I sincerely hope every artist gets to have the experience of falling in love with their art someday. even if you have to fight for it. i think we all deserve to look at the result of our creativity all giddy and go holy shit, I loved making this! I love the lines I put down and the colors I used and the indulgences I’ve taken. I love seeing things I liked and taking it for my own, pushing and molding and playing. I can’t wait to do it again
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hate to say it, but part of ending the stigma around sexual assault means not assuming every woman blames herself. yes, female socialization encourages it, but that doesn’t make it a given, and the goal of all of these campaigns is to eventually diminish the proportion of women who do blame themselves. it is entirely possible, and increasingly common, for women to experience sexual assault and not feel shame or guilt, which we should be happy about. but instead, there are only so many times you can hear “you know it’s not your fault, right?” before it sounds like “it was your fault”. and there’s only so many times you can hear “don’t blame yourself” before it sounds like “you should blame yourself”. because it feels good to say, doesn’t it? sure, you don’t believe she’s guilty, but you do believe she should feel guilty, so that you can disabuse her of the notion. just something to consider.
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can i be real with you guys for a second. do i have permission to speak my truth without being flayed alive. just for a moment. the way many of you talk about zuka makes me think you guys don’t actually enjoy their relationship. people will be like “oh i love how it’s grumpy x sunshine because zuko is a little grouchy grouch and sokka is funny and flirty and bubbly” and i’m just like……. in what world?????????? i don’t think you guys ship zuck actually i think you guys just wish you could ship zukang without being perceived as weird for age gap reasons. but in no world is zucchini a ship wherein sokka is emotionally uplifting zuko thru the power of love and friendship. they’re literally both suicidal freaks. and yet people love making them not only as boring as possible, but also giving sokka a personality transplant (aang’s personality, to be specific) because they hate the source material or they just see conventionally attractive teenage boys and black out or who knows what. but it’s okay you guys can just ship zukang if that’s really what you want out of their dynamic. i won’t judge
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Headcanon that the boys were first introduced to Lou Jitsu through Splinter scrounging up an old movie to watch through a grainy projector. Splinter wanted to hype himself up at the time, to see a version of himself - however fictional - succeeding and being happy.
He watches, and smiles, mouthing along to the dialogue and outright whisper-shouting “HOT SOUUUP!” whenever it comes up.
Nestled in his lap are his four new sons, still learning the world around them and heavily reliant on their new father. They watch with wide eyes how lively their guardian looks, how happy he sounds, and they turn to watch the movie closely. Because, for as young as they were, they could recognize the source of their father’s joy.
So naturally, they come to associate Lou Jitsu with their father’s smile, and in turn, they feel happy themselves. To them, Lou Jitsu will always be a source of joy, and always make them smile, even if they forget why as they grow.
They’re not just movies for the four of them - they’re the distant memories of a warm lap and a smiling face.
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Dear Gojo,
Despite it all, I think the kids are going to be okay. In time. After all, you made it so that they at least have each other.
Hopefully I won’t see you and the others anytime soon.
- Shoko
P.S. The cats you left behind, they’ve been a good distraction…though they cause quite a bit of trouble on campus. Seems familiar, no?
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the problem is I’m such a staunch believer in the slow buildup, the earnest enjoyment of meandering through terrible story decisions and weird nothing subplots to build up into a conclusion that explodes out from all that as fantastic storytelling and intrigue based on all that buildup, such that it makes it necessary to get through all that or you’re missing something essential, that I’m also a terrible person to talk to about what makes a story good. I can tell you plenty of what actually makes something tight and well-written and all that technical speak but how could anyone take my advice when I so so so love excruciatingly long unnecessarily complex fumbling and weird nonsense that spirals into, inexplicably, weird nonsense that makes you cry your lungs sore
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I’m sorry to be a party pooper, but as a transfem wc fan that “I've been seeing a lot of hosility towards transmascs in this community” is so weird. Because one they have my mutual who is also trans women blocked for some reason and I have never seen any negativity on transmasc in this fandom like ever. Which is crazy because this fandom is mostly dominated by transmascs and tmes.
For the first time in the entire fandoms history have we had a spike of people finally recognizing and treating trans woman in this fandom with respect, and yet that person post that begging for more mascs to be recognized. That’s not weird in the slightest.
I’m just tired… yall will NEVER treat trans women like the way you did with op.
It’s low-key disappointing.
i’m… sorry? i really don’t know what you’re talking about, i just wanted to lift up other transmasc artists- i don’t quite know what i did wrong? i don’t believe i said anything against transfems and i even said i haven’t seen any transmasc-directed bigotry?
here’s the post in question for those out of the loop
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The fact that Claire had to make a video to address the hate directed at Nana, Toto and Dodo…it’s ridiculous.
Trolls should have their breathing rights revoked.
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