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sparkarrestor · 20 days

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Bulleid's Proposed Locomotives

So it turns out Bulleid had so many of his designs dropped for one reason or another, and since I can't stick with a single project for more than a few seconds, I wrote up histories for all of them!

Enjoy the ramblings of a madman who spent a good long while finding free number slots for them.

Southern Railway Warship Class

The Southern Railway was the most financially successful of the "Big Four", but this was largely based on investment in suburban and main line electrification. After the successful introduction of the SR Schools class in 1930, the railway had lagged behind the others in terms of modernizing its aging fleet of steam locomotives, as they were more focused on Electrification. Following the retirement of the general manager of the Southern Railway Sir Herbert Walker and Richard Maunsell the Chief Mechanical Engineer (CME) in 1937, their successors considered that the time had come to change this situation. In March 1938 the new general manager Gilbert Szlumper authorized Oliver Bulleid, Maunsell's replacement, to prepare designs for twenty express passenger locomotives. The deteriorating international situation prior to the Second World War was an additional factor in this decision.

Originally, Bulleid had wanted a 4-8-2 Mountain Type, but the Civil Engineering department had resisted this based on size and weight, so a 2-8-2 was chosen instead. Bulleid had worked with Gresley on his P2 2-8-2 express engines, so he already had some background knowledge, especially with the P2’s problems and ideas on how to solve them. Of course, due to the war, they were classified as heavy mixed-traffic engines to get around wartime regulations.

They were built with high-pressure 280 PSI boilers and three 18inx26in cylinders, as well as being the first engines to use Bulleid’s chain-driven valve gear, though the middle cylinder had to be inclined steeply to clear the first driven axle. The boiler was partly welded to save on cost, and the inner firebox was made of steel. The Southern had no facilities to build these boilers, so it was subcontracted to the North British Locomotive Co., as well as Beyer Peacock. They were also fitted with Bulleid’s Air-Smooth Casing. Unlike later designs that utilized this, the casing on the Warships both served their function purpose as labor saving as well as being able to be passed off as some sort of streamlining. How Bulleid got that one through during the war is a mystery! The Warship’s were also the first to use Bulleid’s Firth-Brown Wheels.

10 of these engines were constructed in 1940. More were set to be produced, but once again, the Civil Engineering Department expressed their discomfort at such a large engine running at high speeds with only a single pony-truck in front, despite other engines of a similar design getting on fine elsewhere. This would lead Bulleid to designing and building 30 of his well-known Merchant Navy Class 4-6-2s.

They were named after Warships as a way to increase morale, with 11D1 being officially named “Dreadnought” in April 1940. They performed well in service, hauling heavy passenger and express goods, though the Chain-Driven valve gear was sensitive and required high maintenance, as well as the oil-bath having leaking problems, contributing to wheel-slips(Though the extra wheel helped negate this as well). The casing, while it did save on labor during cleaning, and the more streamlined appearance helped with publicity, it made maintenance hard to carry out. Surprisingly, thanks to their different front ends, they never really experienced drifting smoke like Bulleid’s Pacifics.

All 10 of the engines would be passed into British Railways, numbered 37001-37010, where their duties mostly stayed the same. 11D8 “Black Charles'' took part in the 1948 locomotive exchange trials, where it was compared to LMS Duchess pacifics and LNER A4’s and A2/2s, where it performed favorably, though the chain driven valve gear and its oil bath still caused headaches. After the Crewkerne incident, BR chose a rebuilding program of any engines that still used Bulleid’s Chain Driven motion, however, as the Warships had required far less modifications that the Pacifics, they were on the bottom of the list in the rebuilding program. In the end, only 37003 “Triumph”, 37009 “Warspite”, and 37010 “Exeter” were rebuilt in 1956, 1957, and 1959.

Despite their status as a class with very few engines, all ten would survive until the end of southern steam, going between 1965-1966.

Two are preserved, both being rescued from Barry Scrapyard in Wales. These examples are Class Pioneer 11D1 “Dreadnought”, as well as 11D3 “Triumph”.

Stats

Power Classification - 8MT

Built - 1940 to 1941

Boiler Pressure - 280 PSI

Cylinders (3) - 18in x 26in

Wheels (Driven) - 6ft 2in

Wheels (Leading) - 3ft 1in

Wheels (Trailing) - 3ft 7in

Wheels (Tender) 3ft 7in

Tractive Effort - 40,640 lbf

Total Length - 74ft 8in

Fleet

11D1 (37001) - Dreadnought

11D2 (37002) - Anson

11D3 (37003) - Triumph

11D4 (37004) - Vanguard

11D5 (37005) - Ark Royal

11D6 (37006) - Audacity

11D7 (37007) - Valiant

11D8 (37008) - Black Charles

11D9 (37009) - Warspite

11D10 (37010) - Exeter

Southern Railway Prototype Light Pacific

(Pic by Sttophat on twitter)

In 1941, Bulleid had introduced his Warship Mikado's and Merchant Navy Pacific's to become the main motive power for the Southern Railway’s Express passenger trains, though while they performed well, they were restricted by their weight, especially since the condition of the rails were hampered by the Second World War. Initially, trains on the lighter sections were handled by the Q1 0-6-0 freight engines and other, older engines, but they couldn’t handle the faster trains that were anticipated after the war. There was also the planned electrification of certain areas after the war, so the new design also needed to handle freight traffic as well, fast enough to not impede electric services.

What was decided on in the end was a downsized version of the Merchant Navy’s, fitted with the same design theory of the Q1’s to create a “Light Pacific”. The Locomotive was completed in 1942 alongside the Q1’s, and was trialed for a short time before entering service. It was deemed a success, and numbered 21C201. It was powerful enough to handle fast, heavy trains, as well as having an extremely light axle loading for a pacific at 16.5 Tons, enabling it to be used on almost every part of the UK Network as a whole. However, Bulleid decided to go with a different approach, creating simply a downsized Merchant Navy with no Q1 elements. This would increase the axle load, though this wasn’t much of an issue, as the Battle of Britain and West Country Class Light Pacifics still had a high enough route availability for the work they were assigned. Thus, the “Q1 Light Pacific'' would remain a one-off.

During the war, No.21C201 would actually travel a fair amount, and would regularly venture out of Southern territory, its light axle-load coming in handy. After the war however, it would mostly stay in the South. Performance-wise, it seemed to inherit all of the good qualities from the Q1’s and the pacific’s. The light-weight was already a plus, coupled with a great, free-steaming boiler and additions that made the driver and fireman’s life easier. However, it also inherited the bad aspects as well. The chain-driven valve gear was a well-known headache on bulleid locomotives, but there was also the issue that its light-weight caused. The regular Light Pacifics had trouble starting heavy trains thanks to their weight, but No.21C201 had it worse, especially with the well-known issues with the oil bath the valve gear was situated in. The light weight would also affect braking power as well, making unfitted trains harder to stop, a trait inherited from the Q1’s.

No.21C201 (Now Renumbered 34000) was not considered for rebuilding like the other Bulleid Pacifics due to its one-off status. It would be given a general repair in 1960 before spending the rest of its life at Nine-Elms, mainly working express and semi-fast goods trains and the occasional passenger turn during peak period and summer excursions. It was withdrawn from service in 1966 and broken up at Eastleigh.

Stats

Power Classification - 6MT

Built - 1942

Wheels (Driven) - 6ft 2in

Wheels (Leading) 3ft 1in

Wheels (Trailing) - 3ft 7in

Wheels (Tender) - 3ft 7in

Boiler Pressure - 250 psi

Cylinders (3) - 16.5in x 24in

Tractive Effort - 28,145lbf

Total Built - 1

Southern Railway L1 Class

Bulleid designed these locomotives during the Second World War, but construction didn’t begin until 1946. They shared many components with Bulleid’s Q1 0-6-0 goods engines, and were essentially the Q1’s with an Air-Smoothed Casing and a bigger boiler (though the firebox was identical with that of a Q1’s).

Twelve of these engines would be constructed between 1946 and 1948, with the final 3 being built by British Railways. They were originally numbered 22C1 to 22C12, though they were renumbered in 1949 to 36101 to 36112. They were originally meant for short distance goods and passenger services, though they never really found their footing in this role. The passenger trains that usually necessitated big tank engines were already being handled by electric engines, and everything else usually required smaller and lighter engines, which meant that, despite inheriting the power and efficiency of the Q1, the added weight and size meant that they were barred from where they could be most effective. The goods work they were meant for were also in the care of both Q1’s and Maunsell’s Q Class, as well as the many N class moguls already in service. In the end they spent their time hopping from shed-to-shed before settling on ex-LSWR territory, and even venturing into Western Region territory.

They were withdrawn between 1962-1964. Only one survives, 22C9 (36109) on the Bluebell Railway.

Stats

Power Classification - 5F 4P

Built - 1946 to 1948

Boiler Pressure - 230 PSI

Cylinders (2) - 19in x 26in

Wheels (Driven) - 5ft 1in

Wheels (Bogies) - 3ft 1in

Tractive Effort - 30,080 lbf

Southern Railway Dock Class

After the Second World War, many of the Southern Railway’s shunters (mainly those at Southampton) inherited from pre-grouping companies were worn out and needed overhauling. As such, Bulleid opted to replace them outright with his own design of 0-6-0T, with a short wheelbase of 10 feet to enable it to negotiate the tight curves. Like many of Bulleid’s designs, he equipped it with a relatively high boiler pressure.

Six would enter service in 1946, and while a total of 18 were planned, this would never come to be, as Eastleigh works was not in a position to build new locomotives with the backlog from the war. In the end, the southern found it cheaper to purchase ex-USATC S100 dock shunters, as they fulfilled most of the requirements needed.

They were numbered C201 to C206, and were renumbered to 30071 to 30076 in British Railways days. The first, 30071, was built with the Idaglass boiler lagging and casing as used in the Q1 class, while the other 5 were built with conventional boiler lagging and tanks. 30071 would be rebuilt like the others in 1953.

The class would lead uninteresting lives as dock shunters in Southampton and Dover until their withdrawal between 1961-1962. One was initially purchased for preservation but the deal fell through. None are preserved.

Stats

Power Classification - 3F

Built - 1946

Boiler Pressure - 220 PSI

Cylinders (2) - 16in x 24in

Wheels (Driven) - 4ft 6in

Tractive Effort - 21,276 lbf

#oliver bulleid #what-if engines #train #I have way more of these if you guys want to see them #or maybe I'll just do it anyways lol

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thunck · 1 year

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I have played five hours of Dwarf Fortress every day for the last four days. It’s probably the greatest video game ever made.

My first two forts, Minefountains and Metalpulleys, were both on adjacent map tiles and both destroyed after slightly over a year by hordes of undead. This probably had something to do with the fact that I started a shitty militia of five dwarves approximately a year in, without constructing any defensive architecture or traps, both times.

Anyway, my third fort Bowloar (that’s “Bowl Oar”, which I guess could refer to like a giant ladle) is on year five and going strong, with no undead in sight. It is located on a tile adjacent to Metalpulleys.

To what do I attribute this success? Is it a total lack of militia, which the local necromancer could see as non-threatening? Is it the steady stream of visitors to our two bustling taverns, both filled with burly mercenaries, monster slayers and (primarily) naked foreign dance troupes? What about the airtight system of drawbridges over three-story pits ringed with weapon traps okay probably it’s that.

I mean, I don’t know that that’s a deterrent. I understand fortress wealth and notoriety is a factor in being besieged, but I don’t think it checks if there’s a single easily-pathable, easily-destroyed doorway protecting every suckling dwarven babe. Although knowing this game, maybe it does. It seems more likely that I’m 10 meters further away from the tower, and therefore outside of its Zone of Terror (tm).

Although Bowloar hasn’t been grabbed by ghouls, its defenses have been tested by the appearance of a giant.

