#DavidFincher

[joltsalive]

bonus films, fight club (1999)

bob had bitch tits……..🥊

#films #fight club #tylerdurden #davidfincher #filmbro

[movietitlescollection]

#gonegirl #davidfincher #rosamundpike #benaffleck #movies #cinema #film #movie #gillianflynn #gonegirlmovie #amydunne #amazingamy #fightclub #love #neilpatrickharris #bookstagram #gonegirlthemovie #thriller #prideandprejudice #jackreacher #netflix #seven #atticusross #rosamund #art #trentreznor #films #zodiac #aneducation #se

[ashlylovett]

Sneak peek of my tribute piece for @galleries1988 David Fincher Art Show opening this weekend! Titled “The Amazing Amy” from the film “Gone Girl” starring the ridiculous talented Rosamund Pike @mspike This drawing was created with #chalkpastels and colored digitally. #gonegirl #RosamundPike #DavidFincher https://www.instagram.com/p/Ceon256LLHZ/?igshid=NGJjMDIxMWI=

#chalkpastels #gonegirl #rosamundpike #davidfincher

[alphagirl813]

#motivationalwords The best lesson I got from one of my mentors #DavidFincher was the power of NO. Will never forget how much he taught me how to grow and got me where I am today. 🥰 (at Toronto, Ontario) https://www.instagram.com/p/CnNQluXptU9/?igshid=NGJjMDIxMWI=

#motivationalwords #davidfincher

[soulinfire-official]

Portrait of Brad Pitt

“You Are Not Special. You Are Not A Beautiful Or Unique Snowflake. You Are The Same Decaying Organic Matter As Everything Else.” - Fight Club movie (Brad Pitt as Tyler Durden )

Visit: www.soulinfire.com

contact: https://soulinfire.com/contact-me/

Open for commissioned works. Feel free to contact.

#fightclub #fight #fightformyway #fightlife #tyler #tylerdurden #bradpitt #bradpittfans #davidfincher #davidfincherfilm #edwardnorton #marlasinger #helenabonhamcarter #hollywood #hollywoodmovies #bollywood #bollywoodmovies #bestmovies #bestactor #bestactress #pencildrawing #pencilsketch #sketch #tamilmovie #cinema #cinematography #fightclubquotes #100daysofsketching #artist_commune #soulinfire

[katherinekaylock]

Victim and killer swap roles, it seems, for an infinite time. In a cyclical repetition of violence. Victim and executioners identify themselves, look at each other, spy on each other and kill each other. In what seems to be the most excruciating contractions that eternity can give to the imagination. What "The Witness" tells us again and that we should hear is even more devastating in its conceptual power: Our destiny is others. Whether they’re builders or witnesses, it doesn’t change. We are the others. 🇮🇹 Vittima e assassino si scambiano i ruoli, sembra, per un tempo infinito. In un ciclico ripetersi di violenza. Vittima e carnefice si identificano, si guardano, si spiano e si ammazzano. In quello che sembra il più atroce dei contrappassi che l’eternità possa regalare all’immaginazione. Quel che “La Testimone” ci dice di nuovo e che dovremmo ascoltare è ancor più devastante nella sua potenza concettuale: il nostro destino sono gli altri. Che siano artefici o testimoni, non cambia. Noi siamo gli altri. Me as “The Girl” From “The Witness” - Love Death Robots 🤖💜 Bodypainting 🎨 : @fed_es_art @fedesarz Ph 📸 : @pmimage Tags: #lovedeathandrobots #lovedeathrobots #lovedeathandrobotscosplay #thewitness #timmiller #davidfincher (presso Milano italy) https://www.instagram.com/p/CdNIvoVjV7z/?igshid=NGJjMDIxMWI=

#lovedeathandrobots #lovedeathrobots #lovedeathandrobotscosplay #thewitness #timmiller #davidfincher

[birdietalksmovies]

