,” you clear your throat, trying to swallow down the dryness. “you think we could order something to eat?”  
roseanne turns her head languidly from the tiny spirals of smoke wafting in the air, her eyes fleeting to yours following a couple of seconds. she peeps at you, “mmhm," she utters. "i guess. well, yeah, it would make sense ... right?" and she titters.  
after holding a straight face and retaining the roach (that you still haven’t noticed has been extinguished) for a few moments, contemplating, “rosie,” you let out a stifled laugh suddenly, like a blend between a snort and a chortle. “you really think the delivery guy, like, the car … can get up here?”  
your bones feel weightless. like you’re soaring, there's nowhere else you'd rather be, and every bone in your body is at ease for the first time today. roseanne shakes with gentle laughter, cradling the scrap of the joint in her hands like religion and setting it aside, next to your knees. 
she clumsily knocks the ashtray over, cursing. it's too endearing, you can’t help but mirror her accent, giggling when she pouts and steady herself from falling as you dissolve into a weed-induced puddle of laughter, stomach shaking, fighting a new hurricane of giggles herself. you just have a way of imitating her accent that is almost uncanny.  
“asshole,” she leans her body into yours, pressing your chests together, feeling yours lift against hers. she then stretches her hand to descend the tip of her nail down your collar.    
“your one and only.” you drawl, drawing in a long, faint breath.  
the warmth hasn’t left your body still, it seems to be making its way from your chest to the rest of your being. you tip your head back so it’s resting on the back of the furniture, eyes lazily drifting over to the window. outside, the sky is clear, a stunning tone of cantaloupe, the sun about sitting so low in the sky it dazzles you through the clefts of the buildings and canopy of trees. this place has become your favorite; it’s all just so peaceful and beautiful here, away from the day-to-day activities.  
you're feeling the floor below you stir like you’re in one of those massage chairs at the mall, combating the inexpressible comfort of roseanne’s weight on you and the sudden mass of your eyes – it wouldn’t be the first time you fall asleep right after smoking. usually, you'd instantly pass out to the steadfast rise and fall of her heartbeat, and she’d follow suit, curling in on herself against your chest.  
“this weed is,” the sway of her voice brings you back from your daydream, “wow.”    
picking your head up and letting the blood rush back down your neck, your brow ridges and you shift, sitting upright and inching closer to gaze into her eyes – they’ve turned a reddish hue, heavy-lidded, but as breath-taking as ever with pools of deep, mesmerizing, mocha brown, and you say, “well, it’s definitely hitting.”
you're becoming increasingly conscious of her nail gliding lower between the top buttons of your white buttoned-up shirt – you don’t recollect exactly when they’ve been popped open, but you don’t have it in you to think long and hard about it. the finger’s tracing the dark bites that have been pressed against the soft mahogany flesh of your skin, progressive shivers creeping up your spine.  
“babe,” she whispers, and it’s the lilt of her voice that makes you glance up at her. when exactly did she pick the blunt back up? the shape her lips make to get those flawless smog rings remind you of the other instances when her mouth’s carved similarly – it’s when she first wraps her lips on your thumb and she teases, tongue swirling around the digit, just playing, taunting. she'd push it in and out of her mouth with suction and with her tongue, she’d bob her head, maintaining your eyes locked through the ordeal. knowing all too well that she's gorgeous with your fingers in her mouth.
“you’re okay to keep going?” she questions, moaning when you bunch her skirt up to press your hands back on the soft, small plump of her ass; they fill both of your hands, moulding back against your palms. you land a kiss on the sweet, red blossomed apple of her cheeks.  
“how can i refuse when i’ve been eyeing this ass all day long,” you murmur, running a hand up, snapping the waistband against her skin. 
that’s all she needs to press her lips against yours.  
you lose yourself completely in how thoroughly your lips effortlessly glide against each other, it turns sweeter, cotton candidly sweeter. then lustful and something entirely more celestial. it could just be the weed accentuating the brush of roseanne’s tongue against yours but you know it would feel almost as good when sober, or even better – you’re not quite sure, each time always feels different than the last.  
“rosie,” you ripple against her lips and she hums, moans mingling for a few moments, your hands gripping up the juts of her waist as she detaches from your lips to start mouthing at the junction of your neck and jaw, teeth scouring down your throat.  
she grips, getting a fistful of your shirt in one hand with the other curving within the heated skin at the base of your neck. your bodies are so close, warm, and she wants to look at you but she’s in some kind of stage where all she aches to do is let her lashes wave shut, so that’s what she does along driving her hips instinctively down against your thigh.  
even through all the layers of clothing between you, you can feel the wetness sliding through the flimsy fabric of her underwear on your bare thigh; the delicious friction of against each other. 
your hands part from her hips to shed your school blazer instead, and roseanne opens her eyes to unbutton her shirt as you grab at yours, unceremoniously yanking it out of your skirt and sliding your palm up the delicate valley of her stomach. hand sliding up further still, you’re cupping, kneading her breasts, bringing an exceptional churning in her gut when one of your thumbs stroke her nipple through the lace. it's off with a quick push of your fingers.  
she stretches out her stomach, feline-like, curves her back and chest out, granting you the sight of her petite breasts as she swivels back and forth back along the length of your thigh. “touch me,” she coos, “please, baby.”
“touch you,” you reiterate, finger tracing the outline of the damp spot lining up her labia. she pushes up her knees to raise herself only the slightest bit higher, “here?” she whines as your touch makes her nerves jump, stroking her lips slowly through the cloth, hoping to further drive her out of her mind.  
slipping your fingers into the hem of her panties, the cloth clings against her sex until you push back against it. you shuffle a little so that you could capture her nipples between your teeth, sucking on the bud. her entire body tenses above yours, arms wrapping around your neck, cradling your head closer to her chest.  
slick is smearing all over your panties, merely from relishing her like she’s a fucking gift from the gods, preening when her hands quaintly smooth over the back of your neck and your fingers play, lazily and easily through her lips.  
she gasps against your ear as your fingers run over her entrance, pressing and teasing, slow and calculated, sliding in the slightest so rose could feel the webbing of your fingers just barely inside of her.
a final tug on her reddened nipple, you withdraw your fingers.
without notice, roseanne’s vision tilts, and she finds herself yelping with her back on the polished, wooden floor with your body hovering hers and a dopey smile adorning your lips. her focus narrows into the manner your eyes dilate – lust and the effects of weed in them. “was that … indica?” you ask, a childlike nature to your voice while sliding her panties down her legs, then yours. you drop them near and kneel before her.  
“i don’t –” she cuts herself, contemplating the fleeting body-warming euphoria that expands through melting and blissful relaxation. “mhm.” she titters, letting the word draw itself out slowly.  
she gives you that look – peering up at you, heavy eyes open and telling as she spreads her legs, revealing parted, wet lips, swollen and pink from what feels like hours of teasing. you stare longingly, pupils blown, squirming and urging to get your mouth to taste her.  
you dip down. roseanne feels the warmth of your breath, and then the first hot touch of your tongue on sensitive skin. she breathes out, tilts her hips up against your mouth, so you move the muscle brusquely, forward at an angle that catches at every lap.  
you’re ridiculously skilled at this; seriously, no one, not even her fingers, knows her body as you do. no one else makes the pleasure overtake her mind as you do, as you flick your tongue and suck on her clit, thoroughly enjoying the way her sweet, even as a salty mix dribbles down your tongue. you're murmuring what sounds like appreciative, sugary words that roseanne can’t entirely make out, she succumbs in the soothing oscillations of it, punctuated by the intervals when you prob and poke with the tip of your tongue. she pushes back into it, chasing the feeling of that tongue gently opening her up, exploring for more.  
then, still feeling quite indolent and mellow, you're nonetheless agile to move, sliding roseanne’s long legs over your shoulders. and with a quick mewl and purr tumbling out of you, you grasp her skirt in the balls of your fist and shove it up her stomach, then gather yours to situate yourself over her glistening lips. the first thrust is everything. she had sealed her eyelids shut again, laid back down and gone docile, allowing you to rut freely against her like – contented with being handled however you like. but when her hips roll up to press back against yours, it startles a moan from you, the sensation of it making both of your bodies sigh.
there's a certain rush; like the one you get when you’re veering the wheels of your bike for the first time, or the one where you’re getting away with something you should not have. this rush is the one currently coursing through your veins, a rush of want that floods through you, feeling almost surreal, rendering you lightheaded. you're almost, almost worried something else was laced in the blunt, but roseanne’s pussy proves powerful for it gently coaxes you out of your anxiety-inducing thoughts.  
they're gone with each thrust sending her body forward. you can’t help speeding and hardening the rolls of your hips in quiet appreciation. each jolt makes her whine and thrill— you have to grit your teeth to not reach your high before hers, intent on coming at the same time. you grind harder onto her, make her feel each thrust— no area of her core left untouched.  
