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#Fantasy writing
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A Recipe for Daropaka and a Korithian Meal
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Hello everyone! (More than) A few days ago I said that, as a way to celebrate reaching 200 followers that I would make one of the dishes from the setting of my WIP. I did something similar for 100 followers which you can see here. This time around I put up a poll to see what dish you all would like to see based on the favorite dishes of my OCs. You voted for Otilia's favorite food, a cheesecake (Daropaka) from the land of Korithia.
However because I felt a bit bad about how long it took me to get to this and because I needed to make something for dinner anyway, I prepared an entire Korithian meal, specifically the last dinner Otilia ate before she left her homeland.
I will give a short description and some history for each component of the meal and will also provide recipes. These recipes come specifically from the Korithian city-state of Kalmanati.
BIG POST ALERT
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The diet of Korithians is highly reliant on cereals, grapes, and olives. Barley is the most commonly consumed cereal and is used in the bread of most commoners. However, Kalmanati is famed for the quality of its wheat, and particularly among the wealthy, wheat is the cereal grain of choice. Legumes (Lentils, peas, vetch, beans, etc), vegetables (Cabbage, carrots, lettuce, seaweeds, artichokes, asparagus, onions, garlic, cucumber, beets, parsnips, etc.) and fruits/nuts (pomegranate, almond, fig, pear, plum, apple, dates, chestnuts, beechnuts, walnuts, rilogabo(Kishite regalu "Sunfruit"), bokigabo (Kishite botagalu "Northern fruit), etc.) also make up a significant portion of the Korithian diet, with meat (Cattle, lamb, pig, goat, goose, duck, horned-rabbit, game) and fish typically filling a relatively minor role except for in the diets of wealthy individuals (like Otilia).
Vinegar, oil, and garlic appear in almost all Korithian dishes and are an essential aspect of the Korithian palate.
Recipes below the cut!
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The components of the meal are as follows:
Daropaka: (Korithian: Daro = cheese, paka = cake)
Karunbarono: (Korithian: Karun = meat, baro = fire (barono = roasted) )
Pasrosi Diki: (Korithian: Pasrosi = fish(es), Diki = small)
Psampisa : (Korithian: Psamsa = bread, episa = flat)
Akuraros : (Korithian: Akuraros = cucumber)
Ewisasi : (Korithian: Ewisasi = olives)
Funemikiwados: (Korithian: Funemiki = hill (mountain diminutive), wados = oil/sauce)
Wumos: (Korithian: Wumos = wine)
Daropaka aka Awaxpaka aka Korithian Cheesecake
Daropaka is a popular dessert in Korithia, however its origins predate Korithia by several thousand years.
The dish originates from a race of forestfolk living on the Minosa, known as the Awaxi. The Awaxi were a tall and powerful race, some rivaling even demigods in size. Aside from their size the Awaxi were also easily identifiable by the third eye which sat on their forehead and the porcupine like quills which grew from their shoulders, sometimes called the Awaxi mantle.
The Awaxi were a primarily pastoralist civilization, living in small semi-temporary communities where they raised cattle and goats. They are credited with inventing cheese.
The first humans that the Awaxi came into contact with were the Arkodians. The Arkodians introduced the Awaxi to metallurgy, and in exchange the Arkodians were given knowledge of the cheesemaking process. This early form of cheese was called darawa (Korithian: Daro) and was typically made from cow's milk and vinegar, the resulting cheese being soft and crumbly, similar to a ricotta.
Unfortunately peace would not last. The Awaxi settled disagreements and debates often through duels, rather than through war. While quite skilled duelists, their culture had no reference for strategy in battle and lacked the proper skills to fend off the organized assault from imperialistic Arkodians. The Awaxi were eventually driven to extinction, though they still appear as monsters in Korithian myth.
The Arkodians themselves would later fall, destroyed by the Kishites, however many of their recipes, including their recipe for cheesecake, would be passed down to their descendants, the Korithians.
Recipe
(Note that Korithia has no distinct set of measurements nor are recipes recorded. Recipes are typically passed down orally and differ greatly between regions and even families. Adjust ingredients to one's own liking) (Also note that this is not like a modern cheesecake, as it utilizes a ricotta like cheese the texture will not be as smooth and it doesn't use eggs as chickens have not yet been introduced to Korithia)
The Cheese
1/2 Gallon of Whole Cow or Goats Milk
1 Pinch of Sea Salt
2 Bay leaves
2 Tablespoons of White Vinegar
1 Large Ripe Pear
6 Tablespoons Honey
2 Tablespoons White Wheat Flour
1 Tablespoon Rilogabo Juice (substitute 1:1 Orange and Lemon juice)
The Crust
1 Cup White Wheat flour
Water, Warm
1 Pinch of Sea salt
The Topping
1 Sprig Rosemary
3 tablespoon honey
2 tablespoon rilogabo juice (see above)
1 Large pear (optional)
Fill a pot with milk. Stir in salt and add bay leaves. Heat over medium heat until milk registers around 190 F, do not allow to boil. Look for slight foaming on the surface, when the temperature has been reached, remove the bay leaves and add vinegar, the curds will begin to form immediately, stir to fully incorporate vinegar without breaking curds. Stop.
Take the pot off of the heat and cover, allow it to sit for 15 minutes.
Using cheesecloth, a fine mesh strainer or both, separate the curds from the whey. Allow the curds to cool and drain off excess liquid.
Preheat the oven to 410 F or 210 C. Grease the bottom and sides of an 8 inch cake pan with olive oil.
While cheese is draining, make the crust. Knead the white wheat flour with a pinch of salt and warm water for about 15-20 minutes, until obtaining a smooth consistency. Roll a thin circular sheet larger than the cake pan. Lay the dough inside, trim off any dough which hangs over the edge of the pan.
Skin and seed 1 large pear, using either a mortar and pestle or a food processor, break the pear down into a paste or puree, there should be no large visible chunks.
Combine drained cheese, 6 tbsp honey, pear puree, flour, and rilogabo juice. Using a food processor or other implement combine ingredients until a smooth texture is achieved. Taste and add honey accordingly
Pour the mixture into the pan, careful not to exceed the height of the crust. Top with a sprig of rosemary and place into the oven.
Cook for 25-30 minutes or until the filling has set and the surface is golden.
Make the topping by combining 3 tablespoons of honey and the remaining rilogabo juice.
Remove cake from the oven and pour the topping over the surface. Allow the cake to cool
Serve warm, cold, or room temperature with fresh fruit.
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Karunbarono aka Roasted Meat
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Cooking meat on skewers is a staple of Korithian cuisine, so much so that in certain regions the metal skewers or kartorosi, can be used as a form of currency. Meat is typically cooked over an open fire or on portable terracotta grills, though it is not unheard of to use a large beehive shaped oven or baros. The majority of the meat eaten by the lower classes comes in the form of small game such as rabbit or sausages made from the scraps of pork, beef, mutton, poultry, and even seafood left after the processing of more high-class cuts. The chicken has not yet been properly introduced to the islands, though some descendants of pre-Calamity chickens do exist, though they in most cases have drastically changed because of wild magic. Animals are rarely eaten young, lambs for example are almost never eaten as their potential for producing wool is too valuable. Most animals are allowed to age well past adulthood, except for in special circumstances. The practice of cooking meat in this style is prehistoric stretching back far before Korithia or Arkodai. What is newer however is the practice or marinading the meat before cooking it, this is a Korithian and later Kishite innovation.
