Tumgik
#I don't think the fandom will vibe with this
prokopetz · 7 hours
Text
I think a lot of folks in indie RPG spaces misunderstand what's going on when people who've only ever played Dungeons & Dragons claim that indie RPGs are categorically "too complicated". Yes, it's sometimes the case that they're making the unjustified assumption that all games are as complicated as Dungeons & Dragons and shying away from the possibility of having to brave a steep learning cure a second time, but that's not the whole picture.
A big part of it is that there's a substantial chunk of the D&D fandom – not a majority by any means, but certainly a very significant minority – who are into D&D because they like its vibes or they enjoy its default setting or whatever, but they have no interest in actually playing the kind of game that D&D is... so they don't.
Oh, they'll show up at your table, and if you're very lucky they might even provide their own character sheet (though whether it adheres to the character creation guidelines is anyone's guess!), but their actual engagement with the process of play consists of dicking around until the GM tells them to roll some dice, then reporting what number they rolled and letting the GM figure out what that means.
Basically, they're putting the GM in the position of acting as their personal assistant, onto whom they can offload any parts of the process of play that they're not interested in – and for some players, that's essentially everything except the physical act of rolling the dice, made possible by the fact most of D&D's mechanics are either GM-facing or amenable to being treated as such.*
Now, let's take this player and present them with a game whose design is informed by a culture of play where mechanics are strongly player facing, often to the extent that the GM doesn't need to familiarise themselves with the players' character sheets and never rolls any dice, and... well, you can see where the wires get crossed, right?
And the worst part is that it's not these players' fault – not really. Heck, it's not even a problem with D&D as a system. The problem is D&D's marketing-decreed position as a universal entry-level game means that neither the text nor the culture of play are ever allowed to admit that it might be a bad fit for any player, so total disengagement from the processes of play has to be framed as a personal preference and not a sign of basic incompatibility between the kind of game a player wants to be playing and the kind of game they're actually playing.
(Of course, from the GM's perspective, having even one player who expects you to do all the work represents a huge increase to the GM's workload, let alone a whole group full of them – but we can't admit that, either, so we're left with a culture of play whose received wisdom holds that it's just normal for GMs to be constantly riding the ragged edge of creative burnout. Fun!)
* Which, to be clear, is not a flaw in itself; a rules-heavy game ideally needs a mechanism for introducing its processes of play gradually.
2K notes · View notes
tossawary · 12 hours
Text
I'm curious to hear about people's rarepairs, especially the rarer ones, again. Doesn't have to be from a particular fandom. Can be backed only by vibes. Vibes are valid.
My rarer rarepairs for SVSSS are probably Luo Binghe/Gongyi Xiao and PIDW Mobei-Jun/PIDW Ning Yingying.
The former is because I think it would be funny for Binghe to actually get bogged down in the day-to-day running of Huan Hua Palace and he'd need help with that. The Palace Master making Gongyi Xiao effectively Binghe's secretary sounds awkwardly hilarious to me. Also, I think Gongyi "breaking the rules is fine if it's for moral reasons and you don't get caught" + "maybe we should slow down and try to figure this situation out calmly because that doesn't sound right for Master Shen" Xiao would be good for Binghe.
The latter is because, again, I think it's fun to think about who is actually running Bing-Ge's empire. I'm imagining a workplace comedy featuring other key harem members such as Sha Hualing and Liu Mingyan and the Little Palace Mistress more as annoying coworkers. Mobei-Jun is stuck in the incredibly awkward and angsty position of having feelings for another man's wife, and Linguang-Jun is being sooooo petty and mean about it. Also, I think PIDW Ning Yingying deserves a nice divorce or widowing.
117 notes · View notes
shakingparadigm · 3 days
Note
Hello!! I don't have twitter or Patreon... it would be awesome if you could answer my question! You seem such a kind person in every response.
I saw here and there pictures of IvanTill (Au?) where they are on the seashore... What's the story behind it? I never had the chance to find it out even if I'm not new in this fandom...
Thank you so much and sorry for disturbing you! I love your page... 🍡
Hello!! I believe you mean these ones, yes?
Tumblr media
I'm pretty sure they're drawn by one of the ALNST crew members! It was on their site, but the last time I checked, they locked it and now it can only be accessed with a password...
Unfortunately I wasn't part of the fandom when this first started circling around, so I'm not entirely sure of the context. Some people say these were scrapped storyboards for one of the rounds, and that it was initially supposed to center around Ivan and Till's relationship.
Personally I think otherwise, though. I feel like this could just be the crew artist experimenting with their dynamic, or drawing art for a normal highschool AU like many ALNST official arts tend to be set in. Their clothes seem to be very average school uniforms, and the whole vibe of the scene seems so carefree in the more mundane, realistic way. Or maybe these are actually the storyboards? I'm not new to the fandom either, but even I can't find a solid confirmation yet, haha....