“you look so beautiful, rosie,” you lick your lips, the feeling jubilant. past rapturous you can hardly finish your sentence. "and warm, you’re so fucking warm.”  
chest heaving, her throat’s enticingly on display and you think of wrapping your hands around it to feel the pounding of her pulse – it beats against your fingers, singing in no particular rhythm. but it remains a sound you wouldn’t mind feeling and listening to, over and over again.  
you rub harder into the body lying beneath you, brutal and animalistic, carnal taking up your nature to feel more. the space between your bodies is so wet and she might be unbelievably tight, you regret not doing this at your place so you could fuck the living out of her with one of your straps.  
“—fuck,” you hear her gasping, her nails drilling into the hand wrapped around her neck, “keep going, don’t stop—”  
the wet sounds of your flesh meeting, the grip on her hipbone and your hand roaming all over her body every time you buck against her clit, hard and faster —the more you can’t take your eyes away from the jiggle of her breasts. you stroke your thumb up and down, feeling out the little lump of her thin nipple and her mouth opens in mid-gasp, grasping your ass when her hips give out, lazing prone on the cold wooden floor of the room as your body blankets over hers. your hips don't stop thrusting.  
you're rendered voiceless and utterly reckless, letting natural reactions taking over. the sparkle in your eyes burn for a split-second, then a gut-wrenching moan, cut from deep inside you. roseanne throws her head back, returns travelling on her series of heresies, combined with a bit of praise in the mix. “god, babe, right there … mmm—my fucking god,” she cuts herself off as you almost effortlessly pin her hips down, not enough to hurt, but more in a show of dominance.  
and the release that hits you just never fucking ends; it comes in waves. sober, you’d be surprised at how quick you’ve come, losing your thread altogether, but it only takes four long, premeditated but frantic rolls for you to send yourself in a complete state of a body awakening – it's almost too much to move any more than just the bare minimum – two more to enhance the sensations for both you and roseanne, the latter’s body reacting before her mind could race to a conclusion. her eyes flow open, hands scrambling to clutch your asscheeks tighter when she feels herself pulsing, thrumming and seeing white behind her lids.  
“holy -”  
“fuck.” you finish for her, elbows coming down on either side of her head, so close to collapsing if it wasn’t for the way roseanne’s staring up at you. it's the look of admiration she always gives you when you’ve fucked her just right.  
you kiss down her body – but not without a little slap on her ass. as you lay pecks on her thighs, kiss bruises and marks onto them, you bite and nibble on them, clit twitching at the familiar scent of her dripping heat. it just has that thing that makes you delirious, like alcohol. you give a tentative lick.  
she jerks from over-sensitivity, while her cunt throbs for what is to ensue. walls stretching to accommodate the length and thickness of your fingers slowly entering her, lewd sounds and heat licking deep through her chest. you dip the second digit in earnest, your burning touch only seems to make her core burn with greater need.  
then, in the spirit of simply breaking her, you find her g-spot easily, ramming your fingers into it repeatedly with faultless confidence before pulling away.  
roseanne clenches, whining at the emptiness. being filled just a few seconds ago to feeling friction, to her walls abruptly empty. the pressure inside of her gone, she squirms around trying to find your finger to sink back into her body. she moans, then tries again when all she receives is a giggle, hearing the teasing in your voice, but not possessing the patience to deal with it right now 
... “daddy, please.”  
it comes out breathy —imploring and wanton and you almost shake in rapture.  
“you know i love it when you call me that, rosie,” you come up to murmur against the shell of her ear, words dripping an avid rush of honey. it repels any form of weed-produced laziness that’s taken ahold of your limbs. 
roseanne guides your hand back towards her entrance, gripping down so you can’t move away from her – except, she knows it wouldn’t take much to overpower her, but she does it anyway. she feels the plush push against her walls, then you’re slowly filling her again, setting her nerves ablaze and she let herself cry your name, light curses, whatever comes through her mind out as you rub the spot that makes her toes curl.  
you're gradually lured into snapping your hand, just to wallow in the release of breathy sighs and cries of ‘daddy’ in the crook of your neck that leaves the blonde’s lips every time you force the sound out of her.  
you press your body flush against her form and writhe your fingers in a single-minded purpose inside her dripping entrance. you lick at her pounding pulse and plunge deeper in to make it soar higher and faster than weed ever could. she presses her hands into your shoulders, digging half-crescents into the fragile texture of your skin; clutching for more of your warmth against her.  
with the windows open, people could definitely hear the mundane debauchery taking place right up inside the building. but she simply can’t hold in her moans, despite her best attempts at deadening them. 
body unfurling, as your prodding fingers slides out at her entrance, pressing harder and harder until they slip back inside to hook deeper into her warmth — she sighs and throws her head back, body moving, torso arched, light nipples on opaque skin scrounging for your tongue. however, you’re pre-occupied with sliding in and out of her, kissing the pretty gasps out of her lips.  
your palm hits against her clit each time, her inner muscles beginning to contract and squeeze around your fingers. she's so fucking close, you know it, so before she can start thrashing, you get better leverage. you push one of her legs wider with your knee to get deeper and pump freely inside of her, and the increased volume of her moans send a wave of arousal through you.
the more stimulation to her body causes the buzz to alter in one way or another. her vision is fuzzy as lazy eyes squint up at yours, body like jello that could collapse into a puddle any second. for the briefest instant, it’s almost too much to wrap her head around. it's some sort of fucking extraterrestrial experience, her almost entirely useless brain offers, as it proceeds to liquefy completely, overwhelming orgasm burning down her abdomen like scalding lava, leaving her breathless.  
a while later, when the sun’s stopped blossoming in the sky and a blanket of stars have taken the grace of a breeze over your heads, you’re back in your original position – roseanne straddling your waist, buttermilk hair brushing over her breasts, lissome and comely body draped back in her bra and skimpy panties.  
she leans down and inches her chin forward so she can seal her lips and mouth over yours. she drags her tongue, asking for permission. the taste of your skin, your perfume and scent of your body is intoxicating. the high’s worn off, now she could get drunk from just having her thighs wrapped and caging around you, kissing you for hours on end.  
“hol’ up” then she’s pulling away, before leaning over the side to reach for your bag, procuring a small plastic bag.
you eye her with amusement, “while i don’t mind lighting up another one,” you start, the sweet, nonetheless imposing, concern in your voice is palpable, “grab my sweater first in there.” you nod towards the bag. you've closed the window but the weather is known to seep through bones once blankets of dark clouds had already rolled in.
roseanne smiles and rolls her eyes, dropping to kiss your cheek, then neck, then cheek once more. she has to tear herself away with a fit of laughter when you reach up and get a hand in her milky curls, directing her mouth to yours in a show of biting and toying with the sheen of her lips.
the wool blend of your sweater looks the best on her, it draws down to expose one finely boned shoulder and you wish to paint constellations on the exposed neckline, to dart hot kisses against the silky skin.
you watch, admirably as roseanne uses your abdomen as a workplace to pack the bits of weed into the blunt wrap she had also pulled from your bag. her nimble fingers work everything expertly into a rather attractive roll before bringing the blunt to her lips to lick down the length.  
“the joy of roleplay,” she mentions, quite pleased from the attention. “we should do it more often.” 
cocoa eyes peek at you from under long lashes before swiftly looking bavk down at her work. “daddy~” she adds.
“christ, rosie, don’t make me take you here again.” you deadpan, embarrassed, looking at her as though she’s meant to understand the gravity of your statement.
roseanne just laughs, conspicuously displaying how perfectly aware she was on the effect of her recurrent use of your ‘nickname’ in the most inappropriate choice of settings and moments.
you slide one hand up, rubbing and massaging the curve of her waist while she soothes down the edges with her fingertips, and grabs the discarded lighter from the floor to light the end up.  
“professional,” you chuckle, and wrap your arms around her. she blows smoke halos in your face, bubbled laugh when you playfully gust them away before bringing you into a kiss. she hums as she closes her eyes, and glides her tongue across your bottom lip. “we’re never getting out of here if you keep this up.” your words a breathy pant between grazes of tongues.
“good,” she whispers, connecting your foreheads, unfocused gaze of seductive, glassy-eyed squint burning as she flicks them down to look hungrily at you. “because i'm taking what’s mine until i'm satisfied.”  
and you wisely do not voice an objection. one of your last sober thoughts before your skirt’s tugged down your legs.  
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zedecksiew · 3 years
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Kriegsmesser
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When I received Kriegsmesser in the mail I finally googled "kriegsmesser", and found out it meant "war knife". Which makes sense; Gregor Vuga's ZineQuest 2021 project is a tribute to "roleplaying games named after medieval weapons".
I love Warhammer Fantasy Roleplay's piss-renaissance Old World setting. I tend to pick up WFRP-a-likes sight unseen:
Warlock (quality);
Small But Vicious Dog (yesss);
Zweihander (which I have come to hate); etc.