This asshole is named Nikot. He has lived for 370 years (since before the dawn of civilization) doing nothing but fuck shit up. Today, he decides, is an excellent day to come fuck up some shit in the dwarven fortress of Bowloar.

I might be giving myself too much credit, actually. Probably this prehistoric ABDL enthusiast has literally just been wandering aimlessly since the dawn of time, and my shit is just in the path of today’s fuck-upping. Anyway.

The alert sounds that a Big Fucking Guy is here, and I immediately activate the emergency burrow and order all the drawbridge levers pulled. I take special care not to fling anybody haplessly walking over the bridge to their untimely demise or maiming, as has happened two (2) times upon activating the main drawbridges in the past. This is my third time activating the main drawbridges.

Nikot proceeds to kill a bunch of stuff in my walled-off outdoor pen (they used to be in an enclosed pen, but they ate all the grass and started fighting each other). The two adult yaks in there manage to wound him, and he wears himself out wrestling all these animals, but the fucker has a bottomless well of stamina and durability. He just takes a nap and keeps trucking.

While he’s napping in the pen I consider flooding it with water to try and drown him. I had just learned to route water underground to an indoor cistern just as he attacked. But that kind of engineering project is something you have to plan for, apparently. He hops over the wall and goes to meet one of my many visitors.

He wrestles a lady to the ground, gets her shield and greataxe off her, but succumbs to exhaustion before he can finish her off. She’s lying there bleeding out, and uses the last ounce of her strength to bite the shit out of his head over pages and pages of the combat report. Just a drop in the bucket for this fucking guy.

Nikot gets back up and spends all of autumn killing every visitor to the fort, including this year’s dwarven trade caravan. Just days of killing guys with his bare hands until he passes out from exhaustion and pain, they whale on him until they pass out as well, then he wakes up and slaughters them. The alerts above are from the second wave; all told he kills like 10 people, including exactly one unlucky fort resident. Everybody else is locked up inside, spending most of their time partying and hanging out like usual.

At this point Nikot has breezily wheeled around the fortress twice, killing scores of dudes and being uninterested in breaching my defenses. Finally he goes to cross the outer drawbridge after being baited by a cat, he dodges a weapon trap, Kirk-rolls into the pit and a rock falls on his head and he dies.

This is probably the kind of thing that just kills you no matter how big you are, but I feel like it helped that he got worn down by a solid three months of constant wrestling.

Somehow a baby yak and two geese evaded his initial onslaught on the pen. The geese maybe hid in the water, or else they didn’t piss him off for some reason. The baby was probably able to hide while he was passed out. He “didn’t feel anything while in conflict”, but is “indignant after being forced to endure the decay of a mother”. Which is fair enough, sorry about that little dude. He literally just got born, and then his mom explodes into a pile of viscera and hooves and he has to sit by the corpse while it rots.

It’s clear from this experience that combat can be a bit of a crapshoot, especially against a guy from the dawn of time (and this is probably one of the weaker, less crazy ones!). It’d still be nice to get a militia going soon, though, if only so I don’t feel so helpless.

Aaaand there’s another one. Good thing I rearmed those bridge traps!

#dwarf fortress #dwarves #dorf #giant #dwarf fortress stories #bowloar #this isnt even mentioning the werelizard child(!) that attacked right when Nikot showed up #she just killed two dudes turned back and left #I was really hoping for a Godzilla vs Kong situation but oh well

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accio-victuuri · 8 months

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LOL what the hell is this hot search, and it’s #1 on both main and entertainment. Uhm. Wang Yibo is apparently the Lord and Savior of Chinese Domestic Box Office. If he can’t save “sports” themed movies then no one can. Thank you for your optimistic view of Yibo and his projects. All his starring movies are well made and he will do more that increases the quality of Chinese made films.

THE ARTICLE ITSELF, which prompted the HS is from China News Weekly. To be fair, it’s not blaming Yibo or anything. It actually presented other factors that affects the box office especially with this theme but of course they would use that title to lure people. I’ll quote one part of it that said:

The whole article is below if you wanna read it. It’s a long article but has a good perspective ⬇️

Among all the summer movies, "One and Only" starring Wang Yibo and Huang Bo was generally favored by the industry before its release. Judging from the market feedback after the screening, director Dapeng has made significant progress visible to the naked eye, and the film has won a good reputation, but under the combined effect of internal and external factors, this sports-themed movie failed to get too much cake from the "big market" in the market. The box office was far from expectations, and it still did not escape the "curse" of sports-themed movies. Can't the popular star Wang Yibo save Chinese sports movies?

A group of comedians acted in an inspirational film? "One and Only" is directed by Dapeng, written by Su Biao, produced by Chen Zhixi, starring Wang Yibo and Huang Bo. Although the tone of the announcement is a comedy, it actually tells an "inspirational story" about hip-hop in sports. Director Dapeng believes that street dance is both competitive and entertaining, and it is a novel carrier that can directly participate in narrative and emotional construction. In this film, Chen Shuo (played by Wang Yibo), whose family has suffered a change, still insists on his street dance dream under the heavy pressure of life, and meets Ding Lei (played by Huang Bo), a hip-hop coach and a bole of life. Under multiple obstacles such as withdrawal of capital by the funder and suppression by opponents, the "two male protagonists" work together to lead the team to "pass through the trials and tribulations", achieve mutual success, and finally reach the other side of victory together. Attentive audiences found that "One and Only" is still Dapeng's way of telling stories, portraying characters, and presenting its value to society in the way he is good at. In Dapeng's past works, you can almost find "shadows" similar to the "two male protagonists" in this film: the little people from the bottom of society are all working tirelessly for their favorite careers and ideals, and they always have the belief that "hard work pays off" (The slogan of the film's street dance team "exclamation point")... Film critic Mu Yi commented on the acting skills of the actors: "Specifically speaking, Ding Lei starring Huang Bo is very contagious, and the sadness and helplessness of the little people are moving. Wang Yibo's breakthrough performance is also great, the several scenes between him and Huang Bo are delicate and vivid, especially the scene where he hides behind a pillar and watches his mother sing and weep quietly, which can easily touch the heartstrings of the audience."

With the presentation of the hip-hop competition, Dapeng filled the "flavor of gunpowder" again and was praised by the industry. It is understood that this film brings together many top hip-hop practitioners across the country. During the performance, they "fought and danced" with each other's arrogant expressions, dedicated to the difficult movements of "exploding", coupled with the light and shadow creation of the big stage and the hard-working shouts of the audience, the whole process was full of "exciting" and "cool". . Mu Yi believes that Dapeng's shooting of the hip-hop competition is so "bright and colorful", which is a reflection of his significant improvement in camera language expression and large-scale scene scheduling capabilities. The inspirational story is well told, and the presentation of the big scenes is impressive, but after watching the whole film, the audience's perception of "Enthusiasm" does not seem to be very funny.

Huang Bo, Xiaoshenyang, Yue Yunpeng and other comedians didn't seem to be too "burdened" throughout the whole process, and they didn't contribute many impressive golden sentences. In this regard, Dapeng made an interpretation in the road show. "We have invited a lot of very talented actors for comedy. They all have their own comedy ideas and styles, but they have well balanced this comedy performance in this movie. They not only act in comedy, but also Let everyone see your ability to shape life outside of comedy." In fact, the reason why "One and Only" is more passionate and inspirational, and it doesn't make too much effort to be "funny", it is a "propositional composition", long before it was released. It is not unrelated to obtain "official certification". According to official information, "One and Only" was jointly planned by the Propaganda Department of the Zhejiang Provincial Party Committee and the Hangzhou 2023 Asian Games Organizing Committee, and was exclusively authorized by the Hangzhou Asian Games Organizing Committee. This film is based on the Hangzhou Asian Games to be held in 2023.

In the end, the main creators decided to use the newly added street dance project (the official name of the project is Breakdancing) as the theme for creation. In the film, Dapeng shows the cityscape of Hangzhou in accordance with relevant requirements. In addition to the landmarks and scenery such as the West Lake Long Bridge and the foot of Phoenix Mountain, the final "decisive battle" in the film is arranged in the Hangzhou Olympic Sports Center Gymnasium, which is one of the main venues of the Hangzhou Asian Games. "As an old athlete, watching this movie is very emotional."

During the road show of the film, Li Lingwei, a member of the International Olympic Committee and vice chairman of the Chinese Olympic Committee who was invited to watch the film, spoke highly of the film: "Break dancing is not only It is a new event in the Asian Games, and it is also a project for the Paris Olympic Games next year, so breakdancing will receive a lot of attention; watching "One and Only" will also help young people cultivate their spirit of persevering and working hard for their dreams."

On July 28, it was officially launched. Before its release, "One and Only" has been shown as the closing film of the Shanghai International Film Festival in June this year. Compared with other works in the summer file, "One and Only" has a sufficient time window, and has the advantage of gaining word-of-mouth in the market in advance. As of press time,Word-of-mouth box office is still not improving. For "One and Only", the film industry is more regretful: it seems to have the right time, place, and people. Word-of-mouth, popularity, and praise have all gathered in advance, but the box office performance is still difficult to meet expectations. "One and Only" seems to have no Escape the "curse" of sports movies. "I thought it would be a hit, but the screenings were not as good as expected, and the follow-up was weak."

A person who has worked on the release of many Wang Baoqiang comedies told China News Weekly, "The reasons are very complicated, related to the subject matter, and also related to the recent fierce market conditions. .”

According to the publisher, before the release of "One and Only", many distributors and film critics were very optimistic. They believed that a box office of 1 billion is a conservative figure, and 2 billion is the impact target. The official endorsement, with Wang Yibo and Huang Bolai starring, is also the reason for the industry's confidence. One of the planners of "One and Only", film critic Nan Rumin published an article on his personal public account "Poisonous Milk Movie" on July 21, predicting that the final box office of "One and Only" will reach 5.8 billion yuan. You know, the final score of "Changjin Lake", which ranked first in the box office of Chinese film history, was 5.775 billion yuan. The aforementioned issuer stated that although Nan Rumin made such a prediction, although there is no lack of exaggeration and "marketing" elements, the goal of "Hot" is to become the "C position" and the biggest blockbuster in this summer, "its ambition is definitely not small." But the reality is still far from the expectation. According to the box office statistics on the first day of the release of "One and Only", the total box office box office of "Dianying" plus pre-sales exceeded 200 million yuan. god".

Looking at the follow-up, "Hot" only earned 487 million yuan at the box office in 5 days of release, and only 776 million in 15 days of release. At present, major platforms have lowered the expected box office of "One and Only", predicting that its total box office will just exceed 1 billion.

What's more unfavorable is that the market environment has become more intense and complicated during the summer vacation. "One and Only" has not had time to try to further break the circle, it has been a bit marginalized. First of all, during the same period, the voices of "Fengshen" in the market began to increase. In addition, "Megalodon 2” starring Wu Jing was released on August 4, and "Desperate" began to be screened on August 5. Encountered the dilemma of "enemies from both sides" and severe damage to the filming space, the box office will inevitably be "divided". Among them, the large-scale pre-screening of "All or Nothing" caused controversy in the industry (15% of the films scheduled for the first day of the screening, and more than 20% of the films scheduled for the next day). A manager of a theater in Beijing told China News Weekly: "This is equivalent to treating the screening as an official release. For the two feature films "One and Only" and "Fengshen", it is indeed a bit 'non-martial arts'." However, another school of opinion believes: "It is the unsatisfactory market performance of several pre-prologue films that gave "All or Nothing" the confidence to "grab money" in advance. This is the so-called "killing you while you are sick." The publisher told China News Weekly, ""All or Nothing" has caught up with the current enthusiasm for events in northern Myanmar, and the schedule is staggered with "The Missing Her". Although the quality of the film is not perfect, it is not bad. The prequel film also has to find its own reasons " It's hard to write pictures because of spirit, hard to make movies because of sportsWhere is the reason for "One and Only" itself?

