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sigalrm · 2 months

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Was für'n Nebel by Pascal Volk

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heinzelmann · 2 months

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Fasnacht von Nicolas Heinzelmann Über Flickr: Bern, Switzerland more on my blog: www.nicolasheinzelmann.com

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lensinserze · 4 years

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%^ Canon RF 50mm 50 f/1.2 f/1.2L f1.2L f1.2 L USM w/ UV Filter - Under USA Warranty https://ift.tt/2CAdsHM

#lens #lenses #camera

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facad · 4 years

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Today’s matcha 新作の自作茶碗で濃茶 Camera: Canon EOS 5DsR Lens: Canon RF 50mm F1.2L USM #matcha #greentea #tea_bowl #wagashi #winter #IGersJP #canon #eos5dsr #ef50mmf12l #抹茶 #濃茶 #和菓子 #緑翠園 #京の昔 #自作茶碗 #黒茶碗 #七宝の茶入 #たろう #水仙 https://www.instagram.com/p/B7vUq1PA9_q/?igshid=jzvyr80q4byb

#matcha #greentea #tea_bowl #wagashi #winter #igersjp #canon #eos5dsr #ef50mmf12l #抹茶 #濃茶 #和菓子 #緑翠園 #京の昔 #自作茶碗 #黒茶碗 #七宝の茶入 #たろう #水仙

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archmercigod · 6 years

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หลุดภาพ EOS R กล้อง mirrorless แบบฟูลเฟรมจาก Canon คาดเปิดตัวสัปดาห์หน้า

ตามหลังจากที่ Nikon เปิดตัวกล้อง mirrorless เซนเซอร์ฟูลเฟรม คราวนี้ก็มาถึงคิวของ Canon แล้ว โดยล่าสุดมีข่าวลือจากเว็บไซต์ Canon Rumors และเว็บไซต์ญี่ปุ่น Nokishita ว่า Canon กำลังจะเปิดตัวกล้อง mirrorless เซนเซอร์ฟูลเฟรมในสัปดาห์หน้า โดยมาพร้อมกับภาพหลุดของทั้งตัวกล้องและเลนส์ที่คาดว่าจะเปิดตัว

สำหรับสเปคของ Canon EOS R ตามข่าวลือคือจะใช้เซนเซอร์ CMOS แบบฟูลเฟรม 30.3 ล้านพิกเซล, มีระบบโฟกัสแบบ Dual-Pixel CMOS AF สามารถออโต้โฟกัสได้ที่ระดับ EV -6, ถ่ายวิดีโอได้ที่ระดับ 4K

บอดี้ของกล้อง Canon EOS R จะใช้บอดี้แบบแมกนีเซียมซีลกันน้ำกันฝุ่น มิติตัวเครื่องกว้าง 136 มิลลิเมตร และสูง 98 มิลลิเมตร มีน้ำหนักโดยประมาณอยู่ที่ 580 กรัม ใช้แบตเตอรี่ LP-E6N ส่วนเมาท์เลนส์จะเป็น RF (มีอะแดปเตอร์แปลงเป็นเมาท์ EF ขายแยก) ซึ่งมีเส้นผ่าศูนย์กลางด้านใน 54 มิลลิเมตร ส่วนหน้าจอเป็นแอลซีดีรองรับการสัมผัสและหมุนได้ รวมถึงมี Wi-Fi และ Bluetooth สำหรับเชื่อมต่อกับสมาร์ทโฟนเพื่อการแชร์ภาพหรือควบคุมกล้อง

ส่วนเลนส์ที่คาดว่าจะเปิดตัวพร้อมกับตัวกล้องมี 4 ตัวคือ Canon RF 35mm F1.8 M IS, Canon RF 50mm F1.2L USM, Canon RF 28-70mm F2L USM และ Canon RF 24-105mm F4L USM ซึ่งนอกจากนี้ Canon ก็จะเปิดตัวเลนส์เมาท์ EF เพิ่มเติมอีก 3 รุ่นด้วยคือ Canon EF-M 32mm F1.4 STM, Canon EF 400mm F2.8L IS III และ Canon EF 600mm F4L IS III

ที่มา - dpreview, Canon Rumors, Nokishita

Topics:

Canon

EOS

Camera

Fullframe

Mirrorless

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anycontentposter · 4 years

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Have your say: Best prime lens of 2019

Best prime lens of 2019

2019 was a banner year for lenses, as Canon, Nikon and Panasonic grow their respective full-frame mirrorless systems and Sony continued to add optics to its E-mount lineup. In this poll, we're giving you the change to vote for your favorite prime lenses of 2019 but as always, if you think we've missed something, let us know in the comments.

