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#I just wanted to draw something for it lol
scaredspoons · 2 days
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not much for today im a bit too tired xPP
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slavhew · 2 days
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I wanna play OFF
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sinnabum45 · 3 days
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⚠Trigger Warning! Graphic depictions of suicide attempt, suicide ideation, and spiraling thoughts⚠
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[Image description: black and white with gray tones, digital drawing of a comic about characters from the Ace Attorney series. Page one: First three panels are of Miles Edgeworth sitting at his desk, which is covered with papers, tired with eye bags and feeling frustrated with himself. His left hand is on his face and it moves back down. He thinks to himself, “What’s wrong with me? Why can’t I even do something as simple as this?” A flashback to Phoenix Wright glaring at Edgeworth, then saying, “It’d been better if you never came back from the dead, Edgeworth!” Pearl Fey is standing next to him with a shocked and worried expression. Page one end. Page two: Miles is shocked and his desk is now covered with sleeping pills and an open pill bottle. An embodiment of Manfred von Karma appears behind Miles and reaches for Miles’s face. Manfred says, “How selfish can you be? Can’t even do me the favor of simply dying. ” The embodiment turns into Miles when he attempted suicide. Messy hair, bloodshot eyes, dried tears, dark circles under his eyes, and pills pouring from his mouth. He is squeezing the real Miles’s face and says, “Why don’t you try it again?” Page two end. Page three: Miles shuts his eyes and covers his ears with his fists while shouting, “No!! I don’t need you anymore!”. He opens his teary eyes when he hears Phoenix say, “Edgeworth.” Miles remembers Phoenix telling him, “Please call me anytime. I want to be there for you this time, okay?”. In the flashback, it is bright, Phoenix is facing forward, smiling with a worried expression, and holding his phone. The present Miles looks forward and calmed down a little. He’s still shaken up a bit. Page three end. Page four: Throughout the three panels, Miles is reaching for his smart phone on the desk, pulls away, then grabs his phone. Quotes from various characters: Phoenix, Gant, Manfred, and Franziska are scattered throughout the page. First panel, “I never wanted to see you again! To think that your motivation for prosecuting trials was so selfish…” by Phoenix. “I can feel it. You and me… we’re the same.” by Gant. Second panel, “You can let what happened kill the prosecutor inside you, or you can let it help you grow. I’ll be waiting for you in court…” by Phoenix. “Our battle… begins now… so you had better prepare yourself, Miles Edgeworth!” by Franziska. Third panel, “You have fallen so far. All these years I guided you, raised you as my own. You and your father are my curse!” by Manfred. “A von Karma is someone who is destined to be perfect! You are no longer worthy of being a von Karma! And neither am I!” by Franziska. Page four end. Page five: Miles is calling Phoenix. It rings throughout the page. The embodiment of Miles yells, “Stop! He will just hate you more than he already does!”. He is crying as he says, “ Then… I’ll truly be alone.” He has both hands raised to around his collarbone level and ink is smudged on his right hand. Miles reaches for his face and it startles his embodiment. The last panel is brighter. Miles, with closed eyes and somber expression, is holding his own face and reassuring himself by saying, “Don’t worry… I trust him.” Miles’s chair is squeaking as he rocks back and forth while leaning on his desk. Page five end. Page six: It is single light page with the phone ringing and getting picked up. Then Phoenix answers, “ Hello? Edgeworth?”. Comic end. End description]
Links to help Palestine and other resources! 🇵🇸
[Plain text: Links to help Palestine and other resources! (palestine flag). End plain text.]
Some extra thoughts below! These are just my personal interpretations of what I watched. I'll try to make sense of what I'm saying LOL 🏃‍♀️🏃‍♀️
Again, trigger warning for suicide attempt+ ideation!
Something I noticed while skimming through Farewell, My Turnabout is the similarities between Miles and Adrian Andrews. They directly connected Franziska and Adrian at the end, but they kinda just "hinted" at Miles being similar to Adrian. The main thing that stood out to me is when Miles starts explaining how Adrian is putting up a façade by acting strong. The background fades to black (TWICE), which is something that mostly happens when it's something important, putting focus onto Miles while he talks about how Adrian "lost her will to live" after losing Inpax. Inpax was Adrian's "pillar of strength" and when Inpax comitted suicide, Adrian completely fell apart. She then started to act just like Inpax to cope with losing herself and her mentor. That sounds like the relationship between Miles (and Franziska) and Manfred.
Miles's and Franziska's whole life with Manfred was them depending on him to validate/approve of them. When Manfred left their lives, they started to fall apart trying to gain approval of a man who isn't there anymore. Franziska's confidence was chipped away throughout every case because she kept losing against Phoenix. Miles fell apart a lot quicker (cuz Franziska wasn't created until after--).
Throughout Rise from the Ashes, multiple characters point out how Miles was not doing well and it progressively gets worse. This honestly confused me because Phoenix did notice that Miles wasn't doing okay. He even told Miles that he needs to choose between killing the prosecutor within him or let it help him grow. This interaction is at the very end of the case. Idk if "killing the prosecutor within" was ever brought up before that, but that was interesting cuz I kept seeing people say that Miles wrote that in his note out of nowhere.