These still make my heart hurt, though. The both of them playing in the water, Till's blushing face, Till on his tippy-toes. He's tip-toeing for the kiss. How I wish they could be happy in another universe.
Thank you for your kind words! Sorry I couldn't properly answer your question...
58 notes · View notes
thought--bubble · 2 days
Text
Taking a little breaky break
This is just a heads up for my small little group of people on here. I have come to call my friends. I just wanted to let you all know that I'm going to be taking a much needed respite from tumblr and probably discord, too. I am feeling lost, sad,overwhelmed, and confused.
I know it sounds silly or whatnot, but all of this stuff is overwhelming and depressing, and I feel sick when I open this app at this point.
The best word to use, I guess, would be winded, maybe?
I joined Tumblr in Sept 23, and at first, it was really fun, a much needed escape from my daily never-ending list of crap to do.
I unfortunately learned how crazy this fandom can get early on and the hard way. I had hoped that that was just a one-off due to my newbie ignorance and took it as a lesson learned for myself.
But it's starting to feel like the drama never fucking stops. It just keeps going, and nice people, kind people, just get dragged and ridiculed for seemingly no reason. I will pathetically admit that I am a sensitive soul, and the things I've read and seen have seriously negatively affected me.
When people are catty regarding people they don't like or that don't like them, I can usually reconcile that to a particular degree. People are, in fact, people. Not everyone is going to vibe with everyone, and people will make jokes at others' expense, and it isn't exactly mature, but it happens.
That is what I expected when I heard this was coming. Some catty shit slinging between people who don't like each other.
But that isn't all this was, and I'm having a really hard time with that. I even thought, "Oh maybe some moderately rude jokes here and there where you know cultural differences and stuff could account for that" like I'm from the northeast and we can be harsh out here. So something that may be offensive to someone from another area may be looked at here just as a joke made in poor taste.
I know I myself have made jokes or whatnot, but you would think certain things would be off limits.
I thought I could combat the negative with positives. Silly jokes, little messages filled with love, but even that isn't working at this point.
My heart hurts, and my brain hurts.
And all this stuff has made me question myself. I had a block list a mile long for the longest time. Filled predominantly with people I had never spoken to because I was scared, nervous, I didn't want to accidentally interact with a post of someone who would be upset that I did, I unfollowed blogs I liked based on this same principle. I just desperately did not want to make someone mad or uncomfortable and find myself back in some weird mean anon tornado.
I tried to sus out who would be bothered by my presence and who wouldn't. I can't even know if my thoughts on who may or may not be upset by me were based on my paranoia or a perception i developed or was potentially affected by outside sources.
Now, i just don't know what the hell is going on.
Sorry for the word vomit. Just wanted to be honest. There are some of us out here who are just standing around with question marks over our heads.
Maybe it's because I wasn't here for a lot of that other weirdness. Maybe it's because of early events that shaped my experience on this app, but I for sure 100% need a break.
I'm an odd duck and love this app mostly because it's the only site I've seen where others actively fan-girl over my favorite Ewan character.
But right now, not even my love for Will can keep me on this app, and for those who know me, that's truly saying something.
This post is not meant to badmouth anyone at all. Honestly at this point I couldn't bad mouth anyone because I'm fucking lost on who anyone really is or how they really feel about things, dude I'm just plain lost.
Thank you to those who have been kind. My apologies to those I may have judged or assumed things about based on who the hell knows.
I hope that when I come back, I can open this app without yet another person that I like having a post of them being torn apart. Or a post of a story that I had heard being told in a completely different way and throwing me for a complete loop.
For now I am going to watch Will edits on TikTok and maybe read via Ao3.
Love and healing vibes to all.
32 notes · View notes
olderthannetfic · 1 day
Note
On the one hand, I actually enjoy "why I like this" fandom thinkpieces, even when about slash and similar topics. I honestly find it fun to hear other people's perspectives and confront them with mine, to be able to say "oh, yeah, I'd never thought about it this way but this resonates with me" or "can't relate to that at all but it's an interesting point", and I find it pretty depressing how all that gets ruined by people angrily demanding everyone explain their individual tastes in relation to broader fandom trends to them (usually to then turn around and scream about how no one wants to hear you desperately throwing "justifications" around and how, instead of doing that, you could spend your time writing what they want you to write) to the point you then end up with other people overreacting in the opposite direction and going "aw, poor thing, no need to make up some fake bullshit reason, no one's attacking you here" anytime you so much as say "I've thought about it and I'm pretty sure I like X because Y" regardless of your tone or intention. (Then again, I also like reading meta, and acafan type stuff)
On the other hand, sometimes it really is just a "X makes brain go brrr" sort of thing.
Years ago, I was in this fandom with a femslash ship I liked. It had some tropes I really love, and played them for both angst and fluff in ways I thought were very good, and it had a lot of potential for fanworks exploring different aspects of their story and dynamic... and yet, I just liked it. And I never felt any particular need to do much of anything fannish for it. I figured, well, maybe I'm just not the type to get into femslash ships as much as I get into slash ships, simple as that.