Voting runs through December 15th, and once the vote has closed we'll run a second poll to find your choice for overall product of the year.

Canon

Canon is busy building out its nascent EOS R full-frame mirrorless system, but while most of the action has been in the zoom category this year, Canon also added a stellar prime lens in the form of the RF 85mm F1.2L IS USM. Also in consideration is a lens which became available just a little too late to be included in last year's poll, the EF-M 32mm F1.4 STM - a fast, compact standard prime for the APS-C M-system.

Canon EF-M 32mm F1.4 STM Canon RF 85mm F1.2L IS USM Fujifilm

Fujifilm has been expending a lot of energy on new cameras this year, from the entry-level X-A7 to the flagship medium-format GFX100. But the company also released a handful of lenses, both primes and zooms.

Among them were two fixed focal-length options that we've really enjoyed in 2019 - the GF 50mm F3.5 and the tiny XF 16mm F2.8 - both really nice, compact walk-around lenses on Fujifilm's medium-format and APS-C format cameras, respectively.

Fujifilm GF 50mm F3.5 R LM WR Fujifilm XF 16mm F2.8 R WR Leica

2019 saw Leica release the refreshed Q2 and mirrorless SL2, and to accompany the latter, Wetzlar unveiled two new lenses, a 35mm F2 and 50mm F2. We've never no much as even handled either, but both appear to be excellent performers, and we know that you'll have opinions.

Do either (or both?) make it on to your list of the best primes of 2019? Let us know.

Leica APO-Summicron-SL 35mm F2 ASPH Leica APO-Summicron-SL 50mm F2 ASPH Nikon

This year for Nikon has been all about consolidating its Z-series lens lineup, following the launch of the Z6 and Z7 in 2018. Nikon released three Z-series primes this year, and two of them (the 85mm and 58mm 'Noct') have impressed us in our initial shooting. We just got hold of the Z 24mm F1.8 S and it looks like another excellent performer. Let us know what you think by casting a vote.

Nikon Nikkor Z 58mm F0.95 S Noct Nikon Z 85mm F1.8 S Nikon Z 24mm F1.8 S Panasonic

Panasonic has been putting a lot of energy into its full-frame L-mount lineup this year, and the S Pro 50mm F1.4 is a fine 'reference' lens for that system. But the company also found time to update one of its most popular primes for Micro Four Thirds: The Leica DG Summilux 25mm F1.4 II ASPH. Did either of them make it into your lens collection?

Panasonic Leica DG Summilux 25mm F1.4 II ASPH Panasonic Lumix S Pro 50mm F1.4 Sigma

Sigma released plenty of lenses this year, although several were L-mount versions of existing designs. The company's two genuinely 'new' primes exist at opposite poles of the company's lineup - the small and lightweight 45mm F2.8 at one end, and the large and heavy (and pricey) 35mm F1.2 'Art' at the other.

Both are excellent in their own way - did either impress you in 2019? Cast your vote and let us know.

Sigma 35mm F1.2 DG DN Art Sigma 45mm F2.8 DG DN Contemporary Sony

Sony had a great year in terms of lenses, releasing three high-quality prime lenses for its full-frame a9 and a7-series cameras. The FE 35mm F1.8 is a perfect walk-around lens, whereas the 135mm F1.8 is aimed more specifically at portrait professionals. Meanwhile the FE 600mm F4 is a perfect tool for sports and wildlife shooters.

Have you been shooting with any of Sony's new prime lenses this year? Cast your vote and let us know.

Sony FE 135mm F1.8 GM Sony FE 35mm F1.8 Sony FE 600mm F4 GM OSS Tamron

Tamron launched three prime lenses this year, including a new reference prime in the 'SP' (Special Performance) range. The SP 35mm F1.4 is a large, heavy but very sharp medium wideangle for Canon and Nikon DSLRs, whereas the 24mm and 35mm F2.8 Di III are lightweight, everyday options for mirrorless photographers.

Do any of the three deserve a place in our final list of best primes of 2019? Cast your vote and let us know.

Tamron SP 35mm F1.4 Di USD Tamron 24mm F2.8 Di III OSD M1:2 Tamron 35mm F2.8 Di III OSD M1:2 Zeiss

We've never seen the Zeiss Otus in person, but if it's anything like Zeiss's previous Otus-series lenses, it's likely to be a seriously impressive piece of glass. But is it one of the best prime lenses of the year? Let us know.