Recipe
1 lb Mutton (meat used in this recipe), beef, lamb, venison, or horned-rabbit meat (in order to achieve this it is suggested to use wild hare meat in combination with pork fatback) chopped into bite sized pieces
4 Tablespoons Plain Greek Yogurt
4 Tablespoons Dry Red wine (Any dry red will work, for this recipe I used a Montepulciano d'abruzzo but an Agiorgitiko would work perfectly for this)
3 Tablespoons Olive Oil
4 Cloves of Garlic roughly chopped
1 Small onion roughly chopped
1 sprig fresh thyme
1 sprig fresh rosemary
1 tsp sea salt
1 tsp black pepper
1/2 tsp ground cumin
Gather and measure ingredients
Combine everything into a large bowl and stir, making sure that all pieces of meat are covered in the marinade.
Cover and allow meat to sit, preferably in the fridge for 2 hours or up to overnight.
Well the meat is marinating, if using wooden or bamboo skewers, soak in water for at least one hour to prevent burning.
Preheat the oven to 400 F or roughly 205 C. Or if cooking an open fire, allow an even coal bed to form.
Remove meat from the fridge, clean off excess marinade including any chunks of garlic or onion
Place meat tightly onto the skewers making sure that each piece is secure and will not fall off.
Brush each skewer with olive oil and additional salt and pepper to taste, optionally add a drizzle of red wine vinegar.
Place on a grate either in the oven with a pan below it to catch drippings or else over the fire. Allow to cook for 10-20 minutes depending on how well you want your meat cooked (less if using an open fire) Check every five minutes, flipping the meat after each check.
Remove from the oven and serve immediately.
Pasrosi Diki aka Little Fishes
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Despite living by the sea, fish makes up a surprisingly small part of most Korithians' diet. The most valuable fish typically live far away from shore, where storms and sea monsters are a serious threat to ships. Much of the fish that is eaten are from smaller shallow water species, freshwater species, or shellfish. Tuna, swordfish, sturgeon, and ray are considered delicacies, typically reserved for the wealthy. Marine mammals such as porpoise are eaten on rare occasions, typically for ceremonial events. Pike, catfish, eel, sprats, sardines, mullet, squid, octopus, oysters, clams, and crabs are all consumed by the poorer classes. Sprats and sardines are by far the most well represented fish in the Korithian diet, typically fried or salted, or even ground and used in sauces. This particular recipe makes use of sprats. Unlike their neighbors in Baalkes and Ikopesh, Korithians rarely eat their fish raw with the exception of oysters.
Recipe
(Note that unlike modern recipes using whitebait, these are not breaded or battered as this particular cooking art has not yet been adopted in Korithia, though it is in its infancy in parts of Kishetal)
10-15 Sprats (other small fish or "whitebait" can also be used)
2 quarts of olive oil (not extra virgin)
Sea salt to taste
Black Pepper to Taste
Red Wine Vinegar to taste
Gather ingredients
Inspect fish, look for fish with clear eyes and with an inoffensive smell, avoid overly smelly or damaged fish.
Pour olive oil into a cast iron skillet or other high sided cooking vessel and heat to approximately 350 F or 177 C.
Fry the fish in batches of 5, stirring regularly to keep them from sticking. Cook for 2-4 minutes until the fish have started to crisp. Be careful, some fish may pop and spit.
Remove fish from the oil and allow them to drain.
Season fish with salt, pepper, and vinegar and serve.
Psampisa aka Flatbread
There are many varieties of bread eaten in Korithia and grain products make up anywhere from 50 to 80 percent of an average individuals diet. This particular variety of bread is most popular in the southern and eastern portions of Korithia, whereas a fluffier yeasted loaves are more commonly eaten in the west and north. This recipe is specifically made with wheat but similar breads can also be made with barley or with mixtures. If you do not want to make this bread yourself it can be substituted with most pita breads. Bread is served with every meal and some meals may feature multiple varieties of bread.
(Note for this recipe I only had self-raising flour at hand which gives a slightly puffier bread, if this is what you want add roughly 3 tsps baking powder)
Recipe
2 1/2 cups white wheat flour plus more for surface
1 1/2 teaspoons sea salt
1 cup whole fat greek yogurt
Olive oil for cooking
In a large bowl, mix together the flour, salt and baking powder. Add the yogurt and combine using a wooden spoon or hands until well incorporated
Transfer the dough to a lightly floured surface and knead by hand for 5 minutes until the dough feels smooth.
Cover the dough and allow to sit for approximately 20 minutes
Separate dough into desired number of flatbreads.
Add flour to each dough ball with your hands and then use a rolling pin to flatten out the dough on a lightly floured surface. Size is up to taste.
Heat a pan on medium high heat. Add the olive oil and cook the flatbreads one at a time for about 2-4 minutes, depending on thickness, per side until the bread is puffed and parts of it has become golden brown.
Akuraros aka Cucumber (Salad)
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While the cucumber has become a relatively popular crop within Korithian agriculture it is not native and was all but unknown to their Arkodian predecessors. Cucumbers, which actually originated in Sinria and Ukar, were introduced by Kishite invaders during the Arko-Kishite war and were subsequently adopted by the survivors of that conflict. Cucumbers are associated with health and in particular with fertility. Cucumbers are typically eaten raw or pickled. They may be used in salads or even in drinks, ground into medicinal juices. Cucumbers are additionally believed to ward off disease carrying spirits and may be hung outside of the doors of sick individuals to ward off evil entities. Cucumbers are also fed to learning sages, as they are believed to strengthen the resolve and spirit. A potion consisting of the magical herbs wumopalo and lisapalo, wine, and cucumber juice has historically been used to temporarily induce in non-sages the ability to see spirits. Dill is additionally believed to produce positive effects, thought to ward of diseases of the stomach and cancers. Dill is often used in potions which may effect the physical nature of an individual, these potions are rarely used as their effects are most often permanent to some extent.
This particular cucumber salad recipe is a favorite in the region around Kalmanati, Bokith.
Recipe
1 large cucumber cleaned
2 cloves garlic roughly chopped
2 tablespoons fresh dill chopped
1/3 cup red wine vinegar
1/4 cup extra virgin olive oil
Salt to taste
Pepper to taste
Cumin to taste
Cut cucumber into thin slices (the actual width will vary dependent on taste)
Combine cucumber and all other ingredients in a non-reactive container and mix.
Cover and store the salad for at least 30 minutes and up to 12 hours.
Serve cold
Ewisasi aka Olives
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The Ewasi or olive is in many ways the center of Korithian cuisine, as it is also in Baalkes and Knosh. Olive oil is used regularly and the olive fruit is consumed at all meals of the day including dessert. Olives are cured via the use of water, vinegar, brines, or dry salt in order to remove their innate bitterness. There are hundreds of varieties of olive in Korithia alone, their taste dependent on when they are harvested, how they are cured, the particular cultivar, and even the soil in which they are grown. Kalmanati is best known for two varities of olive, the kalmi, which is red fleshed and meaty, typically cured in red wine vinegar, and the prasiki, a small green olive which is firm and slightly nutty in flavor.
