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#Equally feral and morally ambiguous
oasisofgalaxies · 3 years
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I think c!Quackity and c!Neb would be friends
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phoenixyfriend · 3 years
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The Future Assistant Dooku Didn’t Ask For
A mid-TCW or post-RotS member of the disaster lineage (there's pros and cons to each options) gets flung back to just after Dooku leaves the order, but before his fall... and joins him.
Mostly to keep him from doing something stupid or evil, but overall I think it would be a fascinating dynamic to explore, Dooku who's already LEFT but still has someone at his side who, despite all their suspicion, has this weird faith that he can stay in the light.
There's a solid decade of possible times he could have left, so it could be anywhere from just after TPM to a few years post-Galidraan.
I'm mostly juggling between
- Just barely post-66 Ahsoka, who ALSO left the order, but never finished her training, and is determined that she can fix things if she can get this one heavily-influential person on her side. He's weirdly invested in the idea of making her deadlier than she is, so why not.
- Post-Malachor Ahsoka who fell through a rip in time with Ezra, and approaches Dooku as... not quite an equal, because he's twice her age even with all the decades traveled, but someone he can respect, and someone who knows the things he's looking for. She isn't dark, but she's lived surrounded by it for so long, fought it for so many years, that she knows from experience what he's only glimpsed in books. Also, apparently people with questionable morals just love Ezra as student material.
- Mid-TCW Obi-Wan, who's about 80% stress hormones by volume and whose first instinct on seeing Dooku, even if he's got less lines in his face, is to punch the man, which is so reactive that Dooku doesn't get a warning from the Force to dodge; this option is probably the one that involves the most straightforward and truthful rundown of the future from traveler to Dooku.
- Pre-ANH Ben Kenobi, who's looking significantly older than Dooku despite being pretty close in age and probably younger (depending on where we timeline-drop), and angles the entire thing around being inexplicably frustrating and mysterious to a point where Dooku really wants to fight him except Ben Kenobi has so many weird tidbits of information about, like, everything, but especially Sith things.
Do I want Dooku acquiring a feral and incredibly traumatized war padawan who hates him but won’t leave? Do I want Dooku 'hiring' a highly competent black ops specialist who micromanages him while pretending he's in charge? Do I want Dooku dealing with the incredibly stressed former-future Jedi Council Master who looks at him with grief of all things? Do I want Dooku suffering through ambiguous and irritating navelgazing bullshit a la Yoda at all hours?
ALSO an option is like. Mid-TCW "somewhat recovered from the psychic trauma of the Tusken Massacre and Geonosis, and not yet barreling face-first into RotS-level mania" Anakin who's less 'keeping Dooku in the light' and more 'forcibly punting him away from the dark.'
But tbh that one's a lot more likely to end up with Dooku dead and Anakin going full Vader and waging an actual war against Palpatine after the Sidious thing is clear because That Bastard Tried To Assassinate Padme!
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number5theboy · 3 years
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According to Aidan, the whole point of the Paradox Psychosis plot was to get us to see more of a comics based five, and that's why he liked the plot alot. If Aidan had creative control something tells me we would have had something more like the plot of the Dallas comic.
Bless the kiddo, but based on what the show delivered, I’m going to hazard the guess that he is the only one who even remotely cares about comic!Five, or actually gets the appeal of the character, because from what the writers delivered, they....don’t. I agree with you that had he had creative control, we would have had something closer to the comics than the confusing mess the writers put together. There is a lot to like about Aidan Gallagher himself in the paradox psychosis plot cul-de-sac, he has the cold intensity in part of the bar scene and the absolute off-the-shits feral energy that comic!Five has in some of the fight scenes, I actually absolutely enjoy watching him in these scenes, and I believe that he had fun shooting them. I like his performance, but if the writers/showrunners think this is an appropriate tribute to the comic version of Five, they are either making fun of comic fans or have completely and utterly missed what the appeal of Five in the comics is.
Five has one of the most compelling storylines in the volume the second season is VERY loosely, VERY vaguely based on, Dallas. It explores what happened to Five at the Commission, how he was turned into the perfect weapon by the Commission through genetic manipulation, how truly brilliant he is at his job, not just at killing itself, because anyone can be killing machines (that is literally the point of Hazel and Cha-Cha in the comics), but by how clever he goes about it, how he can manipulate and orchestrate the chess pieces in the world to work in his favour, and how, despite being proud of being the best in the world at what he does, Five resents how he had to give up his humanity to survive, and he hates the Commission, who did this to him. It has the whole gazelle scene, which is a clear demonstration of Five’s skills, Five’s very cool relationship with an equally ruthless Allison, Five being blackmailed into brilliantly orchestrating the JFK assassination while having to sidestep his old/younger self, and Five eating his old boss as revenge for turning him into an unfeeling monster. It is a very cool, very well-written character study and really gives comic!Five the depth he didn’t have in the Apocalypse Suite.
And in the show? We get an extended joke scene, where Five is farting and sweating, makes some stupid-ass decisions, has no meaningful, character-insight-delivering interaction with his other self, and overall has NOTHING to do with the main plot, different from the comic, where Five is a key player in the Dallas events. And this comes Five was degraded from criminal mastermind that engineers the death of JFK to the one doing the dirty work for someone else - an original character - masterminding an assassination, and then getting framed for that deed, like an idiot, different from the comics, where Five was blackmailed into doing the Commission’s bidding under threat to his life. And to add insult to injury, the Handler also gets to eat the fish, which is such an iconic moment for Five in the comics because he gets catharsis for all the pain that the Commission caused him. And after doing all of that to him, the writers turn around and tell me that that silly scene is a tribute to comic!Five?!? I just. Flat-out refuse that. Because the vibes are there, partially, thanks to Aidan Gallagher, but he cannot work around the terrible script, which makes Five go off the rails because of a stupid, contrived sickness. In the comics, Five’s feral energy, as well as his cold calculatedness, is a direct consequence of his humanity being literally cut out of him, to the point where murder becomes a physical necessity. I can’t express enough how much of a downgrade Five’s plot in the show is compared to the comics.
The writers cannot make the decisions to cut all of Five’s interesting, character-exploring plot points from the comics, invent a plot-convenient time travel sickness that leads to a side quest that brings the viewer no character exploration or meaning but does make Five act approximately like his comic counterpart in-between the comic relief, the farting, the jokes, the terrible decisions, and call that it their excuse to explore comic!Five, if nothing in their writing shows me that they understand what makes that Five a compelling character, or even that they understand comic!Five as such. It is, at best, a pale, empty imitation of a character that was reasonably complex and incredibly intriguing, and that shows up in the completely wrong framing, for the completely wrong reasons.
And I’m not blaming Aidan Gallagher for any of this, he does not have any say in the storylines he gets, all he’s allowed to do is act what he gets to the best of his abilities. I’m just saying that if I held the role of Number Five and I liked the comics, especially Dallas, and I got the scripts for Season 2, where there is no trace of the complex and dark character exploration that happens in the comics, and instead I’d have to act ~crazy~ and fart my way through a plot that has no impact on the main storyline, no real impact on my character, and nothing in common with the brilliant chessmaster that Five is in the Dallas comic, I would be disappointed. And insulted on behalf of the comics too. I understand and believe that he was happy to explore the character being a bit closer to the comics, because he has been vocal about how much he likes the source material, and especially Five in it, I just think that he deserved to put his acting chops in service of the full version of comic!Five rather than this incredibly disappointing imitation.
TL;DR: The idea that the paradox psychosis is an exploration of Five being more like his comic counterpart is ridiculous and frankly insulting to the well-written and interesting plot and character Five has in the Dallas comic, and shows that the writers have little to no idea that it is complexity and moral ambiguity rather than the face-value feral behaviour that makes comic!Five a compelling character and a fan-favourite among fans of the original comic.
Oh, and I am not saying that anyone reading this can’t enjoy the paradox psychosis bit on its own, to each their own, honestly, I’m just taking issue with the idea that it is a faithful exploration of comic!Five. So yeah, I’m with you on the idea that if Aidan Gallagher had creative control over the storylines, we’d have something that comes closer to Dallas, Anon. 
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Soulmate September - Day 16
Day 16 - When your soulmate listens to music or is singing, you hear it in your own head as well. (Songfic, Crazy = Genius by PATD)
Pairing(s): Romantic Intrulogical, Ambiguous/Romantic Analomus, Background Roceit [the Janus part is ambiguous but whatever], Familial Logicality, Familial Virremile, Background Remile [again hinted]
TWs: swearing, sexual themes [light but they’re there], makeouts, Remus being Remus, drunken behaviour, pyromania, vomiting [not graphic just mentioned]
“Either of you pyros got a lighter I can borrow?”
Logan sighed, not making much in the way of eye contact with the emo sitting in the cell next to him and his soulmate. He dug into his jean pocket and lazily tossed the lighter to the boy clad in so much black and purple he looked like the sapient embodiment of a bruise.
“Keep it.”
“Oh. You sure? This is a pretty sweet lighter-”
“I insist.”, Logan groaned, running his hands down his face, “It’s not like I’ll be needing it ever again after this.”
From beside Logan, Remus slung his arm to the side, flopping it about limply to swat at his soulmate, “Shuddafuckup”, he slurred, hauling himself upright from his slumped over position, “S’gonna be fiiiine. Roman said he’d bail us oooouuuut, so fuckin’ chill-”
“Your brother told you last week that he would give us a ride to Dairy Queen but instead he was too fucking busy getting to third base with his boyfriend!!”, Logan snapped. Ugh, he would regret that in the morning. He ran his hands through his hair anxiously slicking it back. How had the night gone wrong so fast?...
-
‘You can set yourself on fire! You can set yourself on fire!’
Logan wasn’t sure what it was about the glowing ember embrace of a flame that drew him in toward it like a moth with a death wish, but as he allowed his soulmate Remus to haul his ass towards their usual hangout with the promise of some pretty choice items to burn, he found that he couldn't care less.
As he approached the overpass with his soulmate chugging a whole half a bottle of tequila without blinking, Logan wondered how he ever survived before without this whirlwind in human form.
‘She said at night in my dreams
You dance on a tightrope of weird
Oh but when I wake up you're so normal that you just disappear
You're so straight like commuters with briefcases towing the line
There's no residue of a torturer inside your of eyes’
“Check it the fuck out, babe! Did I bring the goods or what?”, Remus grinned nearly as brightly as the shine on the rather expensive looking crimson car - he guessed it might have been a Mercedes, but car brands all looked the same to him really - parked under the overpass. Logan didn’t have a particular favourite item to burn, but when Remus walked over in his lime green hoodie that barely covered his black leather shorts and fishnets to pose seductively on top of the hood? Logan hadn’t wanted to incinerate anything more in his life.
“You… How on Earth did you come by this?!”, he ran his hand along the curve of the hood, unashamedly letting his hand roam over Remus’ thigh. 
His soulmate hummed, leaning in to steal a kiss, murmuring softly against Logan’s lips, “If I told you I might’ve hotwired it just this afternoon? Is that a turn off or a turn on?”
Goddamn him, Remus knew just how to speak right to Logan’s soul.
“The latter, and you know it.”, Logan all but growled into their kiss.
‘She said you're just like Mike
Love but you wanna be Brian Wilson, Brian Wilson
Said you're just like Mike
Love but you'll never be Brian Wilson’
In the back of his mind, Logan did wonder what his father and morally conscious little brother would think; if they knew he snuck out to satisfy his pyromania, make out with his feral cryptid of a boyfriend, and engaged in petty acts of vandalism and thievery from time to time. What would Thomas and Patton think of their stoic, orderly son and big brother who - instead of studying for his undergraduate degree in astrophysics - would rather spend the night getting dangerous and dirty alongside his soulmate who had literally just admitted to auto theft  to acquire a ridiculously expensive car for him to burn?
The thought was there for all of two seconds until Remus’ tongue licking into his mouth banished it away. The only thot he needed tonight was the one driving him crazy with a kiss alone.
‘And I said (hey ay, ay)
If crazy equals genius (hey ay, ay)
If crazy equals genius
Then I'm a fucking arsonist (hey)
I'm a rocket scientist (hey hey)
(Hey ay, ay)
If crazy equals genius (hey)
You can set yourself on fire (hey ay)
But you're never gonna burn, burn, burn (hey ay)
You can set yourself on fire (hey ay)
But you're never gonna learn, learn, learn hey!’
Knowing they came here for a reason, Logan reluctantly ended their makeout session and grabbed for his trusted blue lighter.
“How full is the gas tank?”, Logan made sure to ask, popping open the door to the driver’s side to see what was left in the car. Might as well keep anything worth selling.
“Not sure.”, Remus shrugged, twirling the keys around his finger excitedly while he finished off their first bottle of the night, “Wanna help me make sure there’s nothing left?”
‘She said darlin' you know
How the wine plays tricks on my tongue
But you don't seem to change when you stuff all of
your feelings with drugs
Other boys you may have dated serrated your heart with a slice
But the cut of your love never hurts baby, it's a sweet butter knife’
Logan wasn’t sure how Remus managed to look even more majestic every time he looked at him, but as he clung tight to the hand rest above the passenger window while his soulmate pulled off his sixteenth donut in a row, all he could think about was how lucky he was to have him. Like a trickle of water turning into a river, Logan recognised the beginning of Na Na Na starting to play in his head. Of course. He knew Remus well enough by now to know that was coming. The humming under his soulmate’s breath also gave it away somewhat. 
While Remus kept trying to empty the tank, Logan couldn’t help but feel nostalgia for their first meeting; Remus’ older brother Roman had asked Logan to stand in for the theatre department’s regular dramaturge when Logan began to hear the beginnings of Avenue Q’s The Internet Is For Porn begin to invade his mind. Luckily for him, it hadn’t taken long for Remus to saunter over and try to flirt with him, humming the exact tune Logan had been hearing the whole time.
From there, they’d begun dating though it took a good few months before Logan would join Remus in his fantastical ramblings. He lamented on how he felt trapped by a father who meant well but expected so much from him, how stifled he felt having to be a role model to his living marshmallow of a little brother. How Logan just wanted the fun, exhilaration of doing something extreme for a change.
With Remus’ encouragement, Logan opened up about his pyromaniac tendencies which his soulmate was 110% onboard with. Ever since, the underpass had become their dirty, out of the way, graffiti scarred home away from home. Where Logan could indulge the urge to burn away his stresses and lose himself in Remus’ mantra of doing whatever the fuck they wanted.
‘She said you're just like Mike
Love but you wanna be Brian Wilson, Brian Wilson
Said you're just like Mike
Love but you'll never be Dennis Wilson’
With the car finally seemingly out of gas as it shuddered to a stop, Remus fluidly slid out of the open window - you know, like a normal functional human being - and slid across the hood of the car to open the door for Logan, “Alright, time for this bitch to burn!”