According to industry analysis, the box office of "One and Only" fell short of expectations, and it is not because the creators and actors are "incompetent". The main reason is that sports-themed movies are still "niche", which has even become a "structural problem". For sports-themed movies, Wang Fangfang, the director who filmed "My Heart Is Flying" based on the Winter Olympics champion Yang Yang, said helplessly: "If you really go to the theater and watch the movie, you will know that it's not how much the director made it. Poor, this is not a simple issue of film distribution." Chen Kexin, director of "Win the Championship", and Deng Chao, who filmed "Chinese Ping Pong", also have a deep understanding. Both works have impressed many audiences with their passionate spirit, and the Douban scores are both 7.1 points, which shows that the audience recognizes them. But when it comes to the box office, it's hard to say... "Win the Championship" ended up with a box office of only 836 million yuan. The total box office of "Chinese Ping Pong" released in February this year was only 100 million yuan. Why do Chinese audiences not buy sports movies? Zhang Bin, founder of Sunyao Sports, told China News Weekly: "The broadcast of sports events on the Internet and TV media is the embarrassing reason for sports movies. Realistic sports movies must come from real sports events, and the sports events themselves may be full of dramatic tension. , but the ending is nothing new for the audience, so sports fans don't buy it. Movie fans generally think that sports movies are too realistic and boring, and they don't want to watch them. What's more, the themes and narratives of Chinese sports movies have always been too single. The taste of chicken soup and preaching is too strong."

In addition, the difficulty of sports movies is that they cannot get out of the circle to empathize. Zhou Chao, chief editor of Sina Sports and a senior boxing reporter, told China News Weekly: "In the United States, boxing movies are the most awarded sports movies in Oscars, such as "Rocky", "Raging Bull" and "Million Dollar Baby". Because boxing It can best express the process of a person's resistance to injustice and self-struggle.

But in China, audiences are not familiar with boxing, and they don't understand many operational behaviors of professional boxing, and it is even more difficult to empathize with such works." On the contrary, movies like Wang Baoqiang's "In the Octagonal Cage" that have nothing to do with sports but are essentially pan-social themes can make people empathize with "truth". ", the protagonist finally won the game, but still has to go to work and return to ordinary people's life. This ending can touch people's hearts." Zhang Bin analyzed, "The reason why "Let's Wrestle! Dad" became a dark horse in 2017 is because of empathy On the one hand, although many ordinary people do not understand the subject matter of boxing, topics such as national honor, personal dreams, family emotions, and even gender equality can arouse the thinking of audiences of all ages and circles. It can be said that everyone has found common ground in it. In this way, if a sports movie wants to win word-of-mouth and box-office success, it is not enough to just tell a passionate, inspirational and moving story.

Only by continuing to dig and find the "empathy point" recognized by the market and the audience, can the "vicious circle" of "not daring to shoot, not wanting to shoot, not doing well, not being popular" can be fundamentally reversed. "If the box office of "One and Only" can finally break through 1 billion as predicted, it may still be far behind the film's own expectations, but it can still break the box office record of Chinese sports movies. I think it still has reference value." Zhang Bin said "If a sports movie wants to be a blockbuster, in addition to interpreting sportsmanship, it also needs to incorporate more types of elements on the basis of localized narratives, such as comedy, action, suspense, love, and social topics. It is easier to achieve results and be recognized by the market.”

#wang yibo #one and only movie

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bookpublisher1 · 3 months

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How a Writing Community Transforms an Author's Journey

In the solitary expanse of a writer's world, the presence of a writing community becomes a beacon of connection, support, and inspiration. In this exploration, we delve into the unspoken power of a writing community, considering essential factors and highlighting reasons for authors to join such nurturing circles. As we navigate through the importance of these communities, we'll indirectly spotlight a remarkable example – the Brave Healer's Writing Community.

The Unseen Tapestry: Factors to Consider in a Writing Community

Choosing the right writing community is a decision that can significantly impact an author's journey. Several factors should be considered when seeking a community that aligns with individual goals and aspirations.

1. Diversity of Perspectives: Enriching Creativity

A thriving writing community is one that embraces diversity. Different perspectives, backgrounds, and writing styles within the community contribute to a rich tapestry of ideas. Consider a community where varied voices inspire creativity and challenge preconceived notions, fostering a dynamic environment for growth.

2. Supportive Environment: Nurturing Growth

An effective writing community serves as a support system for authors, offering encouragement during both triumphs and challenges. Look for a space where constructive feedback is shared, resources are exchanged, and members uplift one another. A supportive environment becomes a catalyst for personal and professional growth.

3. Engagement Opportunities: Fueling Inspiration

Engagement is the lifeblood of any community. Seek a writing community that provides ample opportunities for interaction, whether through forums, events, or collaborative projects. Active engagement not only fuels inspiration but also builds lasting connections with fellow authors.

The Heart of Connection: Reasons to Join a Writing Community

The decision to join a writing community is a transformative step in an author's journey. Several compelling reasons make these communities an invaluable asset.

1. Overcoming Isolation: Breaking the Solitude

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dattebae · 2 years

Text

TMG: Finding Cain (Ch. 1)

CHAPTERS: [1], [2]

(AO3 LINK)

Pairing: RK900 (Nines)/Female Reader

Word count: 9644

Rating: Explicit ( 18+ )

Warnings: Undercover antics, murder, mentions of drugs, prostitution, Nines struggling to feel nothing, NSFW

Note: So you guys were curious about Nines? Rightfully so. I had to write him his own little fic. I had to. P.S happy birthday! @cerberusdreams

Cain learned from a very young age that any successful project begins with a well structured plan. The reason he believed in that concept was simple: He was a breathing, living project himself, and his impeccable record was proof of how effective that construction was.

He’d only been four years old when he realized that he was different from his brothers and the rest of the kids at the orphanage. One day he’d found a chess board tucked away in the playroom, and he’d spent the whole day trying to figure it out. There was something incredibly interesting about a battle being fought within the barriers of rules, and Cain was quickly gathering victories after one of the caretakers taught him the game.

He could understand why the adults around him were so hesitant about what to do with him at that time. They spent their days teaching troubled kids how to think and behave, so when Cain did all of those things to perfection and even surpassed many with his outstanding intellect, they were a little lost.

Despite his sharp memory, Cain could never really pinpoint when he met Amanda. The CIA somehow eased into his life in such a natural way that he barely noticed them. Amanda had always been around for as long as he could remember, and Cain’s one on one sessions with her became his normal early on. The older woman would observe him throughout various IQ tests adjusted to his level, and then she’d discuss them with him.

She wanted to know everything about his thought process, and the cognitive aspects of them as well.

At his young age, Amanda was never humble about praising him. She knew that confidence was an essential factor that would push him to do better, which seemed to be quite effective. The CIA were scouting for a new weapon: a genius with the strength of a beast, and Cain happened to be their perfect candidate. They had constructed a flawless plan out for him, and it would stretch over the course of his life.

“ Do you like to play games? ” Amanda asked.

The space they were in looked like an interrogation room for suspects, but Cain had never been scared of her or the dark, metallic interior. On the contrary, Amanda had taught him that room was the place where he got rewarded for his good behavior and cooperation. It was the place where he didn’t have to worry about his brothers or the rest of the world.

“ I like to play chess. ” Cain responded.

He’d only been five years old, and his feet couldn’t reach the floor as he sat on the cold, hard chair. Amanda was sitting across from him by the table, and she gave him a smile.

“ Chess is good, ” She said, “ But today I would like to play a new game with you, Cain. ”

Cain tilted his head, blinking.

A new game?

“ Would you like to play with me? ” Amanda calmly asked.

“ I don’t know, ” Cain began, “ You haven’t told me the rules yet. ”

Amanda clasped her hands together over the table, giving him a gentle smile. So far, Cain had checked every box on her list, and this little game they were going to play together would have an impact on the rest of his life.

“ The game is simple, ” Amanda began. “ I want you to play as a boy named Richard. ”

Logically, Cain could understand what she was saying. What he couldn’t grasp was the meaning or purpose of Richard.

“ Richard is a nice boy. He lives with his brothers, he exercises regularly, goes to school and does his homework every night. He’s also respectful towards those who are older than him, and he cares deeply for those he loves. ” she explained.

Cain nodded. That sounded easy enough.

“ Now, ” Amanda said, “ The only rule you have to remember is that no one but me can know that you are playing Richard. ”

Cain tilted his head again, but this time he felt a little unsure.

“ What if someone finds out? ”

Amanda studies him for a moment, a devious smile lingering on her lips.

“ Then you lose the game. ”

***

The CIA was prepared for most things, but a certain police lieutenant’s interest in Richard and his two brothers was not one of them. Hank was a stubborn man, and once he put his mind into something, it was hard to deter him. Amanda had been patient with him despite his insistent reasoning that the brothers should stick together in adoption, and after a meeting that stretched out over several hours, they finally came to an agreement. The CIA would allow Hank to adopt Richard along with his brothers under one condition: They would proceed their work with him as usual, and Hank wouldn’t interfere.

At first, Richard didn’t have much of an opinion when it came to Hank. He was a man with a strong presence, and he seemed to be driven by what he found to be right. With that said, Richard realized that the man was just as much a child at heart as he was a loyal cop. He began to find an odd intrigue in the lieutenant’s personality, and the way he managed to balance his duty with his private life. He seemed to be giving each son a treatment adjusted to their needs, which, in Richard’s own analysis, meant that the older man was both observant and dedicated.

Connor got used to him the easiest, and Sixty became dependent on his attention fairly quickly. Richard didn’t quite understand it. His brothers were too comfortable around the older man while he spent most of his time up on his bunk bed, observing everything from a safe distance. Most of it was Sixty and Connor’s normal banter and arguments over petty things, but Hank always managed to put an end to them. What surprised Richard the most was that Hank never forgot about him, despite his discreet presence.

Hank would look up at him up on the bunk bed and ask him if he was okay. He’d ask Richard if he wanted to help him prepare dinner or join him for a walk with Sumo. Despite knowing fully well that Hank’s approach was merely a tactic to bond with him, Richard was somehow still impacted by his effort. The adults in his life had mostly seen him as an experiment: a wonderchild that was meant to be tested and pushed to new limits. But not Hank.

Hank saw a little boy, a son that he wanted to get to know and look out for, and it took Richard some time before he could see himself as those things. There was a sense of vulnerability that Richard felt around Hank, and it had everything to do with his secret. Hank knew about Cain and Amanda’s little game with him, and it made him feel exposed in an unsettling way.

“ Listen, I uh.. ” Hank struggled a little, but his awkward conversation starters were somehow still endearing years later. “ I don’t mean to be the guy who’s all up in your business, but it’s a Friday night and you’re reading about…math? ”

Connor was away on a class trip in Washington, and Sixty had gone out to a party with Leo and his friends, which left Richard all alone with Hank and Sumo at home. He’d been in his usual spot up on the bunk bed with his nose buried in a book, and Hank had somehow decided to confront him about his obvious lack of a social life.

“ Yes. ” Richard simply said, turning a page. The book he was reading was focused on advanced algebra, and even though he’d already solved the problems twice over the past two weeks, he figured a third time wouldn’t hurt. Amanda had a new test ready for him on the upcoming Monday, and he really wanted to impress her.

Out of all the possible scenarios, Richard didn’t expect Hank to suddenly snatch the book from his hands. He looked down at the older man, who stared up at him with a surprisingly serious look. Richard sat up, brow furrowing at the lieutenant.

“ Is there a problem, Lieutenant? ” He asked.

“ I’m worried about you, kid. ” Hank said, and Richard only felt more confused by his response.

“ Worried about me? ” He echoed, feeling the wheels behind his eyes working harder and harder. “ What have I done to worry you, Sir? ”

Hank rolled his eyes, grumbling something under his breath as he tossed the book aside. When he met Richard’s gaze again, there was something stern and tired in his eyes.

