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#Fran Warren
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The first Emmy Awards (then called the Michaels) were handed out on March 21, 1950 by the Academy of Television Arts and Sciences for Television and Radio. Ed Sullivan (second from left, the MC), posed with winners Milton Berle (Outstanding Comedian of the Year), singer Fran Warren (Most Promising Star), actor Everett Sloane (Best Dramatic Actor on Radio), and Mel Allen (Best Sportscaster on Television & Radio).
Photo: Associated Press via the Oregonian
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transfemgeorgecostanza · 11 months
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"Everything was quiet til she started quite a riot in Brazil / Shaking her bandana in the yankee doodle manner in Brazil"
To call this song "badly written" is probably an understatement, but i love it and personally would do this in my inevitable night club act
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letterboxd-loggd · 2 years
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Toys Are Not for Children (1972) Stanley H. Brassloff
August 5th 2022
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callisteios · 2 years
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Drop the names of all the gay art from Greek god qiz plsssss
ok anon youve kind of sent me on a spiral bc i have a lot of art saved on my pc with titles like gay and gayy and gay2 so im having to a lot of image reverse searching AND i don't actually know which greek god quiz you're talking about since they both have a lot of gay art but here goes!
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Jean Puy’s Girls sewing on the terrace
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Frida Khalo’s Two Nudes in the Forest (The Earth Itself)
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Franz Ludwig Catel; Maenad with a Goat
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This is an illustration by George Barbier in an early edition of the Songs of Billitis (sidenote the songs of billitis is one of the craziest pieces of classics inspired media and i love it so much (side to aside if anyone knows where to buy a copy of this edition i will love you forever if you send it to me)
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Eugene Delacroix Horse Frightened by Lightning
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Gustave Klimt’s the Kiss
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Herbert James Draper’s Ulysses and the Sirens
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pablo picasso the Bull
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Frans Snyders - Group of Birds Perched on Branches
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two friends by francis picabia
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il romanzo nel convento by Gioacchino Toma
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This is a piece by Suzuki Harunobu but unfortunately I can’t find its name!!
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Nicu Enea i think called the bathers?
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the union of painting and sclupture by Louis-Jean-Francois Lagrenee
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Friedrich von Amerling’s The Armed Maiden
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Warren B. Davis possibly entitled Iele (or depicting them, im not really sure)
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Eduardo Kingma The Evening
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Gazbia Sirry, Women Talking
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Erich Heckel The Dead Woman 1912
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Paul Delvaux Entombment 1953
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August Macke Little Walter’s Toys 1912
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Pierre Antoine Demachy Two Fanciful Architectural Studies with Figures Date unknown
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Joseph Mallord William Turner ?Boats at sea c.1830–45
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Mary Anne Yerkes Early in Day in Desert Quiet 1965
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Sarah Bernhardt Sarah Bernhardt Autoportrait c.1910
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Leo Putz Hinter def Kulissen (behind the scenes) 1905
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Nasr Abdel Aziz Eleyan Date/title unknown.
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Edward Okuń The Four Strings of a Violin 1914
There you go! Extremely long post, sorry about that. Let me know if i got anything wrong, there are definitely a couple I’m not 100% about!
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badmovieihave · 2 years
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Bad movie I have Stripes 1981
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graphicpolicy · 2 years
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Review: Crypt of Shadows #1
Crypt of Shadows #1 is a fun set of stories which will have readers ready for All Hallow’s Eve #comics #comicbooks
When it comes to holidays, there is nothing like Halloween. Before cosplaying became as accepted as it is now, this was the only day most people could become someone else. Costumes can show the other sides of people. As you get older, you take for granted, the ignorance of youth and how something as simple as dressing in a costume can be… freeing. Fast forward to today, and the world now exists…
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amadeusrockradio · 2 years
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SUNDAY music
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sweet-cassi-cd · 3 months
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... Now a corset can do a lot for a.... Lady, Whenever a lady wants what she aint got. With a little manipulation that... Corset, can change her into something she’s not!...
