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#COOPER LUDWIG
rubia-peregrinart · 3 months
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the faceless
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gatutor · 1 month
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Jackie Cooper-Deanna Durbin "Reina a los catorce años" (That certain age) 1938, de Edward Ludwig.
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daily-keisou · 6 months
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Day 18: MARIO KART!
Matching with my regular daily blog :silly emoji:
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The Kelly Awards 2023
Best Picture
Oppenheimer
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Best Actor
Bradley Cooper, Maestro
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Best Actress
Carey Mulligan, Maestro
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Best Supporting Actor
Mark Ruffalo, Poor Things
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Best Supporting Actress
Emily Blunt, Oppenheimer
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Best Young Actor
Madeleine Yuna Voyles, The Creator
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Best Animated Film
Elemental
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Best Voice Actor
Bradley Cooper, Guardians of the Galaxy Vol. 3
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Best Score
Ludwig Goransson, Oppenheimer
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Best Song
"For the First Time" from The Little Mermaid
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Best LGBT Film
Nimona
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Most Important
Killers of the Flower Moon
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Best Trailer
Killers of the Flower Moon
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Best Costumes
Barbie
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Best Hair/Make-Up
Maestro
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Best Couple
Leah Lewis and Mamoudou Athie, Elemental
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sani-sims · 1 year
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autumn mood in Copperdale 🍂🧡
i'm still working and testing my upcoming poses... it's a pretty big pose pack, but i hope to release it this weekend :x
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slothmansounds · 8 months
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Monthly Mix: August 2023
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Imaginary Enemy [1290 Sessions Acoustic Version] by Circa Survive
Spectrum by Max Cooper
Go! by Public Service Broadcasting
Reminder by Hidden Orchestra
The Revival by Hidden Orchestra
Can You Hear the Music by Ludwig Göransson
Save the Population by Red Hot Chili Peppers
Monkey Fist by Phillip Roebuck
A Bar in Amsterdam by Katzenjammer
Life of the Party by The Planet Smashers
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denimbex1986 · 6 months
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'The Golden Globes have plenty of movies to sift through and consider for its upcoming 81st annual awards ceremony. With “Killers of the Flower Moon” and “Maestro” on the drama side and “The Color Purple” and “Poor Things” in comedy, alongside the buzzy summer double-feature “Barbenheimer,” a star-studded event is indeed awaiting viewers...
One of the most impactful changes is the expansion of films and performances that will be recognized. According to the eligibility and rules guide, each category will nominate six nominees, an increase from five, except the new best cinematic and box office achievement category (for movies that grossed more than $150 million, with at least $100 million in the U.S.), which will name eight.
More spots mean more of an opportunity for more “Barbenheimer” actors who could use a boost, like supporting actress contenders Emily Blunt and America Ferrera.
In the drama races, movies helmed by some of cinema’s most beloved masters are likely to square off: Christopher Nolan for “Oppenheimer” and Martin Scorsese for “Killers of the Flower Moon,” who will also be among the favorites for best director...
The lead-acting races are overflowing.
In lead drama actor, megastars like Bradley Cooper (“Maestro”), Leonardo DiCaprio (“Flower Moon”) and Cillian Murphy (“Oppenheimer”) will battle...
Motion Picture (Drama)
AND THE PREDICTED NOMINEES ARE: 1. “Oppenheimer” (Universal Pictures)...
Cinematic and Box Office Achievement
AND THE PREDICTED NOMINEES ARE:... 2. “Oppenheimer” (Universal Pictures)...
Actor in a Motion Picture (Drama)
AND THE PREDICTED NOMINEES ARE:... 2. Cillian Murphy — “Oppenheimer” (Universal Pictures)...
Supporting Actor - Motion Picture
AND THE PREDICTED NOMINEES ARE:... 4. Robert Downey Jr. – “Oppenheimer” (Universal Pictures)...
Supporting Actress - Motion Picture
AND THE PREDICTED NOMINEES ARE:... 2. Emily Blunt — “Oppenheimer” (Universal Pictures)...
Director - Motion Picture
AND THE PREDICTED NOMINEES ARE:... 2. Christopher Nolan — “Oppenheimer” (Universal Pictures)...
Screenplay - Motion Picture
AND THE PREDICTED NOMINEES ARE:... 5. “Oppenheimer” (Universal Pictures) — Christopher Nolan...
Original Score
AND THE PREDICTED NOMINEES ARE: 1. Ludwig Göransson — “Oppenheimer” (Universal Pictures)...'
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adamwatchesmovies · 1 year
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The Seeker: The Dark is Rising (2007)
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While I didn't enjoy this film, that doesn't mean you won't. No matter what I say, the people involved in this project did it: they actually made a movie. That's something to be applauded. With that established...