“ I told you to call me Hank. ” He said, “ Not Sir, or Lieutenant, or any other CIA crap they’ve drilled into your head. ”

Richard couldn’t make sense of Hank’s reaction. Amanda had always taught him to refer to his elders with respect and their proper titles, but Hank didn’t seem to appreciate it in the same way.

“ I’m… sorry. ” Richard finally murmured after some time. He didn’t know why, but he couldn’t help but to feel guilty about upsetting Hank.

Hank sighed, shaking his head. He observed the younger boy for some time, who seemed to be avoiding the older man’s eyes on him. He walked closer to the bed, reaching up to grip the wooden frame, leaning against it.

“ Look, son. I’m not upset with you because you read books or because you call me Sir, ” Hank started. Richard glanced at him, unsure where he was going with this.

“ It’s just that- You’re eleven years old, and sometimes I feel like you forget that. ” Richard was in a silent disagreement. He knew very well how old he was, but he allowed Hank to proceed.

“ And no, I don’t mean that literally. Hell, I don’t think you’d forget something even if you tried to. ” Hank chuckled, and Richard couldn’t help a small curl from creeping up his lips. It was from that point forward that he realized Hank’s speech pattern wasn’t as literal as Amanda’s. The older man seemed to play with words differently, and they meant more than what he let on.

“ This …gift you have, ” Hank proceeded, gesturing to him vaguely. Richard was fully looking at him at point, sitting on the bed with his arms loosely hugging around his knees.

“ Is it a bad thing? ” Richard quietly asked, and Hank was quick to shake his head.

“ No, not at all. You have so many possibilities to use it for good. Which, I have no doubt you will. ” Hank smiled at him then, and Richard felt something flutter inside his chest.

He could suddenly understand why Hank didn’t like the formal names. He wanted Richard to see him as a dad, not just another adult. Although he had Amanda as some parental firgure in his life, it just felt different with Hank. It felt more organic and less…calculated.

“ I just don’t want you to lose yourself to it along the way. ” Hank said, and Richard’s small smile faltered at his words. His brow furrowed briefly, and he decided to share his confusion: “ I’m not sure what that means, Hank. ”

Hank.

The older man seemed pleased for a brief second.

Richard watched as Hank contemplated for a moment, trying to find the right words to explain his thoughts in a way that Richard would understand. The younger boy observed him intently, like Hank held the answers to problems more complex than advanced algebra.

“ It means that, sometimes in life, you have to listen to this… ” Hank reached two fingers to the left side of Richard’s chest, giving it a gentle tap. “ …before you listen to this. ”

His fingers moved to Richard’s temple, giving it a second tap. The younger boy’s brow furrowed as he began to think, and he fell mute under his thoughts. Richard had already realized that Hank’s way of communicating was different to Amanda, but his words still managed to reach deep into his heart.

“ Don’t forget who you are, Cain. ”

***

MOSCOW, 00:32 AM

PRESENT DAY

Richard drew a deep, cool breath into his lungs. At that moment, he tried to forget everything about who he was.

Contrary to most beliefs, the hardest part about being a spy wasn’t finding a loophole into the underground world, but passing through the gates without blowing his cover. Richard had worked in the field for many years, but this particular scene wasn’t exactly his forte. It was a cold night, and he was standing in a short queue to enter one of the dirtiest strip clubs in Moscow.

Eden club.

The neon lights were glowing in the darkness, and despite the sharp contrast, he could still see the two giants guarding the door like a pair of bulldogs on night watch. He’d arrived in a dark car and been escorted to the queue by his assistant, Rupert, who worked as an undercover chauffeur in the city. The guards had already gotten a man dragged away a few minutes earlier, but it still hadn’t deterred Richard from pursuing his mission.

Not that it was up for discussion, anyway. Amanda had been clear with her orders: He was sent there at the last minute to find you because your partner, Luther, had vanished into thin air, which meant that whatever operation you had going on was delayed, and therefore at risk of failing. Richard specialized in counter terrorism operations, and even though most of his work settled around Africa and the middle east, his Russian was still so exceptional that no one could tell that it wasn’t his native language. He knew that Amanda didn’t want him out on these kinds of missions, but he was one of her best, and whatever situation you’d been left in was becoming critically bad. There was no one more suitable to get you out of there.

When he reached the guards at the door, they scanned him from head to toe. Richard wore an attire consisting of a massive fur coat over a crisp, black suit to appear as a rich mafia boss’ heir, and he made sure his arrogance and sense of entitlement was just as clear as he dragged his bored gaze between the massive duo with a large cigar between his lips. They glanced at each other for a second, and then asked for his name.

Richard looked at them like they were fools, and they stiffened under his bored, icy gaze.

Good.

“ I was hoping you weren’t as dumb as you looked, ” he said, vaguely pointing his cigar at them between a long drag.

“ You’re lucky I’m in a good mood tonight, but next time, don’t make a Zakharov wait. ” His Russian was impeccable, and he could see that he’d won them over when they blinked in surprise.

Everyone and their mothers knew the Zakharovs were dangerous, and Richard hoped the rumor of his supposed visit wouldn’t spread before he found you. A calm man in his supposed position of power meant nothing but trouble, and the two guards seemed to catch on fairly quickly. They shared another glance at each other before stepping aside and welcoming him into the narrow hall, not even bothering to search him as they blabbered their apologies.

Richard flicked his cigar to the ground and crushed it with the heel of his shoe. He then sent the duo a lingering glare as he passed the door and walked down the glowing hall, leading him into the heart of the club.

The large space he found was nothing like the outside of the club. Richard was surprised to find it fairly neat and clean, despite the loud music and chatter. The club had various circle booths scattered around the main stage, and several bars surrounding the area. Most of the light came from the pink and red neons decorating the main stage, and rest were blues and purples from the bar counters. It was important that he kept his supposed persona while he scanned each nook and cranny of the club, so he snapped his fingers and tried his best to look annoyed at one of the staff members, who quickly came to his service.

“ Welcome, sir. ” The man said, “ Please, allow me to find you a booth.”

Richard gave him a low, raspy hum, his icy orbs memorizing every face he could see in the poor light. It was clear that the purpose was to keep the guests discreet and comfortable in the shadows, which only meant that this club had the most notorious criminals and gangsters as their guests.

“ I want a spot by the stage, ” Richard said. “ I heard Yasmina Petrov is performing tonight. ” Richard knew that Jasmine was your cover name, and no matter where you were in the world, you always stuck to a variant of it. It was the same for him, and his versions of Richard.

The staff member smirked, gesturing towards the stage as he spoke. “ After you, Sir. ”

***

Fifteen minutes later, he’d been served a tall, strong drink by his spot in one of the booths closest to the main stage. He did his best to appear bored, dragging his blue eyes over the glowing neons and attempting to capture more faces from the booths nearby. He didn’t pay any mind to the slow music booming from the speakers until the neon lights faded into darkness, and the low cheers from the guests signaled him that the show was starting. His focus shifted to the stage, and your dark silhouette by the pole captured his attention immediately.

Richard didn’t expect to be so entranced by your act, but somehow he got lost in the smooth way your body moved against the pole. When the neons finally landed on you, whistles and applause erupted from the guests. His face was still stoic and controlled, and even though he’d seen exotic dancers in his time on the field, something about you still put him on edge.

There was no doubt that the crowd loved your performance, although, Richard knew that most of the men lurking in the shadows were waiting to see you in that poor excuse of an attire they’d put you in. You wore a red, lacy thong and a matching bra that barely covered your chest as you moved down the pole in a pair of high heels, legs spreading wide and-

Jesus Christ.

He tore his eyes away from you and reached for his drink. This was ridiculous. You were both professional agents, and he was getting uncomfortable because of a simple performance?

It was unacceptable. It was below him.

You still hadn’t noticed him minutes into your performance, and Richard told himself that he kept his eyes on you solely for that reason. Even as more women joined the stage and found their respective poles to dance on, he still waited for you to find him, and finally (hopefully) end his supposed torture of watching you dance so provocatively before him.

He told himself that his reaction was a side-effect of knowing you from the past. You’d both been in the same selection process during your early twenties, and Richard remembered it like it was yesterday.

There’d been a hundred of you, and each month after various obstacle courses and performance tests, they’d kicked a portion out of the team. It’d taken a total of eleven months before they’d finally selected the last ten to become their new agents. It had in no way or shape been easy, but even knowing that, Richard couldn’t understand how you’d managed to get selected.

He knew why they’d selected him and Luther: Richard had his intelligence and speed, and Luther had strength and patience. But you? He’d seen you crawling and crying in the mud as you dragged yourself through the obstacle course, and he remembered how the superior had given you hell for it. Despite it all, you never gave in. You never stopped until you passed the finish line, and it made him feel…something.

On paper, he knew what your advantages were, and they weren't a lot. You had a list of languages you’d mastered in your days, and a decent background in the military, but that wasn’t enough to make you a good agent. Not to Richard’s standards, at least. To him, you were too impulsive and emotional to fit the role. CIA agents were meant to keep their feelings in check and accept any situation they were in, and you were driven by something that made you the complete opposite of that. Richard didn’t know how, but somehow, the agency had seen something more in you. Granted, he hadn’t seen you since the selection day, so, maybe he’d be pleasantly surprised by your progress over the years.

Maybe.

You were crawling on the stage now, swaying your body along to the music until you reached the edge. When you whipped your head back, your eyes finally found his, and you suddenly stilled. Richard knew that you recognised him immediately, and it was clear that you weren’t pleased to find him before you. He was comfortably manspreading in his booth with his eyes fixed on yours like you were his target of the night, which, technically, you were.

Richard angled his head to the side, eyes narrowing as he studied you. He was silently scolding you for dropping your act so recklessly, and it seemed to snap you back into character pretty fast. He didn’t know why, but it made his lips curl to a faint smirk.

So you hadn’t changed, after all.

The girls were starting to trail down the stage and dancing their way over to the guests in the booths, and you were no different. Richard watched as you crawled over him at his booth, dancing over him as you brought your face close to his own. This was the first time he’d seen you upclose like this, and some part of him couldn’t help but to realize that you were…attractive.

“ What the fuck are you doing here? ” You hissed, breaking his small trance.

“ I’ve been ordered to take you out of here. ” He said, keeping his cold eyes fixed on yours. You shot a wary glance to your side, and he followed your eyes, finding a figure observing the two of you in the darkness. Before Richard could react, you were twisting your body around, sitting in his lap as you grinded against him. Your hands reached back, and you trailed your fingers through his hair while his mouth brushed over the shell of your ear.

“ Who was that? ” he murmured in your ear.

“ Tell them you want a private dance, ” you said, “ and be generous. ”

Before Richard could respond, you were already away to entertain another man sitting in a booth nearby.

And when he looked for the dark figure again, it was gone.

***

Getting some privacy at Eden Club was surprisingly easier than what Richard expected. It certainly came at a hefty price, but money was the least of his problems. He’d done what you’d told him to and requested a private dance with you to the staff member that had served him for the night. With a few bills tucked into the man’s shirt, Richard managed to get himself escorted to a room located down a narrow hall in the club. It was decorated with a surprisingly minimalistic interior despite its size, and something told him the luxury decor and the naughty red light had a lot to do with the money he’d spent.

After twenty minutes, you were finally escorted inside by the staff member, and he noticed that you looked a little nervous. It was unclear to him whether it was a part of your act, or if you had trouble hiding your anxiety.

“ I’ll pick her up in twenty minutes. I hope you enjoy your time, Sir. ” The worker said with a polite smile.

Richard gave him a lazy nod, leaning further into his seat as he spread an arm over the back, and the moment the staff member left the room, you rushed over to him, your worried expression turning into anger.

