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#Finale di Sanremo
greeneyed-thestral · 2 months
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guysofeurovision · 5 months
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Sanremo2024
They. Are. All. BAAAAAAAACKKKKKK 🔥🔥🔥🔥
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🇮🇹🇮🇹🇮🇹
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thateurosite · 5 months
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🇮🇹 Marco Mengoni will co-host the first night of Sanremo 2024
🇮🇹 Marco Mengoni, the winner of last year's Festival di Sanremo, will co-host the first night of this year's contest.
Amadeus, host of Italy’s Sanremo Music Festival for the final time this year, confirmed on RAI2 that Marco Mengoni would co-host the first night of the contest. Mengoni, who won last year’s edition with “Due Vite”, placed fourth at the Eurovision Song Contest 2023. Marco Mengoni’s Sanremo history Mengoni first competed in Italy’s longrunning Festival di Sanremo in 2010, where he placed third…
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platypus-quacks-too · 2 months
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l'anno in cui molti giustamente boicotteranno l'esc, i san marinesi rischiano di fare la cosa piú divertente di sempre ve lo giuro questo é veramente un mondo gramo e infame.
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eurovision-revisited · 4 months
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2001 Copenhagen - Number 9 - Elisa -"Luce (Tramonti a nord est)"
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You are listening to the song and the singer to hold the record of being the only time someone won six separate awards at a single Festival di Sanremo. Her debut album Pipes & Flowers went quadruple platinum in Italy in 1997, she's sung on a Quentin Tarantino soundtrack, and sang at the closing ceremony of the 2006 Winter Olympics. Elisa Toffoli.
Given that Elisa mostly sings and writes her songs in English, it's surprising that she's not more widely known outside of Italy, but inside Italy she's the precious jewel of the music industry, composing and singing songs of fragile beauty as well as internal strength and power. She's often compared to Alanis Morissette and Bjork.
Luce (Tramonti a nord est) (Lights (Sunsets in the north east)), is her first song in Italian. Some thought that this performance and song would lead to her turning away from English language recording, but it turned out to be the exception. She has said that she largely sings in English so that people close to her cannot immediately understand what she's singing about, demonstrating a vulnerability if not actual shyness.
The song, accompanied by a string quartet is poetic, portraying a deep love in the words of nature. It's caught in a moment of being swept away by the wind, by the low sun breaking across the land and treetops. And yet that love is over and the night-time is arriving as Elisa has chosen to leave. It's that last gasp of intense connection before a severance. It's beautiful. It's not surprising it made such a connection with the Sanremo audience and critics alike.
Obviously it won.
Elisa went onto decades of success. Touring, albums, everything she does is revered. The only thing she doesn't really do is competitions. This was her first Sanremo and she has said she does not enjoy the competitive aspect of these festivals. It's perhaps a good thing for her that Italy didn't participate in Eurovision in 2001.
However she has entered again, in 2022. And she came second to Brividi by Mahmood & Blanco, winning the award for best musical composition in the process.
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unwinthehart · 11 months
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Nell'ordine, oggi: - press impazzita per Mengoni, lo danno come dark horse - annuncio di possible reunion blahmood il 10 giugno - amadeus forse declassato a solo conduttore di Sanremo e non Direttore Artistico (seh seh credetece, quello vi fa vedere i sorci verdi se non gli fate scegliere i suoi prossimi 7/8 figli adottivi) - mahmood spoilera tour europeo - mengoni è ancora bono come un bronzo di riace, spiace per gli altri - prima semi-finale stasera
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armoniaxcaos · 1 year
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Però ammetto che volevo Lazza all'Eurovision anche solo per sentirlo parlare inglese alle interviste
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pointlessfrog · 1 year
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soft-launching my new weird item of clothing by wearing it by close friends first, then acquaintances, then in public and lastly when my family is around
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I just found out that I have relatives coming over right on the day I feared the most : Sanremo’s final
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thateurosite · 10 months
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Amadeus Sebastiani to step down as Sanremo host after 2024
🇮🇹 Amadeus, three-time #Sanremo host for #Italy's @raiunoofficial, has announced that he will step down after the 2024 edition. #ESC2024 #Eurovision
In a June 7th interview with Italian outlet Il Fatto Quotidiano, Sanremo host Amadeus Sebastiani confirmed that while he would host and act as artistic director for Sanremo 2024, the upcoming edition would also be his last. Sebastiani has hosted Sanremo since 2020, and has hosted Sanremo Giovani in 2016 and since 2019. He did not specify whether he would continue hosting Sanremo Giovani or step…
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somniatoressinespe · 2 months
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mi sONO PERSA TANANAI??????????
