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summertimemusician · 6 months

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Linktober Shadow Day 8

Majora('s Mask)

*throws bouquet of roses* For the Time lovers.

Also my bias is probably coming through really strongly right now, but I'm not well rested enough to care plus I've been playing Majora's Mask a lot again this month, it's as important to me as Twilight Princess so this is kind of my love letter to it and Time and my excuse to explore the concept of Majora and the Fierce Deity and divinity in LoZ, though that's an essay for another day lol (/j)

As always can be read as romantic or platonic depending on your preferences, Reader is gender neutral and this is definitely self indulgent so it can be read in or outside of an LU context, most of the references to the LU names are for simplicity and to give a rough idea of why Reader has some stuff they do. Makes it easier to clarify lol, though as I've been hit by yet another storm the Linktober prompt will be for tomorrow, I'm basically picking a god and praying this actually posts X_X

TW(?):

Don't think there's any warnings besides MJM's typical body horror really, and very graphic descriptions and Majora in general.

Even after so, so long, so much so it feels like a lifetime ago, Termina still stuck with you and Time.

The thing about being in a timeloop that went on for who knows how long and whose failure to reset it would be total destruction to so many good different people, is that you quickly learn some habits to try and maximize as many successes as possible, how Time (Mask, then, after the living nightmare of Termina, during the War of Ages, still Link though) quickly learned the location of each enemy he could, how you learned to call out the best way to quickly assess and take down an enemy as quickly as possible, how you both learned to watch each other’s backs and to care for the people and Termina to the point Link went from just a warrior to a healer, granted the trust of holding the crystalization of the hopes and dreams of the people of Termina that, even if they couldn’t remember it, wanted the cycle to end, wanted to hunt the threat to reality itself and purge it from the world. To bite down onto it’s neck and feel the thrill and glee and cutting down such an opponent.

Most importantly, after bleeding, crying, sweating and toiling against the unrelenting flow of time and insanity all brought upon by a lonely child being left alone and manipulated to commit heinous acts as ‘pranks’. It taught you and Time the importance of contingency plans, and about always, always being prepared for any and all situations, unlikely as they could be. Of taking through note of even the smallest detail that caught your eyes at a glance.

‘To defeat an abomination, you need one of two things: A deity, or a monster.’, you think cynically to yourself, stepping over Time’s fallen form as Warriors bolted over with blizzard forged fury in his cold, calculated movements to defend him in your stead as you called Hyrule over, the young man quickly starting to heal your Hero as you glare down at the disgusting stain on reality engaging Twilight and Wild all at once, gleeful at having watched the person you adored the most fall, bringing out the ultimate contingency from your cloak, you hadn’t even told him about it, because you prayed you’d never need to resort to this, ‘… Forgive me, Link. The first option isn’t doable here.’

Time was your everything, you knew how his story ended, with so much grief until he finally met Twilight again. You tried, you really did, to not allow yourself to love him but it was impossible because he was Link, the man who longed for adventure ever since he was young, embodying the freedom of the forest of life and death that made up the whole of Faron Woods and the Lost Woods and as steady as it’s moors, voice quiet and calm like a stream in the woods and with and with a smile to rival the warm sun and so, so heartbreakingly kind. Who protected and saved and healed people while slowly healing his own soul and who attempted to soothe his descendant’s pain the second he could even from beyond the grave.

And you’d be darned if you allowed anything to take him from you or the boys before his time without a fight. You couldn’t care less if he would eventually die as he was destined to in every timeline, it didn’t matter if it was futile, because he mattered, you loved him, and you’d keep him safe and happy for as long as you could.

It didn’t matter if one day tragedy will catch up to him, it mattered that he was loved while alive.

Even if you had to step on fire to make sure of it.

“Twilight, Wild. Step away.”, the edges of the spikes of the purple and crimson mask that haunted your nightmares as much as it did Time’s, it leered at you with it’s arsenic and pus eyes, picking apart at your weaknesses as it’s spikes dug into your hand as you tightened your grip to keep if from shaking. Tone falsely confident as you called to the Hero of Twilight and Wild to retreat.

(‘To defeat an abomination, you need a deity or a monster.’

The definition is awfully interchangeable, if you look at it.

You had found it, abandoned and in a dungeon Wind’s Era, not quite awake, but not asleep either. The eldritch hunger almost chocking you with it’s voracity, the darkness assessing, stalking, prowling and starving, it prodded at you but didn’t dig yet. It knew how to play the long game in it’s quest to stop feeling empty.

Funny thing is, so did you. You were a lot harder to break than the Skull Kid, would not break.

Majora wanted to cease, like how it had ceased before the Terminan Tribe ripped it from it’s slumber, taught it hunger, taught it cruelty, taught it how to manipulate and take amusement in consuming the wishes of mortals and their very souls only to never be satisfied. Had fueled it with wrath from being ripped from a lovely, endless dream of beautiful songs and a kind soul. To be torn from it’s fantasy and then left to rot.

You offered to grant it a proper rest. And so a deal was struck. Your one contingency if the situation was truly dire, in case you couldn’t get the Fierce Deity Mask instead -because you knew how Link was, he’d burn himself out until there was naught but ash. You refused to let it ever come to that, after his excruciating screams of pain had clawed an aching, hurtful place into your very soul-, and Majora was starving and desperate, a dangerous combination for any being but something you could use.

So be it, if to protect divinity you needed to become a monstrosity, a monster was what you’d be.

You’d keep him safe. And you knew that if the Fierce Deity put him down once, he could do it again in case you slipped. Between him and Sky you weren’t afraid at all of the risk.

Even if Time never forgave you for taking it.)

You smile bitterly, tearing up in spite of yourself as you see the second Time spots you and the cursed artifact in hand, eye wide, voice ripping from his throat in desperation, “I’m quite selfish, I’m sorry.”

His haunted expression cuts you deeper than any knife, as you knew it was an image that featured in many of your nightmares and his own. But you’re insatiable for his happiness, so you take the plunge.

“NO NO NO NO DON’T-“

You put on the mask, and you scream.

It’s like stepping on fire, a twisted, desperate tune, a note of discord, a belt of harmony and fury and most importantly, the mighty need to consume the one who had tried to take the one you loved away from you.

Defy death, defy entropy, defy chaos, defy flame and voracity.

You cling to your self control with a snarl, howling in defiance. Sinking your nails into the abyss’ throat and biting, tearing, holding, tasting rot and withered flowers and the writhing of shadows and the blood of distorted gluttonousdivinity on your tongue with savagery equal to the way the demon sinks it's spikes onto you. Chew on it’s tender, rotting flesh, quaff down the lukewarm pus of it’s heart and the rust of blood as it bites off your skin, stripping your mind into chunks as it nests into your ribs like the spikes of wild, dead roses when it finds your mind tougher to break and you BURN YOU ARE LIFE YOU ARE CHAOS AND YOU ARE DROWNING AND YOU ARE FLAME-

You move, and Majora’s laugh sounds like a scream and a song as reality howls.

Your bones, sinew, muscles, nerves, veins and teeth are reformed, the being pounces, dancing, swerving, whipping, cleaving, ripping and feeding into the monsters with putrid, revolting gusto. Whenever it’s attention even tries to waver towards the Heroes you sink your hold in harder, stubborn, you’re sure there’s blood dripping from your mouth beneath the mask, your eyes, your ears, as it reaches a crescendo of glee and pain. A human body isn’t meant to hold so much divinity at once, much less as wretched and horrific as Majora’s, but you don’t care, can’t care, when you’re holding onto yourself like a vice, refusing to give it even a single inch.

It doesn’t kill Dark Link, the bastard (the one who’d hurt Time, the one who would have finished him off if not for you and Warriors). But the screech the Shadow releases as it gets ripped to shreds and the ripple of it’s retreating form is enough to make you partially agree with Majora’s vicious, amused glee that it was satisfying. Even if the feeling of you allowing it to utilize your skin temporarily felt revolting and disgusting in a way it made you wish you were actually on fire, not just in so much pain in a metaphysical level that it sure rivaled being set on fire, frost burned and lightning struck all in one go.

All is still now, all is silent.

Now comes the difficult part.

'Are you quite sure?', whispers Majora, crooning like nails on chalkboards, and it’s spikes sink into you tighter when you grip the sides of it, teeth gritted as you start prying it out of your face, amused by your defiance, but no longer as hungry. You did allow it quite the meal, you bet nothing like fellow divinity tastes better to the being, like the taste of a forbidden fruit you were going to be unfortunately acquainted given you’re sure Dark Link’s blood is on your teeth.

'Yes.' comes your faint response, as your sanity frays in fragile threads, you think someone calls your name, but you are drowning, you are burning, and you know that if you don’t focus it will break you. And you’d be fully dead before you let that happen. If you’re going to die you’re going to die as a human.

'Tou are so, so cold… So cruel.' It drawls, the demon’s voice like the gnawing of rats, like maggots under you skin, you convulse, falling to your knees with a wounded keen and pull harder, you barely noticed someone falling by your side, frantically calling your name, but the mask’s eyes dim to an outsider’s perspective, resigned as it hums dreamily, 'I suppose that’s why The Divine Hunter cares for you so, why it’s vessel’s claim is so strong.'

Good, you were banking on it being sleepy, after gorging yourself on the enemy of your boys, Hylia’s gash and Din’s assets your mouth is going to taste putrid for months isn’t it?

