#CTI Records

[nelson-riddle-me-this]

CTI Records: catalog #s 3017-3020

#cti records

[soulmusicsongs]

Move Over - Samson and Delilah (Move Over / Right There When You Need It, 1971)

#Soul #Soul Music #Soul Music Songs #Music #Music Songs #Samson and Delilah #Move Over #1971 #CTI Records #Youtube

[plus-low-overthrow]

Deodato - September 13 (CTI Records)

Open Drums Intro, Flutes, 1972.

#Deodato #aimur deodato #September 13 #hubert laws #john tropea #ray baretto #billy cobham #2nd version #LP sleeve #artwork #open drums #open drum intro #drums #drum break #cti records #1972

[nouvellesdumaquis]

Cyril Amourette sort l'album de jazz Instant Groove chez Black Stamp Music

Cyril Amourette nous offre avec l'album Instant Groove un condensé du meilleur du funk jazz des années 70. Prévu pour le 29 mars 2024, l'album Instant Groove du guitariste de jazz nous propulse droit dans les studios de CTI Records ou Blue Note. Exigence, génie, virtuosité et surtout un plaisir de jouer manifeste font de cet album un essentiel à se procurer de toute urgence via le label Black Stamp Music.

Instant Groove ! Un titre bien trouvé pour un album à l'inspiration incroyable qui réunit les meilleurs musiciens français et internationaux pour un disque rythmé aux vibrations démoniaques.

Cyril Amourette, déjà très renommé en guitariste de session, brille dans ses talents de compositeur et de meneur de cérémonie.

Dansant et ensoleillé, l'album nous emmène dans un voyage dans le temps avec Mathieu Edwards, Mike Clinton, Paul Vernheres, Ralph Lavital, Eric Mula, Mathieu Thave, Jean Vernheres...

Musiciens surdoués unis par leur passion pour le jazz, la soul et le groove pour une session d'enregistrement à l'interplay magique, avec une production vintage de qualité qui saura séduire tous les audiophiles.

Voici le clip de Sydney's Glasses :

#cyril amourette #instant groove #jazz #funk #musique #album #cti records #guitare #sydney regal #sydney's glasses #black stamp music #Youtube

[joshhaden]

#charlie haden #jazz #jazz music #creed taylor #cti records #time magazine #waterlogged sheet music

[mohawkmind]

#art #music #jazz #creed taylor #cti records #rip

[musicollage]

Gabor Szabo – Macho. 1975 : CTI + Salvation.

#jazz #jazz guitar #jazz fusion #soul jazz #funk #gabor szabo #1975 #cti #salvation records #idris muhammad #bob james #ian underwood #Eric Gale #1970s #1970s jazz

[mariacallous]

Lai Ching-te will be Taiwan’s next president after winning Saturday’s election, ensuring that the ruling Democratic Progressive Party (DPP) will remain in power and dealing a rebuke to Beijing’s wishes for a more China-friendly administration. In the days before the election, Taiwanese voters were flooded with information. Look up, and they saw posters on buses and buildings declaring the virtues of all three candidates and their running mates. Look down, and they got a stream of news, gossip, and opinions from their phones—not all of it true and much of it likely stirred up by internet trolls in China.

Taiwan is one of the world’s most digitally connected countries, and on social media, false posts and videos are reaching thousands of people before platforms can take them down. TikTok was flooded with disinformation accusing Lai of sex scandals, tax evasion, and conspiring to start a war with China. His vice presidential pick, Hsiao Bi-khim, has been accused of secretly holding U.S. citizenship. So has the running mate of Ko Wen-je, the third-party candidate livestreaming his spoiler campaign on YouTube and TikTok.

Researchers have attributed much of the false information to Chinese actors—and rather than blasting pro-China views to Taiwanese voters, they’ve focused on amplifying negative stories about Taiwan’s domestic politics and wedge issues, such as the role of the United States, with the intent of polarizing Taiwanese society.

“Beijing’s cognitive warfare is evolving,” said Tzu-wei Hung, a scholar at Taiwan’s Academia Sinica. “Negative narratives are effective not because they will change the election result but because they intensify social conflicts and create a vicious cycle of distrust and hate.”

Taiwan faced a similarly toxic disinformation environment before the 2020 presidential election, and at the time, it fought back—hard. Officials frequently accused China of being behind wide-ranging disinformation campaigns. Police summoned private citizens for posting false stories and levied fines in some instances for violating a law preventing public disorder. The National Communications Commission (NCC) issued a series of fines to the pro-China TV station Chung Tien Television (CTi) for broadcasting false information. Eventually, in December 2020, CTi was taken off the air after the NCC declined to renew its broadcast license.