A Corset can do a lot for a lady, Fran Warren, 1958.
I've had this set waiting to go in my "drafts" for a while now but I just couldn't find a good song or lyric to go with it, I know it's not important but I do like trying to find something fitting. I even thought about going cryptic, maybe with something by the band "Squeeze" but didn't find anything. Anyway, my searching lead me to this little gem from way back when, I hope you like it, and the photos of course!
Cassi Xx :-)
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geniousbh · 6 days
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ooiii laura, um hc bem bobo q vim pedir aqui (⁠。⁠・⁠ω⁠・⁠。⁠)⁠ノ⁠♡
como seria assistir um filme de terror com o cast?de preferência enzo, kuku, pipe e fran, no caso a reader tá morrendo de medo toda encolhida no sofá
oii lindeza!! que fofurinha o kaomoji!! eu to assim hoje ó olhe ( ꩜ ᯅ ꩜;)!! farei simm e irei colocar mais alguns dos rapazes, td bem?
começando pelos homens feitos enzo e esteban. esses aqui realmente assistem o filme, ainda que seja um terror bem meia boca e conversam contigo depois sobre. não ficam tão comovidos quando você esconde o rosto na curva do pescoço deles e só fazem um carinho nas suas costas tentando te acalmar. ao fim das uma hora e vinte vão te olhar e perguntar "se ia ficar com tanto medo, chiquita, por quê não colocou uma coisa mais leve?" - e eles não estão bravos nem nada ok - e ai que você toda manhosa e danadinha diz "pensei que você ia querer parar na metade pra gente...", o que arranca uma risada deles "nena, se você queria foder era só pedir, hm?" você vai conseguir o que tanto quer mais tarde, sem crise🙏🏻.
agr os mais boca de sacola da vida matías e fran. esses dois aqui têm quase tanto medo quanto você - apesar de jurarem de pé junto que é fichinha - e NÃO calam a boca porque ficam racionalizando cada cena pra tornar menos fantasmagórico! o recalt vai virar e dizer "mor, a freira não parece o marilyn mason? aquele cara que chupou o próprio pau? olha bem", e o fran fica "nossa, mas nem existia isso na época em que se passa a história, tá vendo? tudo mentira!", acho até que iriam ficar indo na cozinha pra "buscar mais ketchup pra pipoca" ou então fazendo quinhentas pausas pro xixi
e é chegada a vez dos meninos atacantes simón e pipe. esses aqui são os REIS do "netflix: are you still watching?" e a resposta é obviamente não. eles escolhem o filme de propósito, não te avisam que é de terror e quando você leva o primeiro susto ficando toda melosa e chorosa é o céu pra eles. vão te abraçar, te colocar no colo e ninar até que uma mãozinha boba escorre pra sua coxa, você olha pra eles assim 🥺 uma coisa culmina na outra e vocês acabam fazendo um meia nove invés de assistir a mais uma aventura dos warrens. quando algum amigo comenta do filme com vocês depois, ficam ambos "nossa muito bom, esse filme ai... elisabette né", "é annabelle😐", "ahhh verdade😆"
bônus: o pardella provavelmente te pregaria peças pro resto da semana dps de assistirem, ele literalmente seria capaz de comprar uma fantasia ou aqueles bichinhos realistas de plástico. simplesmente o auge da comédia ver você assim 😨 e bicuda com ele depois. vai te recompensar o trauma com um sexinho bem lento e cheio de beijinhos - que não é tanto do feitio dele.
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cup-and-chaucer · 6 months
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Really the problem with these BookTok books like Romantic Comedy is that...they are commodities. The answer to Fran Leibowitz's brilliant quote, "A book is not a mirror, it should be a door." is that, with advent of a literary social media, we are not reading to engage with a story or an idea but to attain an ideal. Marketing is built on the tension of relatability and aspiration. We see commercials set in clean, pristine suburban homes with happy, well-behaved children because it feels like it something we could attainably be if only we had the right brand of cereal or peanut butter or dish soap or life insurance. We want to see ourselves in those places that feel within our grasp. With the rise of books as a commodity to be marketed, rather than as art or entertainment, we increasingly want to see ourselves in the books we read. We want to see aspirational versions of ourselves either reading the book (aesthetics bloggers like Dakota Warren) or within the pages of the books. This why so many of those romance books feel so...conflict-avoidant. Don't get too close to reality or imperfection.