As the Harry Potter films became instant favorites, it was only logical that someone would capitalize on the craze. Step 1: Take a semi-popular series of fantasy books and adapt them for the silver screen. Step 2: Release them between the Hogwarts movies when the fans are hungriest. Step 3: Profit. You'll get some of that box office magic too... right? Not when you make a movie this bad. It shows how oblivious Hollywood can be that anyone working on The Seeker: the Dark is Rising believed they had the beginning of a franchise on their hand.
Will Stanton (Alexander Ludwig, wholly devoid of charisma), has just moved to England with his family. There, Miss Greythorne (Frances Conroy), Merriman (Ian McShane), Dawson (James Cosmo), and Old George (Jim Piddock) approach the boy and explain to him his magical heritage: he is “The Seeker”, the one destined to help our world battle against “The Darkness” (Christopher Eccleston). To do this, he must track down six signs hidden through time.
This magical child story is as generic as it gets. You can easily rob your world of any distinguishing features by cramming in too much mythology and leaving no room for your own ideas. The problem with The Seeker is the opposite. It has so little magic and mythology you’re instantly bored. What the name of the hero who seeks mystical objects? The Seeker. What’s the name of the dark villain who wants to destroy the world? The Darkness. Wow. Really wore out your thesaurus thinking up those ones, didn’t ya?
Not helping are the characters, most of which are ineffectual and uninteresting. The adults helping Will never seem to accomplish anything. They are easily overcome by the villain and when they first appear, botch their introduction so badly they threaten to drive the poor, stupid boy right into the dark rider’s hands. Or they would, if he had even a hint of subtlety to him. One look at the guy and you scream “guilty!” Not in a million years would he convince Will to give him the signs he’s found (in such riveting and wonderful environments as a modern-day shopping mall).
I doubt the picture’s feeble twist during the third act would fool even the youngest audience members. There’s a betrayal you'll see coming from so far away it makes you restless and angry waiting for the reveal. It’s one thing for you to be stupid, movie. It’s another for you to assume I am too.
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The Seeker is a bubbling cauldron of noxious ingredients. I cannot imagine anyone watching it and having a good time. Even fans of the book will be disappointed, as it deviates significantly from the source material - it’s based on the second book rather than the first, which is yet another baffling decision. The Seeker is so bland and forgettable I can already feel my memories of it fading away like a puddle in the hot sun. This is going to be my only opportunity to address the supremely dumb and weirdly quirky topic of Will’s twin brother, Tom (Alexander Ludwig). He was stolen as a baby by the Darkness. I can understand there being no pictures of him in the house. What I don’t believe - not for one second - is Will being unaware of this. Even if his parents didn’t want the truth divulged… he’s got 5 siblings! None of them ever said anything? Anyway, by the end of the film, Will saves his twin. The storm that’s been threatening humanity dissipates and then we get our happily ever after. The complete absence of imagination and energy made me hate watching The Seeker but I would love to see what happened next. Tom was kidnapped before he learned to talk. He's been trapped in a snow globe for 14 years. I doubt the Nazgul wannabe taught him anything so firstly, he’s not toilet-trained. I wonder how the parents will explain the extra mouth they have to feed to their neighbours…
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Among all the Harry Potter knockoffs, The Seeker: Dark is Rising isn’t the worst. That title undoubtedly goes to The Mystical Adventures of Billy Owens, which (funnily enough) got a sequel. In another way, that film is better. By being worse, at least it stands out. This is a whole lot of hot air audiences will forget instantly - something Ian McShane and the rest of the cast must be grateful for. (On DVD, July 12, 2019)
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lassieposting · 2 months
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So like, Poppy Playtime is one of those things that I enjoy watching whenever a new section drops, but don't usually get particularly invested in, but if there's one thing guaranteed to give me brainrot, it's a codependent friendship between a deeply damaged, morally questionable killer and a lonely, mixed-up kid who idolises him. So naturally Chapter 3 has me in my feelings about the Prototype and Theodore Grambell.
And that got me thinking in general, which gave me a theory.
The Prototype - or, at least, whoever became the Prototype - had a military background.
If you think about it, the Prototype's skillset - while horrifying in an escaped monster on the rampage - would be an asset in a soldier, and more than once we see him use abilities that would probably be best explained by military training.
We know he's tech-savvy, mechanically skilled and good at improvising under pressure and time limits: he strips down an alarm clock in his cell - which he'd have to do quickly, because he's under constant surveillance - and makes a laser pointer from its parts to disable the cameras. These seem like skills that would benefit a soldier, who would be familiar with stripping his equipment - his gun, for example - down to parts to clean and reassemble them, and who might need to know how to fix a vehicle or a radio or use improvised parts in an escape from hostile territory.