The government learned quickly that none of it worked.

“If you want to curb disinformation by legal measures, it’s difficult and dangerous,” said Yachi Chiang, a professor at National Taiwan Ocean University specializing in intellectual property and tech law. It “opens a pathway for the government to control speech.”

Taiwan has always been a banner holder of free speech in Asia. In 2020, however, DPP legislators were panicked over the prospect of Chinese election-meddling. President Tsai Ing-wen was riding a wave of global popularity by supporting the Hong Kong pro-democracy protests, which had broken out months earlier, giving Beijing every reason to remove her from office or disrupt her legislative majority.

Tsai was reelected in a landslide—but not because her government cracked down on fake news. Many fines levied under the Social Order Maintenance Act, an existing law that was utilized against disinformation peddlers, have since been overturned by the courts.

The NCC’s crusade against CTi hasn’t gone much better. Opposition politicians used its removal from the airwaves to hammer DPP politicians as enemies of free speech. The NCC, at the time, argued that CTi had failed to adhere to basic fact-checking standards and could not ensure impartiality from outside influence—a clear reference to its owner, the domestically unloved Tsai Eng-meng, a snack food tycoon with extensive business interests in China and a track record of pro-unification statements.

In May 2023, a Taipei court ruled against the NCC’s decision to shut down CTi, saying it had failed to provide adequate reasoning for its decision. At present, CTi remains off the air—and its request to have its license renewed by the court was rejected—but the NCC has been ordered to review its own decision and provide stiffer reasoning. “You need something stronger to sustain your ruling,” Chiang said.

Taiwanese authorities have successfully prosecuted citizens who received funding from China to publish fake news. But in general, politicians began to realize that moving through the judicial system “would be slow,” Chiang said. “The decisions might be disappointing. The results might be less effective.”

Just after the 2020 election, however, Taiwan’s government found a better way to combat disinformation when the COVID-19 pandemic swept the globe. Taiwan was the first country to alert the World Health Organization of the presence of a coronavirus in Wuhan and then introduce travel restrictions and quarantine protocols.

Public officials also began releasing accurate, easily digestible information as quickly as possible, before disinformation could reach people’s phone screens. Chen Shih-chung, the health minister at the time, held press conferences each afternoon, earning him the nickname “Minister Clock.” His ministry, along with the social media accounts of Tsai and Premier Su Tseng-chang, posted colorful memes sharing data on the pandemic and extolling the virtues of masking and hand-washing.

It was a triumph of public transparency that paid off handsomely. Taiwan saw just 823 COVID-19 cases in all of 2020, despite its close proximity to the pandemic’s epicenter.

It also helped politicians realize that “you can’t count on laws to tackle disinformation,” Chiang said. “You need to create your own information.”

“Free speech is not the cost but the key to counteract disinformation,” said Hung, who noted that in 2022, Freedom House found that countries that protect free expression and have robust civic society groups do a better job at mitigating false information.

Taiwan has tried other forms of a more open approach. Although it banned the Chinese-owned video platform TikTok from government apps in 2022, Taiwan has not followed countries such as India in issuing a general proscription on the app despite concerns that Beijing can influence content. About one-quarter of Taiwan’s population uses the app, including a host of popular influencers and celebrities.

Taiwan also has a network of strong civic fact-checking organizations that work with social media companies to combat disinformation. One of them, MyGoPen, recently started collaborating directly with TikTok to correct false posts about the 2024 election.

No matter who is in power, politicians seem to acutely understand that the best way to combat false information about them is to push out their own narratives on social media. “If you are popular on the internet, that’s more important than [popularity on] traditional media channels,” Chiang said.

Lai’s win on Saturday is not an outright victory against disinformation itself—both Chinese and domestic actors will surely continue to create confusion and distrust whenever they can. It did, however, show that Taiwanese voters can’t easily be swayed, as long as public officials do their part to communicate rapidly, positively, and honestly.

[fuchinobe]

Seawind (1976, CTI Records, CTI 5002)

#Seawind #Jazz #Funk #Fusion #Gospel

[mudwerks]

(via Don Sebesky, Arranger Who Helped Broaden Jazz’s Audience, Dies at 85 - The New York Times)

Mr. Sebesky in the studio with the pianist Herbie Hancock and the guitarist Wes Montgomery in 1967, working on Mr. Montgomery’s album “A Day in the Life.” The album would be one of the most successful Mr. Sebesky arranged.

