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#Claire's Knee
cinematicjourney · 11 months
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Claire’s Knee (1970) | dir. Éric Rohmer
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pierppasolini · 1 year
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Le Genou de Claire (1970) // dir. Éric Rohmer
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dailyworldcinema · 2 years
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Le Genou de Claire (1970) Directed by Eric Rohmer
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shihlun · 2 years
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Béatrice Romand in Éric Rohmer’s Claire's Knee (1970), Love in the Afternoon (1972), Le Beau Mariage (1982), The Green Ray (1986), and Autumn Tale (1998)
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fleshumiliation · 1 year
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le genou de claire (1970) dir. eric rohmer
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girlsandfilms · 2 years
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Holidays a la Eric Rohmer
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Le Genou de Claire
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filmsthesia · 2 years
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"Le Genou de Claire" (Claire's Knee) - Éric Rohmer
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byneddiedingo · 1 year
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Aurora Cornu and Jean-Claude Brialy in Claire's Knee (Éric Rohmer, 1970) Cast: Jean-Claude Brialy, Aurora Cornu, Béatrice Romand, Laurence de Monaghan, Michèle Montel, Gérard Falconetti, Fabrice Luchini. Screenplay: Éric Rohmer. Cinematography: Néstor Almendros. Film editing: Cécile Decugis. Call me naïve, but I never realized before how much Claire's Knee is a kinder, gentler version of Les Liaisons Dangereuses. Éric Rohmer's characters exist to talk, not to act, so that physical seduction is replaced by verbal dalliance. The novelist Aurora (Aurora Cornu) in Claire's Knee is not, like the Marquise de Merteuil of Pierre Choderlos de Laclos's novel and its many adaptations, out to deflower the innocent, using Jerome (Jean-Claude Brialy), her equivalent of Valmont, as her instrument. For her, the dalliance of older man and teenager is an intellectual exercise, one that might result in a novel for her and only incidentally in pleasure for him. So it's also of importance that of the two jeunes filles en fleurs of the film, it's the more intellectual Laura (Béatrice Romand) who truly attracts Jerome, while the strikingly pretty but vapid Claire (Laurence de Monaghan) may be dismissed along with the brief erotic thrill he gets from caressing her titular joint. But has a film ever been sexier without actual nudity and copulation? Add to that the taboos about underage sex, and we get a film taut with suspense yet essentially light-hearted and full of wisdom about the complexities of love.
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red1culous · 6 months
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pixnflixnwrites · 9 months
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Claire's Knee
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cinematicjourney · 2 years
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Claire's Knee (1970) | dir. Éric Rohmer
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ronk · 10 months
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Ah yes, that knee of Claire
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puppyeared · 2 months
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isnt it great when u take your adhd meds and instead of using that brainpower for stuff like ASSIGNMENTS. AND PROJECTS. your brain decides the next 6 hours will be brainstorming ponysona names and making oc playlists
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fleshumiliation · 1 year
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le genou de claire (1970) dir. eric rohmer
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s-aint-elmo · 10 months
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dug up this handy dandy graphic i made last year to explain my kukugumi hcs on a sliding scale of touch-starved to touchy
(reasoning under the cut:)
hikari & maya: self-explanatory. you don’t look at either of these two and think “well-adjusted.” i wholeheartedly believe that the closest thing hikari had to a hug before seisho was a mr. white pillow and the closest thing maya had to a friend was her idol saijou claudine, of whom she has all the bonus dvd content
junna: she’s a normal person. neither touch-starved nor touchy but she gets points for dipping karen out of nowhere, though i maintain that that was mostly for The Drama and not an indicator of her usual physicality
banana: she gives hugs which bumps her above junna but i feel like she’s more of an acts of service kind of person, ya know? also she probably rarely is on the receiving end of a comforting hug bc of her insistence to take care of everybody else, all the time. hop to it, junna!
futakao: literally always in contact with one another. the only reason they’re not higher is that they mostly just cling to each other (and banana, once, notably)
mahiru: she has four siblings and two children in the form of her roommates (one of whom she glomps on-screen), she has more physical affection than she knows what to do with. she’s bumped down in rankings because she’s a little more reserved than the next two menaces
claudine: she will whisper bonjour into your ear with no prompting, drape her arm over your seat while she slides next to you, make you believe she’s gonna kiss you with a hand on your cheek and a sudden closing of distance, spring a surprise waltz on you, hug you after battling through the school basement bogeymen on your first day of class to introduce herself etc. etc. and she will do it all with no shame whatsoever. i don’t think we acknowledge just how much of a cassanova kuro is just because she’s too often nerfed by maya but goddamn the effect she had on asami in overture, amemiya, lalafin and the frontier girls in the lovers’ bond story, even yachiyo in twenty faces--saijou claudine is canonically bitchless but if she knew what a work-life balance was she’d pull. that’s my manifesto
karen: she beats claudine by a slim margin because of the torpedo-like quality of her enthusiasm and the inescapable strength of her grip. if kaoruko had the lower body strength to drag karen across the floor in episode 6, karen would have held fast and let her do the dragging. 
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