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visible-taste · 4 months

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DiscoverYourDelight: Your Go-To Resource for Special Present Ideas - Make Any Event Additional Unique

In a globe where offering is just as joyous as receiving, discovering the excellent present can be a fascinating yet daunting task. Welcome to VisibleTaste, your go-to location for uncovering those special, thoughtful, and remarkable gift concepts that will certainly make any type of event unique.

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emotivephotographyus-blog · 5 years

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Hiring a Professional Wedding Photographer

Let's face it getting married is one of the biggest and hopefully happiest days of your life. To guarantee that all goes according to plan, you want reliable professionals. Most of this is wedding business exist to make sure the day itself goes well. The wedding photography, on the other hand, takes on a greater meaning in the days, weeks, month and even years that follow. It is important that your photographer is able to capture all that love and laughter and enable those happy memories to come flooding back with every turn of your wedding album page. So what are the advantages of hiring true professional wedding photographers for your marriage service and how do you tell them from the rest of the pack?

But it is quite typical for the bride and groom to prioritize about all other things except who will be their official wedding photographer. Everything else comes first, the dress and tux, the bouquet, the reception. It is at their bottom of the list that will be in charge of the photography. Hertfordshire Wedding Photographer

If you do something often enough, whatever that is, you should improve, makes sense, doesn't it? But years of experience give couples like you more benefit than just better looking photographs. One benefit to you should be in the quality of wedding albums offered. The album considered by Wedding Photographers to be the best in the World is the story book album. This Album is usually hand made by craftsmen. So, before booking, be sure to ask if your photographer is a member of a professional body. In the UK this can be the M.P.A, the B.I.P.P or the S.W.P.P. Ask to see some testimonials, thank you cards or reviews on line. Ask how many years they have been using their albums for and why did they choose that particular manufacturer.

One of the many benefits of hiring a professional is professionalism. Needless to say, professionalism do come at a price. The cost of wedding is on the rise and has become very expensive. In some cases, couples decide to reduce costs by keeping away from using professional services like for their wedding photography. The bride and the groom would like to believe that their friends and family members can take care of the photography on their wedding day at the hope of saving money from hiring someone who is a professional wedding services provider. Even if this appears to be an affordable solution, the result may not always be what is expected. Hiring a professional wedding photographer means top quality service. They come prepared to take photos all throughout your wedding. It is usually hard to expect the same level of professionalism from your friends and family. Your family and friends have a lot of personal connection to the wedding for them to efficiently take the photographs they are supposed to do. A highly qualified wedding photographer is focused on the job which results in better pictures done in a professional manner. Oxford Wedding Photographer

An additional advantage associated with hiring a professional is track record which can be verifiable and proven. Most if not all wedding photographers have their works preserved and well documented which shows their capability of providing excellent photography services for different types of occasions. Numerous photographers now have their portfolio or proof of work online aside from the traditional physical albums showing their best photos. This permits the wedding couple to have a better understanding of how capable a wedding photographer is. Moreover, several wedding photographers can even show memberships in their local photography clubs which offers a way to even further verify the wedding photographer's qualifications. Past clients can also be a source of verifiable testimonials.

These testimonials can help wedding couples make an informed decision about which wedding photographer can best preserve the memories of their wedding day.

Finally, professional wedding service providers can offer couples various photography solutions in preserving the memories from their wedding. Wedding couples can select from a wide variety of wedding packages. From traditional photo albums to the more advanced digital platforms such as photos on CD or DVD, slide shows and wedding photo galleries that can be viewed online. An excellent way to show your wedding pictures to your friends and family.

Visit Here - Watford Wedding Photographer

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elitestudio · 3 years

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Why should you hire a Professional Wedding Photographer?

There are many instances and scenarios where you may be wondering that why you need the professional Pre-Wedding Photographer Lagos for your photo shoots or video shoot of the special day. Below mentioned are some of the key reason that why should you look for a professional photographer.

It might actually seem like any kind of unnecessary expense to some people having large size camera to come out as well as to take pictures of the wedding with your thrilled and excited family members as well as close friends who are snapping pictures on your day. Definitely, among huge collection of the novice photos, few of them are really nice and decent.