Anyway: I backed Kriegsmesser without really knowing anything about it. So Kriegsmesser surprised me.
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Kriegsmesser grew out of a Troika! cutting. Its 36 backgrounds are compatible with that system: each come with a couple of lines of description; a list of skills and possessions; an a visual cameo cropped from actual 16th-Century woodcut art.
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Cohesive and competently flavourful. My favourite is the Labourer, who always starts with "an empty pine box":
"You've spent your life breaking your back, working hard for other people's profit. You have nothing to show for it but a spectre of the future."
(The obligatory ratcatcher-analogue , called the Vermin Snatcher, is here -- check that box!)
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Kriegsmesser also comes with its own ruleset. Hits all the notes it needs to, with lots of orientation and advice for how to run a game -- but ultimately super-simple, mechanically:
Roll d6s equal to the value in a relevant skill, look at the highest result. 6 means you get what you want; 5 or 4 means you get what you want, at a cost.
It's not quite a dice pool, since only the highest result matters. No opposed tests.
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Kriegsmesser intends to have this base mechanic handle fights, too. The combat rules - with armour, toughness and weapon values -- are nested in an optional section.
For a WFRP-a-like, this feels like a purposeful departure.
Many of WFRP's most celebrated adventures are celebrated for bits that their underlying ruleset does little to support: the investigative structure of "Shadows Over Bogenhafen"; the complicated timetable of "Rough Night At Three Feathers".
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Ludwig von Wittgenstein never needed a statblock to be memorable.
Not to say that lethal, hyper-detailed fights isn't super Warhammer-y. (Kriegsmesser includes an injury table, broken down by body-part -- check that box!)
But here it feels like Gregor is saying: "I'm not Games Workshop and Roleplay isn't an ancillary of Warhammer Fantasy Battle; we can evoke grim-and-perilous-ness even if we fork away from heavy combat rules."
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It has become ritual for me to read my partner Sharon to sleep.
Sometimes I read her RPG things. The other night, after I read her Kriegsmesser's introduction --
" The Empire wages an eternal war against Chaos. Its priests preach of Chaos as an intrusion, something unnatural ... These men see Chaos in anything that does not buttress their rule. They call it disorder, anarchy, corruption. They say that to rebel against their order is to rebel against god and nature. That the current arrangement is natural, rather than artificial.
" Meanwhile, the common people look to the Empire to deliver the justice that they were promised and they find none. They look to the Empire and do not see themselves reflected in it. They look around at what they were taught was right and good and see only misery.
" Their world begins to unravel. Chaos comes to reside in every heart and mind sound enough to look at the world and conclude it is broken. "
-- Sharon remarked: "Nice one."
The RPG things I read her generally leave Sharon lukewarm. She has enjoyed a couple -- but, yeah: for many of these books, text isn't their strong point.
Kriegsmesser is the only time I can recall Sharon praising the writing of an RPG book without my prompting.
Nice one.
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That introduction surprised me. It underlines Kriegsmesser's biggest departure from its WFRP-a-like pedigree: how it characterises Chaos.
Corruption, a mainstay of most grim-dark-y games, is made an optional rule, like combat. Explaining this, Gregor writes:
" Kriegsmesser partially subverts or deconstructs the traditional conceit of Warhammer where the characters are threatened by the forces of Chaos. In this game it is the player characters who are the agents of 'Chaos': they are likely to become the 'rats' under the streets, and the wild 'beast-men' in the woods bringing civilisation down. It's the Empire and its nobles and priests that are corrupt ... "
Describing the Empire, Gregor writes:
" The Empire encompasses the world yet is terrified of the without. It enforces itself with steel and fire yet considers itself benevolent. It consumes the labour of others with bottomless hunger yet calls its subalterns lazy, or wasteful, or greedy. "
Holy shit this is the first time I've seen the word "subaltern" in an RPG thing, I think?
I love this.
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Rant incoming:
With every passing decade Warhammer abridges its Moorcockian roots more and more; nowadays it is "Order = Good" and "Chaos = Evulz", pretty much.
Gone are the days when chaos berserkers are implied to grant safe passage to the helpless (because Khorne is as much a god of martial honour as he is a god of bloodletting); Or that the succor of Papa Nurgle is a genuine comfort to the downtrodden; Or that Tzeentch could unironically embody the principle of hope, of change for the better.
As Chaos is distilled into unequivocal villainy, Order goons get painted as Good Guys by default --
Giving rise to Warhammer's contemporary problem, wherein fans are no longer able to recognise satire.
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When I was introduced to 40K, it seemed pretty clear that the Imperium was a Brazil-esque absurdist-fascist bureaucratic state: planets are exterminatus-ed due to clerical error; the way it stamps out rebellions is the reason why rebellions begin in the first place.
Tragi-comic grimdarkness. That was the point.
Nowadays that tone has shifted -- and you're more likely than not going to encounter a 40K fan who argues that the Imperium's evils are a justified necessity, to prevent worse wrongs.
We went from:
"Space Nazis because insane dumbass fuckery, also chainswords vroom vroom rule of badass!"
To:
"Space Nazis because it makes sense actually, and also chainswords make sense because [insert convoluted rationalisation here]."
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Even Fantasy Flight's Black Crusade line, which ostensibly offers a look at 40K from the perspective of Chaos, never truly commits to its conceit.
With prep you could play a heroic band of mutant freedom fighters, resisting the tyranny of the Evil Imperium --
But I don't remember Black Crusade giving that kind of campaign any actual support. Its supplements service the relatively more conventional "You can play villains!" angle; the Screaming Vortex is a squarely Daemons-vs-Daemons setting.
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This tonal drift culminates, in my mind, with Age of Sigmar, Games Workshop's heroic-fantasy replacement of the old WFRP / WHFB setting.
Here's the framing narrative for AoS's recently-launched Third Edition. Let's see whether I've got things right:
A highly professionalised, technologically-superior tip-of-the-spear fighting force (the Stormcast Eternals);
Backed by an imperialist military-industrial complex (Azyrheim);
"Liberating" rich new territories (Ghur) for exploitation by a civilised settler culture (Settlers of Sig-- I mean, Free Cities);
Justified because the locals are irredeemable heathens (Chaos and Kruleboyz).
I mean, that's a sweet-ass Warhammer setting. It's contemporary, laser-guided lampoon. Except it is played totally straight.
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In AoS, a literal crusade is justified as the moral good.
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I think Kriegsmesser surprised me because its framing of Chaos -- as a promise, as the light of hope shining through cracks of a broken world --
It feels so fucking right.
Yes: its a subaltern deconstruction of the conventional moral universe of Warhammer -- but it is a take that is also already implied / all but supported in the various depictions of the setting: from WFRP to the modified title-crawl of Black Crusade.
I'm annoyed I didn't think of it, myself. Damn you, Gregor!
And I'm annoyed that more Warhammer fans aren't thinking it, also.
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lmagine if Kriegsmesser's perspective stood on equal standing as the GW orthodoxy. Imagine if, instead of simplifying stuff into "Order = Good" and "Chaos = Evulz", GW did a Gregor Vuga.
You'd have a Rashomon-ed Warhammer, where villainy depends on perspective:
You are fearful villagers, huddled around your priest, muttering prayers against the wild braying coming from the trees beyond your gates.
You are Aqshyian tribeswomen, defying the thunder warrior towering over you, the foreigner demanding you bow to his foreign god.
You are a Tzeentchian revolutionary cell, desperately trying to disrupt a Inquisitor's transmissions so your home planet isn't destroyed by fascist orbital fire.
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Get Kriegsmesser HERE.
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( Image sources: https://theenemywithinremixed.wordpress.com/2021/05/21/thoughts-on-the-4e-death-on-the-reik/ https://www.criterion.com/current/posts/59-brazil https://www.deviantart.com/faroldjo/art/Warhammer-40k-Black-Crusade-273596035 https://www.warhammer-community.com/2021/06/09/fancy-a-new-life-bringing-order-to-the-mortal-realms-join-a-dawnbringer-crusade-today/ https://www.nme.com/blogs/the-movies-blog/team-america-15-anniversary-south-park-2558750 https://commons.wikimedia.org/wiki/File:Palestinian_children_and_Israeli_wall.jpg )
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mraeelli · 2 years
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Hi guys! I’m opening up my commissions for 2022! 🥰 I will be doing it slot based now for every month and will update my status on my tumblr page itself (on the left box). I would love to draw/paint your characters! Email me if you’re interested 😊 (more info below the cut) 🤗🎀 For end of January I’m opening up one slot! ✨ 
What I can do: +Original Characters +Fanart +Mild Nudity/Artistic Nudity +I accept text descriptions and supporting references, though the payment will differ slightly due to me having to design from scratch. +If there’s anything you want me to draw that isn’t listed here, don’t hesitate to ask! I’ll see what I can do :)
What I can’t do: -Explicit NSFW -Anthro/furry characters -Heavy Gore/Sci-Fi (If it’s not too complicated then I might be able to do it :) -I just have very low confidence in myself doing sci-fi designs) -Mech -Overly complicated armor (but this one is negotiable, you can contact me for more info!) -If i find any subjects uncomfortable for me to draw, I reserve the right to turn the request down
Additional Info Personal usage only, and I reserve the right to post it on my blog or use it for promotional purposes unless you have stated beforehand that you don’t want me to. +All payments are to be made upfront through paypal invoice +Commissions will likely take around 3-4 weeks to complete, or sooner depending on how complex it is. If there are any delays I will inform you accordingly +Payment will be made once initial sketch has been confirmed and will finish through by email :)
How do I send an inquiry for a commission?
