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#HAVE YOU EVER SEEN THEM IN THE SAME ROOM
doublyamusing · 2 years
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New theory: Gerard Way and Jeon Jungkook are the same person cause these comeback and hiatus dates are too much of a coincidence
Source: @not.a.prob on the clickity clock app
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zaacoy · 1 year
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Hiii I just wanna say that I love your art so frikin much like the way you draw is just so perfect like how??? bro Im stealing your hands so be cautious/j
anywayz
I dunno if your still doing Freenoodles suggestions but here's one if you are cuz Im absolutely obsessed with that ship rn:
so just Tang and Pigsy being relatively gay and someone litterly anyone (maybe MK I dunno) walk in and is so confused because my lil headcannon is they're Relationship is probably closeted if thats even the term idk Im like half asleep idk what Im doing
(Help why is this so long-)
Hihi!! Thank you!!!! You'll have to fight me to get my hands tho >:3c
Here's theyyyymm
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secondbeatsongs · 2 years
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do you think LegalEagle and the LockPickingLawyer know each other?
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Striking similarities....
- dog person
- well dressed
- proud, but not egotistical
- perfectionist
- knowledgeable
- known to be teasing and sus
- dedicated workaholic
- actually complete sweetheart
- fallen angel
Now is this about Obey Me!'s Lucifer... or Azeru the fallen angel?
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justatallstick · 4 months
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your honor. they are literally the same
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yangjeongin · 1 year
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sometimes i really do just think about that interview skz did with tumblr and the fact that they know tumblr exists and the mass twitter exodus to tumblr and i look at my posts like
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overcookedsprout · 1 year
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Sans Undertale himself:
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silicon-tmblr · 3 months
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Testing some stuff and successfully changed the default camera position for a character, since Junko's taller than the character I replaced.
Meet C100_Naegi
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luxrayz64 · 1 year
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I saw a post a while back responding to criticism of botw as being "a good game but not a good zelda game", and they responded with how the Zelda Formula was getting tired and stale and botw was a response to that, that it was meant to harken back to the original zelda game where it just drops you in and it makes you find everything on yr own. which like is fine and good and all but. you do know that the original zelda had 8 full unique (as unique as they could be on the nes) dungeons right. the original zelda game had dungeon items. they didn't need to take out one of zeldas defining gameplay aspects and replace it with the fundamentally inferior shrines and divine beasts. you can make a game non linear and refresh its gameplay without taking out one of the series' strongest aspects.
#I saw it ages ago and haven't really stopped thinking about it#there's no way you can ever try to tell me that shrines r superior to dungeons no way#shrines are short. dull. all use the same assets and same theming. theres no room to work on and develop concepts#some concepts r developed across multiple shrines but bc the order you find shrines in is different every time it still doesnt work#divine beasts r fucking disappointing. they're the actual dungeons but they're abt as long as a mini dungeon and as boring as the shrines#they at least have the set pieces of taking place on giant moving mechs going for them. but inside they're all the same#the bosses are visually all the same#you can make a good zelda game w only four dungeons majoras mask is RIGHT THERE. but mm also has sidequests and a strong story and#strong characters that aren't already dead that you actually give a shit about#romani ranch and the. I can't remember his name. kafe or whatever the fuck his quest was so interesting#the only quest botw has that comes anywhere near as close to it in quality is tarrey town and the actual GAMEPLAY side of that quest is-#just chop down trees and gather x amount of wood#like multiple people I know who played botw didn't even want to actually fight the final boss/only fought the final boss out of boredom#that's not good!!!! when people aren't invested enough in your story to even fucking beat it that's not a good sign!!!!!#mmmmm don't get me wrong. botw is a good game. it's fun to explore and traverse that world. its physics and chemistry systems r insane#but this is why people say it's a good game but not a good zelda game bro 😭 I want more than 2 types of dungeons#botw is a game im very conflicted on I think it's fascinating. but I've only played it thru fully once#anytime I try to come back to it it can never really regain my attention fully#some of that absolutely has to do with adhd but some of that also has to do with the fact that it's not a rewarding game to play-#for me after a certain point. I've seen everything there is to see and that's really the only compelling thing it offers#ocarina of time and twilight princess and majoras mask all offer me cool boss fights and compelling stories#THAT'S a reason to come back. botw I think I need another 5 years to forget everything about it before I can come back#that last point has more to do with me than an inherent problem with the game#... but it's still the only game in the series (that I've played) that has that problem#again. I like botw. it was phenomenal the first 200 hours. I hope tok is more like what I want from a zelda game though#need to stop putting the entire post in the tags goddamn#espeon cries
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katnissgirlsmakedo · 1 year
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you’ll search richard papen on here and see people talking about wanting to throw a bacchanal. you people are so stupid god bless.