Now, I'm in a fandom with a femslash ship that's very similar to that first one. Very similar tropes, played for both angst and fluff in ways I think are very good, and lots of potential for fanworks. Except I love this ship and I've already made multiple fanworks for it, including smutty ones.
I've seen both great and shitty attitudes in both fandoms, and both of them have a reputation for being "controversial" and having annoying fans, so it's not even an unconscious "I felt I'd bring down all the annoying people on me in that fandom but I don't get the same vibe from this one" response. My best guess is that the aesthetics of the two ships are pretty different, but I'm not even sure about this because I did like the style of the first fandom's canon and had other ships there that I did feel more fannish about.
So, yeah. Second ship makes brain go brrr. It happens.
--
31 notes · View notes
ctrl-alt-tahu · 3 days
Text
The Everyman Problem
So, I've had a kernel of a Bionicle post rattling around in my for a couple weeks that I haven't quite been able to articulate, but I think I might have the angle to explain it now.
I'm an "old Bionicle fan": by which I mean, I'm old enough to have got into Bionicle in the "Mata Nui" era (2001-2003). A glance at the notes on my big [unfinished, looking abandoned] alt-canon fanfic shows that I'm old enough to have disliked the change of the Toa from Mata to Nuva... in 2002.
So, which that as background, remember that I'm old enough to remember a time when it wasn't known at all that Matoran, Toa, and Turaga were all the same "species."
Thinking back on it, I don't think I initially "noticed" the revelation that no only were the Turaga were former Toa, but the Toa (Metru) were Matoran before that--Takanuva too, but he was something of a special case. In 2004, I was really just absorbing that Vakama, Onewa, etc. were former Toa--that "Toa" might mean something other than "single demi-urgic hero of each element." I got there eventually, as far as acceptance goes, but it part of my age-related fade out of the Bionicle fandom.
2006, on the other hand, emphasized the other part that I'd ignored more during the LoMN/WoS era: that Toa came from Matoran. I still don't love this, but until last night I couldn't really lay a finger on how to express why.
I thought it might just be my habitual stick-in-the-muditude: you changed Jaller from Captain of the Guard! You changed Matoro from Nuju's stoic interpreter to a worry-ridden saviour.
I also thought it might just be the genre shift: it's all fantasy, of course, but it's a different thing from the island mythology-vibe of Mata Nui to the Lost City of Atlantis vibe of Metru Nui (and then the vibes beyond). I like the Toa more as unique elemental avatars than evolved Matoran, but that's not really it either.
Last night, though, I watched later era Marvel movie--it doesn't matter which one, because they all have this problem--and as the credits were rolling, I realised that the reason I don't really like the MCU is much the same as this "problem" I had with Bionicle: if just about anyone can be a superhero, you lose the "ordinary" members of the story.
Putting it another way, I realised I prefer "chosen one" stories to "X-men" stories. This is probably the Tolkien fan to some extent: you can have a world full of magic and heroes and super-powers, but if it also has "ordinary" folk, their specific importance in the story is that they ARE ordinary: Gandalf and Aragorn are heroes and amazing, yes, but Frodo never "levels up"--he is a greater person at the end of the story than the beginning, but it is the growth of an ordinary person.
Because superheroes are so common in the MCU (or DCU, etc), it's hard to have ordinary people be front and center--and harder still for them to stay ordinary people. And something like that is my problem with where Bionicle went that I don't think ever fully resolved for me: part of the wonder of Mata Nui, the whole storytelling point of MNOG is that the Matoran contribute to the victory too: they have no mask powers, no elemental powers, but they are there to help the heroes and do their part and its essential.
This already starts changing with MoL, it changes more with LoMN, and by the time we get to the Voya Nui arc, we've gone "Full MCU": everyone in the story can be a Toa.
I think, if the Inika had been "four or five" new characters and only one "already-known" Matoran, I'd have been much happier. But when you take the most prominent Matoran from every tribe and make them all Toa... who's left? The headcanons that the Chronicler's company become Toa too both satisfy and don't work for me for this reason. They satisfy me if they leave the Inika as Matoran, because I think that was a better way to go; they annoy me if they're BOTH Toa now, because that exacerbates what I think is the "problem" here.
It's not really a problem, objectively, but it is my subjective sticking point. And it's the reason that even though I might keep most of this lore, despite the grumbling, I'm willing to jettison completely and utterly the idea that "only some Matoran are destined to become Toa." Destiny is always a hard thing to make work in the story, but the Doylist result is that Matoran now come in two categories: Special Protagonist and Ordinary: and the Ordinary is now completely swept off the stage and I really don't want that: I want the story to include a real focus on some powerless, ordinary individuals.
