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newmusickarl · 1 month

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5-9’s Album of the Month Podcast – now on YouTube with our latest episode out now!

It’s an exciting new era for the 5-9 Album of the Month podcast, as we have just launched our official YouTube channel! Each month, we will publishing the latest full podcast episode as well as individual album reviews and our monthly highlights outside of the albums discussed. To explore all our video content so far, including our January and February episodes, you can find our new YouTube channel here. And please, be sure to like and subscribe!

For those new here, the 5-9 Album of the Month Podcast is where I take a seat alongside 5-9 Editor Andrew Belt and Check This Out’s Kiley Larsen to review five high profile album releases from the past month in music, and ultimately name one as our Album of the Month at the end of the discussion. On the Spotify version, we also have some insightful background information to each album from Blinded By The Floodlight’s Matthew McMcLister and you can also hear our picks of the best songs from each record!

For our February 2024 episode, the five albums we discuss are:

Girl With No Face by Allie X

Phasor by Helado Negro

TANGK by IDLES

Prelude To Ecstasy by The Last Dinner Party

Loss of Life by MGMT

If you want to listen to this or any previous episodes simply follow the links below, but also be sure to follow 5-9 Blog on Instagram, Twitter and now YouTube for more news and polls relating to the podcast.

Listen to the new episode on Spotify here

Watch the latest episode on YouTube here

Choose which album joins our April 2024 lineup by voting in our poll here

Album & EP Recommendations

Filthy Underneath by Nadine Shah

Whilst everyone was going through their own personal turmoil during the last few years, much revered musician Nadine Shah was going through a particularly tumultuous time. Not long after releasing her 2020 album Kitchen Sink, Nadine would tragically lose her cancer-stricken mother during the height of the COVID-pandemic. Locked in isolation with her grief, Nadine entered a downward spiral that would play out over the next two years, with heavy substance abuse leading to depression, divorce and even an attempt to take her own life in 2022. Thankfully Nadine survived, agreeing to enter rehab where she would get the help and support she desperately needed.

Now out of rehab, substance-free and most importantly finding her happiness again, Nadine has returned with a new album that is just an absolute tour de force from beginning to end. Playing out almost like a cathartic exorcism of all the demons that have plagued her the last few years, Filthy Underneath is the sound of Nadine laying everything bare for the listener. Brutally raw, deeply personal and gracefully honest, the heavy lyrical inspiration for each track is carefully balanced with liberating, synth-drenched and rhythmic instrumentation, with the live-sounding production adding a theatrical touch to proceedings too.

While it’s an album best experienced as a complete work from start to finish, there are a few standout moments here. None more so than Greatest Dancer, a song where Nadine recalls getting high on her mum’s prescription medicine in front of an episode of Strictly Come Dancing, with pulsating synths reverberating and tribal drums pounding away as she recounts her feelings in that moment. Sad Lads Anonymous is another high point, a poetic spoken word confessional that sees Nadine describe her woes to a work experience kid in an awards show bathroom. Both these tracks present the whole album as a microcosm, filled with sounds that draw you in and make you want to dance, whilst the stories at the core are quite dark and harrowing. It all eventually culminates in the album’s hardest moment, French Exit, an ominously tense track on which Nadine openly confronts her suicide attempt. It’s a truly devastating end to an utterly enthralling record.

It’s no secret that often the darkest times can produce the greatest art. Filthy Underneath is a testament to that, with Nadine bravely and openly sharing her story as both a lesson to others but also, no doubt, her own personal catharsis. Shocking and upsetting at points yet always refreshingly honest and completely captivating, this is without a doubt one of the best albums of the year so far.

Watch the video for Greatest Dancer here

Listen to the full album here

Bleachers by Bleachers

As a producer, Jack Antonoff is partly responsible for some of my favourite records in recent years, working his magic on career-best efforts from the likes of St. Vincent, Lorde, Lana Del Rey, The 1975 and, of course, Taylor Swift. It’s strange then that up until now, his own band Bleachers haven’t done much for me. Instead, Antonoff has been more engaging musically to me when he’s working in the studio behind the scenes than performing out in front. However with this new self-titled effort, their first on new label Dirty Hit, Bleachers might be starting to finally win me over.

Let me start with the caveat that admittedly there’s not too much originality to this record. At every turn Bleachers evoke other bands with their nostalgic brand of indie-pop, with their inspirations also offering up more than they do here. Bruce Springsteen is the constant comparison of course, but shades of some of Antonoff’s recent collaborators like The 1975, The National and even Bon Iver also come through strong, which maybe isn’t surprising given both Matty Healy and Aaron Dessner appear on tracks here. The good news for Bleachers though – I love all of those bands/artists. So whilst it may not reinvent the wheel, I actually find myself drawn to the warm, familiar sounds put forward on this record.