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Eurovision 2003 - Number 20 - Eiffel 65 - "Quelli che non hanno età"
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Are you blue? Da-ba-dee-da-ba-dai? Eiffel 65 were four years prior to 2003. After several of their own hits, perhaps not quite so earworm infested as Blue (Da-ba-dee), as well as remixing many other artists including Nek and S Club 7, they're pretty much at the peak of their fame and fortune.
Eiffel 65 are vocalist Jeffrey Jey, Maurizio Lobina and Gabry Ponte. Together they form a full-strength Italian Eurodance phenomena known throughout the charts of Europe. Their sound is far away from what Sanremo normally has in its running order, but like all the European competitions, the Festival di Sanremo does like to get a little experimental occasions. This year they invited Eiffel 65 to participate with Quelli che non hanno età (Those Who Are Ageless)
The song, true to form, is a Euroclub floor filler, with synth chords over a hard, hard dance beat, on this occasion accompanied by the strings of the Sanremo orchestra. Jeffrey lays out the manifesto about staying young and possibly becomes the singer with the most microphone hand swaps in Sanremo history. He does it almost every line.
The beat is so big that I'm amazed the Ariston theatre's audience aren't propulsively lifted from their seats to dance right there - how they managed to sit still through this I don't know.
Given it's non-orthodox genre for Sanremo it's not altogether surprising that it finished 15th of the 20 songs performed in the main competition this year, but by the end of it Eiffel 65 can claim to have been a Sanremo act.
For another three years, they performed as Eiffel 65 before Gabry Ponte left, and the remaining two were forced to change their name. The band have had an on-again off-again set of reunions since, with releases during their occasional reformations. Most notably, they reformed in 2023 to take part in Una Voce per San Marino, and to try to make it into Eurovision but could only finish 5th in the final.
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unwinthehart · 1 year
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Se ti diverte tanto fottere Chi ti vuol bene, fotti solo te Sì, mi piacevi, ma soltanto di notte Talata (٣) - Ghettolimpo Tour (2022)
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coffeeworldsasaki · 2 months
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Solo altri 6 prima dei santi francesi
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Annalisa -- Il Mondo Prima di Te (Sanremo 2018)
"E siamo montagne a picco sul mare, dal punto più alto impariamo a volare..."
"And we're mountains overlooking the sea, from the highest point we learn to fly..."
First, I'm going to apologize to all the fans of Non mi avete fatto niente--it's my runner-up of Eurovision 2018 and in Sanremo too (recently, I watched all the songs of that edition, and the top three was just about right). Despite Non mi avete fatto niente's power in its lyrics and message, one song just clicked with me...
...and I found about it after the 2018 contest.
Il Mondo Prima di Te is a classic ballad (and not too creative in comparison to NMAFN and Una vita in vacanza, the runner-up), but it more than makes up for it with its storytelling and the sincerity Annalisa injects into it. Telling a story of a love let go, it has such beautiful images such as two flowers sprouting from a similar root, and has a sweetness towards it all, despite the sadness. It builds fantastically from verse to chorus, before it tempers a bit for the bridge.
The studio cut is quite solid, but I think the Sanremo performance is even better. The strings elevate the song from what it was, and add so much drama to it, especially during the second chorus. Annalisa is a fantastic singer, and she puts it all into the show. So I think the jury would've really responded to this in 2018, but I'm not sure about the televote.
But the important question is--why would've this been my all-time favorite Eurovision song had it won? Let me count the ways:
--It has a beautiful melody, which gets you from the beginning and doesn't let go. --It's a familiar story told in a very nuanced way. Parting is really sad, but there's a bit of sweetness due to what memories are left. --Annalisa is a consummate performer, able to control her voice and switch genres on the top of a hat.
And thus..it would've dethroned Oniro Mou as my winner of 2018. (And I won't have to worry about a studio cut going bad live, haha)
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