Though, it not takes much effort of the professional Product Photographer Nigeria to get the people lined up and get them placed for the photo shoot or they will quickly take the picture of first kiss or when you are cutting of cake, it also takes the professional Corporate Headshot Photographer Lagos to know the fact that how to capture best moments as well as take the photos that is quite best-looking. Apart from this, while you are working with the professional wedding photographer, they may be also much aware of which are the moments that you want to get captured and style of the photos that the best portrays in unique style of the personality and special feel of day.

Tips for Professional Wedding Photographers!

Let us now face it being married is the greatest as well as hopefully happiest days of the life. For guarantee which all moves as per to the plan, you wish for reliable professionals.

Many such wedding business also exist to ensure the day goes well. Moreover, wedding photography, takes on the greater meaning in days, weeks as well as month and also years which follow. This is also quite much significant that the photographer is also able to capture the love as well as laughter and also enable the happy memories for flooding back with all this that turn of wedding of the album page. So, what are advantages for hiring the true professional set of the wedding photographers for the marriage service about how do you usually tell from rest of pack?

Quality. When you do something quite enough, what so ever, you must also improve and makes sense, doesn’t it? However, years of experience offers the couples such as you will get the benefit than better looking of the photographs. An additional benefit should be in quality of the wedding albums. The album which is considered by the Wedding Photographers is usually made by the craftsmen.

So, prior to booking, you need to ensure to ask if the photographer is member of the professional body. Ask that how many years which they are using albums and the reason why they choose such specific manufacturer.

Reliability. The true professional set of the wedding photographers will also have spent various years of the building up the reputation. Do you actually think that they will let the labour go being waste by getting unreliable? Definitely not. For the wedding photographer, the number one set of priority must also ensure they arrive well on time. Having the completely documented help of “system” simply ensure that the timings are known, and various photographic systems are double checked.

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theforbiz · 4 years

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Give the Gift of Memories with the Best Picture Frames for Sale

In this beautiful world we live in, life never stops, and memories are always being made. Whether it’s the breathtaking first few moments of a new baby’s life or the joyous union of two people with their better halves, there are thousands of moments in our lives that will be forever carried with us in our hearts and minds, and in our photo albums. But why seal away these captured memories between thick pages of clear plastic and dark binder covers? Why not display your life’s greatest moments for all the world to see? Encased in a stunning art piece that’s almost as beautiful as the memory itself; a crystal-like beauty that shimmers and shines in the sunlight and makes your favorite photos radiant wonders. At J. Devlin Glass Art, the very Best Picture Frames For Sale on the market are carefully designed to do just that.

The sweet and innocent spread of pure joy across a baby’s face as she experiences her very first Christmas. The enrapturing gaze of a blushing bride peering out from beneath her elegant veil. The overwhelming air of pride and excitement flowing off a cap-and-gowned graduate as he stands on the steps to the university that fostered his past four years of growth. These are the magical moments of life we long to preserve and the deeply emotional moments that inspired J. Devlin Glass Art’s finest collection of stained glass frames. Using the same traditional methods applied to Tiffany stained glass windows, J. Devlin Glass Art’s master craftsmen dedicate themselves to creating elegant little masterpieces that will emphasize the beauty of your most cherished memories. Each breathtaking frame is like a little window to the past, forever preserving the greatest moments of life in their own works of art.

No gift has as much heart as the gift of a beautifully preserved moment in time. J. Devlin Glass Art’s best picture frames for sale span the full range of gift-giving occasions, from birthdays to weddings to anniversaries of any number. You can relive your favorite days spent together, or use this opportunity to celebrate a grand achievement in your favorite person’s life. There are even stunning announcement picture frames available for you to spread the great news about an engagement or a new pregnancy. Surprise the chosen godparents with a special picture frame made just for them, or delight your friends by setting out your brand new engagement photo set in a simmering stained glass frame that easily draws attention.

No moment of our lives is too insignificant to be worth remembering, which is why J. Devlin Glass Art also offers fully customizable stained glass frame options, so you can choose what to celebrate. All laser-engraved frames offer personalization options to change the default version you see in the preview. So, for example, if you’re celebrating the beautiful union of two wonderful women in your life, the Mr. and Mrs. Personalized Vintage Stained Glass Picture Frame 4×6 Horizontal can be adapted to a Mrs. and Mrs. frame instead! You can also add engravings to select stained glass and clear frames, turning a simple statement piece into a loving message for any occasion – or no occasion at all!

