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#BLURRED LINES.
redysetdare · 10 months
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Everytime I hear someone say "love is what makes us human"I think of that one guy who was trying to describe humanity and said humans were featherless bipedals and another guy responded to that claim by bringing in a plucked chicken saying "BEHOLD A MAN"
Like I could hold up a million animal species and say "BEHOLD A HUMAN" because they feel love. Something that isn't just a human experience.
The point being that describing a group based solely off a few features or emotions makes the definition too broad to claim that it is what makes that species said species.
Saying humans are humans cause they have no fur would include furless animals. Same with saying love is what defines humanity. Like either you think elephants don't feel love or elephants are human. Your dog doesn't actually love you or your dog is human.
You can't use vague overly broad concepts to define humans as a species. So maybe stop trying to dehumanize people for not feeling the same emotion as you in the same way you do?
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heartorbit · 3 months
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always by your side
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mobius-m-mobius · 7 months
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We'll be okay.
Good Omens S2 x Staged (GO S1 version here)
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knifearo · 9 months
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i hate the concept of platonic and romantic as a binary i hate the concept of platonic and romantic as a sliding scale of "less" to "more" i hate the concept of platonic and romantic as the only two options i hate the concept of platonic and romantic as significantly different things i hate the concept of platonic and romantic as all encompassing i hate the concept of platonic and romantic as the two halves of a shallow concept of love that doesn't actually encompass anything at all i think we need to overhaul every popular conception about "types" of love so we can talk about things that are real and true for once
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shivgirly · 4 months
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Shawngus: An outsider's perspective
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loversofthegrave · 1 month
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"Yeah, I know about Sammy. The Bonnie to your Clyde."
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casdeans-pie · 5 months
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It's 2011 in this interview. He is already like this.
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turtleblogatlast · 5 months
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Something I love to think about is every iteration of Leo’s relationship with Splinter and how Splinter’s interests always define how a Leo presents himself.
I used to abide by the idea that a Leo will simply emulate his Splinter directly, and to an extent I still believe that to be the case, but moreso I think Leos have a tendency to mold themselves into what they believe is their Splinter’s ideal son - someone who embodies all the traits Splinter has explicitly shown to admire or value in a person.
Most of the time, they try to be a dutiful and honorable boy abiding by the full extent of ninjitsu teachings. Then you have Rise Splinter, who very much still has undeniable prowess in the art of fighting and being a ninja, but when it comes to how he shows his interests to his boys…one thing reigns supreme.
Acting. Shows. One liners. Flamboyance in the name of gaining an audience’s attention.
He showcases Lou Jitsu movies on repeat for the boys, passing down the morals and words from those movies to them with no small amount of pride. All while fully expecting them to respect these teachings.
So, of course, Rise Leo picks up on this. He’s a Leo, after all, as much a daddy’s boy as any other variation of him, only he clocked his father’s interests to be different than most others. He picks up on the art of showmanship, of keeping things to himself so as to be a more exciting twist later, of treating the world as a set to act in.
He’s an actor, not just because Splinter himself was one, but because Splinter likes acting and showed one particular actor (unknowingly to the boys, it was himself) as the pinnacle of all his teachings. As someone to value and admire. And even more than that - Splinter focuses on the character the actor is portraying rather than just the man himself.
And I think this is all even more interesting when taking the turtle tot short into consideration, because very, very briefly, just as with many times else throughout the series, we see how easily Rise Leo aligns with his other selves, seeming to pick up the sword easier than his brothers do their own weapons - after quoting Lou Jitsu of course. After emulating his idol - the person who his father seems to admire so much.
Point being, it’s so interesting to see how Leos tend to mold themselves in one particular way throughout every variation - that being, what their father is shown to value most in people.
#rottmnt#rottmnt leo#tmnt leonardo#rise of the teenage mutant ninja turtles#tmnt#this is mostly a rottmnt post but it aligns with others as well#idk I just think it’s so interesting#because at his core rise leo is the SAME as the other Leos#they’re all goofy they’re all natural leaders they’re all quiet wanderers they’re all daddy’s boys#but these inherent traits take second to what they believe is valued more#specifically what their splinter values more#and sometimes what is valued allows them to more commonly broadcast themselves as who they actually are#but other times their core personalities directly go against what they think they NEED to be#so they stifle it#and soon enough their emulated selves become so tangled into their real selves that it’s a struggle to tell who they are without it#god I love Leo#and this is not to say that the other bros don’t do a similar thing#they just tend to be much more separate about it in terms of what they admire and who they are#whereas Leo blurs that line#don’t mind me just once again overanalyzing a fictional turtle boy#edit: AND ANOTHER THING#but Splinters value placed on Lou Jitsu ALSO helps push Leo into being someone who does things on his own#sure he loves his brothers and they’re everything to him#but he pre invasion he often does things himself or just expects to handle things on his own#y’know#like Lou Jitsu who notoriously does NOT have a team#so this Leo doesn’t care about being a leader - because who he’s emulating isn’t one#he’s like ‘okay we’re just a group of Lou Jitsus’#and there’s something so painfully childlike about this
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jkvjimin · 16 days
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MAKNAE LINE CORE cr. namuspromised
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legionofpotatoes · 1 year
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puss in boots 2 is the real deal. this cat isn't just passionately voiced by antonio banderas and rendered in a stunning new style that pushes 3d further out of the generic wax museum; he also has anxiety
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reapedsouls · 7 months
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zoro's devotion to luffy is an important aspect in zolu but can we talk abouti luffy's FAITH in zoro. "you can never fail me." zoro would be like sorry for disappointing you captain and every fucking time luffy would be no no no you're perfect. that's how much luffy trusts zoro can you believe that. it's about raw confidence in someone to the point of no requirement for reassurance. luffy has nothing but faith in zoro.