Logan was more than happy to get down to the main event after doing a last quick sweep of the car. All he’d found worth keeping was the planet shaped air freshener; so sue him, the sweet scent of mixed berries was delightful. Whipping out his lighter, Logan escorted Remus a safe distance away and pulled out the hairspray he’d swiped from his room earlier. He aimed the spray towards the car - making sure it wasn’t against the wind or pointed back at himself, he preferred to keep his eyebrows, thanks - and watched as the plume of fire engulfed the car’s seat cover. 
Crackling flames. Straining metal. Hissing fabric burning to a plastic like mess. It was a symphony and Logan was it’s conductor.
With his boyfriend wrapping his arms around his shoulders, Logan tilted to kiss him once more as the heat of the fire caressed their skin. Remus’ eyes never once left Logan, seeing his soulmate delight in an act of pure mindless vandalism, watching the way Logan looked truly free, sent his heart racing. In compliment, Logan turned back to Remus, grinning already at the shades of orange and yellow that painted his handsome features. He always thought Remus was at his most beautiful that way.
‘And I said (hey ay, ay)
If crazy equals genius (hey ay, ay)
If crazy equals genius
Then I'm a fucking arsonist (hey)
I'm a rocket scientist (hey hey)
(Hey ay, ay)
If crazy equals genius (hey)
You can set yourself on fire (hey ay)
But you're never gonna burn, burn, burn (hey ay)
You can set yourself on fire (hey ay)
But you're never gonna learn, learn, learn hey!’
Logan couldn’t tell you what happened next; one minute the two of them were watching the flames while his soulmate continued his campaign to destroy his kidneys with alcohol, the next Remus was sitting in his lap leaving hickeys all over his neck while Logan let his hands roam around under Remus’ hoodie. In the back of his mind, Logan could make out the beginning of a song he didn’t recognise at first, but as the lyrics kicked in, he let out a breathy chuckle. Of course, trust Remus to pick a thematic piece of music for the night’s events. As the song got louder - and Remus marked him more needily - Logan found he rather liked the song. He’d have to ask Remus what it was called later.
‘You can set yourself on fire (hey)
You can set yourself on fire (hey)
You can set yourself on fire (hey)
You can set yourself on fire’
The next thing either of them knew, there was a vague clattering noise followed by a  thunderous metallic bang. Followed by another, then another. One after another for a total of seven times before it finally quieted down. No music, no bang, just the fire crackling away. Thoroughly shaken, Remus and Logan untangled themselves from each other, the former demanding all too loudly, “What the creme fresh fuck was that?!”
“I-! I have no idea-”, Logan began. There wasn’t anything that would’ve done that inside the car, he’d checked. However, as he rounded the car, giving the flames a wide berth, Logan noticed someone laying on the ground on the other side of the car; dressed in a dark, patchy hoodie and ripped jeans, a plume of purple dyed frizzy hair poking out from the hood. He looked like your run of the mill emo. For a second, Logan was worried he and Remus would have to dispose of a body, but fortunately the young man groaned and began to sit up. To his side, Logan winced at a metallic glint blinding his vision.
The spray can doing so had clearly rolled out of the bag full of other cans, all in different colours. At least now Logan could put a face to the rather beautiful graffiti that tattooed the underpass as well as what had exploded in the fire as he noted the burst open paint cans under the car.
“Are you alright? What the hell happened?”, Logan questioned firmly, though he knew the disoriented emo on the ground likely couldn’t answer right away. He assumed from the way the young man rubbed the back of his head that he’d taken a rather nasty fall. The anxious artist seemed to remember exactly where he was, eyes blown wide in fear, 
“Dude, get outta here quick-”
“There he is!”
Three officers rushed towards the two of them prompting the emo and Logan to make a break for it, being sure not to run into the inferno. Remus pretty quickly got the idea and joined the two of them. It seemed neither of the three of them knew exactly where they were trying to run to, but a silent, unspoken agreement saw them all heading for the same direction. Looking back on it, Logan wondered if parting ways and heading for his car with Remus could’ve at least seen them with a better chance of getting away. 
But hindsight is a bitch that wakes up seven hours late and didn’t even bother to bring Starbucks. 
‘And I said (hey ay, ay)
If crazy equals genius (hey ay, ay)
If crazy equals genius
Then I'm a fucking arsonist (hey)
I'm a rocket scientist (hey hey)
(Hey ay, ay)
If crazy equals genius (hey)’
Before long, all Logan could hear was his sneakers scraping the ground and his own breathing competing against his heartbeat to dominate his ears. The urge to stop and breathe was intense but it felt as though doing just that would send the world crashing down around them. 
Of course, prolonged exercise and a stomach full of alcohol wasn’t the best combination. 
“‘M gonna fuckin’ puke-!”, Remus huffed, trying to cover his mouth with his hand. 
“Just hold on, Remus, we’re-!”
Logan watched in horror as his soulmate stopped to empty his stomach, unintentionally doing so in a way that blocked off the hoodie clad young man trying his best to keep up.
“Ah sHIT-!”
He didn’t need to look back; the clattering of the satchel, the mutual yelps of surprise and pain, Logan kept running even as two of the officers apprehended his soulmate and the hooded lad. The guilt would catch up to Logan before the third officer did, or it would have if he didn’t mistime his turning around the next corner only to end up nearly getting run over. How poetic; from making out on a car hood to being cuffed against one. Had Remus not been busy insulting the officers’ mothers rather colourfully, Logan theorised he would’ve no doubt made some innuendo about it.
Exhausted from their chase and thoroughly cuffed, all Logan could do was let himself be loaded into the back of the cop car with Remus and the anxious emo.
‘You can set yourself on fire (hey ay)
But you're never gonna burn, burn, burn (hey ay)
You can set yourself on fire (hey ay)
But you're never gonna learn, learn, learn hey!’ 
-
“Mmm… Logan, can you-”, Remus burped a little too wetly for it not to make Logan feel as queasy as Remus looked, “Can you stroke my hair? Pleeeeeease?”
Sighing in that playful kind of annoyance only true love can allow, Logan did as asked. The night may wind up with him being harshly reprimanded by his father and possibly losing his come-and-go privileges, but at least for now he had Remus.
“...... I’m sorry.”, came the rough voice of the emo in the cell next to theirs, “You both wouldn’t be stuck here if it wasn’t for me.”
Remus just gave a dismissive grunt in reply while Logan assured their cell companion, “While you may have led the police to us, I doubt our proclivity for fiery vandalism would’ve kept going undetected forever.”, he looked the emo up and down, “Might I ask,...?”
“Virgil.”
“Virgil,”, Logan repeated, “Might I ask how you ended up stumbling across us?”
Virgil shrugged, “I’ve been painting the underpass for years. Pretty much everything down there’s something I’ve done.”. 
He chewed the inside of his cheek, “I had a shitty night so I came down to paint something when I walked in on you two getting all ‘friendly’,”, he airquoted, “So I went to go home but I got stopped by an officer and started panicking. So I just…. ran.”
His posture curled a little while he twirled Logan’s lighter between his fingers in a stimming action, “Then I realised I was way too fucking close to the fire and I blacked out.”, Virgil embarrassedly pulled his hood up, “Fire scares the shit outta me, always has. Next thing I knew, I woke up with you staring at me. You both know the rest.”
Logan nodded quietly. It really did fill in a few gaps, “I can’t blame you for not wanting to stick around. I do apologise that we inadvertently ruined your night.”
Virgil shrugged, “Eh, it’s alright, it’s just gonna suck having to have my dads bail me out again. Not that dad would mind but pops will probably gimme another lecture about ‘unhealthy coping habits’ again....”
At that, they sat for the most part in silence. Then that song began to trickle into Logan’s brain again. As nice as it had been in accompaniment to their antics before, Logan found it almost grating now. He sighed and gently nudged Remus, 
“Re-”
“Logan, babe,”, Remus groaned, beating him to the punch, “Can you fuckin’ give it a rest with the music? M’fuckin’ head hurts.”
“....But you’re the one who’s been thinking about that song, right!?”, Logan’s concern was obvious. Remus caught on as well.
“No!? I thought it was you!?”, he sloppily hauled himself onto Logan’s lap, pressing their foreheads together, “Issokay babe, I won’t let-”, he stifled a burp though it did nothing to save Logan from Remus’ drunken breath, “Won’t let fate change our soul bond! I’ll fuckin- I’ll whip out my brain surgery skills right here if I gotta-”
“Remus!”, Logan sternly held him back a little, “Calm down, let’s just try and think rationally, okay!?”
“.... Have you ever MET me, you stupid sexy science bitch?”, Remus cackled at the alliteration.
“Please be serious for once.”, Logan sighed, fixing his glasses in a self calming gesture, “Do you know the name of the song in your head?”
“Yeah, iss fuckin’ um...”, Remus clicked his fingers in thought, trying to place it, “S’fuckin Scream In The Club, or some shit who sings it...”
“..... You mean, Panic At The Disco?”, came Virgil’s voice from the neighbouring cell.
Remus pointed dramatically, “THATS THE BITCH!”. He put his fist to his chest to stifle another burp, instead taking a second to turn and spit out some of the awful taste on his tongue, “Fuckin’... the lyrics were like…. “You can set yourself-””
“- On fire?!”, Virgil finished, looking rather interested in the conversation now.
Logan nodded between the two of them, “Yes, that’s the same opening line I remember. Virgil, I take it you’re familiar with the song?”
“Well yeah, and I’ll do you one better. Uh,....”, he rubbed the back of his neck nervously, “I’ve had that song stuck in my head all night.”
Remus and Logan shared a look of shock. Could Virgil really be their soulmate? It would explain the times when they would hear music that didn’t seem to line up with each other’s tastes. Before Logan could propose a test, Remus was way ahead of him; he rolled his eyes as the music flooded into his skull. 
Virgil brightened up, “Ashnikko, huh? Good choice-”
“HOLY SHIT, LOGAN, WE GOT-! WE GOT ANOTHER ONE!!”, Remus screeched, wriggling excitedly in Logan’s lap, almost causing his boyfriend to drop him.
“Indeed.”, Logan sighed fondly as he tried to get Remus to sit back down on the bench instead of his lap, “So now you better call Roman and see if he can bail us ALL out..”
----------
... I know I won’t probably be able to catch up but hell with it, I love some of the prompt ideas, I’ll just stop tagging the blog if I run over at this point.
A big thanks to @accidental-sanders for the idea for this one, it was really fun to do.
@tsshipmonth2020
Taglist: @somehow-i-got-an-account   @cateye-glasses   @fandomsofrandom
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robininthelabyrinth · 3 years
Text
Fandom 5k letter:
MDZS (novel)
I would like NMJ centric fic - something where he's the center of attention and the focus of someone's affection, rather than a secondary character in someone else's story. I want him to be the hurt-and-then-comforted, I want him to someone's crazy obsession, I want him being put first over other people, etc. Stories in which another character has an emotional arc in which they realize how much NMJ means to them are also good.
In terms of genre, I really like darkfic, h/c, or plotty action/adventure (and more worldbuilding re: the Nie sect is always great!). Smut is OK if there's character development during, but no PWP. For romance, I prefer getting together, not established relationships, and enemies-to-lovers (or, well, enemies&lovers) over friend-eventually-becomes-a-lover.
Ships are flexible, but some optional specific prompts below:
NMJ/JGY (silver-tongued manipulator JGY, not sad misunderstood JGY please!)
yandere!JGY obsessing over NMJ because he gave him respect when he was nothing or because he’s just so damn moral and it fascinates amoral!JGY; scheming to get him back (whether via manipulation, an arranged marriage, kidnapping, whatever) or to trap him as his own (mind control could be fun!)
JGY finding out about a traumatic non-con or dub-con incident in NMJ's past (SLN post-qi deviation? WRH before/during the Nightless City captivity? JGS?) and/or seeing it happen, then going feral in his defense and/or providing him with comfort over it
if you want to do a modern AU, serial killer/assassin!JGY becoming fixated on righteous man NMJ
NMJ/WRH (generally prefer this to be noncon/dubcon and then a rescue h/c by someone else; if you want to write them romantically, please avoid completely whitewashing WRH - murderous bastard but not outright fascist tyrant is OK, but please no versions where he’s not a murderous bastard in some fashion)
WRH becoming creepily fixated on NMJ, whether pre-Sunshot (discussion conferences?) or during the campaign, and the fallout from that (wanting to make him his empress? wanting him to bear him children? etc.) – prefer this to be in the NC/DC/rescued by someone else vein
WRH sets up an arranged marriage to NMJ to get him out of the way but finds he likes him more than expected (or possibly one where WRH time travels?)
if you want to do a modern AU, mob boss!WRH obsessed with righteous man NMJ (genre shift AUs with this dynamic are also OK) – this one is OK to do as romantic between them if you want
NMJ/LXC: Would love alternate meeting, canon divergence, or genre-shift AU here; not so interested in friends from childhood with puppy crushes on each other that eventually get together. I want to see LXC doing some pining!
NMJ & Baxia: positive relationship only, please! NMJ loves his sentient or semi-sentient saber and she loves him. Other than that, go crazy – do they team up to fight his death by qi deviation? Does she cultivate to humanity? Are they weirdly co-dependent? All the worldbuilding!
NMJ/any male: go crazy! NMJ/WWX? NMJ/JC? NMJ/Wen Ning? NMJ/XXC? All good! In all cases, prefer NMJ as the pursued, not the pursuer :) no modern AUs unless they specifically fit into the type described above (i.e. if you want someone else as the mob boss/serial killer/etc. that's fine)
Wants/DNWs:
dark, creepy, dub con and non con are obvious yes, including temporary mind-alteration (hypnosis, mind control, common sense adjustment, age regression, aphrodisiacs, somnophilia, training to respond to stimuli, etc.), but no outright mind-break or permanent personality alteration (no leaving someone as a doll, no implications of long-term drug addiction, no bimboification, no permanent amnesia, etc.)
I'm very fond of AFAB!trans!NMJ but if you go this route please have him present as male and not angst over his gender assignment - being upset over forced feminization is OK, forced impreg/breeding kink is great, but no focus on gender dysphoria under normal non-extreme circumstances
ABO is fine as long as it's omega!NMJ, but no bitching/NMJ-was-once-an-alpha-but-changes-due-to-trauma
for fics involving outright non-con, please end with NMJ being rescued and getting comfort from someone else; dub-con fics can have bad end/ambiguous end (i.e. NMJ as WRH's empress, JGY's hypnotized pet, etc.)