Based on the fact that he's appeared unexpectedly multiple times now to claim the bodies of dead and dying mascots at exactly the right time, it's likely that he's been tracking the Player - silently and without being seen - since they entered the facility. He's doing recon, watching to see what the Player does, what their goals are, whether he needs to worry about them, and whether or how he can use them to his own benefit.
He can stay silent under torture. The tapes confirm that Sawyer continued experimenting on him even post-transformation, and the Prototype's description of these sessions makes it clear that there is nothing ethical or humane about them: "You stick us...beat us...tear at flesh." But Sawyer himself confirms that - other than snarking at him on that one tape we see - the Prototype has been silent, stubborn and uncooperative throughout. Soldiers can undergo Resistance to Interrogation training to teach them to cope with torture tactics; the only thing they're allowed to reveal is their name, rank and ID number. If the Prototype has already had this kind of training, it would make a lot more sense why he's able to keep silent when most people, adult or no, would be desperately cooperating and begging for mercy.
He's fiercely intelligent, excels at manipulating situations to his advantage, and is shown in Project Playtime to be capable of marshalling and directing the other fight-capable mascots. He's also a creative, ruthless tactician who seems to favour surprise attacks - the Hour of Joy works because it takes the entire facility unawares. The escape attempt where he hides from the camera relies on the security specialists panicking at his having vanished in a matter of seconds and rushing to do damage control, forgetting the camera has a blind spot. This thing is a strategist, and he's good at it.
Now, from what I've seen, it seems to be a popular theory that the Prototype was created from Elliot Ludwig. I'm not sure whether I really buy into that, but if it were true, it would actually work well with this little theory of mine.
We know that Ludwig was a young adult - probably in his 20s and 30s - in the 1930s and 1940s. He's old enough to have gotten married and to get divorced, and to have started his own company.
And where were all the 20- and 30-something men of America during the 1930s and 40s?
Conscripted. Fighting World War II.
So if he was created from Ludwig, or from any adult in Ludwig's age bracket, it is very likely that this is not the Prototype's first ugly war. Playtime Co are not the first monsters he's ever seen doing horrific human experimentation on captives and trying to cover it up. He'd have seen it all before, and he'd know there would be no stopping any of it without collateral damage. So when he gets his opportunity - the Hour of Joy - he's ruthless about it. He wipes out every human in the Playtime factory. If he fought in one of the major wars of the 20th century - WWII, Vietnam, etc, depending on the age of whoever was used - that would also explain why he goes to that extreme. Plenty of guilty, awful people escaped justice after those major conflicts, and he doesn't want that for the Playtime scientists. He'd rather massacre every employee, whether or not they knew about the experiments, than risk one who deserves death getting away.
idk I just think that whole idea makes his behaviour and motivations make a lot more sense
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cheemscakecat · 2 months
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What happened to the BLU Meet the team
So I headcanon that BLU Team is a lot more distant, private, and professional than RED. Before Scout joined, Medic was the only one who knew Pyro was a woman and had somewhat befriended her. Soldier was the only one who bothered to talk with Spy of he didn’t have a medical issue.
So when the other director rolled up to BLU, Soldier and Medic were the only two who willingly gave an interview. And Scout got shoehorned into it as the youngest member [since Cheryl’s masked].
Soldier’s interview went the best. He basically said they weren’t fighting regular civilians, and weren’t tearing up a country over the gravel; they got to choose to fight without the same consequences of a “real war”.
Scout heard the director stupidly list things about him that he shouldn’t know, like his hometown and details about his early life. Things that he had to provide for his BLU paperwork, but this rando shouldn’t have. Pauling had to beg him to finish the interview since she couldn’t get the rest of the team to cooperate.
Now BLU Scout and Pyro are a developing power couple, and he has no romantic interest in Pauling; so his reason for finishing the interview was not fueled by love. Rather, he didn’t know what sort of punishment awaited her if she failed to get the interviews. He got her call over the phone about her yearly test where Admin sends assassins, and decided it would be better to throw her a bone than let her face Helen’s wrath.
He chose to go with the workplace drama angle since Spy always talks down to him for being the youngest. And kept the details as vague and optimistic as possible.
Medic’s interview was the reason why Admin abandoned the director shtick after this specific BLU team was told they were making a documentary for new hires. BLU Medic was deemed an expert during the respawn failure crisis and had to be present at failure sites, perform surgeries, and document in excruciating detail [per Archibald’s demands]. The director tried to get him to go into detail on the failure drama, and he refused.
“Those cases are classified. I am only permitted to show the footage to a patient’s teammates if there is a new, relevant respawn accident occurring. But the issue was resolved years ago, and I have not received clearance to share the documents and footage. Besides, I do not want to worry the new recruits if the failures are not a risk anymore.”
The director however, was very similar to the one sent to RED team and would not take that for an answer. He kept trying to goad Dr. Ludwig into giving him the gory details on respawn failures and the number of dead patients, to Pauling’s horror. She knew that either Helen or her mother had put that confidentiality policy into place, and it was not wise to break it.
