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#General Post Office
vintagepromotions · 6 months
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'Graham Bell's Telephone - 1876'
One of a series of posters by the General Post Office (GPO) on telephone and telegraphy developments and technology (c. 1930). Artwork by Eric Fraser.
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thebarroomortheboy · 1 year
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“Dear Evelyn, dearest Evelyn. I must write straight away and say I am sorry for upsetting you. Please forgive me, Honey. Just this once. Just this once.x 
Yours affectionately, 
Jack 
N or NW1?”
EVELYN CORBETT and DWIGHT GODWIN in N OR NW (1938) | dir. Len Lye
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By: Luke Weir | 22 January 2022
Updated: 7 April 2022
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There are few things so intrinsically linked with old-fashioned British culture as the red telephone box.
These became synonymous with paths all over the country during the 20th century, but inevitably, the introduction of mobile phones led to its decline from the 1980s onwards.
After decades of abandonment - with many boxes left in a derelict state - action is being taken by a local restoration company that set up the nation's largest 'telephone box graveyard' in Merstham in Surrey.
Unicorn Restorations proudly restore these iconic boxes back to their former glory following a period of them rusting away.
Staff spend up to 30 hours stripping each old kiosk, repainting them in the identical shades of red once stipulated by the General Post Office, and putting in new glass to complete the look, at the site just outside Redhill.
Once rejuvenated, they sell for a variety of prices ranging from just under £4,000 to as much as £20,000, with the price being higher for the older designs.
These include the three classic models of red telephone kiosk: the K2, the K6 and the K8.
The K6, which was designed by Sir Giles Gilbert Scott to commemorate the Silver Jubilee of King George V's coronation in 1935, is largely identified as THE red telephone box.
60,000 examples of these were installed across Britain, which is why the K6 has come to represent what many regard as the typical red phone box.
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The K2 is deemed as the original phone box having been created in 1926, while the K8 was introduced in 1968 and was a radical change to suit the mood of the Sixties in a more futuristic design.
This was the last of the red kiosks to be produced and very few are in service.
The restoration experts are also able to redesign the interior of these kiosks and offer the ability to personalise the dial centre to carry your current number, but with the old exchange or with a memorable number from the past.
As stated on their website, they supplied the landmarks that you see across the UK and the heart of London such as in Trafalgar Square, Piccadilly Circus, The Tower of London and Queen Elizabeth Olympic Park.
They also carried out many prestigious kiosk restorations for BT, The Corporation of London and English Heritage.
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📷: The phone boxes were originally planned to be painted yellow before the iconic cherry red was chosen (Image: Unicorn Restorations)
Their handiwork has even been showcased on the big screen, having supplied period pieces for film and TV productions such as Harry Potter, Paddington and the John Lewis Christmas adverts.
The necessity for these landmarks may have become non-existent in the modern era, but it's perhaps reassuring to know that they're going on to enjoy a second life.
During a 2016 interview with the Daily Mail, photographer Nicolas Ritter stated how he visited the yard back when he was just starting out as an assistant in 2012.
He said:
"Being at the telephone graveyard was a great experience for me. It felt like a journey back into the history of the country as the phone boxes are such a unique symbol of British culture."
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These easily-spotted, brightly coloured boxes were once adored by Brits; by the time the 1980s rolled around, there were more than 73,000 dotted around.
Sadly, those numbers started to dwindle shortly after, with just 21,000 reported to be left standing today.
Thanks to Unicorn Restorations, though, it's clear to see that British people still have a great fondness for the old-fashioned phone box - just maybe not for their original, intended purpose.
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stairnaheireann · 5 months
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#OTD in 1881 – Birth of William Pearse, brother of Pádraig, in Dublin.
Pádraig’s younger brother was also educated at Westland Row and was a promising sculptor. He founded the Leinster Stage Society and acted in the Abbey Theatre. William shared his brother’s dream for an independent Ireland and assisted him at St Enda’s. The two brothers fought alongside each other in the GPO. Although not a ringleader, William was executed on 4 May 1916 because of evidence he was…
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creatorjames · 29 days
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General Post Office building in Melbourne inspired by Denis Villeneuve’s Dune.