DNW: no top!NMJ, no character death for NMJ including no implications he suffers his canon fate, no permanent physical alteration (amputation, piercings, tattoos, etc.), no voluntary infidelity, no watersports/scat/vomit/lactation/focus on body hair, no replacement pining (i.e. I want person X but I can't have them so I'll settle for you), no LXC/JGY or any ships with Wen Qing, no Christianity
no modern AUs other than those explicitly specified
no pure PWP
MDZS DONGHUA
The MDZS donghua is my absolute favorite form of MDZS (though I haven't seen the audio drama yet). I love the way that it's so much more high-fantasy and EXTRA - WWX controlling flocks of crows, using resentful energy to fly, summoning green ghost fire, ripping out Wen Zhliu's core with his bare hands..! The beautiful arrays, the magical tools (giant bells!), techniques (gravity-bending by Wen Ruohan!), literally everything Jiang Cheng does with Zidian...plus I love the small but significant canon divergences (like how NMJ is not captured by WRH but confronts him in open battle with LXC at his side).
I would like NMJ centric fic - something where he's the center of attention and the focus of someone's affection, rather than a secondary character in someone else's story. I want him to be the hurt-and-then-comforted, I want him to someone's crazy obsession, I want him being put first over other people, etc. Stories in which another character has an emotional arc in which they realize how much NMJ means to them are also good.
In terms of genre, I really like darkfic, h/c, or plotty action/adventure (and more worldbuilding re: the Nie sect is always great! ESPECIALLY with the donghua: I want to see NMJ get some of the special high-fantasy powers like we see for LWJ or WWX). Smut is OK if there's character development during, but no PWP. For romance, I prefer getting together, not established relationships, and enemies-to-lovers (or, well, enemies&lovers) over friend-eventually-becomes-a-lover.
Ships are flexible, but some optional specific prompts below:
NMJ/JGY
AU for the donghua! NMJ was never captured in the Nightless City, there's no indication he ever worked for NMJ, as far as we see he just appears when he kills WRH and then became sworn brothers with NMJ and LXC; there's not even any indication (yet) that he killed NMJ. Different meeting point? Different interactions? Wonderful opportunity to go completely off canon
I'm extremely fond of yandere!JGY or JGY going feral in NMJ's defense for some reason
if you want to do a modern AU, serial killer/assassin!JGY becoming fixated on righteous man NMJ
NMJ/WRH (generally prefer this to be noncon/dubcon and then a rescue h/c by someone else; if you want to write them romantically, please avoid completely whitewashing WRH - murderous bastard but not outright fascist tyrant is OK, but please no versions where he’s not a murderous bastard in some fashion)
WRH becoming creepily fixated on NMJ, whether pre-Sunshot (discussion conferences?) or during the campaign, and the fallout from that (wanting to make him his empress? wanting him to bear him children? etc.) – prefer this to be in the NC/DC/rescued by someone else vein
WRH sets up an arranged marriage to NMJ to get him out of the way but finds he likes him more than expected (or possibly one where WRH time travels?)
if you want to do a modern AU, mob boss!WRH obsessed with righteous man NMJ (genre shift AUs with this dynamic are also OK) – this one is OK to do as romantic between them if you want
NMJ/LQR (based on the interaction in the archery contest in the donghua, where LQR is the only one NMJ listens to)
something playing on inherent weirdness of someone a generation younger than you being your equal, plus seeing them having to stand up against the whole world more or less on their own
one of the other sect leaders tries to scheme against NMJ, LQR tries to intervene to stop them, stuff goes out of hand
NMJ/any male: go crazy! NMJ/LXC? NMJ/WWX/LWJ? NMJ/JC? NMJ/Wen Ning? NMJ/XXC? All good! In all cases, prefer NMJ as the pursued, not the pursuer :) no modern AUs unless they specifically fit into the type described above (i.e. if you want someone else as the mob boss/serial killer/etc. that's fine)
Wants/DNWs:
dark, creepy, dub con and non con are obvious yes, including temporary mind-alteration (hypnosis, mind control, common sense adjustment, age regression, aphrodisiacs, somnophilia, training to respond to stimuli, etc.), but no outright mind-break or permanent personality alteration (no leaving someone as a doll, no implications of long-term drug addiction, no bimboification, no permanent amnesia, etc.)
I'm very fond of AFAB!trans!NMJ but if you go this route please have him present as male and not angst over his gender assignment - being upset over forced feminization is OK, forced impreg/breeding kink is great, but no focus on gender dysphoria under normal non-extreme circumstances
ABO is fine as long as it's omega!NMJ, but no bitching/NMJ-was-once-an-alpha-but-changes-due-to-trauma
for fics involving outright non-con, please end with NMJ being rescued and getting comfort from someone else; dub-con fics can have bad end/ambiguous end (i.e. NMJ as WRH's empress, JGY's hypnotized pet, etc.)
DNW: no top!NMJ, no character death for NMJ including no implications he suffers his canon fate, no permanent physical alteration (amputation, piercings, tattoos, etc.), no voluntary infidelity, no watersports/scat/vomit/lactation/focus on body hair, no replacement pining (i.e. I want person X but I can't have them so I'll settle for you), no LXC/JGY or any ships with Wen Qing, no Christianity
no modern AUs other than those explicitly specified
no pure PWP
UNTAMED
Oh, the Untamed, my favorite AU fanfic that they filmed into an 50 episode series. I consider this canon completely distinct from the novel or donghua canons, so feel free to lean in to the canon divergences. Yin Metal? Ghost puppets? Completely different age gaps and/or chronologies? Baxia’s – uh – DISTINCTIVE appearance? All good!
I would like NMJ centric fic - something where he's the center of attention and the focus of someone's affection, rather than a secondary character in someone else's story. I want him to be the hurt-and-then-comforted, I want him to someone's crazy obsession, I want him being put first over other people, etc. Stories in which another character has an emotional arc in which they realize how much NMJ means to them are also good.
For the Untamed, I’m less interested in darkfic (thought it’s still OK!) and more interested in hurt/comfort.  For romance, I prefer getting together, not established relationships, and enemies-to-lovers (or, well, enemies&lovers) over friend-eventually-becomes-a-lover. Smut is OK but not preferred.
NMJ/JGY:
yandere!JGY obsessing over NMJ because he gave him respect when he was nothing or because he’s just so damn moral and it fascinates amoral!JGY; scheming to get him back (whether via manipulation, an arranged marriage, kidnapping, whatever)
JGY finding out about a traumatic non-con or dub-con incident in NMJ's past (SLN post-qi deviation? WRH before/during the Nightless City captivity? JGS?) and/or seeing it happen, then going feral in his defense and/or providing him with comfort over it
if you want to do a modern AU, serial killer/assassin!JGY becoming fixated on righteous man NMJ
NMJ/LXC: Would love alternate meeting, canon divergence, or genre-shift AU here; not so interested in friends from childhood with puppy crushes on each other that eventually get together. I want to see LXC doing some pining!
NMJ/any male: go crazy! NMJ/LXC? NMJ/WWX/LWJ? NMJ/JC? NMJ/Wen Ning? NMJ/XXC? All good! In all cases, prefer NMJ as the pursued, not the pursuer :) no modern AUs unless they specifically fit into the type described above (i.e. if you want someone else as the mob boss/serial killer/etc. that's fine)
Wants/DNWs:
dark, creepy, dub con and non con are obvious yes, including temporary mind-alteration (hypnosis, mind control, common sense adjustment, age regression, aphrodisiacs, somnophilia, training to respond to stimuli, etc.), but no outright mind-break or permanent personality alteration (no leaving someone as a doll, no implications of long-term drug addiction, no bimboification, no permanent amnesia, etc.)
I'm very fond of AFAB!trans!NMJ but if you go this route please have him present as male and not angst over his gender assignment - being upset over forced feminization is OK, forced impreg/breeding kink is great, but no focus on gender dysphoria under normal non-extreme circumstances
ABO is fine as long as it's omega!NMJ, but no bitching/NMJ-was-once-an-alpha-but-changes-due-to-trauma
for fics involving outright non-con, please end with NMJ being rescued and getting comfort from someone else; dub-con fics can have bad end/ambiguous end (i.e. NMJ JGY's hypnotized pet or puppet, etc.)
DNW: no top!NMJ, no character death for NMJ including no implications he suffers his canon fate, no permanent physical alteration (amputation, piercings, tattoos, etc.), no voluntary infidelity, no watersports/scat/vomit/lactation/focus on body hair, no replacement pining (i.e. I want person X but I can't have them so I'll settle for you), no LXC/JGY or any ships with Wen Qing, no Christianity
no modern AUs other than those explicitly specified
no pure PWP
BLACK BOOK
This movie is a delight - as long as Fouché's on screen, anyway, out-acting literally everyone else by miles (especially the terrible main leads). As someone who did their history major on the French Revolution, I'm deeply, deeply aware of how inaccurate this movie is - as someone who enjoys over-the-top villains and endless snark, I love it anyway.
Fouché (solo): The snark! The inability to take anything seriously even once! The blatant amorality! The ambiguous relationship and chemistry he has with literally anyone who is on screen with him! The willingness to side with anyone at least once, and then turn on them shortly thereafter! The surprising competence he has at everything he does - politics? investigations? flirting? lock-picking? He's your man. For now.
Requests: I'd love some canon-style shenanigans (investigating something? arresting people? having to team up with someone unusual? politics! ALL THE POLITICS!) or something plot-focused. Maybe even the glimpse of the future we get with Fouché establishing a relationship with Napoleon, or possibly an AU where Max really does become dictator (but keeps Fouché around)?  
Feel free to draw from Fouché's actual history (son of a (suspected) privateer! former math or physics teacher! may or may not have flirted with Robespierre's sister pre-Revolution while hanging out with Robespierre in a pie shop! may or may not have literally stolen a wife out of a convent and stayed very happily and monogamously married until she died decades later, much to the confusion of everyone around him!), but please maintain his key features from the movie (super competent, shameless, more amoral than outright evil). Complete genre shift AUs are also fine - I'd love to see a world where they're all mages or, like, steampunk, or IN SPACE! - but I'd prefer the vibe stay like the movie, aka completely ahistorical villains win/mad demagoguery/intrigue. Lean into the (light-hearted) dystopia!
Fouché/"Max" or Fouché & "Max": The inherent fun in a relationship where both parties know that it'll end with one of them killing the other and both of them are trying their damn hardest to achieve it, but also being absolutely essential to one another right now so. you know. let's just not talk about that.
Also just the way that Fouché calls Robespierre Max despite how much he hates it, speaking to a History between them, and the sheer glorious villainy of Robespierre in this movie - I love that he has basically a silver tongue, an almost hypnotizing ability to convince people (mostly the mob) of what he wants no matter what the situation, no matter what they know...I'd love to see that played with, including as a total AU/fantasy (magic-user AU? literal hypnosis powers? is Max planning on becoming a god?)
Would love to see plot-focused or "forced to work together" stuff, with a lot of mockery (and a great deal of competence) on Fouché's part and being ridiculously badass on Max's. Would prefer that they genuinely like each other, even if it's not going to stop them from murdering each other. Even if Max really, really wishes he didn't. Also would love to see an AU where Max really does become dictator but keeps Fouché around.
DNW: narrative endorsed anti-Revolution views (royalist or even "good idea but they went too far in 93"), no unasked-for crossovers with the Scarlet Pimpernel or something (using characters from actual history are just fine!), no major character death, no retrospective angsting (i.e. no "alas if only I hadn't killed him"), no focus on torture, no infidelity (except as approved and endorsed by spouses), no permanent amnesia, no permanent disfiguration/amputation (yes including Max losing his tongue), no "I want other person but you'll do" substitution, nothing that mind breaks either of the characters' personalities
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ghoulvs · 3 years
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ZOYA MOROZOVA ‧ THIRTY-FIVE ‧ ANTIQUES DEALER
MANY LIFETIMES AGO, SHE WAS — baba yaga, the legendary witch in the woods, living in a house with chicken legs. death’s reluctant partner in crime. morally ambiguous, loyal to herself first and foremost. wicked hag, the subject of many tales. lonely old lady, speaking in riddles and prophecies, wielder of ancient magic.
JUDGMENT ‧ STIRRING
THIS TIME, SHE IS — born of a russian winter; the coldness seeps in her bones like a second skin, frosts her heart mid-beat. left to die in the middle of the woods, but fate and/or the forest decided against it. grew up feral, a single lonely soul younger than a hundred in the halls of the monastery until they too tired of her. met valentin lazarev and, god knows why, decided to befriend him and pledge her allegiance (to both their demises refused to let go, to this day). came to america as an act of rebellion, following a man (derogatory) because she wants to, because she is his equal. spite-fire judgment, burning hot and cold, she is fast cars, heart beating faster, pumping veins into a well-oiled machine. she is ancient secrets, ancient wisdom, carved out wood with the tip of a fingernail.
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redrose689 · 3 years
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Chapters: 1/34 Relationships: Amanda Grayson/Sarek, Mirror Amanda Grayson/Mirror Sarek Additional Tags: Mirror Universe (Star Trek), Morally Ambiguous Character, Bigotry & Prejudice, dark themes, Everyone is not good
Excerpt of Chapter 1 - Vulcan
In the Sol year of 2063 when humans first became warp-capable, Solkar of the S’chn T’gai clan landed on Terra. There have been many speculations on why he even attempted such a fruitless, pivotal endeavor. Perhaps his surveying crew had sought to observe the human specimens for further studies – (Solkar was known for his unusual proclivity for xenoform studies and his ruthless tactics of mindmelds, according to the accounts of his staff) - or the Terrans had baited him with a signal. Regardless, Solkar naively seemed to not believe that the Terrans would kill him on site, as well as ravage his more advanced ship to spearhead their intergalactic domination.
In an unprecedented move in their history, the Terrans had united. This was likely motivated out of fear, an emotion experienced by many humanoid species that leads to debilitating loss of reason, and the profound realization that they were not alone and very much vulnerable to attack. (Of course, their propaganda has so far claimed they were ambitious, dauntless, and the rightful holders of power.) Quietly, the Terran nations, which were long at war with each other, developed their own perverse technology with a remarkable obsession towards weapons and defense. In a span of decades, borders collapsed and shifted, families rose from the dust into power, and a new, hungry Empire rose prepared to enter the intergalactic fray.
The Empire first targeted the Andorians. A military race, once renowned for their resilience and fighting, surrendered in three days. It is still not known how this was done. The Andorians are now a source of field labor.
Within a month, the Empire targeted the feral and strong Orions. Then the weak, obsequious Denobulans. Next the old and technologically rich Bajorans.