The doctor suddenly looked to his right and jolted like he saw a ghost, and stayed distracted for about a minute before he managed to shake it off and give another curt refusal to defy the rules. That was one of the last things they recorded, the actual last being a forced assurance that times were much better now and the new recruits should not worry themselves about respawn.
Helen was never a good person. She used people for a living, including Pauling and Saxton Hale. But she was not stupid about it. She was good at reading people. And when she watched the footage of the Medic’s interview, it peaked her interest enough to go through her old files and revisit the respawn disaster.
83 mercenaries on both BLU and RED teams died before Jules Archibald and his lackeys were sufficiently threatened pressured into finding the actual solution. 179 other mercenaries were injured in some way by a respawn failure and lived to keep the tale a secret. And from the very first failure, this BLU Medic had been attempting to treat the mutilated mercs.
It was a special kind of person who would stay through Jules hmming and hawing about putting money and resources into finding the solution. With 262 total respawn failures concentrated in the Americas and no other Medics labeled experts and given clearance to operate, there was enormous pressure on this man. And it had cracked him somehow. He’d been diagnosed with schizophrenia, and the hallucination caught on camera was that illness in action.
With the BLU medic being so loyal and so damaged mentally, Helen wasn’t willing to reveal her trick to BLU team as she had with RED. He was too valuable an asset for her to sour his allegiance to BLU and her Administration. There would always be someone like Redmond and Blutarch and Jules looking to cut costs, making a terrible decision like the one that caused the respawn crisis. Helen needed people with the heart and naivety to clean up those messes.
After she had managed to get Pauling to shut up and stop apologizing, she told her she had changed her mind about the rest of the interviews. She would instead rely on the spies around the world that were mining their teammates’ information and sending it to her, as she had been. And BLU team would never know the purpose behind the documentary director.
The director was not wise enough to stop asking Fritz to break his confidentiality contract. He just kept trying to make him spill the secrets. Ludwig hated talking about it, hated it back then and hated it now. He didn’t want to picture the death and gore that surrounded the respawn crisis.
The heartbroken and panicked teammates asking why he couldn’t save the affected patient, the mass departure of quitting mercenaries. Some of them were fearful of experiencing a failure and left before it could happen to them. Others had to quit because their injuries left their bodies scarred and weakened for life.
This director reminded Fritz of Jules’ middlemen that always had their noses upturned and asked endless questions. Stupid, weak men who never lifted a finger to help operate or prepare a cadaver for its funeral. Men who were too uninvolved to see what he’d seen and made excuses not to see the carnage with their own eyes.
His blood was about boiling when it appeared. It sometimes did, in the corner of his office, or his bedroom, or just barely in his peripheral view. But he wasn’t expecting it to be sitting so close it could have snatched him up. The demon.
Its skinny, black clad form was surrounded by black smoke, which was not unusual. What was unusual was that it was roiling like an angry sea and whipping in irritation like a cat’s tail. When the demon tried to play “friendly” and lull him into a false sense of security, the smoke was always slow moving like it was meant to look soft and safe to touch.
Even more alarming was the look on the pale, sunken eyed, stolen copy of his face that the demon wore. Its black eyes glittered maliciously with furrowed brows and stared into the director, as though it was trying to burn a hole through his face. Its mouth was set in a deeper frown that Ludwig had ever seen from it previously, jaw clenched in fury.
Fritz nearly jumped out of his seat when he turned and saw it hunching its shoulders like a panther waiting to lunge at the man across from them. Looking about as evil and dangerous as he had always known it to be. He was wise not to fall for its false gentleness.
The thing must have seen him move out of the corner of its eye, because it too smoothly turned its head and looked at him, abruptly softening its gaze. It was very little comfort that he knew it was an act, when that thing could easily get him if it decided to give up the deception and attack. The black eyed demon stared at him for an uncomfortable amount of time before the director saying “Hello-o? Anybody home?” drew it’s attention back towards him, looking surly and cruel once more.
Fritz choked out a final statement for his part of the documentary, trying not to let the pounding heart in his throat jump out onto the floor. By the time he was done, the demon had moved to the right wall and was staring at him with the more docile look. Stupid demon. Thinking I’m going to fall for that.
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friendlyengie · 10 months
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So, I have fallen deeply in love with your fem fortress AU, the characters are all amazing. I am wondering, however - how was the medic marriage before they divorced, and was there a specific catalyst to Ludwig just fucking leaving
medic and Ida bonded over a unique perspective in the medical field (met each other while digging up corpses) and failed to realize that a relationship is built upon more than just a singular shared interest in something very illegal. It just sort of lacked some basic relationship qualities, like “mutual attraction” and “basic respect for one another.”
their household just slowly turned into a laboratory split down the middle where they refused to cooperate or compromise with each others work ethics, and I think they just stuck around for whatever legal benefits it wouldve provided them.