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delhidarshan1 · 5 months
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Delhi General Post Office
In the heart of Delhi, where history whispers through every breeze and the present mingles with the past, stands the General Post Office, also known as Gole Dak Khana. This magnificent architectural marvel has been a silent witness to centuries of change, serving as a symbol of communication and connectivity in the city.
A Monument to Victorian Grandeur:
The General Post Office, or GPO, is not just a post office; it's a symbol of an era when communication was an art, and letters were the lifelines connecting people across vast distances. The building itself is an exquisite example of Victorian architecture, reflecting the grandeur and opulence of the British Empire.
Built during the reign of Emperor Shah Jahan in the 17th century, the structure was initially used as a Mughal mint. However, its present form took shape under the British East India Company's rule during the mid-19th century. The GPO was designed by Henry Medd, a renowned architect, and the building was completed in 1862.
A Legacy of Service:
The GPO has stood the test of time, witnessing the transition from handwritten letters to emails and digital messages. Throughout its history, it has served as a vital hub for postal services, ensuring the smooth flow of letters, parcels, and communications. The iconic red sandstone building, with its imposing colonnades and central dome, has been an emblem of reliability and efficiency.
The Iconic Central Dome:
One of the most striking features of the GPO is its central dome, which rises gracefully above the cityscape. This dome is not just an architectural marvel but also a navigational landmark for Delhi. It was originally designed to serve as an observatory, offering panoramic views of the city.
Heritage and Modernity:
While the GPO remains a historic treasure, it has also adapted to modern times. Today, it provides a wide range of postal and communication services, blending heritage and efficiency. The building houses various counters for postal services, including sending mail, banking, and retail services, making it a one-stop destination for all communication needs.
A Symbol of Unity:
Beyond its practical role, the GPO also has a symbolic significance. It's a place where people from diverse backgrounds and walks of life come together to connect with their loved ones or send important documents. It's a place where messages of joy, sorrow, and love are entrusted to the postal system, reinforcing the idea that communication knows no boundaries.
A Timeless Landmark:
The General Post Office, Gole Dak Khana, stands as a timeless landmark in Delhi, a testament to the enduring importance of communication in human society. It encapsulates the city's rich history and its ability to embrace the future while preserving its heritage.
For tourists and history enthusiasts, a visit to the GPO is like stepping into a living museum, where you can admire the architecture, explore the services, and, in a sense, touch the threads of history that have passed through its doors.
The General Post Office, with its colonial charm and unwavering commitment to serving the community, remains a cornerstone of Delhi's cultural and historical identity. It's a place where the past, present, and future converge, demonstrating the enduring power of human connection and communication.