Zeiss Otus 100mm F1.4 Vote now! . Have your say$(document).ready(function() Poll("pollId":"9242472685","openForVoting":true,"mainElementId":"poll1","slot":null,"isSingleChoicePoll":false,"minNumberOfChoices":1,"maxNumberOfChoices":20); )Have your say: Best prime lens of 2019Your answers1. Required2. Optional3. Optional4. Optional5. Optional6. Optional7. Optional8. Optional9. Optional10. Optional11. Optional12. Optional13. Optional14. Optional15. Optional16. Optional17. Optional18. Optional19. Optional20. OptionalYou need to login to voteCanon EF-M 32mm F1.4 STMCanon RF 85mm F1.2L USMFujifilm GF 50mm F3.5 R LM WRFujifilm XF 16mm F2.8 R WRLeica APO-Summicron-SL 35mm F2 ASPHLeica APO-Summicron-SL 50mm F2 ASPHNikon Nikkor Z 58mm F0.95 S NoctNikon Nikkor Z 24mm F1.8 SNikon Nikkor Z 85mm F1.8 SPanasonic Leica DG Summilux 25mm F1.4 II ASPHPanasonic Lumix S Pro 50mm F1.4Sigma 35mm F1.2 DG DN ArtSigma 45mm F2.8 DG DN ContemporarySony FE 135mm F1.8 GMSony FE 35mm F1.8Sony FE 600mm F4 GM OSSTamron SP 35mm F1.4 Di USDTamron 24mm F2.8 Di III OSD M1:2Tamron 35mm F2.8 Di III OSD M1:2Zeiss Otus 100mm F1.4

Voting is easy - you pick your favorite products by dragging and dropping. You can pick as many products as you like, and rank them in order of priority.

Poll Rules:

This poll is meant to be a bit of fun. It's not sponsored, promoted or paid for in any way and DPReview doesn't care how you vote. Our readers' polls are run on the basis of trust. As such, we ask that you only vote once, from a single account.

Read more about this at dpreview.com

https://bestcamaccessories.com/have-your-say-best-prime-lens-of-2019/

#24mm #35mm #50mm #best #lens #lenses #prime #vote #year #your #blog

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businessliveme · 5 years

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The New Canon EOS R Review

As a photographer with 20 years of experience in the field, it’s safe to say that I have used my fair share of cameras, and consequently, have a few favourite picks. The most recent of them happens to be the Canon 5D Mark IV. I have been using the mark IV model for three years, which offers excellent performance and versatility, and have never felt the need for anything more. However, I used the new EOS R for a week, courtesy of Canon, and its revolutionary mirrorless system has swayed my opinion.

The first thing you will notice is the exceptional Ergonomics. The camera, despite its smaller size, invokes the same feel as the DSLR.

Another one of its noticeable features is the electronic viewfinder that has the distinct advantage of showing you a live feed of your exposure and camera settings at all times. This “What you see is what you get” approach allows for much greater control over your exposure and final image.

The New Canon EOS R

Key Features

With 30-megapixel Dual Pixel CMOS sensor, the camera also has 5 fps burst shooting with continuous AF, a 3.69 Million dot electronic viewfinder with 0.76x magnification alongside a fully-articulated 3.15″ touchscreen, One SD card slot, and 4k video with 10-bit output externally over HDMI.

Image captured using Canon EOS R, RF 35mm macro lens

The New RF-Mount

With a large 54mm inner diameter and a short flange-back distance of just 20mm, the new RF mount allows Canon’s engineers to construct optics with larger rear elements and better performance, such as the superb RF 50mm f/1.2L USM

Adaptive Accessory

Canon EOS R comes with a Mount Adapter EF-EOS R as an accessory, a simple adapter which allows you to use all Canon EF, EF-S and TS-E lenses on RF-mount cameras.

RF Lens Variety

The new RF lens is sure to blow your mind with its sharpness and colour reproduction. The programmable ring on the lens to control exposure, ISO, etc is a unique and innovative feature offered in the new RF lens. The 35mm f/1.8 macro lens, 50mm f/1.2 prime lens, RF 85mm F1.2L USM for portraits, 24-105mm f/4 L-series zoom and the Super-fast and bright 28-70mm f/2 L-series lens will certainly not disappoint.

