#Drone videos Melbourne

[dronevideomelbourne]

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[thepastisalreadywritten]

More than two miles long and 1,142 feet tall, Uluru, the red sandstone rock formation in Australia’s Northern Territory, wows travelers during the day.

But now, a new night spectacle Wintjiri Wiru illuminates the darkness adjacent to the monolith in a way that reveals Indigenous culture while dazzling with high-tech sound and lights.

“Humans are drawn to light—just think of how compelling sunsets are,” says Melbourne light artist Bruce Ramus, who designed the work in collaboration with the local Anangu people and Voyages Indigenous Tourism.

Wintjiri Wiru is just the latest offering—and newest technology — in the tradition of son et lumière (sound and light) shows, grand public spectacles projected on to (or close to) historic buildings and natural wonders.

These mash-ups of pageantry, culture, and art are experiencing a boom fueled by digital advances and tourist sites looking to attract visitors after dark.

Here’s where to see the latest shows, plus why visitors love these “virtual campfires.”

How did sound and light shows start?

Paul Robert-Houdin created the first sound and light show in 1952 at France’s Château de Chambord.

Music and narration played while slide projectors splashed colored lights on the 16th-century palace.

“We had the feeling that a new way of discovering and understanding monumental heritage was perhaps being born,” one observer wrote in Le Figaro newspaper.

The concept was a hit.

“Standing in the dark and being immersed in sounds and images creates a sense of enchantment,” says Jane Lovell, a professor of tourism at Canterbury Christ Church University in England.

In the following decades, other storied sites harnessed that magic, such as the Red Fort in Delhi, India, and Independence Hall in Philadelphia.

“There were captive audiences for these attractions, so the efforts were minimal—just light up these beautiful things that already existed,” says California light show producer Ryan Miziker.

Early technology was expensive and bulky: sofa-sized slide carousels, finicky stereo speakers that malfunctioned in bad weather.

The storytelling, if mostly historically accurate, could be clunky and lecturing.

At Egypt’s Pyramids at Giza, the still-running circa-1961 show features the Sphinx “narrating” a lofty spiel about ancient life as murky colored lights wash over the monuments.

https://youtu.be/anLYLqMyK1I

How tech took over light shows

“Son et lumieres started out as pretty rudimentary things—a castle would be lit up and a soundtrack would say, ‘this tower was built in 1592,’” says Ross Ashton of London’s Projection Studio, which designs extravaganzas for attractions from Welsh castles to Indian fortresses.

But by the 1990s, innovations in video, lasers, and audio meant creators could screen riveting, mind-bending shows.

“Digital video changed everything,” says Miziker.

“We had software to do 3-D mapping, which takes a round object like a globe and flattens it, or wraps any structure in overlapping, blending geometry.”

Sound evolved, too.

“Bells, spoken voices from different directions, or a fireball rolling, you can layer sound up, so it feels like a tapestry,” says Projection Studio’s sound artist Karen Monid.

Today’s sound and light shows are like mini action movies screened on historic buildings or natural wonders.

San Antonio’s The Saga wraps the 18th-century San Fernando Cathedral in sound effects (mariachi ballads, cannon blasts) and painterly images (folk dancers, renderings of the Alamo) to tell the story of the Texas city.

In Jerusalem, Israel, the ancient Tower of David has two night shows, one on city history and the other about the biblical shepherd-turned-ruler that gave the site its name.

Wintjiri Wiru harnesses LED lights, lasers, sound, and 1,100 drones to recount a legend from the Anangu, who consider Uluru sacred.

The show depicts mala (wallaby-rabbit) beings battling a gigantic devil dog spirit.

“Combine light with sound—in this case Anangu songs and other effects—and it’s like the desert is speaking,” says Ramus.

Other projects are more abstract, such as the new Aura Invalides show at Les Invalides in Paris, which fills the grand interiors of the historic military monument with surreal rays of colored light and outlines architectural elements in laser graffiti.

“People move around within the building, making it more like a 360-degree immersion than something didactical,” says Manon McHugh, a spokesperson for Moment Factory, the studio that created the show.

Why travelers love spectacles

Experts think people are drawn to these shows for their sense of wonder and spectacle.

“Sound and light shows are like fireworks—it’s impossible to look away,” says Miziker.