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rocknread · 1 year
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Gente Di Dublino di James Joyce - Recensione
Gente Di Dublino. Proprio lei…la vecchia e sporca Dublino! James Joyce non fa sconti. Attraverso i suoi quindici racconti dipinge a grandi pennellate la sua città d’origine. Lo fa con poco colore, con tanti grigi. Lo fa con tante sfumature, a tratti difficili da percepire. Dublino sembra quasi paralizzata. Così come gli attori in scena nella capitale irlandese. I personaggi che la popolano, che…
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always enjoyed the Chess Set In The Foreground perspective framing used here
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now also noting like, huh, a chess set in a general store just visited by marigold competitors who killed one of their guys and are now on the way back from their rendezvous point w/suppliers
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#and now to take a big sip of ''nothing suggests lackadaisy ft. people stuck / things repeating / death begetting death''#not like i suppose we're going to be hit with ''& then mordecai and viktor sat down at the defiance field office for every passing gangster#played chess and then went and properly slaughtered the lackadaisy crew and arbogasts at the funeral home / barn w/car-sized holes''#good reminder though that Viktor Is Now Active....left off with elsa managing to give him a phonecall; for good measure#lackadaisy#i have no lengthy Mitzi Mordecai Murder Mystery Musings posts for today (b/c not enough fresh musing insights) but no prommies#epiphanies are on their own schedule#quite the chess piece arrangement seen there too lol. can't tell if there's any Classic Configuration in the game b/w viktor & mordecai#not a chesshead and never was lol strategy games??? who's that#or i'll play them but not strategically. invented Flick Chess for indoor recess in elementary school#you flick a piece across the board and whatever you knock off the board = you took those pieces lmfao#though not like that has Zero strategy. thinking of my day enjoying tiddlywinks research#imagine my delight revisiting all this material like oh yeah the little pic of freckle tiddlywinking#let's squop; boys#i'm also supposing that chess sets? checkers sets? and etc. would be common general store features; like phone usage....real general....#but like; what; are we expecting this Not to bring a response from marigold lol#got the nervous twitch but they're like ''ah it's fine. cost of doing business''
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lordofnowhere-art · 6 months
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every once in a while I think about how Celehar is basically like a noir detective
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I just want to remind everyone that Wallace is canonically the worse one to sleep in the same bed with.
Scott can be a bad roommate in every other aspect but GUYS Wallace is the one that canonically snores and kicks in his sleep.
Scott sleeps like a princess with his back against the sheet lying perfectly straight (and also taking all the covers) and Wallace sleeps semi-on-his-side and apparently just fucking punting Scott in the leg every so often (not to mention he talked in his sleep too) and I don’t know why this is important to me but it is.
Because when people draw them cuddling in their sleep it’s always Wallace being normal and Scott turning and snoring and shit but you’re missing out on sleepy-cuddly Wallace turning and snoring on Scott. Let that cringe-fail 25 year old be annoying. Istg.
I’m talking to the Mobillace people too btw. Not that I’ve seen anyone draw them cuddling in bed (which is a CRIME btw. Draw that. For me.) but like imagine how funny it would be: Mobile stays the night for the first time and the hot-weirdo is a bed-menace, snoring and kicking and tossing and turning and suction cupping for warmth and Mobile is like “I want him to be my boyfriend” THATS FUNNY! LIKE-
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meamiiikiii · 1 month
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what to do when you forget your umbrella!
i will not elaborate.
((these drawings are a GSNK rain scene reference ADSAFFASD))
bonus isolated (isalated?) running isa as a treat for his birthday:
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oceandiagonale · 1 month
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been re-reading the whole series once again and i noticed in the comic where gene is talking to lusamine does... does she ever figure out her husband has been living on the Bean Minigame Island this whole time? does GENE know that??? we never get a resolution to this plot point in-game! (i know it's pretty inconsequential to the plot rn but it's just fun to think about)
OH MY GOD I NEVER POSTED THAT HERE, ONLY ON TWITTER. LIKE FOREVER AGO.
no, gene never told lusamine about mohn -- ingo is the first faller he's ever told their backstory!! 😳
BUT tbf there's that one cutscene at the end of the game where Mohn shows up at the aether foundation and lusamine + gladion decide to let him go without telling him he's their family, so it takes the dilemma out of gene's hands a bit FKJSDJKF
(text + images from the post so people don't have to go to twitter; post is from november 18 2020):
"okay so like... I legitimately don’t know whether my oc should tell lusamine that mohn’s just... chilling on an island or let her find out the same way as the USUMO postgame scene. It’s one thing to have no control over it in the game, but in my own drawings I have a choice...
seriously is it even right to have generic /tell/ mohn "hey I have information about your past. would you like to know it or live in ignorant bliss? is this why the player character in gen 7 doesn’t have the option to tell her either skjdhfskdjhf"
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treefish · 1 year
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Pepperfig’s a tourist destination
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diana-andraste · 23 days
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N or NW, Len Lye, 1937
Charming short film (7:43 min) by Lye on the trouble caused by misaddressing an envelope. You can watch at the link.