Image captured using Canon EOS R, RF 35mm macro lens

Video Features

The EOS R uses Canon’s signature color science and can shoot in C-Log which will give more freedom in post-production,

and definitely gives you more than enough to work with in terms of video settings as follows

Video Format:

3840 x 2160p at 23.98/24/29.97 fps

1920 x 1080p at 23.98/24/29.97/59.94 fps

1280 x 720p at 29.97/59.94/120 fps

Key Features:

Sensor: 30.3 MP CMOS Sensor

Sensor Size: 36 x 24mm

Resolution: 6720 x 4480

Native ISO Sensitivity: 100-40,000

Processor: DIGIC 8

Weather Sealing/Protection

Shutter: 1/8000 – 30 seconds

Storage: 1x SD / SDHC / SDXC slot

Silent Photography Mode

WiFi: Built-in

Bluetooth: Built-in

Battery Type: LP-E6N battery pack

Battery Life: 350 shots (CIPA)

Weight: 660g (Body Only)

Image captured using Canon EOS R, RF 35mm macro lens

The new Canon EOS R has opened a new window of photography for me. Its ability to remain adaptive with older camera styles, whilst still managing to innovate with its functions, is truly ground-breaking.

The post The New Canon EOS R Review appeared first on Businessliveme.com.

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newcanoninfo · 5 years

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DXOMark: The New Canon RF 50mm F1.2L USM Proves to be Quite Nifty

DXOMark: The New Canon RF 50mm F1.2L USM Proves to be Quite Nifty – Canon have always had a knack for making some truly gorgeous 50mm lenses, and perhaps one of their best is the 50mm f1.2L EF Mount lens that has been loved, and adored by many since it was introduced back in 2007. Now that Canon have moved into the Mirrorless market, it only made sense for them to release an updated version of this lens with the new RF Mount. The Canon RF 50mm f1.2L has now been tested by the fine people at DXOMark and the results are in. Join us after the break to see how the lens scored. (Read More...) ≠ promoted by #NewCanonInfo

#canon #photography #dslr #photo blog #photographers #reblog #6D #5D Mark III #7D #5D Mark II #T3i #N

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sigalrm · 1 month

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Blüht nicht mehr by Pascal Volk Via Flickr: Der Birnbaum musste einem Bauvorhaben weichen.

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heinzelmann · 2 months

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Fasnacht von Nicolas Heinzelmann Über Flickr: Thun, Switzerland more here: nicolasheinzelmann.com/fasnacht-2024-in-thun

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slrlounge1 · 5 years

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6 Must-Have Lenses For Wedding Photography (2019 Update)

Wedding photography is unique in that it encompasses several genres of photography: fashion, portrait, architectural, product, macro, family, and sometimes even travel photography. Few genres demand more from photographers and their gear.

In order to deliver a complete wedding photography product, you’re going to need lenses that allow you to capture each of these aspects with artistry and creativity. In a perfect world, we’d have the finances and manpower to haul every available lens to the venue; in reality, we’re limited to a handful of lenses, each of which needs to be accessible, high-quality, and versatile.

Here is a subjective list of 6 must-have lenses for any given wedding.

ACCESS TO INDUSTRY-LEADING EDUCATION

Let us guide you in your photography journey with the best photography education and resources. Browse our complete, comprehensive solutions below and take the next step in your photography. BROWSE WORKSHOPS

[Check Out: Free Engagement Photography Guide]

1. 70-200mm

This is my favorite lens. It creates a beautiful bokeh (blur) at f/2.8, and the compression you get when you’re zoomed in from 150-200mm gives your image a look that’s hard to achieve with any other lens. It also allows you to get in close to the action without disrupting the moment.

The 70-200mm also allows you to capture candids, from the tears at a wedding ceremony to the laughs at a wedding reception.

Brand Options

Canon 70-200mm f/2.8L IS III USM Lens

Nikon AF-S Nikkor 70-200mm f/2.8E FL ED VR Lens

Sony FE 70-200mm f/2.8 GM OSS Lens

Sigma 70-200mm f/2.8 EX DG APO OS HSM Lens for Canon EF

Tamron SP 70-200mm f/2.8 Di VC USD G2 Lens for Canon EF

2. 50mm

This is another one of my favorite lenses. The 50mm focal length is great for portraits, and it can save the day when the light starts to drop; the wider aperture allows you to depend less on your flash and it creates a softer, more natural look for your subjects.

The 50mm also allows you to create stunning portraits, as the low aperture creates the shallow depth of field that softens your subjects’ skin and makes them pop off the page.

[Related: Canon RF 50mm F1.2L Lens | Hands-On Review]

Brand Options

Canon EF 50mm f/1.2L USM Lens

Nikon AF-S Nikkor 50mm f/1.8G Lens

Sony Planar T* FE 50mm f/1.4 ZA Lens

Sigma 50mm f/1.4 DG HSM Art Lens for Canon EF

3. 24-70mm

The versatility of the 24-70mm zoom lens is critical for smaller spaces. For example, a tea ceremony in a Chinese wedding is commonly held in a living room. The 70-200mm would be too compressed for this situation, and the 50mm would not provide enough versatility, as you typically don’t have much room for movement.