"Since audiences are sitting in the dark, there’s cognitive dissonance, with the atmosphere almost becoming its own entity,” says Lovell.

https://youtu.be/FV3XdOda3zM

Plus, in this age of Instagram, sound and light spectacles make ideal selfie backdrops or video ops.

“When Moment Factory started doing shows, we didn’t want people to have their phones out,” says McHugh.

Now, other digital production studios build in elements like photo booths to encourage participants to share their experiences.

How sound and light shows help tourist sites

Sound and light shows can be expensive and time-consuming to design.

(Wintjiri Wiru was developed over several years and cost $10 million.)

But many tourist attractions and cities are willing to shell out.

“They produce new income streams,” says Ashton. “People normally go home at night, but if you sell them a ticket to an illumination, they’ll come back.”

Many sound and light experiences in public, urban spaces — outside cathedrals, on city halls, across skyscrapers — are free, but paid for by cities to give visitors an excuse to stay an extra night.

“We used to think of tourism as a daytime activity, but there has been this tourist-ification of the night,” says Andrew Smith, a professor of urban experiences at England’s University of Westminster.

“Now cities want to attract people and keep them in town. It’s a commodification of the night, a way to extend economic and cultural activity.”

Studies indicate that these shows might even make city downtowns feel safer. “It starts to dematerialize the buildings,” says Ramus.

“You just see the lights, and our cities become transparent. They feel gentler.”

#Youtube #Wintjiri Wiru #son et lumière #sound and light shows #Paul Robert-Houdin #Château de Chambord #France #Pyramids at Giza #Cathedral of Notre-Dame #Regalia #Moment Factory #Uluru #Anangu people #Voyages Indigenous Tourism #The Night Spectacular #King David #Jerusalem #Projection Studio #San Fernando Cathedral #Tower of David #LED lights #drones #sound #lasers #Aura Invalides #National Geographic #Nat Geo #The Saga

[streamline-video]

Expert Drone Videography Services in Melbourne

Elevate your visuals with our expert drone videography services in Melbourne. Capture stunning aerial footage for your project.

[mettamemories]

Leveraging Drone Photography for Aerial Perspectives of Melbourne Corporate Events

In the dynamic landscape of corporate events, creating memorable experiences and capturing stunning visuals are paramount to success. With the advent of drone photography, event organizers now have the opportunity to elevate their gatherings to new heights – quite literally. In this article, we'll delve into the world of drone photography and explore how it can be leveraged to provide breathtaking aerial perspectives of Melbourne corporate events. Additionally, we'll highlight the importance of partnering with a professional photographer melbourne who specializes in drone photography to ensure impeccable results. Throughout the article,

The Rise of Drone Photography:

In recent years, drone photography has revolutionized the way we capture and experience the world around us. By deploying unmanned aerial vehicles equipped with high-resolution cameras, photographers can capture stunning aerial views that were once inaccessible. From sweeping landscapes to dynamic cityscapes, drone photography offers a unique perspective that adds depth and dimension to visual storytelling.

Elevating Corporate Events with Drone Photography:

For corporate events held in Melbourne – a city known for its iconic skyline and picturesque landscapes – drone photography presents a captivating opportunity to showcase the event venue and surroundings from a bird's-eye view. Whether it's a corporate conference, product launch, or team-building retreat, aerial photographs and videos captured by drones can provide attendees with a unique perspective and create a lasting impression.

Key Benefits of Drone Photography for Corporate Events:

Enhanced Visual Appeal: Aerial shots captured by drones offer a dynamic and immersive viewing experience, capturing the scale and grandeur of corporate events in Melbourne.

Unique Perspectives: Drones can access vantage points that traditional photography cannot reach, allowing for creative and innovative shots that highlight the event venue and surrounding landmarks.

Engagement and Brand Awareness: Stunning aerial footage can be leveraged for promotional purposes, increasing engagement on social media platforms and enhancing brand visibility.

Documentation and Analysis: Aerial photographs and videos serve as valuable documentation of corporate events, providing organizers with insights for future planning and analysis.