As the idea of a corporate morality (think: rainbow capitalism) emerges, it comes out in books too. Books have to have queer or PoC characters...not because those characters are essential or interesting or natural parts of the landscape or have their own purpose in the books but because the people reading the books want to feel like they are reading diversely and want to believe they are the type of people who also have queer or PoC friends. It doesn't matter if these portrayals are sanitized or feel tokenish.
A book like Romantic Comedy, where the characters mouth literal Facebook think-piece memes I saw during the height of the Black Lives Matter protests in 2020 as their political beliefs, without much self-reflection on the fact that these are two culturally powerful white people who are saying those things to signal that they are good people. It feels like a distraction and a benediction so you can support them in their rockstar fantasy romance, white guilt free. They are saying you are a good person for liking this book because the people in it are good the way you want them to be good and in the way you also want to be good. And they don't have to mean a word of it, they don't have to examine themselves any deeper, if the box is checked and disclaimer signed.
It's also why I think there is so much moral puritanism in reading now. We can't read Lolita because most of us don't want to be associated with its content and what we read, because it is now synonymous with what we buy and own and identify with, is a mirror to who we are and what we aspire to be. The problem is that books are not material things, not really, not the way jeans or furniture or cooking utensils are. They aren't forms of self-expression for the reader, the way fashion or make-up or paint is, they are simply a collection of thoughts from the imagination of an individual put into the world to tell of an experience or make an argument for us to read. That's all.
And all of this, all of this, all of this fucking capitalism is going to get conflated with the very real need for representation in literature and media, for more equitable publishing, for uplifting marginalized voices and experiences.
*sighs*
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willowsvalley · 11 months
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Warren - Guinness
Bryony - Shiraz (wine)
Malcolm - Scotch
Francesca - Declined a drink
Hester - Was never offered one
Warren picks Guinness immediately. He stutters a bit, but it’s what he wants. He’s almost surprised that he says it, but it's not because it’s not his usual order- it IS his usual order. That’s likely why he’s so shocked. He hasn’t gotten his usual order in so long. He was stuck with supplements, frozen meals and old pizza, along with terrible tea or instant coffee- for months at this point. Guinness might’ve been his favorite for different reasons before, but now, it’s his favorite because he missed it.
Bryony’s much more confusing and interesting. Shiraz is originally referred to as an Iranian city, Shiraz, and the wine produced there, but that is context from ages ago. Currently, it’s a slang term to refer to wine produced by the Syrah grape, grown in mostly America, Australia and New Zealand. Its very acidic, very chocolatey and has dark flavors as a dark red wine. It’s not popular in the UK, which could be a hint towards Bryony’s background- she might not have grown up in the UK. It could be a taste preference, sure, but it could mean she’s from a region where Syrah (or Shiraz) is more popular, like the U.S., France, or Oceania.
Malcolm is an old soul. Scotch is a very popular drink among those in the UK and Malcolm does not oppose traditionalism in that sense. He’s probably been drinking it all his life and doesn’t plan on changing it now. It’s also very possible that he was, in fact, several drinks ahead of the others at the table as Bryony noted. Not much to say there other than Malcolm loves scotch and scotch loves him right back. It is, however, interesting to note that he knew the pairings for shiraz and insisted he also have a glass (as well as everyone else at the table). He’s either an alcoholic or a connoisseur.
Francesca’s drink order suits her character absolutely perfectly. The meeting at the Boat and Bridger, while in a rustic and hospitable setting, was completely professional and work-focused. The hesitation in her voice before she answers indicates she was tempted to join her colleagues in drinking during the meeting, but she decided against it. Francesca is now acting director, in a meeting with Malcolm Landry who was the previous acting director and Warren Godby, a scientific breakthrough. She needs to be at her absolute best during this meeting and no matter how mad Malcolm acts or how frustrated she gets with the sadistic Bryony, her mind must be clear and alert, and she knows that. I absolutely adore Fran.