The Social Network (2010) and the female gaze

pt. 1/2

Facebook changed the world in more ways than even the creators could have guessed. Even before the current political scandal, the story of how Facebook became the social media behemoth that it is today was so full of controversy and drama, that it was made into a motion picture. The Social Network was written by screenwriting legend, Aaron Sorkin, and was picked up to be directed by the iconic David Fincher.  Fincher’s visual-lead cinematography pairs gorgeously with Sorkin’s detailed screenwriting, and the pace of the film runs at double time to mimic the real-life speed Facebook changed the world. Fincher is dedicated to the more Hollywood New Wave style, using editing, non-linear storytelling, a morally gray protagonist, and an unsatisfying ending to tell his story. Most interesting, though, is how Sorkin and Fincher work to use these techniques to portray their female characters.

Before I get started, it is important we acknowledge a few truths; analyzing the story structure of a biopic is hard. It being about real people makes this more confusing, but these are still exaggerated characters with simplified goals and insecurities in order to tell a satisfying story. Jesse Eisenberg’s interpretation of Mark Zuckerberg is that the character spent years developing Facebook to appeal to a girl who dumped him, when in reality Zuckerburg was seeing his now wife, Priscella Chan, for a majority of the time depicted in the film. Eisenberg is a caricature, not a replica. In its most basic form, The Social Network (2010)  is about a privileged white man and his privileged white friends making a website to try and get girlfriends.

Because of this, the film is hard to study under any critical race or gender theory. The film lacks diversity and will come across as bluntly sexist; the women are all narrative devices used to either be symbolic sex toys or wise moral compasses to push the main male characters forward in their journey. As described by Laura Mulvey in her essay Unmasking the Male Gaze; “ this theoretical perspective was right to argue that sex and sexuality, however, censored, were key to the American film industry. "Woman as spectacle" and "narratives of desire" were close to the heart of studio system Hollywood.” However, just like how the film’s protagonist is a caricature of Zuckerberg’s actual self, the female characters are as well. The girls could be written stronger and with more agency, but that would be disingenuous to the point the filmmakers are trying to make. Instead, all the female characters work as tools to further all of the male character’s journeys, which in turn highlights the stupidity of the journey itself.

In the opening scene, Mark sits with his soon-to-be ex-girlfriend, Erica. In typical Sorkin fashion, the conversation is quick, dense, and confusing even to the characters themselves. Usually, directors add energy to Sorkin’s stylistic, heavy dialogue by having them walk and talk; see Amy Schumer’s Fast Food sketch where she parodies his style as an example. Fincher, being a more visual filmmaker, instead relies on the editing to build tension in the scene. It isn’t too flashy, he sticks with a shot-reverse-shot and doesn’t break the 180-degree rule (a rule in filmmaking where the side of the frame the character is on must be kept consistent between shots). For example, in the beginning the conversation is smooth; Mark speaks, Erica speaks, Mark speaks, Erica speaks. Cuts are logical and economic, cutting perfectly in rhythm with the dialogue while the characters are in their comfortable rhythm.  When Erica asks a question that offends Mark, this rhythm is cut and the quick-editing pauses on a close-up of Mark showing how he is hurt. Their familiar pattern is broken, and we are about to see something new. The editing gets slower, hanging on characters even after they finished speaking. As the tension builds, the cuts become quicker, reactions more important than the words themselves. Visually showing what the words imply is actually a better way to film Sorkin’s writing, as he relies on the subtext in his dialogue and dresses it in Shakespearean phrasing and allusions to pop culture. When Mark attempts to console Erica by saying, “I wasn’t making a comment about your appearance,”; it implies Mark believes Erica prioritizes her appearance. He does not consider that the thing that offended her was that he didn’t think she could ever be successful enough to be around the people Mark would “potentially introduce her to''. The entire conversation is a great example of building tension through editing, but also building character with what is unsaid in the conversation. Erica leaves Mark at the table, taking his hand and telling him; “You’re going to go through life thinking girls don’t like you because you’re a nerd….It’ll be because you’re an asshole.”