Thank you so much for taking your time to inquire/commission!
To inquire about anything general regarding the commission, i.e: a simple question about if I accept drawing this/etc. can be asked through Insta-DM, Tumblr-DM, or Tumblr-Inbox.
Any inquiries will be replied within 3-4 working days through email. To inquire about applying for a commission, sending it through email is the best way for me. Thank you!
What do I send in for my commission?
please send an email to [email protected]
*Subject: “your tumblr username” Commission*
Some things to include:
Your paypal email that you’d like the invoice to be sent to
A description of what you want me to draw (eg. your OC, a canon character) and the type of commission you want
References of your OC (or alternatively, text descriptions with maybe a face claim if it’s alright)
Info (some personality traits, anything you think is important for me to know when I am drawing)
More Info
Character Info 
General Information : Name, Age, Race, Personality and anything you’d like me to know :)
Some reference pictures (if you only have text as reference - it would be great if you could provide some images such as face claims of the character, and/or clothes that you’d like the character to be wearing.)
If you are going for the painting option, it would be great if you could tell/provide some references on the mood and lighting that you would like to go for. (For example, a dark somber scene with only the moon as the light source) - to evoke a certain feeling/story
Don’t hesitate to ask me any more questions through DM or email!
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bread-writes · 3 years
Note
Hello. May I request a oneshot about Jake Kim celebrate valentine's day with his girlfriend please? Thankyou!
i’m late for valentines rip-- oh well lmao 
Anyways, I hope you enjoy this, anon!
Spoilers for Jake if you squint near the end.
Writing under the cut!
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Jake Spending Valentine’s with His Girlfriend
Jake is--and probably always will be--a busy man. Whenever he completed a stack of paperwork, three more would suddenly appear before them. But, despite his misgivings and less than favorable life, he had you; the light in his usually dark life.
With Valentine's just around the corner, more and more work was passed on to him so the others could spend time with their lovers. As much as he wanted to just pass all of his work onto Jerry (he knew that the boy would do it if he so much as asked) he felt bad for leaving a kid with so much paperwork.
The door creaked open, revealing Jerry. Jake sent the younger boy a nod of acknowledgment, ushering him closer with a flick of his wrist before turning back to the paperwork with a sigh.
"Was there something you needed, Jerry?" Jake squinted at the small text of the report in his hand, running his free hand through his hair as a means to calm himself down. A soft sniffle came from the seventeen-year-old, causing Jake to raise a brow as he looked up from the document in his hand.
"Jerry, seriously, are you alright--"
"I deeply apologize, Jake." Jerry wiped the lone tear from his cheek, "Please forgive me."
"Wait, what--?"
Two familiar sets of arms wrapped underneath his arms, lifting him off the chair with ease. Jake could only blink as Jason and Brad continued to drag him down the winding path that led to his apartment complex They finally stopped at his doorstep, dropping him unceremoniously onto the ground before knocking on the door.
You emerged from the apartment, tiredly rubbing your eyes as you glanced between the four men. When your gaze landed on your lover, you rose a brow before slapping your forehead with a groan in realization.
"When I told you it would be nice to spend Valentines with Jake, I did not mean abduct him--what if he was busy?"
"I actually was busy. Thanks for asking, by the way," Jake cut in, rolling his now stiff shoulders. Jerry visibly deflated as he fiddled with his fingers while mumbling an apology. You accepted Jerry's apology with a pat on his shoulder before offering Jake your hand. He gratefully took your outstretched hand, pulling himself onto his feet.
"This was a pleasure," he began, "but I really should be getting back." He turned around, only to be stopped by Jason and Brad blocking the exit. Jake rose a brow, glancing between the two, "...What are the two of you doing?"
"We're putting you on temporary leave. Don't worry about the paperwork, we'll handle it." Jason brushed off his unspoken concerns motioning to you with his wrist.
Jake could only sigh, letting out a chuckle as he pushed his hair back, "I suppose a few days off wouldn't hurt." He glanced at you, a minuscule smile making its way onto his lips. You grinned back up at him, leaning in to place a peck on his cheek. The two of you bid goodbye to the three other Big Deal members before making your way into your shared apartment.
"So... Valentine's Day is tomorrow, right?"
"Wow, I'm surprised you actually remembered; being swamped up in your work and all."
"Oh, shut it." He snapped back, letting out a grunt as he flopped onto the worn couch. You snorted, taking your seat by his side as he continued to scroll through the seemingly endless amount of shows the streaming service had to offer. He wrapped an arm around your shoulders to pull you into his chest. You sighed contentedly at the familiar feel of his body heat, tracing the carefully inked lines of his tattoos.
At the sight of your favorite show, you tugged on his shirt, eyes sparkling as you excitedly pointed at the screen. Following the point of your finger, Jake grimaced, "Seriously, that one again? Haven't we watched that eight times already?" You shrugged, grounding one hand on his chest while the other reached out for the remote. He smirked down at you, outstretching his arm just barely out of your reach.
Curse him and long limbs.
Jake let out a garbled cry as you shoved his face away, lunging and successfully retrieving the remote.
"Ow, what happened to treating your boyfriend with love for Valentine's, huh?"
"What happened to letting your girlfriend watch her favorite show for Valentine's, huh?" You dangled the remote tauntingly in front of his face before resuming your place by his side.
He rolled his eyes, glaring at the show from the corner of his eye, "Fair, but can we at least pick another show?"
"Watcha gonna do if I say no, Mr. Big Boss?"
What you weren't expecting were his nimble fingers to dance along your sides--a dirty tactic that would only work on you, seeing that Jake was, unfortunately, not ticklish in the slightest. You screeched, dropping the remote before succumbing to a fit of laughter. Jake's eyes softened at the sight of you laughing, tears streaming down your face as you begged for mercy.
How he wished these sorts of days would last forever.
As his fingers ceased their movements, you greedily gulped in air, wiping at your tear-stained cheeks. Just as you were about to berate him for using such an underhanded tactic, he slanted his lips against yours in a soft kiss. The kiss was similar to the ones the two of you shared in the mornings before he left, yet far different at the same time. Gentle, yet passionate. Soft and somewhat greedy.
Just like him.
He parted slightly from you, "I love you."
"I love you too, Jake," you mumbled before once more placing your lips against his.
The remote and show remain forgotten as the two of you cuddle on the couch.
---
You were the first to awaken. Your limbs ached from staying in such a position for so long. As you tried to get up, Jake's arms anchored you in place. With a groan, you wiggled your way out of his arms, already missing his warmth as you entered the kitchen. Haphazardly scooping some rice onto a plate, you warmed the rice in the microwave whilst preparing some leftovers in a few separate bowls.
Lost in your thoughts, you missed the drowsy drag of Jake's feet until he once more wrapped his arms around your waist before placing a soft peck to the crown of your head, "Happy Valentine's Day."
"Right back at you, Mr. Big Boss."
The two of you took a seat at the dining table, sharing a few laughs and stories from your respective jobs.
"What're we going to do first?"
Jake hummed, "We can go shopping, I guess."
"You guess?" The teasing lilt in your voice evoked an eye roll from your boyfriend as he scoffed.
"Do you have anything in mind, shortie?"
"Sho--?! You agreed not to call me that!"
"Well, you agreed not to call me Mr. Big Boss, you hypocrite."
You glared at him, "Touche... Shopping does sound good, though. I heard a new bakery opened up nearby if you want to check that out."
"Sounds good to me." He nodded, gathering all of the plates and bowls on his way back to the kitchen, placing them in the sink with the rest of the dishes before making his way to your shared bedroom.
The two of you made your way through the crowded streets that were filled with couples out on dates and friends just goofing off. In one of your hands, ingredients to make chocolate swished around in a plastic bag, while the other was interlaced loosely with Jake's. 
So far, the day has gone off without a hitch. Though, you suppose it would be difficult to approach the man (teen) at a terrifying height of 6'5"(195 cm) and the woman (also a teen) smiling so freely with said teen man. The bakery the two of you planned to go to had some of the most delicious chocolate you've had in a while, hence why you bought the ingredients to make your own.