Certain frames feature constant engravings, such as the heart border of the Baby Announcement Photo Frame Hearts Personalized Engraved Horizontal or Vertical Picture Frame, while others can be entirely redesigned from scratch, leaving the freedom and power in your hands. Check the product description for any constants as you browse through J. Devlin Glass Art’s stunning collection at jdevlinglassart.com, and enjoy beautiful, custom made frames designed just for you.

For more information about Photo Frames For Sale and Jewelry Box For Sale Please visit : J Devlin Glass Art

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lifeonashelf · 4 years

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CLAPTON, ERIC

Before we get started, I should probably mention that it might be helpful to regard this piece as sort of a “to be continued…” affair. A handful of entries from now, the subject on my docket will be Cream, whose work is such a vital part of Eric Clapton’s canon than any appraisal of them will unavoidably qualify as a supplemental appraisal of him. I’m sure I will have some nice things to say about Cream since I think they were a pretty excellent band (although time will tell… as you’ve surely gleaned by now, these essays often encompass topics that have absolutely nothing to do with the artists I profess to be evaluating; I can’t predict where my mind will be when I get around to writing about Cream, so it’s entirely possible I’ll end up writing about Mork & Mindy or something instead). However, for our purposes here, I think it will serve us better if I focus exclusively on Clapton’s work as a solo artist. Which is likely to engender a far different climate than the forthcoming Cream-slash-Mork-slash-Mindy piece since I think 85% of the music Eric Clapton made after Cream disbanded is dreadfully fucking lackluster.

When I was learning to play guitar as a teenager, there were several monthly magazines devoted to that pursuit, all of which I perused religiously. (For the benefit of any millennials reading this: “magazines” were similar to books, except they were shorter and usually had more pictures in them—and “books” were similar to the missives your hyper-dramatic friends constantly post on Facebook, except they took a little bit longer to read, were written with proper grammar, and the stories in them weren’t all a bunch of histrionic bullshit—also, “grammar” refers to the coherent presentation of words that aren’t abbreviated or misspelled).

Much like any periodical dedicated to a singular subject, magazines like Guitar World regularly featured articles which graded the luminaries in their particular field—in GW’s case, these usually took the form of arbitrary ranking reports on “The 100 Greatest Guitarists Of All Time!”. I assume modern publications still rely on similarly banal and undemanding space-fillers: “The 10 Most Lethal Armor-Piercing Shells!” in Guns & Ammo, perhaps, or “The 4 Hottest Members Of 5 Seconds Of Summer!” in NAMBLA Monthly (for the benefit of any tweens reading this: if you ever encounter anyone who subscribes to this magazine, get out of their van immediately).

Of course, discerning readers must surely recognize the flaws inherent in any classification system which surveys qualifications that are subject to myriad personal tastes and biases—in other words, lists like those are completely goddamn meaningless (after all, designating any member of 5SOS as the hottest is utter lunacy; who could possibly make a firm decision between such dreamy candidates with any degree of certainty?). In the post-internet world, such items would qualify as your basic gratuitous clickbait. Yet at the time, I scrutinized those rankings with great interest, and I even took an undue amount of pride in finding some of my favorite guitarists logged at prominent positions on the docket—whenever Soundgarden’s Kim Thayil cracked the Top-20, I figured maybe the editors who put that particular list together actually knew their shit.

The cast of musicians who regularly occupied the apex slots in these polls never changed all that much—it seems to be universally agreed among everyone who reads magazines like Guitar World that the greatest player of all time is either Eddie Van Halen or Jimi Hendrix, which is a verdict I don’t have a strong argument against. Jimmy Page was usually ranked around #3 or so, and I never had any problem with that either because he’s Jimmy fucking Page. The rest of the Top-10 was a bit more fluid, with different architects wandering in and out of contention based on what was happening in their contemporary careers when the list was published. A few guitarists were ubiquitous placeholders who merely shifted numbers from year to year, like Steve Vai and Joe Satriani, who seemed to always be classed in the Top-10 despite neither of them ever recording a single piece of music I would listen to on purpose.

Another omnipresent figure on these rosters was Eric Clapton, who was perpetually enumerated in the uppermost echelons of the guitar-god hierarchy, sometimes even slotted way up in the Top-5. A recent poll on ranker.com with 500-thousand tallied voters escalated the matter by rating Clapton as the THIRD greatest axe-wielder of all time, just below Jimi and Jimmy. And despite my cognizance that these standings are fundamentally inconsequential, the net result of Slowhand’s recurrent designation as one the most prodigious craftsmen in the history of his art-form is that for my entire life I have been systematically instructed to distinguish Eric Clapton as one of the greatest musicians of all time. Which is an assertion that rings as patently incorrect when you actually listen to his music.

