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#I hate this; I'm out
nipuni · 2 months
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Silence in the library
A speedpaint video of this will be available at my Patreon on february 1st!
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deadmomjokes · 2 years
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PSA: tomatoes are not spicy. Tomatoes and tomato products should not be spicy. Pizza sauce isn't inherently spicy. Tomato-based pasta sauce is not spicy. Ketchup is NOT spicy.
If tomatoes are spicy, you have an allergy to tomatoes.
This announcement brought to you by my almost 29-year-old husband learning for the first time in his 2.8 decades of putting food products into his mouth that spaghetti and saucy pizza aren't spicy foods
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mildmayfoxe · 5 months
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a lot of these candies have a lot of haters out there despite most of them having a lot of lovers too. but which one do YOU love despite it all??
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i-am-a-fish · 3 months
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this year I will become a powerful lesbian
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destielyurii · 2 months
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If you feel comfortable please tell me about your middle name in the tags too! I'm nosey and don't know what to do with my own middle name lmao
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snarkspawn · 5 months
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advocatus diaboli
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azherwind-art · 3 months
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"Tell your favorite creators that you like their work, people usually enjoy things silently, but hate tends to be loud"
This is a phrase I just heard from Dnd shorts that captures perfectly why I often try to make the effort of commenting on posts and telling people that I enjoy their work and why Even to small creators, I advice everyone to make the extra effort to tell them, I can guarantee it makes all the difference in the world, it's not cringy or obnoxious, it'll just brighten someone's day
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gaminegay · 2 years
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People go on about good healthy queer rep but I cannot express how much I want unhealthily devoted queer rep. Raise your lover from the dead no matter the cost. Kill to get them to safety. Trade your soul for theirs. Die to reunite with them. I want gothic hyper-devotion codependent lovers
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egophiliac · 5 months
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this is basically what happened, right?
(these guys are very lucky that everyone at NRC 1) has the combined intelligence of a sack of bricks, and 2) is easily distracted by shiny things.)
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#art#twisted wonderland#twisted wonderland spoilers#stage in playful land#stage in playfulland#these two are SO sleazy and i am utterly delighted by them#can't wait to find out their tragic backstory in approximately 3-4 weeks!#fortunately i have like a month to figure out how the heck to draw their hair (spoiler: i will never figure it out)#also. god. i love it whenever leona accidentally reveals his Mom Side.#he doesn't care about any of this but he WILL be tagging along to make sure no one else gets into trouble#once again he has to be the Responsible Adult and he hates it. the whimsical hat weighs heavy upon his head.#anyway this is me so excuse me while i now talk about diasomnia for three hours#but lilia being all 'kids gotta have some adventure in their lives!' is hilarious#specifically because you know silver would NEVER.#100% silver not only never snuck out but he always went to bed on time AND brushed his teeth AND flossed even when nobody made him.#lilia: aww but you should be enjoying your youth! >:c#silver: i am. i enjoy being respectful and disciplined and honoring you as my father.#lilia:#lilia: maybe i'm TOO good at raising kids#you know i was going to say none of his kids would be involved in this but i actually think malleus definitely would#he would not see it as a moral quandry though. he would just be excited to be invited along.#(the only reason he isn't there is because he was busy admiring a termite-infested beam somewhere and yuu didn't get a chance to ask him)#i mean MAYBE if lilia as his single authority figure told him no then he would have some reservations#but lilia's the one who's screaming HELL YEAH LET'S SNEAK OUT AND DEFY AUTHORITY while dabbing so moot point there#sebek would never and he would rat on everyone else. unless malleus is going in which case he's already there.#and i guess if everyone else is going silver probably would too#but he'd. y'know. feel conflicted about it.
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arktic-blocks · 2 months
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something something boss baby
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vaxxman · 2 months
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whats so fun about the vaccinator (vacc slander)?
You come to my blog and disrespect me like that.
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Have some vaccinator propaganda.
Some textless panels that I enjoyed drawing and rambling about the vaccinator medigun under the cut.
Surprise, it's only medic.
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I am not saying the vaccinator is not absolutely broken, I 100% feel dirty using it against a badly coordinated team, hence I wouldn't mind if it received a nerf in the future.
A lot of people analyse the vaccinator as only useful against a badly coordinated enemy team, but I think it's much better as a weapon for when your own team sucks ass has bad synergy, since any form of uber is pretty much wasted on everyone (if you can even build enough charge). To compensate for everyone's mistakes, just make sure they stay alive long enough to capture points and push the cart. Everyone will automatically stay with you, and soon you'll have a nice meat shield of 4 people swarming around you. You know it's working, when there's suddenly 3 demoknights and a spy after you.
I love micromanaging my resistance bubbles, and I love micromanaging my team without them noticing that I'm doing it. Pressing the R-button to rotate through resistances feels like such a much more engaging contribution to the battles your patients are fighting.
Vaccinator is busted, but absolutely not boring.
And to close this rambling, here's my fav video about the vaccinator:
youtube
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chizu117 · 1 month
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It's so weird seeing how adultified by both the text and fandom Wyll has been. When we meet him in game, if you look past the scars, and then later the devil ridges, he's honestly very baby-faced. I can't even imagine how young he looked when he actually made his pact. At SEVENTEEN. As a CHILD.
Like why are all the dialogue options mean when you find out about his father, pact, etc. He wasn't some gnarled, wise adventurer when Mizora preyed on him, he was a good hearted kid who just wanted to save his city and the people in it and was manipulated into thinking that the only way to do that was to literally SELL HIS SOUL. And of course he wouldn't tell you about his father, the man threw him out. He loved his dad and when he needed him most the man tossed him away. He didn't just lose his house either, he was banished from the whole city, essentially pushed out into the wilds. OF-FAKAN-COURSE he's going to have immense trauma from that.
The whole persona he has seems like a coping mechanism and it's so bizarre that fans can love a character for becoming even more of a piece of shit because of trauma, but call another boring and annoying because his trauma response was to throw himself into heroism and helping others. If he went "Chee all you fakas" and went holo holo in the woods, I wouldn't even blame him, but he was out there saving lives where he could while literally being bound to the whims of a DEVIL.
Anyway, I am a Wyll stan first and a human second.
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stirdrawsandreblaws · 4 months
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hate that i have the brownie curse where i can't do shit if people are around
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hajihiko · 4 months
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pretty sunrise or sth
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cuddlytogas · 16 days
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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redysetdare · 8 months
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A character looks straight into the camera and says "I'm not interested in romance" and people will still say "No, it's not confirmed they're aromantic!!!" "They could change their mind!!!" "it's a challenge for them to overcome!!!" "They'll have character development that makes them fall in love"
It's like they are given the most blatant answer to a character romantic orientation and they actively ignore it. all the while all it takes is subtext for people to speak as if it is fact for a character to be any other sexuality.
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