Don Sebesky, who in a wide-ranging musical career played with leading big bands, was a behind-the-scenes force at CTI Records and other jazz labels, won Grammy Awards for his own compositions and arrangements, and orchestrated some 20 Broadway shows, died on April 29 at a nursing home in Maplewood, N.J. He was 85.

#Don Sebesky #arranger #composer #jazz #fusion #CTI #george benson #obit #nytimes #vintage #Herbie Hancock #Wes Montgomery #1967 #A Day in the Life

[projazznet]

Ron Carter – Yellow & Green

Yellow & Green is an album by bassist Ron Carter recorded at Van Gelder Studio in New Jersey in 1976 and released on the CTI label. Ron Carter – bass Kenny Barron, Don Grolnick – piano Hugh McCracken – guitar Billy Cobham, Ben Riley – drums Dom Um Romão – percussion

#roncarter #bass #jazz #projazznet

[nelson-riddle-me-this]

CTI Records: catalog #s 3001-3004

#cti records #Q'd up all of the 3000 series #same time every day #for the next week #i have become obsessed with this record label

[soulmusicsongs]

Right There When You Need It - Samson and Delilah (Move Over / Right There When You Need It, 1971)

#Soul #Soul Music #Soul Music Songs #Music #Music Songs #Samson and Delilah #Right There When You Need It #1971 #CTI Records #Youtube

[therecordchanger62279]

THE RECORDCHANGER YEAR-END EDITION 2023

       My annual year-end review of my favorite records and books.

 TOP NEW ALBUM RELEASES

     Rachmaninoff: The Piano Concertos – Yuja Wang & The Los Angeles Philharmonic

     I Inside The Old Year Dying – PJ Harvey

     The American Project – Yuja Wang with The Louisville Orchestra

     Hackney Diamonds – The Rolling Stones

     Can We Do Tomorrow Another Day? – Galen & Paul

     Relentless – Pretenders

     The Future Is Now – The Chick Corea Elektric Band

 TOP REISSUES/ARCHIVE RELEASES

     Evenings At The Village Gate – John Coltrane with Eric Dolphy

     Anthology – Charlie Watts

     Hollywood Blues Summit-Live At The Ash Grove – Muddy Waters

     Live At Mabuhay Gardens – Romeo Void

     Grrr Live! – The Rolling Stones

     All Around Man: Live In London – Rory Gallagher

     A Night In San Francisco – Missing Persons

 FINDS OF THE YEAR

   (Catalog titles that slipped under my radar when first released)

     Yesterday’s Wine – Willie Nelson (1971)

     Let England Shake – PJ Harvey (2011)

     Concerto In B. Goode – Chuck Berry (1969)

     Live In Bremen 1975 – Gary Bartz NTU Troop (2021)

     Cool Heat: The Best of CTI Records – Various (2017)

     Force Majeure – Doro Pesch (1989)

     Bound For Hell On The Sunset Strip – Various Artists (2022)

 THE YEAR IN REVIEW:

     If anyone had told me that 2023 would see new releases from both The Beatles and The Rolling Stones, I’d have suggested a sanity check. But a live archive release from The Stones early in the year was followed by the all-new Hackney Diamonds in October, while The Beatles released one more song, Now and Then, to cap their career once and for all. Of course, both were bittersweet. Hackney Diamonds was the first Stones release of new material following the death of original drummer Charlie Watts in August 2021. And though Watts appeared on two tracks finished in 2019, Steve Jordan took over the drum chair for the band with mixed results. The Beatles resurrected yet another John Lennon demo first attempted for their Anthology project in 1995, but left unfinished then because of technical issues. New technology allowed them to finally finish the track in 2023, but guitarist George Harrison had passed in 2001. That left Paul and Ringo along with late producer George Martin’s son Giles to complete the recording. So, these releases are really in name only because both The Beatles and The Rolling Stones we all came to know and love had already left the building. Still, both projects were successful, and well-received, and while The Beatles claim their record is indeed the end, The Rolling Stones are already back on the road, and promising another album of new material (and one last Watts recording) as early as next year. (I wouldn’t put any money on that, however, unless you can afford to lose it.)

     For those of us who took Charlie Watts’ passing to heart, there was some comfort in the release of the Charlie Watts Anthology this year that collected some of the drummer’s best Jazz recordings. And once again, some master sleuth managed to unearth a previously unheard, and unreleased recording by the late John Coltrane. Evenings At The Village Gate with Eric Dolphy, a rehearsal for a 1961 date at the Village Gate transcends less than perfect sound to remind everyone that 1961 was John Coltrane’s year, and that everything he touched that year turned to gold.