There’s nothing incendiary about Clapton’s guitar playing, nothing particularly inimitable about his style. He didn’t develop a new musical language for his instrument to sing with—Jimi Hendrix, Eddie Van Halen, and Jimmy Page all did that, but not Slowhand. The two main things Eric Clapton did exceptionally well were splicing a strain of safe white-boy blues into a strain of nonthreatening AOR rock and building the bulk of his career on serviceable renditions of songs written by other people. Whether this particular musical aesthetic appeals to you is irrelevant; no matter how much you like his version of “I Shot the Sheriff”, a modest benchmark like that is not indicative of genius, it is merely indicative of a seasoned session musician plying his trade. Make no mistake, Clapton is a very good guitar player, and I get the sense he’s a nice enough dude. Nevertheless, while the ability to knock out solid cover tunes might curry plenty of favor on Tequila Tuesday at the local dive bar, that skillset alone does not signify any form of virtuosity.

Timepieces—the 7x Platinum-selling 1982 greatest hits album most likely to represent Eric Clapton in the collections of casual fans—features ten songs culled from his 1970’s harvest, the most acclaimed era of his solo career. Of those ten tracks, Clapton is only credited as a songwriter on three cuts, and only one amidst that trio names him as the sole songwriter. This seems to reveal that out of all the most enduring tunes he released during his most enduring era, this musician alleged to be among the greatest of all time was only able to piece together one outstanding song when left to his own devices. Sure, “Cocaine” and “Layla” are fairly strong by any standards (although, Clapton didn’t write the former and merely co-wrote the latter), but the rest of Timepieces is notably unremarkable as far as best-of showcases go—unless the one major thing your life has been missing is the opportunity to hear Eric Clapton tackle the novelty number “Willie and the Hand Jive” like he was submitting it for the opening credits of a sitcom.

Then there’s the knotty matter of “Wonderful Tonight”, the only song on Timepieces credited singularly to Clapton—and, arguably, the only one of his solo period creations that has prevailed in a comprehensive cultural sense. You won’t meet too many wedding DJ’s who don’t have “Wonderful Tonight” in their arsenal, and I’m positive plenty of couples have selected the track to accompany their first dance at the reception. The tune has been widely appropriated as a naked avowal of love and devotion—and, hey, why not? Is there any woman in the world who doesn’t appreciate being told she’s wonderful?

However, sometimes songs get borrowed for things that don’t necessarily match up with their essence. Consider Green Day’s “Time of Your Life”, which will probably be played over every high school graduation slideshow in the civilized world for the next several decades because of its lyrics about turning points and forks stuck in the road—this, despite the fact that the proper title of the song is “Good Riddance (Time of Your Life)” and the refrain “I hope you had the time of your life” was actually penned as a derisive fuck-you aimed at an ex-girlfriend who jilted Billie Joe Armstrong. In some cases, the intended meaning of a tune doesn’t really matter; once it becomes transcendently popular, it means whatever the people who made it transcendently popular want it to mean. And before you know it, teenagers are dancing to a song about a bitter break-up at their senior proms without any apperception of irony.

This is why I’ve always been fascinated by the quixotic ideals that have been ascribed to “Wonderful Tonight”. Though the swooning masses have evidently chosen to accept that song as a chronicle of the profound romance nurtured by two lovers throughout a night on the town, to me the lyrics tell a far different story.

My sad tale is about a woman fretting woefully as she dolls herself up to attend a party with her carping husband, nervously asking him, “do I look alright?” She’s well aware that to this imperious man, her physical attractiveness is her primary asset; he regards her as a prop, an arm-candy accessory that buttresses his inflated sense of prestige. When the couple arrives at the gala, the caddish groom basks in the attention of the numerous leering men who crane their necks to look at his trophy (“everyone turns to see this beautiful lady that’s walking around with me”). Each swiveling head substantiates his ego, confirms that he is a superior alpha-male because he has managed to ensnare such a stunning female specimen—“I feel wonderful tonight,” he tells her, and this declaration might as well be a cackle of triumph.