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mcmansionhell · 3 months
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we've found it folks: mcmansion heaven
Hello everyone. It is my pleasure to bring you the greatest house I have ever seen. The house of a true visionary. A real ad-hocist. A genuine pioneer of fenestration. This house is in Alabama. It was built in 1980 and costs around $5 million. It is worth every penny. Perhaps more.
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Now, I know what you're thinking: "Come on, Kate, that's a little kooky, but certainly it's not McMansion Heaven. This is very much a house in the earthly realm. Purgatory. McMansion Purgatory." Well, let me now play Beatrice to your Dante, young Pilgrim. Welcome. Welcome, welcome, welcome.
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It is rare to find a house that has everything. A house that wills itself into Postmodernism yet remains unable to let go of the kookiest moments of the prior zeitgeist, the Bruce Goffs and Earthships, the commune houses built from car windshields, the seventies moments of psychedelic hippie fracture. It is everything. It has everything. It is theme park, it is High Tech. It is Renaissance (in the San Antonio Riverwalk sense of the word.) It is medieval. It is maybe the greatest pastiche to sucker itself to the side of a mountain, perilously overlooking a large body of water. Look at it. Just look.
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The inside is white. This makes it dreamlike, almost benevolent. It is bright because this is McMansion Heaven and Gray is for McMansion Hell. There is an overbearing sheen of 80s optimism. In this house, the credit default swap has not yet been invented, but could be.
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It takes a lot for me to drop the cocaine word because I think it's a cheap joke. But there's something about this example that makes it plausible, not in a derogatory way, but in a liberatory one, a sensuous one. Someone created this house to have a particular experience, a particular feeling. It possesses an element of true fantasy, the thematic. Its rooms are not meant to be one cohesive composition, but rather a series of scenes, of vastly different spatial moments, compressed, expanded, bright, close.
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And then there's this kitchen for some reason. Or so you think. Everything the interior design tries to hide, namely how unceasingly peculiar the house is, it is not entirely able to because the choices made here remain decadent, indulgent, albeit in a more familiar way.
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Rare is it to discover an interior wherein one truly must wear sunglasses. The environment created in service to transparency has to somewhat prevent the elements from penetrating too deep while retaining their desirable qualities. I don't think an architect designed this house. An architect would have had access to specifically engineered products for this purpose. Whoever built this house had certain access to architectural catalogues but not those used in the highest end or most structurally complex projects. The customization here lies in the assemblage of materials and in doing so stretches them to the height of their imaginative capacity. To borrow from Charles Jencks, ad-hoc is a perfect description. It is an architecture of availability and of adventure.
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A small interlude. We are outside. There is no rear exterior view of this house because it would be impossible to get one from the scrawny lawn that lies at its depths. This space is intended to serve the same purpose, which is to look upon the house itself as much as gaze from the house to the world beyond.
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Living in a city, I often think about exhibitionism. Living in a city is inherently exhibitionist. A house is a permeable visible surface; it is entirely possible that someone will catch a glimpse of me they're not supposed to when I rush to the living room in only a t-shirt to turn out the light before bed. But this is a space that is only exhibitionist in the sense that it is an architecture of exposure, and yet this exposure would not be possible without the protection of the site, of the distance from every other pair of eyes. In this respect, a double freedom is secured. The window intimates the potential of seeing. But no one sees.