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notozthewizard · 1 month
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pseudowho · 3 months
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Imagining Todo Aoi clapping his hands while you're giving him a blowjob, and all of a sudden you're the one being eaten out.
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Blurred Lines 2
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No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.
Warnings: this fic will include dark content such as noncon/dubcon, power imbalance, and possible untagged elements. My warnings are not exhaustive, enter at your own risk.
This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.
Summary: Your relationship with your boss takes an unpredictable turn.
Characters: Nick Fowler
Note: some more Nicky for the girlies.
As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me.
Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Please do not just put ‘more’. I will block you.
I love you all immensely. Take care. 💖
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Back to usual. 
You say goodbye to Joey with an especially clingy hug. She’ll be gone back to campus by the time you get home. Her short visits always leave you a bit sad.
You arrive at Nick’s place and let yourself in. The remnants of the prior day’s get together are still littered over the dining room table and throughout the front room. There’s more in the kitchen.
You gather the empty glasses and a few bottles with varying amounts of liquid still inside. You scrape plates into the pin and sweep napkins in after them. You fill the sink with warm soapy water to wash it all when you hear the soft but clumsy pad of feet on the stairs. They’re too light to be Nick.
You have the coffee brewing in anticipation of your boss’ hangover. The aroma wafts into the air as the machine clicks. A figure appears in the doorway and you turn to greet the woman in her sleek but wrinkled dress. This isn’t unexpected either.
“Good morning,” you greet her stunned eyes as she blanches.
“Um, I’m sorry, I was only–”
“Coffee?” You offer her as you open the cupboard, “look like you need it.”
“N-no, I… should go. Is there a Starbucks around here?” She croaks.
“No need, I can do lattes,” you offer, “he’s got this ridiculously expensive machine.”
“Er,” she looks down at the heels dangling from her hand then back to you, “sorry, are you… do you live…”
“I work for Mr. Fowler. Just the maid,” you assure her. Her assumption fills your chest with an unspent laugh. You’re far too old for Nick. Besides, the concept is ridiculous.
“Oh…” her single syllable dangles.
You pour her a cup and turn to offer it to her. Her mouth slants in a guilty smile. She shambles forward and accepts the mug.
“You take sugar, cream? Maybe some Advil?” You suggest.
“Oat milk? And yes please, my head is pounding.”
“Right, he has almond milk,” you open another cupboard and pluck out the ibuprofen, “or whole milk.”
“Almond is fine,” she accepts as you rattle the bottle.
“One or two, hon,” you ask as you approach her again.
“Two, please,” she inhales the scent of the coffee and sighs, rubbing her eye socket before extending her hand to take the tablet, “the whole bottle if I could.”
“Ugh, yeah, I don’t miss those days,” you hum and cap the bottle.
You put it away and go into the large fridge, taking out the carton of almond milk for the woman. You take it to her as she approaches the island to clink down the coffee. You watch as she adds the milk and takes a slender spoon from you to stir it in. She takes her first sip and moans before tossing back the pills.
“Coffee good?” You prompt proudly.
“Oh, yeah,” she looks up at you, “yeah, it’s great.”
“Took me a while to master the beast,” you point to the machine. “I finally got my ristretto down, too.”
She gives a nervous laugh and gulps again, wiping her lips with the back of her hand, “you’re nice… really nice. Why?”
You blink at her question. It makes you wonder, was Nick not nice? That’s not really any of your concern.
“Why wouldn’t I be?” You shrug and turn to the full sink, “you’re a guest.” You plunge your hands in and scrub the porcelain, “plus, you kinda remind me of my daughter. I’d like someone to treat her nicely too.”
“Ah,” she accepts, “that’s really sweet.”
“It’s human, I hope,” you open up the dishwasher to slide in each plate.
“You really… didn’t have to make me coffee,” she murmurs.