Hester. Poor Hester. I didn't even know she was there until she spoke, they all overlooked her and barely addressed her throughout the entire meeting, only bothering to talk to her when she had something to offer. Bryony seemed interested in her when she finally recognized her existence, but before then, it seemed like no one even noticed she was there. We don’t know what she would have order, if she would have, even, because Clive’s eagerness to show off got in the way. God, these people are dicks.
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residentdormouse · 6 months
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For that fandom ask meme, how about either Stand brainwormies, GoT, or our beloved Buffy? oAo
Thank you for the Ask!
(Fandom Ask Game)
I'm going to do all three, try and stop me! (As I have to wait until I get to a computer to answer instead of my shitty phone keyboard) And tagging @joeysjaskier, since I already started in on this after your ask with the Stand.
The first character I first fell in love with:
Depends on if we're doing specifically 2020 Stand or all around. If you asked me for Stands overall, I would say Nick Andros, because I saw '94 first. But 2020 didn't have me hooked until I saw Glen.
Tyrion Lannister always had my heart right from the start. I still want 'Never Forget Who You Are' tattooed at some point, and that was an episode 1 quote.
Willow was my girl from the beginning. The original do I want to be her, or be with her, questioning.
The character I never expected to love as much as I do now: 
If you told me before that I would be thinking about the Stand every day since I've seen the 2020 version for about two and a half years straight, I would have told you you were full of shit. That's all Glen Bateman's doing. Never anticipated this.
Jaime Lannister. I hated him at the start of it, and dammit if they didn't put him through the shit and make me care about him despite that. (And lets not talk about how pissed I am at his arc ending...)
Eh, it seems like a standard answer, but I didn't expect to like Spike either. But I think that was a surprise to a lot of people, show included, and grudgingly they went with it.
The character everyone else loves that I don’t: 
I like all Stand characters, so its like picking the least liked of something you'd still choose over most other things, but I never connected with Larry. I should have, he has qualities that I should have connected with, but I just... didn't?
Similar to the Stand, I like most all characters from this, but have to pick, guess I'm going with.... *crickets sounds in my head*... fuck, I really don't have an answer coming to me.... Bran?
I don't really like Angel. They played the love interest, and I was always 'meh' at best. I even watched Angel too, but I'm going to give credit to Wesley and Fred there (any surprise since I'm using Amy Acker as my main OC faceclaim.)
The character I love that everyone else hates: 
I don't know if this counts, cause overall Lloyd is a very much loved character, but I think '20 Lloyd gets some shit because he is definitely different from the book/'94, but I love him still. Does that count?
Who's hated in this fandom? I'm honestly not sure if I differ from general public opinion....
Season 6 gets a lot of hate, but overall, I think its my favorite. I also have a soft spot for Jonathan.
The character I used to love but don’t any longer:
Answering for all of them. I usually don't fall out of love for characters. More often than not (like I said with Jaime above), they tend to grow on me out of nowhere.
The character I would totally smooch: 
Glen Bateman
Tyrion Lannister
Willow Rosenberg
The character I’d want to be like: 
Can they all still be the same as the smoochies?
The character I’d slap: 
Randall Flagg. Please. Please let me do this thing. I want to do this thing. Please let me do the thing.
Cercei Lannister. God, this would be so satisfying...
Warren, although I would give this one up to slap Randall Flagg one more time.
A pairing that I love:
I approve of Stu/Fran time, and my mind has drifted to Flagg/Lloyd time as well.
Jaime/Brienne
Buffy/Spike
A pairing that I despise: 
Despise is such a strong word... I really don't disapprove of many ships period. I may not always seek them out, but eh...