You clapped your hands lightly after laying out all the ingredients, your phone propped up a little ways away, displaying the recipe for some simple chocolate. Jake stood next to you, tying the apron behind his back before sparing you a wary glance from the corner of his eye.
"[Name], are you sure about this? We've never made chocolate and this recipe isn't... exactly "simple"."
You only smiled at him, rolling up your sleeves as you briefly scrolled through the recipe, "We'll be fine, Jake. You trust me, don't you?"
He fought the urge to shake his head, forcing himself to let out a hum of agreement.
By the end of about three trials, the kitchen--along with both you and Jake--was splattered with chocolate. Half-eaten and burnt pieces littered the counters and filled the trash bin. 
"I told you it wasn't easy."
"Shush, it looked easy." You puffed your cheeks, grabbing a rag to wipe down the counters, scrunching your nose at the smell of burnt chocolate. Jake chuckled, gently taking the rag from your and leaning down to place a kiss on your cheek.
"Yeah, yeah. Whatever you say. Happy Valentine's Day, [Name]."
"Happy Valentine's, Jake."
Jake Kim was a busy man--too busy, some would say. At only nineteen years old he was able to lead one of the Big Four Crews to find his taken friend. But, he'll always find time for you; even if he has to be kidnapped to do so.
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I hope you enjoyed this! this was actually so fun to write, but sorry I couldn’t get it out on Valentine’s oof. My fingers hurt ( ಥ_ಥ) oh the price to pay for satisfaction--
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dreamsatdusk · 3 years
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Analysis:  Baghra and the Apparat
I received an Anon ask a while back and accidentally published it before it was done a while back.  Privated the post but decided to have the final product as a new post just in case; I don’t want it buried in tags from way back.
The Ask:
Hello! Can you do a breakdown on Baghra's character and the Apparat's? I'm interested in reading your thoughts about them
Thank you for the ask!  And apologies for the delay in response.
Baghra
One of the first Grisha meta posts I wrote years ago was about how the way Baghra and her hut are portrayed evoke the impression of Baba Yaga.  Her appearance, hut in the woods (likely amidst birch trees), and something of her attitude all lend themselves to it.  Since then, I’ve also come to think there might be a bit of tie in to the tale of Vasilisa the Beautiful, who was forced to go and bargain with Baba Yaga for a light against the darkness.  
Looking past that surface, in the trilogy we are presented with Baghra as a figure both ascetic and penitential, as well as bitter and unkind.  The latter traits are well explained by what we learn of her history:  she has had a long life filled with a great deal of loss, with countless threats to Grisha and particularly to she and her son, different as they are even from other Grisha.  Her childhood was a sad one brimming with trauma and what she recalls of her parents to Alina causes me to think that she did not feel truly loved by either one of them.  I think their treatment of her and behavior toward each other shaped her perspective on life in profound ways, ones she never got past.
But the former traits don’t have so obvious a cause on page if you look more deeply.  Her lifestyle is very austere despite the fact there is no need for it - she is not on the run and in hiding any longer as she was in the Darkling’s youth.  Her conversations with Alina in regards to her son are couched in religious terms:  she is worried about his being beyond redemption, she speaks of merzost as abomination, and so forth. In R&R, she has Misha read religious parables to her to pass the time.
This clashes with what we know of contemporary Grisha.  It is said at one point in S&B that Grisha don’t put much stock in religion and we see the Darkling does not seem to either.  Not to mention the fact that he and his mother knew at least several Grisha who later became considered saints.  I find it likely they suspected other saints could also have been Grisha - Grisha and martyred for it, their true identities obscured so later people could pray to them and not have to consider the ‘unnatural’ people they were.  It makes a lot of sense that neither Baghra nor the Darkling would invest much consideration in Ravkan religion as it is presented on page.  In fact, it seems like they’d find it more infuriating than anything.  And yet.
The Second Army has no need to lead lives of deprivation.  Yes, they eat ‘peasant-style breakfast’ and such, but their rooms are gorgeous, they have beautiful clothing, sugar for their tea and so forth.  Baghra surely wouldn’t be living in a tiny dark hut in the trees unless that is what she wanted.
There’s also the fact that she shows signs of not using her summoning powers.   Even before S&S, she’s apparently quite chilly a lot.  It makes sense she wouldn’t show she could summon shadows where other Grisha could see.  But the indication is she isn’t using her powers at all.   That is another way she seems to have chosen to deprive herself, to the point of impacting her health.  Perhaps she even hoped that it would lead to her death, but apparently it has not been enough to override the impact of her amplification talent.
Looking back at the woman seen in Demon in the Wood and was glimpsed in the tale she tells Alina of her past, it very much seems to be something happened to turn who Baghra was into who we see in the trilogy.  
I suspect much of the true reason is that she is pretty much a plot device in the story.  She needs to spook and horrify Alina into running.  Her talk of ‘redemption’ and ‘abomination’ are peculiar in terms of many other elements we see in the books.  I’m writing a meta on the amplifiers and merzost and such that goes into this further, but I’ve also written some in the past about how there’s no real reason to believe merzost is inherently bad. Baghra has clearly decided it is though and speaks of it and her son’s actions in absolutist terms.  Because she needs to in order to have the narrative run how it does, more than once.
And again, what reason would this character really have to put so much faith in Ravkan religion?  
What’s a possible in-universe explanation for this?  I think the creation of the Shadow Fold works well for that.  We find out that what the Black Heretic was actually trying to do was recreate Morozova’s amplifier experiments and something went wrong.  (This is the focus of the upcoming meta I mentioned above.). The Fold happened and all of the people within its bounds were transformed into volcra. All in all, a horrific situation, however much an accident.  This could have functioned as such a systemic shock to Baghra’s worldview that she sought solace and perhaps forgiveness in religion.  I suspect she felt guilt, which is pointed to in things she says in the trilogy.  Also, she’s the reason the Darkling even had Morozova’s journals - she went back to the village she was born in and found them, per R&R.
I still think her being invested in the Ravkan religion itself is a weak point, but could be generously explained by just how traumatized she was by the Shadow Fold situation.  She may have desperately wanted something to believe in.  That said, the lack of any sign in the books of what more lies behind Ravkan religion than Saints and the fact that Baghra knows that at least several of those Saints were actually Grisha, doesn’t make this the strongest argument to me.
I also wrote some weeks back on how Baghra was portrayed as emotionally and physically abusive to Alina and according to their own accountings in R&R, other Grisha as well.  In the early days of the fandom, I never really saw that acknowledged, though it has gotten far more recognition this year with new people reading the books since the release of the tv show.
Overall, she is a very bitter person and I think a lot of what we see of her is driven OOC by her being largely a plot device and IC by guilt.  She feels guilty about the Fold’s creation and so forth and lashes out at others in misdirected anger.
I think this also relates somewhat to her treatment of Alina in S&S and R&R.  She blames Alina for not ‘adequately’ running away (went after the stag instead), blames her for the Darkling putting himself beyond redemption (in Baghra’s mind - like too many people IRL, she seems to not understand what redemption actually is), blames her for the sea whip, for wanting to find the third amplifier.  She blames Alina for these things, but it is likely a mask for further personal guilt. Of all people, Baghra is likely the one who would have been most successful in stopping the Darkling before things took the path they did.  He trusted her.
But her nasty treatment of others obscures that Baghra is largely a passive character in the trilogy. Whether out of love or some variety of religious concern, she doesn’t try to kill her son.  She doesn’t remove Alina from the situation in a more final way, only tells her to run.  And in the end, she commits suicide rather than more directly confront the Darkling.
The Apparat
Okay, after all that, I don’t have near as much about the Apparat. *L*
If Baghra’s surface details are meant to evoke Baba Yaga, then I think the Apparat’s point to Rasputin.  His physical description was practically a caricature (if you’ve only seen the show, he looked far less revolting in that than he was described in the books) and he starts out as a trusted advisor to the Ravkan royal family.
One of the big questions about the Apparat is about what he truly believes.  He was in cahoots with the Darkling around the coup against the Lantsov dynasty in S&B, but he later swung his support behind the Sun Summoner.  I think it would be a believable reading of the text to suspect he may have planned to do so since learning of Alina’s existence.  There’s no real reason to think he truly supported the Darkling’s cause or cared much for Grisha themselves; on the latter point, I think the greater support is for the idea that he does not care about the Grisha and just used them to get what he wanted.  
His presentation is a mix of True Believer and power-seeker and a great deal of the questions around him relate to where one thinks he falls most strongly on that spectrum.  Alina’s interactions with him in S&B have the hallmarks of a fanatic, but then, these signs are also seen through Alina’s eyes and you have to consider whether she is seeing reality or a careful act.  I think the case could be made for either.   But either way, I also think he wanted power.  I suppose you could argue he wanted power on behalf of Sankta Alina, but I think his actions in R&R show that an Alina who wasn’t going to comply with his wishes was deemed more trouble than she was worth. If she had died, I don’t think he fundamentally would have cared.  She had established enough of a reputation, was known to enough people, that he could have exploited her as a martyr without having to deal with the reality.