With everything that Miles went through in just 2 MONTHS- it makes sense to me if he was not okay. His whole life was uprooted again after 15 years, he was betrayed by almost everyone he trusted, his adoptive dad killed his biological dad and tried to blame it on him, he was brought out on a boat in the middle of the night and shot at, Gant+ Lana used his knife to stab a person's body and made him unknowingly transport it in his own car, Gant saying that he's just like him, etc. Like DAMN bro, what the heck 😭
Also, the thing that made me want to make this comic was when Phoenix told Miles that "everyone would be better off if he stayed dead". Imo, I think it's understandable why Phoenix is angry at Miles. He felt betrayed and couldn't face the fact that Miles isn't who he was when he was 9. There was a post talking about it in more detail, but I mostly agree with what they had to say about it. Phoenix put an unfair standard onto Miles and got hurt when Miles couldn't meet that expectation. He wanted to "save" Miles by solving the DL-6 case and then thought that Miles would go back to how he was when they were kids. When he realized that it doesn't work like that, at least not right away, he felt betrayed. I love that they wrote Phoenix, the protagonist, with these traits tbh. I think it's very interesting! I just wished that they added a scene where Phoenix apologized for saying that Miles should stay dead tho cuz that's never okay to say to anyone, let alone someone you care about and apparently "know better than anyone else" 👁👁
Another thing I noticed is how different the characters treat Adrian vs Miles with the topic of "death". For some reason they're very sympathetic and delicate with Adrian, but then tell Miles to die. Phoenix tells Miles that everyone would be better off if he stayed dead, but then calls Miles cold for telling Adrian that if she decides to "choose death", then it is of no concern to him. Which goes right into my next point.
Miles seemed like he really didn't want to bring up Adrian's suicide attempt and her mental illness. It seemed like they tried everything to get her to talk, but because Franziska told her not to testify, Adrian kept trying to stay quiet. Even the judge was trying to get her to testify by saying at this point, it's looking like she's guilty. In any other situation, what Miles said to her would be uncalled for, but this was literally life or death for Adrian. Also, with context, Miles said that regardless of what she decided to do after the trial, she needed to talk now. She was asking for someone to help her, but only she can accept that help. He could've definitely put it in a way better way tho like damn. I think he's projecting how he talks to himself onto Adrian tbh 👀 It's honestly just a really shitty situation for Adrian to be in cuz no matter the reason, she was forced to face her worst fear. If anyone is to blame for all this bs, it's definitely Matt Engarde and Juan Corrida imo-- 🏃‍♀️🏃‍♀️ Her illness was something Adrian would have to face sooner or later, it just sucks that it had to be like this 😢 Another thing I noticed is when Adrian said that if the truth of her illness were to come out she couldn't finish her sentence. Then Miles finished it for her by asking if she would "choose death". That's a more obvious clue that maybe Miles's note was a suicide note, since it was used in the context of committing suicide.
This guy is always on my mind-- All of them are always on my mind tbh 😭 I just wanted to draw Miles struggling (just the usual on this account) SKMSDKLML I also wanted to show that healing isn't linear and there are a LOT of times where it's just hard. I also wanted to show that Phoenix (and literally everyone else OvO) does want to be there for him despite everything, Miles just has to be brave and accept his support. I just want them to be happy DAMN 😭😭
I feel like I have so much more to talk about, but I can't think of anything else rn. I hope all of this makes sense- I'd love to read your thoughts on this or if you have any questions! Just keep it respectful, please 🥺
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satyricplotter · 3 days
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pairing: dick grayson x reader
word count: 3.2k (i think?)
warnings: rape mention (as per dick's canon)
notes: i keep thinking of applying one of my favourite manga/manhwa tropes with dick specifically, because it works so well, but i don't particularly care to put in the work of setting up that it'd take for it to land as well as it could. maybe later. as it is, i'll give you the quick rundown because i spent two days writing it lol
something ugly about you has made you undeserving of romance. you have spent your entire life puzzling out what it is and how to fix it. nothing much is special about you: the matter’s far from isolation, or becoming any particular sort of pariah. perhaps that'd be easier to explain. no. people leave you alone, your friends cherish you, your family loves you. it is not that you have not known affection, but that you have and so when you crash against the wall that horrible first time, it hurts all the more.
nothing changes after that. there is always a limit to where your interest can reach, unnamed but palpable. a line you cannot cross. it seems to you as if the entire world has reached a silent consensus during a meeting to which your attendance was not required and your input unnecessary. why would it be? this is not about you. after all, your ability to love has not become impaired. you like people. you’ve fallen in love. but who has ever loved you back?
this one facet of life has been closed off to you entirely, and you’ve been chased away from all attempts to form a romantic bond with unspoken threats of shame and implications of disgust. (a bit much of a display just for the offense of being little old you. you come to regard the matter so as you grow older and start curating some self-respect. it still stings as badly as scrubbing your skin raw under hot water, but not all the loathing is directed inward nowadays.)
regardless, you’ve learnt that you are undesirable, and nothing you can say or do will change that. you must be content with the other shapes that love can take. nothing that you want matters whatsoever.
you meet dick grayson one summer evening under exceedingly normal circumstances. you do not know about heroes or rogues, no batmans or nightwings. the person that crosses the threshold is none other than dick grayson, the handsome young man. suspicion does not cross anybody’s mind, and if it does, it comes only a good couple of thoughts after his darling smile and shapely thighs.
obviously you like him immediately. what’s not to like? he’s gorgeous.
you react to him with the tense wariness of someone hardened by years of useless crushes. trying to avoid him. trying to be normal when you invariably cannot. it’s fine. it’ll be fine.
you still crush on him.
it’s inevitable, at this point. he’s too pretty, too smart, too kind not to draw you in. every interaction comes a rush of exhilarating fear. at times, you manage to subdue yourself into normalcy, hang out with him with as much naturalness as you can muster. but then he does something particularly attractive and you’re back in square one, shoulders drawn together and so short with him he probably gets emotional whiplash. it’s as exhausting for you as it must be for him, and he still reacts to it with grace. it doesn’t help.
through your concerted efforts to be normal, or at least appear as much, you and dick become friends. not great friends, mind you, but good enough that you start hanging out on your own without any of your mutual friends present. and you only spend about three hours total pondering the meaning behind the phrasing of his texts. that’s gotta be some form of progress, right?
he sits at a little table away from the window, and beams when you arrive. coffee’s on him and conversation’s on you. you’ve got more in common than you first thought, but you go back and forth between imagining it must be fate and squashing down delusion, telling yourself you’re blowing it out of proportion.
at one point in time, a beautiful, sultry-looking woman approaches the table.
this sucks, you think, glancing away from dick’s bland mask of politeness. all of it is hopeless and it still sucks.
you and dick tense immediately, like you both know what’s coming. sure as ever, the woman smiles and asks for his number. you look away politely, sip at your drink. the proximity makes it useless to pretend you’re not eavesdropping (though it can hardly be called that when she came to your table), but you take care not to make any faces that’d give away the little storm brewing in your stomach.
you think about running off to the bathroom, get as far as shifting on your seat when dick shoots you a troubled look. the woman’s been at it for a little more than is appropriate. a minute or so more of insistence and she’ll be stretching the boundaries of her own dignity too far. you look away with pressed lips and move your hands under the table.
your alarm beeps.
