Godard and Glauber Rocha playing football on the film set of Wind from the East / Le vent d'est, 1969.
Photos: Beuna Amico
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Glauber Rocha, March 14, 1939 – August 22, 1981.
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Cinema Novo teaches that the aesthetics of violence are revolutionary rather than primitive. The moment of violence is the moment when the coloniser becomes aware of the existence of the colonised. Only when he is confronted with violence can the coloniser understand, through horror, the strength of the culture he exploits. As long as he does not take up arms, the colonised man remains a slave. The first policeman had to die before the French became aware of the Algerians.
In moral terms, this violence is not filled with hatred; nor is it linked to the old, colonising humanism. The love that this violence encompasses is as brutal as violence itself, because it is not the kind of love which derives from complacency or contemplation, but rather a love of action and transformation.
– Glauber Rocha, ‘The Aesthetics of Hunger’ (1965), trans. Burnes Hollyman and Randal Johnson
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Glauber Rocha no set de O Dragão da Maldade Contra o Santo Guerreiro (1969)
(fonte: Banco de Conteúdos Culturais da Cinemateca Brasileira)
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Glauber Rocha, March 14, 1939 - August 22, 1981.
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Deus e o Diabo na Terra do Sol (Black God, White Devil | Glauber Rocha | 1964)
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O dragão da maldade contra o Santo Guerreiro [Antonio das Mortes] (1969)
Directed by Glauber Rocha
Cinematography by Affonso Beato
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Antonio das Mortes (Glauber Rocha, 1969)
Portuguese title: O Dragão da Maldade contra o Santo Guerreiro
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