Recipe
Take your favorite olives, put them in a bowl. Optionally add vinegar and herbs
Funemikiwados aka Hill Sauce
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Hill sauce is the condiment of choice for most Korithian households and the exact nature of the sauce will vary greatly from region to region. In the north it is most often composed of pine nuts, olive oil, onion, vinegar, salt, and garlic. In the south the sauce is typically far more marine in nature, composed of seaweed, fish, garlic, olive oil, and vinegar. In all cases the ingredients are combined and mashed or ground to produce a pourable/dipable sauce. The sauce itself originates from the center of Korithia around the city of Bokakolis. The sauce was originally used by shepherds to flavor dried meats which may otherwise be dry or flavorless. Its name derives from the ingredients used within these early versions of the sauce, many of which were herbs plucked from the hillside while the shepherds tended to their flocks. The Kalmanatian version of the sauce is similar to this original herb based variety however it adds salt-cured fish and tisparos (Tisi - tickle, paros- seed) , another Kishite import (there it is called lisiki). This sauce is often used with practically any savory food, poured on meat, fish, vegetables, and bread. Often a house may be judged by the quality of their funemikiwados. Among the Kalmanatians there is two varieties of the sauce, a fresh version (the one described here) and another which is typically made with dried herbs and has additional vinegar added to act as a sort of preservative.
Recipe
1/2 cup extra virgin olive oil
1/3 cup red wine vinegar
2 tbsps rilogabo juice (1:1 orange and lemon)
2 anchovies (or other small salt-cured fish)
1/4 cup fresh chopped dill
1/6 cup fresh chopped parsley
1/8 cup fresh chopped thyme
6-10 leaves of fresh chopped rosemary
2-3 leaves fresh basil
2 cloves of garlic
Black pepper to taste
Ground tisparos to taste (Substitue ground sichuan pepper)
Gather the ingredients.
Combine and grind anchovies, garlic, and herbs into a fine paste, using a mortar and pestle or with a food processor.
Combine the herb paste ialong with the rest of the other ingredients and mix until completely incorporated.
Allow to sit at least 30 minutes, allowing for flavors to develop and properly incorporate with each other.
Serve with meat or fish
Wumos aka Wine
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Wine in Korithia predates both the Korithians and the Arkodians, and had already been developed by several cultures on the islands including the Awaxi mentioned earlier. Wine is one of the most commonly consumed beverages, only surpassed by water, and slightly more common than psamarla, a Korithian version of unfiltered beer. Wine has many social, religious, and economic uses and is essential in the trade of the plantbrew, making up the base of many kinds of potion. There are many varieties of wine, with some being viewed as better or worse than others. Red wine is typically preferred for later in the day as it is believed that it helps to induce sleep while white wine is preferred for the morning and afternoon. Wine is typically watered down at a ratio of 2 parts water to 1 part wine, this may be either with plain or salted water. Unwatered wine is saved for special occasions and certain religious ceremonies in which intoxication is the goal. Wine may be sweetened with honey, figs, or various fruit juices. Herbs and spices such as black pepper, tisparos, coriander, saffron, thyme, and even cannabis and opium and various magical herbs may be added to change the flavor of the wine and to promote other effects.
Recipe
Pick a wine that you like and put it in a glass or cup. You can water it down if you would like but I didn't because I am not Korithian and this was a special occasion.
I finally got this post done! If you decided to read through this whole thing, thank you! Let me know if you try any of these, most of these amounts are ultimately a matter of taste, you can change things and experiment if you want.
Now we'll see if I get to 300 followers and we'll do this all over again with the food from another part of the Green Sea.
Thank you all again for following me, I've really enjoyed sharing my WIP with y'all!
@patternwelded-quill , @skyderman , @flaneurarbiter , @jclibanwrites , @alnaperera, @rhokisb, @blackblooms , @lord-nichron , @kosmic-kore , @friendlyshaped , @axl-ul , @talesfromtheunknowable , @wylanzahn , @dyrewrites , @foragedbonesblog , @kaylinalexanderbooks , @mk-writes-stuff , @roach-pizza
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not-poignant · 1 day
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Birthday Spotlight - Crielle ferch Fnwy
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[18 April - Aries]
Crielle ferch Fnwy is the matriarch of the An Fnwy estate, a beautiful, evil Machiavellian supervillain who has been manipulating the Seelie Court and her family for tens of thousands of years, while giving the appearance of being a perfectly loving Seelie fae who only cares about truth and justice.
Mother of Gwyn ap Nudd, and aunt of Efnisien ap Wledig, Crielle is actually only rarely seen in stories, but has an explosive impact regardless, due to the trauma she inflicts or causes others to inflict on our main characters.
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‘You’re not mine. You may have stolen from our family legacy, you may have parasitised our reputation, you may have even exploited and ruined the things about our appearance that make us – not you – beautiful. But you are not, you have never been mine. If you felt a short, sharp shock when you came into the world, my darling, it was my hands around your throat while your father tried to pull me off you. ‘Imagine, if you will, my dear, reprehensible thing. Imagine the first time you came back to me after we sent you away to play with Efnisien. Oh you were only twelve or thirteen? What a lovely idea that was. And Efnisien had you for hours. I told him to use knives. He liked them so, and he didn’t think he’d be allowed. So precious. And I heard the distant echo of your screams like a faint, familiar melody all throughout my day. A time when they stopped because he gagged you perhaps? Or your voice gave out? Tsk. He is – was – so crude. But still...effective. And do you remember? Oh, my creature, imagine it... ‘You came home hours later, hours after Efnisien. You were broken and cut and bleeding and so, so ruined. And you stumbled into the house, and there I was waiting for you. Breathless, actually. And you stared at me as though I would – what? – tell you that Efnisien had crossed a line, gone too far? Do you remember what I did?’ ‘You smiled at me,’ Gwyn said, his voice rough and rusty.
Game Theory
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Game Theory: Introduced as the manipulative, evil, and cruel mother of the King, Crielle starts off with Cinderella stepmother vibes, until you realise that Gwyn's her only son and she can't stand him, favouring his cousin Efnisien instead. A torturer, abuser, schemer, and conniving Machiavellian figure, she ultimately has been puppeting the Seelie Court for thousands of years, and is the cause of Gwyn attaining, and then losing, his Kingship.
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It's safe to say that Crielle has never been the Most Valued Player of any story.
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The Court of Five Thrones: While Crielle only has a very brief appearance in this story, her presence is felt throughout. We find out more about her feelings towards Gwyn, through journals he discovers in her house after her murder at Augus' hands.
The Drawn Bead: In a story that explores Gwyn's first love, Crielle is there as a forbidding, tormenting figure, ruling Gwyn's life with an invisible, oppressive kind of terror.
The Curse: The only story which features Crielle's perspective, we see her as a child, a teenager, an adult, and learn about her dangerous proclivities, how her family did and didn't deal with them, and the depth of her love for a select few people, a love that she gave to Gwyn right up until the moment he was born.
Fae Tales – Alternative Perspectives: Crielle is only here briefly, but we see more of her dialogue with Gwyn, and more of Augus' perspective about her.
Underline the Black: Crielle here emerges as a cruel villain to Efnisien, in a flipped/reversed narrative where Gwyn is her beloved child, and Efnisien is nothing more than a neglected science experiment. Efnisien's life is at the mercy of Crielle's whims, and she puts him first in Hillview (an institution) to put him out of sight and out of mind, but as soon as he causes too much trouble for her, she won't hesitate to strike him down.
The Spoils of the Spoiled: In which Crielle even in the human world as a human herself proves that she can be just as evil as ever. Ruler of the household, torturer of Gwyn (and later, we learn, Efnisien), and clearly involved in corruption and organised crime, Crielle lives her best life in this story until Gwyn tries to legally emancipate himself from the family.