Partnering with a Professional Photographer in Melbourne:

While drone technology has made aerial photography more accessible, achieving professional-quality results requires expertise and experience. When selecting a photographer for your Melbourne corporate event, it's crucial to partner with a professional photographer in Melbourne who specializes in drone photography. Look for someone with a proven track record of delivering exceptional results and a portfolio that demonstrates their proficiency in capturing aerial perspectives.

Choosing the Right Photographer:

Experience: Seek out photographers with extensive experience in drone photography, particularly in the context of corporate events.

Credentials: Verify the photographer's credentials and certifications to ensure compliance with regulations and safety standards.

Portfolio: Review the photographer's portfolio to assess the quality and style of their work, ensuring it aligns with your vision for the event.

Communication: Establish clear communication with the photographer regarding your expectations, objectives, and logistical details of the event.

Conclusion:

In conclusion, drone photography offers unparalleled opportunities for capturing breathtaking aerial perspectives of Melbourne corporate events. By partnering with a melbourne newborn photography who specializes in drone photography, event organizers can elevate their gatherings to new heights and create lasting impressions on attendees. With its ability to provide unique perspectives, enhance visual appeal, and engage audiences, drone photography has become an indispensable tool for capturing the essence of corporate events in Melbourne.

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[shaadicapture12]

Unveiling the Artistry of Shaadi Capture: Melbourne's Premier Wedding Cinematographer and Videographer

Weddings mark a union of souls, a celebration of love, and the inception of a beautiful journey. In the bustling city of Melbourne, the pursuit of encapsulating these important moments is an art mastered by Shaadi Capture. As a distinguished Wedding Cinematographer Melbourne and Videographer, they elevate the craft of wedding videography and photography to a realm of sheer magnificence.

One of the defining facets of Shaadi Capture's work is their adeptness at seizing the essence of a couple's special day. They employ cutting-edge technology, including aerial drone footage, to capture not just moments but emotions suspended in time. Every exchange, every smile, every tear—all are etched into their lens to weave together a tapestry of memories.

For many, a wedding isn't just a single event; it's a series of special moments woven into a seamless narrative. Shaadi Capture recognizes this and crafts their art accordingly. They meticulously curate the journey, from the nervous anticipation before the ceremony to the jubilant revelry that follows. Every frame is a brushstroke, contributing to the grandeur of the final product—a masterpiece that encapsulates the true essence of the day.

The significance of a special day lies not just in its occurrence but in its everlasting resonance. This is where Shaadi Capture excels—they understand that the real treasure lies in the ability to relive those moments. The final product they deliver isn't just a video; it's a portal to the past, an avenue to share with your family and friends. It's a living memoir that rekindles the emotions and nostalgia of that cherished day.

More than just documenting events, Shaadi Capture specializes in capturing the emotion. Their lens isn't merely an observer; it's a storyteller. Through their craft, they bring forth the raw, unfiltered sentiments that define the celebration—the unspoken glances, the heartfelt vows, and the overwhelming joy—all encapsulated in their work with finesse.

When seeking Melbourne wedding videographers who comprehend the intricacies of love and the significance of every moment, Shaadi Capture emerges as a beacon of excellence. Their commitment to preserving not just visuals but the very essence of a couple's union sets them apart. Each project undertaken by Shaadi Capture is a testament to their dedication to immortalizing love stories in the most evocative and authentic manner.

In essence, Shaadi Capture transcends the conventional norms of wedding videography and photography. They embody the role of not just documenters but artists, weaving magic through their lens, and creating a symphony of emotions that reverberate through time. For those who seek more than just videos but treasure troves of memories, Shaadi Capture stands as an epitome of excellence.

The journey of love culminates in the celebration of a wedding, and Shaadi Capture ensures that this celebration is not just documented but translated into a masterpiece that resonates with the soul—a tribute to love, laughter, and the myriad of emotions that make a wedding day truly unforgettable.

Shaadi Capture is a premier Wedding Cinematographer in Melbourne, offering an unparalleled experience in capturing the essence of a couple's wedding day through the art of visual storytelling. As a distinguished Wedding Videographer in Melbourne, Shaadi Capture prides itself on weaving together mesmerizing wedding films that encapsulate the intricacies, emotions, and profound moments of a couple's journey into a seamless love story.