Medic eventually faked his death and left Germany for multiple reasons, but probably left Ida earlier than that. Part of me thinks that he just sort of stopped showing up at home and Ida was so used to ignoring him that it took her a solid few weeks to realize it. Probably saw in the newspaper that he had supposedly died and went “huh. I thought it had been quiet around here lately. Unfortunate.”
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diabolus1exmachina · 1 year
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Borgward Isabella Coupé 
Has any automaker gone from oblivion to success and back again as quickly as Borgward? Mention the name today, and you're likely to get blank stares, or questions along the lines of "Borgward? Who made those?" It's hard to imagine any European posing that sort of question in 1955, when Borgward had risen from the post-war rubble to outsell all other German automakers but Volkswagen, or 1958, when the Bremen firm very nearly nipped Porsche for the German sports-car championship. And yet, by 1962, the company was gone, the victim of a tragic and avoidable series of circumstances.
The Isabella was a bull's-eye in the mid-priced sedan market segment. Volkswagens were less expensive, but smaller and less powerful. Mercedes-Benz's 180 sedan had the sophistication of an overhead cam, but no greater top speed, and cost 30 percent more than the Isabella's list price of 7,265 Deutsche Marks. Opel's Olympia Rekord couldn't touch its top speed, or its all-coil-sprung suspension; and BMW had nothing between the fantastically expensive "Baroque Angel" 501 and the Isetta-based 600 microcar. On top of it all, the press loved the car. By the end of 1954, more than 10,000 Isabellas had rolled out the factory gates.
The Isabella had thoroughly up-to-date underpinnings, with a coil spring at each corner, swing axles in the rear and A-arms up front. The engine, a pushrod four designed by Karl Ludwig Brandt, wrung 75hp from its 1,493cc, with its relatively high 8.2:1 compression ratio and good breathing. The intake manifold was entirely enclosed atop the engine, making for a tidy design that could have been mistaken for an OHC. So sound was the engine that, developed for racing, it powered Cooper-Borgwards to many Formula 2 victories in the Fifties. The Borgward RS, or Rennsport, became Porsche's nemesis in the hands of drivers like Stirling Moss, Jo Bonnier and Hans Herrmann.
If the Isabella had a flaw, it was that its development had been limited, and early cars suffered from weak engine bearings and front-end components. Competitors started a whispering campaign about "die Traumfrau mit der schmutzigen Unterwäsche," or "the dream girl with the dirty underwear," but Borgward, unfazed, worked with its suppliers to iron out the bugs, and no real harm was done to the model's reputation.
Just as with the Hansa 1500, new models were quickly spun off the Isabella. In 1955, Borgward launched convertible and station wagon versions, as well as a hot TS ("Touring Sport") model with a two-barrel carburetor that could top 90 MPH, leaving Porsche 1300s behind. As the decade wore on, new designs from its competitors and a softening economic situation led to declining sales, prompting Carl F. W. to add the most glamorous model yet to the Isabella lineup: the Coupé.
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New Video: Joel Grey and Eddie Redmayne Talk CABARET and The 'Emcee' Legacy
Last night, the company and audience of Cabaret at the Kit Kat Club celebrated Broadway legend Joel Grey’s 92nd birthday on stage at the August Wilson Theatre.
By: A.A. CristiApr. 12, 2024, Broadway World.
Last night, the company of Cabaret at the Kit Kat Club wilkommened some very special guests to their immersive nightclub home!
Eddie Redmayne currently in previews as the ‘Emcee’ in Cabaret at the Kit Kat Club celebrated Broadway legend Joel Grey’s 92nd birthday on stage at the August Wilson Theatre.
In the video Grey, who won Tony and Academy Awards for originating the role of the Emcee, reacts to the immersive new production now in previews on Broadway and its star Eddie Redmayne.
Redmayne described the feeling of performing for Grey and the show's composer, John Kander as "extraordinary, horrendously intimidating, as well, but joyful," and revealed a special moment he shared with the star during the performance.
Grey, who originated the role of the ‘Emcee’ on Broadway in 1966 and went on to star in the beloved film of Cabaret, took the stage as the entire cast, band, and creative team sang “Happy Birthday” while a custom cake, shaped like a giant pineapple, emerged from the stage.
During his speech honoring Grey, Eddie Redmayne said, “Tonight is an extraordinarily special night for us because we are in the presence of an extraordinary human being without whom none of us would be here.” After thunderous applause, Redmayne continued “Your performance in this part changed my life and it was one of the things that made me want to be an actor.”
The cast and Grey were also joined on stage by Cabaret composer John Kander.