Falling Falling Stars: In the follow up to The Spoils of the Spoiled, Efnisien - previously thought of as the beloved and protected 'adopted' child of Crielle's - reveals over time the verbal, emotional, physical, and sexual abuse he suffered at her hands through therapy sessions with Dr Gary. Over time, we realise that no one is safe from her influence.
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Crielle is very 'classically' beautiful, with blonde hair that has a slight wave in it, that generally falls down to her shoulders. She has azure eyes, a shade of blue almost never found among humans (even when she's human). She wears only enough make-up to accentuate her eyes and perfect lips, and maintains a very 'natural' effect to her beauty. It looks effortless and perfect enough that many who are experienced with beauty routines know she puts a lot of time into her appearance.
Crielle is asexual, sex repulsed, and aromantic.
Crielle is common fae, and while she's affected by the curse that Olphix cast upon the family, I like to think she'd still be pretty awful.
Born into a family in which some members are predisposed to sociopathic behaviour, Crielle was one of the worst and was not encouraged by her parents to be the way she is. Many people assume that she was abused into her evilness, but she wasn't.
To me, the concept or alienness of someone who is as evil as Crielle simply because she was 'born that way' is very fascinating to me.
Incredibly intelligent and perceptive, her few weaknesses are around the (few) people she loves and the way she will indulge them, as well as anything that threatens her reputation.
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In Game Theory, when we finally realise that she is at the centre of Gwyn's devotion, standing there watching his humiliation, reacting in disgust to being called 'Mama' in a moment of vulnerability from her own son.
In Falling Falling Stars, Efnisien calls Crielle, and it becomes quickly clear that she holds no love in her heart for Efnisien when she calls him a 'ghost' and reminds him that ghosts are very easy to kill, making it clear she still wants him dead, and only inertia/disinterest is keeping her from following through because she'd already killed him once.
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Always really fucking evil and irredeemable.
Frankly dies a lot.
Always a bit of a mad chemist. In Fae Tales she is a literal chemist and inventor of many different poisons. This has carried over even in to her human incarnations where in the Spoils universe she uses her knowledge of science to cultivate, create, or acquire poisons and viruses and bacteria to insert into Gwyn's food. And carries even more strongly into the Underline universe, where she runs one of the most successful synthetic hormone companies in Australia.
Visibly stunning.
Cares a great deal about reputation.
Usually loves Efnisien. Underline is the first series that has flipped the narrative so that Gwyn is beloved and Efnisien is loathed.
Kind of disdains her husband, who has no power over her.
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Crielle is a real figure in Welsh mythology, though she was never meant to be an evil figure. Nor is she Gwyn's mother in the mythology. A sign of just how intensely I've bastardised everything for my own purposes.
She is good friends with the Ratcatcher of Hameln.
I wanted Crielle to be an example of how you can't expect that someone perfectly beautiful is a good person. I also really wanted to write a woman villain. I felt like a lot of woman villains at the time that I was seeing or reading were often written as petty or just in ways that made them somehow 'weak.' The appeal of Crielle is that she's an extremely effective villain and the only thing that stops her is her death (with the exception of Falling Falling Stars).
Despite how awful she is, I really love her! I'd write her more, but she's too strong and powerful lmao and she ruins my character's lives too much.
Crielle's colours for me have always been cream, yellow, white and blue. It's hard to imagine her wearing anything else.
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‘How perfectly disgusting,’ Crielle purred. ‘A little worm has learned how to use the phone. I thought I had a caterpillar once, that would turn into the most beautiful butterfly, but it turns out the only thing my sister’s loins are good for, are despicable little worms.’ ‘D-Do you hate me now?’ Efnisien whispered. Crielle laughed lightly. ‘Oh, oh, my darling, I don’t hate you.’ A moment of hope, strong and bright, a sudden dawn inside of him. ‘I feel nothing for you. As far as I recall, I killed my nephew, and you are nothing more than a ghost.’
Falling Falling Stars
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This came across my Facebook feed, felt I’d share it.
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xisadorapurlowx · 4 months
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thestuffedalligator · 11 months
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The goblin looked at the orc. The orc looked at the goblin. They both looked down at the crumpled shape of the Overlord, His Unholy Majesty, in his obsidian armor.
His final spasms had been mesmerizingly acrobatic. The fall down the steps leading up to his iron throne had pretzelled his body quite impressively, both arms folded behind his back and one leg bent at a jaunty angle.
The goblin looked at the orc. The orc looked at the goblin.
"Shit," said the goblin.
"Shit," said the orc.
"We're likely to get blamed for this," the goblin said. She walked over to the head of the glittering mangled heap and started pulling the helmet off.
"It's not our fault," the orc said. "It's hard to help someone choking when they wear two-hundred pounds of spiked armor at all times."
"Yeah, well," the goblin grunted. The helmet came free, and the bald head of the Overlord bounced on the stone with a hollow, coconut noise. "You know how it is in this bloody country - thieves get their heads cut off so they can't think about thieving, and all that." She fished in the Overlord's mouth with a finger and pulled out the obstructing olive on the end of her claw.
She popped it into her mouth and chewed. "What do you reckon they do for a regicide?" she said.
"We should run," the orc said. She had started bouncing her leg. "I hear that there's some places in the Alliance where they just kill you and let you stay dead. That's got to be nicer than what'll happen if we stay here."
The goblin started to nod - and then her gaze fell on the helmet.
It looked like a pineapple designed by a deranged blacksmith. It was all thorns and spikes and hard edges, as though the maker had been very determined to not let pigeons roost on it. The only bits that weren't solid iron were eyeholes. Nobody had ever seen the Overlord's face.
She held up the helmet and squinted from it to the orc. One of the thorns had been bent badly in the fall.
Nobody had ever seen the Overlord's face...
"Right," she muttered. "Right. Could work - or."
The orc had a sudden vision of the immediate future. "No," she said.
"I mean you're about his height-"
"No."
"It would just be for a-"
"Absolutely not."
"Just hear me out," the goblin said. "Outside of this room are two-thousand men and orcs and goblins who are absolutely gonzo about this man, and there's a whole country of them outside of the castle, and at any moment someone's going to walk in that door and see one dead tit in black armor and two unbelievably dead idiots next to him.
"Or." She tossed the helmet up like a basketball to the orc, who fumbled and tried to find somewhere to hold it that wasn't a knife's edge. "We chuck him out the window now, walk out the door in the armor, and ditch the armor as soon as nobody sees us."
The orc had started bouncing her leg again. "They'll know something's up the second I walk out of the room."
"No worries," said the goblin. "Leave that to me."
---
It had been a very strange year for the Empire.
Change had rolled across the land as slow and inevitable as a glacier. Roads and bridges carved the gray, blasted wildlands, and a number of social reforms had made the country a place where you could be miserable, yes, but miserable in comfort and safety, and that was an improvement.
Barely anyone got boiled alive in molten metal, and even if the disgusted sun never rose to light the Empire, at least you had a roof over your head to protect yourself from the acid rain.
"Your empire flourishes, Your Unholy Majesty," the magician said over her wine glass. She looked down from the tower's balcony over the gleaming stone battlements. Some work had been done to line the castle and surrounding city with sizzling, crackling alchemical lights at night. The whole thing glowed like something dangerously radioactive.
The suit of armor waved a languid, glittering gauntlet over to the goblin, who bowed.
"His Abominable Gloriousness Thanks You," the goblin recited. "The Prosperity Of His Empire Can Only Be Achieved Through The Prosperity Of His People."
"If I may be so bold, I am quite pleased that you had chosen to take my counsel under consideration," said the magician. "We have accomplished many things together."