Every couple dreams of reliving their beautiful memories of the most significant day of their lives. Shaadi Capture understands this sentiment and employs state-of-the-art equipment and an adept team to transform the raw moments into cinematic treasures. From the tender moments shared between the couple to the joyous celebrations with family and friends, every detail is meticulously captured to craft a narrative that echoes the essence of the couple's unique bond.

The hallmark of Shaadi Capture's work lies in its commitment to delivering high-quality productions. The team ensures that each frame reflects not just the event but also the emotions, allowing couples to immerse themselves in the emotions and ambiance of their special day whenever they revisit their wedding photo or wedding film.

Wedding Videographer Melbourne reaches new heights with Shaadi Capture's expertise in post-production. This phase is where the magic truly unfolds, as raw footage is transformed into a captivating story. Through meticulous editing and a keen eye for detail, every frame resonates with the couple's emotions, creating a timeless piece that encapsulates the essence of their union.

Shaadi Capture isn't just about documenting an event; it's about curating an experience. By blending technical finesse with a profound understanding of human emotions, this Wedding Cinematographer elevates the craft of storytelling to new levels. Each project undertaken by Shaadi Capture is a testament to their dedication to crafting a visual masterpiece that goes beyond mere documentation, portraying the couple's love and the ambiance of their celebration in a way that's truly unforgettable.

In a realm where wedding videography encompasses various styles and approaches, Shaadi Capture stands out for its ability to infuse a cinematic touch while keeping the authenticity of the moment intact. The team's keen eye for detail and an innate sense of storytelling ensure that each film reflects the couple's unique personalities, creating an everlasting keepsake of their union.

For couples seeking not just a record but an artistic representation of their love story, Shaadi Capture emerges as the ideal choice. With a commitment to excellence, a penchant for narrating beautiful stories, and an unwavering dedication to preserving the most precious moments, this Wedding Videographer in Melbourne transcends the conventional, crafting timeless tales that etch themselves into the hearts of couples and their loved ones alike.

#Wedding Cinematographer Melbourne

[justinashworthsoundart]

Justin Ashworth: Artist CV

Justin Ashworth is a sound artist, improvisor/composer based in Naarm. Justin works across a range of platforms including film and dance scores, live sound performance, installation, music production, and curation. His stylistic interests range form generative ambient and drone works for modular synthesiser, field recordings, and noise, with a tendency towards slow rhythmic minimalism. Justin graduated a Bachelor of Fine Arts with Honours at RMIT in 2017, focussed on generative multi-channel surround sound compositions. 

Recent/Notable history. 

Artificial Environment #1: 5.1 surround work created for The Spaces Beyond the Screen, ACMI, Presented by Starling Spatial Sound Collective. 2023

Iterate (album and installation): Collaboration with Therese Keogh for her exhibition "A Well Revisited", at Staatliches Museum für Archäologie Chemnitz. 2021

Memories in Static (Album). 2019 Wired Head Tantrums (Album): Collaboration with Rod Cooper and Carla Oliver. Released by Frustration Jazz. 2019 

Make It Up Club (curator): A renowned space for avant-garde improvised music performance, now running for 25 years. 2019 - 2023 

The Gods of Tiny Things (Deborah Kelly): Score and Sound design for animated film of paper collages. 2018-2019. 

Little Songs of the Mutilated: A collaborative series of albums based on the Exquisite Corpse process. Released online. Coordinator/curator/composer/visual artist. Also exists as a live performance project developing the process for performance. (2017- present/ongoing) 

Circles of Fire: The Amphitheatre (John Douglas): Composition/sound design for multi screen installation and performance work. Carriageworks: Liveworks festival 2018. 

The Smaller Infrequent Complexities (Justin Ashworth): 5.1 channel surround sound composition for synthesizer and field recordings. RMIT Gallery, Honours graduate exhibition. 2017 

On View: Hong Kong (Sue Healey): sound and music composition for dance video works. Online release, 2017. 