     The musical event of 2023, as far as I’m concerned was Yuja Wang’s marathon performance with the Los Angeles Philharmonic of all four Rachmaninoff Piano Concertos in one go in February, released a few months later. The genius pianist also released The American Project, a new work by composer Teddy Abrams with the Louisville Orchestra conducted by Michael Tilson Thomas. She toured sold out venues all around the world, and continues to push the envelope by making innovative, and fresh choices in her repertoire to draw more attention to the Classical music genre in the 21st century. As Classical musicians go, Yuja Wang is a Rock star.

     One of the year’s best surprises was the return of Clash bassist Paul Simonon as part of a duo working under the name Galen & Paul. Galen is Galen Ayers, daughter of the late British singer-songwriter Kevin Ayers. Can We Do Tomorrow Another Day recalls the music Serge Gainsbourg made with Jane Birkin in the late 1960s. Sophisticated, smart, charming, and funny, and the last thing I’d have expected, but it works, and was one of my favorite records of the year. The new Pretenders album, Relentless, was another welcome addition to their catalog, and my collection. And PJ Harvey’s latest, I Inside The Old Year Dying, her first new album in seven years, re-establishes her as an artist who continues to move forward, and challenge listeners by constantly reinventing herself.

     Finally, a great new live album from Chick Corea’s Elektric Band, prepared for release by Chick before he passed in 2021 paved the way for the reissue of the band's five studio albums for GRP in new digipak editions with excellent sound. Candid did the honors.

     Closer to home, vinyl and cassette prices continue to rise while the availability of CDs continues to make buying a physical copy of almost anything a genuine headache. I waited three months for an online seller to supply me with Yuja Wang’s Rachmaninoff Concertos CD, and on the day of release, I visited eight retailers online or in store before I could find a copy of the new Rolling Stones album on CD. The store was 40 minutes from my house, and it dampened the excitement of getting the band’s first album of new material in eighteen years. I guess the record industry doesn’t need long time collectors any longer now that vinyl and cassettes are a hit with twenty-somethings with deep pockets. If CDs disappear completely, I’m finished buying music because I refuse to rent it.

     I did, however, manage to find one vinyl record I wanted this year that was actually reasonably priced and available from a reliable online seller. Chuck Berry’s Concerto In B. Goode is kind of a “wild card” in the Berry catalog. His last release for Mercury in 1969 before he returned to Chess, the album has four new originals on side one, but side two features the title track only – eighteen minutes of Berry’s trademark licks and lines. There’s nothing else like it in Chuck’s catalog, and for that reason alone, it was worth getting. It’s hardly a masterpiece, but it is a great listen, and the pressing on Elemental is pristine.

     Another great find this year was Willie Nelson’s 1971 album Yesterday’s Wine. I’d never heard it. I only knew it by reputation. But it was even better than I’d heard – easily as good as Shotgun Willie, Phases and Stages, and even Red Headed Stranger.

     I’ve always (until this year) been behind on PJ Harvey releases, but this year I caught up with Let England Shake, released in 2011. It’s the best album in what has become one of the most impressive catalogs of any contemporary Rock artist.

     Gary Bartz’s Live In Bremen 1975 with the NTU Troop was issued in 2021. I was looking for something interesting from that period, and stumbled on this one. Five years removed from his time with Miles Davis’s electric band, this lands between stints with Kenny Burrell, and Donald Byrd. Free Jazz with a Funk and Soul influence, and the politics of the day are what Bartz’s band was all about, and they are in fine form here. The music just washes over you like a soul cleansing shower.

     All in all, not a bad year for good music – if you could find it, and if you could afford it. The future doesn’t look too bright for collectors like me, but I’m not ready to hang it up just yet – no matter how bumpy the road gets.

     In closing, I’ll mention briefly that I read 40 books this past year, and several were among the worst I’ve ever read. I won’t waste your time discussing those. Instead, I’ll recommend the last one I read which happens to be a music memoir. Hunger Makes Me A Modern Girl by Sleater-Kinney guitarist, songwriter, and co-founder Carrie Brownstein is one of the most engaging books I’ve ever read by a musician. Her honesty and candor are disarming, and while most memoirs are not usually what you would call “page turners,” this one certainly is. I read it in just two days, and I expect to read it again one day. Very highly recommended, and you don’t even need to be a fan of the band (though you might become one by the time you finish).