The other big selling point of this album though as just mentioned – the collaborators. Antonoff has gone through his phone book and lined up an exceptional list of guest features who lend their talents to this album, which in addition to Matty Healy and Aaron Dessner include Lana Del Rey, Kevin Abstract, Florence Welch, Annie Clark, Clairo, Bartees Strange and more. It makes for an album filled with highlights, including all four singles (Modern Girl, Alma Mater, Tiny Moves, Me Before You) and a stellar back-end run of Call Me After Midnight, We Are Going To Know Each Other Forever and Ordinary Heaven.

So, whilst it may not win any originality prizes, this is an album I’ve had in heavy rotation since its release. With catchy hooks, groovy guitars and a smattering of saxophone, give it a chance and you may find yourself taken with Bleachers’ self-titled too.

Listen here

Beholder by The Blinders

It is sadly becoming all too frequent. Last month I wrote about nothing, nowhere’s financial pressures when writing and releasing new music as an independent artist and it seems Manchester indie outfit The Blinders are in a similar boat. Shortly after the release of this their third album, The Blinders released a statement to say that they were cancelling their EU tour and taking a step back from the band following the conclusion of their UK tour. It is the sad times we live in unfortunately, where independent artists and music venues are struggling more than ever to make a living, whilst the bigger artists and musical organisations just stand by and watch everything else collapse.

Hopefully the tide in the musical landscape will turn soon, but indeed if this is to be the last Blinders record, they couldn’t have asked for a better final outing. With hazy psychedelic guitar passages and passionate vocal cries from frontman Thomas Haywood, there’s rarely a dull moment across the 39-minute runtime. There’s also some of the bands very best moments too, with the likes of While I’m Still Young, Always, Nocturnal Skies and Swallowing Static all standing out.

Listen here

Songs That Aren’t Mine by Matt Maltese

Having delivered one of my favourite 50 albums of last year with Driving Just To Drive, singer-songwriter Matt Maltese has wasted little time in delivering this follow-up project. However rather than all new material, Matt’s decided to take on a different challenge by serving up this intriguing covers album. Taking on much-loved classics from various eras, Matt very much puts his own stamp on the songs chosen here, turning each of them into timeless, melancholic swoons. With his selection including songs from Neil Young, Bob Marley, T-Rex, Prince, Belle & Sebastien, Avril Lavigne, Sixpence None The Richer & more, his unique takes breathe fresh new life into these well-established tunes.

Listen here

Fantasies EP by Bombay Bicycle Club

A band that just don’t seem to miss, indie-heroes Bombay Bicycle Club have followed-up their much-acclaimed sixth album, 2023’s My Big Day, with this fantastic new four-track EP. Very much keeping the collaborative spirit of that record alive, each track features a female guest vocalist to compliment Jack Steadman’s signature vocals, with the wonderful Matlida Mann, Liz Lawrence, Lucy Rose and Rae Morris all appearing on a track each here. My personal favourite is Better Now with Rae Morris but if you’re a Bombay fan like me, then you’re sure to enjoy this short-but-sweet companion piece to My Big Day.

Listen here

Work In Progress EP by Holly Humberstone

Having finally released her debut album Paint My Bedroom Black last year, Lincolnshire singer-songwriter Holly Humberstone is already back with more new music, with this new EP’s arrival coinciding with her current UK tour. Forged out of unfinished tracks left on her notes app, Holly has taken the time to complete her favourite demos that didn’t make the cut for her previous EPs and debut album. Anthemic recent single Dive is still a highlight, but the spacey stripped-back title track, the saxophone-backed Down Swinging and the simply stunning Easy Tiger all hugely impress too.

Listen here

Also worth checking out:, BLUE LIPS by ScHoolboy Q, How To Make A Master Peace by Master Peace, Daniel by Real Estate, The Past Is Still Alive by Hurray For the Riff Raff, Chorus by Mildlife, A Mirror Brightly by Geographer

Tracks of the Week

Broken Man by St. Vincent

The year is heating up in terms of new releases and in the last few weeks, we got news that the ever-amazing Annie Clark would be dropping her seventh solo record next month. Titled All Born Screaming, the first taste of the record is this absolute ripper of a single, filled with electrifying industrial rock and featuring none other than Dave Grohl. We’ll be reviewing the album for our April podcast and I personally can’t wait!

Listen here

Wild God by Nick Cave & The Bad Seeds

Another big artist with a new album on the way, Australian rock legends Nick Cave & The Bad Seeds will release their 18th (yes 18th!) studio album this August. The first single is the title track and Nick Cave’s claims that the band are “happy” this time around seem legit, as Wild God is as joyous as they’ve sounded in years.

Listen here

Our World by James

Also due to release their 18th studio album this year, Mancunian indie legends James are preparing to drop their new album Yummy next month. Whilst I wasn’t completely taken with the first single, Our World is James at their best. Boasting an infectious pop groove but with a powerful political message at its heart, it’s succeeded in getting me excited for their next opus.