So I'd rather it be that ANYONE can turn into a Toa: they don't, maybe, because the circumstances lead there, but every Matoran has that potential. Because if anyone COULD be a hero, then at least when they do become a hero, it's more ordinary.
But I'd still rather that none of them could--but I'm not sure that is a concept you could return to without retconning Gen-1 so far that you end up with Gen-2. And I don't think I want THAT either.
26 notes · View notes
lost-tardis-room · 6 months
Text
someone should tell micheal sheen to get a tumblr once the actors strike is over i think he'd like it here
299 notes · View notes
bruciemilf · 6 months
Text
"Comic books are the authentic form of canon and you should stay faithful to them," okay but like you realize that's limiting!! You realize that official content is put in front of you to be analyzed and criticized and adapted in your individual form of enjoyment, otherwise its just fucking boring, right? You realize it's extremely rare for official content to be enjoyable when it's written by someone who doesn't understand a character because they like them, but because they have to appeal to popular trends and what sells best, right? You realize you don't possess some superior leverage over others just because you stick to that only, right? Right?
358 notes · View notes
molinaesque · 7 months
Text
Okay I mentioned that I had a bunch of Raphael thoughts and basically made a whole essay (in literally no actual format, this is just me vomiting out parsing thoughts and using it when lore dumping onto my friends). This is written based off of stuff you find in the game, some Wiki diving and my own thoughts.
Feel free to hit me up with some topics that we can talk about. And remember, these involve are my own thoughts and headcanons at the end of the day, so please act normally and don't come at me with pitchforks just because I have something that doesn't align with your specific HC.
A Prince's Tale: The Story of Raphael
In the universe of Faerûn, there exists a heaven and hell, or in this case the Heavens and the Hells. There are the Nine Hells of Baator, all ruled and lorded over by various archdevils. Raphael is the son of the ruler of the eighth circle of Hell, the archdevil, Mephistopheles. Raphael is a cambion which consists of a fiend and a mortal. Cambions then are considered "results of unnatural and unholy communion". In Raphael's case it's a bit more complicated because the fiend in this equation isn't just some lower being like an incubus or some other demon but a true Devil, making Raphael leagues above, both in power and rank, other typical Cambions, just purely due to his association and blood of being Mephistopheles' offspring.
The system in the Hells is extremely rigid and hierarchical (it's a system that has been upheld for eons. Many of the systems that make up the universe of D&D are as deeply rigid and rooted). Many of the themes of the characters of Baldur's Gate 3 consist of them either repeating the cycle or breaking its hold, which in the D&D verse is an extremely hard thing to do because of how long standing these systems are. In regards to the Hells, it works like a pyramid. The top of the food chain and order are the archdevils. There are many archdevils that reside and rule over each circle of the Hells, one however rules all and lives in the Ninth circle, Nessus; Asmodeus.
So what does Raphael want? The integral key item and centerpiece of the main plotline of BG3 dubbed only as 'The Crown', created by Karsus. Karsus was a very powerful, most would say perhaps THE most powerful wizard who ever lived. An archwizard/demi-god responsible for creating and casting a spell that would steal the power of a deity and transfer it to the archwizard who casted it. Eventually, this was a mistake, for one of the responsibilities of the deity of magic was to regulate the flow of magic to and from all beings, spells, and magic items in the world. He did not have the ability to do so properly, causing magic to surge and fluctuate, threatening that balance. This caused the flying cities of Netheril to plummet to the earth. The last thing Karsus sees is his entire civilization being destroyed because of his actions. This will be known as 'Karsus' Folly'.
Raphael tells you about this story and how he was there to witness it happen all those years ago. He wanted the Crown to himself but it was stolen and put into hiding. He later finds out that Mephistopheles, his father was the one responsible for stealing it. Now, here's a way to explain the fucked up power levels and why it plays so much of a factor especially in the Nine Hells. I mentioned how Raphael is not a typical Cambion, BUT even though he is technically a prince by birthright and a half true devil, it doesn't make a difference under the likes of archdevils like his father (who doesn't help at all with Raphael's behaviour because Mephistopheles is a MEGA asshole. I mean, there's a reason why Raphael never utilised his name to invoke influence and power, doesn't even call him father, that's how much he hates him. You only find out about it through Haarlep. He even had another child, a daughter, who he cared more about by making her a trusted double-agent against one of his rivals. Meanwhile, he treats Raphael like nothing and acts as if he doesn't exist for the most part). Basically, unless you are an archdevil in the Hells, you are never TRULY free. As power, literally = freedom in the Hells. Raphael realises this and so began his lifelong ambition to get that power. That came with the events of Karsus' Folly. Realising that this is the opportunity and power Raphael needed, he attempts to steal it only for it to be taken by none other than his own father. Now, you think "ah Mephistopheles wants that power for himself, right?" No. Here is how far apart the levels of power are between beings like Mephistopheles (beings such as archdevils/archwizards/demi-gods/gods/etc) and beings like Raphael, who is already a pretty substantial and powerful Devil by his own right.