Planet by planet, the Terrans swallowed up the Alpha Quadrant, not unlike a gaping black hole. With every civilization, they became more formidable with newly acquired knowledge and advancements. My people on Vulcan knew that it would not be long until the Terrans would set their sights on our planet. As a race, we are, at first glance, formidable - rage and violence were intricately woven into the fabric of our culture, our being, and we excelled in the sciences - but we are also old and slow-aging. We have grown comfortable with the belief that we are superior in the mind, and my people is steeped in tradition. Thus, we did not cultivate or evolve in our fighting skills, weapons, or strategy. We remained as static as the deserts around us. Terrans, meanwhile, had been constantly evolving and adapting on their own world for millenniums - and mere years in the galactic setting. Without even knowing what kind of weapons and tactics were being used by the Terrans, my planet was incredibly unprepared for warfare.
Thus, we did the logical thing – we surrendered before the fighting even began. The High Command, who had led the now-dead Confederacy of Vulcan government, marketed our race as valuable: intelligent, logical, yet not capable of war or greed. A relationship that the Terrans can gain from without the usual fear of mutiny. The Vulcan people are not slaves, enemies, nor equal partners, but rather vassals and subordinates ready to serve.
The Terrans were careful in accepting, and it was not without bloodshed. Traditional families who opposed submission to the encroaching race were promptly executed. The High Command itself was destroyed, as well as the High Council, who held the culture and history of the Vulcan people. Of course, the Terrans did not know that Vulcans were [Illegible, evidence of tampering and desecration] – both of which had been kept a careful secret up to even now. In the quietude of our homes, the culture and history of our people are slowly taught in silence with [Illegible]. Messages are able to be passed among the Vulcan people, and the Terrans are none the wiser. It is perhaps prudent to clarify if there is an elaborate endgame or a secret revolution stirring among the my people.
No, would be the simplest answer.
The Terran Empire, for all their barbarity and brutality, are unquestionably dominant in the Alpha Quadrant. For a single planet to uprise against them would be absurd. The humans are not the same primitive species that they were once thought to be – my people had a hand in ensuring that, after all.
It will not be long until the transition is complete and we are fully enveloped into the empire. Terrans will occupy our streets and we will be enslaved, regardless of what passive terminology they designate us. They already have begun discussions regarding outlawing the Vulcan language, and redesigning our children's curriculum to uphold the language and history of Terra, just as I write now to preserve ours. And yet people are content to remain in the shadows of the Terrans’ grandeur. They have even so far assisted the Terrans in their quest for domination quite willingly – if not excessively. All the while, we are cementing our valuable roles in the Empire. We serve unquestionably and without heated emotions and pride to complicate things.
It is this way we will ensure the longevity of our race, and we  may attempt to make the best of the circumstances. This could mean, for example, influencing the course of events from the shadows.
An empire, no matter how great, is not immortal, and my people are nothing but patient.
-  "The Private Ruminations of R'ikh T'nar Skalor" (2158). Written by R'ikh T'nar Skalor, a prominent Vulcan xenoanthropologist, one of few to specialize on Terra. Now deceased following sentence for hate speech in 2164.
STATUS: BURNED.
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flying-elliska · 4 years
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Skam France Season 6 Review
It’s that time, I guess. My feelings are, like many, mixed. I think I enjoyed the season more than most people here, but the ending was a massive let down. Overall it boils down to this : Skam France is great at moments and very bad at structure. A lot of my issues with the season is what is not in it. I saw so much potential that never quite materialized, and it left me frustrated. At the same time, Lola is a really cool character, her arc is really interesting, her relationship with her sister is one of the best things they’ve ever done, and the actors killed it. Loved La Mif, discovering other sides of Eliott, the urbex backgrounds, and Maya. A lot of fascinating character moments. This is definitely my second favorite season after s3 - at times I even thought it would equal it. Sadly, though, Skam France will remain a bit of a one hit wonder for me. Because they are so good at bringing up problems in a nuanced layering way - be it addiction, grief, eating disorders, internalized ableism, racist microagressions - but when it comes to resolving what they brought up, they default towards a ‘let’s all be nice to each other, hug or kiss, love saves the day yay !’ story. Which is, when you claim to deal with real world issues, simplistic, immature, and at times quite offensive. It works for s3, which is at its core a tale of self-discovery, self-acceptance and romance. But niceness doesn’t solve racism, and family problems aren’t solved with a hug, and addiction recovery doesn’t hinge on having someone to kiss, and the series came dangerously close to implying that at times. 
All in all, this is a show that often manages to be both brilliant and terrible at the same time. At least it’s not dull. 
Positives/Negatives/Meh breakdown :
Positives :
- Sisterly love : My favorite thing without a doubt is the relationship between Lola and Daphné. Flavie and Lula killed it. Almost all the clips that made me cry were the ones with the both of them in it. At the beginning their rivalry is so relatable to me : the responsible sibling who takes on too much burdens and is too controlling and parentified vs. the problem sibling who acts out to express the issues the rest of the family are repressing - i have been in both of those spots. you can see how they slowly realize that the gap between them didn’t need to be there, that it wasn’t their fault, that it was the result of their parent’s bullshit and even shittier circumstances. seeing them make little gestures to recognize each other’s pain, to nurture each other, to give each other support, but also to tell each other some unpleasant truths, was so incredibly powerful. Relationships between sisters can be just so...complex, and loving, and petty, and jealous, and supportive, and feral, and annoying, and understanding, and ugh, they made me feel all of that and more. I have a sister, and I have a relationship like that with her, and this season gave me some very important perspectives. Really, relationships between women aren’t explored enough, and this season really did this one thing excellently and if only for that, it deserves to be watched. That moment where Lola talks to Daphné about her self destructive tendencies...so important. I am so happy that Daphné was the one finding Lola in her tower of solitude, and the moment where she says ‘you pay too much attention to what other people think, Lola’ was the emotional turning point of the season for me, because it was Daphné recognizing Lola really cared behind her mask of coldness, but also that she was hurt by that and that she needed to love herself regardless of the love her parents didn’t give her ; and also that she heard Lola saying it to her and that it inspired her too, so there is this amazing reciprocity. It was so powerful, I’m still reeling from it. And it was a beautiful full circle from the beginning of the season. 
- Family of outsiders : the urbex gang was such a wonderful new group this season. It was bound to be tricky getting us to like this new generation, and I think they did a pretty good job. Even tho I wish we got to know them a bit more, they were all intriguing and interesting on their own, and the vibes of Lamif as a whole were just so fun and lovely. Loved the neuroatypical vibes I got from Sekou and Jo. Love that they introduced a trans guy character. Loved Maya as group mom. And seeing them warm up to Lola was really sweet. The social media of them hanging out was more or less the only good social media we got this season lmao. The urbex thing was a great symbol for Lola finding a home with the outcasts, a bit on the fringe of society, and the start of acceptance, of bringing her in from the cold. Maya and Lola’s relationship fit in that really nicely, especially the bits about them talking about their shared experiences of grief, and my favorite scenes with them is showing Lola that her scars can be beautiful and that her rough experiences are part of who she is. The way she didn’t take Lola’s bullshit was great, and even tho I think their relationship was rushed, overall they really fit well together. Love Maya’s character as a concept in general, this funky purple haired lesbian environmentalist with amazing sense of style, and I really hope we see her again in upcoming seasons. And finally, I also really liked Eliott and Lola’s friendship (except for the ending) - the fact that they understand this darkness that they share, but that Eliott has succeded in climbing over it, and so he can give Lola support, understanding, guidance. I loved that we got to hear a bit more of his perspective on mental illness, the good and the bad times, that we saw his passion for movies become more real. I loved the fact that they bonded over creative things and photography, too, and that she found a safe space in the video store. And even tho it wasn’t resolved properly, the scene where he comes to get her and punches Aymeric really made me cry. Also, BASILE. Best bro in law ever. Their scenes together were so homey and warm and sweet. They will have such a good relationship in time. Overall, I really like how central friendship was in this season, shown as so powerful and important. They could have done more with it but I love a lot of what we got. I am just a sucker for found family, man.
- Lola herself : I know she was a controversial character right from the start. She’s been called manipulative, selfish, out of control, toxic. And honestly at times...maybe she was a bit. I still love her. She is just so interesting to me. The lack of compassion towards her in the fandom was seriously depressing at times, and often felt like a symptom of something I’ve seen in a lot of different fandoms, ie the capacity to only tolerate moral ambiguity when it’s attached to attractive white male characters - and to only tolerate mental illness symptoms when they can be romanticized. In the end, she’s a struggling teen from a deeply dysfunctional family who’s had a very rough life, of course she’s not going to be well adjusted. All in all, I think she’s so brave, and she is a fighter. I adored her feral energies in the trailer. I also really liked her blunt honesty at times, even if it was sometimes hurtful and excessive. I think because I have the opposite tendency to be afraid to speak my mind, I really dig a character who isn’t afraid to speak the ugly truth. Even though, again, ‘the truth’ isn’t always cut and clear, and what Lola is often doing instead is listening to ‘depression voice’ who tells her to believe the worst in people. I find that fascinating, because in my experience, yes, depression comes with this terrible lucidity that makes you see through a lot of bullshit but at the same time, is distorting your perspective because of fear and shame, and kicking that, and disentangling your perception from that fatalism, is very complicated. I loved how genuine she was, how mature too sometimes through the pain, more mature than she should have been. It was rough watching her relapse, but I think the portrayal of addiction was pretty very well done overall, not romanticized and explained in a very coherent way. I wish the show had given her a bit more of a clearer view of her inner thoughts towards the end and let her apologize a bit more. And a clearer realisation that her parent’s lack of well expressed love didn’t doom her. But...yeah Following her really made me question my own - more hidden - self destructive impulses, linked to family shit, that pushes me to sabotage and isolate myself. Like Eliott said to her - it’s really a lifelong struggle. I think overall her arc was pretty satisfying, learning to step away from the edge, letting people in, seeing that she isn’t alone, accepting she deserves better and that her failures don’t doom her. That it is about getting up and trying again. Love her using her mother’s camera and wanting to get a phoenix tattoo, a perfect symbol for her. Also Flavie was amazing, she’s got a bright future ahead.
Negatives :
- No follow up to the assault storyline : The thing that I am, without any single doubt, most mad about, is the fact they didn’t bring up the sexual assault again. Along with Charles’ rape apologism, this creates a very dubious pattern of trivializing the issue ‘as long as it’s not real rape’. The fact that the morning after immediately turns to Elu drama is what sort of started my disconnect from the season, and the fact that they don’t bring it up afterwards even once made me angry. I think Lola, before going back to the hospital, should have told someone about the abuse she endured there, and should have told someone about Aymeric, even if only to acknowledge she wants to be done with that part of her life. Aymeric is like...Lola’s biggest villain, in a sense, he is a horrible predator but he also somehow represents her worst impulses, that part of herself that tells her she doesn’t deserve better, and I think that as a character, he was interesting, and he should have been adressed/exorcised better. If Lola was a real person, of course, she would probably have to deal with this in therapy, down the line, later, but as a story, never adressing this again left it unfinished. And this is really the kind of event you NEED catharsis and resolution for. Otherwise, it’s irresponsible.
- A generally overstuffed and disjointed structure : My biggest problems with this season are about what isn’t and what isn’t it. I liked most of the clips, I don’t have an issue with them going dark, strangely enough, but the way they were put together was just...messy. Like many people have said, too much stuff not properly adressed. Palm of most annoyingly useless subplot, the whole Tiff thing. Yes, it was cool comparing her clique to Lamifex and Lola realizing she wants nothing to do with those shallow fake bitches. Sekou hacking her account to replace it with pigeons, amazing. After that though, it should have been DONE, and in general, it should have taken a lot less time and attention. Comparing Tiff’s social media addiction to Lola’s issues felt like some trivializing bullshit. The whole thing was just so annoying. It would have been good if it had led to some discussion of social inequality but like...not this shit. Char, equally useless (although, cool actress, cool style). Another MASSIVE problem is the lack of follow through on big clips. A great thing about SKAM, usually, is that it shows you the aftermath of big moments - characters lying in bed, cuddling, talk to their friends, crying in the shower, etc. It allows the viewer to breathe and really get into the character’s perspective, to be comforted and process drama, and for the emotions to resonate better, to have space to develop richly. Here...we had Lola brush off her assault, we saw nothing after Daphné got her back from the tower thinking she could have killed herself, we learned that they had money problems and the father didn’t go to work and then that was never adressed again and the light was turned back on by magic (????), we saw Eliott go on a major bender and didn’t really see how he got better, etc. Big lack of introspective clips in the latter part of the season took me out of Lola’s head. It was all stressful and breathless, all intensity and no pause like one grating high pitch note instead of music, it felt oppressive, with poor contrast, and very badly paced. It made everything blur together and feel less relevant. The problem with that is it really takes you out of the story ; it’s hard to care when you know whatever is happening might not have a resolution, and it doesn’t put you in the shoes of the character. This was compounded by how mediocre the social media was, when it is usually used to bridge in the gaps. And then to finish : the structure was so uneven, especially in the second part of the season. Towards the middle we had some very short episodes with very underwhelming endings, and Vendredis that felt like non events, and there wasn’t a lot happening - and then, bam, ep 9, drama overload, almost like misery p*rn, and then a super rushed resolution in ep 10. Like they cared more about twists and giving the opposite of what was expected instead of solid coherent narrative and rhythm. The romantic back and forth felt repetitive as hell too. All in all, it made for a very unsatisfying live watching experience, pretty sure anyone who didn’t watch live would like it a lot more. 
- The last two episodes : Really, I could have overlooked all the problems with the season if they had given us a good ending, but...they really really didn’t. And contrasted with last season, where my problems were focused on the middle, for me the ending is really the worst part of this season. I didn’t dislike the controversial club clips, I liked having the insight into Eliott’s insecurities, but they should never have brought those up if they weren’t going to let him adress them properly. Having everything go to shit in Lola’s life at once felt like overkill - they really should have solved those problems earlier, and then dealt with a few ones properly, showed us Lola freaking out on her own, and taken out the bullshit at the high school. Thierry slapping her was also too much, he could just have said these clumsy things. She could have distanced herself from Maya instead of pushing her away again. Also, they really should have had this happen in episode 8 again, and given us a proper resolution. While the tower sequence was incredibly powerful, I pretty much liked nothing after that. It was so annoying that Eliott brushed off Lola’s apology because while he wasn’t wrong that he decided to get drunk himself, she still needed to apologize and actually state that she wanted to get better so she didn’t hurt her friends, so as a resolution it was very mediocre. Thierry recognizing they should have given Lola the choice to go the hospital was a step but really not enough. And the moments with Maya were cute sure but mostly cheesy and unearned. Same for the ending clip. Mostly it’s such an unsatisfying farewell to the old generation, and it really feels like they wanted us to force to move on - didn’t want to properly recognize the end of an era, gave us almost nothing about their BAC or their future plans, etc etc. Also, letting Charles talk and having Arthur and Alexia kiss again ? SO BAD. UGH. I will be forever disappointed they didn’t give us a Multi POV or at least sth better on social media. And not having Eliott’s POV or at least a real Elu conversation (pretty much all season...) so frustrating I will never not be bitter about that. So yeah. The season started so powerfully but went out with a whimper instead of a bang. That whole ‘romantic love solves everything!!!’ shtick...very undercooked tbh. 