     Most of the best books I read in 2023 were the crime novels of Ross McDonald featuring his sleuth Lew Archer, and Ian Fleming’s James Bond books. I also read a couple of books by Rock writer Gene Sculatti. For The Records and Tryin’ To Tell A Stranger ‘Bout Rock and Roll were great fun to read, and after the garbage I encountered through most of the year, welcome relief.

If you like what you see here, hit the ‘follow’ button, and then the ‘like’ button when the spirit moves you. Thanks for reading The Recordchanger. I hope you found it worth your time.

[burlveneer-music]

McNeal and Niles - Thrust - Wilbur Niles’ first, privately-pressed album from 1979. He would adopt Thrust as his band name and record 7 more albums of jazz-funk; the whole catalog has just been reissued by We Are Busy Bodies.

A track about an African king recorded in the back of a car wash commands $1,600. At the makeshift Man-Ray Studios in Akron, Ohio, where barrels of soap were rolled away to make room for recording, guitarist Wilbur Niles and his then-girlfriend, Machelle McNeal, recorded "Ja Ja." Niles, a history major, titled it after King Jaja, who rose from slavery to become a wildly successful broker of palm oil in the 19th century. The humid tranquil track would lead off the pair's first and only album together, 1979's Thrust. It begins with an elliptical little electric-piano hook by McNeal, an accomplished musician without much jazz experience, accompanied by wind sounds. The effect is of sparkles of sunlight through an otherwise dense sheet of fog. Thrust exists in that blurry, liminal space between jazz, funk, soul, and R&B; ‘70s-era CTI comes to mind, but the unpolished vibe sloughs off that comparison, too. Even when “Summer Fun” goes for a four-on-the-floor feeling, the mid-fidelity production renders it diaphanous. The more strident “Punk Funk” is a nod to Devo, whose road crew ran Man-Ray. (“They’re punk; I’m the funk!” Niles explained with a laugh, on the Sounds Visual Radio podcast.) You’ll swear you’ve heard Thrust sampled somewhere in the hip-hop sphere; pull up “Ja Ja” on YouTube, and you’ll see a comment to that end: “Pete Rock sent me here.” (Google comes up short on that one, but WhoSampled cites the following track, “Summer Fun,” as appearing in Canadian house/electronica producer Daphni’s “Hey Drum” and British techno/house DJ and producer Trus’me’s “At the Disco.” All in all, its place in the hip-hop and DJ worlds remains to be fully understood. But due to its charm and scarcity, Thrust remains undoubtedly popular among crate-diggers — hence the hefty price of an original copy. The album’s ramshackle quality places it less in Kool and the Gang territory than something ripe for reappraisal by the Williamsburg set — fitting nicely between one’s Arthur Russell, Ata Kak, and Little Beaver LPs. And this carries through the rest of Thrust — "Hypertension," "Untitled," "Quiet Isle," and "One Slave, One Gun." — by Morgan Enos Norman Crumb: Drum Kit Don Wade: Bass Willie Taylor: Congas, Bongos, and Percussion Machelle McNeal: Arp Oddyssey, Mini Moog, Poly Moog, EML 500, Rhodes Piano, Wurlitzer Piano, Hammond B3 Wilbur Niles: Guitar, Percussion, and Synthesizer Vocals by - Machelle McNeal and Norman Crumb

#wilbur niles #thrust #jazz #funk #fusion #soul #akron #cleveland #1979 #we are busy bodies

[theminecraftbee]

Was cti the fic you were considering calling Pan Pan/Irreconcile/The Dead are All Living? What was the vibes behind those alt titles?

yes, it was! at some point after i posted that i got the idea to name it cura te ipsum and got attached to that title and used that instead of any of the ones i suggested, lol. as for what my thoughts behind those titles are...

tango, as a character, is someone my brain started inexplicably associating with like, planes, so i thought of "pan-pan" as a title. for the record, "pan-pan" is one of the states of urgency that a vessel in distress can declare, both in aviation and on boats, and therefore, i'd presume, in space as well. as opposed to a mayday, a pan-pan is a 'state of urgency', rather than a state of emergency - it is alerting those around you that they should pay attention and you may need help, but that there is no immediate threat to human life or to your vessel's continued survival at this moment. and... idk i felt like that felt the vibes here?

irreconcile is a title idea that popped to mind at one point that i've wanted to use for something and i thought about using here. it is not actually a word that is currently used in modern english, but it gives me the vibes of the opposite of reconciling something; as opposed to making sense of something, it's determining you cannot make sense of something, i guess.

"the dead are all living" is a lyric from "in our bedroom after the war", a song that DEFINITELY vibes with the fic.

#answered