Raphael has been coveting the Crown and its power for 10 centuries, a thousand years, essentially. It's his one source that can possibly give him the chance of taking even more control of the Hells and ultimately make him TRULY a free devil. It's his life's mission that has been going on until he's practically in his middle age in devil years (his human appearance showcases this, and we also see a younger Raphael in his devil form with Haarlep). Half of his (immortal) life. It is very crucial and important to him.
And yet… to Mephistopheles, it's just a souvenir. A trinket. Or as Raphael puts it, "a museum piece".
This, undoubtedly angered Raphael so much and made his hatred towards his father even more so (Raphael mentioned how he raged for a decade, understandably). The fact that not only does his father treat him as if he doesn't exist, but to add insult to injury, did this while mocking him by not taking him seriously. One of the things he did was to send an incubus, Haarlep, made and glamoured to be an exact copy of Raphael, to distract him. It could also be seen as a message of "here is my gift to you and it is one of the only few things that will ever be 'truly' yours; a copy of yourself". Raphael would have been the first image that Haarlep acquired, thus why the constant form that you see him with is of Raphael (Haarlep tells you this if you kill him and speak to his corpse). Haarlep's corpse also tells you that "Raphael only loves himself." I wonder why. Haarlep also has a contract that requires him to obtain 1000 souls (the runes on his harness have been translated to the number '1000') in order to be free. This is why the archivist in House of Hope tells you that special guests can reside in the boudoir, as this is a primary way for Haarlep to collect more souls. If you sleep with him, and allow him to have your heart and soul, you die. If you promise your body only, you live but he now has a full copy of you entirely. Additionally, we know Gortash was sold to be in Raphael's services when he was a boy. We know that Gortash and the other Chosen eventually stole the Crown from Mephistopheles' vault. What's interesting is if you explore the House of Hope, you can find a portal to the eighth circle of Hell, Cania, where Mephistopheles resides. I believe that Gortash utilized this to obtain the Crown. Imagine the sheer rage and embarrassment Raphael had to endure because of this. Not only did the Crown get snatched from under him once but TWICE. Once by his father, and then later by a boy who was under his charge. I can completely imagine Mephistopheles utilising that as additional ammo and lording that over Raphael's head.
In pertaining to Raphael's character and behavior, all of this explains additionally as to why Raphael is the way he is. It's selfish, insecure behavior that also explains the portraits he surrounds himself with. Notice how all the paintings are of his true form. He also has many lines of dialogue depending on what you pick during your various meetings where he truly gets angry. One of these lines is him shouting "I AM NO MORTAL" when you simply ask why he would succeed where Karsus had failed (which is ironic because, my guy, you are part mortal, so was Karsus but he was very powerful for many other reasons other than pure association and blood. Raphael even tells you how foolish of a notion it would be if you suggest that you could take the Crown for yourself, telling you that archdevils, wizards, and gods have worn the Crown, "it would tear you apart" he warns you). The portraits of his Devil form in House of Hope surrounding him is a way of constant reminder to himself of what he wants to be associated with. He HATES that he is part mortal (he has showcased his disdain for the mortal realm very clearly during your encounter in House of Hope) and wants to see himself as only a Devil. To say that dude's got major issues and complexes is a huge understatement. He's a deeply insecure being who's controlling and manipulative (most of it stemming from his father and his predicament of essentially living a half-life), but he's also a pragmatic, self-aware character. He's very much the epitome of Lawful Evil. If the players choose to only see him as a one note character who's just "self-centered and evil", you can. That's the beauty of Baldur's Gate. These things are true,but you can also add on top of that when you choose to find out and explore for more lore and characterization.
Interestingly, the way he treats someone who opposes him compared to those who don't are very stark in contrast. You see it with the prime examples of Hope (naming the house after her due to her being the one soul who he cannot convert and have on his team completely) and of her sister Korilla, who has mentioned that she loves being in service of Raphael completely as he has treated her with respect and given her more freedom than her previous master ever did, who in her own words, "constantly would beat me and feed me scraps". "Better to be free in the Hells than go begging in the Heavens", she tells you. She's also not blindly following Raphael or under any thrall. In fact she makes light of him and his antics to you completely of her own volition. She made a bet with Raphael whether you would survive and get to Baldur's Gate (which Raphael bet FOR you to succeed btw). You can find the Five Soul Coins they bet for in the safe hidden behind the portrait in HoH. And she doesn't sing his praises completely, saying that she's more skeptical of you than Raphael is and is fearful of how wrong he would be banking everything on you, saying "Raphael can be so very wrong". She basically tells you that Raphael won't shut up about you. She also tells you that Raphael is, in her own words, "by no means altruistic" and argues that Raphael truly wants to not have the world destroyed because it would simply mean, as she puts it "the boss did the balance sheets. No world, no souls". In fact, she BEGS you to reconsider if you didn't take the deal in the first place.