Another wave. Another bow. "The Overlord, May His Presence Swallow The Sun And Stars, Thanks You As Well."
"It was quite gratifying to see you change your mind, after so many centuries of denial." The wine was swirled. "Tell me, what was it that finally gave you cause to listen to me?"
There was the slightest hesitation. The goblin's eyes flicked to the armor, then to the magician. She puffed out her chest. "Do you question the wisdom of His Austere Lugubriousness?" she asked.
The magician looked at the goblin. She looked at the armor. She tipped her head back and drank the wine too quickly.
She looked back at the armor. "I know you're the orc, you moron," she said.
The room went deathly still. An alchemical light fizzled.
The orc pulled off the helmet, sending long, untied hair down tangling, and said: "How could you possibly-"
"Because you're both idiots!" the magician said. The goblin jumped. The orc jumped with a noise like a dropped stove. "What kind of a plan was this?! If it wasn't for me, you would have been turned into fertilizer months ago."
She closed her eyes. She took a long, dramatic breath. She set the wine glass down on the balcony rail.
"How did the Overlord die?" she asked when she seemed like she had gotten a hold over herself.
"Choked on an olive," said the goblin.
"Threw his body out the window," said the orc.
"You don't have to mention the window," said the goblin.
"Right," said the orc. "Sorry."
The magician looked out over the city, hand curled thoughtfully under her nose. "Who knows about this?"
"Just us. And, uh. You. Apparently."
"And why did you accept my counsel?"
The orc blinked. "Sorry?"
"Why did you accept my counsel?" the magician repeated.
"Well," the orc said. "Well - you seemed like you had good ideas-"
"Great ideas!" the goblin said with an edge of desperation. "Don't know why the old bastard didn't listen to you!"
"Right - right," said the orc. "And when we figured we were stuck doing this - well, it just made sense, really."
The magician seemed to absorb this. She nodded. "All right," she said, striding between the two and grabbing the crystal decanter.
"Um," said the orc. "Sorry. What happens now?"
"What happens is that you two will continue to serve as Overlord," said the magician. "You will continue to take my counsel. We will continue to reform this bloody country, and gods willing, we will turn it into the crown jewel of the world by next Midwinter."
The orc looked at the goblin. The goblin looked at the orc.
"Really?" the goblin asked.
"Oh yes," said the magician. "I've worked hard to be counsel to the Overlord, and I have no reason to stop now. And besides-"
She looked the orc up and down with a deliberate slowness, poring over every microscopic detail, eyes tracing over every jagged line, and grinned like a panther.
"You look much better in the armor than he ever did," she said. Dark robes swirled like a becleavaged thundercloud, and she strode out through the high iron doors, decanter in hand.
The goblin looked at the orc. The orc looked at the goblin.
"Shit," said the goblin.
"Shit," said the orc.
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likecanyoujustnot · 1 month
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Leave me and my weird names in peace
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coffeebeanwriting · 1 year
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Some Quick Character Tips
Here are a handful of quick tips to help you write believable characters! 
1. A character’s arc doesn’t need to grow linearly. Your protagonist doesn’t have to go from being weak to strong, shy to confident, or novice to professional in one straight line. It’s more realistic if they mess up their progress on the way and even decline a bit before reaching their goal.
2. Their past affects their present. Make their backstory matter by having their past events shape them into who they are. Growing up with strict parents might lead to a sneaky character, and a bad car accident might leave them fearful of driving.
3. Give reoccurring side characters something that makes them easily recognizable. This could be a scar, a unique hairstyle, an accent, or a location they’re always found at, etc.
4. Make sure their dialogue matches their personality. To make your characters more believable in conversation, give them speech patterns. Does the shy character mumble too low for anyone to ever hear, does the nervous one pace around and make everyone else on edge? 
5. Make your characters unpredictable. Real people do unexpected things all the time, and this can make life more exciting. The strict, straight-A student who decides to drink at a party. The pristine princess who likes to visit the muddy farm animals. When character’s decide to do things spontaneously or in the heat of the moment, it can create amazing twists and turns.
6. Give even your minor character's a motive. This isn’t to say that all your characters need deep, intricate motives. However, every character should need or want something, and their actions should reflect that. What’s the motive behind a side character who follows your protagonist on their adventure? Perhaps they’ve always had dreams of leaving their small village or they want to protect your protagonist because of secret feelings.
Instagram: coffeebeanwriting  
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heavenlyraindrops · 1 month
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World Building Checklist
Have you ever started writing a story and realized your world has a bunch of unexplained shit and you have to fill in the gaps as you go? Me too, buddy. Me too. Here’s a checklist so that you can fully flesh out your world to the max. (I’m dying)
How does Time work? (Minutes, hours, days, the daylight cycle, years, ect.)
Species (if Fantasy. Will probably make another post on this.)
Countries, Nations, Tribes, ect. (nationalities/ races. Will probably make another post on this.)
The geography of the world (draw a map. Doesnt have to be good. Just for a general idea.)
Rivalries between races (includes prejudice, racism, ect.)
Religions
Technology
The Magic system. (Will probably make a whole other post on this.)
animals, plants, ect.
The sky: Sun, Moon(s), Stars, Constellation, Are there rings? (If the planet has rings)
Educations system
Government system
Politics
Methods of transport (Vehicles)
Medicine
Can’t really think of anything else. If you have more to add then reblog and add to the list! :) bye bee
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burntoutdaydreamer · 4 months
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Questions I Ask My Beta Readers
"Did you like it?" just doesn't cut it when you're trying to get useful feedback, so here's some questions that get your reader really thinking about your work:
What are your general impressions after reading? How did you feel when the book ended? 
(For fantasy/sci-fi) What did you find most confusing about the world? What did you find the most interesting? What do you want to know more about? 
Were there any scenes that broke your suspension of disbelief? Which ones? Why?
Which chapters were the hardest to get through? Did you find yourself skimming the text at any point in the story? 
Which character was your favorite? Which was your least favorite? Why? (Note that this question is best when asking multiple readers. If one person really dislikes a character, it could be personal preference. If multiple people can't stand a character for the same reason.... well, that's a problem you need to fix. Unless, of course, you want your readers to hate that character. Just make sure that their hatred enhances the reading experience instead of ruining it).
Did you get any characters confused or mixed up? If so, did this make the story hard to follow?
What was the most suspenseful moment in the book? What was your favorite moment of the story? What was your least favorite moment in the story? Why?
Which setting in the book was clearest to you as you were reading it? Which setting was the most difficult to envision?
Did you feel there was a lot of info dumping at any point? If so, where?
How do you feel about the plot? Were there any parts that confused you or seemed nonsensical/ illogical?
Did you feel any part of the story was predictable? Do you have any predictions for the next book(s)? If so, what are they? (Again, another question that's best when asking multiple readers. Be aware of your audience here. Some people, especially those who read a lot, are really good at predicting where stories are going to go. If those people are able to guess what happens next, that might actually be a good thing, because it could indicate that your story is progressing logically. Too much predictability is a problem, but a little isn't bad. This question is just to make sure the plot twists/progression aren't painfully obvious to most readers).
What plot holes did you find in the story so far? 
Were you invested in the story? If so, at what point did you become invested? Did you lose this interest at any point? (The second point here is really good for determining whether you have a slow beginning. Sometimes readers might really like your story overall, but would not have gotten past the first few chapters if they were reading it for fun instead of as a favor for you. This happened to me last time I asked someone to read my work, and it made it clear how much of the beginning I needed to rewrite entirely).