Majora hisses, growls, howls and screeches, a brush against your essence as it retreats. Unwinding from every single cell of your body, distorting your atoms back to their proper shape. It still hurts, buy it’s more bearable, although you quickly notice you’re chocking on a different form of Divinity, more possessive, more wild but just as old and ferocious as it snaps at the retreating heels of the twisted, chaotic thorns. Making reality remember your own shape quicker at the cost of filling every crack consumed by the demon.

You swear that thing is smiling smugly at something else, teeth bared and very entertained, taking the suffering of the people of Termina and the cold revulsion in your veins with it as it retreats with it's cacaphony of voices to the shade, 'A shame. Feasting more would be delightful, but very well. We trust that though you hurt today, tomorrow you’ll make sure we head on our way.'

You don’t have the mind or heart to say anything else to it, for it grows silent as the spikes rip from the sides of your face, you bite of a tortured yell as the spikes rip off chunks of skin and flesh, clawing at the ground with, thankfully, soothing, perfectly regular fingers and nails, albeit cracked, you feel someone take their hand in yours, and you crack open an eye, carefully aware of the blood dripping down your face from the half removal of the heart shaped mask and the thrum of thunder replacing the cold in your veins with boiling, protective warmth.

Time.

“You shouldn’t be up already.”, you rasp, looking over his wounded form, healed by Hyrule, you shakily take your left hand to keep prying at the Majora’s Mask, only for him to take it gently in yours, you taste blood, the petrichor of the Lost Woods mist and pine on the back of your mouth, chasing the rot of Majora away.

“It’s nothing, we both know I’ve had worse.” He says, firmly shaking his head. His scarred eye is open, ivory like bone, the markings more vibrant and prominent with the ferocity of a god, he looks tired, and you attempt to speak, to apologize, to voice your worry because you knew channeling the deity without a conduit was a bad idea, before coughing, shaking from the aftermath of your reckless, reckless plan.

(You unfortunately can’t say you regret it much, though, when you silently bear the combined brunt of Time and Fierce Deity’s care once you reach camp and the protective way they act towards you. Even though Majora is long gone much to your resigned exasperation, and the rest of your boys amusement, but that is for much, much later.)

Time gently hums, it rings through you like thunder as he holds you close, tapping your neck in a rhythm you could recognize in your sleep for when he was about to pull arrows, blades or shrapnel from your skin, or was ready to have it done to himself, you immediately loosen yourself as much as possible, gripping his hand tightly as he rips the rest of the Majora’s Mask off, inert and lifeless as when you’ve both woke up from a new day, he holds you close as you try to breathe, reassuring himself you’re still here, “Don’t you ever scare me like that again. Please.” He pleads, begs, prays. He can't lose you too.

And you can’t help it, you smile as you cry crimson and russet tones from your eyes, holding him back as close as you dare to. He doesn’t hate you, you’re sure you’re going to soon participate in the argument of a lifetime. But Link doesn’t hate you, doesn’t see you as a monster any more than you could ever see him as anything but the kind companion you always knew.

So you let yourself nod, helpless to say no to him for anything really. And allow yourself to breathe, you’re both going to be alright.

#linked universe x reader #linked universe time x reader #lu time x reader #also know as Reader Going All in on their Feral Arc on my docs lol #this makes reference to Majora's story in fhe manga before it became a mask.#and basically has some of my many many thoughts about why it evolved the way it did and it's effects #even though all the original version of it as a demon was basically one long nap lol #The Majora's Mask adapts depending on who's wearing it and in this essay I will-#Majora: So what's in it for me if I indulge your little mortal whims?#Reader who us willing to do anything for the Links and Time: Free food entertainment and a nap?#Majora after seeing it can annoy Fierce Deity in one go too: Deal #They're both analogue and aspects to each other and are so mad about it. Majora wasn't gonna to pass that up lol #Mortals holding divinity when they aren't vessels explicitly created for it has consequences in LoZ and that's reflected here #kind of #Fierce Deity x Reader #? albeit very mildly and through Time's care #Fierce Deity doesn't like sharing his vessel or the rest of the Chain with other deities and that extends to Reader #They basically gave them the metaphysical equivalent of a hose down in a lab to avoid contamination #and replaced all of the energy it put in there with his own to make a point and to help with the strain #I have so many thoughts about Time and about this stuff lol #Majora. Appreciating Reader's unhinged defiance: I like this one. FD growling: Back off my vessel has had dibs for years #summer writes linktober shadow 2023 #summer writes #and now I crash lol #Also friendly reminder that the Majora's Mask is MIA in Wind Waker and was never exorcised in the Downfall line #just throwing that out there

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widevibratobitch · 9 months

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when i say i am obsessed with him

#'indescribable insolence' <3333 #dumas writing aramis in '20 years after':#i am going to create a character that is so egdy sarcastic provocative and irritating to everyone around him #and im gonna make stirring shit being an asshole and gruesome murder his favourite hobbies #and he did just as he said. bless him.#most character ever #and what makes him even better is the contrast between 20YA!aramis and t3M!aramis. its hilarious.#my man really went feral. midlife crisis some call it. i call it character development of all time. i call it serving cunt.#aramis as a musketeer a soldier a man in a profession where you're literally paid for killing people:#sweetness and mildness personified writes poetry and theology essays in his free time never gambles dreams about dedicating his life to god #aramis as a priest: whooo boy i hope i get to fUCKING KILL A PERSON TODAY >:D #anyway. i love him a normal amount or something.#the three musketeers #alexandre dumas #anyway. i reread this scene and the charenton battle today because it's definitely in my top 3 aramis moments #also the english translation on the gutenberg page omits two lines of dialogue that i remembered from my polish translation #and it goes something like #de Chatillon says 'i think you're looking for a fight sir' to which Aramis basically responds with 'oh nooo you *think*? Imao'. iconic.#(and its even funnier cause that makes athos immediately go 'aramis stfu plz' and aramis just goes 'no <3' im obsessed with them)#vingt ans apres #do i have a #twenty years after #tag?? not sure tbh i think i dont but tagging just in case ig

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umbrify · 9 months

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realizing it is probably better to Use The Askbox For Its Intended Purpose than to attempt conversation in tags ^^; anyway. YEAH I WOULD LOVE FWHIP THOUGHTS. MY LITTLE GUY. MY DUDE. I LOVE HE. fwhip's throughline IS SO VERY MUCH AVOIDANCE YOU'RE SO RIGHT (haven't seen scott s1 so can't comment on that yet). feel free to elaborate on any of [fwhip's avoidance, the thing about fwhip instinctually shooting sausage, fwhip's relationship to the rest of the WRA]! (also, 13:05 - 13:12 on the twelfth episode in fwhip's e1 playlist, "MAKING PEACE and NEW SKIN!", has the moment with the bow, if you're curious)

Ooh yes, okay. I’m gonna go into Empires season one fWhip and the Wither Rose Alliance, how fWhip handled the rise of Xornoth and the proceeding corruption of Sausage, as well as Sausage’s curing, and the reconciliation of the WRA. Basically, I’m gonna talk about why I love the WRA so much, as well as highlighting some really interesting character moments for fWhip, and his overarching theme of avoidance. Welcome to my Ted Talk.

(If you’ve only ever heard about empires season one through osmosis, or never watched any of the Wither Rose Alliance POVs— fWhip, Gem, or Sausage, this might be a good way to kinda figure out what their deal is. I ended up explaining a lot of context for things, for the sake of saying what I wanted to say, so I feel like it’ll be comprehensive even if you don’t have much prior knowledge of season one.)

At the start of the season, fWhip and Sausage got pretty close pretty quickly. They were partners in crime, if you will, each often helping each other out with various schemes and pranks, such as fWhip helping Sausage get back at Pix for stealing Sausage’s villagers, [fWhip e9, 7:18], even before the proper foundation of the WRA [fWhip e10, 17:25]. Which is to say, they were very close, even before everything went down. After fWhip steals the Codfather head— which he seems to be happy to deflect partial blame onto Gem for, trying to avoid any accountability— the WRA together gear up to create a sort of trap vault, to secure the Codfather head.

The tentative rise of Xornoth began before the vault was constructed, with fWhip having an encounter with the demon happening just before the vault plans were solidified, in his episode 17. In that episode, he makes a log of things he knows about the demon, including a list of things the demon seems to like, which includes two notable entries— “I think [the demon] likes MythicalSausage? And, they really like the idea of the dragon being killed […] they really dislike the dragon. I think their goals are […] the death of the ender dragon, it really keeps coming back to that, and they keep saying, if we kill the ender dragon, they’re gonna be free” [12:43].

This, combined with the need to create a secret vault, would ultimately result in the items being hidden in the End. fWhip, tasked with finding the location of the vault, decides on hiding the items this way, saying “With everything, especially the demon being so scared? Of the dragon? I feel like leaving the Codfather’s head with the dragon, as like a final form of defense, might not be a bad idea. Because, then Jimmy will never be able to get it. He’ll never be able to get it. Nobody’s gonna be able to take out the dragon” [17:21]. He presumes that everything will be safe with the dragon, that nobody will be able to take it down.