It is revealed after the scene that the whole conversation was a flashback, as narrated by Erica’s testimony of the situation as told years after the night. The film is being told non-linearly, cutting between two different courtroom hearings in which Mark is being sued in both. In both hearings, we are told through flashbacks the chronological history of how Facebook was created. Because these flashbacks are told from the point-of-view of whoever is speaking, there are slight differences in Mark’s character depending on who is telling the story. In the opening scene, Mark is portrayed as rude, ignorant, and incredibly awkward because it was from Erica’s perspective. The rest of the film is told through Mark’s enemies’ testimony or Mark’s own account, which means his actions are described by the male gaze. The Winklevoss twins see him as manipulative, which in a way they respect him for. Mark’s best friend Eduardo sees him as a traitor, someone who would put the company before his most loyal subjects. The only time we hear a female point of view is Erica’s testimony is the opening, where we see Mark as he really is; awkward, childish, and scared. The scene where Mark is the least impressive is the one where the woman is describing him.

#movie review #social networks #facebook #markzuckerberg #aaron sorkin #davidfincher #socialnetwork2010 #jessie eisenberg

[fabioemme78]

#MichaelMann #DavidFincher #AlexanderPayne #MischaBarton #KatiaWinter #AdamDriver #MichaelFassbender #PaulGiamatti

[film-book]

‎

David Fincher's 1997 Michael Douglas Gem THE GAME Set to Become a Television Series https://film-book.com/david-finchers-1997-michael-douglas-gem-the-game-set-to-become-a-television-series/?feed_id=119084&_unique_id=65cad1ef918f2

#MovieNews #TVShowNews #DavidFincher #MichaelDouglas #TheGame #UniversalTelevision #ThomasDuffy

[usagirotten]

'Se7en' is making a grand return with a much-anticipated Special Edition Box Set

In a thrilling announcement for cinephiles and fans of gripping storytelling, the revered classic 'Se7en' is making a grand return with a much-anticipated Special Edition Box Set. This hauntingly iconic film, directed by David Fincher and starring powerhouse actors Brad Pitt, Morgan Freeman, and Kevin Spacey, has left an indelible mark on cinema history since its original release. Now, fans can delve deeper into the chilling narrative with a treasure trove of exclusive content. The Special Edition Box Set promises to offer enthusiasts an immersive experience, packed with never-before-seen footage, director commentary, and behind-the-scenes glimpses into the creation of this psychological thriller. From the meticulous set designs to the intense performances that brought the story to life, this edition aims to provide an unparalleled insight into the making of 'Se7en.' You have two options when it comes to the Seven 4K Blu-ray – the Special Edition and an Ultimate Collector's Edition. The aforementioned Special Edition is fully loaded with the film on 4K UHD and Blu-ray, a steelbook case, a John Doe 38-page Booklet, Frosted Pine LITTLE TREES Brand Air Freshener, 7x Deadly Sin Comic Books, 7x Deadly Sin Crime Scene Art Cards, Double-Sided A3 Poster, Help Me Glow-in-the-Dark Art Card, Investigation Chalkboard Art Card and Numbered Sticker of Authenticity. The whole thing is wrapped up in the deluxe "what's in the box?" packaging. As viewers revisit the dark and atmospheric world of Detectives Somerset and Mills hunting a twisted serial killer driven by the seven deadly sins, this comprehensive box set is poised to reignite the intrigue and fascination that captivated audiences upon its original release. Product Features - Film on 4K UHD and Blu-Ray - Steelbook (Design TBC) - Box Packaging (Design TBC) - John Doe 38-Page Booklet - Frosted Pine LITTLE TREES Brand Air Freshener - 7x Deadly Sin Comic Books - 7x Deadly Sin Crime Scene Art Cards - Double-Sided A3 Poster - “Help Me” Glow-in-the-Dark Art Card - Investigation Chalkboard Art Card - Numbered Sticker of Authenticity On-Disc Special Features - 4 Commentaries Featuring Director David Fincher, Actors Brad Pitt and Morgan Freeman, and Other Collaborators on the Film - Additional / Extended Scenes - Alternate Endings - Exploration of the Opening Title Sequence from Multiple Video Angles with Various Audio Mixes and 2 Commentary Tracks - Production Design and Still Photographs with Commentaries - The Notebooks: Full Motion Video Details “John Doe’s” Writings - Mastering for the Home Theater: Includes Alternate Angles and Audio Between Original and New Masters - Theatrical Trailer