Watch the lyric video here

The Dream of Delphi by Bat For Lashes

Due to release her sixth studio album in May, which is also her first in five years, Natasha Khan AKA Bat For Lashes is back. Revealing her new record’s title track, it is a typically mystical composition anchored around her ever-stunning vocals. Welcome back!

Listen here

A Dream Is All I Know by The Lemon Twigs

Having been named our Album of the Month in May last year, the D’Addario brothers are planning a repeat in 2024, with their fifth studio album A Dream Is All I Know due for release this May. The singles for the record so far have been great but this title track is the best yet, filled with their trademark harmonies and vintage rock riffs.

Listen here

Passing Judgment by Been Stellar

Having caught them live this month supporting The 1975 on their current EU tour, its safe to say the buzz around Been Stellar is justified. Drawing shades to other NYC indie outfits The Strokes and Interpol, their upcoming debut is aptly titled Scream from New York, NY and if lead single Passing Judgment is anything to go by, it could end up being one of the debuts of the year.

Listen here

Mirror Muscles by SOFT PLAY

It’s great to have SOFT PLAY, the duo formerly known as SLAVES, back making music. Having released Punk’s Dead last year which ended up being one of my songs of 2023, you get the sense a new album is on the way and, based off these two singles, it may just be their best yet. New single Mirror Muscles is the one that adds further weight to that claim, boasting some monster riffs and lyrics that take digs at vanity gym goers, it’s sure to go down a storm this coming festival season.

Listen here

Monkey In The Middle by Marseille

And finally this week we have an up-and-coming indie outfit from Derby - Marseille. Influenced by the 90s Madchester scene, their singles up to this point have drawn comparisons to The Stone Roses and Monkey In The Middle is no different, thanks to its sprawling, psychedelic guitar passages. With some particularly scintillating riffs in the back end that would leave even John Squire himself impressed, Marseille are most certainly a band to watch going forward.

Listen here

Also worth checking out: Gears by Divorce, Change Shapes by Lauren Mayberry, Pull The Rope by Ibibio Sound Machine, What A Devastating Turn of Events by Rachel Chinouriri, Makes Me Violent by Bob Vylan, New World Flow by Joe Goddard & Fiorious, You Make Me Feel So Dumb by Walt Disco

REMINDER: If you use Apple Music, you can also keep up-to-date with all my favourite 2024 tracks through my Best of 2024 playlist. Constantly updated throughout the year with songs I enjoy, it is then finalised into a Top 100 Songs of the Year in December.

Add the Best of 2024 playlist to your library here

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dzgrizzle · 4 months

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Favorite New Songs of 2023

“Boys Will Be Girls” by Derek Webb with Flamy Grant

“In Your Love” by Tyler Childers

“Last Train to Nowhere” (Acoustic Version) by Ghost Hounds

“Ghosts Again” by Depeche Mode

“Sweet Sounds of Heaven” by the Rolling Stones with Lady Gaga

I found myself listening to these songs over and over again in 2023 – and watching the videos, all of which are awesome.

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#best songs of 2023 #best new music #derek webb #flamy grant #tyler childers #ghost hounds #depeche mode #the rolling stones #rolling stones #lady gaga #favorite songs #Youtube

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ewanspence · 4 months

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5. ‘La Vie En Rose’, by Con O’Neill.

It’s a song with countless cover versions that are just as well known as Édith Piaf’s original, so why does this recording figure in my countdown?

The simple answer is Con O’Neill’s voice. He captures the fleeting moments of joy and the hurt wrapped around them, a singing voice fragile and forceful in the same breath.

The longer answer involves a deep dive into ‘Our Flag Means Death’, where the song comes from. La Vie is a song that’s about finding love in difficult circumstances. In the show, O’Neill’s character is in a dark place, pushing away his found family and feelings. As he breaks through and accepts the love around and in himself, he sings ‘La Vie En Rose,’ in drag, to his family.

In that moment, everything is perfect.

More on this and the songs in my yearly favourites can be found at https://tinyurl.com/2023x12.

#2023x12 #new music #best new music #new music 2023 #con o'neill #our flag means death #ofmd #drag

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ruinedholograms · 4 months

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favorite albums | twenty twenty-three

Gia Margaret • Romantic Piano

Julie Byrne • The Greater Wings

Caterina Barbieri • Myuthafoo

Jessy Lanza • Love Hallucination

Decisive Pink • Ticket To Fame

Khotin • Release Spirit

Marina Herlop • Nekkuja

Tzusing • 绿帽 Green Hat

Tirzah • trip9love...

Sam Miller • Super Metroid (OST Recreated)

Rezzett • Meant Like This

Fever Ray • Radical Romantics

Yaeji • With A Hammer

Forest Swords • Bolted

Romance & Dean Hurley • River Of Dreams

Actress • LXXXVIII

Trent Reznor & Atticus Ross • Mutant Mayhem

Nabihah Iqbal • Dreamer

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luuurien · 7 months

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George Clanton - Ooh Rap I Ya

(Synthpop, Chillwave, Hypnagogic Pop)

Loosening the screws and letting his throwback synthpop melt into itself, George Clanton’s brilliant new album exists halfway between his dreamy hypnagogic pop and his early vaporwave work. Ooh Rap I Ya’s surreal, liquid production centers itself on powerful choruses and the most gorgeous soundscaping in his discography thus far, a powerful and one-of-a-kind pop experience.