Circles of Fire: Variations (John A Douglas): Composition/sound design for two screen video installation. Toured as part of exhibition “The Patient”. 2017 

HEIMA Art Residency: A three month period of deep listening and field recording, composing and developing works in Seydisfjordur, Iceland. 2015 

On View: Live Portraits (Sue Healey): sound and music composition, for multi screen installation/ performance. Dance Massive festival (Melbourne) & Carriageworks (Sydney). 2015 

[audiovisionacupuncture]

WEEK 2 – OPPENHEIMER & VERTICAL VIDEO

WEEK 2 – OPPENHEIMER &

Research

I was able to see Oppenheimer in a sold-out IMAX theatre this week and it had some amazingly creative sound design choices. The explosions in the film accounted for light being faster than sound, creating a significant delay between the sound a vision. This was used to great effect when the first nuclear bomb was detonated, as there was a delay of a whole minute. In the silence, the film used its score to convey a variety of emotions, all low valence like calm and sadness. When the explosion did come, the sound was complete and immense.

Another creative choice was when a loud noise sound effect would play to represent Robert Oppenheimer’s emotion distress. It was later revealed that this sound was really the sound of applause and stomping feet. Using a positive sound to convey a negative emotion showed how conflicted the character was about the creation of the bomb that they would be known for forever.

I’ve also been researching #corecore, a phenomenon from TikTok that combines various clips together with an ambient score to make the audience feel a sense of nostalgia or sadness. My video art that I’ve started combines three simultaneous vertical videos, and it feels appropriate to use techniques that are indigenous to vertical video. I’ve also been looking into

Progress

I’ve started work editing and scoring a short video art project commissioned by Melbourne Uni’s student union. My friend and I won a small $400 grant to make a video work, and we filmed it on Thursday. I have the first part completed, although it is still incredibly rough. It is meant to be funny and surreal, but I want the score to feel like it is taking it incredibly seriously. I think that mismatch is funnier than doing a ‘funny’ score.

I found myself having great difficulty in making the edits feel cohesive, but eventually I came to have a low ambient drone go across multiple scenes. It is shocking at how effective that is at tying together disparate shots.  

I missed the Thursday trip to the Capitol, and I am yet to try out the lighting software, even though I plan to create a work for it. I am not going to mix the next opportunity to go to the Capitol.

[usafphantom2]

USAF sends F-16 fighters to chase a small executive jet over Washington

Fernando Valduga By Fernando Valduga 06/05/2023 - 08:32in Military

The U.S. Air Force triggered two F-16 fighters in a supersonic pursuit of an unanswered Cessna Citation executive jet that flew over Washington, DC before colliding with the mountains of Virginia.

Virginia state police said on Sunday that no survivors were found at the scene of the accident, near the George Washington National Forest in Virginia, the North American Aerospace Defense Command (NORAD) said in a statement.

“NORAD aircraft were allowed to travel at supersonic speeds and a sonic bang may have been heard by residents of the region,” the statement said, adding that NORAD aircraft also used flags in an attempt to get the pilot's attention.

The FAA issued a statement confirming the accident: “A Cessna Citation fell on mountainous terrain in a sparsely populated area of southwestern Virginia around 3 p.m. local time on June 4. The aircraft took off from Elizabethton Municipal Airport in Elizabethton, Tennessee, bound for Long Island MacArthur Airport in New York. The FAA and the NTSB will investigate. The NTSB will be responsible for the investigation and will provide all additional updates."

Tap Reload to View 👆

Cessna was registered on behalf of Encore Motors of Melbourne, Florida, according to the flight tracking website ADSBExchange. Encore owner John Rumpel told the Washington Post that his daughter, a grandson and his nanny were on board.

Tags: Military AviationF-16 Fighting FalconIncidentsUSAF - United States Air Force / U.S. Air Force

Fernando Valduga

Fernando Valduga

Aviation photographer and pilot since 1992, has participated in several events and air operations, such as Cruzex, AirVenture, Daytona Airshow and FIDAE. He has works published in specialized aviation magazines in Brazil and abroad. Uses Canon equipment during his photographic work around the world of aviation.

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[lensurevideo]

Capturing Your Special Day: Wedding Photography & Videography in Melbourne

Wedding photography and videography are crucial components of any wedding day, as they capture the moments and memories that couples will treasure for a lifetime. In Melbourne, there are many talented photographers and videographers who specialize in weddings, and they can provide a range of services to suit the needs and preferences of each couple. In this article, we will explore some of the best wedding photography and videography options available in Melbourne.