Alongside Joel’s daughter Jennifer Grey and Kander, a star-studded crowd came out to fete the theater icon including Anderson Cooper, Candice Bergen, Jackie Hoffman, Jane Krakowski, Lin-Manuel Miranda, David Rockwell, and more. They were joined by numerous alum of Cabaret spanning the decades including Maude Apatow (Sally Bowles in London, 2023), Madeline Brewer (Sally Bowles in London, 2022), Joely Fisher (Sally Bowles on Broadway, 2000), Gina Gershon (Sally Bowles on Broadway, 2001), Mason Alexander Park (Emcee in London, 2023), Adam Pascal (Emcee on Broadway, 2003), Molly Ringwald (Sally Bowles on Broadway, 2002), Jake Shears (Emcee in London, 2023), and Brooke Shields (Sally Bowles on Broadway, 2001).
About CABARET AT THE KIT KAT CLUB
Cabaret at the Kit Kat Club is now in previews on Broadway at the August Wilson Theatre (245 West 52nd Street). The production, directed by Olivier Award winner Rebecca Frecknall and designed by Tony Award nominee and Evening Standard Award® winner Tom Scutt, will have decadent twin opening night gala celebrations starting Saturday, April 20 and continuing into the following night, with the official press opening on Sunday, April 21. Tickets are on sale now at www.kitkat.club or via Seat Geek HERE.
In addition to Redmayne, Cabaret also stars Gayle Rankin as the toast of Mayfair ‘Sally Bowles, two-time Tony Award winner Bebe Neuwirth as ‘Fraulein Schneider,’ Tony Award nominee Ato Blankson-Wood as ‘Clifford Bradshaw,’ Obie Award winner and Drama Desk Award® nominee Steven Skybell as ‘Herr Schultz,’ Henry Gottfried as ‘Ernst Ludwig,’ and three-time Helen Hayes Award winner Natascia Diaz as ‘Fritzie/Kost.’
The cast of Cabaret includes Gabi Campo as ‘Frenchie,’ Ayla Ciccone-Burton as ‘Helga,’ Colin Cunliffe as ‘Hans,’ Marty Lauter as ‘Victor,’ Loren Lester as‘Herman/Max,’ David Merino as ‘Lulu,’ Julian Ramos as ‘Bobby,’ MiMi Scardulla as ‘Texas,’ and Paige Smallwood as ‘Rosie.’ Swings include Hannah Florence, Pedro Garza, Christian Kidd, Corinne Munsch, Chloé Nadon-Enriquez, and Karl Skyler Urban.
The Prologue Company, the dancers and musicians that welcome audiences to the club, feature dancers Alaïa, Iron Bryan, Will Ervin Jr., Sun Kim, Deja McNair and swings Ida Saki and Spencer James Weidie. The musicians of the Prologue are Brian Russell Carey (piano & bass), Francesca Dawis (violin), Keiji Ishiguri (dedicated substitute), Maeve Stier (accordion), and Michael Winograd (clarinet).
For this production of Cabaret, the creative team have transformed the August Wilson Theatre into the Kit Kat Club with an in-the-round auditorium and custom spaces which guests will be invited to explore during the Prologue, the production’s pre-show entertainment. After purchasing tickets, guests will receive a “club entry time” to allow them to take in the world of the club before the show starts.
Patrons can upgrade their experience at the Kit Kat Club with exclusive dining or drinks packages that allow them to soak up the pre-show atmosphere. These various upgrades offer unparalleled service and unique experiences in the heart of the Kit Kat Club. Drinks can be enjoyed before and during the show, while food will be cleared shortly before the performance begins, ensuring uninterrupted and unmissable views of Cabaret. For a complete menu and more information on the upgrade packages, please visit www.kitkat.club/upgrade.
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sani-sims · 2 years
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The Copperdale (old) clique... 
These are not all sims from the clique, only the ones who live and stay permanently in Copperdale. They just love the attractions and the town here.