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At the heart of this house lies a strange mix of concepts. Postmodern classicist columns of the Disney World set. The unpolished edge of the vernacular. There is also an organicist bent to the whole thing, something more Goff than Gaudí, and here we see some of the house's most organic forms, the monolith- or shell-like vanity mixed with the luminous artifice of mirrors and white. A backlit cave, primitive and performative at the same time, which is, in essence, the dialectic of the luxury bathroom.
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And yet our McMansion Heaven is still a McMansion. It is still an accumulation of deliberate signifiers of wealth, very much a construction with the secondary purpose of invoking envy, a palatial residence designed without much cohesion. The presence of golf, of wood, of masculine and patriarchal symbolism with an undercurrent of luxury drives that point home. The McMansion can aspire to an art form, but there are still many levels to ascend before one gets to where God's sitting.
If you like this post and want more like it, support McMansion Hell on Patreon for as little as $1/month for access to great bonus content including a discord server, extra posts, and livestreams.
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sideeve · 3 months
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⠀⠀⠀“WHAT?! SEX BAN?!”
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﹅ contains ;; gojo satoru , kento nanami , choso kamo , toji fushiguro , ryomen sukuna , geto suguru
﹅ alt title ;; how long the jjk men can withstand the sex ban
﹅ warnings ;; sorta sub!choso , whiny!choso , toji's part is more explicit than the others , this is my first time writing for some of the character so i'm sorry if i didn't describe them well
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GOJO SATORU (3 days)
“are you serious?” gojo groans, slumping forwards. gojo watched in disappointment as you crossed your arms, looking away from him. "you did it so you have to pay." for weeks, you've been trying to tell gojo to separate the colors from the whites while doing laundry. him just wanting to get it over with, he dumped them all in the same load, ruining some of your favorite pieces of clothing.
"baby, please. i won't do it again," he begs, kneeling in front of you. but to no avail, you stood your ground.
it only took him 3 days to convince you to wave your white flag, surrendering to his seduction. "you look good in my shirts." gojo's hands caress your hips as he presses his chest to your back. "i would be in my clothes if you would just listen to me." you huff, "i never said i was disappointed." gojo whispered, his hard-on pressing on your ass.
“please. just drop the ‘sex ban’. i said i was sorry.” his lips make a trail of kisses on your neck. you needed him too. whenever he wasn’t around, you would use your toys, trying to not let gojo know you were sexually needy. but they didn’t work.
RYOMEN SUKUNA (not happening!)
no. just no. it’s funny that you even thought about putting that in motion. sukuna was too desperate for sex but never wanted to admit it.
“no,” he stood above, crossing his arms, making himself seem bigger than you (as if he even needed to do that). “you can’t deprive me of sex, woman.” he grunts. “but i can, kuna. that’s what you fail to realize.” you tut, standing up to walk away.
one of his four arms wraps around your waist, throwing you back on the soft surface. "you're not going through with this." he growls in your ear, crawling go top of you.
how dare you even think such a thing? you were his woman, his twin flame. you were the only person he showed the littlest respect to and you decide to do some foolery like this.
he tugs your shirt over your head, your bra coming next. his rough hands slide over your chest. "such beauty..." he whispers. "i'll make sure you never think of this again.
KENTO NANAMI (it was on accident)
his job was taking him away from you. between being a jujutsu sorcerer and a businessman, he couldn't find time to be a partner for you.
due to the lack of attention you were receiving, you became sexually pent up, having the urge to pleasure yourself at the worst times. the feeling of neglect was creeping up on you. some days, you forgot nanami even lived with you.