Meanwhile, Sausage seems to have almost made friends with the demon. When fWhip visits him to bring him some firearms, he says “Xornoth is uh, is planning some things, it’s great! […] For the demon! For armageddon!!” [fWhip e17, 30:20]. fWhip becomes, understandably, somewhat nervous, yet even here he still seems to… deflect. He laughs, nervously, telling them to have fun, before heading home. fWhip flies off, saying “What a weird guy— people say I’m the evil one. Quite worried about him.” fWhip sees that something is… definitely wrong, with Sausage, and yet he still can’t bring himself to properly have that confrontation. He’s avoiding it, maybe just hoping that things will turn out alright.

Another moment right in this era that I think about often, that I’m not sure where else to put, is the moment where Sausage and Gem have a brief stand down, when Gem says that she’s the most powerful wizard on the server, to which Sausage bites back that she only is for now [fWhip e18, 32:40]. This happens right around when Sausage was starting to get corrupted, and Xornoth promised him great magical power— power that Gem had said he would never have. And I think often about this moment, in the context of the WRA as siblings, right— you’re fWhip, and you’re standing there as your younger brother and older sister are doing the magical equivalent of holding guns to each other’s heads, and just… how do you react? What do you even do? He’s not sure, which leads to that horribly nervous little song he sings, and it’s just… god. It’s so much. Caught in the middle of all the things he’s been trying to look away from, unable to do anything as the two most important people in his life are a hair away from taking each other out.

Finishing up the final preparations on the WRA vault, fWhip expands on his reasoning to hide the Codfather head in the End: “Right now, the only way out of the End is either by killing the dragon, or by jumping into the void […] there’s a little bit of a demon, on the server right now, who keeps trying to tell people to kill the dragon to unleash it upon the world. And, there’s one thing I’m pretty confident in: Jimmy does not want to free Xornoth. And, well, at this point, neither do I. So, if I put the cod head in there, I think Jimmy’s gonna find an ultimatum where he’s like, hm, nope, I can’t get it back. Or, if he does, and he wants to bring it to the overworld, he has to unleash the most evil thing, on this entire server, into the open. So, uh, hopefully he doesn’t do that. I think he’s smart enough” [fWhip e19 9:43]. He tells Gem about the plan later in that same episode, to which she agrees that it seems like a good plan. The idea is foolproof. Surely, Jimmy won’t risk the entire server’s safety, all for the cod head, right? It feels reasonable enough to assume that Jimmy wouldn’t willingly doom the world by releasing the demon, and that’s something that he banks on— it’s the perfect way to get rid of the Codfather head, in a way that Jimmy can never get it back. Surely, nobody would be so foolish. Problem successfully solved!

Right?

Wrong. But… it wasn’t just Jimmy.

The collapse of the Wither Rose Alliance, in fWhip’s episode 20 [4:10 - 7:28], is what finally forces fWhip to really face what Sausage has become. Xornoth demands a sacrifice to allow the WRA to escape the Nether, and Sausage, imbued with the power of Xornoth, takes Gem out quickly. As fWhip is left alone to face an invincible Sausage, Gem pleads with Xornoth: “I was sacrificed! You have to let fWhip out!” Of course, it’s to no avail, and fWhip is forcefully dragged out of hiding to face Sausage once more, being taken down. fWhip and Gem reconvene in Mythland, where fWhip hides Sausage’s dog Bubbles in the ground. Sausage returns, demanding to know where Bubbles is.

This moment, right here, is one I find very chilling. fWhip, a character who so often avoids direct serious conflict, one who worries for people on the sidelines, takes his stand. While Gem demands their stuff back, he says “I told you, [Bubbles is] gone until you get rid of the demon.” He knows this isn’t good, that Sausage is making a mistake siding with Xornoth. He tries the last ditch effort he can think of to get his little brother to snap out of Xornoth’s control.

It’s not enough. Sausage begrudgingly returns their things, and as the two sort through their jumbled items, Gem mutters that they can’t be allies anymore, after this. fWhip agrees, with a haunting certainty, “Sausage, you chose a side… you chose a side. […] We tried to save us all, you chose.” The two stand on the bridge in Mythland, opposite Sausage, and fWhip says it seems like their endeavor that day may have been their last, as an alliance. Sausage shouts for them to leave, and as they take off, Sausage swings, hitting fWhip.

Gem and fWhip fly off, without Sausage. As they make their way back to their lands, fWhip says, in a shaking voice, “Gem, it’s back to just you and me here,” to which Gem assures that they’ll be fine, that they’ll stand up for each other. He quickly accepts her words, saying “Yeah, it’s— it’s all good, it’s all good… it’s all good. He— he took the powers of the demon to kill us, there, that is— that is one too— one too far. That is— it’s one too far.” He’s afraid, having just firmly ousted one of his oldest allies— his own brother— from his oldest alliance, despite knowing that it was the only thing he could’ve possibly done. There was no other option… and yet, he barely gives himself a single sentence to essentially mourn that loss, before he’s trying to pave back on the mask of indifference— look away, avoid, avoid— it’s fine, he says, it’s all good, as if he didn’t just have to do the hardest thing he’s ever done in his life.

But it’s not over yet. Not even close.

(Continued under the cut. This got Really Long)

In that very same episode, a meeting is held [16:30 - 18:03] where fWhip and Gem happily tell the others about how they hid the Codfather head in the end. Everyone else is, of course, terrified. Scott tells them that Jimmy’s just gonna kill the dragon to escape, and that if Xornoth is released, it’ll bring about an eternal winter. Gem and fWhip, realizing they’ve messed up, devise a plan to prevent the Cod Alliance from killing the dragon— they need to heal it, keep it alive at all costs. Gem insists to everyone that they have to be a team, that even though they’ve messed up, that they can fix it.

It’s now or never. They head into the End.

[End scene from 19:20 - 22:57] fWhip immediately flies around to the main island, before stepping down onto the bridge in front of Jimmy. He begs, pleads for them not to do this. “Jimmy— Jimmy, I’m sorry. Jimmy— Jimmy— I’m sorry, Jimmy, we need to not kill the dragon here.” Jimmy demands the Codfather head, and fWhip immediately agrees to return it, reiterating that they must not kill the dragon. It’s this— this moment of being immediately and forcefully thrust into the face of the problem he caused, the problem he’d been trying to avoid, by hiding the Codfather head away in a place where he was sure that Jimmy would never dare to go. It’s this moment of fWhip pleading with Jimmy, to please, please not do this— they’ve lost so much to this demon, they can’t let this happen. He can’t let the demon be freed because of his mistake, he’ll do anything to prevent it from happening. The absolute, terrified resolve of a man faced with a problem he can no longer run from.

Jimmy says he’s gonna kill the dragon, barging past fWhip, up the main island. Chaos breaks out, and fWhip leads Jimmy down, beneath the portal frame. Jimmy says it better not be a trick, and he assures it isn’t, voice panicked. He returns the head, and begs them not to do this, in a soft, shaking voice, “We gotta keep the dragon alive, don’t— don’t let— don’t let Sausage kill it, don’t… […] Chaos, chaos is coming, we can’t— we can’t let the dragon die.” The fear, and absolute certainty… he can’t let this happen. Can’t let his mistake ruin the world.

Jimmy, uncertainly, says “fWhip, I think, whether you like it or not, this dragon is dying.”

fWhip desperately attempts to prevent the dragon’s death, to no avail. Chaos, as the two sides wage war in the end, with Jimmy caught conflicted in the middle. Sausage and Joey, corrupted by Xornoth, cheer for the carnage.

From the moment the Codfather head was stolen— perhaps even from the moment Jimmy started a confrontation with Sausage at all, all that time ago— it was too late. Xornoth would be released.

In a single episode, fWhip’s entire world is turned upside down. The WRA is shattered, the world is fast approaching an eternal corruption, and… he doesn’t know what to do. Gem says they can fix it, that she has the dragon egg, but… what else can he do but to just… shut down. He turns away from it— from Sausage, from Xornoth, from everything. He avoids it all— doubles down on the construction of his city, Eastvale, resolutely looking away from everything else.

With Xornoth freed, and Sausage well and truly corrupted, fWhip becomes extremely cold towards Sausage, to the point of being openly defensively hostile. The brother that he knew… that isn’t Sausage, anymore. One of the best examples of this can be seen in Sausage’s episode 32, 12:54, where Sausage and Pearl go to invite fWhip to their arena. fWhip answers the knock on his gate with a drawn bow, immediately and coldly asking what they want with him, even as Sausage still greets him as a friend. While fWhip is willing to speak to Pearl, he refuses to even entertain the idea that Sausage isn’t here to hurt him, shooting him a few times throughout the conversation, to the point where Sausage is sent away from the gate so that Pearl can speak to fWhip alone.

And… god, isn’t that just so much? You’re fWhip, and whatever thing is possessing the person in front of you, he isn’t your brother anymore. He’s not your friend anymore. He’s not safe, and you’re not safe with him here, even though… he used to be one of the safest people for you to be with. Not anymore. That’s not him, anymore.

And, it’s not unwarranted, with Sausage later saying to Pearl “I try my best around him, but sometimes I just wanna choke him out, Pearl” [15:24]. Yet… Sausage still greets fWhip as a friend, at first. Still tries to talk to him, insists that he’s “not evil today,” and… well, Sausage really did still care very much about the WRA, even while corrupted.