Meh : 
- Mayla’s development : I wanted to stan them SO BAD. Like, wlw in skam (that doesn’t turn into a panphobic mess?) YES, all the way yes. Maya and Lola had great chemistry, great dynamic. I loved their first few clips, the kind of confrontational flirting, the boldness, it was like...damn girls ! we love a non useless lesbian ! But...somewhere along the way, their relationship really suffered from the wacky plot structure. They should have shown us more bonding before we got to the angsting (esp during first urbex night). Also, their first kiss was sweet but I hated the ‘you’re my addiction’ line and that kind of put a damper on it. I liked the scenes where they open up about difficult things, the love Maya showed to Lola’s scars, the dandelion symbolism was lovely, but it wasn’t balanced enough with other stuff, and I felt Maya was way too stoic at times. And I really, really didn’t like the ending, honestly. They kept a good balance all season showing Lola wasn’t relying entirely on romantic love, that her family and friends were also important - but saying ‘i’m okay as long as you’re here’ at the end...honestly that sounds unhealthy and codependent as fuck. I really wish they’d done a more subtle, taking it slow ending for them.
- The financial issues : Again a storyline with much potential that wasn’t dealt with properly. It’s really good that we got a main that wasn’t from an economically priviledged background. Especially it felt very relevant to Daphné’s storyline, with the shame she felt at her friends seeing her place, the pressure to make it work, tying into her ED, etc etc. But cutting off the power, the father not working going nowhere...it’s like the plotline meandered and then vanished into thin air. Instead of that, they could have given us a scene of Daphné freaking out over the bills like in OG w Vilde, keeping the focus on her for that plot because she’s the most affected ; and then in the end of the season the father taking them over from her and telling her he’s found another job and that those things shouldn’t be her responsibility. That would have been relevant, instead of just...a loose end.
- Family issues : The Lecomte family dynamic seemed fascinating to me at the start. The mom being this shadowy complicated figure. The inability of the father to deal with anything. Daphné being parentified, Lola becoming the symptom child. They could have done a lot with this, but in the end, it felt like it was brushed aside too easily by saying the mom sent letters so she wasn’t too bad and Thierry is making breakfast so he’s trying. Not enough. I wanted them to let Lola acknowledge she deserved better and that their parent’s crap wasn’t on her. That her mom should have looked for help and the other two shouldn’t have pretended everything was okay. In general, there is way too much pressure to overlook toxic parent behavior and I wish they’d been clearer about this. 
- Mental health portrayal : Some parts of it were really good. Showing Daphné’s ED, letting Eliott talk about his episodes and relapses, showing some of the dark sides of depression and addiction. They just needed to show more of the recovery, because that is often the representation that they lacked the most. I don’t blame them for showing the bad sides of the mental healhcare system (which is terribly outdated and dysfunctional in France, I’m speaking from experience) but they should have shown the good too. Like do they find recovery boring or something ? Because as a person w MI, that’s actually what I’m dying to see, and they’ve been a real letdown in that department. I also think they should have acknowledged that the Lecomte family has mental issues as a whole, that the mother should have gotten help, and the father probably needs it too (still think they should have gone to therapy as a group lol).
- Elu and Eliott’s development : Honestly, not a big fan of how they wrote Lucas in s5&s6, in a lot of clips he was the angry guy with a temper, I miss s4 Lucas who was so compassionate and showed real growth and emotional intelligence. Here it just felt like they were fitting his character to plot needs, and it’s so sad for a character who had such an amazing story development. Now, I loved the glimpses of domestic Elu we got, how Axel and Maxence really showed the intimacy that had grown between them, they really felt married with all the nonverbal conversations and touches, that was sweet. But it’s so annoying that they hinted at Lucas’s insecurities and Eliott’s lack of communications and just brushed it away with ‘oh they love each other they will be okay’ sure bitch but then show us how ? that’s the interesting stuff ? it really feels sometimes like the writer(s) didn’t like how strongly the fans focused on the romance when they wanted to be talking about MATURE dark stuff not that frilly fluffy romance shit *eyeroll* male writers who think they’re above that stuff is so annoying as is the conflating of dark and mature - anyway. Again I liked seeing Eliott in his element this season, he is really thriving, with his movie and the video store, and that made me very happy. I don’t think it’s unrealistic he didn’t make a lot of friends in uni - French university can be so isolating, there isn’t a campus or a vibrant social life like in the US, it’s a very common experience to feel lost and isolated for newbies and it was also my case - but ? Sofiane ? Idriss ??? They could have found a better excuse to implicate Lamifex in the movie making tbh, like Jo egging him on about her passion for directing or whatever, and Sofiane could have been there chilling with them it would have been so cool. I just wish Eliott would have had more of an arc like Daphné did. It wouldn’t have taken much, and since he is my favorite character, I will never not be disappointed at all the wasted potential. 
Yeah so in the end i think this was a very good story they didn’t entirely give themselves the right storytelling tools to tell. Like there is something in the way they prioritize certain moments over others that...I just find very frustrating and weird. So...flawed, but still very interesting overall.
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beheadingofmakai · 6 years
Text
Artificial
Nothing important, just a short exercise to get a feel of a character I’ll be using for a tabletop game. Keep this in mind when reading this, as it is less a nuanced story and more “the concept put into practice”. As such, not all information is readily available, and won’t be, as her development will happen through the game proper. It’s a short story about one Lisbeth Elstad, who can be best described as a “walking pharmacy”.
                                                          ---------
“One... Two of them... No peepers from inside the building itself. Regular windows, not polarized, likely bulletproofed and magic-warded, no cameras that I can see, and the surrounding buildings don’t seem to be theirs, but...”
Through the binoculars, a pair of silver eyes scouted through a remote location by the hole in a wall of an abandoned building. This wasn’t the middle of nowhere, this wasn’t some backwater hole, it was merely a less bustling part of Southern California, so the well oiled cogs of society were alive and running just four stories underneath. A werewolf in a suit, running late for his job interview, a harpy rollerblading, carefully using her wings to balance herself while her human friend, wearing a matching neon green sweatshirt, instructed her how to better use her torso to handle the shifts in weight efficiently, smiles on their faces. This wasn’t your old village or the dumps, this was the city, with all the eyes and ears that come with the package. It wasn’t an option for Lisbeth Elstad to draw attention to herself while trying to get into that building by the squalid dead end street. She was unaffiliated with any sort of law enforcement or any sort of organization whatsoever. This was a one woman war running on bread crumbs that were ambiguous and obscure at best. It was less a wild goose chase as much as it was trying to find a tsuchinoko sleeping on a bed of four leaf clovers, neatly across the pot of gold by the rainbow’s end. That was more than enough for her to deem it worth a shot.
“...This stinks. That rat lied to me through his teeth! This info has to be wrong, this place is wide open like the legs of a cheap prostitute, and no matter how much I look at it, this can’t be affiliated with them at all, not with this Olympic gold medal level of incompetence. They were pros, these guys are peanuts at best... And yet...” And yet, she had nothing else to go on. Every clue, every tip, every trail she had followed so far had gone cold. This was all she had left. If she couldn’t find anything here, then that was that, it was back to square one again. Frustrated and resolute in equal parts, the girl put away her binoculars in one of her three satchels and descended the abandoned apartment complex’s stairs. The plan was simple: Get in that building, confirm if they are affiliated with them, and take any information of value by reason or by force.
Lisbeth made her way to the dead end by using the back alleys to call less attention to herself, what with the two-headed wolf pelt poised over her shoulders and all. She romanced the idea of saying, “Oh, this? Nah, don’t worry! I’m just a model on my way to the Rafael Laurel Feral Collection! Please come to cheer on me!” if she were to catch the eye of someone, but quickly discarded this clever ploy, preferring to stick to the shadows. When she was finally in position, she once again confirmed that it was merely two sentries by the door of the so called “Clement & Sibbens Law Firm”, no doubt a front for more morally bankrupt endeavors. They were dressed with security guard outfits, sure, but it was clear simply by looking at them that they were two-bit thugs at best. After a few seconds of pondering, the girl nodded to herself and seemed to have come up with an optimal plan for infiltration. Producing a small brown glass jar and a bottle of water, Lisbeth first poured some water in the jar, and then she extended her palm over the jar. From a hole in the center of Lisbeth’s hand, a pungent dark yellow substance oozed into the jar. “First, we dilute the sulfur mustard a bit...” she muttered to herself, as she was wont to do when working with chemicals, “we stir it a bit to let them coalesce, and after some hydrogen and oxygen...” -- as she murmured, the chemicals she mentioned were injected into the brew through the hole in her hands -- “...we have a very weak variant of mustard gas, high in oxygen, diluted, and without much kick.” As her substance was complete, the girl then dipped her finger lightly into the brew and gently rubbed it against her eyelids, blinking a couple of times. Soon enough, her eyes were red, little tears trailing down her cheeks. Dragging her hand across the ground at her feet, Lisbeth then rubbed her dirty hands across her pale face and, as a finishing touch, with a pristine scalpel produced from her breast pocket, she gave herself a little cut across the cheek. Step one was almost complete! The girl removed her black, pointy hat and her elegant black dress jacket, placing it neatly on the floor on top of her two-headed wolf pelt. The result: A fragile looking girl in a white shirt and black suit pants, eyes red from crying and her face dirty and bloody. She looked like the perfect victim.
                                                         ---------
“...So, how much longer ‘till we change shifts?”
“We’ve literally been here around an hour, man.”
“This sucks, dude, bossman could at least let us bring our earbuds so we can jam out and no die of boredom, there’s nothing fun about standing here for five hours!”
“It used to be seven before we got more whiny kids like you, just tough it out and stop bit--”
“Ahhhh! Someone, please help me!”
The guards’ casual dialogue came to an abrupt end when the shrill screams of a girl flooded their ears. In this comparatively isolated dead end, two blocks away from the bustle and hustle of daily life, this was certainly not common. Their necks craned to meet the source of the voice and, sure as rain, they found it: A girl almost tripping on her own feet, desperately running, heavily panting, eyes red and face stained with tears, blood, and dirt. She looked like a waiter or receptionist, by the looks of her clothes, and was clearly a civilian. 
“Huh? Hey, what’s wrong? Are you alright, ma’am?” the more experienced guard asked, approaching her and trying to see what was it she was running from. “Stop yelling, it’s fine!”
“Th-the Veiled...! That Veiled, with big claws and fangs...! He tried to take my blood in broad daylight! Please, please, he’s coming! I escaped by sheer luck, but he’s coming, oh, lord! Please help me!” the woman hysterically explained, clinging to the guard’s broad chest like a terrified rat.
The guard immediately stood in front of her, facing the direction she came running from, hand already on his pistol. “A Vampire!? In broad daylight!? Tsk, cocky bastard... Must be a real tough one to not mind the sun! These damn Veiled, sub-human pieces of trash, you take your eyes away from them for a moment and they immediately turn on you! Hey, kid! Come here, back me up, this one’s going to be tough!”
“Wh-what’s it got to do with us, man?!” the terrified underling shot back, clearly no having any of this bee’s wax. “Let her run, his beef is with her, not with us!”
“Idiot, I couldn’t care less about the girl! If he’s hungry enough to hunt in daylight, he may just be desperate and may go after anyone! If he goes inside the office, we’re done for!” chastised the senior. The less experienced guard simply resigned himself, nodding and standing side by side with his colleague.
“S-say, mister guard...”
“Don’t talk to us, we have to focus on that damn Veiled! We drop our guard for a second he’ll-- Urk...!”
“...How come you are just security guards, and yet pack guns? Hmm, mister guard? Why, oh why, would that be?”
The older guard plummeted and began convulsing on the floor, foaming at the mouth, his neck pulsating with veins, scraping at the ground helplessly with curled fingers. Before the rookie guard could react, the girl had already begun dashing towards him. He took a wild swing, a panicked reaction more than anything, which she gracefully ducked under, grabbing him by the shoulders with both hands and hitting him in the crotch with an ascending knee, putting all of her weight behind the attack while pulling herself towards him by the shoulder to maximize this ball-busting critical to infernal heights.
“Grrkk!”
As the guard crumpled, submerged in pain and his eyes spinning, he felt a hand grasp his head from behind, smashing his face against the asphalt.
“Do not make any noise or I’ll pierce your jugular,” Lisbeth explain with a calm, neutral voice. “If you scream, talk, or move in any way that I don’t particularly like...”
Lisbeth deliberately placed her free hand in his field of vision. The pale hand with long fingers, like a piano player’s, had a distinctive feature: A hole in the palm. Then, suddenly, a stake-like spike protruded from the hole, long, thick, and deadly, a single droplet of an indigo substance dripping from the tip.
“You see this? This is my ‘syringe’. You know how it hurts like hell when a bee stings? Well, that’s because of the venom more than the sting itself. You see that dear chum over there undergoing cardiac arrest? He got nice and intimate with the venom dripping from this here syringe, and for the low, low price of your noncooperation, you can join him right this moment, so you’ll tell me and give me what I want, or you can have a hot date with Saint Peter and tell him all about how it felt like when your bodily functions all shot down one by one as your body burned from within. Alternatively, nod thrice if you wish to cooperate and walk away from this one instead.”
And thrice he nodded.
“I want to enter this building. Nod once if I can walk in, nod twice if I need a key or any sort of verification.” The guard nodded once, but Lisbeth simply sighed, not particularly convinced. “I have some nice, nice sodium thiopental on me. That’s nerdspeak for ‘truth serum’, and overdosing you on that will not only get me what I want, but also leave you with lasting neurological damage, so please, be a darling and just dispense the... Uh, spill the... Aw, shucks, what was the term... The beans! Yes, please, deposit all of the beans here, if you would”.
After some silence, he nodded twice and whispered, “the keys are on my left vest pocket. Slow day, so no one is in aside from us, a couple of more guys, and Mister Clement,” his voice cracking once or twice during the sentence.
“And how’s the building’s layout? Any basements? Three paltry floors can’t be all this delightful office has to offer, hm?”
“...Who are y--”
The guard immediately felt pressure from Lisbeth’s spike threatening to bore a hole in his jugular. “Hey, now, love, don’t answer a question with a question. Where I come from, that gets you injected with neurotoxins.”