“oh, shit, dude,” you gasp, hoping to land somewhere in the ballpark of realism. “It’s almost seven. we’ve got to go, or else we’re gonna miss the movie.”
dick gives the woman his apologies and swiftly runs out of the café with you hot on his heels. on the way to the movie theatre, you wanna ask the million questions running through your head—why’d he reject her? didn’t he like her? did he not think she was pretty? who is pretty for him? what’s his taste in partners? is he seeing someone?—but you know it’s a futile endeavor. what will you even get out of that? it’s clear dick didn’t enjoy the interaction either. you make small talk about something else, trying to draw his attention away from whatever conflicted feelings he’s moored in right now. just because you like him doesn’t mean you can’t be a good friend to him.
it’s a short walk. soon enough, he’s all smiles again. in the line for the popcorn stand, another two girls come up to him, this time much younger than you two. he’s nicer with them than he was before, but he rejects them all unequivocally.
“doesn’t it annoy you?” you can’t help but ask. when dick raises an elegant eyebrow, you panic and backpedal so hard you might as well have driven a truck through a storefront.
“a bit,” dick says, ignoring your rambling. you shut your mouth firmly closed when he gives you a sidelong glance, and continues, so very casually, “it’s worse when it comes from a friend rather than a stranger. so many people just try to befriend me because they’re looking for a relationship, or they want access to my body. it’s… tiring. i’m sure you can relate.”
“ah,” you say. your tongue feels numb, but you’re burning up under the weight of his gaze. “no. I don’t really get harassed like that or, um, asked out.”
“huh.” dick blinks. “really?”
“yeah,” you force out. blessedly, the attendant calls your attention. you jostle dick forward. “look, it’s our turn.”
dick orders popcorn. you get a large slushy that you’re not gonna finish. you make him pay. he complies with no question. inside the theatre, you spend all two hours and sixteen minutes of the showing in absolute silence. it is not so strange to be fixated on the movie, but you’re usually a little more chatty. under normal circumstances, you’d eagerly take the opportunity to lean closer to him, whisper something about the main character’s penchant for gummies and its relation to the degradation of the American working class. he’d glance at you and thoughtfully smile, and you’d catch a whiff of his cologne when you straightened.  for the rest of the movie, the twinkle of his eye as he forwent the film for your conversation would be all you’d think about.
such is not the case now.
you can tell when you’ve been summarily dismissed. in fact, you appreciate when people are subtle about their rejections. it’s always all the more humiliating when they feel the need to bring it out into the open, like your affections have been so blatant they must be commented on, debated.
the rest of the evening is spent convincing yourself that this is good, that this means it’ll be better for yourself going forward. you’ll be less distracted, if anything. dick’s attempts to discuss the movie with you afterwards fall flat, as the only thing you really want is to get home and stare at your ceiling.
when you’ve reached your apartment door, and are turning to enter after a hurried goodbye, dick calls your name.
“look,” he says, running a hand through his hair unsurely. “I don’t usually do this.”
oh, no. dread fills you up. he’s breaking up with you and you’re not even dating.
you swallow. “dick—”
“I like you a lot,” he interrupts. your teeth clang the way you shut up so fast. in fact, you feel a little dizzy. he continues before you can even process that first sentence. “I think you and I could be really good friends, and I’d love if we could continue seeing each other to, you know, hang out and talk. I do truly appreciate your insight. is that okay?”
you blink fast some three or four times. it must be comical, the face you’re making, because the corner of dick’s lips pulls upward despite him trying to keep a serious air.
“I thought we were already friends…?” you say, at a loss for anything else to say.
“yes!” he beams. “we are.”
“okay,” you respond, perplexed. this is so far out of left field. “um. text me when you’re home?”
“yeah.” he grins. gorgeous grin, to be sure, but why? “for sure.”
“cool.” you give him an awkward thumbs up and scurry inside.               
it is… baffling. you spend all of that night wide awake and pondering. dick must’ve misconstrued something, or either you missed a crucial step in your relationship. otherwise the end to that evening makes absolutely no sense. the only thing you can conjure up is that dick must reject a lot of people who, like he said, try to befriend him only to get with him or worse, only to fuck, and it’s not very likely most of those people stay in his life once it is clear he won’t budge on the matter. the fact that you didn’t immediately turn your back on him must’ve come to him as a pleasant surprise.
it’s sad. like, really fucking sad, actually.
that very sadness—and the memory of his handsome, bright grin—turns your outlook inside out. why do you like dick? clearly he’s got the looks and the personality, but do you really know him? what do you know of him? you make a list of things you’ve learned about him in the short time of knowing him. it’s not long.
you come to the conclusion, mortifyingly so, that you don’t, in fact, like dick grayson. that, if anything, the only thing you like is the idea of the boyfriend he could be, which is not the boyfriend that he is (you know nothing about that). it’s the social acumen inherent in bagging such a hottie, and the sparkling sexual attraction bound around it, that really prompt your crushing. it’s not dick as a person. frankly, you think, a little hysterically, could be anyone, really. didn’t even have to be dick. he was just there, the handsomest person in the room. an apt target for the voracious hunger of your heart. you’d mooned and mooned over him for ages and it turns out it wasn’t even about him.
god, you’re such an asshole.
