#Dani ReStack

[drill1000000]

🪖

#photo is from dani restack video..... #1 million dead on the yearning front of the idgaf war #Spotify #cccc

[kingofthering]

motogp rpf survey - results (part two)

I asked people about the fics they would recommend everyone to read in this fandom and I would like to say : people delivered.

This post is divided in 5 sections :

the top 3

authors

rosquez fics

every other pairing fics

a couple of words about tumblr fics

✨ for the number of mentions, lists ranked by number of mentions and then alphabetically.

3 fics were mentionned 5 times, which I believe make them official must read of the fandom :

All I Wanted (marc marquez/valentino rossi)

quiero enseñarte lo que te has estado perdiendo (jorge lorenzo/dani pedrosa)

solar power (marc marquez/valentino rossi)

A couple of authors were mentioned for all their works :

Lunarieen ✨✨✨✨

supernaturalsun ✨✨✨✨

Agnst_crrnt ✨✨✨

appalachianpie ✨✨✨

montecarlos ✨✨

cave_leporem

Jean____Ralphio

malu

zjemciciastko

As expected since they are the most dominant pairing in this fandom, the survey received quite a number of Rosquez recs :

In a world that just gave me joy ✨✨✨

shores of forgiveness ✨✨✨

I'll meet judgment by the hounds ✨✨

Giulietta

Good times for a change

hook you with a brand new high

i can’t make it go away by making you a villain

I'm not afraid of anyone but I'm always afraid [series]

no et facis tant el fort (aviam si acabaras perdent les forces) [series]

See how we hang on

Sepang, 833 ab urbe condita

And now onto the other ships, which were also very appreciated.

a few leaps of faith (marc marquez/fabio quartararo/valentino rossi) ✨✨✨

A long way to go [series] (marc marquez/fabio quartararo) ✨✨✨

High Infidelity (andrea dovizioso/marc marquez) ✨✨✨

Love Is Gold (jorge lorenzo/dani pedrosa) ✨✨✨

(tell the world) all I wanted to hear (jorge lorenzo/dani pedrosa) ✨✨

Corrida [series] (jorge martin/fabio quartararo) ✨✨

how many things do you think about before you get to me? (pecco bagnaia/fabio quartararo) ✨✨

Laundry Service (aleix espargaro/jorge martin) ✨✨

The mountains, the lake and the mist (alex marquez/mick schumacher) ✨✨

bikini porn (marco bezzecchi/luca marini)

Hooking Up Is Hard (jorge lorenzo/marc marquez)

now i sit by my window and i watch the cars (marco bezzecchi/celestino vietti)

Six Months (alex marquez/dani pedrosa)

snow white (marco bezzecchi/celestino vietti)

Speak or die (pecco bagnaia/marco bezzecchi)

special occasion (jack miller/maverick viñales)

Wet Race - Sepang (various)

And lastly, because I've also been enjoying them and thought they were important too, mentions of tumblr fics and headcanons :

All the one off @f1vegas stories about Bezz x cele. @babynflames Bezz x cele bodyswap au. Dr. @baking-soda's many thoughts on Rosquez. @pgaslys' tattoo artist bezz x cele au. @whatwepostintheshadows carnivorous circuits is my favourite big brain idea.

To be honest, I haven't found many fics on ao3 that I'm in love with! I've really been enjoying Tumblr headcanons/AUs/fics (shoutout @restacks and @baking-soda)

#motogp #rpf #marc marquez #valentino rossi #and others #motogprpfsr #motogp rpf survey #I don't know if that took more or less time to do than I expected but here we are #you can judge me for putting my own fics and name I do deserve that but I live for validation and shit I'm sorry #will tag everyone again when I post part three #which I'm not sure how to present yet

[tigerstrikesasteroidnetwork]

PHL / Here After

Here After Megan Biddle and Erin Woodbrey February 18 – April 1, 2023 Reception: Thursday March 9, 6-9 pm Gallery Hours: Saturday 12-6pm, or by appointment

[Essay by Leah Triplett Harrington]