"love, i'm home." nanami tugs off his tie, tossing it to the side. "i don't know how long i can take of this." he rubs his temples, deeply sighing as he led himself to your shared bedroom. before his hand touched the cold metal knob, he heard your muffled moans and the squelching of your cunt.
he slowly opens the door, peeking in the room before fully entering. "it seems i've neglected you." he watches as you quickly cover yourself as if he hasn't seen you naked many times. he unbuttons the top of his shirt as he saunters to the edge of the bed, removing the covers off you.
"seems like i have some things to make up for."
CHOSO KAMO (not even a day)
"please." he whines, his head resting on your lap as he looks up at you. ever since you shared your first time with choso, he's been going at it with you like rabid dogs. if he wasn't inside you, his head was squished in between his thighs.
"choso, i need a break." you sigh, trying to remove him from off you. his grip on your legs was tight as he put his face in between your thighs, shaking his head. he was acting like he couldn't survive without your cunt somehow being involved.
"i swear, i'll leave you alone after. just please," he whined. you couldn't resist him for much longer. you hated when he got all whiny like a baby. he was spoiled because of you.
"fine." you undo the tie of your sweatpants before his hands swatted yours away, tugging your pants and panties off. "i promised you." he kisses your inner thigh before his tongue began flicking away.
TOJI FUSHIGURO (mans was balls deep in you the second you said it)
"you really think so?" he darkly chuckles, rubbing himself on you. "toji, i'm sorry. please." you whine, wiggling your ass on his cock. "i don't think you are." he teases, stepping away from you.
you whine, following him. "it was a joke." you press your hand on his chest. "did i laugh?" he tilts his head, smirking at you. you sigh, "toji, i'm sorry." you press yourself against him, your chest touching his.
"fuck." you knew he couldn't resist the feeling of your chest on him. it was like heaven to him. "turn around." he grunts, gripping your hips to turn you around, bending you over.
he easily slid inside of you due to how wet you got over time. "don't say stuff you don't mean, baby." he laughs, thrusting into your backside. it was worth it.
GETO SUGURU (you gave in after implementing it)
you wanted to test geto's limits, giving him an extra nnn moment which made you realize something. it was always you initiating sex. "geto, please. i give up." you whine, following him around the house.
he chuckles, "everyone must deal with their consequences, my love." he turns to you. he plastered a sinister smile, taunting you. he saw how much you needed him but he wasn't caving in until he heard you say it.
"i'll do anything. my hand isn't even working anymore." you simper. it was starting to become frustrating seeing how calm he was about all of this as you were suffering.
"i need you! is that what you wanted to hear?" you shout, earning a grin from him. he walks closer to you, his finger tracing your jawline, "why didn't you say that sooner, love?" he chuckles.
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deathbyworm · 4 months
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I can't play more teal mask rn I need to go to sleep I need to go to sleep I need to go to sleep I need to go to sleep
but three guesses as to what I'm doing the very second I wake up. and the first two don't count
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mommypieck · 5 months
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⌗︙・jjk men waking up after a wet dream about you ⸜⸜・
gojo
a small chuckle leaves his mouth when he wakes up from a pleasant dream about you. his cock is aching for attention, precum already building at the top. it's the first time he had a dream about you. not to lie, he fantasized about your cute little body before but never in a dream. he wraps his hand around his cock and tries to remember little details about the dream. the way you would bounce on his cock or your little hand wrapped around it. he's not ashamed, you're a pretty girl after all. but from your behavior, he can see that you're shy and timid. maybe he can ask you out to turn his dream true. he speeds his hand around his cock, bringing himself closer to his orgasm. he thinks about a specific scene from his dream - you spread in front of him with your fingers in your cunt. he cums at the thought, covering his hand with his cock. he giggles, gojo hopes he will have similar dream soon.