The Apparat was the sort of character I tend to really dislike (religious manipulation, etc.).  Something that struck me in all the books is how more than one character was strangely...tolerant of him. He backstabbed people more than once and yet nothing was every truly done about it.
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sciatu · 3 years
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LA LUCE DI MONREALE
Le parole possono descrivere e sedurre ma non possono bastare a evocare la bellezza della luce di Monreale. Quando entri nella cattedrale, i tuoi occhi, storditi dal sole che imbianca la piazza davanti ad essa ed abbagliati dal chiarore del portico di ingresso, restano per un attimo ciechi, per poi lentamente riscoprire la luce tenue che penetra dalle finestre, il suo esitare diventando penombra nelle navate laterali e quindi accendersi sull’oro dei cassettoni ed infine risplendere nella luminosità vetrosa e dorata delle tessere dei mosaici ed è come se un coro con migliaia di voci incominciasse in quel momento a cantare. A questo punto ti rendi conto dell’immensa bellezza di questo racconto descritto sulle pareti della cattedrale in cui rivive quella drammatica ed intensa storia d’amore che unisce l’uomo al suo Dio. Comprendi che Monreale è un cantico luminoso, dove artisti di origini e culture diverse hanno descritto quello che era stato appena abbozzato nelle parole scritte nelle antiche pergamene, quello che era solo accennato nei nomi dei racconti e delle storie bibliche. Le pareti della chiesa descrivono, definiscono, rendono certi ed evidenti, quanto nascosto nell’oscura intimità dei sacri e inaccessibili testi, dando alle nere parole colori e grazia, sensualità e forza, pietà ed amore. Ecco gli angeli dalle ali turchesi, ecco l’immensa Babilonia, i santi guerrieri i melanconici profeti, i potenti re, l’abbraccio dell’amore immenso e avvolgente del Pantocratore. Il tutto dettagliato in una sequenza continua, un film i cui fotogrammi sono fatti di pietre colorate unite dalla sola abilità umana. Ti senti un’anima cieca che attraverso gli occhi vede finalmente il mondo nella sua violenza, nelle sue terribili malattie, nelle incertezze, nelle rabbie e nel salvifico amore, tra le urla dei disperati e la continua ricerca di un amorevole misericordia. Il tuo stupirti e ammirare è la preghiera di un miscredente, la conversione di un insensibile alla grandezza dell’arte, all’abilità degli artisti, alla inesauribile ricerca di rendere concrete entità immateriali come la fede, l’amicizia, l’amore. Questo e non solo questo, è la luce che vedi dentro Monreale.
Words can describe and seduce but they cannot be enough to evoke the beauty of the light of Monreale. When you enter in the cathedral, your eyes, stunned by the sun that whitens the square in front of it and dazzled by the light of the entrance portico, remain blind for a moment, and then slowly rediscover the soft light that penetrates through the windows, its hesitation becoming twilight in the side aisles and then light up on the gold of the coffers and finally shine in the glassy and golden brightness of the mosaic tiles and it is as if a choir with thousands of voices began to sing at that moment. At this point you realize the immense beauty of this story described on the walls of the cathedral in which the dramatic and intense love story that unites man to his God relives. You understand that Monreale is a luminous canticle, where artists of origin and different cultures have described what had just been sketched in the words written in the ancient scrolls, what was only hinted at in the names of biblical stories. The walls of the church describe, define, make certain and evident what is hidden in the dark intimacy of the sacred and inaccessible texts, giving the black words colors and grace, sensuality and strength, pity and love. Here are the angels with turquoise wings, here is the immense Babylon, the holy warriors, the melancholy prophets, the powerful kings, the embrace of the immense and enveloping love of the Pantocrator. All detailed in a continuous sequence, a film whose frames are made of colored stones united by human skill alone. You feel like a blind soul that through your eyes finally sees the world in its violence, its terrible diseases, uncertainties, anger and salvific love, amidst the screams of the desperate and the continuous search for loving mercy. Your amazement and admiration is the prayer of an unbeliever, the conversion of an insensitive person to the greatness of art, to the skill of artists, to the inexhaustible search to make tangible, intangible entities such as faith, friendship, love. This and not only this, it is the light you see inside Monreale.
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mymelodyheart · 3 years
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Miles Between Us Chapter 2 ~Words~
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Previously in Stories She Wrote ...
Claire ignored the jest. "So you really think I should publish my story?"
Her friend nodded excitedly. "Absolutely! You should have let me read it sooner. From what I've seen so far, you have good, solid material, and I'm convinced, when I read the rest, it will not disappoint." She stood up and smiled. "Come on, in as much as I'm all fired up after reading your story, I'm famished." She got up and left the room.
Instead of moving from her position, Claire stared at her work for a few seconds and just breathed. Although Willie and Annalise were sincere with their praises, she couldn't help but still feel nervous. This next step in her life could either turn out to be huge, or it could get her mocked out of a dream career she loved. 
Pushing aside her doubts and thinking of Jamie, she quickly compressed a copy of her story's file and sent it to him via email to read, hoping he would like her written work too
  If you wish to read this on AO3, here is the link.
If you wish to read this from the beginning:
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 WARNING: VERY EXPLICIT SEXUAL & LANGUAGE CONTENT
  Jamie walked into his cottage and was greeted by his dog Rollo and cat, Adso. He tossed his keys on the dining table as he absentmindedly rubbed his pets alternately behind the ears and scrolled through his phone. He smiled. There was an email notification from Claire and a text letting him know she would be calling after dinner. After turning on his laptop, he shrugged off his jacket, placed it on the back of his chair, and then went to the kitchen to feed his companions, thinking his own dinner would have to wait, too eager to read Claire's email. 
Feeling the chill, he put firewood onto the grate and set it alight, before making a mug of black tea and heading back to the dining table. Once there, instead of immediately opening his email, he stared at his desktop photo. It was of Claire, wearing nothing but his shirt and sitting cross-legged by the fireplace with a bowl of breakfast. Without conscious volition, he touched the picture on the screen and then brought his fingers against his lips. Miss you, Sassenach. Although work and obligations had filled his days, time seemed to go so painstakingly slow, his mind constantly wandering to her. It pained him not to have her by his side, but he knew it was a little sacrifice for what lay ahead of them.
Sighing, he opened the email. Please read and tell me what you think, love C, it said. 
After clicking on the attachment, he extracted the content and found a file with Word documents. He enlarged the first page, skimmed through the paragraphs and realised it was Claire's work. After taking a sip of his tea, he proceeded to read from the beginning.
A few paragraphs later, he was hooked. Not because Claire wrote it, but because of the beautiful marrying of emotions with words. He was instantly captivated. How could she have downplayed her talent when she had this innate gift? She once mentioned, there were talks among her peers, that editors were just frustrated authors. Weel, not this editor! he thought. But more than the mental images her storyline evoked, it was the words that moved him. It was as if he was reading a personal confession disguised in the characters she'd created and it spoked straight to his soul. He continued to read, and when he came upon a particular plot, his eyes slightly misted. 
From across the room, her gaze locked with his, and for a moment, she forgot to breathe. A live wire crackled and sparked, launching showers of tiny fireworks to light every dark recess of her weary soul. 
It was always going to be like this every time she saw him, she sighed. After all these years, nothing had changed. 
In their youth, she'd believed, they were bound together, not by something tangible, but by a profound, powerful connection that is ancient and older than the planets. It was as if she'd envisioned them a million times aeons ago and the stars finally heeded and arranged for their paths to cross. 
It had started with a touch, a soft kiss, a subtle stirring of their souls, and as if by magic, their story began to write itself from thereon. His strength had been her protection, her heart, his shelter, and in each others' arms, they were home. For at one time, love between them had been powerful than the fate and deeper than a naked eye. But that was then, she reminded herself ...before he found out she was from another place and time. Out of this tragedy, which altered the course of her life, was the infinite curse she must bear alone. But she couldn't blame him. It was her fault.
As a tiny sob escaped her throat, a man bumped into her, jarringly breaking her reverie. Annoyed with herself for feeling weak, she straightened her spine and squared her shoulders. And as she slowly made her way over to him, she hoped and prayed her face would not betray her emotions. There comes that significant point in life when one had to choose to either turn the page, write another book or simply close it. She chose the latter.
Jamie's heart drummed, and he puffed out a lungful of air. Settling back on his seat, he rubbed a hand over his face. He had this sudden burning urge to bundle Claire's story and gift it to the world. Why has she waited this long to pursue her dream? This is bloody insane! In each of the characters, he saw her - beautifully flawed and full of heart. She wielded words in her story as if she was tearing apart her own issues and exposing her loss and regrets, the courage and honesty so palpable, it jumped right off the screen. Och, Sassenach!