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florasletter · 3 months
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Oppenheimer leads with 13 nominations for the Academy Awards 2024
Best Picture
American Fiction Anatomy of a Fall Barbie The Holdovers Killers of the Flower Moon Maestro Oppenheimer Past Lives Poor Things The Zone of Interest
Best Actor in a Leading Role
Bradley Cooper (Maestro) Paul Giamatti (The Holdovers) Cillian Murphy (Oppenheimer) Jeffrey Wright (American Fiction)
Best Cinematography
El Conde (Edward Lachman) Killers of the Flower Moon (Rodrigo Prieto) Maestro (Matthew Libatique) Oppenheimer (Hoyte van Hoytema) Poor Things (Robbie Ryan)
Best Directing
Jonathan Glazer (The Zone of Interest) Yorgos Lanthimos (Poor Things) Christopher Nolan (Oppenheimer) Martin Scorsese (Killers of the Flower Moon) Justine Triet (Anatomy of a Fall)
Best Actor in a Supporting Role
Sterling K. Brown (American Fiction) Robert De Niro (Killers of the Flower Moon) Robert Downey Jr. (Oppenheimer) Ryan Gosling (Barbie) Mark Ruffalo (Poor Things)
Best Costume Design
Barbie (Jacqueline Durran) Killers of the Flower Moon (Jacqueline West) Napoleon (David Crossman & Janty Yates) Oppenheimer (Ellen Mirojnick) Poor Things (Holly Waddington)
Best Makeup and Hairstyling
Golda  Maestro  Oppenheimer  Poor Things  Society of the Snow
Best Writing (Adapted Screenplay)
American Fiction (Cord Jefferson) Barbie (Noah Baumbach & Greta Gerwig) Oppenheimer (Christopher Nolan) Poor Things (Tony McNamara) The Zone of Interest (Jonathan Glazer)
Best Actress in a Supporting Role
Emily Blunt (Oppenheimer) Danielle Brooks (The Color Purple) America Ferrera (Barbie) Jodie Foster (Nyad) Da’Vine Joy Randolph (The Holdovers)
Best Original Score
American Fiction (Laura Karpman) Indiana Jones and the Dial of Destiny (John Williams) Killers of the Flower Moon (Robbie Robertson) Oppenheimer (Ludwig Göransson) Poor Things (Jerskin Fendrix)
Best Production Design
Barbie Killers of the Flower Moon Napoleon Oppenheimer Poor Things
Best Film Editing
Anatomy of a Fall The Holdovers Killers of the Flower Moon Oppenheimer Poor Things
Best Production Design
Barbie Killers of the Flower Moon Napoleon Oppenheimer Poor Things
Best Sound
The Creator Maestro Mission: Impossible – Dead Reckoning Part One Oppenheimer The Zone of Interest
The 96th Academy Awards will air live coast-to-coast on ABC on Sunday, March 10 from the Dolby Theatre at Ovation Hollywood.
While Jimmy Kimmel is set to return for the fourth time as host, the 2024 Oscars will air at a new, earlier time of 4 p.m. – 7:30 p.m. PT / 7 p.m. – 10:30 p.m. ET.
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katyspersonal · 3 months
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🤥 LYING, ☀️SUN, 🕷️SPIDER, 🙉 HEAR-NO-EVIL, 🎭 MASKS, ☁️ CLOUD for Izzy!
💢 ANGER, 😨 FEARFUL, 🙈 SEE-NO-EVIL, 🌱 SEEDLING, 👑CROWN, ☁️ CLOUD for Archibald!
(Asks from this ( x ) meme)
(Yeah, this ask meme is originally for OCs x) I just mentioned in the original reblog that sending asks for canon characters, especially very obscure ones was okay too!)
For Izzy:
🤥 LYING - are they good liars? do they have tells to show they're lying?
Izzy can lie, but doesn't want to! People mostly can't tell she's lying unless she lets them know, and she will snap and admit bullshit because of the pure discomfort. She just prefers to be direct! The one successful lie she committed to was pretending to join the League on their own terms, hiding that her true motivation was to study whatever weird "filth" Valtr was raving about and hopefully benefit from it!
☀️ SUN - are they a morning person? what is the first thing they do in the morning?
Izzy's mornings are normally long and idle, she takes her sweet time to "properly" wake up always chilling for some more time in bed, combing her hair, thinking about her dreams, then napping some more but in another spot.. After her waking up add 1-2 hours until she actually wake up for the day (unless there is emergency). When that happens, she washes her face with a cold water. She also stretches the same way cats do xD
🕷️ SPIDER - what is their biggest fear? do they have any irrational / mundane fears?
Izzy is, in fact, scared OF irrational people! Not something most people expect from someone so beasthood-affiliated, but Izzy has plenty of logic and reason. Dangerous people that can yet provide her a coherent idea of their reasoning and motivation like Laurence (or Micolash before his 'fanatic' era) don't bother her beyond being ideological enemies. People like Logarius, Ludwig or the Choirlings, on the other hand, put a pit in her stomach...
She conquered her fears to the point of being reasonably careful to not get herself harmed and killed and will turn tail if being shot at or threatened by a much stronger enemy without a damage for her pride. What counts as 'worst nightmare' is being bewitched by a Great One to the point of losing freedom and self, similarly to how Ludwig, Micolash and many Choirlings got charmed by their guy (well, girl). Thankfully, she is associated with Fauna the Great One beast that is more cooperative and on the contrary honours autonomy; even speaking or fighting in sync with him feels for her like it makes her more, not less.
🙉 HEAR-NO-EVIL - what is the worse thing your oc could hear from someone?