geto
he wakes up with sweat on his forehead, groaning when he notices his hard on. the girl in his dream was too similar to you, same hair, eyes, body type. he can't believe he had this kind of dream about you. it was a good dream, he has to say. geto can't decide if he should take a cold shower and forget about everything or take care of his little problem. after all, he's gonna see you today and he doesn't wanna be awkward. his lips turn into a little smile as he thinks about what would happen if you saw what he is about to do. or what if you had the same dream? mmm, you took his cock so well in his dream, would you be able to do that in real life? he's seen your tiny ass move in your little skirts, you would have problem taking him for sure. fuck it, he thinks as he wraps his hand around his cock. he softly massages his shaft, imagining that it's your tiny hand stroking him. all problems leave him in that moment, he's gonna relive that dream now and hopefully later today when he invites you over.
nanami
he groans when he finally opens his eyes to meet a familiar decor of his room. he doesn't wanna think about it, he doesn't wanna think about how hard his cock is right now. he throws his arm around his eyes, trying to breathe deeply to forget all about the dream. he hasn't had a wet dream since he was a teenager and now someone like you is gonna make them pop up again? he thought you were cute when he first met you but he never thought you would be capable of doing such a slutty things. it was just a dream, he has to remind himself, maybe you are innocent. he taps his fingers on his cock, he really doesn't wanna do this. nanami tries to think of different porn starts he's seen online but his thoughts come back to you. his hand finally grips his cock and he squeezes it until it's painful. it's all your fault, maybe it you weren't so cute, he wouldn't have to do this.
toji
she's even haunting me in my dream, toji thinks when he wakes up. his cock is already standing proudly, just begging for him to take it in his hand. he doesn't waste any time wrapping his hand around it. he always thought you were pretty, your body is basically all he ever dreamed about. it's not the first time you appeared in his dream but this time, he is certain that it was you. all of the other dreams were blurry but this one was way more vivid. he strokes his cock slowly, thinking about the way you bended for him in that dream. the only thing that's pissing him off is that you're not here with him right now, that you can't use your mouth or your little pussy on him. he feels himself getting close as he thinks about all the things he would do to you if he could. he cums on his hand, surprising himself how strong this orgasm was. there's something about you and he has to find out what it is.
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frogchiro · 7 months
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virgin sacrifice reader offered to war god ghost?? prepare to be his lovely wife instead of a sacrifice with at least 10 demigods running around, he wants to raise strong warriors!
Ghost would definitely be a god similiar to Ares; a god of war, brutality, bloodshed, masculinity and virility. Men go and pray by his shrine or in his dedicated temple to give them strength in both battle and bed, to be a strong and unbeatable warrior and be able to father strong, healthy children.
One such temple, the main one, is in a surprisingly remote location, surrounded not by a major city or capital but a few villages. According to myths it was this place where a brutal battle took place millenia ago where the fearsome god Ghost defeated an army all by himself, the blood of his slain enemies served to make the land fertile and for many villages to grow and prosper...until now.
Usually sacrifaces to appease the god would be made by the men of the villages; black stallions, the strongest bulls, wine, silver and pure steel, everything that has connections to masculinity and power, however some kind of horrible fatum seems to hang over your little village. The animals either die young or are sickly and weak, the wine turns out sour like vinegar, there in so money to buy anything either and it's taken as a curse by the elders. If nothing will be done and Ghost won't have his sacrifice who knows what will happen?
So they decide on the next best thing, a desperate last choice reach in hopes to appease the brutal god-a virgin sacrifice. The prettiest, unmarried and untouched young woman is to be chosen, dressed in the finest, gauzy silks and locked inside the stone temple in hopes that the god will come down and the blood of a slain virgin will calm his fury. Luck wasn't on your side it seems, you were chosen.
All you could remember were the desperate cries of your mother, the dissapointed remorseful look on your father's face and the ritual cleansing of the old crones in the village. You were cleaned in rose water, intricate patterns were drawn with a mixture of honey, mushed up berries and flowers on your breasts, around your nipples and bellybutton, and the most intricate was drawn on the place where your womb was. You were clothed in a white gauzy dress that was a symbol of your purity and then you were bound and dragged to the temple no matter how much you struggled and kicked and pleaded until you were finally locked in the dimly lit temple, only the many candles present to lighten the main chamber and to show the powerful, majestic sculpture of the god, Ghost.