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stairnaheireann · 1 year
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#OTD in 1881 – Birth of William Pearse, brother of Pádraig, in Dublin.
#OTD in 1881 – Birth of William Pearse, brother of Pádraig, in Dublin.
Pádraig’s younger brother was also educated at Westland Row and was a promising sculptor. He founded the Leinster Stage Society and acted in the Abbey Theatre. William shared his brother’s dream for an independent Ireland and assisted him at St Enda’s. The two brothers fought alongside each other in the GPO. Although not a ringleader, William was executed on 4 May 1916 because of evidence he was…
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wonder-worker · 4 months
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Any judgement on (Richard III)’s reign has to be seen as provisional. The critic of the reign only has to consider how the Tudors would now be regarded if Henry VII lost at Stoke, to realize the dangers of too many assumptions about the intractability of Richard’s problems. But it would be equally unrealistic to ignore Richard’s unpopularity altogether. The fact that he generated opposition among men with little material reason for dissent, and that the disaffection then continued to spread among his own associates, says something about what contemporaries regarded as the acceptable parameters of political behaviour. There is no doubt that Richard’s deposition of his nephews was profoundly shocking. To anyone who did not accept the pre-contract story, which was probably the majority of observers, the usurpation was an act of disloyalty. Gloucester, both as uncle and protector, was bound to uphold his nephew’s interests and his failure to do so was dishonourable. Of all medieval depositions, it was the only one which, with whatever justification, could most easily be seen as an act of naked self-aggrandizement.
It was also the first pre-emptive deposition in English history. This raised enormous problems. Deposition was always a last resort, even when it could be justified by the manifest failings of a corrupt or ineffective regime. How could one sanction its use as a first resort, to remove a king who had not only not done anything wrong but had not yet done anything at all?
-Rosemary Horrox, "Richard III: A Study of Service"
#r*chard iii#my post#english history#Imo this is what really stands out to me the most about Richard's usurpation#By all accounts and precedents he really shouldn't have had a problem establishing himself as King#He was the de-facto King from the beginning (the king he usurped was done away with and in any case hadn't even ruled);#He was already well-known and respected in the Yorkist establishment (ie: he wasn't an 'outsider' or 'rival' or from another family branch)#and there was no question of 'ins VS outs' in the beginning of his reign because he initially offered to preserve the offices and positions#for almost all his brother's servants and councilors - merely with himself as their King instead#Richard himself doesn't seem to have actually expected any opposition to his rule and he was probably right in this expectation#Generally speaking the nobility and gentry were prepared to accept the de-facto king out of pragmatism and stability if nothing else#You see it pretty clearly in Henry VII's reign and Edward IV's reign (especially his second reign once the king he usurped was finally#done away with and he finally became the de-facto king in his own right)#I'm sure there were people who disliked both Edward and Henry for usurpations but that hardly matters -#their acceptance was pragmatic not personal#That's what makes the level of opposition to Richard so striking and startling#It came from the very people who should have by all accounts accepted his rule however resigned or hateful that acceptance was#But they instead turned decisively against him and were so opposed to his rule that they were prepared to support an exiled and obscure*#Lancastrian claimant who could offer them no manifest advantage rather than give up opposition when they believed the Princes were dead#It's like Horrox says -#The real question isn't why Richard lost at Bosworth; its why Richard had to face an army at all - an army that was *Yorkist* in motivation#He divided his own dynasty and that is THE defining aspect of his usurpation and his reign. Discussions on him are worthless without it#It really puts a question on what would have happened had he won Bosworth. I think he had a decent chance of success but at the same time#Pretenders would've turned up and they would have been far more dangerous with far more internal support than they had been for Henry#Again - this is what makes his usurpation so fascinating to me. I genuinely do find him interesting as a historical figure in some ways#But his fans instead fixate on a fictional version of him they've constructed in their heads instead#(*obscure from a practical perspective not a dynastic one)#queue
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