“...It’s got a large basement, two floors, you can only get there via the elevator. This is really all I know, I just started working here two weeks ago, please, you don’t have to do this!”
“Hmmmm... Ok! I’ll be taking this key, then, now... On your feet. Slowly.”
Taking the key, Lisbeth helped the terrified man stand up, and patted him one the shoulder. “See? I told you you could walk away!” But before the guard could take one step forward, Lisbeth’s wicked thorn found purchase on his left arm.
“Wh-what!? I thought we ha--” but her hand immediately covered his mouth.
“I said you could walk away, but I didn’t specify you’d do so alive. Now, be a darling and make a nice show for me, hm?”
The guard cursed her, or at least attempted to do so, but whatever words he intended to use were lost in his pained screaming as he burst into flames almost instantly. What Lisbeth injected him with wasn’t poison or a neurotoxin, it was something far more sinister, one of the many shames of human ingenuity, a reminder that somewhere out there, a scientist once thought “what if I could make the world burn?”. Napalm, injected directly to the bloodstream. “Why in the world did you think I told you to nod in order to communicate? The moment you spoke, you spoiled our agreement, Not talking was literally the second instruction I gave you,” the blonde muttered to herself.
With deft agility, Lisbeth left the smoldering man to scream and run at his leisure as she hid back in her back alley, the slow chemical painfully, slowly burning him away like the loudest candle in the fair, prompting a group of seven men burst out of the building to pursue the burning sod not long after. As they futilely tried to put out the napalm flames, stubborn as a mule as they are, Lisbeth simply dusted off her coat and her pelt, calmly wearing them again. A black jacket with elegant gold details with matching black pants and boots, a pelt of a two-headed wolf providing a feral contrast to her elegant attire, and a pointed hat, right out of the witches’ tales. From her second satchel, Lisbeth produced her last item: A blank, featureless mask, which covered her face while still letting locks of her cream blonde hair spill in front of it.
As the men were distracted by their doomed companions, one weakly twitching as the poison devoured him from within, the other flailing wildly and making a commotion, Lisbeth calmly walked inside the building unnoticed.
“If they are speaking like that oh so openly about the Veiled, then this might be worth checking out,” a somewhat annoyed Lisbeth remarked, indulging in her habit of conversing with herself.
                                                        ---------
Carpeted floor, old metal cabinets, and steel chairs neatly lined up in front of a TV comprised the interior of the supposed Law Firm. Sure enough, this looked like an accommodating waiting room for consultations and other such licitations. The illusion would hold up pretty well if it weren’t for the rather sizable amount of armed men that stormed out of the building mere moments ago. As fun and wholesome as a man undergoing cardiac arrest next to someone burning to death can be, these are merely distractions and won’t last forever. Understanding this, Lisbeth took a good look at the building’s frame, lightly but quickly knocking on the walls to see which walls were hollow and which were firm, giving knowing nods after each tock tock and each knock knock. With a good idea of which walls were essential and which weren’t in the thankfully simply designed structure, Lisbeth took a deep breath and concentrated.
“...I say, I loathe doing this every time, but you gotta do what you gotta do... Here goes nothing. Can’t afford to skim it with all these guys packing heat” the masked girl murmured as she chatted with herself, halfheartedly laughing. One or two unsuspecting fools were one thing, but seven angry, buff men? Lisbeth shall take a rain check on that, thank you very much.
The veins in the blonde’s arm bulged as her arm was suddenly grew red and swollen, then purple and grotesque, and finally almost black and fully sickening. With some clearly pained grunting, the arm’s mass finally began to subside, and as it did, a clay-like, brick red substance came out of the hole in her hand. “Hurts like hell every damn time...”, she lamented as she spread some of it on the door frame, on the crevasse behind the reception desk, under the rug, and in a couple of other places. On each of the little mounds of clay, she stuck a little pin. Without looking back and while clutching her pained arm, Lisbeth made her way to the elevator. It was an old model with rusty binder-style curtain doors. A little plaque to the left of it read “Authorized Personnel Only”. She simply snorted and pressed the unlabeled button on the bottom of the panel, descending where, hopefully, the truth awaited her.
                                                       ---------
The stagnant air of the dark basement wasn’t the worst aspect of it at all. In stark contrast with the pristine, welcoming presentation of the first floor, this basement was putrid. Crude wooden tables, assorted bottles of alcohol, a dart board (with no bullseyes on it, tragically enough), a table of billiards, and plenty of nasty looking utensils right out of a cheap gore B-movie. For someone with a mask, Lisbeth’s expression sure screamed “disgusted and furious”. It seems no one was home, at least not on this floor, but the same couldn’t be said about the first floor anymore. Footsteps, and many of them, tumbled and stomped above Lisbeth’s head. Calmly producing a small controller-like device, Lisbeth pressed the red button with an “>:)” emblazoned on it, a symphony of explosions and screams filling the air with the harmony of a trap well set and executed. Before she could celebrate, however, an unexpected scream came from the end of the hallway, something between terror and surprise in a beautiful if somewhat grating high pitch.
“Who’s there!? Please, by all means, make a sudden move so I can melt your face off with a clear conscience!” Lisbeth yelled at the source of the scream, receiving no answer. Protruding spikes from both of her hands, she cautiously advanced towards what looked like a cell at the end of a poorly lit hallway. Inside the cell, a little girl with long, thin horns huddled to the corner, terrified, tears streaming down her face. She was very thing and no doubt ill, if her labored breathing was any indication.
“P-please... Don’t... Don’t...”
Lisbeth came to a full stop upon realizing just whose face she threatened to melt off. “Ah, no, wait, hold on, I’m not one of th--”
“Stay away! What did I do to you people!? Why are you doing this to me! I want my mom! Stay away!” snapped the child, throwing a dog’s bowl that seemed to be from where she’d been eating the last few days. The sight couldn’t be more lamentable.
“Jeez... Yeah, of course you’d be wary if I look like this...” Lisbeth muttered to herself, for once cursing her choice of attire. Before she could sulk anymore, however, a light bulb shone above her head. “Hey, hey, I’m not going to get close, I just wanna show you something nice. Look at my hand.”
“...?” the child’s curiosity was roused, and she intently looked at the black-clad girl’s hand. The distinctive glove she wore lacked fabric where the palm is, kind of like fingerless gloves except an aggregate of one hundred times more pretentious. What caught her eye, however, wasn’t the strange glove, it was the hole in the center of her palm. Before she could craft a question about it in her tiny little mouth, however, a gentle jet of cold air blew from it, and soon after, beautiful snowflakes filled the cell. “W-wow! Snow...!? I’ve never seen snow! It’s so pretty! How are you doing that?”
As she produced more snowflakes with one hand, Lisbeth slowly removed her mask with the other, a friendly smile meeting the child’s cheerful expression. “By gently blowing a controlled amount of liquid nitrogen, I can freeze the natural humidity in the air, that is, the small amount of water in the air just enough to cause it to crystallize! In this way, if I manage the output in relation to room temperature and, if applicable, altitude, I can--” but she quickly shut her own mouth when she noticed the horribly perplexed expression on the poor child’s face.
“...U-uhh...?”
“...Magic, my dear friend!”
“Wow!”
Sometimes, less is more.
“My name is Lisbeth. Lisbeth Elstad,” she kindly explained as she approached slowly, until she finally was next to the child. “I have a hypothesis that your name must be really cute, given how cute you are, so would you mind sharing it with me? For science, of course.”
“I’m Marcela Toreca!” the child answered, no longer afraid of Lisbeth.
“Hypothesis confirmed! What a nice name, you little sweetling... Say, I need to ask you a few things, but if it becomes too hard to answer, don’t sweat it, ok? I’m here to more or less dismantle the place. How... How long have you been here? Why are you here?”
Marcela’s face immediately went grim again, tears welling in her eyes. “They... They kidnapped me. Snatched me when I was on the park with mama and papa, I saw them beat them up, yelled at them over something, and I’ve been here for four days. They... They were going to sell me tomorrow, and they, they sometimes would take the branding iron there and--”
Whatever came after that, Lisbeth didn’t hear as she hugged the child close. “Tug on the pelt. Grab it with all of your might and tug on it. Try to rip it if you want. Don’t say anything else, just rip and tug.” And so the child did, gripping the wolf pelt with all the strength her little hands could muster, pulling at it. It wasn’t necessary to make her relive those events anymore. “Marcela, your skin is pretty pale, and I noticed you have trouble breathing. I’m kind of in a hurry here, so I can’t really check you thoroughly, but I have a shot that’ll help you.”
The child shook with a single, potent goosebump. “U-uh, no, I’m fi--”
“You aren’t afraid of shots, aren’t you, darling? My, my, and here I thought I’d show you some more snow tricks, but alas, they are only for brave kids!”
“Uuuh... F-fine! I ain’t afraid of no needle!”
Lisbeth couldn’t help but smile. Producing a long, thin syringe filled with a green liquid from one of her satchels, Lisbeth gently held Marcela’s wrist and extended her arm. “Ok now! Close your eyes and don’t open them no matter what, ok? It won’t take more than a minute.”
With a nod and a smile, Marcela closed her eyes. Lisbeth discreetly put away the syringe and protruded one of her hand spikes, gently pressing it against a vein on Marcela’s arm and pumping her full of vitamins, nutrients, and mild energizers. Then, after retracting her spike, Lisbeth produced a different, empty syringe from her satchel. “Ok, open your eyes now.”
“...Did I do good?”
“Now, don’t tell anyone I said this, but I’ve met plenty of kickass kids in my time, but you? Easily the kickassest... Kickassetest? You did great.”
The little horned girl couldn’t help but smile. “Miss... Are you going to get me out of here?”
Lisbeth gestured a cross with both of her index fingers. “Not if you call me ‘Miss’ again! Lis is fine, I’m not much older than you. I’ll get you out of here, but first, I need to finish my own business here. Once I’m done with that, I assure you that no one will hound you again, and I’ll take you back outside. So be good like hydrogen and stay put here until I’m done, ok?”
“No! I-I’ll help you, Lis! Th-that guy has a weird trick! He shot my dad from the front, but the bullet hit him in the back somehow! If you go in alone, he’ll kill you! I’m strong, I’ll help you!” the resolute little Marcela declared, putting up her little dukes.
“...Ah, how am I gonna say no to this? Ok, but on one condition: I have a special potion that will help you become stronger. You can come with me only, and only if you take it. Howzat sound?”
“Fine! Even if it’s another i-injection,” -- Marcela’s voice cracked -- “I’ll accompany Lis! Give it to me!”
“Hmhm! Brave little pancake, ain’tcha? Ok, here’s the potion.”
With a sudden yet gentle and careful motion, Lis’ palm cradled the petite girl’s face, a mildly sweet and ether-like odor blanketing Marcela’s nostrils. The tiny girl quickly collapsed, Lisbeth catching her and settling her down gently. “A jet of chloroform always gets the job done, doesn’t it? Sleep tight, Marcela.”
Wearing her mask once anew, the resolute girl made her way to the staircase at the end of the poorly lit corridor, making sure her footsteps would be silent, the unexplored second basement floor beckoning every violent urge in her already trembling body. Tilting her mask sideways just slightly, Lisbeth nibbled on the tip of one of her spikes, “snacking” on liquid diazepam to calm herself. “Let’s have some words, you and I, Mister Clement...”
                                                      ---------
The second floor basement was vastly different. It wasn’t luxurious by any definition, but it didn’t feel cramped, had no cells, and felt more like a little gathering spot with touches of mancave, given the plenty bookcases, billiards table, bar, and other such “classy” entertainment staples, all of which would have had an endearing air were it not for the whole Veiled trafficking. If anything, it’s correct to say this place wasn’t luxurious yet, as it was clear it was slowly but surely being furnished little by little to resemble some sort of mafia underground hangout, the kind wacky and villainous art collectors seem to always have in the movies. At the far end of the spacious basement, on an elevated section, not yet carpeted, a large leather chair with two arms barely peeking on the arm rest were Lisbeth’s goal. That had to be Clement. Controlling her breathing and making sure her footsteps were silent, the girl managed no more than three steps before a voice froze her in place.
“That’s far enough, madame. You seriously didn’t think you’d be able to sneak up on me after detonating bombs on the first floor, right?”
In a split second and with her eyes wide with shock, Lisbeth tumbled out of the way, a bullet grazing her left shoulder from behind, a little grunt escaping her lips. The chair turned around, and sitting on it was a man in his early 30s, slicked back black hair with piercing blue eyes, his exquisite white suit looked less like a legal adviser’s and more like an hedonist’s pajamas, save for the single glove he wore over his right hand, and dung beetles everywhere in the world felt a strange sense of attraction to his shit eating grin. “You made me wait quite a bit, Exter. I hope you have a good reason to have made a mess of my office without a warrant. And here I thought I had made a good network. So, who snitched on me? I bet it was Harland! I always suspected him of being an undercover rat, hah!”
“Hah, don’t lump me together with those wusses. Exter’s aren’t worth the filth stuck to the sole of my boots. I’m here on behalf of no one but myself. I just wanted to have a little chat with you, see? I need to know the legality of disfiguring someone’s face with a lead pipe, Mister Lawman, so please help me out here.”
“...Hold on, you’re not an Exter?” Clement first looked genuinely confused for a second, and then simply let out a guffaw. “Ahahah! Oh, well, slap my ass and call me Cindy! You, you’re here alone? Unaffiliated? Well, that makes things easier.” Without further ado, he pointed the gun at Lisbeth and pulled the trigger. The sound very distinctly came from the pistol, but the bullet struck Lisbeth square in the back, making her lurch forward momentarily before she collapsed with a pained wimper. “If you’re not with anyone, then I have no interest in whatever information I can get out of you.”
“Why, that’s very rude, mister Clement, heh,” the girl laughed as she slowly rose from the ground. none the worse for wear. “At least let me finish talking. I suspected you’d have one of those after a little tip I got from a certain girl, but seeing you fire it confirmed it. That right there is a Rennard DZ87 ‘Mitsuhide’, isn’t it? Also known as the ‘Backshooter’, a popular enchanted handgun.”
Clement simply scratched his head. “Huh... Hey, how come you didn’t die? People usually do when I shoot them.”
“Ballistic gelatin,” explained the girl, tapping her back. “Never go in without some preparation. Put some there when I heard you had a habit of shooting people’s backs. I got some bad news for you, sweetheart, but that gun right there is useless. All the DZ87 does is use basic portal magic to teleport the bullet at the muzzle to a portal behind whatever is on its crosshairs. It’s an effective gun if you’re fighting completely mundane people or rookies, but otherwise, it’s just a gimmicky gun for, as the more crass denizens of the streets would say, pussies.”
“You mean to tell me you carry ballistic freaking gelatin with you everywhere you go? Why not just wear kevlar?”