One could argue that Raphael residing in Avernus and having him in proximity of mortals more in comparison to the deeper levels of the Hells, gave him more perspective. He even tells you he doesn't want Baldur's Gate to be destroyed. He tells you, fondly, he couldn't possibly want that to happen because the city is "an object lesson of moral excess". Why would he want a huge primary source of deals and contracts for him gone. If you explore the House of Hope, many of his deals range from complex, twisted deals to simple, straightforward ones with no caveats (for example there is a debtor who tells you that he sold his soul for enough money to keep his family well fed. Done. No trickery. That was the end of it. Even the architect of Moonrise Towers attested to Raphael keeping his word and defeating Ketheric's forces way back then). In Raphael's own words, "I'm a man of my word" and he wasn't lying. There's a reason why he has practically a 99.9% conversion rate (his one big failure being Hope and why he's so obsessed with converting her is because he truly cannot understand how one can be so pure of a soul. She's a puzzle, and Raphael HATES it when he can't figure something out). If you're wondering why can't Raphael (or any other devil) force or lie about the contracts they have made, well that's literally by design. Asmodeus created a law that bars devils from doing so, and devils will get punished severely would they ever take advantage of that. That's also why devils have to be extra sneaky when being contractors because if they die, it doesn't matter. The contracts they made while still alive still stays intact until they are completed. Meanwhile, the contract just gets given to another devil. When Raphael tells you in HoH if you asked him for no more bloodshed, he tells you "you've given me no choice". He means this, as it would mean both you AND he would be punished regardless if he were to let it be.
Mol is another example of a straightforward transaction. He wasn't lying when he said he'll keep Mol safe from harm in exchange for becoming her patron. It's not for something nebulous like "she has to become the leader of the guild in the next 20 years" or something extreme, it was just "I'll be your patron in return for your safety and security". He sees her as a long standing investment. Raphael mentioned that he hates children, but there is ONE thing he values above all else and admires when he recognizes it. "Ambition." He tells you he sees that in Mol during the meeting at Last Light Inn. It's also believable that he sees himself in Mol (especially his younger self) and thought "I respect it and I get another easy contract. Win-win". The dude loves underdog stories since his own is practically one as well. In fact, Mol doesn't like it when you treat her condescendingly. If you remember the chess scene in Last Light Inn, there are ways she can lose but also various ways she can win (and no, you don't have to only pick helping her cheat for this to work). If you help her cheat, she wins. If you help her by giving her an offensive strategy, she wins (in fact Raphael knows that she cheated, and if she won legitimately, even comments about the move and stating that it's a legit maneuver in chess and praises Mol for it saying that it's "exactly what I would've done"). Either way, Raphael praises your suggestions when Mol leaves. If however, you don't offer advice, or tell Mol to be defensive, she looses, prompting Raphael to comment on how being non committal or weak will not help Mol in the long run. If you stole her contract, she doesn't mind it too much BUT if you killed Raphael and told her about it, she will HATE you. Hating how you killed her patron, "Big Raph" as she calls him, that would ensure her safety and security as long as she's under contract. It's another additional interesting subplot that doesn't really have anything to do with the grand scheme of the game, but adds even more layers to already fascinating characters.
This dichotomy is what makes Raphael a very complex and interesting character. He's a devil who wants Ultimate Power, make no mistake, but he also is pragmatic enough to realise that he does not want another "Karsus' Folly". In fact, he could have easily just done an Emperor to gain your trust wholeheartedly and then turn on you the moment you have the Crown. It would have been easier for him. But he chose to bank on you being a long term investment maybe even beyond the Crown, meeting you head on and reveal his true nature to you from the first meeting. If you listen to everything he tells you, he never actually lies, he omits things here and there, but he never lies to you (in fact if you become even more on his team, there is a line where he straight up tells you that he "likes you"). It's a similar relationship with Korilla, in that she has complete free will but is for his team. He mentions that he does not like it when people beg or kiss his ass (there are many examples of this, his conversation with Voss for one and also whenever you choose dialogue options that make you seem like a spineless whimp). He even tells you at points that he likes the way you do things (even if they're a bit unorthodox), and if you took his contract but chose to break it (or just stole the hammer, it's the same regardless), it makes it even more personal because he genuinely was shocked to find that you were the one breaking into his house. This is one of the few times we see Raphael truly angry. No fancy words, no charm, no smarmyness. Just anger and even sheer disappointment that you chose to, in his own words, "become like Karsus, disregarding everything and burning your world to ash" (remember, Raphael truly believes that his method with the hammer and Orpheus is the ONLY way to defeat the brain, that's the unfortunate part of obsessing and planning for this goal for so long that he truly believes there are no other alternatives. He mentions in one of his diaries that he has planned a dozen ways to obtain the Crown, but he concludes that there is only one way for it to actually work and it involves Orpheus, hence the creation and naming of "The Orphic Hammer". There's even a book about its creation in HoH). Hell, even one of the dialogue options where you say "there's no need for more bloodshed", you would think he'd just be like "HAHAHA evil dialogue, i planned this all along, you're nothing, blah blah" but instead he actually says in his own words, "I have no choice" because we know that breaking contracts means death, and death means he has to collect your soul. Even if you didn't sign the contract and break in, he still genuinely did not think you would go so far as to do such a thing especially with the offer he made to you. He basically blames you for being too proud to do such a thing.