☆☆☆☆☆

George Clanton’s music is at once 80’s stadium pop and nostalgic vaporwave, his position as an innovator within the independent electronic space coexisting with his music’s innate desire to call back to the music of his youth. There are times he sways heavily towards one direction - his work as ESPRIT 空想 and Mirror Kisses are fully submerged in chillwave, while his 2020 collaboration with 311 frontman Nick Hexum lives in the more traditional synthpop and trip hop realm - but Clanton knows what he wants his music to sounds like and how to achieve that sound, his masterful 2018 release Slide delivering the best pop songs he’d ever written alongside production that split the difference between ‘90s breakbeat and futuristic electronica. After five years of relative silence for his solo output, his latest album Ooh Rap I Ya works with all the same parts that made Slide such a success, but melts them into one big pool of neon, smeary synths and bouncy alt-dance grooves to soundtrack Clanton’s darker frame of mind, dramatic pop anthems colored in vibrant blue and orange hues. The saturation is heavy and the beats are slow, and it works to Clanton’s advantage in every moment: at just 38 minutes of runtime, Ooh Rap I Ya is an album you could float in for hours, hypnotic chillwave beats where Clanton’s voice is used more as an instrumental texture à la dream pop more than ever before. Somewhere between his dreamy hypnagogic pop and early vaporwave work, Ooh Rap I Ya seeks to consume your entire world.

Of its three singles, only one truly shows off how the album’s thick and fluid production bolsters its sound. Not to say I Been Young and Justify Your Life aren’t fantastic songs in their own right, the former’s hands-in-the-air chorus and the latter’s grungy atmosphere making for catchy and atmospheric synthpop, but it’s the split piece Vapor King / Subreal that most expertly brings his vision to the forefront. The first half pulls from ‘90s trip hop, but lends it a warmer hue, a slow and sturdy breakbeat rhythm situation around Clanton’s vocal embellishments and sloshing synth pads to settle you into his new psychedelic realm before Subreal kicks into gear with pure progressive breaks magic, utilizing a relatively untouched Funky Drummer sample to open up the atmosphere and play some other clever production tricks - echoing synth pulses and spacious pads a breath of fresh air in one of the densest albums this year. The rest of the album isn’t all so different from these singles and Clanton may not stray far from Slide’s anthemic chillwave, but it’s the subtleties working to his advantage here: the lurching trip hot centerpiece You Hold the Key and I Found It is a blurry and slow five minutes, but functions as both a necessary comedown from the opening four tracks and an introduction to the more directly psychedelic second half; a rework of his 2021 single Fucking Up My Life adds extra layers of ethereal synths and lightens up on the distortion for a sweeter but still intense listen. Ooh Rap I Ya is the same George Clanton experience at its core, and by liquidating his many influences into one big pool of dreamy synthpop he continually strikes at the core of what makes his sound so distinctive and addicting.

Clanton’s debt to the past here is fused to his pop songcraft more than ever - while 2015’s 100% Electronica brought a direct mix of vaporwave and blended pop songcraft into it, Ooh Rap I Ya does the inverse, expertly crafted pop where all the colors splashed atop it serve to enhance Clanton’s gorgeous pop. Punching Down’s angst-riddled songwriting gets a shot of thumping synths and rich, heavy chord swells, taking his signature sound and dialing it to 11, and the shoegaze/vapor fusion For You, I Will builds and builds and builds with pitched-down voice samples and detuned synths and a slow ambient burn to finish, Clanton not straying from his roots but weaving them into music that carries more weight in its center.. It’s a perfect balance where he doesn’t have to sacrifice the heft of his production or the hooks he pulls you in with, Ooh Rap I Ya as fun to listen to for its sticky melodies and groovy beats as it is for the detail he puts into every little corner of the mix. Clanton anchors his sound in familiar places, but lets all the colors bleed until those same sticky melodies are merely another wonderful texture in a song filled with hundreds of others.

The magic of Ooh Rap I Ya is one of a kind, Clanton’s curated mix of vaporwave and shoegaze and ‘80s pop and trip hop and virtually anything else he can mine for atmosphere cut up and stitched together into a whole new beast. Functioning dually as a return to his experimental roots and a greater embrace of pop song structuring, Clanton’s music has doubled in its impact, replacing slow builds and big cathartic climaxes with songs that smack you down from the start and only keep on piling. Rarely does Ooh Rap I Ya give your ears a moment to rest, and not a moment goes by where you’d ever want it to. It may be harder to pin down, but floating on Ooh Rap I Ya’s dreamy beats is a wonder to behold no matter how deep you’ve sunken in.