“ Do you have any idea what danger you’re putting me in right now!? ” you hissed, trying to keep your voice low despite your apparent fury.

“ Tell Amanda that I’ve got it all under control! I don’t need you here! ”

Richard was a little impressed. It seemed like the nervous look had been part of your act, after all. He shrugged the fur coat off his shoulders and stood from his seat, staring down at you through icy, lidded orbs. Despite your decent act, he was certainly not too impressed by your stubborn tendency to refuse orders.

“ Agent 851, your operation has been deemed unsuccessful and is therefore canceled. I’m here to assist you back to the Vancouver headquarters for debriefing.” Richard calmly explained.

You glared up at him for a long moment, and then you scoffed, looking utterly disappointed in his response. Richard didn’t react.

“ I’m not leaving until I find Luther. ” You said. “ And I sure as hell won’t cancel my mission after all the fucking shit I’ve had to endure in this hellhole. ”

He should’ve seen this coming. The impression Richard had gotten of you had been correct all along: You were too emotional and stubborn for this field of work, and this conversation was proof of that.

“ You will come back with me to Vancouver, ” he insisted, stepping closer to you. “ and you will report back to Amanda.”

He was practically towering over you at this point, but you refused to back down.

“ That is an order. ” he said, voice stern.

A beat of silence seemed to be enough to thicken the air with tension, but before either of you could argue further, a sudden noise caught Richard’s attention. At first, he thought it was a cry of pain, but the moment you tore your gaze away from him and crossed your arms over your chest, he understood. A woman was moaning on the other side of the wall, and for some reason, you looked ashamed about it.

“ These rooms aren’t just for private dances, are they? ” he asked, voice low as he dragged a cold gaze between you and the wall.

“ You have no idea what kind of hell this place really is… ” There was a subtle crack in your voice, but Richard caught it immediately. “ I have to put an end to it. I have to finish this mission even if it’s the last thing I do. ”

The reason he hadn’t taken a proper look at you before was clearly due to the lingerie you were wearing, but now that he did, he finally noticed the subtle marks and scars scattered over your body. Richard’s eyes narrowed as he focused on your skin. He found cigarette marks over your chest and bruises on your arms, hips and thighs. Despite knowing that it was another endurance of your job as an agent, something about it still made his blood boil. Not that he ever let that show, though.

“ You can’t. ” He said, tone firm but not quite as stern as before. “ I’m taking you out of here whether you like it or not. ”

You were about to retort when a noise outside the door caught both your attention. Richard was reaching for the gun at his hip, eyes hard and fixed on the door when your hands suddenly found his shoulders, guiding him back.

“ Don’t you fucking dare! ” You whispered harshly, quickly glancing back at the door before you decided to shove him down on the couch. He opened his mouth to speak, but you clasped your hand over it and climbed onto his lap, leaning close to meet his hard glare.

“ You’re not ruining my cover, Richard. ” You hissed, “ I won’t let you. ”

Another noise, sounding much like a footstep, came from outside the door, and before you could turn to inspect the source, a hand was wrapped around your throat. Richard shoved down on the couch, pinning you down against it. Your leg shot up in an attempt to kick him off, but he quickly grabbed your knee, blocking your attack.

“ This is your last chance. ” He growled. ” Don’t test me. ”

Richard wasn’t prepared for the crooked smirk that slowly formed on your lips, or the loud, pornographic moan you let out afterwards. The sound rippled through him like a shiver, and almost instantly, his whole body froze.

Your thighs were warm against his sides, and your chest was pressing up against him in a way that was becoming harder to ignore. It took him a few seconds, but he finally understood why you were doing this. Whoever was outside the door was listening to the two of you, and you wanted to give them the impression that you were being…intimate with each other.

It was all to protect your cover.

Richard tried to move back, but you locked your legs around his waist and pulled him closer with another moan.

“ Jasmine- ” He warned, but you reached out and jerked on his tie instead, loosening it around his neck as you pulled him down to crash your mouths together.

The door opened at the same moment, and the same staff member from earlier stepped in. He hesitated the second he saw the two of you on the couch, watching as you breathlessly parted from the kiss to stare at him.

“ I’m so sorry to interrupt but- ” he began a little awkwardly. Your legs were finally loosening around Richard’s waist, and he wasted no time to move back. Your lipstick was smeared over his lips, his hair was disheveled and his tie hung loosely around his neck. Whatever image you wanted to give the staff member of the two of you certainly worked.

“ Zlatko wants you back on the st- ”

It only took a second. The silencer was already attached to the gun when Richard reached for the weapon at his hip and pointed it at the wide-eyed man.

“ No! ” you shrieked.

You’d reached to stop him, but by then the bullet was already lodged between the man’s eyes,

and he slumped to the floor with a loud thud.

***

Moscow was facing a cruel snowstorm that only seemed to add to Richard’s list of problems. Many roads were blocked due to the horrible weather, and the traffic had come to a standstill all around the city by the time the two of you were on the move. Rupert had handed him his bag and a new coat to keep him warm, but been unable to drive the car anywhere because of the storm. Had this been one of his usual operations, Richard would’ve managed it just fine. He didn’t mind the cold, or the hours of long walk it would take to your supposed hideout. But this was different. Richard had you to take care of, and you turned out to be the most complicated, stubborn person he’d ever had the displeasure to work with.

On paper, getting you out of Eden Club was a simple task, but you, of course, didn’t let it be that way. Not only had you refused orders repeatedly, but you’d also ended up attacking him in the private room after he’d shot that staff member dead. You both knew why he’d done it, and it had turned you feral.

You’d spent a month working undercover in that club, and it was obvious that you’d endured a lot of horrors. Naturally, with Amanda cutting your mission short after Luther disappeared, it left you quite frustrated. The problem wasn’t that Richard didn’t understand you, the problem was that you let those emotions get the best of you when you shouldn’t.

You were CIA, for god’s sake.

Although, as Richard replayed the memory of your fight with him in the room back at Eden Club, some part of him was impressed by your combat skills. By the surprisingly brutal strength you were hiding under that delicate facade. It had taken quite a bit of his power to unlock the deadly grip your thighs had around his neck at some point, and he wasn’t sure how to feel about that. By the time he’d finally gotten you to submit, the room had looked like a complete mess and he was struggling to catch his breath.

Richard knew that you only gave in because you couldn’t save your cover anymore, but that was the point. That was his intention when he shot that man, and you knew that. You both knew that.

You were wearing his fur coat as he dragged you along through the busy streets of the city, and even though you were barely wearing anything beneath it, you didn’t seem to care about the cold.

Luther and you had been sharing a base in a village outside of Moscow. It was an old cabin an elderly woman had rented out to the two of you during your time there, and it was clear that neither you nor Luther had been there for some time. The cabin was positioned at the foot of a mountain in a secluded part of the village, and Richard wondered how it managed to withstand the snowstorm in that poor condition. He could feel each breeze and whistle of the wind against the planks when you led the two of you inside, but you didn’t seem to mind it at all.

Richard observed you in the corner of his eye, watching as you quietly wandered over to Luther’s room only to find…nothing. By the looks of it, he hadn’t come back to the hideout either, and the evidence was the scatter of belongings he’d left behind.

You’d been wearing a tired, stoic look on your face since the moment you’d given up fighting him, and Richard didn’t know if that was good or bad. On one hand, you’d stopped being difficult, but on the other hand, you were impulsive and unpredictable, and that could mean anything. Even though he never wanted to think about his family during his missions, Richard couldn’t help but to think about Colin. Something about your reckless, stubborn nature reminded him of his older brother, and it felt both familiar and alarming at the same time.

You lazily wandered around the cabin, checking every room and corner, and when you didn’t find anything of interest, you disappeared inside the room next to Luther’s. Richard took a moment to scan the space around him before he followed you inside. It seemed like the room you’d entered was yours. He could tell because it consisted of a mess of clothes, bags and disheveled sheets on the bed, and nothing about it surprised Richard.

“ There is no hot water. ” You had your back turned to him as you spoke, not bothering to look at him as you shrugged the fur coat off. Richard watched as it dropped to the floor, leaving you in the red, lacy lingerie from Eden Club.

“ You have to turn the boiler on from the bathroom. ” You were sitting on the floor now, looking through your bags and searching through various clothes until you found interest in a large t-shirt.

“ That won’t be necessary, ” Richard responded. “ We’ll be out of here soon, so you should pack. ”

You turned to look at him over your shoulder, eyes hard and flaring with a familiar defiance that almost relieved Richard. He didn’t know why, but after that odd, dead look you’d carried, it felt good to see your personality peeking through again.

“ With that storm roaring outside? ” you asked, “ We’re not going anywhere, hotshot. ”

You’d already turned your attention back to the messy scatter of clothes before you again, but Richard still fought to keep his face controlled.

It wasn’t about you witnessing how you managed to get under his skin, it was a principle: Richard refused to forget his role and why he was there.

He was CIA, and unlike you, he’d stay professional.

“ Besides, I’m not leaving without Luther, ” you casually continued, “ or a hot shower. ”

Even though Richard had no intention to go along with your plans, he decided that he wasn’t going to argue with you. There were things he had to do, and even though he hated to admit it: you were right.

In a few hours the sun would rise, and the storm outside was only going to become worse.

***

Luther’s room was definitely not as messy as yours, but it was left in a way that had Richard speculating various theories for his odd disappearance. What if he’d come back to the hideout but been followed? What if this place wasn’t as safe as he thought it was and a sudden raid would wipe the two of you out in minutes? The knowledge of the brutal storm outside was the only thing keeping him partially sane. Even if that was the case, no one could endure the snow or the wind, and that gave him some comfort.

Richard had gathered Luther’s belongings in a perfect pile at a corner in the room and settled in for now. The old couch in the living room hadn’t looked that appealing, and even though it didn't feel entirely right to take Luther’s room, it gave him a sense of privacy that he prefered with you stranded in the cabin with him.

It was around 9 AM now, and he was laying on the bed with an arm slung over his eyes, so sleep deprived that he could die. His head was pulsing with pain, and it was all thanks to the whistling wind and creaks from the cabin wood he’d been forced to hear during the night. Whoever built this cabin didn’t prioritize isolation the slightest, and as much as Richard cursed that fact, it did give him the advantage of hearing you move around. He could hear you out in the kitchen now, working and fiddling with pots and pans, and when the smell of coffee managed to creep inside his room, you’d finally won him over.

He sat up on the bed and rubbed his tired eyes, hoping that today would be the day the storm would settle just enough to allow him a chance to contact Amanda again. During the night, Richard had spent hours trying to find a signal on his phone and laptop, and he’d realized there was no point. The storm was absolutely ruthless, and neither of you had a chance to connect to your superiors anytime soon.

Great.

He’d been smart enough to change into a pair of sweatpants and a long sleeve shirt, and you seemed to have settled on a similar outfit when he saw you out in the kitchen. It was a little funny how he almost couldn’t recognize you with clothes on.

You threw a glance at him over your shoulder when you felt his presence, and then you grinned to yourself.

“ I knew the coffee would lure you out. ”

It was such a simple detail, but it managed to make him feel a little exposed. How did you know that?

“ Actually, it was the noise. ” he countered, and it was only half true. The noise had been a factor, but it wasn’t the reason he came out of his room. Luther’s room.

You didn’t look too convinced when you handed him a hot cup of coffee, and Richard took a moment to stare down at it. When he looked up again, he arched a brow at you.

Did you take him for a fool?

You rolled your eyes.

“ You’re unbelievable. ” you said with a sigh, bringing the cup to your mouth to take a long sip from it.

“ Surprise, surprise! No poison in the coffee! ” you cheered sarcastically and pushed the cup into his hand. When you walked over to the kitchen table, Richard couldn’t help but to smirk a little.

Okay.

So you were playing nice, after all.