Any other questions or comments? 
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regal-bones · 5 months
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Lavish ulcer, straining tongue, Porcelain retch, I despise entirely
You can support me on Patreon for £1 and help me make art
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rjalker · 1 year
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Dear people who aren't physically disabled who plan to write fantasy settings:
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[ID: Several images taken from the Geordi La Forge yes and no meme format, with Geordi holding out a hand disapprovingly for the no section, then pointing in approval for the yes section.
The first image is the meme:
No: "Saying the existance of magic in your setting means there are no disabled people (this literally just means disabled people are killed. AKA eugenics)"
Yes: "Having disabled people who use magical mobility aids and other assistive devices. Realizing that someone is still disabled even if their prosthetic arm is made of magic instead of plastic."
This is followed by four more panels of yes section:
"Geordi la Forge is still literally disabled. His visor helping him does not erase his disability and make him magically abled."
"Toph from Avatar: The Last Airbender is still literally disabled even though her Earthbending helps her. It does not make her disability ~magically~ go away."
"Having your disability be accomodated does not mean the disability goes away. Having a prosthetic hand, even one that's made of magic, does not mean you're not disabled."
"Magical mobility aids do not mean disabled people don't exist. It just means they use magical mobility aids instead of plastic or metal ones. A limb made of magic is still a prosthetic even if it's made of the soul of the universe instead of plastic and metal."
Then another no panel: "'There's no disabled people beacuse magic'".
Then one last yes panel: "'Magic helps disabled people in a variety of ways'".
End ID.]
This also applies to science fiction; just because Luke Skywalker's prosthetic hand is super advanced doesn't mean it's no longer a prosthetic, or that he's not disabled. Same with Darth Vader - just because he has a suit that lets him breathe and walk around doesn't mean he's not disabled. (And Star Wars' propensity for making the villains visibly disabled while the heroes disabilities get covered up by super advanced prosthetics is a topic that deserves its own post, especially with how ableist some of the authors of the books are. Troy Denning is especially ableist)
Edit:
Because people keep being fucking obnoxious and ableist in the tags, yes,,, motherfuckers, if you refuse to have disabled people in your setting, that does make you fucking ableist. If you say that the magic is used to cure all disabled people and that's why they don't exist, that's fucking eugenics.
You cannot ""cure"", more like remove all disabilities without fucking eugenics. Magically automatically destroying disabled fetuses (a very fucking popular trope!) is eugenics.
The only way to fucking "cure" autism is to fucking kill all autistic people, also known as eugenics!
What about people with PTSD? Do you just fucking brainwash them so they aren't traumatized anymore?
Do you force all Deaf people to be able to hear? Do you force all blind people to be able to see? Do you force all anosmics to be able to smell?
Do you magically force everyone with a speech impediment to speak to your standards?
Do you force everyone born with bodily or facial differences to live up to your fucking standard of beauty?
You cannot fucking say "disablities don't exist in this universe because magic cures everything" without inherently saying that eugenics exists in your fucking universe.
Not all fucking disabilities need a cure. If you ""cured"" my autism I'd just be fucking dead. You'd literally just be changing me into what you think is fucking acceptable.
Stop fucking arguing in defence of ableists on my fucking post so you can pretend that eugenics has never been written about in magical settings when it is extremely fucking prevalent.
And while we're fucking at it, let your gods damned characters become disabled over the course of their story, and call them disabled within the fucking story. I don't care if they're a robot. I don't care if they have magic. Not all fucking damage can be fixed. Curses exist. Hardware can go out of fucking date and no longer be manufactured anywhere.
Let your characters become disabled and do not magically fucking cure them back to brand new every single time they get hurt. The only thing you accomplish by doing that is destroying any chance of ever having stakes.
No, "magical healing leaves scars on the mind from the memory of the injuries though!!!!" is not fucking good enough. Let your characters have scars. Let them become disabled. Stop being fucking ableist cowards.
Edit number fucking 2:
No, motherfuckers, you do not get to comment "if the disability was caused by magic it's not ableist to cure it with magic". You are the ableist this post is about. Shut the absolute fuck up, stop treating being disabled as the worst possible outcome, and just admit you're a fucking ableist. If you don't want your characters to become disabled, then don't fucking make them disabled.
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[ID: The Garfield "you are not immune to propaganda" meme, now edited to read:
"If your first thought upon reading this post is, 'Oh, but it's okay to magically cure disabilities caused by magic!' Congrats…you are the exact sort of ableist jackass this post is about."
End ID.]
Edit number fucking 3:
Autistic people exist! People who are born with disabilities exist! You cannot create a setting where disabled people do not exist because we're all "cured" or "fixed" and not inherently say that you are killing disabled people as soon as they're born, or fucking aborting us as soon as you figure out we'd be born disabled! That's fucking eugenics!
There is no way to "cure" autism without eugenics! There is no way to "cure" people with body differences without eugenics! There is no way to make disabled people nonexistant in your setting without eugenics! Thinking you can and should "cure" and "fix" all disabilities IS EUGENICS!
Also:
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[ID: A character shouting at the camera, now edited to read: "Shut up about Dungeons and Dragons! Shut up about Dungeons and Dragons! If the rules of Dungeons and Dragons are ableist, then fucking change them! It is your fucking personal responsability to be a better person than your bigoted society wants you to be!". End ID.]
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[ID: White text on a dark brown background with white and black borders around the edges, that reads:
"I don't fucking know or care about Dungeons and Dragons.
This post is not about Dungeons and Dragons.
Do not fucking throw the rulebook of Dungeons and Dragons at me like it's some sort of 'Gotcha!'.
You will literally just be blocked like the rest of the ableist assholes who've already tried it.
If you play dungeons and dragons, it's your responsability to make your games not be ableist, even if it means breaking the rules.".
End ID.]
I do not fucking care what the ableist rules are in Dungeons of Dragons. Do not fucking throw ableist rules for a game I have never and will never play at me on a post I made so that people could learn how to make their settings less ableist. If the rules in Dungeons and Dragons are ableist, then fucking change them. If you don't want to change them, then stop fucking playing an ableist game.
Disabled people deserve to see ourselves represented in fiction just like everyone else, without any fucking requirements that we be "cured" or "fixed" before the story ends.
How the fuck would you feel if a trans and gay character's whole story revolved around going on a quest to become straight and cis, did so, and only then was allowed to live happily ever after?
Why do you fucking think suggesting people write stories about disabled people going on a quest to be cured because it's the only way they'll ever be happy is any less fucking offensive?
Also:
This post is NOT a place for you to talk about how disabled people in fiction should have the option of curing their disabilities. It's just not. That's the fucking default for this society. That is not a revolutionary concept. It's not novel. We fucking know this society wants us gone. A post about how disabled people deserve representation is not the place to talk about how "Well, actually, in fiction disabled people should be cured!" Like that's not the fucking universal default???????????
Edit #4:
Everyone needs to stop tagging this singing praise for Fullmetal Alchemist. A story that uses disability as a punishment and the characters are on a quest to cure their disabilities is not the amazing representation you're all claiming it is just because the character who is only disabled because of DIVINE PUNISHMENT uses prosthetics.
Read this post, and this one. Fullmetal Alchemist is a hell of a lot more ableist than you people are letting on.
guess what you can now find a PDF version of this post on the web archive.
Edit #5! August 23rd, 2023!
A) Everyone. Disabilities that can only exist in the magical setting are still disabilities.