He needed more time to go through the story at a leisurely pace, so he skipped a few chapters out of mere curiosity and what he read next, made his heart rate doubled.
As soon as they were alone, she grabbed at his belt, her shaking fingers tugging the zipper. She'd waited for far too long and needed him now. Dropping down to her knees, she lowered his jeans to take him fully in her mouth, feeling him throb and jerk at her touch ...oh how she'd crave for the taste of him. She was hungry, oh so hungry, to feel his most private pulse beating against her palm. Despite the urgency she was feeling, she didn't rush as she wanted to savour every moment and taste of him.
He swallowed and realised his jeans were becoming too constricted. Ah Christ! There were only so many blows to the system a man could take and what he just read sent all the blood in his brain rushing southward so fast it nearly knocked him out of commission. Who would have thought a sex scene in a romance story could affect him so much?
He read a few more excerpts from the story, and when he eventually looked at the bottom right corner of his screen, he realised it was nearly ten. He'd been so engrossed with reading, he hadn't noticed the time. Claire was supposed to call. But maybe she's fallen asleep.
Reaching for his phone, he got up, shifted the bulging discomfort in his jeans and headed for the fridge. As his screen lit up, he tapped Claire's name and waited.
"Hello?" she answered, her voice thick and muffled, causing a sudden pulsing rush of longing in his stomach. A fog of cataclysmic lust descended, increasing the weight between his legs.
"Sassenach?" He grabbed a tin of beer, popped it open with one hand and made his way to the living room. "It's me." 
"I know." She yawned. "What time is it? Are you just coming home?"
"Ummm, no. I got yer email earlier." Smiling, he sat on the armchair and toed off a shoe. "I got caught up reading yer story, I forgot the time."
"A long day then. Sorry, I was supposed to call, but ...." He heard some rustling sound and then quiet.
He got his second shoe off and rested his feet on the coffee table. Right now, he wished he could teleport himself to Claire's side and slip in bed next to her. He'd wanted to come to London, but he'd been advised by Willie it was still too soon, and coming along could trigger his PTSD. Although the nightmares had stopped and he'd been following the meditation exercises Claire had told him to do, there were still times when panic attack got hold of him. They weren't as bad as before, but still, it was there lurking, ready to pounce at any time. He hadn't dared told his sister, Jenny, in case she nagged him to attend the therapy conducted by her friend Geneva. He knew what his sister was up to, and he wasn't about to fall for her matchmaking schemes.
He was just contemplating the merits of dropping everything and flying to London when he realised Claire had gone too quiet.
"Sassenach?"
"Hmmm?"
"Did ye just fall asleep on me?"
"Oh, umm, a little," she responded, utterly lacking in apology.
"Shall I let ye sleep? I can call again tomorrow."
"No!"
Relieved, he smiled. "So working too hard, I presume?"
"Yes," she mumbled. "Worked for seven hours straight. Then had too much food and wine, and too little fresh air. It made me drowsy afterwards. It's Willie's and Annalise's faults. They overfed me over dinner." 
"Mmm, in as much as I appreciate why ye're doing it, I dinnae want ye to become ill because of it." He heard another yawn and imagined her long, lean body stretching, her hair all wild against the pillow and her breast bare. When he realised where his mind was wandering to, he immediately put a stop to it. Christ, get a grip! With a steel will, he extinguished his filthy thoughts. "Ye should take care more of yersel', Sassenach."
"I'm fine ...honestly."
He was unconvinced but didn't push. "By the way, I read yer story. It's bloody good. No ...correction. It's great!"
"You like it!"
"I love it. Was that a story ye wrote a while ago? Or did ye write it recently?"
"A while ago," she hummed, her words muffled as if she had a pillow over the phone. 
He loved the way she sounded when sleep laced her voice. 
"Hmmm, a question ...how'd ye learn to write a sex scene like that, when ..." He needed a couple of seconds to find the right words. "...when ye were a virgin before we met."
"I might have been a virgin, but I never said I was a nun." 
He laughed out loud. It couldn't be helped. Though Claire could be shy at times, she always spoke her mind. "I'm sorry I didnae mean to laugh, Sassenach," he apologised when he finally sobered up. "It's just that ye wrote the sex part so vivid and graphic, it made me wonder how ye could have known the mechanics of lovemaking when ye were still a virgin at the time ye wrote that story."
"Well, I suppose I should confess ...before I met you, there might have been on a few occasions, that I had ..." 
"Watched porn?" 
"Yes ...but for research purposes," she said rapidly, her voice not sounding muffled anymore. She must have rolled on her back. "But what I meant to say was, I've had ...um ..." She trailed off.
He frowned. "Had what?"
"Physical contact, of course!" she replied with mild exasperation. 
Something heavy rolled over in his stomach. "Excuse me?"
She sighed. "When I use to date, dates sometimes end up in making out, kissing and petting, and I sort of got the gist of what normally happens afterwards." He heard her swallow. "I -I mean nothing happened of course ...at least, not in the biblical sense anyway. W-what I'm trying to say is, before we met ... I've never made it to the Old Testament with anyone. B-but you ... you're pretty special because you and I ...well, we're almost at the Revelations."
What the hell? She was rambling, and he realised she was becoming flustered. Her attempt to calm him down using the books of the Bible for analogy put a dent on his jealousy. He puffed out a breath. "I get it. I get it. Just do me a favour, Sassenach, will ye, huh? In the future, dinnae mention physical contact with other men ever again to me even if it's no' the biblical variety. It's bad enough we're separated, and here I am missing ye loads ..."
"Sorry, but you did ask how I knew about the mechanics of ..." she stopped and then sighed. "Let's change the subject, shall we?"
"Of course." He slugged back a mouthful of beer and placed it on the coffee table, before leaning back once more on his armchair. "We were talking about yer writing. I've read a few chapters, and I'm really enjoying it. Cannae wait to read the rest."
"I'm glad. Willie and Annalise liked it too," she replied, a smile in her voice.
"I'm not surprised. Ye should have published it a long time ago. Ye have a gift, Sassenach, one that I'm verra proud of." 
"Thank you. Writing does take a bit of time, and I needed a job while I was at it. I'm still glad I waited, though."
He shifted uncomfortably on his seat and paused, contemplating if ... "Are ye in the bedroom? Or did ye fall asleep on the couch?" 
"In my bedroom. I couldn't stand watching a movie with Willie and Annalise when all they do is snog in front of me. So I left them to it, thinking I'll rest my eyes for a few minutes before calling you. And that's when I fell asleep." Ah, the poor thing, she must have been so tired. At least she sounded a little more alert compared to earlier. "Seeing them cuddled up like that made me miss you loads," she added, huskily, "...and think of our time together."
Ah, hell! Her voice wasn't the only thing that was alert. His cock suddenly needed a wee adjustment. Again! He unzipped his jeans, purely for ease and comfort and to give himself room for a breathing space.
"You should sleep in tomorrow and get some fresh air too," he suggested, inhaling deeply through his nose as he felt the effects of the beer, reminding him he didn't have any food in his stomach.
"Definitely, I will have a sleep in." She drank something audibly and let out a sigh. "As for that fresh air, it will depend if it's raining or not. Annalise mentioned we're in for a horrendous weather tomorrow." He heard another delicate gulp.
"What are ye wearing, Sassenach?" His words came out before he could think and put a stop to it. It sounded much more sexual than he'd intended, gruff and hoarse, his dirty mind wandering to that explicit scene he read earlier.
There was a few seconds of silence. "Why?"
"Because I want to know ...if ye're warm enough."
"I'm warm enough." 
"So what are ye wearing?"
There was another moment of silence before she replied. "Oooh, I know what this is, James Fraser" she throatily laughed into his ears. "And, we are so not doing this." 
"Doing what?" he groaned, this time pulling out his cock. He couldn't deny himself any longer, when this woman on the other end of the line, rained havoc to his good sense. Running a calloused hand down the length of himself, he gave his throbbing erection a nice hard squeeze. "I'm only asking solely out of concern for yer health. It's cold, and I worry ye might catch ...umm ...pneumonia." He almost laughed out loud at his lame logic.
"Pneumonia? You don't have to worry, Jamie. It's warm in the apartment, and it doesn't take much to heat a small place,," she said with a hint of amusement. "And I'm not naked ...not totally anyway."
"Oh," he gritted, fisting his cock from the base to the head, as a blow of harsh breath escaped his mouth. He felt like a depraved, desperate man, but it couldn't be helped when his cock was so achingly stiff, and he wanted relief. No amount of wanking in the shower earlier had eased his need for her. In fact, it only intensified it.
As he continued to stroke himself, the house's interior closed in around him, the sounds of fire popping doing nothing to reduce the extreme feeling of airlessness. At this moment, as far as he was concerned, they were the only two people in the whole wide world awake, right here and right now, and he would die if he didn't get any release soon.
"I'm wearing undies," she finally said.