One of the top wedding photography and videography companies in Melbourne is XYZ Photography. They have a team of experienced photographers and videographers who are dedicated to capturing every detail of a couple's special day. They offer a range of packages that can be tailored to suit the specific needs and preferences of each couple, and they use the latest equipment and techniques to ensure that their photos and videos are of the highest quality.

Another excellent option for wedding photography and videography in Melbourne is ABC Studios. They have a team of creative and talented photographers and videographers who specialize in capturing the beauty and emotion of weddings. They offer a range of packages that include both photography and videography services, and they can also provide additional services such as pre-wedding shoots and same-day edits.

For couples who are looking for a more personalized approach to wedding photography and videography, there is XYZ Weddings. They specialize in creating bespoke wedding packages that are tailored to the unique needs and preferences of each couple. They offer a range of services, including photography, videography, and aerial drone footage, and they use state-of-the-art equipment to capture stunning images and videos.

In addition to these top wedding photography and videography companies in Melbourne, there are many talented individual photographers and videographers who offer their services to couples. One such photographer is Jane Smith, who has a keen eye for detail and a passion for capturing the special moments of a couple's wedding day. She offers a range of packages that can be tailored to suit the specific needs and preferences of each couple, and she uses her expertise to create beautiful, timeless images.

When it comes to wedding photography and videography in Melbourne, there are many options to choose from. Whether you are looking for a company that offers a range of packages, or an individual photographer or videographer who can provide a more personalized approach, there is sure to be an option that suits your needs and budget. By choosing a talented and experienced professional, you can ensure that your special day is captured in a way that you will treasure for a lifetime.

In conclusion, if you are planning a wedding in Melbourne, it is important to choose a wedding photography and videography service that will capture the beauty, emotion, and memories of your special day. Whether you choose a top wedding photography and videography company, or an individual photographer or videographer, be sure to choose a professional who has the expertise and equipment to capture stunning images and videos that you will cherish for years to come.

[emzeciorrr]

Melbourne Miniature Miracle from Joerg Daiber on Vimeo.

Melbourne is the capital and most populous city of the Australian state of Victoria, and the second-most populous city in both Australia and Oceania.

I was in Australia to shoot an ARTE documentary in the Outback and decided to stay one week longer and team up with Visit Victoria to shoot my first Little Big World episode in Australia.

Melbourne consistently ranked as the world's most liveable city for much of the 2010s and I can toally see why! It's a big vibrant city with impressive architecture, amazing cultural offers, from museums to street art, live music and theatre. Also there are some pretty great food places in the city. Many beautiful parks in the area invote to relax and the the Yarra River for water activitie. Oh, and the Ocean is just a quick tram ride away. But don't take my word for it. Check it out yourself in less than 4 minutes.

Thanks to Barbara Samoilenko and Cassandra Chapple from Visit Victoria and Viola Munzar from Tourism Australia for making this episode happen.

For all drone shots in this film there were permissions from multiple parties necessary. Please do not fly your drone in any of these locations without proper permission!

Gear list: Lumix GH5 amzn.to/3cqZg3G Lumix 7-14 mm amzn.to/3ckx3f4 Lumix 14-140mm amzn.to/3r61aeq Gimbal Weebill S amzn.to/3r77diC 360° Camera amzn.to/3cnMkeX Actioncam: amzn.to/3ta5QSc Mavic Pro 2 amzn.to/2Yxw0A4 DJI Mini 2 (Great with new EU regulation) amzn.to/2MG5mlW SSD amzn.to/36tQU7T & amzn.to/36r7u89 SD Cards: amzn.to/3agwXSV Boom Pole for Gimbal amzn.to/3tbrPIr Gorillpod: amzn.to/2NRM4uH Tripod: amzn.to/3r4Hibj Tall Tripod for „No drone zones“: amzn.to/3crDKw2 Backpack: amzn.to/3r2x4IH Macbook Pro: amzn.to/3j3KmBH iMac: amzn.to/2NQkSfP iPhone SE as screen for drone and Gimbal: amzn.to/3ox5eT9 Phone wristholder for „gimbal on pole shots“: amzn.to/3rctHPz Post Production: amzn.to/3tbUYDy As an Amazon Associate, I earn a small fee from qualifying purchases.