In Sausage’s episode 33, he opens by reading his last will and testament, knowing that soon enough he’ll be taken by the corruption. Within his will, he writes out things that he wants the other emperors to have, should he not return: “To fWhip, you can keep all my deepslate redstone ores… I don’t know what you want them for, they’re kind of useless to me, but… I kept a lot, […] Gem, you can have my great staff of Mythland. Uh… in your hands, it’ll probably be very effective. And to the Wither Rose Alliance, you can have access to my iron farm still” [1:07]. He still thought about them… still cared about them. The fact that Sausage kept collecting deepslate redstone— something that fWhip loves and cares for very much, for the sole purpose of giving it to him, even though they were on such horrible terms… I think about that. He loved them, even still. Even through the corruption, he loved them.

Gem never turns her back on Sausage in quite the same way fWhip does. It was she who cured him, in the end— killing him, at his own request, voice corrupted as he struggled against the influence of Xornoth. She finds him in Mythland, after he’s free from the corruption, and asks if he’s okay, saying she’s so glad to have him back again. He shakily asks her if he can be back in the alliance again, now that he’s cured, and Gem says “We’ll have to talk to fWhip about it, how about for now, you just… heal up over here” [Sausage e33, 33:25].

Gem knows that she forgives Sausage, that it wasn’t his fault. But… she also knows fWhip, and she knows it won’t be so easy for him, that it’ll take time. It has to be his own choice, in the end, to forgive Sausage for everything he put them all through.

Gem brings fWhip around to see Sausage, now that he’s uncorrupted. [Sausage e34, 24:00 - 34:25]. Once fWhip realizes that Sausage is there, he draws his bow, asking coldly why they’re here. Sausage asks what’s going on, and Gem says she’s brought him fWhip. Sausage is immediately distracted by Gem’s wizard hat, and fWhip happily jumps on the bandwagon of teasing Gem. Gem tells fWhip that Sausage is cured, and while fWhip is skeptical at first, having to kill Sausage himself to make sure he’s no longer unkillable, the three seem to fall back into their old patterns. Gem sends the two running into the river, lightheartedly chasing them with her sword, and as they both climb out giggling, she says “I missed this.”

This scene, this moment of the WRA, finally back together again after so long, it’s so… god. They’ve been apart for so long, they haven’t been able to hang out and laugh with each other, and this is the first time in so, so long, that Sausage has been able to hear that light in fWhip’s voice again— that he’s been able to speak to fWhip on any terms that aren’t cold and callous and unloving. They have each other again, they have their family back, unsteady as it is.

Sausage asks if he’s back in the alliance, and Gem says it’s up to fWhip. He seems… uncertain, but says that Sausage can be tentatively back— like he’s still nervous, still feels like something could go wrong. The three of them agree that Sausage owes them both three favors, and then he’ll be back in the alliance for real.

In Sausage’s episode 35, fWhip cashes in his first favor [9:30 - 10:17]. He asks Sausage to come by to help him with something, and as Sausage flies in, fWhip immediately shoots him with a flaming arrow. Sausage flies away, circling around before making his way back to land near fWhip. fWhip greets him with that old harsh coldness, a curt “Hi, can I help you,” how fWhip used to speak to Sausage, while he was corrupted. Sausage says he didn’t come to fight, that he’s good now, and fWhip lets out a slightly nervous laugh, saying “oh, right, right… sorry, sorry, I’m still just a little… it’s gonna take a while, it’s gonna take a while— you can’t just expect me to like— just like, forget, instantly, right? It was just— you know,” fWhip trails off, and Sausage says that fWhip hit him in the face, to which fWhip laughs, slightly, before restating his initial greeting in a much more friendly tone.

And it’s just… god. Isn’t that so much? Isn’t that So Much? Like, you’re fWhip, and you see your own little brother coming, and your immediate instinct is that you have to protect yourself. That you aren’t safe, that he’s gonna hurt you, prepare to fight back— god. Could you imagine what it must be like to be feeling that way? To be trying to reconcile the feelings so ingrained in you now, with the person now before you? He’s trying— he’s trying so hard to let Sausage back in. But… it’s not that easy.

I think this essay has definitely gotten long enough, but I do wanna leave off with one final moment. In Sausage’s episode 41 [11:25 - 14:22], fWhip finally feels able to fully accept Sausage back into the alliance. He tells them that he wants to make them all a new meeting room. The three end up falling back into their old antics, playfully attacking each other, and Sausage ends up getting killed. fWhip picks up a bunch of his things, including a splash potion of invisibility that he had. fWhip cheekily says he’ll keep the potion, and Sausage asks for it back, to which fWhip starts to walk off to where he wanted to show them anyway. Gem follows, and in a disapproving tone, says “fWhip, give him his things.” fWhip turns around, says “Okay, here you go,” and splashes the invis on them all, to which Sausage indignantly says “I can’t believe this!” fWhip immediately starts laughing, with Gem giggling as well, and both fWhip and Sausage quickly realize how silly Gem looks while invisible, with her massive hat floating in the air.

I point out this moment because it really encapsulates why I love the WRA so much. They’re such a chaotic bunch— acting like three siblings who love to tease each other, who get into fights and have falling outs and still, in the end, they make up again. They find each other again. They never stop caring about each other, even through everything. It’s a really sweet little moment— the WRA, finally, truly whole again.

#empires smp #THIS GOT SO LONG. OOPS.#i spent like. over 5 hours making this #and I could keep going. i could talk more about fWhip and Gem #about the moment where Scott accidentally blasts Gem with the magic. how worried fWhip was #how he insists that she get help #but honestly that gets into territory that I haven’t yet seen myself #and I can’t tell it properly #and honestly this is long enough #also thank you for the timestamp for the bow thing!! it’s very interesting #i reckon it’s more about them wanting to create peace in that moment than it was about Jimmy specifically? if that makes sense?#but! who’s to say #you’ll notice I ended up talking a lot about Jimmy here #this is because it is impossible to talk about fWhip without talking about Jimmy literally ever #thank you so much for the free excuse to talk about empires one fWhip and the WRA. this is been so enriching for me #i love them so much #and e1 fWhip is my favorite character across both seasons of empires #uh. can you tell?#ANYWAY. thank you to anyone that ends up reading my whole essay.#it is over 3000 words in total.#umbrify talks #umbrify answers #erstwhilesparrow

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roobylavender · 2 years

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i don’t really agree with the idea that ra’s can be swapped out for talia in terms of damian’s upbringing and nothing would change about the story bc he’d be near exactly as abusive as morrison wrote talia to be like.. no.. that’s just misunderstanding ra’s as a character which frankly a lot of people do. ra’s is emotionally abusive but there are still specific patterns to that behavior. he wants the people at his side to genuinely believe in his vision and abide by it and act upon it, it’s far more complex than him being a physically abusive person who would brutally train a child with no remorse or regard for that child’s well being. current canon esp in the last year has led to this belief that talia grew up cold and pressured to take upon the role and be the perfect weapon but she didn’t. she and ra’s were implied to have a relatively fine relationship as she grew up and things only began to shift once bruce entered the picture and became an influence on talia and her loyalties

when the idea of losing talia to bruce began to veer into reality, ra’s became more possessive and insistent in what he wanted talia to do to ensure she would remain on his side. but even then when she ultimately left him for good to move to metropolis the retaliation that ra’s took out wasn’t on her, it was on bruce. he respected her attempts to break out and do something on her own terms, and that’s not to absolve him, i’m simply pointing out how he’s capable of respecting the people he cares about so long as they don’t go directly against him. so when you toy with the idea of ra’s killing damian’s adoptive parents (which is something i believe he would do. they’re an obstacle to his family after all) and thereby choosing to raise him on his own you have to remember that damian is ultimately a child who will possess little to no tangible worldview with respect to what ra’s is preaching (unless his parents are conveniently environmentalists and he’s a genius child which personally is a boring cop out)

so damian is this relatively unexposed kid whose parents suddenly die only for a man to present himself as his grandfather. ra’s pulls the strings to let it all show in the paperwork and damian goes home to one of his bases. and i think the first thing ra’s would do is teach damian about the world. about the way he views it but in the simplest terms understandable to a child. and he would pull damian into this world of scholarship and travel and athleticism not out of cruelty but out of love. bc there is genuine love that ra’s has for bruce and talia even if he eventually abused it. he was overjoyed when they were going to have damian. and he can still be overjoyed and engrossed in the idea of having a grandson to call his own and to teach his philosophy to even if ultimately what he would be doing is projecting his own desires onto damian. he can hope for damian to be the one person in his family who stands by him and understands him and follows him and it can be tragic bc we know his worldview is ultimately wrong and what he’s done isn’t right and damian needs to be rescued asap. but it would all be punctuated by love that would frankly be so much more interesting to explore bc the real crux of ra’s as a character is that he is incredibly proud and lonely and loving in all of the most heartbreaking and potentially unforgivable ways possible. he holds onto people too tightly without understanding why they might want to let go. and there’s no better person to explore the breaking point of that behavior through than a completely unaware damian who ends up on his doorstep and genuinely believes he’s going to live with a grandfather who loves him in all of the right ways. and love him ra’s does. just without telling damian all of the ugly truths it took to get him there