You were staring out of the kitchen window by the time he decided to join you at the small breakfast table you’d put together. You’d fried some eggs and put out some bread with butter on the side, and despite the simplicity of it, Richard felt a little impressed by your effort.

“ Have you been able to reach Amanda? ” he asked, reaching for the bread. You shook your head, glancing down at the coffee cup in your hands for a moment.

“ That’s the least of my worries right now. ” you said, drifting off as you stared out at the storm again. Richard observed you for a moment. Some part of him began to wonder if there was something more between you and Luther that he’d failed to consider. Not that it would surprise him, really. You didn’t seem to care about the prohibitions or protocols for your occupation, but even so, forming intimate relationships with other agents was a horrible mistake, and Richard thought that you were smarter than that.

“ When was the last time you saw him? ” He asked, biting into the bread, and your eyes flicked over to him momentarily.

“ Luther, ” he elaborated.

You were trying to keep your emotions under control, and Richard could sense your struggle.

“ Four days ago, ” you said, swallowing thickly. “ He told me he’d cover our tracks over here and then we’d be ready to take Zlatko down. ”

“ Zlatko… ” Richard’s brow furrowed. It was the same name the worker had mentioned when he’d returned to the room in Eden Club. You nodded, sighing:

“ Zlatko owns the club. ” you explained, “ The sick bastard is running a whole criminal network in Moscow. ” You were starting to sound bitter now, but Richard couldn’t bring himself to blame you.

“ Weapons, drugs, prostitution: everything’s going through that filthy club of his, and he’s damn good at covering it up. ”

Richard recalled the figure lurking in the darkness back at the club, and even though he had no way of proving it, something told him it was Zlatko.

“ It’s Cain, right? ” you asked, and Richard stopped chewing. “ Some names become a blur after a while, but I‘m pretty sure you were Cain. ”

A tension was creeping up his body, and it wasn’t long before his pulse was picking up, too. He didn’t realize it then, but it was the first crack to find a home in the walls around his hidden identity. That name, his real name, carried a heavy baggage that Richard had no desire to unpack, and certainly not with you.

You were observing him as you waited for his response, a little confused by his sudden silence and stiffness. Richard tossed the bread onto the table after a moment, finally meeting your eyes with a stern glare.

“ Don’t ever call me that again. ”

Whatever version of common ground you’d found together over the breakfast table was tossed out of the window the moment those harsh words escaped him. And you? You weren’t having a second of it.

“ Oh, get over yourself. ” you snapped. “ Would it kill you to act like a decent human being for five minutes before you’re back to being Amanda’s obedient machine boy? ” Your head tilted to the side, eyes narrowing at him with distaste, and Richard felt his blood boil beneath his skin.

“ I’m not here to be your friend, ” he shot back, and something faltered in your expression at his words. “ I’m sent here to complete a mission, and that’s exactly what I intend to do. ”

For a long moment, the only sound existing between you came from the storm outside. The low whistles and creaks of the wood were somehow too loud and not loud enough to dampen the sound of his pounding heart in his ears. You stared at each other for a long while, and Richard met your searching eyes with an icy glare. He didn’t have it in him to analyze his own anger, and luckily, before he fell victim to his own spiraling thoughts, you decided to stand from your seat.

“ I think- ” you paused, trying to calm the fire rising from your throat. “ I think I'm gonna take that shower now. ”

***

Forty-two, forty-three, forty-four, forty-five…

Richard was struggling. He was struggling so much and it had nothing to do with the forty-six pushups he was working himself through on the floor of his room. It did, however, have everything to do with the suffocating fact that he couldn’t escape you or this stupid cabin. It was the frustrating fact that he couldn’t find a signal to contact Amanda and find comfort in her guidance after you’d pushed him onto a path of thoughts that he was terrified of facing.

It’s Cain, right?

Cain. Cain brought on so many questions and thoughts into his head that he was in no position to answer or reflect on. Cain dragged him into the past and forced him to relive the excruciating cocktail of emotions he’d swallowed down throughout the years. It was everything from that odd longing to hug his dead mother, the pain of losing Hank and watching Sixty lose himself to addiction, to the realization that he couldn’t be with a woman like Suki or live a normal life like Connor.

Cain brought on too much that Richard didn’t have time to dwell on, and he wouldn’t.

Eighty-one, eighty-two, eighty-three…

Sweat had gathered over his brow and his arms were starting to shake, but it still had nothing to do with the pushups he was doing. It was dark outside, and you’d been awfully quiet throughout the day. Even through the paper thin walls, he hadn’t heard you move around the cabin after you’d taken that shower, and he didn’t know what to do with that information.

Had he been too hard on you?

Logically, he knew that you probably needed someone to talk to after Luther’s sudden disappearance, but he couldn’t forgive your lack of respect for protocol. Richard didn't know if Luther had been entertaining those kinds of private conversations with you, but he wasn’t going to be that type of agent. He’d made it clear what his intentions were, and you should’ve respected them.

Would it kill you to act like a decent human being for five minutes…

He’d reached a hundred pushups when he finally decided to stand up again, and he took a moment to simply catch his breath while he stared at the storm outside of his bedroom window.

Is that what he was lacking?

Humanity?

He was wiping the sweat off his brow with the back of his hand when he heard a noise from your room. Richard paused, going as far as holding his breath to hear you a little better. Maybe he just wanted to prove to himself that he did, in fact, carry more humanity than he let on around you. Had you been smarter, you would’ve understood that it was simply a necessity of his job. He had to put his emotions aside, and so should you.

Richard heard another noise, and this time, it sounded like a whimper. Or maybe… a sob? He rubbed his eyes with his hand, cursing quietly under his breath. Were you really crying? He dared to think that it was because of his harsh words that morning, but then his eyes caught Luther’s pile in the corner and all of those thoughts faded away.

Were you missing Luther?

Another muffled sob reached his ears, and Richard contemplated what he should do. He tried to think about the dynamic between two agent partners, and the expectations they’d have on each other. Perhaps being there for you was a necessity he’d overlooked simply due to his years of working solo.

Richard took a deep breath, and then, for some unknown reason, he decided to walk towards your room.

He was a grown man. He could be an adult about this and apologize, and he prayed to god that you’d find it in you to respond with half of the decency he was going to show you. Your cries were a little louder when he reached your door, and he was surprised to find out that it was partly open.

“ Jasmine? ” he murmured, gently tapping his knuckles against the door.

You didn’t respond, and it made Richard’s brow furrow. There was another noise, though, one that he couldn’t quite make sense of, mixing with your quiet little cries that were starting to worry him. Almost urgently, he decided to stride inside your room, and what he saw then had him freezing on the spot.

You were laying on your back on the bed, head thrown back and hair spread over the pillow with your hands working a small device between your legs. Richard’s whole body flooded with heat at the sight, and the moment you met his eye, he felt himself twitch inside his sweatpants.

This-

This was a horrible mistake.

There was no reason for you to hold his gaze, but you did. The scorching heat of desire pooling in your eyes was enough to burn him alive, but that wasn’t what had his breath hitching in his throat. It was the sight of you so exposed to him while you chased a pleasure he’d never thought to understand or feel himself. Despite the small size of the vibrator, he could feel its high intensity as it buzzed against your most sensitive parts, making your thighs shake as you suddenly clamped them shut and sat up on the bed with a gasp that sounded too much like a moan.

“ Fucking hell– ” You panted, looking annoyed by his sudden presence as you lazily turned the vibrator off and fought to catch your breath. “ Can I help you? ”

Can I help you?

Richard had no idea how his face was looking at that moment, but he prayed to god that it wasn’t as horrible as he felt inside. For a second, he’d felt what could only be described as embarrassment for walking in on you at such an intimate moment, but now he was feeling…annoyed.

Annoyed at you for being annoyed at him.

“ I thought you were- ” he changed his mind the moment the words left his mouth. What difference would it make what he thought? He’d just walked in on you masturbating, and he was still there, feet glued to the floor like he couldn’t walk out even if he wanted to.

You observed him with a look that put him on edge, and once again Richard focused on controlling his expression. He stared at you through cold, half lidded eyes, and the light clench of his jaw only added to the angry look on his face. For some reason, you took that as an invitation to push his buttons further.

“ What? Am I breaking protocol, again? ” You taunted, eyes narrowing at him. There was a faint smirk on your lips that Richard ignored in favor of his own sanity, but the fight in him was quickly dying out when you decided to get off the bed and close in on him. This was a dangerous game you were playing, and even though Richard told himself that he had no desire to play with you, he found himself forced into a new silent battle of wills. If he backed away now, you’d win this little staring contest, and he just couldn’t allow that to happen.

You peered up at him when you finally found your spot before him, your head slightly tilted back while his bowed in favor of staring down at you. His hands were curled into tight fists at his sides, and his chest was rising and falling with each heavy breath he tried to keep under control. Richard looked angry. He looked like he wanted to tear you apart with his teeth and dump you to the wolves out on the mountains, but you weren’t buying it.

“ Do you want to fuck me, Cain? ” you asked, dragging your sinful gaze down to his lips, and then back to his hard eyes.

The next breath that came out of him was unsteady, vibrating in his throat before it passed through his parting lips. It was an absolute disgrace that he couldn’t control himself better in a situation like this. He’d been working in the field for years and had several operations involving intimacy with various women, but they’d never had him feeling this feral before. Richard knew that his sexual frustration was a natural, fleeting thing that he’d have to face every now and then, and he’d been content taking care of his needs alone behind closed doors. But now? How was he supposed to resist this overwhelming desire to throw you onto that bed and fuck you until you couldn’t move anymore? And more importantly, why did he want that?

Why did he want you?

“ You’re crossing a serious line right now. ” he warned, voice low and threatening in a way that only seemed to encourage the faint curl at the corner of your lips. Sexual intimacy or intimacy of any kind was prohibited between agents, and you knew that very well despite your apparent desire to defy it.

“ Well, maybe I wouldn’t be if you just had let me finish, ” you quipped, leaning up to deliver those harsh words in his face. The two of you seemed furious with each other, and Richard was clearly the one closest to breaking. A large hand was suddenly gripping your jaw, and Richard even challenged the non-existing glue on the floor by stepping closer into your space to snarl down at you.

“ Then finish. ” he ordered, and somehow it managed to sound like a threat.

You glared up at him for a long while, and he glared back, listening to the deep, rapid breaths you both were struggling to keep under control. Richard didn’t expect your hand to dive between your legs, but the moment he heard the familiar buzz starting up again, his jaw clenched and his eyes narrowed in a way that bled frustration. It was becoming unbearable, difficult to concentrate on your face when all he wanted to do was to reach for that devious little device, and use it on you until you were begging him to stop, but despite it, he held on. He found that there was a unique satisfaction in watching your face contort in pleasure while you moved the vibrator against yourself, and he clung to that for dear life.

Despite his straining self control, he managed to endure the sound of your moans. Hell, he even endured the way your free hand clutched onto his forearm while he kept you still in his iron grip. But when you began to say his name, his real name, in a needy, desperate whisper, Richard almost lost it completely. You’d heightened the intensity on the vibrator, and even though he couldn’t see it himself, your face was telling him that it was working over your most sensitive part. He listened to the sounds: the way the buzzing became clearer and then muffled as you moved it around against yourself. He observed each result of those movements on your face, and when you suddenly stopped moving it around, Richard knew you’d found the right spot. You were getting closer and closer to your end, and Richard just hoped, just prayed, he was strong enough to hold himself back until you were finished.

Your knees gave in after a while, and instead of holding you up, Richard felt himself being lowered down to his knees with you. He was breathing hard, the sharp tip of his nose dragging down the side of your face while you held on to him for dear life. He could feel you shaking and squirming under his grip, your eyes filling with tears as you let out a small cry.

“ Come on, ” his voice was quivering, and he sounded so demanding it almost made him question his own motives.