You should NEVER let her be aware that she is not as different from Laurence as she thinks she is. At some point Izzy does become aware and both him and Laurence are very far gone, but do NOT tell her this before she is 'ready' :')
🎭 MASKS - do they act differently around certain people? what's different between the way they act around friends, family, strangers, etc.?
Izzy is rather insolent around his 'ideological enemies' and likes to troll them for a good measure when he isn't busy trying to make them THINK, very on-edge and aggressive around 'fanatic' type of enemies that scare her, both friendly and pulling the over-familiar rudeness with strangers. With friends she is very caring and understanding, even if she might be rude or abrasive without meaning to hurt them (simply very open, honest and emotional). She could not bring herself to hurt a friend even if they ditch her or straight up betray her, the worst she will do is to have a kicked puppy attitude... But her friendship is hard to earn.
He tends to give a thought to societal rejects and straight up "bad" people, not in Djura's 'we all might end up like this tho :(' kind way but in 'I believe what we hate is natural for humans' way.. This trait of his strongly accelerated ever since Healing Church started propaganda and amount of declared "heretics" increased. When Izzy crushes on someone she doesn't know what to 'do' about it and simply shows more affection to this person... She doesn't even bother with confession, let alone understanding how relationship and dating works! But when someone attracts her sexually, she will be open with her.. uhhh, compliments, let's call it that. 98% of his family memories and interactions are his father and Izzy really resents him.
☁️ CLOUD - a soft headcanon
Izzy was the second person that accepted Garlan (Suspicious Beggar) for who he really is, a rare person with Loran descent that was born with beastly traits lurking. First was his father, lurking as kind of a Loran Cleric but electric-leaning rather than fire. Izzy and Garlan liked having friendly fights with scratching and biting, like kittens xD Also, when Garlan devolved into a beast form, Izzy enjoyed scratching his belly :3
For Archibald:
💢 ANGER - what are some habits they have that will take some getting used to?
He is a very pragmatic, often cynical man, taking calculated risks and only bothering investing emotions and time in "worthy" people. This can make people, even his friends, develop very negative impression of him and think he is an adaptable rat with no morals that just joins the winning side or the one useful for him. It would take time to internalise that he is more complex than this and does have a heart. People need quite a heart-to-heart, or to see him beat the shit out of someone that hurt his friend, to lessen the negative opinion unless they're basically mind-readers hahah. He also might be a bit snappy and rude when he is strongly focused on something, which is unbearable when you NEED to tell him something!
😨 FEARFUL - when scared, do they go into "flight" or "fight"?
He tends to retreat to calm down his senses and figure an efficient way to eliminate the threat. 'Fight or flight' refers to state of anxiety transcending rational thinking and it is extremely hard to get him be like this! But if it happens, he will rather flight.
🙈 SEE-NO-EVIL - whats a side of your oc that they don't want to show other people?
He doesn't like to show his emotional side, that he is not always so collected and pragmatic and still has weaknesses. It is one thing to need to communicate that he does have morals and heart despite using what opportunities he has, and will cheat his principles when someone genuinely needs to be punished. But it is another thing to admit that these seized, hidden emotions can be STRONG, and that he struggles all the time.
🌱 SEEDLING - what is their most vivid memory from childhood?
He witnessed a person getting struck by lightning. And not only he was fascinated, but also afterwards was a bit too eager to see the corpse with fascinating scars. He remembers both the event itself, and the reaction he received from others telling him what callous, cruel, crazy child he was. Plenty of children develop curiosity before they developed compassion and morals, and he was one of them. He still sometimes thinks back on how little he cared about that person dying before his eyes, especially since he knew him.. But at least, his interest in physics and specifically electricity got into him that day! He knew what he wanted to study since childhood, even if by such a "striking" event haha
👑 CROWN - what does your oc want to be remembered as? why?
He always wanted to be of help for humanity and simply be credited as progenitor of many follow-up inventions and inspiration for follow-up scientists! He knew his name would be in every book about physics... Well, due to circumstances, most of his inventions were weapons or otherwise helpful in military. He has some regrets, becoming the 'guy that invented more ways to kill' more than someone known for his inventions that would turn useful whenever Eldrich Nightmare ends. As a person, he wanted to be remembered as someone with the heart and morals despite how many deals with coincidence he HAD to make to proceed, and that can come true since he not only conducted research that was "heretical" amongst Healing Church hunters but died taking down a Vicar that was somehow even more evil than Laurence. Depends on what the descendants will think of the Healing Church!
☁️ CLOUD - a soft headcanon
Paarl didn't eat or otherwise kill the guy! Archibald gave Paarl his badge because he just gave it to all his friends, and even though he never knew Paarl before beasthood he counted him as a friend as well!
________________
Thank you for the asks! o: Sorry I don't have new doodles of these two, just old drawings. This ask meme is extremely handy to use though wtf
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