in penance, you endeavor to actually get to know dick without the embarrassment of a crush between you. and it does, in fact, help. dick’s eager to get to know you too, now that you’ve both formally acknowledged you’re friends (such a weird practice, fresh out of kindergarten behavior, but, as you soon find out, dick is weird about plenty and not entirely well-adjusted as an adult). you go on outings together, attend one another’s events, text sporadically throughout the day. you learn which video games dick likes, you tell him which movies are your favorites. it’s fun and light and uncomplicated now that you’ve freed yourself from the constraints of romantic expectation.
not everything’s good. dick’s got bad habits, which grate on you. is it so difficult to put the stupid toilet seat down? can he not learn to chop vegetables in chunks smaller than an elephant’s baby teeth? can he, for the love of god, stop yelling at the tv during horror films?  he’s got some serious character flaws, too. you find about those a lot more slowly, but they don’t cause too much trouble.
you fight one or two times due to dick suddenly abandoning you in the middle of an outing with no regard for your safety, and his tendency to get pissy instead of saying whatever’s upsetting him upfront when he knows, you’ve warned him that you’re stupidly thoughtless about your actions at times. all those are things you wouldn’t have come to experience if you hadn’t given the man a chance to actually be a friend. it’s kind of heartening, actually, to have come so far.
sometimes your crush rears up its head in the middle of nowhere. it’s kind of hopeless by now, but you can’t help the fact that dick’s attractive. neither can he, anyway. you just watch him sometimes, the way the sun hits his eyes, lashes sweeping over his cheeks. it makes you go tongue-tied and silly, but the moment always passes. it has to pass. you struggle against it, recall every time dick has upset you or insulted you in one way or the other. some days it’s easy as buttering toast, others you can barely think around the searing heat of your desire. those are bad days for all involved.
one evening, when you’ve grown close enough you’ve begun to think about dick grayson as maybe, possibly, only-if-he-says-so-too your closest friend, he tells you about catalina.
he does it over the phone line, during your almost-nightly calls. over the months, you’ve taken up the practice of teasing him about handsome people he clearly finds attractive in a desperate bid to divert attention and train yourself for when you have to do it for real. this is not one of such cases, and as soon as you realize this, you sober up immediately.
he says it so simply. talks about it like it’s just a hazard of life. there’s a tight hardness at the edge of his voice, but other than that, he speaks like it’s normal Tuesday for him.
not so much for you.
“is it okay if I come over?” you request over the line.
for a moment, the only thing you hear is dick breathe. “yeah,” he croaks, and you’re bolting out the room immediately.
you don’t know how to react to this other than with a shaky sort of desperation. it’s been years since it happened. there’s nothing you can do about it now. there’s something big he’s leaving out, which you notice but don’t point out. a big lump forms on your throat as he speaks. dick tells you when you arrive that the woman is behind bars for an unrelated crime and the only way you stop yourself from wishing ill on her out loud is the fact he looks so politely disjointed, you know your fury will only startle him.
and you feel it so frightfully, the fury.
you love dick, you realize. beyond the fancies and the underlying attraction, you love dick as a person, as a friend. he’s one of yours now.
the evening morphs into a casual sleepover. you don’t interrogate him, and he seems torn between wanting to say more and grateful you’re not prying. you keep yourself open to the possibility, but also try to comfort him as best you can. you make dinner. you put on a movie. you talk and joke and quietly watch. he invites you on the bed with him because his couch is a nightmare to sleep in and his guest room is “unavailable”, whatever that means. you don’t even think about it, just follow.
lying together under the sheets with the lights off, the rest of your feelings bubble up to the surface.
you ask before you clasp his hands between yours and look into his shiny eyes in the darkness. you try to tell him, how this single evening and all those that came before turned over your loyalty to him. how he can come to you for anything he ever wants or needs—your ear, your care, your protection. how much you appreciate his trust and how much you wish you could make anything, everything better for him. how much he deserves it.
“I’ll never leave you now,” you vow with fierce conviction, searching his eyes for any signs of doubt. any other time you would’ve questioned this statement with the sheer weight of infinite possibilities, but not now. tonight, truth is absolute and in your hand. “they will never take me from you. I will always be on your side, by your side. i’m serious, grayson. you’re not getting rid of me.”
a glimpse of  a watery smile is the only thing you see before dick throws his arms around you and buries his face in your neck. “couldn’t dream of it,” he whispers into your hair.
you hug him back as tightly as he is, murmuring platitudes and running your fingers through his hair. he falls asleep like that, in the cradle of your arms. he feels secure enough to do so, and you feel both proud and nauseous about it considering the secret you keep.
that he’s told you this at all, that he’s trusted you with such a thing—you know how big it is. you know you can never betray him.
you consider your inherent monstrosity, that little unspeakable thing that bars your from that special kind of love. you understand, firmly, that any desire you feel will never be received eagerly and joyfully. not by him or anyone else.  in silent fury, you vow to die before you be like her, to bestow upon this man your grotesque wanting with no regard for his own desire, for the integrity of his being.
that night, you press a kiss to dick grayson’s hair and let him go forever.
.
the next morning, dick watches as you leave. you turn back one last time to wave at him from the parking lot, a bright smile and tussled hair you didn’t bother to brush. you wear out the clothes he lent you to sleep, so harried last night in your haste to come over that you’d simply forgotten to pack pajamas. he suspects you hadn’t planned to stay the night at all, but he’d been damned if he’d let you go yesterday.
you’re pretty. he’s always thought so, but this morning, you’re prettier than ever. it’s the radiance of your heart shining through.
I will always be by your side, you’d said last night. you’d meant it completely, then. dick had been dazed, overcome. he couldn’t take the brightness of your eyes, the surety of your affection. he’d buried his head in your neck and fallen asleep breathing in the smell of your shampoo. in the morning, he’d woken up with your fingers carding through his hair and the gentle warmth of your body against his.
that was nice. he wonders what he has to do to make it happen again.