“Good question! Why don’t you come a little close to good ol’ Lis and find out for yourself?”
The foes locked eyes for some silent moments, and when the calm was over, the storm began. Lisbeth produced some sort of little rubbery object, akin to an uninflated balloon, and pressed it against her hand’s hole, quickly filling it with a light green liquid, and the “balloon” filled, it gradually lost elasticity until it became a perfectly sealed glass orb, full of the liquid. This whole process happened in a second, and without losing any more time, she lobbed it Clement-wards, who dodged the flung weapon.
“Throwing balls versus a pistol? You must be out of your m--!”
Clement had to call a rain check on his very important taunting, however, when he heard the glass orb shatter behind him. The liquid inside the orb, as soon as it made contact with air, burst into a noxious miasma, a toxic gas that threatened to blanket him. Rapidly reacting, Clement leaped down from his high ground, evading the toxic gas, but before he knew it, Lisbeth was already making a rush for him, spikes hungry for his veins protruding from her palms. Clement took aim, and as he was pulling the trigger, Lisbeth turned her back to him.
“What...? Idiot, you could at least try to dodge the bullet instead of giving your back to m--Urgh!”
The gun went off, but the one struck was Clement. As he double over in pain, a swift kick from Lisbeth disarmed him, and another right on the chin floored him.
“Didn’t I explain before? The DZ87 makes a portal behind whatever is in its crosshairs. No one uses Mitsuhides on real combat anymore because of how utterly simplistic, outdated, and unreliable they are. All I had to do was give my back to you while being sufficiently close to you, and the portal, still technically behind me, is generated at a fixed distance, which happens to put you between the bullet and I. Even at the apex of their popularity, Mitsuhides were a side arm, and never a main weapon. You’d use the Mitsuhide with another firearm or weapon to keep your opponent guessing. If the bullet is always going to come from behind, it becomes trivial to deal with it,” the spiked girl explained with a matter-of-fact tone, almost as if dealing with a child. “You’ve never fought anything more dangerous than the parents of the innocent Veiled whose children you’ve abducted, am I right?”
“H-hey now, please! I’m just a lawyer! No need to get-- Hey, you said you wanted info, right? I’ll talk, I’ll talk! Just please promise you won’t kill me!”
Lisbeth’s eyes were looking not at a human being, but at garbage right now. “You’re quite the honest person, are you not? Talk, before I change my mind.”
“Thank you, thank you!” Clement said almost as if worshiping her. “...Hold on, before I start, you might want to do something about that Minotaur over there. She’s looking sickly, and, well, we haven’t fed her in two days,” the host explained as he pointed behind Lisbeth, towards the elevator.
“What!? Marcela, did you wake up alre--”
As soon as she turned around, something cold and sharp like the beak of a scythe found purchase on Lisbeth’s right side, sinking deep into her. She spat blood and fumbled her feet a bit before a kick sent her barreling to the floor, fresh vermilion spilling out of her wound.
“Hey, Miss Lecture, maybe don’t take your eyes off your enemy, dumbass.”
As Lisbeth turned around, Clement dipped his left hand on some of the blood left behind by her and used it to slick his hair back again. It had to be his left hand, after all, because his right arm was currently a massive metallic sickle. Moments later, the sickle turned back into a prosthetic arm.
“A Technomancer!?”
“Yup. That ‘dee zee’... Whatever you called it pistol was just insurance. I do practice some magic of my own, I mean, you’d have to be crazy not to if you’re in this business.” Clement’s jovial explanation ceased immediately after he noticed not as much blood as he expected was flowing “Hm? I thought the wound was deeper, you’re not dead yet. Again. You’re starting to piss me off, girl.” To be fair to Clement, it is pretty frustrating when people won’t die.
Upon closer inspection, Lisbeth was indeed wounded and bleeding but the wolf pelt had not been pierced at all. It was the impact itself more than any slashing damage that harmed Lisbeth. “And once again, she saved me...” Lisbeth murmured, clutching the pelt tightly before standing up.
Clement’s assault continued, his mechanical arm changing shapes to axes and swords and sickles, trying to mince Lisbeth into a pile of flesh and agony, but she kept her body parts where they should be by evading the attacks. However, it wasn’t graceful dodging, it was more akin to a headless chicken trying not to get diced up, something Clement picked up on. It was almost as if Lisbeth was afraid. As Clement advanced on her with a sword-arm, Lisbeth put chairs and other pieces of furniture between them, obstacles that were easily cleft in twain by the Technomancer.
“...Hm? Oh... Oh! I see!” Clement declared, his eyes shining with the light of realization. “You... You are deadly afraid. You piece of shit kid. You clothes made it hard to notice, but now that I get a good look at you, not only are you just a kid, you’re trembling in your boots.”
“...Oh, please, of course my body language is going to be all weird during a life or death situation!”
“No.” boldly interrupted Clement, calling Lisbeth out on her bluff. “That’s not merely adrenaline, that’s fear. I know fear when I see it. When you abduct Veiled, you see fear. When their children are abducted, you see fear. When leave them beaten bloody as you take their children, you see fear. In your body language, demeanor, and words, I see it, girl. I see fear. You can’t fool a merchant of fear in the subject of his trade.”
“S-shut up, I’m two steps away from killing you, what the hell do you know!?” Lisbeth yelled back, losing her cool.
“I understand it, even! Girl, you dispatched my men and casually strolled in because it all went according to your plan. You’re very smart, I’ll give you that, but the moment things went off the rails, the moment things stopped going according to your plan... You panicked. The moment you saw my mechanical arm, your whole facade fell through. You expected a punk ass bitch with a gun, but you found a Technomancer instead. You do not know how to play it by ear!”
“...!” One didn’t have to look at Lisbeth’s face behind her mask to know she had been read like an open book. As if to confirm Clement’s words, Lisbeth filled two more orbs with a white powder and recklessly, or it’d be more accurate to say sloppily, threw them at his assailant. The lawyer simply snatched one of the air with his left hand, while moved out of the way of the other. As it landed on the floor, the orb shattered, causing a small explosion that left a little, short lived fire where it landed. 
“...White phosphorous, huh? It’s what they use in incendiary rounds, if I have my chemistry right. Still, a fire that little means you were very sloppy in producing it. Maybe, the quality of the things that come out of those holes in your hands depends on your focus. Pissing your pants as you are right now, you can’t even make a proper explosion, I’d wager,” Clement summarized, taking his sweet time in purpose to fully indulge in the helplessness of the girl in front him. “What kind of magic is this? I’ve never seen anything like it. You can just make things with those holes? It’s some sort of Conjuration or Alchemy, if I had to take a shot in the dark... It looks more like playing with chemicals more than any real magic. Just some artificial cheap tricks, perfect for an artificial cheap girl who has to fake her bravery! I’ll have plenty of time to see how it all works after I cut your arms off.”
Lisbeth’s response was to throw more orbs, but nothing worked against him in this chaotic state of mind. The plan had gone awry, and Lisbeth no longer knew what to do. Why? How come someone who got this far today was suddenly so inept and incompetent? Why was she suddenly a scared little nobody, when she had been oh so efficient mere minutes ago?
Well, the answer is simple.
“...Kudos to you, kid,” Clement chided, half seriously, half in jest. “It takes balls to do what you did when you are such a massive coward. That mask, that outfit, it’s all out to evoke fear, to make you look big, eh?”
“Shut up!” Lisbeth retorted, producing her spikes and lunging at Clement with a panicked leap, only to meet a metallic hammer-arm face first, her body being flung to a bookcase like a helpless rag doll as her mask clattered against the floor. As she tried to get on her feet, her body simply wouldn’t comply.
“Ahh... Ahh... Damn it, come on, stand...! Hhr...! That’s two or three ribs... Come on! Stand up! W-wait, where is my mask... Where is it...!”
“You know,” Clement continued, talking leisurely as the fight was as good as won. “I didn’t know what I expected behind that mask, but it sure as hell wasn’t an ugly ass kid with tears streaming down her face. I feel like a god damned idiot for having been tricked by you in the first place. As soon as I am done with you, I’m going to take it out on that little shit upstairs. You have only yourself to blame.”
“You...! Why do you kidnap Veiled children!? Is human trafficking that fun!? Are you really that desperate for some cash!?” the furious Lisbeth lashed out, crawling away from him, huddling against the bookcase she was flung against.
Clement simply blinked. “It’s not human trafficking, though? It’s just Veiled kids, no biggie.”
“...What?”
“Oh, come on, it’s just some garbage from the other side that shouldn’t be here in the first place! I wouldn’t do this with an actual fucking person, get real! Its just a Veiled! It’s like cattle! You take the young, and let the old make more young, and then take them again! It’s good business.”
“Good business, huh...? I see, it’s good business. Ripping children away from their parents is good business to you... So we are just good business to you, huh? Good to know, really good to know!”
“Hm? Wh--”
Clement had seen fear plenty of times, but there was something else he was very familiar with: Anger. He saw anger every time a Veiled parent would have their children taken away from them. He saw anger every time a Veiled children would get sold off to the highest bidder. He saw anger every time a helpless parent tried their hardest and was beaten to a pulp by him and his thugs. He knew anger when he saw it, and right now?
Lisbeth’s face wasn’t one of fear, not exclusively. She was afraid, for sure, but there was something far more potent that that in her lithe frame right now, causing it to shake not from fear anymore.
And that was the blistering, white, hot anger that her silver eyes exuded with naught an attempt to curb it.
Protruding her hand spikes, Lisbeth impaled herself and let out a primal scream as her veins bulged unnaturally. Not two seconds later, she less jumped and more exploded towards Clement with far more force and speed than her body type and musculature would suggest, quickly releasing a burst of liquid nitrogen to encase her right hand in a block of ice that smashed against the face of the Technomancer, his world spinning for a second. He swiped back at her, catching her with a well placed right hook, a literal hook, mind you, that should have pierced her real well. And it would have, had it not been for the ice shield Lisbeth quickly made with another burst of liquid nitrogen to intercept the hook. Clement acted fast, however, and used his regular hand to streak a punch right across the girl’s face with all of his strength. Surely, with their weight and height differences, she really should’ve felt this one, right?
Nope.
Unfazed, Lisbeth swung her left hand this time as if to respond in kind, a white phosphorous-enhanced flaming uppercut that connected squarely with his jaw, quickly followed by another meteoric downwards hammer punch from the frozen hand, making him spit blood and a molar.
“S-shit, what the hell! How the hell...!”
“I pumped myself full of steroids and painkillers, darling. You are so, as they say on less reputable streets, fucked right now!”
Clement desperately turned his arm into a blade again and lunged at her, and surprisingly, found purchase, piercing the girl... And then, she grabbed onto the arm, and pulled him closer and closer.
“...! Did you intentionally...!? Wait, wait, are you nuts?! Wait!”
“Nuts? No, just desperate and short on time. Bare your neck.”
Clement’s begging fell on empty ears as Lisbeth’s left hand, swollen and charred with the burns from her own fire punch, protruded that nasty, flesh-hungry spike that quickly found its way to the veins in his neck, injecting something that quickly paralyzed Clement and made him burn from within. Pulling herself away from the arm that was currently running her through, Lisbeth, who wobbled and struggled to walk straight, one hand pressed tightly against her wound, approached his (obviously pretentious) whiskey cabinet, poured herself a glass, and drank it in one shot.
“...Even your taste in whiskey fucking sucks,” she quipped. Getting four more glasses, she lined them up in front of the poisoned Clement, and filled each with different, strange liquids directly from her hand holes. The first one was electric blue, the next, transparent, like water, followed by a light green liquid, and last but not least, a brown, sludge-like substance.
“Alright, Clement, we’re going to play something I like to call the Apothecary's Game. The rules are simple: In front of you are four glasses. Three of them are poison, but one of them is an antidote to the poison I just injected you with.”
“...What the hell is this?” Clement snarled, unable to move but seemingly able to speak.
“I didn’t give you a full dose of the venom, just enough to disable you... For now, anyways. That dose will turn lethal, given enough time, so your clock is ticking. Now, you can try and pick one of the glasses in front of you, giving you a 25% chance of picking the right choice. Pick wrong, however, and you will have drank a full dose of another poison. The two venoms in you will react really, really badly together, and you’ll die slowly and very painfully. Here’s where it gets fun!” -- Lisbeth cheerfully announced as she fastened her mask back in place, back in-character -- “If you give me information I want, and I believe you, I’ll take away one of the duds. Give me three answers I am looking for, and you’ll only be left with the antidote! Fair, isn’t it?”
“Fair like a gun to the temple, you maniac...”
“That’s rich coming from the child kidnapper. Alright, question one: How did you get this gig rolling? I heard you once worked with one Mister Sibbens, but he doesn’t seem to be around today.”
“...I killed Sibbens.” -- it seems Clement had given up on lying, fearing the repercussions of being caught -- “We originally only took cases that involved Veiled trying to get a citizenship here on the Human World. Sibbens was very much a philanthropist in this regard, and would sometimes not even charge Veiled if they didn’t have the means...”
“And you, of course, didn’t like that very much.”
“Heh, nope, not at all. I studied law to get paid accordingly, not to run a charity, much less one for sub-human freaks. Eventually, I staged his death, pinned the blame on a Veiled, and what do you know? The Exters fully bought into it.”
Lisbeth grabbed the glass with the light green fluid and tossed it across the room. “That’s one dud down. How did you get away with it for so long?”
“I still take cases, see? Veiled cases. I defend them, I vouch for them, I get them their citizenships, and play the part of the hero. I use a system much like the ‘decimation’ of the Roman Army: Every tenth Veiled family that comes, I get my boys to abduct their kids and threaten them to keep silent or risk getting their children killed. Even if they speak out against me, I have a bunch of other Veiled that will defend me, as I got them their citizenship for cheap. Then, I sell the Veiled kids in the black market for high prices. Pretty good system that guarantees no one snitches on you and, if they do, nothing happens anyways... Well, at least until an ugly masked bitch ruined it all.”
Lisbeth, however, didn’t react at all for a few seconds, and simply tossed the glass with the blue liquid away after a short delay. “It’s always money for your type, huh? That’s all we amount to when placed in front of you and your money: Obstacles to be removed, the consequences be damned. Ripping families apart is just so fun to you, isn’t it? Bad whiskey and a tacky mancave justifies it all for you, I gather. Last question: Were you involved in what happened to the White Silhouette?”
Clement looked visibly puzzled. “White... Silhouette? As in, the extremely efficient and deadly Doppel corps? They got crushed mysteriously some time ago, didn’t they?”
Lisbeth nodded. “Were you involved?”
“Not at all, I’m not that big of a player.”
“And do you know who could have done it? Do you have any clues? Any idea of where one could begin to look for answers?”