Tiger Strikes Asteroid Philadelphia (TSA PHL) is pleased to present Here After, a two-person exhibition featuring the work of Megan Biddle and Erin Woodbrey. Working across two and three dimensions, the work in Here After toggles between registers of time and physicality. What seems to be in a state of fluidity and movement is, in fact, in stasis. What is heavy is light, and that which is new seems from another time. Through objects made by naturally-occurring and fabricated processes and materials, both artists examine a spectrum of states between permanence and decay. The exhibition will be accompanied with “The Old, the New, the Fossil: Megan Biddle and Erin Woodbrey's Here After," an essay by Leah Triplett Harrington. Ripples of glass are fossilized like scars in one of Biddle’s relief sculptures entitled Future Relics. The title references a memorial object of a time we have not yet encountered, impressing upon the material world like wounds from a pressure ulcer. The dark black glass of these works is encrusted with sand, residue from their making. To produce these sculptures, Biddle plunges an object into a bed of sand, as if to explore the unseen terrain below. The resulting hollow is filled with molten black glass. This process echoes the tension between surface and what lies beneath, a theme which reverberates throughout her work.

In Woodbrey's The Carrier Bag Series, an ongoing body of sculptural and related photographic works, objects are illuminated and entombed in a mixture of ash, plaster, and gauze. As if pulled from a museum of a future past, these free-standing sculptures reference both contemporary and ancient objects, building materials, and analog forms. The series draws its title from Ursula K. Le Guin's radical rethinking of the story of human origin and technology in "The Carrier Bag Theory of Fiction." Catalyzed by this and the urgency to rethink materials and cycles of waste and consumption, Woodbrey examines the paradox built into objects that are intended to be discarded but not intended to decompose. Through a careful repurposing of material, the container is animated from within, becoming a central figure in a narrative about accumulation and new materiality.

Megan Biddle has attended residencies at Macdowell, The Jentel Foundation, The Creative Glass Center of America, Sculpture Space, The Virginia Center for Creative Arts, Pilchuck Glass School, Northlands Creative Glass in Scotland, Haystack Mountain School of Crafts and Mass MOCA. She has exhibited nationally and internationally at venues including A.I.R Gallery, Brooklyn, The Islip Art Museum and the Everson Art Museum in New York; the Reynolds Gallery Richmond, VA.; Space 1026 and Philadelphia Art Alliance in Philadelphia, PA.; Galerie VSUP in the Czech Republic; and the 700IS Experimental Film Festival in Iceland, and Shau Fenster and NationalMuseum in Berlin, Germany. Her work was acquired into the American Embassy’s permanent collection in Riga, Latvia. She has taught at Haystack Mountain School of Crafts, Pilchuck Glass School, Urban Glass, Oxbow School of Art and currently teaches as an adjunct professor in the Glass Program at the Tyler School of Art and Architecture. She is a member of Tiger Strikes Asteroid, Philadelphia where she lives.

Erin Woodbrey’s recent solo and two-person exhibitions include of the Sun, Yes We Cannibal, Baton Rouge, LA; Wilder Alison + Erin Woodbrey, Gaa Gallery, Expo Chicago, Chicago, IL;  Beacon, 201 Telephone Box Gallery, St. Andrews, Scotland; The Fragment Series, Gaa Gallery, Provincetown, MA; Quill Isn’t Staying Now, with Dani ReStack, Gaa Projects, Cologne, Germany; Leg, Limber, Lumber, Limb, Higgins Gallery, Barnstable, MA; Time Mothers, Gaa Gallery, Provincetown, MA; and Material Studies, Arena Gallery, Liverpool, UK. Woodbrey’s work has been included group exhibitions at White Columns (Online), New York, NY; SPACE, Portland, ME; Cry Baby, Berlin, Germany; Center for Maine Contemporary Art, Rockland, ME; SÍM Gallery, Reykjavík, Iceland; Greylight Projects, Hoensbroek, Netherlands USA; USA; International Print Center, New York, NY, and Kumu Art Museum, Tallinn, Estonia, among others. Woodbrey received an MFA from the School of the Art Institute of Chicago in 2014. In 2007 she completed a BFA at the School of the Museum of Fine Arts at Tufts University, where she also is the recipient of a 2017-18 Traveling Fellowship.