His supremacy established, he then proceeds to get absolutely shit-faced. The song doesn’t specify whether his recreation of choice is alcoholic or narcotic or both, only that by the time he’s finished indulging in his spree of hedonistic rapture he’s “got an aching head.” The brevity of the account doesn’t allow a verse which elaborates on his conduct at the festivity, but we can reasonably assume this sort of character becomes a boorish lout when he’s intoxicated—just imagine the undignified behaviors a man like that adopts under the influence while his unfortunate wife helplessly watches on, mortified; perhaps Clapton is being kind by sparing us that part of the saga.

When the bender is over, he is too wasted to drive, so the onus of shuttling him home falls upon his submissive mate. And she is further demeaned when she has to then assist him as he staggers to bed. There, just before slipping into black-out unconsciousness, he slurs to her, “you were wonderful tonight.” A backhanded compliment, surely, reminding her of her place, letting her know that shutting up and looking pretty while he has all the fun is precisely what’s expected of her. “You were wonderful tonight,” he gabbles again, twisting the knife, reiterating that the evening is now over and she will once again curl up on her side of the mattress neglected and unsatisfied and cry herself to sleep while his insensate carcass snores and farts beside her.

[Okay, I made all that shit up. But now that I read the lyrics again, they don’t necessarily contradict my facetious analysis, so the above interpretation might actually be right on the money. Besides, if twelfth graders can slow-dance with their sweethearts to the soundtrack of a disintegrated relationship, then I can make “Wonderful Tonight” be about a doomed and loveless marriage if I want to.]

The other most obvious benchmark in Clapton’s solo catalog is his MTV Unplugged release, which shifted over 26-million copies and still holds the distinction of being the best-selling live album of all time. (For the benefit of any millennials reading this: “Unplugged” was a program that MTV produced during the prehistoric age of their existence, back when they had to lower themselves to airing rubbish like music videos and concerts because there weren’t enough quality reality shows being made about teenagers who have babies and get plastic surgery to fill their broadcast schedule). The network’s marketing strategy for the Unplugged series was actually quite ingenious: in addition to airing hour-long presentations of sets like Clapton’s in prime time, select songs from these shows were earmarked as “singles” and those individual performances were slotted into heavy rotation among the other hit videos of the era, a model which allowed MTV to essentially promote their own albums as frequently as they wanted. Since the channel’s driving ethos at the time was to pummel their audience with constant spins of even the most mediocre clips until viewers decided those songs must be cool because MTV played them all the time, plenty of latently unexceptional offerings like Clapton’s Unplugged were given a ready platform to become smash hits (lest we forget: this approach was so insidiously effective that even Mr. Big and Wilson Phillips achieved Platinum sales figures in 1992).

Hell, even I bought the fucking CD (I never bought those Mr. Big or Wilson Phillips records, though). I’ve listened to Unplugged a couple times while shaping this write-up, and I still have yet to locate a shred (pun possibly intended) of persuasive evidence that Eric Clapton is one of the greatest guitar players of all time anywhere on this disc. The revue has a couple of high-points—the version of “Tears in Heaven” here is indubitably definitive and “Layla” fares surprisingly well in a slower, stripped down form—but as a whole the album is an unadulterated slog, laden with an abundance of instantly-forgettable renditions of unessential blues tunes that are reduced to benign dentist-office white noise by the neutered arrangements which were integral to the Unplugged format. What these moments actually demonstrate—rather than Clapton’s mastery—is that a style of song-craft which was initially channeled straight from wounded souls into ragtag instruments doesn’t translate very convincingly to a fleet of $5,000 guitars; in a fundamental sense, Unplugged’s glossy and pristine studio-audience presentation, every chord perfectly EQ’d and in-tune, strips away whatever raw immediacy cuts like Son House’s “Walkin’ Blues” may have possessed in their primal form. I’m not earnestly criticizing Eric Clapton for his professionalism, but since the thrilling quintessence of live music is the anything-can-happen spontaneity of the stage, it’s difficult to get overly invested in the meticulously premediated and pokerfaced routine captured for this specific document.