Read the full article

#4k #BradPitt #collectorsedition #cultmovie #DavidFincher #Se7en

[sektorellfirmalar]

#BradPitt #ChuckPalahniuk #DavidFincher #DövüşKulübü #FightClub #film #sinema

[roxanagark]

FINCHER HACE CINE PARA ÉL

La clave con The Killer de David Fincher es la ejecución, esta película en otras manos hubiese sido hasta genérica. Anoche que la vi tenía ciertas expectativas con este film por ser de la doceava del director; quien regresaba al género donde más brilla para mí después de su trabajo anterior Mank. Y no voy a mentir, este film es para los fans de Fincher cualquier otro sector de espectadores la encontrará lenta, pretenciosa y hasta aburrida. Creo más que nunca que Fincher sí hace las películas para él mismo, concepto ya sabido de años pero que con esta cinta se remarca por estas bases: Fincher no intenta entretener, plasma su visión sin tomar en cuenta el ojo espectador y desecha estructuras de su protagonista; pues nunca sabemos la identidad del personaje interpretado por Michael Fassbender más allá de su profesión y su detallada forma de ejercerlo o ¿cómo funciona que una persona como él con sus directrices tenga una relación afectiva con alguien?, entre otras cositas más. Lo mejor de la cinta es la voz en off de Fassbender, la atención al detalle del montaje de Fincher y la construcción de la tensión en tres escenas puntuales que personalmente me hicieron sentir una ansiedad incomoda. Supongo que muchos destacarán más la escena de la pelea que en sí misma es cátedra, pero yo me quedo con estas: la de niño con la pistola de agua en la fuente, la charla entre el personaje de Tilda Swinton y Fassbender y toda la secuencia de la huida de París hasta el aeropuerto. Sobre Trent Reznor y Atticus Ross que puedo decir, simplemente brutal, el score fue también culpable de esa ansiedad que me generaban esas escenas que mencioné antes. Como fan de Fincher le daría fácil un 7/10 con un solo visionado, pero siendo objetivos, el anticlimático final me la baja un poco.

Nota: 6.5/10

#DavidFincher #TheKiller #Films #Movies #FilmReview #TheKillerNetflix #TheKiller2023

[uinterview]

After a series of rape allegations against him, Armie Hammer has made a comeback to Instagram.

Full Story Here:  https://uinterview.com/news/armie-hammer-returns-to-social-media-with-work-out-video-following-sexual-assault-allegations/

#armiehammer #joshpence #DavidFincher

[wherever-i-look-blog]

The Killer (2023)- Review https://tinyurl.com/ylg6h9sw

#Movies #PositiveWorthSeeing #AndrewKevinWalker #CharlesParnell #Crime #DavidFincher #KellyOMalley #MichaelFassbender #Netflix #RatedR #TheKiller #Thriller #TildaSwinton

[whanklee]

Végre kiderült, hogy milyen lett volna a Z világháború folytatása, ha elkészül.

#DavidFincher #WorldWarZ

[ellabina]

What Happens At The End Of Seven?: Seven Ending Explained In Detail

Seven is an American crime thriller film directed by David Fincher and written by Andrew Kevin Walker. It was released in 1995 and stars Brad Pitt, Morgan Freeman, Gwyneth Paltrow, and John C. McGinley. The plot revolves around the life events of a deductive known as William Somerset. As William is about to retire, he works with a newly transferred partner David Mills. They both team up to stop a serial killer on the loose who aims to complete a series of murders based on the biblical seven deadly sins.

Read Full Article

#AndrewKevinWalker #DavidFincher #BradPitt #MorganFreeman #GwynethPaltrow #JohnCMcGinley