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comicwaren · 1 year
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From Crypt of Shadows Vol. 3 #001
“The Crypt of Shadows”, by Al Ewing, Ramon Bachs and Rain Beredo
“Neither Big Nor Bad”, by Danny Lore, Karen S. Darboe and Cris Peter
“Werewolf by Moon Knight”, by Rebecca Roanhorse, Geoff Shaw and Arif Prianto
“Skin Crawl”, by Chris Cooper, Ibrahim Moustafa and Neeraj Menon
“Down Came the Rain”, by Chris Condon, Fran Galán and James Campbell
“Endless Slaughter in the Infinite Swamp”, by Adam Warren and GURU-eFX
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byneddiedingo · 1 year
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Barbara Harris and Bruce Dern in Family Plot (Alfred Hitchcock, 1976)
Cast: Karen Black, Bruce Dern, Barbara Harris, William Devane, Ed Lauter, Cathleen Nesbitt, Katherine Helmond, Warren J. Kemmerling, Edith Atwater, William Prince. Screenplay: Ernest Lehman, based on a novel by Victor Canning. Cinematography: Leonard J. South. Production design: Henry Bumstead. Film editing: J. Terry Williams. Music: John Williams. 
Barbara Harris, as the "spiritualist" Blanche Tyler, is the best thing about Alfred Hitchcock's last movie. According to Stephen Whitty's  The Alfred Hitchcock Encyclopedia, Hitchcock wanted Harris for the role, but he met resistance from the studio, which wanted a bigger name, so he cast Karen Black in the slightly lesser role of Fran to please the higher-ups, who gave Black higher billing than Harris. Which brings up an old question: Why did Harris never become a major star? She made an impressive movie debut in A Thousand Clowns (Fred Coe, 1965), was a standout in Robert Altman's Nashville (1975), and received an Oscar nomination for Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me? (Ulu Grosbard, 1971), but is pretty much forgotten today. She may just be a case of the right talent having been born at the wrong time: Harris had just turned 40 when she made Family Plot. If she had been born a decade later, she might have given Goldie Hawn or, even later, Meg Ryan competition for the romantic comedy roles they became famous for. Family Plot is feather-light lesser Hitchcock, though on the whole it's a return to form for the director after the rather grim Frenzy (1972) and the late misfires Topaz (1969) and Torn Curtain (1967). There are some touches of the master director to be seen in it. The film makes us think that its main story is that of Blanche and her boyfriend George Lumley (Bruce Dern) as they try to track down the missing heir to a fortune, but as Blanche and George are riding in his cab arguing, he suddenly slams on the brakes to avoid hitting a woman crossing the street. The camera takes a sharp left turn and follows the woman instead, taking us into a plot about jewel thieves. The setup is in Ernest Lehman's screenplay, but Hitchcock is classically artful in the way he keeps both plots dangling until we can see how they intersect. There's another glimpse of the master at work in the way he films George trying to meet up with a woman he's trying to question. The scene takes place in a cemetery, and Hitchcock films it with an overhead camera so that we can see the crossing paths among the graves as George maneuvers his way toward the woman. I doubt that Hitchcock ever played one, but the sequence reminds me of a video game maze. Harris, Black, and Dern are all good in their roles, and William Devane is a fine villain. (Though have there ever been toothier leading men than Dern and Devane?) John Williams adds a touch of Bernard Herrmann in some parts of his score, the only one he did for Hitchcock.
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lesbiancolumbo · 2 years
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Shirley MacLaine?
Over the years, the making of this book has brought me so much pleasure. Perhaps a lifetime of misspent youth has amounted to something. Going back over the movies, there are so many memories. In attempting to see shape in the history of motion pictures there is a steady battle between scholarship and partiality, enough to suggest that learning is often more warped than it realizes, while daft enthusiasms do lead to quantities of obscure knowledge. There have been moments of revelation, comedy, excitement, and the grim accumulation of experience, of all those frames gone by. We have faced them at the Granada, Tooting, and at screening rooms in the Thalberg Building. The author may begin to regard himself solemnly. But then, as comeuppance, without undue incredulity, malice, or frenzy, a grown man is required to sit down and compose a thousand or so words on Shirley MacLaine. Yes, that career has really happened; that energy has flowed.