#ra’s al ghul #personal essays #i am genuinely. a gazillion times more interested in exploring ra’s as the emotionally manipulative person he is #than as some crazy guy obsessed with immortality and body swapping and beating a child into obedience #like he genuinely is character assassinated a lot and it’s not brought up nearly enough when the storylines with him could be so cool #bc again i keep emphasizing it but i DO think he would love and adore and poor everything of himself into damian #but it wouldn’t change the fact that it would all be backed up by a lie #it wouldn’t change the fact that he would be hiding damian from his own parents #it wouldn’t change the fact that rather than trying to make amends with bruce and talia he would look to a child to give him solace #it wouldn’t change the fact that when damian finally found out the truth he would be devastated #bc ra’s could be someone he genuinely grows to love. and all of it would be mired in lies #idk it’s just. way way juicer to me than your standard omg let’s train damian to be a super soldier 🤪 shtick #damian in general to me is boring sorry we’ve already established this he really is just my oc atp #i should clarify i mean this as a concept like who he was created to be. it’s boring it’s racist it doesn’t capitalize on the lore etc #but i mean i have no regrets about that bc my take on him is informed by what the al ghuls are actually like. not character assassination ☺️#the al ghuls are genuinely so cool and people’s criticism of morrison should extend to the way their lore was bastardized as a whole #if we are being real. like everything he did with utterly bland utterly boring utterly unimaginative #and i want batman fans to FREE themselves. go back pick up a book from the 70s or 80s it’s just #so much more fun and anointed with depth. bride of the demon literally apex of ra’s characterization #along with that one batman chronicles issue eight story the prison #he’s soooo complex like do i think he /deserves/ forgiveness no but bruce and talia do ultimately pity him in some form #and if there was a way to make him powerless and keep him alive and change him they would pursue it #anyway i am getting away from the point here ig what i am trying to say is the al ghuls are packed with so much love and more writers #ought to explore it. instead of making up fucking. demon magic lore or whatever the fuck #like they’re already fucked up in so many ways idk i genuinely don’t believe you need to add to the pit lore to explore them as people #i just realized the stories i recced for ra’s characterization are from the 90s lmao. oh well. they still banged #talia al ghul #damian wayne #dc

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theboost · 2 years

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Top three moments from robocop 2 that make me think that frank miller accidentally made robocop trans

#i had a breakdown about this on twitter when I was watching this. but man.#okay remember that essay I was writing in my head I’ll sum it up here. so robocop 1 is all about well actually it’s a critique of capitalism #and the dangers of giving cooperations to much power and modern action movies and what have you. it’s a good movie. but it’s also about #robocop reclaiming his identity which is signified by 1. the fact that he spends the finale with the mask off to show that it is in fact #alex murphy doing this not robocop and 2. the way it ends is literally on the exchange of dialogue “what’s your name son’’ “Murphy’’#it’s literally him reclaiming his identity. so if robocop 1 is about him and his rediscovering his humanity then it tracks that robocop 2 is #about how society reacts to that. and it does kind of. there’s a lot of like moments like this where murphy asserts his identity only to be #broken down by the people with positions of power over him - he’s not alex murphy he’s not even human he doesn’t even have rights. and like #they bring up his wife and kid in the first 15 minutes and you think okay so they’ll explore how this has effected them. how do they feel #about each other? it’s stated in the first movie that he remembers her but he doesn’t really feel for her I believe- something contradicted #in this movie by the fact that he apparently constantly drives by her house. so if it’s not love driving him then what is it? is it the #desire to have what he can never really get again? a normal life with his family? well guess what! they have him say to his wife alex murphy #is dead and not even what appears to remain of him is really left and she disappears from the movie #they do explore how he’s viewed by society somewhat but it’s mainly a juxtaposition of how his friends and coworkers see him vs ocp the corp #that created him and it’s basically like his friends acknowledge his personhood but in the eyes of the law and ocp he has no rights because #he’s not a person he’s a tool! and this gets taken to the extent where he is literally reprogrammed by ocp once he gets destroyed to be a #‘better’ tool for fighting crime and you think oh okay this is where this movie is going to go it’s an exploration of Murphy’s rights and #him dealing with these forced changes is going to be a big part of the movie and then no. it lasts for like ten minutes and then abruptly #ends when murphy risks wiping out all that remains of him to be free- an interesting idea that never gets brought up again because any #real continuation of the themes of the first half of the movie kind of stop and he practically disappears for 40 minutes and I think that’s #where my problems with robocop 2 really come in because like. it’s written by frank miller and another guy with a story by frank miller.#he’s not the most subtle man in the world and he certainly lacks capability of the deft political commentary of the first movie and it just #kind of becomes a less subtle rehashing of the old one. the lack of subtlety is apparent when one of the characters literally says the theme #of the movie to a bunch of reporters ‘we can’t let cooperations have this much power or they take away our rights’ which is true but that’s #what the first movie said FRANK. you have to come up with something new FRANK #and that’s why I liked the exploration of Murphy and his rights and his feelings because the first movie was about him like. learning that #he had them and coming to terms with it but now a year or so later what’s the situation? and the situation is that it’s the same.#it even ends on the exact same note as robocop!! murphy says to his partner ‘we’re only human’ which could have been impactful if murphy #ever truly doubted his identity- sure he can be convinced to say that he’s not but everytime he’s pressed about it he repeats that he IS #Alex murphy until he is literally forced not to! like there’s a scene where he has to literally be programmed to stop saying that he is alex

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libraryfag · 1 year

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desperately banging on zadie smith's door because I have GOT to know her thoughts on nope (2022)

#reskimmed her get out review and got slightly emotional at the end where she says shes looking forward to seeing what #jordan peele would go on to create.. She discussed in the essay how the film relates to art specifically black art. which is the main theme #of #nope #Zadie Smith #feel free #my posts

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chatonyant · 1 year

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i would love to go into focus mode at a more reasonable time please. please.

#alp doots #i mean i guess i go into long focus mode when im alone and therefore uninterrupted for a long time #but actually getting into focus mode is a russian roulette #its either cruisin time or crash head first into a wall time #coffee helps. occasionally.#its either makin me focus or makin me sleepy #and a third secret thing: making me question everything i know about the effects of caffiene #i spelled that wrong oops #funny thing is drawing sometimes exhausts me so much faster #i dont know why! i would love to know why!#id almost say its cause its more thinking/creating but #im #also creating things in graphic design #?????????help #if anyone needs a good mockup site #mockups-design is my lover. my mistress. my tender roast beef.#tis free and easy to download from there and its soooo good i wanna know how they edit it/where they get their photos #essay moments by alp once again

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paganinpurple · 1 year

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AO3 Etiquette -UPDATED

Based on both decent and not so decent replies, I have made some changes to my original post below.

It would seem a whole new kind of AO3 reader/writer is emerging and it is becoming clear not everyone quite understands how the website community works. Here is some basic guidance on how most people expect you to go about using AO3 to keep this a fun community archive that funtions correctly:

As well as likes, kudos is for when the story was interesting enough to make you finish reading. If it sucked or was badly written, you probably left. If you finished it, you liked it - so kudos.

If you really liked it, you should try to comment. It can be long and detailed or a literal keysmash. Writers don't care, we just love comments.

No critisism unless the author has specifically asked or agreed to hear it (so use your notes to say if you want some constructive feedback). Even constructive critisism is a no-no unless an author note tells you it's okay. No, posting it online is not an open invitation for that. Many people write as a fun hobby or a way to cope with, among other things, insecurity and just want to share. Don't ruin that for them. I've seen so many authors just stop writing coz they can't handle the negative emotions the critism brings, and it's only meant to be a fun thing shared for free (pointing out tagging errors is not included in this).

Do not comment to ask the author to write/update something else. It's tacky and off-putting and will probably have the opposite effect than the one you want.

There is no algorithm, it's an archive. Use the search and filter function to add/remove the pairings/characters/tropes etc. you want to read about and it will find you the fics that fit the bill.

For this to work, writers must tag and rate stories. This avoids readers finding the wrong things and missing the stuff they want. I don't care how cringy that trope is in your eyes - it gets tagged.

The tag exception is if you don't want to tag a million things or spoil your story, you can rate it as "chose not to use warnings," and maybe tag the bare minimum.

Don't censor tags. How can someone exclude a tag if the word isn't typed out correctly? There are no content bans for terms so don't censor them.

If the tags are mostly content/trigger warnings, especially if they are things considered very fucked up or graphic, you might want to use "dead dove - do not eat" to ensure people know that you're not messing around with tags and what they get is exactly what you've warned them about.

Character A/Character B means a ROMANTIC or SEXUAL relationship of some kind. Character A&Character B is PLATONIC, like friendship or family.

Nothing is banned. This is an rule because banning one thing is a slipperly slope to banning another and another, until nothing is allowed anymore. Do not expect anyone to censor for you. Because of the tags system, you are responsible for your own reading experience.

People can create new chapters and sequels/fic series any time after they "complete" a story. So it's considered perfectly normal to subscribe, even to a finished story. You can even subscribe to the author instead just to cover your bases.

Do not repost stories or change the publishing date without an extremely good reason (like a complete top to bottom rewrite or an exchange youve written for going public). It's an archive, not social media. No one cares what's the most recent, only what fits their tag needs.

Instead of deleting a story you wrote if you hate it - consider making it anonymous or orphaning it so others can still enjoy it, without it being connected to your name anymore. If you still want to delete it, fair enough.