“I’ve seriously no idea of who could’ve done that... Why do you care so much for that?”
“I’m the one making the questions, sweetheart.”
“Yeah, yeah... But really, I’ve nothing to do with that, nor do I know who could have done it.”
“...Alright.” Lisbeth sighed, grabbing the glass with the transparent liquid and tossing it. “You’ve earned it. Here’s the antidote.” And just as she said that, Lisbeth also tossed away the antidote, the glass shattering against a bookcase, staining several books with the brown sludge. 
“Wh-what the fuck!? We had a deal!”
“It wasn’t a deal, it was a game. I don’t deal with serial kidnappers, and even less with lawyers. Kindly fuck off to the afterlife, please.” As if to call the curtain on this horrible specimen, Lisbeth’s spike dug into his neck one last time, pumping him full of the venom, making Clement undergo seizures as he bled from his eyes and frothed at the mouth, an ugly end for an ugly man.
Examining the elevated section where Lisbeth first spotted Clement, the Alchemist found a computer, conveniently on and accessible. Gripping her silver cross pendant, Lisbeth pulled on its bottom to remove what seemed to be a detachable section akin to a cap, revealing a USB drive. Plugging it into the computer, Lisbeth copied and pasted everything she could find in the terminal to it. Once she was done, Lisbeth copied an executable program onto the desktop, unplugged her drive, and ran the program, bricking the computer in mere seconds.
“...Until I am done going through this data, I can’t know for sure if he lied or not, but it seems he’s unrelated, making this a waste of time for the most part. Well, at least the world is one child kidnapper down...” And as she walked one, one could swear she also said “...And one lawyer down...” under her breath.
Putting the cap on her USB drive, Lisbeth called for the elevator, feebly and barely holding herself together, the kickback from the steroids and the waning effect of the painkillers making her really feel her sustained wounds. “...Better just bear with it... If I keep injecting this stuff, I’ll really OD...”
                                                     ---------
The sky grew pink over the Clement & Sibbens Law Firm office. Bodies and rubble adorned the first floor of the building as Lisbeth emerged from the elevator with the still asleep Marcela in her arms. Carrying her away, Lisbeth noticed, much to her relief, that despite there having been a literal explosion, it seems authorities were not yet in the area. “...The fact that they’ve taken so long to come check this out means they knew this was a front. I wonder how many of the local cops are under Clement’s pockets... Well, were under his pockets. Still, I should hurry.”
As she walked away through the back alleys and away from more populated areas, Lisbeth collapsed, both her and Marcela meeting the ground, unable to go on any longer with her wounds, particularly her broken ribs and the lower left side of her torso, which had been completely run through with Clement’s blade-arm. As much as she produced morphine in her body, she had accumulated far more damage than she could handle. As she lay on the floor, bleeding out, Lisbeth couldn’t help but feel a bit of relief.
It was all so scary. It can finally end. She did her best, right? This much was enough. Time and time again, she ended up in terrifying situations, acting as if she was on top of it all where in reality all she wanted was to scream. The mask looked intimidating, but it was all to conceal her terrified expression and her crying. She couldn’t help crying during battle. These clothes were so heavy, the pelt was so asphyxiating, both physically and mentally, an eternal reminder of who she must avenge.
But none of that mattered now, right? She could go. She could finally rest. She tried her best. Oluwasanmi and the Mercury Witch would welcome her in the afterlife, after so long, right? She could almost see them, the gentle giant and the rowdy witch, arms spread open, waiting for her...
“...Bullshit...”
It was only a matter of walking to the end of the light, where Father and Mother awaited her...
“...They aren’t my parents...”
Mere footsteps away...
“They never found the fucking bodies! They aren’t dead! Until I see the bodies, I won’t--”
Of course it’s never that easy. Even cowards have their pride. Even if a coward hates every moment of it, once cornered, once pressured, they will bare their fangs. It’s not that Lisbeth has nothing to lose, it’s that she lost it all already.
Some might take that as a sign to call it quits.
But Lisbeth isn’t like that.
Lisbeth shot awake, but the blinding pain caused by her sudden movement immediately made her inch back onto the bed. Wait... Bed?
“...Where... Just where am I?”
“Well, good morning, Miss Hero.”
White sheets, a window, medical equipment, and a woman in a suit sitting on the other side of the room. This was a hospital if she ever saw one.
“How...”
“How did you get here? Well, one Miss Marcela Toreca called us from a payphone, emergency call, and told us where to find you. It seems your good deed saved your life.”
“Marcela--! Where is she!?”
“Relax. She’s in the room adjacent to this one, she’s--”
“Malnutritioned and has a case of Plonar’s Disease! If we don’t treat the gangrene on the base of her horns, she might become a vegetable or even die!”
The woman in the suit whistled and clapped. “Well, now, that’s quite the accurate diagnosis. You are correct on all accounts and she’s being treated. You’ll be delighted to know her parents were contacted and they are in there, too. They really want to thank you for saving their disappeared daughter.”
Upon hearing this, Lisbeth visibly sank into her bed. “Ah... Well, that’s good to know... But now, you... Are no nurse, are you?”
The suited woman simply giggled. “Indeed I am not. Miss ‘Lisbeth’, was it? Unless you fed Marcela a false name, it is a pleasure to make your acquaintance... Now, on behalf of the California NEST of Exters, I have some questions I’d like you to answer. And please don’t try to, ah, finesse your way out of this one. I’ll tell you right now we have the whole building surrounded.”
“...It doesn’t seem like I have much of a choice, then,” Lisbeth murmured, clearly displeased.
“Whether that is your name or not is irrelevant, really, because we know something for sure, courtesy of that tattoo on the back of your hand, Miss White Silhouette.”
“...Ah.”
Just now realizing she had been stripped of all her clothes to be put in a hospital gown, that also included her gloves, and with her gloves gone, the Canis Major tattoo on the back of her left hand was fully visible. 
“A genuine article, too. So you’re the sole survivor of the White Silhouette, huh? Well, Miss Lisbeth, we can’t have an ex-Doppel just running around in Exter turf like this, you no doubt understand. Depending on your cooperation, we might be able to reach some sort of compromise. I am sure we can both benefit from this, hmhm.”
Lisbeth could only listen to this office fox flap her gums. With the damage she sustained, she knew better than anyone, better than any of these doctors, that her body would break down should she try anything. It seems the gig was finally up.
It was this encounter that brought the story of “Lisbeth Elstad” to an end and that marked the beginning of the story “Lisbeth Elstad, Exter”, a story about a coward who has decide to face everything to recover what she lost, even if all she can recover is ‘closure’.
But that story is one for another day, for another medium.
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mar00n-macar00n · 4 years
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There’s something deeply personal about “saviors complex”, fitting with this bit of my life.
Because on the long and short of it , it’s about this friction that’s wearing off a very ambiguous relationship in which the parties aren’t int an equal playing field
And for a while I thought we weren’t, I thought they were a paragon of moral duty and good. For a while they felt like they were too good for this, so someone had to watch over. This rough and capricious person would have to be protected from the dips on their own sharp edges, even if it meant getting inpailed by them.
But if you put on the other side of the scale this image of a borderline feral creature with wild shine in their eyes, reckless on their own body and mind, reaching for places they can’t get to, going against their design; overly defiant, all noise no bite. A Pandora box instead of edges.
you get this equation that equals “subject a has granted attention and tolerance, because they were so naive not to protect subject b, who is this waxing and waining force; fun from the distance and not worth it trying to leash and fix” this unequivocal amount of debt from one party, and every extra mistake will make the first subject to let them fend for themselves.
And to quote Richard siken “ There were some nice parts, sure, all lemondrop and mellonball, laughing in silk pajamas and the grains of sugar”
But if you down into those divots on the edges, and the fact that someone needs to open the box instead of trying to exterminate whatever wiggled out, the balance doesn’t work and there are no subjects but this sharp confrontation. So that’s where the song kicks in, the mentions of overly sincere, the crybaby persona is on constant odds with the other. New drives and experiences are tainted by this frustration and inability from the two parties to gain a middle ground. The external heat affects someone more than the other, the defilement of a sacred two person but not the emotional drive to fix it up, to not burn it down.
There’s this constant tug of war of trying to gain a middle ground between the ugly chapters “turn me on, turn me down” between this favor on a private space, an habit of self deception and violence develops; not only are the two parties on uneven footing, they push the boundaries and someone is gonna get punctured. However there’s still a lull of tenderness that spreads through the place, because at the end of the day one can head the others unconscious screams, and willing to open and spread blood because it’s what they promised. One party will always try to fix the other one up because they see the cracks on their system and that’s what keeps them in the same car or apartment. A savior complex to protect their other person while not being saved themselves.
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ftafp · 7 years
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Myth Anomalies: Undead or Fey
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The thing that initially made me want to post about mythology has been strange trend I’ve noticed over the year with regards to a group of mythical creatures who seem stuck between two very distinct categories of monster. Specifically there is a bizarrely large number creatures who seem to blur the thick lines between Fairy and Undead, and the most well known of these cases in the Banshee
In modern pop culture anyone and their mother can tell you what a banshee is. It’s a ghostly woman whose ghastly shriek either foretells death or causes it for all who hear it. What most people, (including the one person I expected to know) don’t realize is that while contemporary Banshee are undead, in their celtic origins they are explicit fairies.
This isn’t some random old source that nobody took seriously. The name banshee (or bænsidhe) literally translates to “Woman of the fairies.” And even more curiously, she’s not the only one affected by this. In fact, she’s not even the only case from irish mythology (although seeing as irish fey are sort of the archetype it’s not all that surprising that they hold the record)
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Pictured above is the Headless Horseman, who is about one can get to the Halloween version equivalent of Santa Claus (excluding Jack-o’-Lantern, but more on that soon). In American folklore he is known as a poultergeist of a revolutionary war mercenary who lost his head to a canon ball and now haunts rural new york carrying a pumpkin around as a replacement. While The Legend Of Sleepy Hollow popularized this figure as a form of undead, his origin was as, you guessed it, an irish fairy who was actually a lot like the banshee.
Like the Banshee, the Dullahan (or as it’s known to weeaboos, Durarara™) is a cryptic and unsightly fairy whose purpose was either to foreshadow or sew death with his presence. Unlike the one who attacked Ichabod Crane (that was just some churlish vintage bro with a pumpkin), the Dullahan had a number of properties that marked it’s unnatural and disturbing nature, such as the rotten head it carried around or the whip made from its own spinal cord. Also the horse’s head was bigger than its body so good luck telling me how it got off the ground. It also has an even creepier brother who never made it big enough to be considered undead. from the islands of northern scotland comes the skinless horseman, the Nuckelavee, who looks like what would happen the colossal titan got hot and steamy with some sweet, sweet centaur ass (note: if you have a weak constitution don’t google it. just watch RWBY Season 4 for a toned down version)
Neither of these were truly considered undead at the time they were created, but through Richard Dawkin’s theory of Memetic evolution they have become undead to adapt to a society that is no longer intimidated by fairies. However, in some cases, this exact process has played on in reverse. Take for example the Will-O’-Wisp
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Most people see these little globes of light as fireflies without the fly. While some may consider them “fairy lights” the fact of this matter is that Will-O’-Wisps get a bit spookier when we look at that buddy I told you we’d get back to. You see, Will-O’-Wisps were originally called Jack-O’-Lanterns, and their origin story is the reason “Tricking” is a valid alternative to candy.
As follows its mirror image the headless horseman, who started as a race of fairies but became an individual undead, the Jack-O’-Lanterns started off as an individual undead but became a race of fairies. Legend goes that a devious and clever moocher by the name of Stingy Jack proved such a sly bastard that the Devil himself decided to make his acquaintance. When the two met in a bar, Jack talked old scratch into turning himself into a coin so he could scam the hapless waitress into giving him his fill of beer. Once transformed however, Jack stuck the coin into his pocket next to a small cross, preventing the devil from changing back. Basically the guy held the devil hostage until he agreed not to take Jack’s soul when he died, but when that day came even purgatory barred its gates to him, so the devil gave him a lantern and made him fuck off back to earth, where to this day he still pulls tricks by guiding marsh-wanderers into leech-filled bogs
Of course, this trend is not limited to celtic mythology, though given that the word “fairy” tends to only be applied to celtic and germanic spirits we’re going to need an extended definition to see just how global this phenomenon is, so let’s head east across eurasia until we find their middle-eastern counterpart, the djinn, or as they’re more commonly known, Genies
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(I wanted to use Robin Williams here but I just couldn’t do that)
See, while we never really make the comparison, the genies of middle eastern myth (djinn, ifrit, marids, divs and ghüls) have all the characteristics of fairies. They’re tricky, magical, intelligent, but are explicitly not infernal in nature, instead being individuals with souls and moral variation.
The first four groups I mentioned above have very little in the way of ambiguity, but for the last, Ghüls, or as we know them, Ghouls, actually have a number of variations, ranging from djinn, to intelligent zombies to demons, degenerated humans and batman villains. However, the most popular version, codified by Gary Gygax and George Romero is the idea of ghouls as cannibalistic and feral undead. Older sources tend to avoid the undead comparison, depicting ghouls as cannibalistic shapeshifters either demonic or eldritch (Note: eldritch originally meant elven), but until a few years ago you could have fooled me.
Okay, moving from genies and continuing our journey east we’re going to come across another group of monsters that we as a society really need to just get over and accept as a type of fae. I’m talking about Yokai, a wide family of japanse spirits including ascended animals (like nine-tailed foxes and tanuki) humanoid monsters and weird-ass sea creatures that will butt-fuck you under water unless you make them bow or give them a cucumber
See, yokai as a class is quite diverse compared to previous definitions, wrapping in unambiguous undead and animated objects in addition to more fairy-like beings. Given a vast tradition equal in size to european myths, I do not have the time or the knowledge to detail each case, but what I can do is point to the Banshee’s asian cousin: the Yuki Onna or “snow woman”
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Yuki Onna are, as the translation suggests, beautiful and ethereal women who lure victims into snow sex and then hypothermic cuddling after and most likely have nip-nops hard and pointy enough to cut glass. Like fairies they are beautiful sensual, and dangerously tricky, but like banshees they are often depicted as ghosts, usually ones who now deal in the same hoary fate that resulted in their own death.
Okay, so with the examples above it should be clear to you by now that there are enough examples to treat Undead Fey as a class of mythical creature in their own right, the way we do Dragons. This class needs a name, and I propose we move to change the term Unseelie so that it refer these ambiguous cases, and use Seelie to refer to all fairies or fairy-like spirits, good or evil, who are unambiguously alive. While Unseelie does already have a definition, it’s fuzzy and inconsistent one, this is just too fitting to pass up
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