She is the older sister of Warren Beatty, a relationship that seems to have been powerful and stimulating when they were young, and a source of friction and perplexity later. MacLaine the beginner was very impressive: she had smart bounce, a sense of humor, and a wicked streak that made her short red hair seem tomboyish. She was a dancer, who replaced Carol Haney in the Broadway production of The Pajama Game in 1954.
The Apartment (60, Billy Wilder) was a turning point: she was funny and touching to be sure, but there were signs of self-indulgence in her playing of the exploited elevator-girl, Fran Kubelik, subtly abetting Wilder’s distaste for women. None of Wilder’s tacked on happy endings seems as craven or unconvincing as MacLaine’s headlong, back-projected run into the arms of Lemmon’s Baxter. The self-destructive sentiment of Fran is too strong for the trite compromise, and Wilder’s vision hardly comprehends a love that has no solid commercial motive.
By then, her kooky girl was becoming excessive, predictable, and a barrier to her former impishness. She needed more ambitious parts and more implacable directors than were generally available. For many years the earnestness of her screen character was borne out in life by her work for the Democratic party. At the same time, she was running a second career as the author of several books that were variously autobiographical and inspirational. She was frank about her own life (her accounts of dealing with her parents and her brother are well done) and hopeful about the further horizons of re- and preincarnation. The more daft this image, the more serious she became.
It is said that she has been trying to mount a film in which she would play Louise Brooks in the last decade or so of her life. As her character cried out, long ago, in Some Came Running: “You gotta remember, I’m human.” And more.
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pvremichigan · 2 years
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▌ 𝐑𝐄𝐀𝐋 𝐍𝐀𝐌𝐄 : Kirin Mich McIntyre ▌𝐒𝐈𝐍𝐆𝐋𝐄 𝐎𝐑 𝐓𝐀𝐊𝐄𝐍 : Taken ▌𝐀𝐁𝐈𝐋𝐈𝐓𝐈𝐄𝐒 𝐎𝐑 𝐏𝐎𝐖𝐄𝐑𝐒 : Immortal, inhuman strength, regeneration/healing, sense control, immunity to poisons/chemicals ▌𝐄𝐘𝐄 𝐂𝐎𝐋𝐎𝐑 : Forest green ▌𝐇𝐀𝐈𝐑 𝐂𝐎𝐋𝐎𝐑 : Deep but vibrant red ▌𝐅𝐀𝐌𝐈𝐋𝐘 𝐌𝐄𝐌𝐁𝐄𝐑𝐒 : David Warren and Penny McIntyre ▌𝐏𝐄𝐓𝐒 : Beaux and Riley, german shepherds. ▌𝐒𝐎𝐌𝐄𝐓𝐇𝐈𝐍𝐆 𝐓𝐇𝐄𝐘 𝐃𝐎𝐍'𝐓 𝐋𝐈𝐊𝐄 : Sexual content, folks that are just way too happy and positive, Food. ▌𝐇𝐎𝐁𝐁𝐈𝐄𝐒 / 𝐀𝐂𝐓𝐈𝐕𝐈𝐓𝐈𝐄𝐒 : Fighting, Guns, sleeping, watching the news, reading the news- T... That’s it right now. ▌𝐄𝐕𝐄𝐑 𝐇𝐔𝐑𝐓 𝐀𝐍𝐘𝐎𝐍𝐄 𝐁𝐄𝐅𝐎𝐑𝐄 : Yes ▌𝐄𝐕𝐄𝐑 𝐊𝐈𝐋𝐋𝐄𝐃 𝐀𝐍𝐘𝐎𝐍𝐄 𝐁𝐄𝐅𝐎𝐑𝐄 : Yes, many. ▌𝐀𝐍𝐈𝐌𝐀𝐋 𝐓𝐇𝐀𝐓 𝐑𝐄𝐏𝐑𝐄𝐒𝐄𝐍𝐓𝐒 𝐓𝐇𝐄𝐌 : Grizzly Bear, Wolverine ▌𝐖𝐎𝐑𝐒𝐓 𝐇𝐀𝐁𝐈𝐓𝐒 : Hot tempered, stubbornness, rage issues, sadomasochism (nonsexual), Hostility. ▌𝐑𝐎𝐋𝐄 𝐌𝐎𝐃𝐄𝐋𝐒 : The closest thing to a role model she has is IJ ( @yesfxckyxu​ ) other than that? No one. ▌𝐒𝐄𝐗𝐔𝐀𝐋 𝐎𝐑𝐈𝐄𝐍𝐓𝐀𝐓𝐈𝐎𝐍 : Heterosexual ▌𝐓𝐇𝐎𝐔𝐆𝐇𝐓𝐒 𝐎𝐍 𝐌𝐀𝐑𝐑𝐈𝐀𝐆𝐄 / 𝐊𝐈𝐃𝐒 : Marriage is something she’s considered and thought about. She wouldn’t mind it, it seems like a nice life to have. As for kids, she can’t personally have any but she has CJ ( @yesfxckyxu​ ) and that is more than good enough for her.