It's come to my attention that metaworks ARE allowed on AO3, which is something I wasn't aware of. So if you do post an essay or theory, please tag it as such so others can choose to search for it or exclude it. Art is also allowed.

The only reason this archive works is because NON ONE PROFITS. Do not link to your ko-fi or patreon or mention monetary gain in any way or you violate the terms and risk having your account removed. If anyone does link, it leaves the archive open to people claiming it's for profit and having the whole thing removed.

I KNOW there's plenty more I missed but I'm trying to cover most of the basics that people seem to be struggling with.

I invite anyone to add to this, but please explain, don't berate.

#ao3 #using ao3 #archive of our own #fanfiction #fanworks

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jadenvargen · 2 months

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free online james baldwin stories, essays, videos, and other resources

**edit

James baldwin online archive with his articles and photo archives.

---NOVELS---

Giovanni's room"When David meets the sensual Giovanni in a bohemian bar, he is swept into a passionate love affair. But his girlfriend's return to Paris destroys everything. Unable to admit to the truth, David pretends the liaison never happened - while Giovanni's life descends into tragedy. This book introduces love's fascinating possibilities and extremities."

Go Tell It On The Mountain"(...)Baldwin's first major work, a semi-autobiographical novel that has established itself as an American classic. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Baldwin's rendering of his protagonist's spiritual, sexual, and moral struggle of self-invention opened new possibilities in the American language and in the way Americans understand themselves."

+bonus: film adaptation on youtube. (if you’re a giancarlo esposito fan, you’ll be delighted to see him in an early preacher role)

Another Country and Going to Meet the Man Another country: "James Baldwin's masterly story of desire, hatred and violence opens with the unforgettable character of Rufus Scott, a scavenging Harlem jazz musician adrift in New York. Self-destructive, bad and brilliant, he draws us into a Bohemian underworld pulsing with heat, music and sex, where desperate and dangerous characters betray, love and test each other to the limit." Going to meet the Man: " collection of eight short stories by American writer James Baldwin. The book, dedicated "for Beauford Delaney", covers many topics related to anti-Black racism in American society, as well as African-American–Jewish relations, childhood, the creative process, criminal justice, drug addiction, family relationships, jazz, lynching, sexuality, and white supremacy."

Just Above My Head"Here, in a monumental saga of love and rage, Baldwin goes back to Harlem, to the church of his groundbreaking novel Go Tell It on the Mountain, to the homosexual passion of Giovanni's Room, and to the political fire that enflames his nonfiction work. Here, too, the story of gospel singer Arthur Hall and his family becomes both a journey into another country of the soul and senses--and a living contemporary history of black struggle in this land."

If Beale Street Could Talk"Told through the eyes of Tish, a nineteen-year-old girl, in love with Fonny, a young sculptor who is the father of her child, Baldwin's story mixes the sweet and the sad. Tish and Fonny have pledged to get married, but Fonny is falsely accused of a terrible crime and imprisoned. Their families set out to clear his name, and as they face an uncertain future, the young lovers experience a kaleidoscope of emotions-affection, despair, and hope. In a love story that evokes the blues, where passion and sadness are inevitably intertwined, Baldwin has created two characters so alive and profoundly realized that they are unforgettably ingrained in the American psyche."

also has a film adaptation by moonlight's barry jenkins

Tell Me How Long the Train's been gone At the height of his theatrical career, the actor Leo Proudhammer is nearly felled by a heart attack. As he hovers between life and death, Baldwin shows the choices that have made him enviably famous and terrifyingly vulnerable. For between Leo's childhood on the streets of Harlem and his arrival into the intoxicating world of the theater lies a wilderness of desire and loss, shame and rage. An adored older brother vanishes into prison. There are love affairs with a white woman and a younger black man, each of whom will make irresistible claims on Leo's loyalty.

---ESSAYS---

Baldwin essay collection. Including most famously: notes of a native son, nobody knows my name, the fire next time, no name in the street, the devil finds work- baldwin on film

--DOCUMENTARIES--

Take this hammer, a tour of san Francisco.

Meeting the man

--DEBATES:--

Debate with Malcolm x, 1963 ( on integration, the nation of islam, and other topics. )

Debate with William Buckley, 1965. ( historic debate in america. )

Heavily moderated debate with Malcolm x, Charles Eric Lincoln, and Samuel Schyle 1961. (Primarily Malcolm X's debate on behalf of the nation of islam, with Baldwin giving occassional inputs.)

----

apart from themes obvious in the book's descriptions, a general heads up for themes of incest and sexual assault throughout his works.

#james baldwin #motivated by i think people here think it's harder to find resources and read than it actually is. so much stuff online!#motivation nr 2 wtf

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nyancrimew · 19 days

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Sorry, it was unfair of me to send that to you without proper context since you might not be aware of these issues. Irredeemable media refers to any thing with a creator or content that is harmful and/or bigoted. Of course every piece of media has problems, but irredeemable media is when those problems cannot be ignored and are an indicator of someone's beliefs.

For example, Harry Potter is irredeemable media because every one knows that JK Rowling is a transphobe, but some other piece of media like Twilight would not be considered irredeemable because even though Stephanie Meyer has done some bad things, they are not as widely talked about, so someone who posts about Twilight on here isn't completely likely to be a bigot, but a Harry Potter blogger would. Also, I know the "to be cringe is to be free" people like your blog, but a lot of the time, what is considered cringey on here is actually based on what is irredeemable. No progressive person or reputable blogger genuinely makes fun of My Little Pony fans any more, however plenty make fun of Hazbin Hotel fans and the such because that content is irredeemable and shows someone's beliefs. So usually, a piece of media being considered embarassing to like on here usually indicates that it is irredeemable.

As for why the other pieces of media are irredeemable, Hazbin Hotel is made by a woman who has many well-documented accusations of bigotry against her and has drawn zoophilia art, not to mention how her work leans into stereotypes about gay people (having a gay man character be a sex addict, a lesbian be named after the female body part Vagina, etc.) or at least that's what I've heard. Attack on Titan is created by a known fascist and many illusions are made to nazi imagery and nationalism in the anime. Captive Prince has a racist premise that sexualizes slavery and non-con.

People can tell you that liking irredeemable media doesn't say something about who they are, but that's fundamentally false. If someone is uncaring enough to still post openly about these types of media, it's clear they don't care enough about not supporting bigotry. Yes, even if they don't give money to the creators, because they are still willingly exposing themselves to bigoted or harmful content and enjoying it.

The previous ask was not meant to be accusatory. Rather it was meant as a concerned question. Believe it or not, there are still some users on here who indulge in these pieces of content, a few of which hide behind the excuse of being part of a minority (Black, trans, whatever) or simply deny how bad their media consumption is to escape accountability. I wouldn't want you associating with those types of people and have that ruin your reliability on this website.

Hopefully this ask has educated you more on these issues and you'll be able to spot irredeemable media in the future and block it out.

incredible essay, you get a C for Creativity

#im just gonna assume this is high effort bait

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akajustmerry · 1 year

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anyways, instead of focusing all your energy on calling out Succession and the Last of Us for being anti-palestinian, here's some of my favourite media made by Palestinians 🇵🇸 and their allies...

Salt of this Sea (2008). Dir. Annemarie Jacir. Heist film set in Palestine about 2 Palestinians who help a Palestinian American woman rob a British bank who refused to give her the money her grandfather left her.

Netflix original series, Mo, created by Mo Amer. Dramedy about Mo, a Palestinian American without papers, trying to stay out of trouble until his US citizenship is approved (he's already been waiting for 12 years). This just got renewed for a second season!!!!

Farha (2021). Dir. Darin J. Sallam. Coming of age story about a 14 year old girl trying to survive the Nakba in 1948. Tw: settler colonial violence.

In Between (2016). Dir. Maysaloun Hamoud. A film about 3 Palestinian women, one of whom is queer, in their 20s living under occupation. Heart-warming story about friendship, solidarity and revenge. Tw: sexual assault.

In Vitro (2019). Dir. Larissa Sansour. Breathtaking short scifi film set in a future where Bethlehem has been destroyed by an ecological disaster and two scientists from different generations are trying to remember what happened. This film is pure poetry and I think about it constantly.

It Must Be Heaven (2019). Dir. Elia Sulieman. A charmingly absurdist film about Elia Sulieman seeing parallels to Palestine everywhere he goes as he tries to make a film about his homeland.

The Crossing (2017). Dir. Ameen Nayfeh. Short film about Palestinian siblings trying to cross an Israeli checkpoint to visit their grandparents.

Ramy. Episode 3 of season 3: 'American Cigarettes'. Far and away the best episode of TV of 2022, and also directed by Annemarie Jacir. Ramy goes to occupied Palestine to make a diamond deal with some Israeli brokers, but his horniness takes him to The Other Side. I think about this episode almost everyday, it's unlike anything I've ever seen.

Freedom Is A Constant Struggle by Angela Davis. A book of interviews and essays conducted by Angela Davis on how systems of racism and colonial violence are all connected, and how solidarity between communities of colour are vital, using the long-standing allyship between Palestinians, Aboriginal peoples and Black Americans as case studies.