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thinking about riding Matty while his hands are tied behind his back yummy yummy monday evening thoughts
oh my god anon, thank you for this.
are you in my head? because this is something i've been wanting to chat about regarding soft subby bf matty but haven't gone around to doing a proper blurb so here are some ramblings that i hope make sense. it's just a run-on stream of consciousness thing with no formatting and no real ending. i also got too carried away so it is a longer one lol
warning: 18+, smut, reader is upset. grammatical errors, typos.
other bf matty blurbs & rambles here.
okay, so imagine you just got home from a fucking awful day of work. freaking debbie from accounting is back at it, making your job impossible and a living hell. who knows what her problem is. anyway. right away when you enter the apartment you are greeted by the scent of a delicious pasta that your dear bf matty is preparing because he's one damn good cook (it's canon for him, lol). you go to the kitchen and sit at the bar, watching as matty whips up the alfredo sauce which is your favourite. matty greets you without looking at first because he's too focused on getting the proper cheese to cream ratio for the sauce, but once he does, he knows right away that something's off.
bad day, huh?
you make some sort of confirming grunt before you rest your forehead on the cold marble countertop. because your head is down, you don't notice the sad expression on matty's face; he cares about you too much so anytime you're feeling down he cannot help but feel upset, too. he takes one last taste of the sauce (perfect!) before he pulls it off the fire and places it on a trivet. as much as he loves cooking and prepping dinner for you, he wants to make you feel better. so the pasta can wait. bless him.
he takes off his denim apron (which has a drawing of a rooster on the front, for some reason...) before heading over to your side. you feel the warm palm of his hand rub your back in the gentlest of ways while his other grabs your hand. c'mon darling. you raise your head to finally look at your surroundings again only to realize that he stove burners are off and his apron is crumpled on the countertop.
matty, what about the food, i know you like finish-
don't worry about it, love, the food will still taste good later on. let's go.
you're not one to deny him, so you get off the stool and follow his lead as he takes you over to the living room, guiding you to both to sit on the sofa.
he asks about your day as he knows talking makes you feel better in these sort of occasions but it catches him off guard (and you as well, truly) when you just start sobbing uncontrollably as you recount your day. the stress and pressure has been building in your body that all you can really do is cry out of frustration. matty instantly brings you close so you're straddling him, arms wrapped tightly around you, trying to provide some sort of comfort as the tears just stream down your face soaking the fabric of his shirt. your head is buried in the crook of his neck, giving him access to gently kiss the skin of your exposed neck, continuously whispering it's okay, it's okay.
and everything is usually okay, but this time you cannot help but feel an overwhelming mixture of anger and exhaustion. it's bad enough that you've subconsciously grabbed fistfuls of your boyfriend's curly hair, and when you realize you're doing so, you instantly jerk away, apologizing profusely while more tears streak down your face.
oh no, i'm sorry. i'm so sor--
he urgently but carefully grabs your face between his hands, bringing his forehead against yours. it's okay, it's okay. everything feels like too much right now, that not even the sensation of his gentle fingers on your face can soothe whatever is brewing inside you.
and at that moment you cannot help but kiss him. hard, fast and hungrily. he whimpers against your lips at the shock of it all, but doesn't hesitate to kiss you back, letting you take the lead and set the pace. teeth clashing against each other, you bitting at his bottom lip, shoving your tongue in his mouth constantly. it's messy and aggressive but he doesn't stop you, only pulling away to catch your breath, looking down at the crumbled fabric of his now over stretched shirt clenched in between your fingers.
seeing his dishevelled state--red swollen lips, unruly hair, wrinkled top--is enough to edge you on to continue, now focusing on leaving marks all over his neck, around the several necklaces that he wears. there's nothing gentle about it, a sharp contrast as to how softly he's holding on to your waist. you lick, bite, suck at any skin that you find, leaving behind countless bruises along the way as he moans uncontrollably underneath you. your left hand is back on his hair, pulling at it so his neck is exposed, while your right one is aimlessly trying to unbutton his pants but failing miserably. god knows you're already frustrated enough, so you just grab one of matty's hands and bring it over to the front of his jeans so he can undo the pesky button and zipper himself. once he's done, he places your palm back at the top of his pants, giving him a mumbled thank you before you slide your fingers under the fabric of his boxers.
you waste no time and start stroking his cock as fast as you can, all while you desperately kiss him leaving you both breathless once more. because of your erratic pace, it doesn't take long for matty to begin losing control. you know he's getting near his climax because of the way his legs are starting to shake and how close he pulls your body against him. however, you're too deep in whatever trance has possessed over you, that you take your hand away as to not let him finish. not yet at least.
and before he says anything about it, you get off his lap and on to your feet, dragging him up with you so you can take off his pants and underwear completely. you instruct him to remove his shirt and you swear he's never done it faster in his life. instantly your lips are clashing against each other for the millionth time that night, giving you the chance to reach behind your head and undo the white silk scarf holding up your ponytail. again, you're not entirely sure what's taken over your mind and body, but before you know it, you tie matty's wrists behind his back.
you push him down on the couch, bitting your bottom lip and silently asking him if this is alright. the fucked out expression and small smile tugging at the corner of his lips is all the confirmation you need.
please.
you take off your soaked underwear but decide to keep your floral cotton dress on because you know it's his favourite. it's the least you can do for how you've been treating him. not that he minds; it's quite the opposite in fact. with each of your knees to his sides, you straddle him for the second time that night, grabbing his cock and guiding him to your cunt before you sink down and take him all at once.
and it fucking hurts. having him inside you without any foreplay is probably a stupid choice, but part of you hopes that the pain can help take away some of the anger and resentment built up in your body not only from that day, but weeks and months prior. more tears end up streaming down your face. from the pain or anger, you don't know. probably both.
hey, hey. love are you ok-?
you cover his mouth with your hand before he can say anything else, but you look at him and nod, glassy eyes assuring him that it is okay. he returns an understanding, soft look, and that's when you finally begin to move your hips, grinding hard against his dick so you can feel every single inch of him inside you. in that instant you see his brown eyes roll to the back of his head, mumbling a fuck against the palm of your hand. you work yourself up to a steady pace, switching between grinding and moving up and down his cock to hit that spot inside you which makes you delusional.
with your fingers still over his open mouth, you can hear his muffled moans, his spit now covering the palm of your hand and dripping down his chin. it's fucking obscene sight but one that you hope you'll never forget.
making sure that his eyes are on yours, you finally take the hand off his mouth. his gaze follows as you take your soaked fingers and guide them under your dress, your high pitched moans a clear sign that you have started to rub your clit.
oh my fucking god.
he snaps his head up to look at you with the most lustful yet loving expression on his face. the adoration radiating off him is too much for you to handle and you cannot help but smile, the first time you’d done so during that whole day. there is no more pain, no more tears, just pure pleasure running through your body, washing away the frustration.
thank you.