Even when you don't take his contract at all, when you meet up with the Emperor again in the Astral Prism during the battle against the Netherbrain, choosing to betray the Emperor will cause Raphael to appear for a final time. Does he just offer you the contract again? Yes. But not before scolding you for being an idiot and genuinely being pissed off at you for not taking his deal to free Orpheus. He even tells you in his own words, "we could have been allies, partners… FRIENDS!" If you try to beg him for help, he shouts at you, saying how you are in no position to make demands anymore because of your reckless actions. You made your bed, you have to recognise it. If you still refuse his offer, he doesn't try to force you, or twist your arm in any way… he just tells you, quote, "Goodbye. It's been unforgettable" (which is his way of saying "i won't forget you… but i also won't forget how much of a fucking blind idiot you were) and then leaves you forever. If you take the deal, he tells you it's no longer as equals anymore, you are now considered a lowly servant to him. He genuinely wanted you to be partners, but doing all of this basically leads him to conclude that you aren't worth it anymore. The way the writers chose to have the Emperor and Raphael parallel each other but in different ways is genius. They are two sides of the same coin. Both want true freedom, both try to manipulate Tav, the main characters for their own cause, both are extremely pragmatic and set in their own ways and goals. The irony is that instead of portraying Raphael as this pure scheming, one note character - is flipped on it's head by making him honestly, one of the most truthful characters in the game. It's just that he's a Devil. As Korilla states when you ask her back at the brothel, "why can't Raphael just be clear with me if we are on the same team?" she tells you as if explaining that the sky is blue…
"He's a Devil. It's in his nature. He has to make his dues."
This speaks of how ancient and deeply rooted these laws and systems work in their universe. Typically, characters says stuff like this to be hyperbolic/dramatic. But in the case of Raphael as a Devil, she means this literally, as souls keep the Hells functionable, and as we know by now, souls = power, and more power = more freedom.
Now, to address the epilogue and what happens if you do make the pact with him and delivered upon your promise. He comes to you and tells you that he and his forces are already taking over Avernus and overthrew Zariel. He tells you that he has various archdevils already coming to him to make concessions, his father included. He also tells you that he'll be knocking on your door soon. This is open to interpretation, but remember he has sworn to you during your deal that he would never use the Crown on a mortal (trust me, with his obsession with the Hells and how he envisioned on ruling it, in his own words "more order, efficiency, and control", he is definitely more interested in dominating the Hells only, it's too much work anyhow to be interested in anything else. Also he swore to you as part of the contract, he literally cannot break this, if he does, it's immediate punishment for him, so he's not lying). So, more than likely, he finds you to be a very important potential ally to further work with in the future. Also, depending on how early you signed the contract, his tone/line can be interpreted VERY differently.
Now here's the most interesting part… if you aren't familliar with D&D lore, that epilogue would lead you to believe "oh damn he's going to be ruler of the Nine Hells just like he wanted, good for him", but that's easier said than done. Because not only the deeper the Hells go, the more powerful these archdevils will be. I have no trepidation about him defeating them or them conceding to him, that's already happening. The one obstacle he truly needs to worry about… is the keeper of the Ninth Hell, the ruler of all the Nine Hells of Baator, Asmodeus. The creator and overlord himself. Just to give you a concept of how the power levels work in D&D… level 12 and above, are almost levels of godhood. Think the likes of Hercules. At the level Asmodeus is at, however, a former deity (speculative) and creator of the laws and system that permits the balance of life and the universe itself, Raphael even with the Crown will have… a VERY slim chance of overruling him. At the very least he could take over the other realms or instill his way of order and control, and appeal to Asmodeus, because funny enough, Asmodeus' personality and behaviour and goals is VERY similar and akin to Raphael's (Asmodeus is the primal embodiment of Lawful Evil and a supreme strategist of unparalleled skill. He's good at warfare but even better at words, planning, and subterfuge). Another thing is Raphael might even change his own mind, because Asmodeus isn't just the ruler of the Hells, his primary existence is to keep the balance of life and death and the existing universe in check. I personally don't see Raphael being interested in such a huge responsibility but that's another topic for another day.