As fine and good as it is to call out Zionism in media, rmr to also support Palestinians, their work and their art. Feel free to suggest more ❤️

#palestine #free palestine #Ramy #Mo #farha #films #tv #/

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mostlysignssomeportents · 3 months

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I assure you, an AI didn’t write a terrible “George Carlin” routine

There are only TWO MORE DAYS left in the Kickstarter for the audiobook of The Bezzle, the sequel to Red Team Blues, narrated by @wilwheaton! You can pre-order the audiobook and ebook, DRM free, as well as the hardcover, signed or unsigned. There's also bundles with Red Team Blues in ebook, audio or paperback.

On Hallowe'en 1974, Ronald Clark O'Bryan murdered his son with poisoned candy. He needed the insurance money, and he knew that Halloween poisonings were rampant, so he figured he'd get away with it. He was wrong:

https://en.wikipedia.org/wiki/Ronald_Clark_O%27Bryan

The stories of Hallowe'en poisonings were just that – stories. No one was poisoning kids on Hallowe'en – except this monstrous murderer, who mistook rampant scare stories for truth and assumed (incorrectly) that his murder would blend in with the crowd.

Last week, the dudes behind the "comedy" podcast Dudesy released a "George Carlin" comedy special that they claimed had been created, holus bolus, by an AI trained on the comedian's routines. This was a lie. After the Carlin estate sued, the dudes admitted that they had written the (remarkably unfunny) "comedy" special:

https://arstechnica.com/ai/2024/01/george-carlins-heirs-sue-comedy-podcast-over-ai-generated-impression/

As I've written, we're nowhere near the point where an AI can do your job, but we're well past the point where your boss can be suckered into firing you and replacing you with a bot that fails at doing your job:

https://pluralistic.net/2024/01/15/passive-income-brainworms/#four-hour-work-week

AI systems can do some remarkable party tricks, but there's a huge difference between producing a plausible sentence and a good one. After the initial rush of astonishment, the stench of botshit becomes unmistakable:

https://www.theguardian.com/commentisfree/2024/jan/03/botshit-generative-ai-imminent-threat-democracy

Some of this botshit comes from people who are sold a bill of goods: they're convinced that they can make a George Carlin special without any human intervention and when the bot fails, they manufacture their own botshit, assuming they must be bad at prompting the AI.

This is an old technology story: I had a friend who was contracted to livestream a Canadian awards show in the earliest days of the web. They booked in multiple ISDN lines from Bell Canada and set up an impressive Mbone encoding station on the wings of the stage. Only one problem: the ISDNs flaked (this was a common problem with ISDNs!). There was no way to livecast the show.

Nevertheless, my friend's boss's ordered him to go on pretending to livestream the show. They made a big deal of it, with all kinds of cool visualizers showing the progress of this futuristic marvel, which the cameras frequently lingered on, accompanied by overheated narration from the show's hosts.

The weirdest part? The next day, my friend – and many others – heard from satisfied viewers who boasted about how amazing it had been to watch this show on their computers, rather than their TVs. Remember: there had been no stream. These people had just assumed that the problem was on their end – that they had failed to correctly install and configure the multiple browser plugins required. Not wanting to admit their technical incompetence, they instead boasted about how great the show had been. It was the Emperor's New Livestream.

Perhaps that's what happened to the Dudesy bros. But there's another possibility: maybe they were captured by their own imaginations. In "Genesis," an essay in the 2007 collection The Creationists, EL Doctorow (no relation) describes how the ancient Babylonians were so poleaxed by the strange wonder of the story they made up about the origin of the universe that they assumed that it must be true. They themselves weren't nearly imaginative enough to have come up with this super-cool tale, so God must have put it in their minds:

https://pluralistic.net/2023/04/29/gedankenexperimentwahn/#high-on-your-own-supply

That seems to have been what happened to the Air Force colonel who falsely claimed that a "rogue AI-powered drone" had spontaneously evolved the strategy of killing its operator as a way of clearing the obstacle to its main objective, which was killing the enemy:

https://pluralistic.net/2023/06/04/ayyyyyy-eyeeeee/

This never happened. It was – in the chagrined colonel's words – a "thought experiment." In other words, this guy – who is the USAF's Chief of AI Test and Operations – was so excited about his own made up story that he forgot it wasn't true and told a whole conference-room full of people that it had actually happened.

Maybe that's what happened with the George Carlinbot 3000: the Dudesy dudes fell in love with their own vision for a fully automated luxury Carlinbot and forgot that they had made it up, so they just cheated, assuming they would eventually be able to make a fully operational Battle Carlinbot.

That's basically the Theranos story: a teenaged "entrepreneur" was convinced that she was just about to produce a seemingly impossible, revolutionary diagnostic machine, so she faked its results, abetted by investors, customers and others who wanted to believe:

https://en.wikipedia.org/wiki/Theranos

The thing about stories of AI miracles is that they are peddled by both AI's boosters and its critics. For boosters, the value of these tall tales is obvious: if normies can be convinced that AI is capable of performing miracles, they'll invest in it. They'll even integrate it into their product offerings and then quietly hire legions of humans to pick up the botshit it leaves behind. These abettors can be relied upon to keep the defects in these products a secret, because they'll assume that they've committed an operator error. After all, everyone knows that AI can do anything, so if it's not performing for them, the problem must exist between the keyboard and the chair.

But this would only take AI so far. It's one thing to hear implausible stories of AI's triumph from the people invested in it – but what about when AI's critics repeat those stories? If your boss thinks an AI can do your job, and AI critics are all running around with their hair on fire, shouting about the coming AI jobpocalypse, then maybe the AI really can do your job?

https://locusmag.com/2020/07/cory-doctorow-full-employment/

There's a name for this kind of criticism: "criti-hype," coined by Lee Vinsel, who points to many reasons for its persistence, including the fact that it constitutes an "academic business-model":

https://sts-news.medium.com/youre-doing-it-wrong-notes-on-criticism-and-technology-hype-18b08b4307e5

That's four reasons for AI hype:

to win investors and customers;

to cover customers' and users' embarrassment when the AI doesn't perform;

AI dreamers so high on their own supply that they can't tell truth from fantasy;

A business-model for doomsayers who form an unholy alliance with AI companies by parroting their silliest hype in warning form.

But there's a fifth motivation for criti-hype: to simplify otherwise tedious and complex situations. As Jamie Zawinski writes, this is the motivation behind the obvious lie that the "autonomous cars" on the streets of San Francisco have no driver:

https://www.jwz.org/blog/2024/01/driverless-cars-always-have-a-driver/

GM's Cruise division was forced to shutter its SF operations after one of its "self-driving" cars dragged an injured pedestrian for 20 feet:

https://www.wired.com/story/cruise-robotaxi-self-driving-permit-revoked-california/

One of the widely discussed revelations in the wake of the incident was that Cruise employed 1.5 skilled technical remote overseers for every one of its "self-driving" cars. In other words, they had replaced a single low-waged cab driver with 1.5 higher-paid remote operators.

As Zawinski writes, SFPD is well aware that there's a human being (or more than one human being) responsible for every one of these cars – someone who is formally at fault when the cars injure people or damage property. Nevertheless, SFPD and SFMTA maintain that these cars can't be cited for moving violations because "no one is driving them."

But figuring out who which person is responsible for a moving violation is "complicated and annoying to deal with," so the fiction persists.

(Zawinski notes that even when these people are held responsible, they're a "moral crumple zone" for the company that decided to enroll whole cities in nonconsensual murderbot experiments.)

Automation hype has always involved hidden humans. The most famous of these was the "mechanical Turk" hoax: a supposed chess-playing robot that was just a puppet operated by a concealed human operator wedged awkwardly into its carapace.

This pattern repeats itself through the ages. Thomas Jefferson "replaced his slaves" with dumbwaiters – but of course, dumbwaiters don't replace slaves, they hide slaves:

https://www.stuartmcmillen.com/blog/behind-the-dumbwaiter/

The modern Mechanical Turk – a division of Amazon that employs low-waged "clickworkers," many of them overseas – modernizes the dumbwaiter by hiding low-waged workforces behind a veneer of automation. The MTurk is an abstract "cloud" of human intelligence (the tasks MTurks perform are called "HITs," which stands for "Human Intelligence Tasks").

This is such a truism that techies in India joke that "AI" stands for "absent Indians." Or, to use Jathan Sadowski's wonderful term: "Potemkin AI":

https://reallifemag.com/potemkin-ai/

This Potemkin AI is everywhere you look. When Tesla unveiled its humanoid robot Optimus, they made a big flashy show of it, promising a $20,000 automaton was just on the horizon. They failed to mention that Optimus was just a person in a robot suit:

https://www.siliconrepublic.com/machines/elon-musk-tesla-robot-optimus-ai

Likewise with the famous demo of a "full self-driving" Tesla, which turned out to be a canned fake:

https://www.reuters.com/technology/tesla-video-promoting-self-driving-was-staged-engineer-testifies-2023-01-17/

The most shocking and terrifying and enraging AI demos keep turning out to be "Just A Guy" (in Molly White's excellent parlance):

https://twitter.com/molly0xFFF/status/1751670561606971895

And yet, we keep falling for it. It's no wonder, really: criti-hype rewards so many different people in so many different ways that it truly offers something for everyone.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/01/29/pay-no-attention/#to-the-little-man-behind-the-curtain

Back the Kickstarter for the audiobook of The Bezzle here!