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ittybittybattyart · 2 days
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Finally beat everything from Pokemon scarlet and I’m hyperfixating on it haha, I’ve always loved Pokemon and I’m so glad I got to play this, the last gen I played was 7 (moon(Guzma my beloved)
There’s a lot of characters I like from this game that I’m hoping to draw (Rika, Geeta, Jacq, Hassel, Brassius, Ryme, Carmine, Drayton, Amarys, Giacomo, Eri) but I thought I’d start with one of my absolute faves Kieran! (Tied with Arven)
I really resonated with Kieran and Arven, it’s so cool to see the improvement in the storytelling/character writing with Pokemon, I hope they keep it up and keep improving too!
Semi personal rambling of why I relate to this dude under the cut
If this game had come out when I was a tween/teen I would’ve resonated even more with Kieran than I do now, since I was dealing with a lot of similar stuff at that time.
I’ve gotten to a much better place with myself and situation in the last five or so years, most of these unless otherwise said aren’t things I really struggle with anymore but I was so reminded of my younger self while playing through Kierans story
The self esteem problems and wanting to prove others wrong about what they think of me, the passive and overt bullying from others, the need of validation from others, especially those I admired/envied. Additionally the constant setbacks in life and trying to achieve my goals despite it and the envy of other people’s lives that seemed easier than mine
… also some of the obsessive tendencies just like generally, I'm extremely monotropic so its VERY difficult to get me to focus on something I'm not fixated on already, I will talk about it without even realizing and do it for days/weeks/months its still something that really effects me, I'll fixate so hard i dont sleep much for weeks and forget to eat/drink kind of levels, I've always been like this (AuDHD)(I'm working on taking breaks and self care in this regard tho)
Therapy really helped/helps (Kieran please go to therapy lol)
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jazzyblusnowflake · 3 days
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First off, just wanna say you’re one of my favorite md creators when it comes to art and commentary ❤️ ty for being cool n stuff
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Secondly, got any more nuzi headcanons or aus in mind? Would love to hear about them.
oh shit people ACTUALLY read my commentaries???
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shit, welp time to relocate and change my identity-
and oop i have a lot of AUs, its just that not all of them are nuzi centered XD i mean Nuzi eventually happens, its just that its not the center of the story.
here are some:
i have some personal Reverse Solver au with ocs which is basically an overglorified future au with fankids and humans and aliens and Tessa being alive and new types of drones >:)
i have a Nuzi personality Switch&Swap au which im hoping to draw later on- cuz i already have some story snippets decided on it >:3
i have a massive Human au which i still dont have a name for yet smh- which is very crime, mystery and horror related, the romance comes as a thing that happens during the story- which has a lot of ships that yall probably have seen @keebokuun draw some of uwu basically Uzi is a semi-handicapped girl in the future year of 2371- who in searching for the mystery behind her mothers death, gets stuck in a story way bigger than herself.
i have an Unsolver au in which the solver is just simply a super advanced AI with a sense of indeviduality and the horrors basically just dont happen. Cyn gets to grow as a host, Tessa becomes the head of the mechanical maintanance devision in JCJ, and the disassembler drones are transformed willingly without any gore or beheading lmao. the purpose and plot of the story is something different from the original show, but they eventually do meet Uzi and the others later. its just that the story is a bit extra sunshine and rainbows just cuz i want the characters to have a good ending 😭
Theres the Exorsists au which i posted about a while back :"3 - though this and the Unsolver au are pretty recent and im not sure where to go with them yet, or if i ever will lol but they are fun to think about uwu
anyway i think thats all i can think of for NOW- yall cant keep my brain down for too long lmao- id make a Siren/Mermaid au too but honestly i feel like thats a bit too easy for me, i like a challange- >:3
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rakiah · 2 days
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Hey hey! (^-^)/ How are you doing? Love your work btw, it's always for pretty and fluffy! (* >ω<) I just had a couple of questions, and the first one was: What are your tips for an aspiring comic artist? f(^ー^; I wanna draw some of my favorite scenes from my fanfics, and I thought it might look kinda cool if it was kinda comic/webtoon style? (-。-;) Like what's your I guess take on that and how one might do that? And what about panel style, placement, and size? Is that all up to the artist, or do they have a rhyme and reason? Sorry if this was too long. You don't have to answer btw. I thought I'd give it a shot since y'know. (*´~`*) Anyways have a great day and keep of the good work! d=(^o^)=b See ya! (^_^)v
Hi!~
Pretty busy but fine and thank you! (//∇//)
That’s a big question and I’ll try to do my best! Explaining something that technic not in your native language can be uncertain so, I’m sorry in advance 🙏
First of all: Observe. Comics, doujins, mangas,… Just observe to learn how others do.
Comic is a narrative art so, the most important things in comic is the reading way aka the panels (the angles you choose), the speech bubbles and how you put them in your comic page. It’s really the first thing you have to put in your storyboard!
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Texts in the speech bubbles are also veeeery important. Texts that are badly formatted is painful to read… Avoid doing cesura as often as possible and do nice text forms.
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And please, if you choose a manga layout, do not put japanese speech bubbles, they’re really not suitable for western texts.