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thegothicarchitecture · 8 months

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Track Reviews (Aug 22 -> 29)

Best

Armand Hammer, billy woods, E L U C I D, JPEGMAFIA - Woke Up and Asked Siri How I'm Gonna Die

As somebody who enjoys JPEGMAFIA's production immensely this song is an absolute treat. JPEGMAFIA handles production while E L U C I D and billy woods take the center stage with lyrics and delivery.

The highlight here is billy woods' verse, which has some clever wordplay involving steak and raw meat and some equally inventive rhyme-schemes (e.g. "brain fog" and "chainsaw"). However, billy's verse is as descriptive and immersive as it is technically advanced (reminiscent of his work on Maps earlier this year), and this alone sets him apart from other rappers who only focus on technical ability. Good shit.

Meh

Earl Sweatshirt, MIKE - Sentry

Earl Sweatshirt comes back with a pretty standard song aping the minimalist charm of Some Rap Songs and Feet of Clay. The Alchemist beat contains a stripped down, repetitive loop not dissimilar to that on Shattered Dreams, but Earl's pen game leaves a lot of room for improvement.

I say this as a fervent Earl Sweatshirt defender, who loved every album and EP up through Feet of Clay, but his underwhelming return with SICK! left a bad taste in my mouth. Maybe I began noticing the cracks in his facade, as his esoteric style of rapping and the symbolism in his lyrics started to feel more lazy than despondent and reflective.

MIKE's verse felt more substantive upon the first few listens, but between the two rappers there are very few quotables or memorable moments on this cut. The full project has been released as an NFT, which also isn't the best look in 2023. Still I'll save my judgement until I hear the project in its entirety.

Jake the Underdog, Glitch Gum - FRIEND REQUEST

Glitch Gum's style of hyperpop infused pop punk is beginning to sound less novel and cutting edge and more like a rehash of 2000s pop punk. This song would fit snugly on an early Wonder Years record, as the synth lead and power chord guitar riffs are as saccharine as anything you'd hear off of Get Stoked on It!

If Glitch Gum wants to work within the confines of the genre that's not a bad idea on paper, I absolutely adore the Get Up Kids and Motion City Soundtrack and they have somewhat similar styles. The distinction for me is that Justin Pierre and Matt Pryor are much better lyricists. The nasal vocal affectation used and the cheeky lyrics consisting solely of video game references do absolutely nothing for me on this song. Maybe it'll do more for you.

Worst

N/A

#hyperpop #musicreviews #music #emo #hiphop #newmusicreleases #billy woods #e l u c i d #JPEGMAFIA #armand hammer #earl sweatshirt #MIKE #Jake the Underdog #Glitch Gum #best new music #rap

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culturedarm · 1 year

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Natalie Merchant and Abena Koomson-Davis implore the goddess Aphrodite, caustic collaborators JPEGMAFIA and Danny Brown reference the TikTok bodybuilder leanbeefpatty, as Hourloupe the duo of Frank Menchaca and Anar Badalov trek the Wawayanda, while redolent of Objects for an Ideal Home by Opiate, the South London artist JQ finds frolic in a seam of cultural detritus, like the aisles of a Quick Save on a Monday or the taste of an ice rink Slush Puppie as the tongue clicks in the roof of the mouth from brain freeze. Plus tracks by Sofia Kourtesis, Peter Zummo, Vladislav Delay, Teen Prime, and Kedr Livanskiy with Flaty as Kosaya Gora.

https://culturedarm.com/tracks-of-the-week-18-03-23/

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cheapsweets · 1 year

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CheapSweets Pick 'n' Mix - Best of 2022

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What is it?

Remnants of the Vessel, first full album from Los Angeles experimental doomsters Faetooth (Jenna - Bass and vocals, Ash - Guitar and vocals, Ari - Guitar and vocals, Rah - Drums, plus guest cellist Ari Bone).

What is it like?

Fairy Doom Metal. What does that mean? It's an album that is by turns etherial, moody, and absolutely crushing. The guitars and bass have a great sludgy, fuzzy tone, the drumming (much like the album as a whole) ranges from subtle to brutal as the songs demand, and there is a real mix of vocal styles that work fantastically well together. Oh, and there's some great cello on some of the tracks. More cello in doom metal, please :)

It draws from myth and folklore, it's fae, witchy, and deeply melancholic, and it's easily one of my favourite albums of 2022.

You might like this if you are a fan of:

Thou, Sleep, My Dying Bride, Messa, Mrs. Piss...

Lyrics such as:

Futile is the work of men

Metal, stone, and words will all bend

On thy knees now

We fall with what we build

Don't just take my word for it:

Spin magazine ranked it their (joint) best album of 2022!

Also highly rated by A Spooky Mansion from Toilet Ov Hell

Standout tracks:

Echolalia, La Sorciere, Saturn Devouring His Son

Where can I find it?