You peek over at her as she stares into the depths. She seems sad but that might just be the hangover. You continue your work as you reply.
“It was already on. If you’re hungry–”
“Please, no, that’s okay,” she declines with a wave, “I think… I think I’ll just finish this and get an uber. Maybe go call my mom.”
“Well, you let me know if you need anything before you go,” you chime as you hook glasses into the top rack of the dishwasher.
You finish the dishes and grab a damp cloth to go wipe the table down. You stop by a few other surfaces to clear away rings from the finish and return to the kitchen. As you enter from the dining room, Nick appears in the other.
The woman faces him as she grabs her shoes, “hi.”
He growls and lumbers over to the coffee machine. He sees the mug waiting for him and peers into its empty body. You clutch the cloth in your hand as you watch his naked back tense. He wears nothing more than a pair of briefs. At most, you’ve seen him shirtless when he needs some stitches.
“More coffee?” You offer the woman.
“No, I should go,” she peeks at him nervously.
“Alright, well, you take care,” you bid her and take her cup.
“Thanks,” she says and skulks to the door, “bye, Nick.”
“Mmm,” he flicks his fingers at her as he pours himself a cup.
You narrow your eyes at his shoulder blades. That wasn’t very polite. Well, it isn’t your job to be his mother, even if it feels like it sometimes.
You put the almond milk away as he turns to lean in the corner of the counter. He presses the porcelain to his forehead and groans. You shake out the cloth over the sink and rinse it out.
“You have a daughter,” he states plainly. A question but not really.
“I do,” you answer evenly.
“I didn’t know that,” he says.
You shrug, “guess it never came up.”
"You’ve worked for me for three years…” he mutters.
“You never asked,” you say lightly, “it’s fine.”
He lowers the cup and slurps loudly. He swishes the coffee around before he swallows thickly.
“Your husband okay with you working twelves?”
You chuckle, “sir, really, it’s fine.”
His curiosity is not usual. You stick to the expected, the manageable. You don’t stray outside the lines. You’re friendly but you’re not overfamiliar. He always seemed to prefer that. He enjoyed talking about himself far more.
“You were busy yesterday,” he shifts his weight to one foot, his muscled chest rippling.
“I suppose as busy as you,” you roll in the racks of the dishwasher and add soap before closing it up.
“I… interrupted your plans?”
“Sir, it’s fine, I had a good day off and now I’m back,” you insist, “are there any other messes I need to worry about?”
He tilts his head and exhales deeply. His cheek dimples as he considers you. The cut on his head is exposed but not as bad as it was, though the bruise under his eyes has only gotten darker.
He scoffs as a smirk slants his lips, “sure. You could change my bed sheets.”
“Sure,” you accept breezily, repressing the glimmer of concern at the base of your skull. 
Something about his response seems trite, as if he means to insult you. You’re an adult, you’re less than shocked at his after hours play. By now, you’re quite used to it. He’s in his prime, he’s well off, and he’s handsome by anyone’s measure.
“You could try some witch hazel,” you touch your cheek then point at his, “for the bruising.”
“I can handle it,” he retorts and pushes himself away from the counter, “enough chattering. Get to work.”
🥃
You knock on the office door and wait for an answer. The little device you keep clipped to your belt is still buzzing with Nick’s demand. He calls to you from within and you enter.
“Sir?” You greet him.
“What took you so long?” He growls.
He’s in a foul mood. He has been all day. He can be gruff, you’re used to that, but today, he just seems prickly. His romp must not have been much fun. Come to think of it, his partner had been all too eager to flee.
You shake away the intrusive thoughts and clear your throat, “I was in the laundry room. Sorry.”
“My head is pounding,” he rubs his temples.
“Right, sir, I’ll bring you Advil and some water–”
“Don’t treat me like a child,” he snarls.
“Yes, sir.”
“I’m sure I’m a lot older than your daughter, so cut it out.”
“I wasn’t– sir, I’m sorry.”
“Go, get the pills,” he shoos you, “and call Rhonda.”
You nod and leave him. Wow. You don’t think he’s ever spoken to you like that. The mention of Joey also puts you off. Why is he so concerned? Most people could look at you and assume you have a kid or too. At your age, with your hips…
You go downstairs to retrieve the Advil and a tall glass of water. You climb back upstairs and follow the airy hall down to your office. As you enter, he sits with his head in his hands, his elbows on the desk. You don’t say a word as you set down the glass and pills.
He doesn’t move. You back away slowly and pull out your cell phone. You’ll call the masseuse, she should be able to work out the tension.
As you get to the door, he growls and his chair squeaks.
“You said something, about witch hazel,” he snarls.
“Uh, yes,” you face him, “it’ll take down the bruising.”
He narrows his eyes, the gesture tweaking his swollen cheek. Even battered, he isn’t unattractive. And the woman in his kitchen was just as gorgeous. So you find it hard to fathom why he’s in such a mood.