Leah Triplett Harrington is a curator, writer, and editor. As curator for Now + There, she facilitates the Public Art Accelerator and organizes large-scale public art commissions. She is also editor-at-large for Boston Art Review. Her writing has most recently appeared in that publication and ArtNet News, Sculpture, Public Art Dialogue, Flash Art, Hyperallergic, The Brooklyn Rail, and others. As an independent curator, she has organized projects for Boston University Art Galleries, Abigail Ogilvy Gallery, Trestle Gallery, Herter Gallery, and others. In 2021, she was the inaugural curatorial mentor for Praise Shadows Art Gallery and taught in the MFA program in Painting at Boston University.

photos by Constance Mensh

#hereafter #tigerstrikesasteroid #tiger strikes asteroid

[eleanor-contextual-yr2]

I went to see the 'Cuts in the Day exhibition by Dani and Sheila ReStack at the Camden Arts Centre. This exhibition focusses on what it is like to be a gay couple in modern society, queer desire, family, climate crisis, and collaboration. All of these issues are experienced everyday by millions of people, looking at some of the images shown in the gallery and in the series of videos I watched while there, everything felt so normal and relatable, well most of it, there were moments where we were watching people go about their everyday life, talking to someone on the phone or watching tv, then a sudden change in atmosphere and energy would occur, someone is now having their scalp sliced open. Through a lot of this exhibition I felt like I understood these women, they portrayed everyday life in a very interesting way. Though the imagery was obscure at points I found the use of animal fur beautiful, however found it difficult to understand the reason for these pieces of art, I also found the cinematography in the video elements of this exhibition to be fascinating, I felt the angle and focus of the camera, at moments being completely still, especially when there were scenes underwater, met with silence or ambient sound, to be extremely peaceful. Though I may not relate to some of the most prominent topics displayed in this exhibition, I enjoyed it and thought it was an interesting portrayal of the topic of identity.

Bibliography

Cuts in the day (2022) Camden Art Centre. Available at: https://camdenartcentre.org/whats-on/dani-and-sheilah-restack (Accessed: November 28, 2022).

[radcontext]

Visiting Cuts in the Day by Dani and Sheilah ReStack

For someone who honestly despises abstract modern art and generally sees it as pretentious and tasteless, this exhibition was a breath of fresh air. I enjoyed the given puzzle of symbols presented in a 3D space. I went in blind with only the brief paragraph about the exhibition and to my surprise it started making sense.

For me, video installation Blood and Water for FCB was the starting point of understand the meaning of Cuts in the Day. It gave no direct answer to what it is and rather asked the viewer to understand through emotion. Installation was fragmented in many ways - from the display of the video to the narration spoken from the speakers. The subjects of the video radiated intimacy, vulnerability, discomfort and exposure leading to themes that were very personal. Two people could either mean the duality of a person or, more likelly, two partners, clear reference to Dani and Sheilah themselves. I believe the installation focuses on love from a realistic lense with it’s discomfort, confusion and exposure. Underwater setting, littered with unnatural man-made objects, may portray conflicting background of nature contrasting modernity, which may mean the litteral background of modern day life in the city being an odd merging of the two. Halfway through the video, red dye saturates the view, which likelly stands for blood and gives a guttural, physical feeling which I believe to stand for sex and the transforming effects of it. Although I couldn’t make much sense of the audio recording, the phrase “one of us swimming, one of us float” might give ground to this being a symbol for a love relationship and the polarity in creates.

As the installation gave me a sense of how to properly perceive ReStacks’ art, I had to review the single works again. They started making more and more sense. I saw the red being a deliberate outline to the partner, either directly exposing them under a red tint, or highlighting the objects that indirectly show the existance of them. Most “photographs” were protruding so that the viewer could see what’s behind them and their backside. Some had a red “stain” where the painting would’ve been should it have been fixed flat to the wall. This shows the pictures being “ripped out from the flesh” as they are highly personal - “a part of the author”. On the backside of the picture there were images of intimacy and personal space, which may mean the Invisible side of the relationship - one that is only known to the pair.

Lastly, there was May You Choose Your Own Form of Recognition - a collection of gold leafed polaroids. I believe it once again shows the two-dimentional aspect of life in a relationship in two possible ways. We can interpret the polaroids being factual memories being either “concealed” or “preserved” under the golden glaze. It could either mean the memories being preserved as happy moments, and although they are no longer readable, they give a golden aura of happiness which makes them worth while, or, portraying a toxic relationship, show how actions and mistakes might be concealed under the blanked of relationship either deliberativelly by a partner, or due to ignorance.