Youtube;

Bandcamp;

Physical releases from DuneAltar;

And, Spotify;

And of course, if you are in the LA area you might get to see them live (in which case, colour me jealous :D )

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maraskolnikova · 10 months

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100% certified banger

#blonde redhead #melody experiment #best new music #best songs of 2023 #Spotify

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alephalpha333 · 1 year

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⚜️ ALEPH ALPHA - Sigma 🏴‍☠️

This is my new tune...

Alternative Rock with lyrics in French / paroles en Français

🎸⏯🎵🔥 Check out your local Spotify, Apple Music etc. to stream & download all my music! ⚡️🎹🎤🇨🇦

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newmusickarl · 4 months

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Top 10 EPs of 2023

As we have seen, 2023 has been a mega year for new albums with LIES being named as my Album of the Year earlier this week. You can read why I was such a fan of that record, along with more on the rest of my Top 50 picks by scrolling below or simply flicking through the New Music Weekly archives for December.

However, as many great longplayers we received in 2023, there was an equal abundance of great shortplayers too. In today’s hectic world where the demand for “snackable” (shout out Andrew Belt for my word of 2023) content has risen, the humble Extended Play has seen a big resurgence. So I’ve looked back over the last 12 months and picked out my ten favourites of the year. As always, I’ve gone for an eclectic selection that pulls from various genres including pop, rock, electronic, R&B, and indie. So depending on your taste, hopefully you’ll find something to enjoy on this list.

Here we go then, my Top 10 EPs of 2023…

Honourable mentions

Forever Means by Angel Olsen

White Magnolia by Bear’s Den

The Rest by Boygenius

Heady Metal by Divorce

Julie Byrne with Laugh Cry Laugh by Julie Byrne & Laugh Cry Laugh

Alaska Sadness by Katie Keddie

That Sweet Breath by Lowmello

My Eyes, Brother! by Opus Kink

Not The Baby by Prima Queen

See You In The Dark by Softcult

10. Modern Day by Bloxx

Kicking off the list with London-based indie quartet Bloxx, who have had a bit of a tough time recently. With multiple shows in recent memory cancelled, it was great to see them make a welcome return in 2023, with Modern Day their first new EP since 2021’s Pop Culture Radio.

Much like their output till now, it is a collection of five songs that showcases the band’s talent for writing catchy hooks and memorable riffs, with the strong opening trio of Modern Day, Television Promises and Runaway helping it secure a spot on this year’s list.

Listen here

9. Not As I by George FitzGerald

It was also a great year for synth-driven shortplayers as one of my favourite electronic musicians of recent times, George FitzGerald, released a new four track effort - Not As I.

Opener Mother is worth the price of admission alone, a beautifully ambient groove featuring American musician SYML on vocal duties. That said, the mind-melting synths of Venera, the spacey chimes of the title track and the pulsating soundscapes of All Roads make this one well worth 15 minutes of your time.

Listen here

8. More Truth by Daniel Avery

Sticking with 2023’s best electronic releases, DJ and producer Dan Avery also released a companion EP to his acclaimed 2022 album, Ultra Truth.

Featuring seven excellent new tracks that didn’t quite make the final cut originally, including trippy Georgia collaboration Going So Low and the accurately titled Bliss, it’s another absorbing collection from the Bournemouth musician who seems incapable of putting a foot wrong.

Listen here

7. Freak Show by ALT BLK ERA

As you can probably tell if you’ve made it this far onto my blog, I am a big champion of new music. On top of that, I am also a big champion of new music emerging out of my world-class local scene in Nottingham. And of all the fantastic Nottingham acts who had a breakout 2023, ALT BLK ERA are the ones leading the charge.

Word is finally getting out about this alt-rock sister duo, who fuse mind-melting electronica, heavy rock and razor-sharp bars for a sound that is entirely of their own making. This was highlighted this week when the pair received a prestigious MOBO award nomination for Best Alternative Act, nominated alongside the likes of Arlo Parks, Skindred and Young Fathers.

So, with ALT BLK ERA seemingly right on the cusp of blowing up in popularity, now is the time to get yourself acquainted with their hypnotic genre-defying sound. Debut EP Freak Show released back in August is the perfect introduction for those not already familiar, with the opening trio of I’m Normally Like This, Misfits: SOLAR and the horn-backed title track all well worth checking out, alongside fan favourite Oggy. I promise you, it’ll be unlike anything else you’ve heard in 2023.

Listen here

6. Homospace by Mickey Callisto

When I was first introduced to Liverpudlian pop sensation Mickey Callisto at Dot-to-Dot Festival earlier this year, it was obvious from the get-go he was a natural-born showman destined for big things. An enigmatic, commanding presence on stage, it was an utterly captivating performance that made for one of the highlights of the day and left me eager to see where his career would go next.