Social Media Facebook: facebook.com/LittleBigWorld Twitter: twitter.com/spoonfilm YouTube:  youtube.com/littlebigworld   Web: littlebigworld.de

A time-lapse & tilt-shift & aerial video by Joerg Daiber

You can license raw footage clips from the Little Big World series here: gettyimages.de/video/spoonfilm?assettype=film&phrase=spoonfilm&sort=mostpopular&license=rf%2Crr Recent productions may not be on Getty yet. Please reach out to us directly to license those clips.

Music: Peer Gynt Suite 1 – Morning Mood by Edvard Grieg Right Side of the Road by The Lonely Wild Renegades by Tiger Run

Shot with Lumix GH4 and GH5, 14-140mm and 7-14mm Lumix Lenses and DJI Mini Pro 3. Postproduction with DaVinci Resolve Studio.

This video is subject to copyright owned by spoonfilm gmbh. Any reproduction or republication of all or part of this video is expressly prohibited, unless spoonfilm has explicitly granted its prior written consent. All other rights reserved.

Copyright © 2022 spoonfilm. All Rights Reserved.

[roberts-real-estate-photography]

Professional Drone real estate photography Melbourne - Sixthvisioncommericial

Grow your Real estate business with us, Sixthvisioncommercial providing Real estate Aerial photography Melbourne for real estate agents and property sellers to boost their business. in our services we provide you aerial photographs of your property with the help of drones, we also provide high definition videos of your property, through which you can easily approach your relevant buyers.

#Real estate aerial photography Melbourne #Drone real estate photography Melbourne

[streamline-video]

Drone Videography Services Melbourne | Streamline Video

Ready to take your videos to new heights? Discover our exceptional drone videography services in Melbourne for impactful results. Call us @0422 269 146.

[mitchellwade46]

Commercial Real Estate Videography & Photography that Everybody wants- Sixthvisioncommercial

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[des105christopher]

Email feedback on prototype

Hi Christopher, 

Excellent to hear from you. I’m pleased that you attended the workshop.

Apologies for not responding yesterday. The opening of the SWARM exhibition is

happening tomorrow and it is a very busy time. So no more excuses ha, ha…

I’m glad you found the “absent body” concept of interest. And that good that you 

have come up with a prototype.

(A further way to think about this- you are not so much an “absent body” but rather

an “involuntary body” or maybe describe it as “an absent and involuntary body”). 

Good of you to send the link to the video clip and planning. You certainly have been 

thorough in considering all the possibilities. 

The idea of using a drone is a good one! And impressive that you can control it. I 

have crashed my drone several times ha, ha.

I don’t think it is necessary to include a wire-frame of your head. And I don’t think 

you have to be explicit. Art is not about illustration. 

I assume you have a camera on your drone and you can record what it sees. 

Simply having the drone circle around you with its camera always pointing at you 

(as close and as low as is safe). Your final edit of your performance could be cutting 

from from what the drone is seeing (only you) and what the camera on the ground is 

recording of you and the drone. 

I am impressed by all your planning and thinking about this idea of the absent body. 

Until next time, 

Best wishes-

Stelarc

Performance Artist

Currently Artist-In-Residence Science Gallery, Melbourne

Mobile- [phone] www.stelarc.org [email protected] [email protected]

On 10 Aug 2022, at 12:13 pm, Christopher Hills <[email protected]> wrote:

Hi Stelarc, 

I’m Christopher and I was at your performance workshop couple of weeks ago at the Sippy Downs USC Campus. I was the guy with CP. :) 

I was inspired by the idea of an absent body performance you mentioned. I came up with a prototype of how I might do this, using a drone. I’d be really keen if you had time to give me some quick feedback on it.  I’m still fleshing out a design brief, but I’m thinking it would be something along the lines of “a piece to demonstrate that quadriplegics can be creative choreographers.” I’m slightly concerned that I’m not communicating the "absent body”  thing clearly.  Here’s the link to my prototype performance (with sound): https://www.tumblr.com/blog/view/des105christopher/691930745198067712?source=share One way of making it more obvious might be to add a real-time wire frame of my head, as I control the drone? If I had this, I’d probably remove the shots of my body altogether to make the design with more relatable to the audience?  What do you think? 

Definitely understand if you don’t have time to do this, I know you’re busy,  but would love your feedback :). 

Cheers, Christopher