Brand Options

Canon EF 24-70mm f/2.8L II USM Lens

Nikon AF-S Nikkor 24-70mm f/2.8E ED VR Lens

Sony FE 24-70mm f/2.8 GM Lens

Sigma 24-70mm f/2.8 DG OS HSM Art Lens for Canon EF

Tamron SP 24.-70mm f/2.8 Di VC USD G2 Lens for Canon EF

4. 100mm Macro

If your bride and groom are spending thousands of dollars on the details of a wedding, they are sure to appreciate you capturing the event in detail. With the 100mm Macro, you can capture detailed shots with the same quality and detail as product advertisements in magazines. Add your touch of lighting and creativity, and you get ring shots like the one below.

Be sure to check out Wedding Workshop 6 | Photographing The Details for an in-depth overview of how to capture details that get shared and published.

[Free Tutorial: How To Shoot Killer Wedding Details ]

Brand Options

Canon EF 100mm f/2.8L Macro IS USM Lens

Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED Lens

Sony FE 90mm f/2.8 Macro G OSS Lens

Sigma 105mm f/2.8 EX DG OS HSM Macro Lens for Canon EOS

Tamron SP 90mm f/2.8 Di Macro 1:1 VC USD Lens for Canon EF

5. 16-35mm

Sometimes the 24-70mm lens just isn’t wide enough to capture everything you want. The ultra wide angle helps you capture the environment. Venue and landscape shots also provide a great addition to your wedding day coverage, as they set the scene for the day and allow you to take full advantage of the scenery, especially at beautiful venues.

Brand Options

Canon EF 16-35mm f/2.8L III USM Lens

Nikon AF-S Nikkor 16-35mm f/4G ED VR Lens

Sony FE 16-35mm f/2.8 GM Lens

Sigma 18-35mm f/1.8 DC HSM Art Lens for Canon EF

6. 85mm

When this article was first published in 2009, the 85mm f/1.2 was in our honorable mention category, but we’ve since fallen in love with this focal length. The 85mm lens is a true portrait lens that doesn’t distort the image the way that some wider-angle lenses do (such as the 24mm or 35mm), especially along the edges of the frame. This lens also offers great compression and background bokeh at wider apertures.

Brand Options

Canon EF 85mm f/1.4L IS USM Lens

Nikon AF-S Nikkor 85mm f/1.8G Lens

Sony FE 85mm f/1.8 Lens

Sigma 85mm f/1.4 DG HSM Art Lens for Canon EF

Tamron SP 85mm f/1.8 Di VC USD Lens for Canon EF

The original article also included the 15mm f/2.8 Fisheye lens which we no longer use. Funny how quickly trends can change!

What do you think? What are your must-have lenses?

If you haven’t done so already, check out our Lens Wars series, the ultimate visual guide to real world differences between a whole host of Canon professional zoom lenses and primes. In total, we tested 25 Canon lenses valued at over $40,000 dollars starting from 17mm to 300mm focal length.

CREDITS: All photographs by Lin and Jirsa Photography are copyrighted and have been used with permission for SLR Lounge. Do not copy, modify or re-post this article or images without express permission from SLR Lounge and the artist.

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facad · 4 years

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Today’s matcha 自作茶碗で濃茶 Camera: Canon EOS 5DsR Lens; Canon RF 50mm F1.2L USM #matcha #greentea #tea_bowl #winter #IGersJP #canon #eos_5dsr #ef50mmf12l #自作茶碗 #赤茶碗 #抹茶 #濃茶 #李朝の茶入 #緑翠園 #和の昔 #my_eos_photo https://www.instagram.com/p/B7sqsOWAhJ5/?igshid=b8o8ehze28qn

#matcha #greentea #tea_bowl #winter #igersjp #canon #eos_5dsr #ef50mmf12l #自作茶碗 #赤茶碗 #抹茶 #濃茶 #李朝の茶入 #緑翠園 #和の昔 #my_eos_photo

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peekchores · 6 years

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Canon RF 50mm F1.2L USM sample gallery https://ift.tt/2MMxVbQ

#photography pics

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carlabrasseur · 6 years

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Canon RF 50mm F1.2L USM sample gallery http://bit.ly/2MNabEm

Canon RF 50mm F1.2L USM sample gallery https://t.co/fEOAa7Yalz

— Carla Brasseur (@Photograpa) September 19, 2018

#Photography

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