“ Come for me. ”

You fell off the edge almost immediately, and Richard tightened his grip on your jaw to a point where he was sure he was going to leave a mark. It almost scared him, the realization of how much the idea of marking you up seemed to satisfy something deep and carnal in him. Your mouth opened in a silent cry, and you clutched onto him for dear life while you rode out each wave of pleasure washing through your body.

Richard couldn’t make out how long he held you like that, but by the time you moved your head back to look at him through those tired, half-lidded eyes, he was fighting to steady his deep, desperate breaths. He watched your face, the way your hair was sticking to your sweaty skin, and something about that drunken, awed look on your face reached something deep inside him that he didn’t know existed. Richard felt your heat radiating through the oversized t-shirt you were wearing, and the moment the buzzing from the vibrator came to an end, he blinked, landing back to reality. His heart fell into his stomach, and he stared at you with wide, awed eyes before he finally let you go.

You didn’t bother to stand on your feet when he urgently rose to his own, breathlessly staring down at you like you were a ghost in the room that he wasn’t supposed to see, or touch.

Something shifted in your expression then, something that tried to crawl inside him and pick him apart, but Richard wouldn’t have it.

He tore his gaze away from you, and then he was rushing out of the room.

He had to get away from you,

away from the unspeakable things that just happened between you.

#dbh #rk900 x reader #nines x reader #dbh nines x reader #rk800 #tmg stuff #detroit become human

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treehousedesigners · 27 days

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Landscape architecture - Tree House

What is the role of a landscape architect?

A landscape architect is a professional who designs outdoor spaces, with a focus on functionality, aesthetics, and environmental sustainability. Their role encompasses a wide range of tasks related to planning, designing, and managing landscapes such as parks, gardens, residential areas, campuses, and commercial sites. Here are some key aspects of their role:

Site Analysis: Landscape architects assess the natural features and characteristics of a site, including topography, soil quality, climate, and existing vegetation. They also consider human factors such as usage patterns, accessibility, and cultural significance.

Design Development: Based on site analysis and client requirements, landscape architects develop conceptual and detailed designs for outdoor spaces. This includes layout planning, selection of plant species, hardscape elements (such as paths, walls, and structures), water features, and lighting.

Environmental Considerations: Landscape architects prioritize sustainability and ecological principles in their designs. They may incorporate features such as rain gardens, green roofs, native plantings, and water-efficient irrigation systems to minimize environmental impact and enhance biodiversity.

Collaboration: Landscape architects often work closely with architects, engineers, urban planners, and other professionals involved in construction projects. They collaborate to ensure that landscape designs integrate seamlessly with overall site plans and meet regulatory requirements.

Client Interaction: Landscape architects consult with clients to understand their needs, preferences, and budget constraints. They present design proposals, solicit feedback, and make revisions as necessary to ensure client satisfaction.

Project Management: Landscape architects oversee the implementation of their designs, coordinating with contractors, suppliers, and subcontractors. They may also manage construction documentation, permitting processes, and project timelines to ensure successful execution.

Maintenance Planning: Landscape architects consider long-term maintenance requirements when designing outdoor spaces. They specify appropriate plant species and materials that are resilient and easy to maintain, and may provide guidance on landscape management practices to preserve the integrity of the design over time.

Overall, landscape architects play a crucial role in shaping the outdoor environment to enhance functionality, aesthetics, and sustainability while meeting the needs of clients and communities. Their expertise lies in integrating natural and built elements harmoniously to create beautiful, functional, and sustainable outdoor spaces.

#Landscape Architects #Designers #3D Modeling technicians #CGI Artists

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sparksconstruction · 10 months

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10 Essential Factors to Consider When Choosing a Home Builder in Lake City

When it comes to building your dream home in Lake City, selecting the right home builder is crucial. Here are 10 essential factors to consider when choosing a home builder in Lake City, and why Sparks Construction is the ideal choice:

Experience: Look for a builder with a proven track record of successful projects and satisfied clients. Sparks Construction brings years of experience in building quality custom homes in Lake City.

Reputation: Research the builder's reputation by checking online reviews and testimonials. Sparks Construction has a solid reputation for its professionalism, craftsmanship, and customer satisfaction.

Customization: Ensure the builder offers customization options to tailor your home to your preferences. Sparks Construction specializes in custom home building, working closely with clients to bring their vision to life.

Quality Craftsmanship: The builder should prioritize high-quality materials and impeccable craftsmanship. Sparks Construction maintains a commitment to superior craftsmanship, ensuring your home is built to last.

Communication: Effective communication is key throughout the building process. Sparks Construction fosters open and transparent communication, keeping clients informed every step of the way.

Licensing and Insurance: Verify that the builder is licensed, bonded, and insured. Sparks Construction holds all necessary licenses and insurance, providing peace of mind during construction.

Energy Efficiency: Consider builders who prioritize energy-efficient features to save on long-term costs. Sparks Construction incorporates eco-friendly options for energy-efficient homes in Lake City.

Budget Management: A reputable builder will have a transparent budgeting and cost control process. Sparks Construction helps clients set realistic budgets and manages costs effectively.

Timely Completion: Discuss the builder's timeline and track record for completing projects on time. Sparks Construction emphasizes timely completion while maintaining quality standards.

Client Satisfaction: Finally, choose a builder with a history of happy clients. Sparks Construction is dedicated to exceeding client expectations, resulting in satisfied homeowners.

By considering these essential factors, it's clear that Sparks Construction stands out as a reliable and trusted choice for your home-building needs in Lake City. Contact us at 386-755-9314 to turn your dream home into a reality.

To know more, visit www.sparksconstruction.com

#Home Builders Lake City #custom home builder lake city #custom home builders Lake City #Home builders lake city fl #new home construction lake city fl

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sgkinterioo · 3 months

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Is Interior Design a Good Business?

the demand for professional interior designers has witnessed significant growth. This raises the question: Is interior design a good business? In this comprehensive analysis, we will delve into various aspects of the interior design industry to evaluate its potential as a lucrative and sustainable business venture.

Several key factors contribute to the sustained demand for interior design services, making it a potentially lucrative business.

a. Lifestyle Changes:

As societal norms evolve, individuals are placing a greater emphasis on personal expression and unique living spaces. The desire for customized and aesthetically pleasing interiors has become a driving force in the interior design industry.

Opportunities in Specialized Segments:

Interior design is a broad field that offers numerous specialized segments, each presenting unique business opportunities.

a. Residential Interior Design:

Designing homes is a primary focus for many interior designers. From small apartment makeovers to luxury home designs, catering to the residential market offers a steady stream of projects.

Staying abreast of design trends and incorporating them into projects is vital. Designers who fail to adapt to changing preferences may find it challenging to attract and retain clients.

Education and Skill Requirements:

To succeed in the interior design business, individuals need a combination of education, skills, and creativity.

a. Education:

While formal education is not a strict requirement, many successful interior designers hold degrees in interior design or related fields. Specialized education provides a foundation in design principles, spatial planning, and industry knowledge.

b. Creativity and Vision:

Creativity is at the core of interior design. Successful designers possess a keen eye for aesthetics and the ability to envision unique and innovative design concepts.

c. Technical Proficiency:

Proficiency in design software, knowledge of construction principles, and an understanding of building codes are essential technical skills for an interior designer.

d. Networking and Marketing:

Building a successful interior design business requires effective networking and marketing. Establishing connections with suppliers, contractors, and real estate professionals can lead to valuable collaborations and client referrals.

Licensing and Regulations:

In many regions, interior designers are subject to licensing requirements and regulations. Understanding and complying with these regulations is crucial for operating a legitimate and successful interior design business.

a. Licensing:

Some jurisdictions require interior designers to obtain a license to practice professionally. Licensing often involves meeting educational and experience requirements and passing a standardized exam.

b. Building Codes and Regulations:

Interior designers must be knowledgeable about local building codes and regulations. Ensuring that designs comply with safety and accessibility standards is imperative.

c. Professional Memberships:

Joining professional organizations such as the American Society of Interior Designers (ASID) or the International Interior Design Association (IIDA) can provide credibility, networking opportunities, and access to resources.

Business Models in Interior Design:

Interior designers can adopt various business models based on their preferences, expertise, and target market.

a. Freelance/Independent Designers:

Many interior designers opt for a freelance or independent model, working on a project-by-project basis. This offers flexibility but requires self-promotion and business management skills.

b. Design Studios:

Establishing a design studio allows designers to collaborate with a team and take on larger projects. Design studios may focus on specific niches, such as residential or commercial design.

c. Virtual Design Platforms:

Online platforms that connect designers with clients have become increasingly popular. These platforms provide a virtual marketplace for designers to showcase their work and offer design services to clients globally.

d. Retail and E-Commerce:

Some interior designers venture into retail, selling furniture, decor, or custom-designed products. E-commerce platforms provide opportunities to reach a broader audience.

Marketing and Branding:

Effective marketing and branding are essential for success in the interior design business. Building a strong brand and marketing strategy can help designers stand out in a competitive market.

a. Portfolio Development:

Creating a compelling portfolio showcasing past projects is a powerful marketing tool. High-quality photographs, detailed project descriptions, and client testimonials can significantly influence potential clients.

b. Online Presence:

Establishing a strong online presence through a professional website and social media platforms is crucial. Regularly updating these channels with new projects and engaging content helps attract and retain a loyal audience.

c. Networking:

Building a network within the industry, including real estate professionals, contractors, and suppliers, can lead to collaborative opportunities and client referrals.

d. Client Testimonials:

Positive client testimonials and reviews contribute to a designer’s credibility and can influence potential clients’ decision-making.

Financial Considerations:

Starting and running an interior design business involves various financial considerations, including startup costs, pricing strategies, and revenue streams.

a. Startup Costs:

Initial expenses may include education and certification fees, design software, marketing materials, and a workspace. Designers should carefully budget for these costs to ensure a smooth start.

b. Pricing Strategies:

Determining pricing strategies is crucial for profitability. Designers may charge hourly rates, flat fees, or a percentage of the project cost. Clear communication with clients about pricing structures is essential.

c. Multiple Revenue Streams:

Diversifying revenue streams can enhance the stability of an interior design business. In addition to design services, designers may generate income through partnerships, product sales, or online courses.

d. Financial Management:

Effective financial management, including budgeting, invoicing, and tracking expenses, is critical for the long-term success of an interior design business.

Future Trends and Innovation:

Staying abreast of emerging trends and embracing innovation is vital for the sustained success of an interior design business.

a. Technology Integration:

Incorporating technology, such as virtual reality (VR) and augmented reality (AR), into the design process allows clients to experience spaces before implementation. This enhances the design collaboration and visualization process.

b. Sustainable and Wellness Design:

The focus on sustainability and wellness in design is expected to intensify. Designers who prioritize eco-friendly materials and create spaces that promote well-being may have a competitive edge.

c. Globalization of Design:

Advancements in communication and collaboration tools facilitate global design projects. Designers can leverage online platforms to work with clients from different parts of the world.

Conclusion:

Ultimately, the interior design business can be a fulfilling career for those passionate about creating visually appealing and functional spaces. As the industry continues to evolve, staying innovative and embracing new trends will be key to staying competitive and thriving in this dynamic field.

#architecture #interiors #home decor #interior decor #interior design #interiorstyling #interiordecor #interiors design

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unitedshopfronts581 · 3 months

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Curtain Wall: A Transparent Revolution in Architecture

In the dynamic realm of architecture, the curtain wall stands as a testament to the evolving nature of design and construction. This article delves into the intricacies of curtain walls, exploring their history, types, materials, advantages, challenges, and future trends.

History of Curtain Walls

Curtain walls have a rich history, finding early use in ancient structures. Over the years, they have undergone significant evolution, adapting to technological advancements and design preferences.

Types of Curtain Walls

There are various types of curtain walls, each with its unique characteristics. Stick-built curtain walls, unitized curtain walls, and spider glass curtain walls are among the popular choices in modern construction.