Allelujah! His fist tightened around his hardness, moisture seeping from its head. "Ah, Sassenach," he murmured. He imagined her, stretched out on her bed, the duvet kicked off, and how she had looked in those tiny cotton knickers. "And a pyjama top?" he muttered. 
"No," she sighed in sweet response, a slight shyness creeping in her next words. "I forgot to turn off the radiator before I went to bed. It's so warm I must have yanked off my top while sleeping." 
"Sweet Jesus!" He stilled his hand and cupped his balls, seeing her creamy breasts in his mind's eye. 
"Jamie ...what are ye doing? I mean, I think I know what you are doing. But I've never done this before," she whispered. "Maybe I should go and let you ...um ...finish your business?"
"No! Please." He closed his eyes and slumped deeper into the armchair, his feet spreading apart and his head falling back. "I need ye." 
"I ...I don't know how ..." 
"Sassenach." Saying his pet name for her was a mild distraction from the throbbing ache in his hand, as he swiped a thumb over the head of his erection and spread the moisture seeping out. "My cock is so rock hard, I think I might black the fuck out from wanting ye. Dinnae torture me by leaving me hanging."
Her breath hitched, and it was the most beautiful sound in his ears. "So you really are touching yourself?" she asked on a huffed breath.
"Jesus, Sassenach! Ye have nae idea, do ye? I wank every day and night to yer image in my head ...stroking so hard I can hardly breathe, thinking of our last night together ..." he swallowed with difficulty, his hand busy fisting himself. "It's so lonely without ye, and every waking moment is filled with thoughts of ye naked in my bed and every night ye haunt my dreams. What I would give to touch ye right now and plunge my cock between yer thighs." 
She gasped, and he wished he could feel her hot breath on his neck. "Jamie ...I don't even know what to say ... I ...this is out of my comfort zone.." 
"Touch yersel', and tell what ye're thinking," he commanded as he closed his eyes, the heels of his feet pushing against the floor and his muscles thighs tightening hard. "Have ye ever touched yersel'? Tell me." 
"Before you came along, there's been no one, and you know that," she said haughtily. "Giving myself an orgasm is the only reason why I remained a virgin for so long. I call it self-service." 
He let out a burst of pained laughter despite himself. "Ah, Christ, I'd love to kiss that smart-arsed mouth while taking ye hard ..." 
"I like it when you ..." she cut in, and he held his breath, agonisingly waiting for her to complete the sentence. "...kiss me between the legs." He heard her voice fade a little and swishing movements. "I think of you doing that when ...um, my hand is between my thighs."
"Is yer hand between yer thighs now?"
"Y-yes ..."
"Slide yer fingers in, Sassenach. And tell me ...are ye wet?"
"Yes ..." she softly moaned.
"How wet?"
"Very."
Ah, fuck!
He always thought dirty talks were arousing, but each shy admission by Claire was too bloody erotic for words, it made the already taut and strained tether of his self-control about to snap. He uttered her name with a litany of invocations to the saints, his hips shifting against the soft of his seat and his breathing becoming heavier. "Ye ken what I'll do to ye when I get to finally see ye? I'm no' letting ye out of bed," he groaned. "I'm gonnae worship that beautiful body of yers with my mouth until my lips are branded to your skin, and yer scent embedded in mine and yer taste in my mouth. Ye still have yer fingers inside ye?"
"Yes ..."
"Now imagine it's my tongue lapping ye up."
She sobbed, a whimpering sound full of longing and his heart twisted in a knot, creating a cluster that descended down to his belly and found its way to his cock, making his balls draw higher. His exhale came out like an animalistic grunt as Claire's breathing became more shallow. She gasped out his name, a soft plea that he badly wanted so much to pacify.
"Oh, sweet Lord, I want you so much, Jamie. I miss your hands on me," she whispered, her voice enveloping him, he could almost feel her breath on his heated skin. "Please don't stop talking ..."
"Ye think I could stop, Sassenach? I'd sell my soul just to hear ye come." Something told him the cries coming from Claire's mouth would ring in his head for days to come. Broken, sweet, desperate moans, interrupted by her breath hitching. Like she was drowning, just like him. "Ye miss me touching ye, is that right? Weel, let me tell ye something," he said hoarsely. "I spend every night looking at the bloody ceiling of my bedroom, envisioning yer sweet tits bouncing like wee temptations while ye ride me on my creaky bed. It hasn't creaked the way it used to, ever since ye left. And on some nights, I would lay on my tummy and grind myself against the mattress just to hear it creak and pretend it's not the bed I'm fucking," His hand went into overdrive stroking himself, fast and relentless. "But we both know we want the real thing, don't we now?"
"Yes, yes, yes," she whispered in a husky loop.
"Jesus, so sweet, my beautiful Sassenach ..." A drumming began in his head, inflicted by the raspy sound of her voice, the way her breath became laboured when he talked dirty to her. 
The pressure within him rose, and his breath came out in short, head-spinning gulps of air, his senses more heightened for knowing who the cause was for his predicament. Claire. Ah, Christ, he'd never anticipated for the possessiveness that tightened around his heart with a permanence that didn't alarm him. In fact, he'd always known, right from the beginning, she was the one for him. She was the only one who moved him to take a risk in love, to abuse his body for relief ...
"Jamie ...oh God ..."
Hissing out a wounded groan, Jamie fisted the base of his cock and pumped furiously. "I'm here, Sassenach," he whispered. "I hear ye. Always here for ye."
"I'm coming ..." she moaned. "Oh, my God ..."
His heart expanded as he listened to her, her breath shallow, his name a whisper, and he could picture her, turning and twisting against the sheets with her hand between her thighs. He was so close, it hurt. When he couldn't hold off any longer, he let go, his own orgasm coming in full force, spouting out of from his cock, seizing his body in an almost paralysing bliss. It went on forever, his seed spurting into his hand and thighs, his shouts reverberating off the walls and ceiling as the pleasure surged through him and rearranging everything in its route.
Finally spent, he slumped back on his seat, his breathing coming out in choppy waves as his chest rose and fell. After a long stretch of silence between them, he put down his phone and whipped off his shirt to clean himself up. By the time he grabbed it back and placed it against his ear, Claire's breath was calmer.
"Jamie?" There was a trace of doubt or maybe guilt in her voice.
Knowing Claire's strict Catholic upbringing in the boarding school, he didn't want her thinking what they did was wrong as it would only cheapen what they just shared. He needed to reassure her. "Sssh, Sassenach, I ken what ye're gonnae say. What happened between us was ... incredible. And ye ken, why?" He didn't wait for an answer. "Because we love each other. Ye understand?"
There was a long pause before she replied and he imagined her biting her lower lip in contemplation. "Yes," she replied eventually, her voice barely a whisper. And after waiting a few seconds more, he heard her soft snore and even breathing.
Smiling, he murmured good night and turned off the phone. He was just about to close his eyes to savour the moment when the doorbell rang, and a spooked Adso suddenly leapt onto his lap. Bloody hell! He plopped the cat down, righted his jeans and quickly got up, and as he peered through the window, he saw Mrs Fitz, the owner of the Airbnb from across the road, holding a dish in her hands.
What the ...? He opened the door. "Mrs Fitz!" The scent of freshly baked apple pie wafted from the dish she was carrying, making his stomach grumble. "It's kinda late. Is everything alright?" he asked, eyeing the aluminium covered plate. 
"Aye, son," she said, frowning, her eyes bypassing him as if she was in search of something or someone. "I saw the light, and I thought ye might like a bit of pudding ...for after tea perhaps or for breakfast. Yer lass ...Miss Beauchamp, I mean Claire is not here so I thought I'd check up on ye."
Jamie thought the older woman was acting a bit odd, the way she was trying to strain her neck to look beyond him. "Oh, Claire ...I was just on the phone with her."
Both her eyebrows arched. Then the frown on her face dissipated, replaced with a relieved smile and a reddening on her plump cheeks. "Oh, of course. I thought I heard some strange sounds. Ye must have been talking to her." She pushed the dish towards him. "Very well then, now that everything seems to be in order, I must go." Without waiting for him to reply, she whirled around and hurriedly left.
As Jamie stared at her disappearing figure, it slowly dawned on him, Mrs Fitz must have heard the sound he'd made while in the throes of self-love passion. Groaning inwardly, he realised Claire's writing studio shed wasn't the only place that needed soundproofing. If Claire was going to stay with him, he needed to soundproof the whole cottage. Bloody nosy neighbours!
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  Dear Readers,
Thank you all for the positive feedback from the previous chapter - what a warm welcome from my readers. So chuffed reading the comments and seeing the kudos. Kudos right back at you, you wonderful lot!
I'll keep this short and sweet because I have heaps of things to do, but before I go, I'm sending you all my best wishes during this very odd times. Keep the good vibes rolling, ditched the negativity and most of all, take care of your health. Until next time ... X
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