Imagine crying yourself to sleep, everything hurt, you were scared and confused, all alone to die in this forsaken temple because some old men decided on it. Falling asleep out of exhaustion, the images of your crying, terrified mother haunting you even when sleeping.
Imagine waking up and instead of feeling cold and sore from sleeping on the unforgiving stone floor, and instead finding yourself laying on and under the most luxurious furs you've ever seen, the warmth of them felt like a blanket and the smell of them, pleasant warm masculine musk made a shiver run down your spine, just where were you?
Before you had the chance of looking around the room, you felt huge, strong arms clamping togehter around you and bringing you into a powerful, broad chest which rumbled with a growl like purr and a stern voice saying:
"Stay. Don't move around girl."
And the very same arms turned you gently around to face the man behind you and you couldn't help but gasp and breath out a tiny, frightened yelp-behind you was laying a man who looked like the stone sculpture of Ghost cane to life and became human. It...it was Ghost. You laid next to a god.
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Hi- er, this is my first-ever writer's strike, how does one not cross a picket line in this context? I know how not to do it with things like Amazon and IRL strikes, but how does it apply to media/streaming?
Hi, this is a great question, because it allows me to write about the difference between honoring a picket line and a boycott. (This is reminding me of the labor history podcast project that's lain fallow in my drafts folder for some time now...) In its simplest formulation, the difference between a picket line and a boycott is that a picket line targets an employer at the point of production (which involves us as workers), whereas a boycott targets an employer at the point of consumption (which involves us as consumers).
So in the case of the WGA strike, this means that at any company that is being struck by the WGA - I've seen Netflix, Amazon, Apple, Disney, Warner Brothers Discovery, NBC, Paramount, and Sony mentioned, but there may be more (check the WGA website and social media for a comprehensive list) - you do not cross a picket line, whether physical or virtual. This means you do not take a meeting with them, even if its a pre-existing project, you do not take phone calls or texts or emails or Slacks from their executives, you do not pitch them on a spec script you've written, and most of all you do not answer any job application.
Because if this strike is like any strike since the dawn of time, you will see the employers put out ads for short-term contracts that will be very lucrative, generally above union scale - because what they're paying for in addition to your labor is you breaking the picket line and damaging the strike - to anyone willing to scab against their fellow workers. GIven that one of the main issues of the WGA are the proliferation of short-term "mini rooms" whereby employers are hiring teams of writers to work overtime for a very short period, to the point where they can only really do the basics (a series outline, some "broken stories," and some scripts) and then have the showrunner redo everything on their lonesome, while not paying writers long-term pay and benefits, I would imagine we're going to see a lot of scab contracts being offered for these mini rooms.
But for most of us, unless we're actively working as writers in Hollywood, most of that isn't going to be particularly relevant to our day-to-day working lives. If you're not a professional or aspiring Hollywood writer, the important thing to remember honoring the picket line doesn't mean the same thing as a boycott. WGA West hasn't called on anyone to stop going to the movies or watching tv/streaming or to cancel their streaming subscriptions or anything like that. If and when that happens, WGA will go to some lengths to publicize that ask - and you should absolutely honor it if you can - so there will be little in the way of ambiguity as to what's going on.
That being said, one of the things that has happened in the past in other strikes is that well-intentioned people get it into their heads to essentially declare wildcat (i.e, unofficial and unsanctioned) boycotts. This kind of stuff comes from a good place, someone wanting to do more to support the cause and wanting to avoid morally contaminating themselves by associating with a struck company, but it can have negative effects on the workers and their unions. Wildcat boycotts can harm workers by reducing back-end pay and benefits they get from shows if that stuff is tied to the show's performance, and wildcat boycotts can hurt unions by damaging negotiations with employers that may or may not be going on.
The important thing to remember with all of this is that the strike is about them, not us. Part of being a good ally is remembering to let the workers' voices be heard first and prioritizing being a good listener and following their lead, rather than prioritizing our feelings.
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