Materials Used in Curtain Walls

The choice of materials plays a pivotal role in the performance and aesthetics of curtain walls. Glass, aluminum, and steel are commonly used materials, each offering distinct advantages.

Advantages of Curtain Walls

Beyond their aesthetic appeal, curtain walls contribute to energy efficiency and the integration of natural light. These factors make them a preferred choice in contemporary architecture.

Challenges and Considerations

While curtain walls offer numerous benefits, challenges such as maintenance, insulation concerns, and weather resistance need careful consideration during the design and installation process.

Sustainable Curtain Walls

As the world gravitates towards sustainability, curtain walls are also adapting. Green building practices and the use of eco-friendly materials are transforming the landscape of curtain wall design.

Innovative Designs

The future of curtain walls lies in innovation. Customization trends and integration with smart technologies are shaping the way architects approach building facades.

Notable Buildings with Curtain Walls

Numerous iconic structures around the world showcase the versatility and beauty of curtain walls. Examples from different regions highlight the global impact of this architectural feature.

Installation Process

For those considering curtain walls in their projects, a step-by-step guide and professional recommendations provide insights into the meticulous installation process.

Cost Considerations

Understanding the factors influencing costs and the potential long-term savings is crucial for individuals or organizations contemplating the use of curtain walls in construction projects.

Future Trends in Curtain Wall Technology

As technology continues to advance, the curtain wall industry is not exempt. This section explores the latest technological trends and predictions for the future of curtain wall design.

Case Studies

Examining successful implementations and lessons learned from past projects provides valuable insights into the practical aspects of working with curtain walls.

Common Misconceptions

Addressing common myths and clarifying facts about curtain walls helps dispel misinformation, fostering a better understanding of this architectural element.

Conclusion

In conclusion, the curtain wall represents a transparent revolution in architecture, blending aesthetics with functionality. Understanding its history, types, materials, advantages, and challenges is essential for anyone involved in the design and construction industry.

FAQs

Are curtain walls only used for aesthetic purposes?

Curtain walls offer both aesthetic appeal and practical advantages such as energy efficiency and natural light integration.

What materials are commonly used in curtain wall construction?

Glass, aluminum, and steel are the primary materials used in curtain walls, each offering unique benefits.

How do curtain walls contribute to sustainability?

Sustainable curtain walls embrace green building practices and utilize eco-friendly materials.

What are the maintenance requirements for curtain walls?

Regular maintenance is crucial for curtain walls, addressing issues like cleaning, inspections, and repairs.

Can curtain walls be customized to suit specific design preferences?

Yes, innovative designs and customization trends allow architects to tailor curtain walls to unique project requirements.

#curtain wall #curtain walls #aluminium curtain wall #curtain manufacturers london #curtain walling london #aluminium curtain walling london #curtain wall glazing companies

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civilengineeringlatest · 3 months

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Types of Footing for Residential and Commercial Construction

Are you planning to build a new residential or commercial construction project? Understanding the different types of footing is crucial for a successful and stable foundation. Your choice of footing will depend on several factors, including the soil type, the load-bearing capacity of the ground, and the design of the structure.

In this article, we will explore the various types of footing commonly used in both residential and commercial construction. From shallow to deep foundations, we will discuss their characteristics, pros, and cons. Whether you need a simple spread footing, a concrete slab, or piles and caissons, we’ve got you covered.

By understanding the different footing options, you can make an informed decision that ensures the safety, stability, and durability of your construction project. So, whether you're an architect, a builder, or a property owner, read on to gain valuable insights into the types of footing suitable for your specific construction needs.

Let’s dive into the world of footing options and lay a strong foundation for your next project.

Also Read : How to Design the Footing for a House

Importance of Selecting the Right Footing Type

The foundation of any building is crucial for its long-term stability and structural integrity. The type of footing you choose plays a major role in determining the load-bearing capacity of the structure and its ability to withstand various forces such as wind, earthquakes, and soil settlement.

When selecting a footing type, it's important to consider the specific requirements of your construction project. Factors such as the soil composition, moisture content, and the expected load on the structure are essential in determining the appropriate footing type.

By choosing the right footing type, you can ensure the safety and durability of your building. A well-designed and properly constructed foundation will provide a solid base for the rest of the structure and prevent issues such as settlement, cracks, and structural failures. It's essential to consult with a structural engineer or a qualified professional to determine the most suitable footing type for your specific project.

Factors to Consider When Choosing a Footing Type

Several factors must be taken into account when selecting a footing type for your construction project. Here are some key considerations:

Soil Type: The soil on which the building will be constructed plays a crucial role in determining the appropriate footing type. Different soil types have varying load-bearing capacities and response to moisture. Clay soils, for example, have poor drainage and can expand and contract with changes in moisture content. Sandy soils have good drainage but may not provide sufficient stability for heavy structures. Understanding the soil type is essential in selecting the right footing type that can handle the soil's characteristics.

Load-Bearing Capacity: The weight and load that the foundation needs to support is another critical factor in determining the appropriate footing type. The load-bearing capacity of the soil needs to be evaluated to ensure that the chosen footing type can adequately support the weight of the structure and any additional loads such as equipment, furniture, or people.

Structure Design: The design and layout of the building also impact the choice of footing type. Factors such as the number of stories, the presence of basements or crawl spaces, and the presence of heavy machinery or equipment all need to be considered. The footing type must be able to provide sufficient support and stability for the specific design requirements.

Considering these factors will help you make an informed decision when choosing the most suitable footing type for your construction project.

Also Read : Underpinning Foundation Method

Concrete Footings

Concrete footings are one of the most common types of foundations used in both residential and commercial construction. They provide a strong and stable base for the structure by distributing the load evenly across the soil.

Concrete footings can be categorized into two main types: spread footings and slab footings.

Spread footings are used to support individual columns or load-bearing walls. They consist of a wider base that spreads the load over a larger area, reducing the pressure on the soil. This type of footing is suitable for structures with heavy vertical loads.

Slab footings, on the other hand, are used for lighter structures such as sheds, garages, or small residential buildings. They are a continuous concrete slab that supports the entire structure. Slab footings are easy to construct and cost-effective, making them a popular choice for smaller projects.

Both spread footings and slab footings can be reinforced with steel bars to enhance their strength and durability. Reinforced concrete footings are commonly used in areas with high seismic activity or unstable soils.

Concrete footings are known for their durability and resistance to moisture, making them suitable for various soil types. However, they can be more expensive and time-consuming to construct compared to other footing types.

Strip Footings

Strip footings, also known as continuous footings, are a type of shallow foundation that is used to support load-bearing walls or rows of closely spaced columns. They are long and narrow footings that distribute the load over a larger area.

Strip footings are commonly used in residential construction, especially for buildings with multiple stories. They are designed to transfer the load from the structure to the soil efficiently while minimizing settlement and differential movement.

One of the advantages of strip footings is that they can be constructed relatively quickly and cost-effectively. They are suitable for a wide range of soil types, including cohesive soils and sandy soils.

However, strip footings may not be suitable for sites with poor soil conditions or high water tables. In such cases, additional measures such as soil stabilization or deep foundations may be required.

Strip footings can be reinforced with steel bars or mesh to enhance their strength and prevent cracking. Proper design and construction techniques are essential to ensure the stability and longevity of strip footings.

Pad Footings

Pad footings, also known as isolated footings, are another type of shallow foundation commonly used in residential and commercial construction. They are individual footings that support independent columns or isolated loads.

Pad footings are used when the load from the structure is concentrated on specific points, such as columns or heavy machinery. They are designed to transfer the load directly to the soil without spreading it over a large area.

One of the main advantages of pad footings is their versatility. They can be constructed in various shapes and sizes to accommodate different column sizes and loads. Pad footings are suitable for a wide range of soil conditions and are relatively easy to construct.

However, pad footings may not be suitable for structures with heavy vertical loads or poor soil conditions. In such cases, deep foundations or pile footings may be required to provide sufficient support and stability.

Screw Pile Footings

Screw pile footings, also known as helical pile footings, are a type of deep foundation that is used in areas with unstable soil conditions or high water tables. They consist of steel shafts with helical plates that are screwed into the ground to provide support and stability.

Screw pile footings are suitable for a wide range of soil types, including clay, sand, and silt. They can be installed quickly and efficiently, making them a cost-effective solution for projects with challenging soil conditions.

One of the advantages of screw pile footings is their versatility. They can be used for various types of structures, including residential buildings, bridges, and industrial facilities. Screw pile footings are also removable, making them suitable for temporary structures or projects with changing requirements.

However, screw pile footings may not be suitable for structures with extremely heavy loads or in areas with large boulders or rock formations. Proper soil testing and engineering analysis are essential to determine the suitability of screw pile footings for a specific project.

Pier and Beam Footings

Pier and beam footings, also known as crawl space foundations, are a type of raised foundation commonly used in residential construction. They consist of a series of piers that support the load-bearing walls or beams of the structure.

Pier and beam footings are suitable for areas with poor soil conditions or high water tables. By elevating the structure above the ground, they provide better protection against moisture and prevent issues such as rot, mold, and termite infestation.

One of the advantages of pier and beam footings is their flexibility. They can be easily adjusted or repaired, making them suitable for areas with expansive soils or seismic activity. Pier and beam footings also provide ample space for utilities such as plumbing, electrical, and HVAC systems.

However, pier and beam footings may require additional measures such as moisture barriers, insulation, and proper ventilation to ensure the long-term durability and stability of the structure. Proper design and construction techniques are essential to prevent settlement or differential movement.

Trench Footings

Trench footings, also known as wall footings, are a type of deep foundation used to support load-bearing walls or retaining walls. They consist of a continuous strip of concrete that extends below the ground level.

Trench footings are suitable for areas with poor soil conditions, high water tables, or where the structure needs to be supported at a greater depth. They distribute the load over a larger area, reducing the pressure on the soil and preventing settlement.

One of the advantages of trench footings is their ability to provide stability and support for structures with heavy vertical loads or in areas with challenging soil conditions. They can be reinforced with steel bars or mesh to enhance their strength and durability.

However, trench footings may require additional excavation and construction work, making them more time-consuming and expensive compared to shallow foundations. Proper design and construction techniques are essential to ensure the stability and longevity of trench footings.

Combination Footings

Combination footings, also known as strap footings or combined footings, are a type of foundation used when two or more columns are close together and share a common footing. They are designed to distribute the load from multiple columns efficiently and prevent differential settlement.

Combination footings are suitable for structures with closely spaced columns, such as row houses or commercial buildings. They can be designed in various shapes, including rectangular, trapezoidal, or T-shaped, depending on the specific requirements of the project.

One of the advantages of combination footings is their ability to provide stability and support for multiple columns while minimizing the use of materials and construction costs. They can be reinforced with steel bars or mesh to enhance their strength and prevent cracking.

However, combination footings may require additional engineering analysis and design considerations to ensure the load distribution is adequate and the settlement is minimized. Proper construction techniques are essential to ensure the stability and durability of combination footings.

Conclusion and Final Thoughts

Choosing the right footing type is essential for the stability, safety, and durability of your residential or commercial construction project. Understanding the various types of footing available and considering factors such as soil type, load-bearing capacity, and structure design will help you make an informed decision.

From concrete footings to strip footings, pad footings to screw pile footings, pier and beam footings to trench footings, and combination footings, there are various options to suit different soil conditions and project requirements.

Consulting with a structural engineer or a qualified professional is highly recommended to ensure the selection and construction of the most appropriate footing type for your specific project.

By investing in a strong and stable foundation, you can lay the groundwork for a successful construction project that will stand the test of time. So, whether you're planning a residential house, a commercial building, or any other construction project, make sure to prioritize the selection of the right footing type.

Remember, a solid foundation is the key to a strong and stable structure.

#types of footing #footing design #foundation construction #concrete footing

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