The album does indeed embody Clapton’s mien—capable musicianship and a batch of songs unlikely to offend anyone’s sensibilities—but the guitarists who truly belong in the realm of the immortals are those whose work sounds like an existential search for deeper sonic truths. The notes they strike broadcast more than chords, they transmit fever and fire, each one eddying uncontainable passion from their hearts to their fingertips. This is why procedural players like Joe Satriani and Steve Vai have never been engaging: their main artistic drive has always seemed to be showcasing how many arpeggios they can execute, and the soulless military precision of that execution doesn’t convey any sincere affection for their craft—listening to Satch and Vai et al do their thing is kind of like watching a squad of soldiers marching in lock-step; you get the sense the last thing on those lads’ minds is how pleasant it is to be getting some fresh air. And my reaction to Unplugged is similar: Slowhand’s rigid delivery of tried-and-true fret phrases he can undoubtedly strum in his sleep by now doesn’t rouse much in the way of excitement; since Clapton doesn’t sound like he’s overly interested in challenging himself, he doesn’t challenge me either.

Ironically, at this very moment, my heart is seized by the precise melancholy sensations that are metaphorically denoted as “the blues.” I won’t go into a whole thing about it, but I assure you I am sad as fuck right now. Yet, even though I always seek out music I can relate to in times of pathos, somehow hearing Eric Clapton chirrup about drinking “Malted Milk” isn’t doing a whole lot to make me feel better—hearing Greg Puciato shriek his way through The Dillinger Escape Plan’s tempestuous masterpiece “Farewell, Mona Lisa” might do the trick, but not this shiny and innocuous enactment that would sound equally at home on a Jack Johnson record as it does on Unplugged. And this is usefully underscoring why Clapton’s work is so profoundly dull to me: despite being an artist who has devoted most of his catalog to the blues, a genre whose lyrical dominion deals exclusively in heart-borne emotions, his music doesn’t make me feel a goddamn thing. When I get low like this, I know from experience that I can release some of those negative energies by weeping, or wailing, or screaming my fucking head off. But try as I might, I can’t think of a single occasion when the balm my soul cried out for was twelve tasteful bars in the key of E with some gentle, susurrated crooning on top.

So you 26-million consumers can keep your guitar-hero, and his bubbly acoustic blues, and his songs about rakish men who disgrace their wives at parties. I don’t give a shit if Slowhand is ranked 16 spots higher in Guitar World—fucking give me Kim Thayil any day.

August 4, 2018

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weddingsonlineie-blog · 5 years