Trying to cure the younger brother's magical disability of being a soul floating around in a magical suit of armour is, in fact, going on a quest to heal a disability!
It doesn't matter if the older brother doesn't want to get his limbs back when they're going on a quest to heal the younger brother's disability! Especially when they BOTH get magically healed at the end!
Magical disabilities that can only exist in that setting, but not real life, are still disabilities, and it's not okay to magically heal them either! What part of the Garfield meme on this post did you all choose to ignore?!
B) When you leave tags on a post you are reblogging, the original poster can see them! When you leave tags on this post, I can see them!
If you think this post is ""too aggressive"" then simply do not reblog it! Don't fucking tone police me on a post I've had to edit five times now due to the constant ableism people have been commenting since I made it!
I have been called the R slur by multiple people in response to this post! People have literally reblogged this post to defend eugenics abortions! You can't see these comments or replies anymore because I blocked the poster!
If you think minorities are being too aggressive by responding appropriately to bigotry, you're a bigot! And you should either not reblog the post at all, or at the very least, shut the fuck up and not tone police us!
Do not fucking put tags on this post complaining I'm being too aggressive! That's called tone policing and you're a bigot if you do it! Don't fucking do it on anyone else's posts either! They can see your tags too!
C) When I fucking say Harry Potter fans are banned from this post, yes, this means YOU!
Either stop supporting a billionaire who's literally using the profits from her bigoted shittily written books to fund REAL FUCKING GENOCIDE, or fuck off!
By continuing to support the Harry Potter series, you are literally giving JK Rowling free fucking advertising! You are encouraging more people to read the series and watch the movies, spending more money and giving her more fucking money with which to LITERALLY SHAPE A COUNTRY'S LAWS TO COMMIT GENOCIDE. She is literally fucking fighting to make being trans illegal! She is literally fucking fighting to have even more of autistic people's rights taken away!
You cannot fucking be a fan of the Harry Potter series in 2023 and call yourself an ally to all the minorities harmed by JK Rowling and the bigotry baked into her shitty series!
Read another book! The Web Archive has tons you can read for free! Literally every single book on gutenberg.org/ is free! Including audiobooks for some of them!
If you write Harry Potter fanfiction, simply fucking get rid of the names and identifiable features and start writing original fiction instead! It's literally free!
Not supporting a literal fucking genocidal billionaire costs LITERALLY NOTHING! And if you refuse to fucking stop supporting JK Rowling, which is what you are doing when you support the Harry Potter series and squeal over her OCs, you are not an ally to any fucking minority! No! Not even if you're trans yourself!
= = =
Edit again Nobember 28th 2023 because this comment is just. such a perfect example for all of you that think this doesn't happen.
butter-whore2 said, two hours before this edit:
kind of a fan of tumblr's slightly more algorithmically elements for reminding me of the hell's other people construct for themselves but this one hits like five of the boxes. How do people do this to themselves? it's such a bizarre way to act over media I genuinely do not believe is capable of stirring an emotional response the metaphysics of disability here are unintentionally really funny but disability is not a coherent ontological framework, it's a vague descriptor for literally thousands of different things none of which lend themselves to categorizing Moralizing over fiction is incredibly lame.
Liking harry potter is also incredibly lame, it's not morally wrong nor transphobic and you do not get to decide that lol. people literally do get "cured" of their disabilities all the time, many of them have a positive experience in doing so. this is not what eugenics is.
the anti abortion stuff lol
Literally how do you live like this? you guys don't even read real books I don't get it.
Archived version of the comment for posterity.
So yeah, lofl, block this fucker.
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Reminder that fantasy is (most often) set in an alternate world inspired loosely by our own medieval history. Fantasy is, however, not historical fiction. Fantasy is not set on our Earth or bound by Earth’s rules and history. You can remove the racism, sexism, ableism, and homophobia if you want. It’s not a requirement. 🫠 (x)
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lyralit · 2 years
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ingrid sundberg's colour dictionary - writing help
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ameliathornromance · 3 months
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A Whole New World - Short Orc Romance
- When your Orc found you, you were in your Church with your other sisters of the cloth.
- They all prayed to the Gods.
- Gods that they wished would come, strike down these beasts who threatened your lives.
- The Church doors were difficult to get open, but your Orc did it. The doors burst off the hinges, crashed into the pews.
-Your sisters all took off running, leaving you behind.
- You tried to follow, but ended up tripping over your robes, falling on your front.
- Your Orc stormed towards you.
- You try to scramble away, desperate to escape your oncoming death, but it was no use.
- He was too big, too quick.
- You close your eyes, expecting a bludgeoning with that horrifying club he had clutched in his hand. You raise your hands above your head and cower for your life.
- Any moment now, any second now, he is going to bring that club down on your head.
- But nothing came.
“They left you.”
You squint open your eyes. Between your arms, you stare at him. His expression pained, his endless black eyes staring at you with… sympathy? You couldn’t understand what you were seeing; An orc, sympathetic?
The club slips from his hand, landing on the floor with a loud thud. Stooping to one knee, he bends down to your height. “Those who you called sisters have abandoned you.”
You dare to look around. Hoping to see a sister who was hiding behind the altar, a pillar, or anywhere. With some kind of weapon in hand, anything to help you get out of this situation alive. But it was barren. Empty of any kind of life whom had been begging for salvation.
He was right. They had. “To escape you, you who would kill me for praying for your death.” You hiss back at him. You didn’t dare believe him, wanted to retreat back into the collective opinion about Orcs. But it was too obvious to ignore his logic.
The words were harsh and sharp, the Orc did not flinch. “And who is here for you, now that I have come to take the lives of your people? Your Gods? Who you pray to, but have done nothing to protect you or your people from the raid of my brethren? Did not even force a fellow sister to stay and share in your fate, so that you would not have to go into the night alone?”
The words rang through you like the Church bell at the top of the steeple. Rooted you to the ground, the world you had built to protect yourself from the truth, crashed and burned. You couldn’t deny that he was wrong. Your so-called ‘sisters’ had abandoned you. Left you here at the mercy of this monster, not one of them had turned to try and help you back up.
A sigh escapes the Orc. “In our ranks,” he says, “we do not abandon our own.” The hand that held the club outstretches toward you. “Come. No one deserves to left alone.”
Anger had risen, spiteful and raging within your very soul. At that moment, as much as you didn’t want to admit it, the Orc was right. Your mind drifts back to what the Church had taught you about them, the Orcs. That they were monsters, born from the core of the Earth. Where Magma bubbled and boiled, where nothing should be able to survive. How your Church commanded that your sisters swear loyalty to one another. To protect each other and Holy Ground from defamation of the filth that rose from the Earth. To do it together. To die together, if it came to it.
The Gods had abandoned you and your sisters had left you. You gave your life for Gods who did not care.
This Orc, monster of the deep Earth, had shown you more decency in that moment. Than Gods or humans had done in the time you had been at the Church. Spite riddles through you. You take his calloused, rough hand.
- Travelling in an Orc caravan was not easy. They were loud, smelly and stupid. All except the Orc who had come for you.
- He was quiet, preferred to watch his others fight, drink and be rowdy with one another.
- At first, the rest of the group had ostracised you. “Humans are no good.” They would snarl. “Weak and useless.” But, after repairing a few of their clothes and cooking meals, they warmed up to you.
- They were kind to you... In their own way. Like the time when they left a whole dead sheeps’ carcass in your tent. The note left with it read: “For dinner this eve. Make or else.” Panicked, you went to find your Orc friend, who explained that this wasn't a threat. Far from it, as a matter of fact.
