Migrating Histories of Art. Self-Translations of a Discipline, Edited by Maria Teresa Costa and Hans Christian Hönes, De Gruyter, Berlin, 2019
Foreword: Uwe Fleckner
Introduction: Maria Teresa Costa and Hans Christian Hönes
Essays: Sigrid Weigel, Francesco Ventrella, Maria Teresa Costa, Giovanna Targia, Irving Lavin, Jennifer Cooke, Burcu Dogramaci, Uwe Fleckner, Mingyuan Hu, Hans Christian Hönes, Linda Sandino
Cover Illustration: Beryl Korot, Babel 1, (acrylic on hand-woven linen), 1980 [bitforms gallery, New York, NY. Photo: Emile Askey]
Cover Design: Petra Florath
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“World Wind" Marina Zurkow in collaboration with James Schmitz at bitforms gallery. AMAZING! What an achievement. Congratulations! @squirrelzurkow https://www.instagram.com/p/CmNfFY0t2M2/?igshid=NGJjMDIxMWI=
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Jonathan Monaghan at Bitforms Gallery
Luxury, power, and technology provocatively merge in Jonathan Monaghan’s mesmerizing digital images and new animation ‘Den of Wolves’ at Bitforms Gallery. Traditional symbols of monarchal authority – an ermine robe, a scepter – show up in the aisles of an otherwise empty big box outlet or a pristine, unpopulated Apple store, conflating old and new symbols of cultural clout. Still images titled ‘Sentry’ or ‘Soft Power’ picture the places and beings – composed of luxurious upholstery and architectural details - populating Monaghan’s eerie, too-perfect dystopia. (On view on the Lower East Side through June 12th. Masks and social distancing are required). Jonathan Monaghan, Soft Power II, dye-sublimation on aluminum, painted maple frame, 27 x 22.5 inches, 2020.
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Jonathan Monaghan currently has a solo exhibition up at Bitforms Gallery in New York. Titled Disco Beast, the exhibition features sculptural, video, and print works.
Visit Bitforms to see his work until December 10th. Gallery hours are Wednesday through Saturday 11:00 am to 6:00 pm and Sunday 12 noon to 6:00 pm.
Shop the exclusive t-shirt Jonathan designed in collaboration with GODDESS at our webshop.
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Big Red, 2020, five minute animation, looped
Must approximately maintain the same aspect ratio of the Matisse painting, Large Red Interior, 1948, approximately 5.3 : 8, minimum 6 feet in height as tiled monitors or projection shown on a wall papered with the Matisse augmented wallpaper below
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Daniel Canogar, "Dynamo", 2021
Temporary sculptural LED screens, computers, generative custom software, real-time data, metal structures.
354.33 x 196.85 x 216.54 in 900 x 500 x 550 cm
In collaboration with the composer Francisco López
" The interactive piece by Studio Daniel Canogar is made up of three large rings that create light and sound compositions based on the interaction of the Pavilion's visitors through the railing that surrounds the atrium."
photo bitforms gallery
desc españa expo dubai 2020
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Loved this cross between the physical and the digital by @carlagannis at @bitforms in #LosAngeles. The digital world is elevating not on the ideas but the processes of the art world and I fucking love it! • #ArtAboveReality #LookWhatArtFound #Inspiring #Art #Curator #ContemporaryArt #FineArt #ArtMarket #ContemporaryPainting #CollectArt #ContemporaryArtCollectors #LiveWithArt #ArtConsultant #ShotOniPhone #bitforms #ContemporaryArtist #Digital #ArtistsOnInstagram #Women #iPhone (at Los Angeles, California) https://www.instagram.com/p/BvKfqCanxgU/?utm_source=ig_tumblr_share&igshid=kjgyrkjr13q4
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Manfred Mohr, P-226b, (plotter drawing on paper), 1978 [Bitforms Gallery, New York, NY]
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"121 prepared dc-motors, cardboard elements 8x8cm" (2011) by Zimoun
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Refik Anadol
ISS Dreams A, 2020
bitforms gallery
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Addie Wagenknecht, self portrait—loneliness is what we can’t do for each other, 2017,
IKB dry pigment and resin on canvas. 80 x 90 inches.
Courtesy bitforms gallery, New York. Photo: John Berens.
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Summer Show at Bitforms Gallery.
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Sara Ludy with Bitforms at Future Fair
Sara Ludy’s artwork connects to both virtual and physical worlds manifesting as actual objects inspired by a VR dream house; here, in pieces from 2018, the artist combined glass and copper to create sculptural environments for imagined birds. Ludy’s ability to create compelling work in digital and physical media makes her an ideal artist for her gallery, Bitforms, to showcase in the inaugural Future Fair, currently operating on-line due to the pandemic. Check out her latest images, attractive abstractions which appear simultaneously organic and highly manipulated, intimate yet without reference to scale. (On view in the Future Fair through June 6th). Sara Ludy, Nest 1 and Nest 2, both Waken Glass; copper mesh and glass, 4 x 8 x 7 inches & 2.5 x 5 x 4.75 inches, both 2018.
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Searching For The Light has a review up of Siebren Versteeg’s Reflection Eternal at Bitforms Gallery.
“It is so aesthetically pleasing that I find it harder to believe the production of the paintings are completely random, but then again who knows if it ever was? What I do know is the wonder of Siebren’s work hasn’t grown old, and the results seem to get more and more appealing. Which ups the ante for process-based painting, as well as what it means to make art. As with much of Siebren’s work, it raises the question does your computer dream of electric sheep?”
(via Searching for the Light: Siebren Versteeg, Reflection Eternal @ Bitforms Gallery)
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From “The Tree of Life” at Bitforms Gallery, curated by Claudia Hart
Auriea Harvey & Michaël Samyn
The Endless Forest, 2006/2020-ongoing
Online multiplayer game
The Endless Forest is a multiplayer online game. There are no goals to achieve or rules to follow. Run through the forest and see what happens. You are a deer. So are the other players. You meet each other in a magical forest on the internet. The setting is idyllic, the atmosphere peaceful. You communicate with one another through sounds and body language. The Endless Forest requires Windows and a fast 3D videocard.
To download this game, please visit http://tale-of-tales.com/TheEndlessForest/.
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