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#Contemporary Art
nutnoce · 3 days
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Fire suppression p.1 & p.2: “Flame Retardant” & “Building Potential” Inspired by the PEM's ‘Our Time on Earth’ exhibit
I was gladly surprised to see the exhibit’s various optimistic installations, especially the building materials of the future. As a forestry student I am beginning to understand our relationship to our forests differently. In the US, forest policy which aimed to suppress wildfires has contributed to a century-long build up of fuel that would otherwise have been cleared by controlled burns or small spontaneous ground fires. Indigenous peoples shaped the forests of the Americas to require these controlled burns. More and more I realize that indigenous knowledge and collaboration is a necessary part of the stewardship of future. A concept which is present at large at the museum but also specifically within Our Time on Earth. Getting a ‘sustainable’ amount of lumber from our forest still disregards the health and purpose of these trees to a diverse and complex ecosystem. It is essential that we diversify our building material, to include carbon-negative things like mycelium! Natural resources that are close by, and at hand in our local environment, which doesn’t require chopping down a tree 3000 miles away and transporting it to the US. We need local resources whose collective cultivation lead to a sense of community and collaboration. A better future!
My thanks to lane.m.artin for collaborating with me for p.2!
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arthuntblog · 2 days
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Sophie Taeuber-Arp (1889-1943) [Switzerland] — ‘Vertical, Horizontal, Square, Rectangular’, 1917. Gouache, metallic paint, and pencil on paper (22.2 × 15.9 cm).
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constanzarte · 3 days
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1- Charles Meynier - Apolo Belvedere en un paisaje. 2- Charles Meynier - Estatuas de Diana Cazadora en un paisaje. 3- Charles Meynier - Estatua de Mercurio en un paisaje. 4- Charles Meynier - Estatua de Polimnia en un paisaje.
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rosieandthemoon · 2 days
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By Michelle Avery Konczyk
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johnteagueart · 3 days
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36" x 24" x 1 1/2"
acrylic on canvas
2019
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ayakashiyume · 3 days
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神様の町 -deserted town-
when i first saw this city i was both fascinated and scared, but as the story continued and all the hidden was revealed it began to seem so familiar and i didn't want to leave it at the end (´-ω-`)))。。
who knows, maybe i really lost a little fragment of my soul there and sometimes it calls for me to return?..
original ✧ large print ✧ small print
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engelart · 2 days
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“Native American girl”, 2018 by Norman Engel
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the-cricket-chirps · 3 days
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Ivan Seal
A0P,sy-90045
2022
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paullorenz · 23 hours
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Artist, Chicago, 04-14-24
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Nick Alm
Reflection, 2017
Oil on canvas.
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granstromjulius · 1 day
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Julius Granström
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lesondupapillon · 3 days
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je ne sais plus à qui mentir
quand je suis seul
quand je rêve seul
Parfois mon lit m'avale
m'accueille en souriant
Puis il se plie en deux
telle une pizza qu'on mange avec les mains
/ Claudio Pozzani
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arthuntblog · 1 day
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Howard Hodgkin (1932–2017) [UK] - ‘In an Empty Room’, 1990-91. Intaglio print in colours with carborundum and hand-colouring in egg tempera (120.5 x 149.2 cm).
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oncanvas · 3 days
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Evoking the Past, Xu Lei, 2009
Ink and colour on paper 65 x 90 cm (25 ⅝ x 35 ½ in.)
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jamesusilljournal · 2 days
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@escapescapes
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rutharenzart · 2 days
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Ruth Arenz
For sale on Chairish https://www.chairish.com/product/16029361/french-actress-portrait-oil-painting-including-the-antiqued-ornate-gold-wood-frame
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