Well, this November saw Mickey releases his first EP titled Homospace and I’m pleased to say it’s a star-making debut release - in more ways than one. Here’s what I said in my review for 5-9 last month:

“Loosely inspired by Arctic Monkeys’ Tranquility Base Hotel & Casino, Mickey’s debut EP sees him transport the listener into outer space for a visit to “a gay nightclub on the moon”. The sounds that welcome you upon entry are a mesmerising blend of disco, psych-rock and 80s-inspired synth-pop, with Mickey lyrically jumping between personal stories and cosmic metaphors. The result is a joyful, imaginative orbit around some ambitious planetary pop. This is a fantastic, high-concept debut EP from Mickey; one that is not just a lot of fun to experience, but also offers the perfect introduction and showcase for his talent. Offering a welcome escape into some vivid musical nebulas, once you’ve taken the trip to the outer limits, you’ll be reluctant to return back down to Earth.”

Read my full review for 5-9 here

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5. The High Life by Bloc Party

2022 was the year Bloc Party got their mojo back. Whilst the band’s 2016 album Hymns still had its moments, it very much reflected a band going through a transition. Indeed, Alpha Games was still far from a perfect record, but if you had ever been a fan of Bloc Party then there was plenty of familiar pleasures on offer. Following on from that effort then, and this year the indie icons released a new four-track EP where they sound even more rejuvenated.

It’s a fun collection, with summery indie belter High Life kicking things off, before brilliant KennyHoopla collab Keep It Rolling flourishes with that classic Bloc Party sound. Similarly Blue sees Kele finally get back in touch with his younger self, with the song presenting some of his most sincere lyrics in years. Final track The Blood Moon is then my pick of the bunch, with shades of Bigmouth Strikes Again by The Smiths early doors, before it then transforms into that vintage Bloc Party of old by the end, thanks to Russell Lissack’s signature riffing.

Even if you weren’t quite on board with Alpha Games, Bloc Party fans will find plenty of resemblance to that band they fell in love with all those years ago on Silent Alarm and Weekend In The City here on The High Life. Another positive step in the right direction for one of my all-time favourites.

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4. A Little Lost, A Little Found by Grace Carter

It can sometimes be lost on us as listeners just how derailing the pandemic was for new artists breaking out during that time. After discovering Grace Carter at Live At Leeds fest in 2018, it was evidently clear she was heading for superstardom. The following year cemented this prediction, as the London-based singer-songwriter made the BBC Sound of 2019 list and she set off supporting mainstream heavyweights like Dua Lipa and Lewis Capaldi on tour. However ever since the pandemic struck, Grace has been lost in the wilderness unable to further shine a spotlight on her evolving talent – until now.

Her incredible 2023 EP is Grace getting back to basics, releasing a collection of heartfelt pop ballads that explore identity, family, love and racial injustice. From the exquisitely produced groove of Pick Your Tears Up, the gospel-influenced Riot, the atmospheric tribal cries of Mother and the quirky vocal inflections of Hope, it is littered with moments that quickly remind us of Grace’s songwriting talent.

This is the mesmerising sound of Grace Carter finding herself again and getting things back on track – hopefully she has a clear run this time around.

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3. Welcome To My House by Yonaka

It doesn’t feel like too long ago I was stood watching Brighton rockers Yonaka perform in the 1am graveyard shift at Dot-to-Dot festival back in 2017. With a then long-haired Theresa Jarvis jumping off the stage to sing her lungs out amidst the modest, onlooking crowd, I was instantly entranced by the band’s energetic songs and performance. Fast forward to now and the band are now a prominent name within the British rock scene, with their songs constantly making their way into TV show, game and movie soundtracks. Returning in 2023 with another release packed with addictive commercial rock anthems, you get the feeling this new seven-track mini-album - which comes complete with a music video for every track - will only catapult them further up the chain of popularity.

With each song representing a feeling, memory or emotion within Theresa Jarvis, the trio blaze through each concisely constructed track, with most hovering around the two-to-three-minute mark. Propelled by anthemic choruses, polished production and Theresa’s ever-impressive vocal acrobatics, it’s another tour de force project from the band.

From rousing opener By The Time You’re Reading This to the anxiety-induced PANIC, through to the colossal confidence of Welcome To My House and the full-throttled punk of Hands Off My Money, it’s just an absolute blast from beginning to end. However, the EP’s best moment is arguably reserved for one of the band’s softest, most heartfelt songs to date – Give Me My Halo. Noticeably stripped back compared to the rest of the tracks here, it allows Theresa’s vocals to soar with her raw, passionate cries driving home the song’s uplifting message.

Across their early releases, their 2019 debut Don’t Wait ‘Til Tomorrow, 2021 mini-album Seize The Power and now this EP, Yonaka have built themselves an arsenal of bangers that would put most other British rock bands to shame. A seismic collection of anthems that will no doubt go down a storm when they take it on tour in 2024.

Experience the visual mini-album through the music video playlist here

Listen to the EP here

2. MANHOOD by ROB GREEN

From one visual EP to another then, however you arguably couldn’t find two more different in sound.