The experience the exhibition gave me was of relationships. Through symbols and metaphors the authors tried to illustrate the physical aspects of love. Tieing it to the topic of identity, true love is the only way to come close to experiencing another’s true identity. It takes courage to take off all the labels given by the outside world and trust in another to show your real oneself, both of which form love.

[theories-of]

Dani Restack

#Dani Restack #art #drawing

[contemporaryartdaily]

"Ache" at Cabinet

#Cabinet #Christian Friedrich #Dani Restack #Dennis Cooper #Exhibitions #Group Show #James Richards #Jayne County #JX Williams #KHISHVI #London #Pierre Klossowski #Tolia Astakhishvili #United Kingdom

[dykebarchronicles]

They invited me to write and read a love letter, so I did. Here goes:

Darling Community,

Do you remember how we found each other? I knew you before I even met you, but I was too young until I wasn’t. I thought the world was going to end when y2k happened, the idea of partying like it was 1999 felt like apocalypse would befall the world… so I made my way, an underage wide-eyed little queer… all the way to London to one of your many doorsteps for the party of a lifetime where we all might or might not die - at least I would be surrounded by YOU - queer women. 

  I could hear you through the pads of my feet, my body was listening with more than just ears, the mirrorball tricked me into thinking the room was spinning, but it didn’t feel like dizziness. Everywhere I looked I fell in love with what my eyes beheld. The unabashed intimacy of bodies dancing, in such a way that if i stared for too long or not long enough I wouldn’t know where one figure began or another figure ended and how nice to just stare. At moments I felt I was part of a mural of desire and possibility wrapping itself around the night, but also a moebius strip, one with an undetectable beginning or end. My sense of time left me then, and it hasn’t returned except for when I’m DJ-ing. But there we were, possibly waiting to die together. Unlikely, but I wanted to make sure I’d be surrounded by you if that were to happen. Our love was a different kind of taboo then, things have changed. 

  Now I spend many hours a week immersed in you, that mirrorball still makes me swoon, i still can’t stop staring, but now I’m polite about it, or at least have figured out how to keep it in my DJ booth. If we had died in 1999, I would have been ok with it, but here we are, in 2018. We can get married now, which I was never that into, but I also never thought that would happen in this lifetime. But I also never thought I’d find you in India, I was always told as a kid that you didn’t exist there. But I found you there this year, and boy did we get along. It’s scary for you there, I know, but staring death and fear in the eyes and holding each others hands and lives in in the face of uncertainty and danger that should be outdated by now. My lungs felt expanded, I was drawing deeper breaths around you there, because i just wanted to take as much of you in as i possibly could, and just protect you. 

  What a gift that you exist at all, what a gift that we are alive for this, what a gift to know that the world does change, will become a safer place for love, and that the lives we live now will be unimaginably outdated in 20 years. What a gift to know that no matter what, I will always love you. 

Love, Your DJ

#2018 #Dani ReStack #Sheila ReStack #SOTD #Leslie-Lohman Museum of Gay and Lesbian Art #dj tikka masala #letter

[mblanchot-blog]

Strangely Ordinary This Devotion dir. Dani Restack, Sheilah Restack 

[micaramel]

Artists: Christian Friedrich, Dani Restack, Dennis Cooper, Jayne County, JX Williams, KHISHVI, Pierre Klossowski, Tolia Astakhishvili

Venue: Cabinet, London

Exhibition Title: Ache

Curated By: James Richards

Date: December 9, 2018 – January 12, 2019

Click here to view slideshow

Full gallery of images and link available after the jump.

Images:

Images courtesy of Cabinet Gallery, London

Link: “Ache” at Cabinet

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from Contemporary Art Daily http://bit.ly/2CeJUvC

#micaramel

[theories-of]

Dani Restack

#Dani Restack #art #drawing

[theories-of]

Dani Restack She and Antje, (detail) 2013, photos, oil pastel, wax, copper frame on paper, 36 x 42"

#Dani Restack #art #collage