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9 REASONS YOU NEED A PROFESSIONAL WEDDING PHOTOGRAPHER

Some of the top regrets brides have after their weddings don’t involve decor, food or dress. They’re all about remembering the day – by way of photography and videography. You need a professional wedding photographer in Ireland, not an amateur, so you can have at least a few hundred great photos to enjoy for years to come. There are many cautionary stories online from brides who hired amateurs (and the photos they share are truly, truly terrible). If you’re still unsure about why you need a professional wedding photographer (and not a friend or a student) here are nine undisputable reasons.Always preparedYour professional photographer is always prepared. They’ve already thought about (or been through) every possible disaster, so you have nothing to worry about. Equipment failure, bad weather, travel problems – none of these will catch the pro by surprise. They come armed with extra equipment, batteries, umbrellas, some even bring their own sandwiches, and an assistant. They will likely also have a clause in their contract stating clearly what happens in case of absence (for example, due to illness) and a solution for it, as well as a refund policy. That’s major peace of mind for the couple.Photo from Niamh & Jason’s real wedding, by Emma Russell PhotographyProtecting their reputationIf an amateur photographer completely messes up your photos, gets cold feet just a few days before the wedding, or doesn’t show up at all, it’s no biggie for them. That’s because they have no reputation to ruin, and none to protect. What is the most important day of your life, to them is just a day they tried (and failed?) to do something fun and new with their camera. No amount of crying on the bride’s part could ever change that, and there’s nothing that can be done – nowhere to complain or even to leave a comment.A professional is exactly the opposite. Your wedding day is their day of work. Your positive comments about their conduct and the photos are a huge help to their business. It’s very likely they may get future bookings from your guests. They’ll do their very best for you because they don’t want to put all that at risk.Being unobtrusiveProfessionals know the art of disappearing among the guests, because that’s how the best photos happen. As soon as people know the camera is pointing in their direction, they start to feel uncomfortable and uptight, and this really shows in photos. But when they’re relaxed, laughing and acting natural, the photos look completely different. A professional photographer knows how to achieve this by being discreet and wearing the right attire. We’ve been to a wedding where the amateur photographer was asked by the priest, in the middle of the ceremony, to give the couple some space. It was hugely embarassing and the only blip in an otherwise pefect ceremony.Knowing the venueChances are, your pro photographer has already worked at the venue you’ve chosen, or at least has been there before. If not, you can ask them if they’ll visit before the wedding day, or if they’ll arrive early on the day to scout out good shooting locations. And especially if you want particular photos taken (like portraits in the garden), you won’t have to worry about the best locations – because your photographer already knows them.Photo from Maya & Manuel’s real wedding in Lake Como by The Italian Wedding EventEfficient group photosWhen badly organised, those family, bridal party and group photos are a real threat of running overtime and delaying the reception. Do you really want cold food and frustrated venue staff? A professional has done this many times before, and all they need is some help from one of your bridesmaids or groomsmen for locating the people who are due to be photographed next. You won’t be left disappointed there isn’t a single photo of you with your beloved grandma. Can you see this becoming a real mess in an amateur’s hands? You bet. You need a professional wedding photographer in Ireland to avoid unnecessary chaos on the day.Insurance – yours and theirsHave you bought wedding insurance? You may want to check whether your policy covers non-professionals, or you’ll be in for a disappointment if a claim happens.It’s pretty much guaranteed that an amateur won’t have their own insurance. Who knows what may happen during the hours they’re with you? They may break their camera, slip and fall, have their bag stolen… and they may expect you to pay for it. And that’s one thing you didn’t add to your budget, right? A professional photographer already has their own insurance policy. You can even ask them what it covers, if you want extra peace of mind.The art of itDo you know what makes a photo beautiful? It’s the perfect combination of technique and artistry, composition and light – something only an artist can see, capture and hold. It’s a skill that takes a long time to hone… and no amateur has ever spent that kind of time.A professional photographer’s artistry (and their knowledge of editing) is what keeps backgrounds free from ugly EXIT signs, emergency doors, and drunken uncles. It’s what gives everyone that glow, because the photographer knows exactly where to stand and whether to use flash or not. It’s what keeps photos free from random arms, bald heads in the foreground, and the party looking like chaos.Just have a look at our real weddings. No matter which one you pick, you won’t find a single bad photo. And if you’ve ever wondered why they all look so beautiful, it’s because they were taken by a professional photographer who’s also a true artist. Definitely NOT an amateur.Photo from Fiona & Seán’s real wedding by Emma Russell PhotographyThe final productA professional wedding photographer in Ireland will offer you a choice of options for presenting your photos. If it’s framing, a keepsake album, or collages for the parents, you can be completely sure everything will be of the highest quality and produced by reputable craftsmen. A professional won’t put the fruits of their labour into inferior frames that look like they came from Dealz. And if you’re getting a CD of the best images on it, they’ll be already perfectly edited and ready for sharing and printing.What can an amateur offer you? You may also get a CD, but there’s no knowing what’s on it. You may have to do all the editing work yourself. And (true story) one bride who went public with her terrible experience had only 15 images from the whole day, and they were mediocre at best. Not a single one was worth framing. Imagine showing that to everyone for years to come.Still not convinced?Let’s look at this topic in reverse – why SHOULDN’T you hire a friend who has a good camera and takes pictures you really like? The main reason is very simple: because your wedding is far too special to risk poor photos. No matter what life throws at you, you’ll never have this day again, so those memories will be lost. ‘But my friend takes really good photos!’, you may say. ‘I’ve seen hundreds!’ Ok, but are they photos of events and weddings? Did they take them with a phone? Have you ever only seen them on Instagram, after heavy editing and filtering?Someone who photographs cars, landscapes or street scenes will struggle at a wedding, especially with just one piece of equipment, and no back-up plan. Don’t hire your friend – or any other person – if they’ve never done a wedding. The chances of being sorely disappointed are just too high. For your special day, you need a professional wedding photographer.If you’re facing a situation where your friend won’t take no for an answer, or you’re on a super-tight budget, there are ways to work around it. Tell the friend they’re welcome to take photos alongside the professional photographer you’re going to hire anyway, as long as the friend promises not to get in the way of the pro. Tell the pro photographer about this too, so there are no surprises.If it’s a budgeting issue, figure out which part of the day you absolutely must have documented. Then, hire the photographer for those few hours, and have your friend take the rest of the photos. If they turn out to be disappointing, then at least you’ll have professional photos from the most important part of the day.

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