During my first visit to Hockley Hustle festival in 2022, an all-dayer around the cultural heartbeat of Nottingham, soul-pop sensation Rob Green’s acoustic set was such an undisputed highlight, I was wondering how he could possibly top it this year. Well, he managed it.

Performing in the corner of Broadway Cinema’s café with the Rob Rosa String Quartet accompanying him, people were literally queueing at the door to catch even the smallest glimpse of his incredible thirty-minute set. And rightfully so, as the enigmatic performer proved once again his unrivalled ability to bring immeasurable positive energy to a room and leave the audience joyously radiant by the end. I always thought if he could bottle that energy and transfer it to his studio output, he would be unstoppable. Based on his MANHOOD project released at the start of November, it looks like he had the same idea.

Unlike any other shortplayer released in 2023, MANHOOD is a stunning new visual EP that explores masculinity, self-love and racial identity. Centred around his heartfelt recent singles I’ll Be Around and What Are We Waiting For, the other parts are short vignettes made up of beautiful gospel harmonies, catchy hooks, conversation recordings and deep spoken word passages. With the film version impressively shot in a single take too, it all makes for a powerful 10-minute experience.

A special project by a very special talent, MANHOOD gives the perfect insight into Rob’s unrivalled charm and heart as both an artist and performer. Due to take the project on a UK tour next year, I implore you to go out of your way to see his life-affirming live show if you can – I guarantee you’ll want to capture the positivity in the air and bring it home with you.

Watch the MANHOOD short film here

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1. Sucker by bexx

“Sometimes falling in love feels like the most important thing in the world, especially when you’re not doing it.” – bexx, 2023

For me, the very best shortplayers should be all killer no filler – with most at four to six tracks long, there really is no excuse on that front. Additionally for me though, they should also take you on a conceptual journey or tell you a story in the same way any great album would. Enter Notts-hailing, synthpop superstar bexx, with her banger-filled debut EP that guides the listener through the highs and lows of her hapless love life.

Ever since discovering bexx through a support slot for Fickle Friends at the start of 2022, she has been on a roll. From her incredible breakout single Hard To Love complete with soaring 80s-tinged guitar solo, to more recent efforts like the extremely catchy One More Night and body positive, rock anthem Prettier, bexx has shown her knack for writing addictive, resonant pop songs is as good as anybody in the genre right now. Taking her first big step forward in 2023, she finally released this her debut EP and it is just the perfect showcase for her talent.

Sucker presents five songs about the eternal search for human connection and the stumbling blocks along the way. It is an EP filled with irresistible tongue-in-cheek humour and packed wall-to-wall with cathartic, anti-love songs with which any amiable cynic can relate. This is “unserious, heartbreak pop” of the highest order and it makes for the most joyously fun EP of the year.

The opening title track is the perfect tone-setter, as bexx describes the urge to text back a former lover, with her wry lyricism firmly at the fore on lines like “I still wonder, do you wonder, how I’m doing, who I’m under – I’m not lonely, I’m just going through the motions.” It’s this light-hearted take on these common melancholic feelings that makes bexx so refreshing and the song itself is one of her most instantly gratifying yet, thanks to its hooky chorus.

Inescapably catchy single I’m Disgusting follows, where bexx describes becoming that hopelessly lovesick romantic she’s always despised (“The lovey-dovey shit belongs on the TV, I’d rather die”). However, the honeymoon period of the relationship quickly ends, as bexx then throws us listeners into the brutal break-up on excellent single, Stupid. Culminating in the frustration-fuelled refrain “I hate this song, ‘cause it’s about you”, it is tailor-made for heartbroken festival crowds to sing back with angst.

Recent single Bad For Each Other is then undoubtedly the EP’s best moment, with bexx found unravelling a toxic friends-with-benefits relationship (“Steal a kiss, 3AM, just a secret between friends – even though I don’t feel used, still a little bit confused”). Once again channelling some palpable rock energy with a guitar-driven chorus, it is mixed seamlessly with a brilliantly produced electronic beat on the quieter, almost whispered verses.

After taking this wild journey with bexx through her romantic life, navigating attraction, sex, heartbreak and all the mixed emotions found along the way, the EP’s climatic song Haha, I’m dying alone can’t help but feel brutally poignant. This is the moment where bexx finally lifts that shield of humour that she’s carried throughout just a little bit, but enough to show the vulnerability hiding underneath - acknowledging that making a joke out of these feelings is her way of coping with the strain of it all. It’s another special, brilliantly written pop song and it’ll have you reaching through your headphones to give bexx a big comforting hug at the end of it.

For a first outing, bexx really couldn’t have crafted a better shortplayer to introduce new listeners into her world. A collection that has been cohesively pulled together and is simply beaming with the catchy, singalong choruses and witty takes that have made her music such a joy to behold. She has really knocked it out of the park with this batch of songs and it is no surprise that it has held on throughout the year to remain my favourite EP of 2023.

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Thanks for reading – I’ll be back next week with final year-end awards, including my favourite live shows and Top 100 songs of 2023!

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