If you want to to a webtoon instead of a regular comic/manga, you have to thing your layout quite differently. Webtoons are more like storyboard for animation. Like a series of forceful scenes. Plus, you have to deal with the required format. I’m not pretty used to do some, I’m just working with a lot of them (I do the texts for them). I can recommend you Sweet Home (cw: horror, hikikomori) to see how the author use the long layout of the webtoon to skillfully instill the jump scares in their episodes!
A quick “how I do” to finish my blah-blah! ٩( ᐛ )و
First, I write my plot like a play (quick context for each act, full dialogues with stage directions) then storyboard. Tiny storyboard, I sketch 15 pages on an A4 page. Better global view. I can’t give specific advices on how to do panels (cause it’s something that just pops in my mind during my storyboard stage 💦) just keep in mind to diversify your angles especially during a talk between 2 characters. Don’t do a shot reverse shot, it’s just boring.
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Then pages. I usually rework my storyboard at the sketch stage ‘cause I have a new eye on it lol
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Also, don’t forget to think about the facing pages for the narration. You can do some fun page layout!
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Tadaa! ✨
Hope it’ll help you and have fun with your comic! (о´∀`о)
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Vee's Studies!
(scroll to the end for timelapse :3)
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I'm like, kind of obsessed with them lmao. While I've drawn Vox quite a lot (I've been working on a Vox animation thing over the last month-ish) I hadn't done much of anything when it came to Val and Vel. I knew I'd want to do something with them all later on, but I wanted to get a good understanding of their designs, shape language, and the differences between the three of them so I can play a lot more when it comes to doing them (heh) in my own style.
So, since I was most familiar (and most obsessed with out of the three lol), I started with Vox :3
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While I've been working on the animation project, it had kind of been an 'adjust-as-I-go'/'let's-bullshit-this' process, rather than doing the work of understanding why certain things looked more correct than others, so I still learned a LOT from this one study. (Plus the scene makes me wheeze and I happily took the excuse to use that moment as his study reference haha)
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Obviously Val is... an asshole, to really undersell it. But this is hell, his character is interesting and his design is immaculate. I think I had the most fun with studying him tbh. Without his santa wings-coat he- *coughs* - yeah. Uh. Good design. I can actually believe that Angel fell for him at one point. Manipulative bastard - sorry tangents. ANYWAY! XD
VERY fun to draw, and a very good balance within these designs of showing off character attributes but also not taking themselves too seriously (The HATS these boys wear! *wheeze* did Velvette just give up fighting them on it? I've gotta know haha)
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I missed color too much by this point to make them all match perfectly, and frankly - trying to draw canon Velvette without hue differentiation is AWFUL she has so many details and overlapping elements. If I ever have to draw Vel from 1x03 again I might cry.
Something about her 1x03 look actually makes me feel viseral irritation just by seeing it (like, even b4 I made myself draw it), but then I see her in 1x08 and I wanna draw her forever???? She's so fucking cool? So fucking cute????? The duality of man ig lmao
Anyway, the TLDR is that actually being conscious of how things are represented when drawing a character can lead to surprisingly immense insight... I feel like I not only understand so much more about how to represent their characters, but also a much firmer grasp about how the shape language in the show works.
These designs are immaculate and I had so much fun. I actually have a lot more I could say about this, but my period came today and I'm tired and this post is already massive so I'll leave things here for now! But yeah! Hopefully more Vee's in the future bc I love them!
Wishing you all well! <3
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katiekatdragon27 · 3 days
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I LOVE MIXING FIXATIONS IT'S SO FUN!!!
Dust: An Elysian Tail but Rayman characters let's go😎
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After extensive analysis of both games (five minutes of thought), we decided that most (not all) of the Warmbloods are teensies, the Mudpot folk are Glutes, and most (not all) Moonbloods are nightmares.
Here's the more focused roles I have paired for this AU:
Dust -> Rayman
This makes complete sense. Main character who is good at combat and kind at heart. Also has a lot of abilities in general lol
Fidget -> Murfy
I really don't care for Murphy buuuut I won't deny that he reminds me a lot of Fidget. Same vibes, different execution.
Aharah -> Maybe Ly?? Maybe Polokus???
That's cuz my man is a talking sword. He helps Dust with combat and advice cuz he's cool like that.
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"See how lifelike it is?" (Ugly ass murphy plush)
"Oooh! Campfire fuel~"
Ginger -> Goth Teensy
This is a mix of personal hcs and just cuz vibes lol. Both are angsting and have affiliations with the opposing groups in the series. (Goth with the Livid Dead door, Ginger with the Moonbloods).
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"And who are you really? The last time I saw a thingamajig was when my brother died!"
Sereth -> The First King
This one was a little more difficult to decide, but I like this choice lol. The First King being a dream and nightmare creature in all technicality that I would imagine has a similar personality to Sereth is fun. Also he's a little scary looking, which works with canon. Also his eyes are glossed over so it looks like the Sereth's glowing eyes.
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"I am here to serve~"
BELOW ARE SPOILERS FOR DUST: AN ELYSIAN TAIL!! PLEAAAAAAAASE PLAY THE GAME OR WATCH A PLAYTHROUGH OR SOMETHING BEFORE LOOKING AT THESE I BEG!!! I DON'T WANT TO RUIN THE TWIST FOR Y'ALL!!
Now that that's out of the way, here are the spoiler doodles.
Can you-c-can you guess who Rayman was created from?
Can you can you?
That's right!
THE MAGICIANS!!
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"Forever in battle. Forever at odds."
When I made this decision I felt so smart. They're the same name, same vibes, and the idea that Rayman got his whimsicalness from the Magician and the violent tendencies of Ales makes so much sense to me.
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"Only impossible for a creature with a single soul."
"I am Rayman."
Also I get to draw him with the teensy boba eyes, which is a win for me.
I'll probably make more stuff for this cuz I really like this idea. The story will have creative liberties though for character motivation, but that's not too important lol.
Have a lovely day fellas :)))
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storiesofsvu · 8 hours
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It's Bingo Time!!
I usually do some kind of bingo for my birthday/spring and I figured it'd be fun to do one again this year. Though the timeline may be different, we'll see lol.