Image:

Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en

Ross Breadmore (modified) https://www.flickr.com/photos/rossbreadmore/5169298162/

CC BY 2.0 https://creativecommons.org/licenses/by/2.0/

#pluralistic #ai #absent indians #mechanical turks #scams #george carlin #comedy #body-snatchers #fraud #theranos #guys in robot suits #criti-hype #machine learning #fake it til you make it #too good to fact-check #mturk #deepfakes

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saturngalore · 2 months

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afrofuturism🪐

☆ one ~ solange hair by darknightt (tsr warning) ☆ two ~ loretta hair by @simtric ☆ three ~ bahati braids by @sheabuttyr ☆ four ~ isonoe hair by octetsica ☆ five ~ binah braids by @sheabuttyr ☆ six ~ cornrows & curls hair by @leeleesims1 ☆ seven ~ indie hair by @sashima ☆ eight ~ loc petals by @shespeakssimlish ☆ nine ~ mnemosyne hair by octetsica ☆

mini dedication essay to black simmers and ts4 creators below! pls read if you have the chance! <3

this edit is a small homage to afrofuturism and the various unique black hairstyles (and especially the black creators of most of these hairs) that i have downloaded and admired over the years! some of these are old and some of these are new.

to me, afrofuturism means constantly honoring/reclaiming/challenging the past while constantly creating/dreaming of a better society/world/future. a society/world/future that embraces and empowers all of our differences, ingenuity, aspirations, and unique lived/cultural experiences. a society/world/future that does not limit us through the various systems of marginalization and oppression (racism, homophobia, transphobia, fatphobia, sexism, xenophobia, ableism, classism, colorism, etc.) that often affects how we, as black people, live today.

blackness is so diverse and intricate yet it's always been a struggle to find my culture within a game that's known for being so limiting, bland, and extremely eurocentric when it comes to hairstyles, clothing, food traditions/events, etc. black simmers have always had to figure out how to make this game more inclusive and make it resemble either more like how our ancestors lived, how our current lives are, or how we would want our lives (and even our children's lives) to look like in the future no matter how dystopian the real world look and feel now. fortunately, these hairs and their uniqueness bring a huge sense of culture and style to this game. they have always inspired me and made me feel extremely proud to a part of the lovely african diaspora (and the ever-growing black simmer community).

in a way, being a black simmer and cc creator usually means that we are often digitally creating our own worlds as afrofuturists to varying degrees (whether we know it or not) every time we open our game, make our sims, make houses, and/or make black cultural cc. also, now i know that cc making is not easy to do and is extremely time-consuming so this post is also just me giving all black cc creators especially those who create for free their well-deserved flowers! here are some other black cc creators who created cc that have greatly impacted my game since i first started playing sims 4: @/leeleesims1 @/simtric @/hi-land @/yuyulie @/sims4bradshaw @/ebonixsims @/xmiramira @/sheabuttyr @/qwertysims @/oplerims @/sleepingsims @/shespeakssimlish and so many more im forgetting probably (im too shy rn to tag ppl but i greatly appreciate y’all fr i hope y’all telepathically get this message somehow 😭).

last but not least, i am hoping that this inspires somebody to keep creating or start creating regardless of what they think their skill level is! somebody will absolutely fall in love with your work and/or your art/work will 100% change someone's game forever <333

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malusokay · 2 years

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30 Things To Do Alone

Go for a walk. I've been trying to reach 10k steps daily.

Read a book, article, or blog... just like you're doing right now. ;)

Watch a tv show. I'm currently watching Gilmore girls.

Watch the sunset/sunrise. I prefer sunsets.

Try a youtube workout. Daisy Keech is my favorite!

Do your nails. Nice nails make a vast difference in my opinion.

Go to the grocery store and buy some snacks that you've never tried before.

Try a new recipe. I'm trying carrot cake oatmeal later!

Write a letter to your future self. <3

Test old pens and throw away the dry ones.

Make a birthday wishlist. one of my favorite things to do when I'm bored and have nothing to do.

Take the 16 Personalities test. I'm an ENFP :)

Make a bucket list. I just started writing my autumn bucket list!

Research something or watch a video essay on youtube. One of my favorite channels at the moment is Mina Le.

Make a mood/vision board. You can check out my Twitter or Tumblr for some inspiration.

Scroll Pinterest for the next 6+ hours; we've all been there.

Take a long bath. Do a full skin/hair care routine.

Cut/dye your hair. I just cut curtain bangs, and I'm loving it!!

Bake something for a loved one; I made lemon-poppy seed cookies for my Dad.

Create a new playlist. I've started making an autumn playlist, lol.

Make a photo wall. I made one last year and still love it!

Accomplished your to-do list, and you'll feel great once you're done.

Get rid of old clothes, make room for new stuff.

Go to a new coffee shop and get something to try.

Learn how to crochet. I made a sweater for my dog, lmao.

Make yourself a drink, like a tea, coffee, or smoothie!

Declutter your digital space. (emails, photos, apps, etc...)

Make your room cozy and take a nap, or just relax for a bit.

Plan some outfits and look for things to buy online.

Apply a facemask and watch a coming-of-age movie. (my guilty pleasure, lol..)

Please feel free to add more suggestions in the comments! <3

✩‧₊*:・love ya ･:*₊‧✩

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onmydelulushitasalways · 11 months

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the marauders being clingy

Characters: James Potter, Remus Lupin, Sirius Black

Synopsis: The Marauders loving their s/o and being all clingy

TW: Drunk, alcohol (Sirius)

James Potter

“James,” you whined, “breakfast is going to be over soon, we need to get out of bed.”

James was still half-asleep, with his face pressed against your chest as he laid on top of you. He was like a koala to a tree, clinging onto your warm body.

The way your hands massaged his scalp probably didn’t help keep him alert.

“Five more minutes,” James mumbled sleepily against your skin. “You’re too comfy.”

“James, don’t you have a quidditch match this afternoon? Don’t you want to strategize with the team this morning?”

“They can wait.”

“I have classes to get to, you know?” you stop playing with his hair, a gesture that didn’t go unnoticed.

“Please, baby, I don’t wanna get up yet!” James complained pathetically.

“You have to get up eventually,” you sat up slowly, James reluctantly following suit. “Let’s get ready, go to breakfast, go to class, I’ll cheer for you at your game, and then tonight we can cuddle until we fall asleep.”

James grumpily got out of bed and ready. “Tomorrow morning is a Saturday. And I will not let you out of my arms until lunch, you hear me?”

Remus Lupin

“And so the combination of rose petals and swan feathers creates a sand-like powder that is commonly used in beauty and love spells. Rowena Ravenclaw, however, feared that access to such emotional magic would harm the students, so for the first two centuries of Hogwarts’ existence was an impeccably swan-free zone…”

You read your history book out loud to Remus, who had his head rested in your lap.

“Remus? Are you listening?”

“Hm? Yes, of course, love. Swans and the lack thereof,” he nodded, as he flipped himself from his back to his stomach. His head still resting comfortably on your thighs.

“Tired, Moony?” you put the book down.

“Mhm, a bit. But don’t stop reading on my account. I’m still listening,” Remus’s voice was tired and relaxed.

“Don’t be silly, you go to sleep.”

“Are you gonna fall asleep with me?” he looked up from your lap, expectantly.

“No, I still need to study. The history of Hogwarts waits for no one,” you sighed with a faint smile. “But you had this class last term, so you don’t need to sit through all this.”

“I want to, love. I like hearing you read,” Remus laid his head back down. “Please, continue.”

You smiled with a roll of the eyes and reopened the book. “In addition to swans, all white feathers were equally prohibited. Notably, doves and cranes got it particularly rough…”

Before you could make it to the next page, Remus was asleep on your lap.

Sirius Black

“I’m sorry, I didn’t know who else to call,” Remus frowned as he led you into the Gryffindor common room.

On a couch, laid a very drunk Sirius, talking some poor second year’s ear off.

“Oh, and you should just see them! They’ve got this smile, and these eyes, and, ugh! I hate them they’re so perfect. And I’m dating them! How did that happen?” Sirius ranted.

“I, um, I don’t know,” the perfectly sober second-year shrugged awkwardly.

“Me neither!” Sirius said just a bit too loud.

You walked over to relieve the poor kid from their duties. “I’ve got him from here, thanks.”

“Darling!” Sirius cheered happily at your arrival. He opened his arms for a hug, which when you accept he turns into a cuddle.

He wrapped his arms around your neck and pulled you down on top of him on the couch. The scent of alcohol hit you.

“How much have you had to drink, Sirius?” you inquired.

“Enough to feel good enough to do this,” he smirked as he pulled you into a kiss.

The kiss was long and sloppy, until you pulled away. Sirius frowned slightly at that.

“Siri, you’re smashed. I think you should get to bed,” you advised.

“What? No! You just got here, I’m just starting to have fun!” Sirius whined.

Suddenly, another Gryffindor approached you, asking for help with an essay he had due tomorrow.

“Back off! She was just about to take me to bed!” He declared proudly, with drunken loudness and shamelessness.

And you did just that. Took him to his room, and cuddled him to sleep. Although his hangover was not as pleasant.

#marauders #the marauders #the marauders fluff #the marauders x reader #james potter x reader #james potter fluff #remus lupin x reader #remus lupin fluff #sirius black x reader #sirius black fluff

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