Another fun fact, many of the characters in D&D are existing characters in various cultural stories/mythologies. Many of the archdevils included with the likes of Mephistopheles, Baalzebub, Mammon, and yes even Asmodeus. The writers most likely looked to biblical texts for inspiration of Raphael, but the irony is they took the one famous character in Christian biblical text, Raphael, who is not a devil, but an archangel and then flipped that character on its head. One of archangel Raphael's most famous stories is literally called, 'the Battle Against Asmodeus', where Raphael fights against Asmodeus, a fallen cherub and dubbed, "personal adversary" of Raphael. What's even cooler? The battle was not one of might, but of intelligence, wisdom and influence. Exactly like how D&D's own Raphael and Asmodeus operate. Raphael certainly takes more after Asmodeus than he does his own father.
Speaking of which, what about his father? Raphael mentions that he was there amongst the midst of other archdevils coming to Raphael to make concessions. Raphael is smart enough to know, though, that his father is not there solely out of "you did it, my boy" or anything like that, or perceiving him as a true threat still. Besides knowing how Raphael is seen by Mephistopheles, back at the diabolisk shop, there is an orb charmed to keep an eye on Raphael at all times. If you had defeated him in House of Hope, you will witness Mephistopheles holding the broken body of Raphael over his mouth and eating him. It's a nod to 'Saturn/Kronos eating his son(s)'. Basically, if you chose this ending for Raphael, you close the circle and end this story of Jacobean tragedy of an underdog prince who has been seeking validation and freedom from the sheer inescapable nature of the Hells and it's systems. In a way Raphael also has the same themes of your other companions who are also trying to navigate their fates. Whether to repeat that cycle in perpetuity or break free of it, it all hinges upon your choices throughout this journey of Baldur's Gate 3. Basically, Mephistopheles is just waiting patiently to witness his own son's downfall should he become overzealous and overtly ambitious, before swooping in to consume his son and all that additional power for himself, power that he doesn't even need, mind you. He's just there for the vibes, and to add even more pressure on his son. Parents, amirite?
If you're on team Raphael (like me) and gave him the ending he wants, the only thing I can really say is "Good luck, little prince. I'm actually rooting for you. You're going to need it."
Will our little princeling be able to break out of his own cycle and come out on top? Will Raphael be able to even get to the ninth circle let alone confront Asmodeus? Will Raphael finally get one over his dear ol' dad? Will Raphael ever get to finally make due on his promise ("I'm a man of my word"), and have that wine with Tav?
Hard to say, for his journey is just beginning.
285 notes · View notes
mice-ducks-and-blots · 5 months
Text
Tumblr media Tumblr media
Fellas is it gay to plant a whole like REALLY HUGE road of flowers exclusively for your enemy. Flowers that, canonically, will wither and die if you don't tend to them for a SINGLE DAY. mAY I ADD that earlier in the story Blot states something like "the falls are ROMANTIC in a way, especially with a full moon in the sky >AND MY WORST ENEMY APPROACHING<"
Like I'm sorry I held it for too long and I need to say it. I am a firm believer that Mickey and Blot have the same as whatever it is that Basil and Ratigan got going on
134 notes · View notes
duskerot · 1 month
Text
Tumblr media
i disappear inside myself / my friends don't know it can't be helped
[Pure You - Nothing But Thieves]
85 notes · View notes
aiscapades · 3 months
Text
also i have seen way too many people use incorrect pronouns for mhin. it is so clear that they use they/them.
use they/them.
89 notes · View notes
kitnita · 21 days
Text
Tumblr media Tumblr media Tumblr media Tumblr media
wyatt johnston talks his sleep schedule   —   practice   —   04.02.24 
[what’s it like getting back at six am? i mean, is it like — a day or two, or how do you adjust to that?]   i mean, for me, i think it’s … um, i know i can kind of get through it a little easier, i know some guys, you know, have kids and some other responsibilities where they don’t have the luxury of being able to sleep all day, but, um … yeah, i mean, i had — i was able to sleep in as long as i wanted and get as much sleep as i needed, which, um … you know, i think helps a lot for sure. um, obviously, it’s not easy though. uh — so definitely kinda took a little bit, but, yeah, i mean, for me it’s pretty easy just to — i mean, sleep ‘til i don’t need to anymore.  [so how long was that? what time d’you get up then?]   um … i think it was around one or so? when i got up? it wasn’t — it wasn’t too bad. you know, obviously you wanna try to sleep at night too. um … so, yeah, i think it worked out, you know, worked out pretty well.
37 notes · View notes
breezypunk · 8 months
Text
Tumblr media
he's just a baby.
95 notes · View notes
hypocrisy-incarnate · 3 months
Text
kept trying to explain jarthur to my sister and her best friend. they kept asking 'oh, so he's basically in love with... himself?' and i kept having to elaborate that no, of course he's not in love with himself, he's in love with the fragment of an eldritch god that has control over his eyes, his left hand, and some of his toes.
i showed them a photo of venom and eddie and i think they got the gist.
32 notes · View notes
georgieluz · 6 months
Text
the homosexual urge to gatekeep masters of the air from anyone not in the hbo war fandom
36 notes · View notes