- They spoke to you that way because they spoke to their own like that.
- "My bretheren see you as one of us now." Rovi - the name of your Orc friend - explained.
“They’re quite the group.” You observe. You had thrown out your robes as soon as you could and replaced them with something that was far from Holy. Trousers and tunic that you had sewed together yourself and hair let down to your waist.
“Indeed.” Rovi agrees. He slurps the rest of the soup from his bowl. Fire crackles in the fire pit, the nights sky blankets the whole group of Orcs who proceed to play fight and snarl. This was apparently, a common pass time for Orcs, who beat the living snot out of each other as a show of comradery. “They will never hurt each other though.” Rovi assures you, putting the bowl beside himself. “We do not do that, unlike humans who abandon their own, kill their friends and steal for survival.”
You did not judge his impression of humans. Surely, you’d feel the same way too if a bunch of humans started chasing after you, desperate for your head. One thing, you could not understand for the life of you, was why Rovi had taken you in. Despite his obvious dislike for humans, he still offered you a place in his camp. Maybe It was as simple as he said: “No one deserves to left alone.”
Biting your lip, you tell him, “thank you for inviting me into your camp.” You meant it. If it weren’t for him, you would still be slaving away for Gods who had no interest in you.
Your Orc huffs, “better than being with humans who abandon their own.” He looks away from you. Back to the jeering crowd of his fellows, watching them clasp each others hands and pat each other on the back. A show of congratulations on a good fight.
- Your romance with him started when there was when you returned to your own tent.
- On your bed, was a small pouch of gold.
- Being in an Orc camp, you observed their customs and cultures. Often, when courting others, they would leave a small bag of gold in their crushes living quarters. A sweet, but simple gesture. Orcs loved their gold, even if they did not flaunt it. To do so was, frowned upon and compared to the Lords who wore those stupid puffy trousers and powdered tall wigs.
- You did not know who the pouch had come from, but you immediately thought that your Orc friend had been the one to do it. But you had to double check. And so you would gauge his reaction to it.
“Look!” You rushed over to him. Waving the bag of gold up to him, you beamed, “someone likes me! I found it on my bed when I got back from washing in the river!”
Rovi, returning from a hunt and carrying a, poor dead stag on his back, looked at you, then the open bag, gold glittering in the sunlight. “Was there a note?” He asked you, dropping it to the ground.
The rest of the hunting party grumbled annoyances at him, dragging the meat away. Rovi ignored them.
“No, there was just this bag. I wonder who it could be!” Your eyes dart across the camp, looking to the cooks, who were now busy skinning the stag, to other Orcs who were busy tending to a fire and talking in their mother tongue and to those who were busy trying to read from tiny human books they stole from villages.
“Best not to think about it,” Your Orc mutters. “Small pouch of gold like that? They can’t be that interested in you.” And with that, he lumbers off.
You frown. You thought for sure it would be him. His reaction made your heart sink in your chest. Sighing, you walk back to your tent, tossing the small bag onto your desk and clambering onto your bed. You sigh. If it was not him, then who could it be?
Unfortunately, you had noted that there was a fair amount of guess work that had to happen when it came to this as well. Usually, it went over well – the admired knew who their admirer was, and they got together. But, in rare instances, where the admired got their guess wrong: The admirer would challenge the guessed person to combat and they would fight. Not a play fight. An actual battle.
It was rare, but not rare enough to avoid being discussed by the rest of the camp. You had never seen one yourself, and if you could, you’d like to avoid it at all costs. You like everyone in the camp, care about them all , you didn’t want anyone to get hurt. One had to assume, that if two Orcs vied for the same person... You didn't want to think about that.
- You had thought long and hard about who it could be. You had become close with everyone in the camp, it wasn’t like there was anyone who stuck out to you.
- Truth be told, disappointment stirred in your gut.
- You had hoped that it would Rovi who had been the one to give you that pouch. He was kind and caring, even if he was a bit rough around the edges. He gave you a whole new life, it seemed almost right that you would fall for him. After he was able to show you the rest of the world, when you may have stayed with the Church for the rest of your days.
- The next day, you went to go and do what you had to do by the river, coming back to your tent and your jaw dropping.
A pouch – you couldn’t even call it that – a sack full of gold had spilled out onto the floor in your tent. You wondered if you’d gone mad. Startling you, a cheer erupted from outside your tent. What the Hell is going on?!
You ran out and into the main area, where a ring of tall, hulking Orcs had formed. You stood on tip-toes, jumped to try and get a look at the brawl that had just started, but had to resolve to pushing your way through the rambunctious crowd. Once the other Orcs realize who it was trying to get through, they bark at their others: “Get out of the way! Let (Y/N) through! It about her after all!”
About you? More desperate now, you finally found your way to the edge of the ring just in time to see Rovi swing a right hook, directly into the jaw of his other. The other Orc goes flying, his landing in front of you sent shudders through the floor. You recognise him immediately as Barrow, a chef who you often spent time with in the kitchens. He was an Orc of very little brains, but he made a mean rabbit stew. He made some inappropriate jokes to you occasionally, but apart from that, he kept mostly to himself.
“That’s all you offer?!” Rovi roars, “pathetic!”
Barrow was out cold, your Orc friend’s chest heaving up and down. “What’s going on?!” You shout over the jeering Orc crowd.
Rovi’s face, goes from a furious, angry scowl, to soft at the sight of you. Rather harshly, he kicks Barrow out of the way and kneels down to your height. “I’m afraid I haven’t been up front with you,” he begins.
The rest of the Orcs are still watching, but now quiet. Your ears rang with the silence, so used to their loud and obnoxious shouting that it was unsettling to hear silence.
“I know that humans are more upfront with their courting practices so allow me to conform to your culture… And I couldn’t allow Barrow to offer you something so insignificant and small as one pouch of gold… So... Would you be mine, (Y/N)?”
Stunned into silence, you bit your lip. Smiling, you ask, “so the extra large sack of gold was you?”
Rovi grumbles and looks away from, a small dusting tinge dusting his orc green cheeks. “Well, I had to do something…” He mumbles. “I had to do something to show you I am superior… if this one hadn’t beaten me to it.” He shoots another dirty look at Barrow, who seems to have awoken in a daze. “The combat was necessary to tell him to back off.”
“I think the gold was more than enough.” You wrap your arms around his muscular shoulders and pull him close. “Thank you for everything, Rovi.”
He freezes for a moment and then returns your gesture, holding you tenderly in that moment. The both of you don’t even hear the crowd of Orcs erupting with cheers and shouts of happiness.
It’s just the two of you. And that’s all that matters in that moment.
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xisadorapurlowx · 4 months
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“I thought this city didn’t have any gods.”
The pigeon grinned a beak full of dog’s teeth. “Ha. They say there aren’t. They even kept most of them out for a while.”
“How did you make it?”
“By being smart. By hiding.”
She gave the one-legged, feral feathered thing a sideways look. “As a pigeon?”
“Sometimes,” said the pigeon. “Sometimes I’m graffiti on a wall. Sometimes I’m a coin dropped in a beggar’s hand. I am neon at night, the rain in the light. I am the song the busker sings. I listen to the prayers of those who come to the city with big dreams.”
“And in return?”
It grinned again. Steam rolled off its feathers, smelling of cigarettes. “I eat their despair.”
“That’s cruel.”
It moved its wings in something like a shrug. “That’s the big city for you.”
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