▌𝐒𝐓𝐘𝐋𝐄 𝐏𝐑𝐄𝐅𝐄𝐑𝐄𝐍𝐂𝐄𝐒 : Guns, red, cigarettes, liquor, anything violent, casual leather (no kink), dark jeans, black boots, fingerless gloves, edgy shit that isn’t way too edgy.
▌𝐒𝐎𝐌𝐄𝐎𝐍𝐄 𝐓𝐇𝐄𝐘 𝐋𝐎𝐕𝐄 : IJ, CJ, and Fran. ( @yesfxckyxu​ / @smokes-and-bullets​ ) ▌𝐀𝐏𝐏𝐑𝐎𝐀𝐂𝐇 𝐓𝐎 𝐅𝐑𝐈𝐄𝐍𝐃𝐒𝐇𝐈𝐏𝐒 : It’s a real hit or miss. She has no approach. She either likes you or dislikes you. First impressions matter. She is NOT one to give easy second chances. If you fuck it up, you HAVE to actually WANT to be on her good side to try again. If you’re indifferent, then nothing will happen and she will forget you. You have to really WANT to be her friend in order to gain any success. She doesn’t go for “yeah sure” she goes for “yes”. You gotta come to her, she’s not gonna come to you.
▌𝐅𝐀𝐕𝐎𝐑𝐈𝐓𝐄 𝐃𝐑𝐈𝐍𝐊 : Whiskey and a coke.
▌𝐅𝐀𝐕𝐎𝐑𝐈𝐓𝐄 𝐏𝐋𝐀𝐂𝐄 𝐓𝐎 𝐒𝐏𝐄𝐍𝐃 𝐓𝐈𝐌𝐄 𝐀𝐓 : Home. ▌𝐒𝐖𝐈𝐌 𝐈𝐍 𝐓𝐇𝐄 𝐋𝐀𝐊𝐄 𝐎𝐑 𝐓𝐇𝐄 𝐎𝐂𝐄𝐀𝐍 : Lake. She has the Great Lakes for fucks sake. ▌𝐓𝐇𝐄𝐈𝐑 𝐓𝐘𝐏𝐄 : Dark short hair, immortal, someone who can handle her both physically and emotionally without shutting her down or brushing her off. Someone who won’t treat her like a child. Someone that could almost if not completely beat her in a fight. Muscles, deeper voice (not too deep), bright or unique eyes, someone who loves being around her and loves EVERY part of her. Someone who looks up to her or admires her completely. Someone who is devoted and loyal to her beyond belief. Someone protective, passionate and not passive, someone who will match her energy or support it. Someone who would walk through hell with her or walk through hell to find her. Someone she can fight alongside with. ▌𝐂𝐀𝐌𝐏𝐈𝐍𝐆 𝐎𝐑 𝐈𝐍𝐃𝐎𝐎𝐑𝐒 : Indoors. Outside is too exhausting.
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