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Prompts are all spring/summer themed or smut. Any and all of them can be made as suggestive as you’d like, you don’t need to keep the smut fics to the smut prompts!
Submissions can be anything! A mood board, headcanons, drabbles, gif sets, a one shot, a mini series/collection including all the prompts, social media au’s, whatever you want!!
The rest of the rules are under the cut!
Prompts can be made into any genre, make it super spicy, super fluffy, or heartbreaking. Just make sure to include any and all appropriate warning at the top and in the tags!!
Fics can be a ship, reader insert, an OC, whatever you want! This is for you to have some fun and get creative!
Accepted Fandoms:
-Anything and Everything!! Yes!! I am always wide open to every fandom out there! It does not need to be something I write for, regularly read or even know what it is! It’s your choice!
Some examples:
Law and Order (svu, oc, og, ci),Criminal Minds, 911, MCU, One Chicago, NCIS, Grey’s Anatomy, OUAT, CAOS, Private Practice, Abbott Elementary and everything and anything in between!
Rules!
You must tag me @storiesofsvu and use the hastag #kbdaybingo2024 on each creation. There’s a chance I will put together a masterlist (and if I do I likely won’t until it’s all over)
Bingo begins May 1st and runs all the way to June 27th
Only post ONE creation PER DAY, and only one square per creation
No under age oc’s/yn’s
Tag all and every warning appropriately at the top of the fic
Anything over 1000 words MUST be under a readmore
Please appropriately tag your characters! I don’t want to see a list of side characters who have one line or are only mentioned when it’s a specific character x reader fic!
For each fic you write, you’ll earn a ballot and at the end I’ll do a draw and there will be a winner!! (don’t ask me what the prize is yet lol)
Everyone is welcome to participate! (anyone submitting or reading smut must be over 18!!)
If you have any questions feel free to message me!!
___________
tagging some people I think might be interested!
@whiteberryx @rustyzebra @iamnotoriginalphil @happenstnces @bullet-prooflove @hotchfiles @prentiss-theorem @scorpsik @thatesqcrush @witches-unruly-heart @polkadotpenguin16 @escapingrealtiylovinginsanity @waitingfortheendtocome @five-bi-five-mind @demonicbaby666 @baubeautyandthegeek @safficranger @valentinesfrog @milfandh0ney @asolitaryrose3 @alexblakegf @hotchs-big-hands @just-a-torn-up-masterpiece @mxmmyprentiss @alexblakeisgay @jordanstark007 @chestnutninny @maximoffcarter @lizdonnelly @v3nusxsky
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wildpeachfarm · 1 day
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do you have any tips for an artist that is starting out? i feel like my art is good one second then bad the next and idk how to fix it 😭
oh god idk if I'm the most qualified for this but I will try to give you useful advice lol
First off: feeling good about your art one day and bad the next day is somewhat normal. Feeling bad about your art means that you are growing an 'artist eye' that is allowing you to identify the issues in your own art: that means you are already improving whether you know it or not!
I love this chart that describes it very well:
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And honestly, I think being willing to reassure yourself that these are just improvement periods can sometimes help soothe the frustration about your art.
Another thing: compare yourself to others but in a constructive way
NOW HEAR ME OUT:
A lot of people will tell you that "comparison is the thief of joy" and while that's great, that's not realistic for artists who are just starting out and feeling shitty about their work. So the best way to work with that is to change your approach!
When you look at art that you think is cool or an artist you admire, try to find things that you are impressed by that are more technical such as: the colors they use, dynamic posing, face details, lighting, etc. and use that to inspire your own art and help you improve. Art studies are actually super common in art school and by morphing your "comparison" to "analysis" you can start appreciating others' art but also using that to improve your own!
Final thing: draw what you absolutely adore over and over again, because you will WANT to get the details right and you will WANT to work on it for longer than a piece you're not interested in. It keeps you engaged and excited to draw while also allowing you to focus on details and different things you can experiment with and not be super intimidated by because you get to draw something you love!
I hope some of that helps you <3
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sysig · 3 months
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Permission to headbutt: Granted (Patreon)
#My art#UT#Sans#Papyrus#Ft. something smol and I do on a regular basis ♪#This could be Handplates or it could be classic Undertale I leave that up to you lol#I definitely picked up a lot of the style quirks lol - but there are some of the ones that I like myself! Like Papyrus' darkmode clothes lol#And Sans' shorts having the stripe in the front haha - little details ♫#Realistically it probably is Handplates tho just based on where my head's at lol - I love the Handplates dynamic :D#Handplates#I talked myself into it! Pfft ♪#I found myself relating a lot to Sans especially while rereading - I want nothing more in the world than for my siblings to be happy! <3#So I gathered up a bunch of ideas of things especially me and smol do together and this was the most obviously cute one haha#Easiest to do! Tho I did still go a little extra on this lol#I'm trying to do more digital stuff ♪ It wasn't the best art day and I'm still a little nervous to jump right in :')#Not doing any sketches on paper beforehand feels weird but I guess it is thematic in a way lol#And I'm still pleased with how they turned out hehe#It really does feel nice to be drawing them again <3#And doing silly sibling things! Hehe#I dunno how clear it is since it's so ingrained into how smol and I talk to each other lol family language!#One of us will literally just announce ''bonk'' and the other will prepare for/lean in for a headbutt haha#She is a tiny bit taller than me - it's not quite /this/ extreme but she does lean down for me! S'cute <3#I like to think Papyrus would do the same hehe ♪ Let your lazy brother headbutt you! He can only reach so far!#On minimal effort anyhow hehe#It's just a fun way to be silly together ♫♪#Also yes I did show this to her and she cosigned lol - ''Cute'' -smol
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soepwashere · 7 months
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I was rereading the rise comics recently and I feel the need to point out that Mikey is carrying Raph and Leo on his shoulders so casually in these panels
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hinata-boke · 1 year
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this is how i imagine each of them sleeps
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darqx · 7 months
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Aren't you tired of being nice?
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