“Would you like me to get it for you, sir?” You ask, trying not to sound too pandering.
“Sure, whatever.”
You sweep away and go down the hall to the cabinet. You keep everything stocked well. Part of your job is inventory. You’ll have to go through the liquor bottles later and see what needs replenishing too.
You return to him with the witch hazel and a bag of cotton balls. You place them on his desk as he leans his head against the chairback, his eyes closed. You step back on your heel and his eyes pop open.
“Would you mind?” He motions to his face.
“Sure,” you take the cotton balls and pull one out.
You uncap the dark bottle and dampen the cotton with the liquid. His eyes close again as you sidle closer and you dab gently along his cheek. He flinches, just once, then stills. It must be cold. 
His eyes flick open again and startle you as you retract your touch. Awkwardly, you move away and gather up the bottle and bag of cotton balls. He’s quiet as he leans forward to grab the bottle of pills.
“I should’ve guessed,” he says as he shakes two tablets out, “that’s what I do. I read people. You’re a mother, for sure. She’s older, isn’t she? College? You had her young–”
“Sir,” you sniff, uncomfortable.
“Just the one. And you didn’t answer me when I talked about your husband so he must be out of the picture. Divorced. About the time you came around here, huh? You need the job after the messy break up,” he suggests as he wags his finger with a knowing grin, “probably another woman, huh?”
You blink. You’ll let him think what he wants. His opinion of your marriage isn’t important. It won’t do to correct him anyway. He doesn’t really seem to care, he just wants to wound. You just can’t figure out what you’ve done to deserve it.
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kuroshika · 1 year
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what do you mean you can't see how cannibalism is the purest form of obsession and devotion??? that love is all about mutual consumption??? that you can love without obsession but you can't obsess without love???
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your art makes me explode in a positive way like
im chewing and swallowing it in an aggressive way like
it's just SO good im melting ilove your shading and KEHEKEBEKJDJF
anwayshi hello do you happen to have any headcanons for showtime rolls on the floor and dies
Thank you so much, really appreciate it!
Oh God I don't know if this will read as coherent because my thoughts about Showtime are all over the place. But I'll try to format this the best I can
✨Showtime HCs! ✨
Their relationship starts when they start spending time together.
(The reason why they do so could vary. In Supervised Machine Learning's case, Pomni becomes something of a "tutor" to Caine; They discover that they work well together, and the other's company can be quite pleasant!).
So Pomni and Caine build a weird, but comforting friendship, and all is well.
Then the feelings appear.
Caine is the first to realize he fell in love.
It sounds illogical but hear me out… it'd be really funny--
Ok no seriously I think Caine can actually feel. Keyword "can". He's very much still a machine and it shows in the pilot. But like his inspiration (AM), Caine is also a rogue AI. Whatever his programming originally intended him to do, he probably doesn't follow it as closely now as back when he was created (which is a whole other post).
Caine knows what love is and the extend it can go, since the Moon is so open about her feelings. He just doesn't like the Moon back specifically haha (sorry Moon) :}
All this to say, I do believe this is within the realm of possibility for him. (Not that it's ever gonna happen towards anyone in the show. These are just wishful shippy thoughts).
He might not recognize it as love at first, because it manifests in such a different way from his one reference point.
His friendship with Pomni had gone through phases.
When they first met, he continuously touched her with no concern for how she felt.
Learning from and about Pomni herself led him to come to respect her boundaries (and becoming mindful of everyone else's).
Then they're close friends, and gradually, Pomni does not mind his regular wacky, touchy-feely self. So Caine acts as he had always done before.
Caine expresses his love for Pomni with physical gestures and his undivided attention.
When they teleport to travel to other places, he holds her close so she doesn't get too dizzy; he pats her head to reassure her; he touches her arm to get her attention; he grabs her hands when he's excited about her ideas; he holds eye contact for prolonged periods of time; and he touches, and touches, and touches, and touches.
It's selfish, and so he keeps it buried in his deepest 0's and 1's. But he'd like to keep hanging out with Pomni, having her in his sight, and feel the texture of her gloved hands until the end of time.
Despite all this, to him, virtually nothing changed.
What? He's spending time with Pomni as he'd always been doing, and behaving as he'd always behaved!
It's Bubble of all people that has to point out that, "Hey boss. I think you WANT her!"
Absurd. Nonsense. Preposterous! It is merely a relationship of mutual support and affection between a ringmaster and his trusted, former-human companion. Nothing more.
(Declaring his love to her unprompted didn't ever cross his mind, so there's no way it could be that. Is there?)
Caine finds out that yes, there is.
Pomni had always been a nervous wreck, but her mind state becomes more manageable over time. She eventually adjusts to the circus life like everyone else did.
"Accepting" her fate is a different story. The will to escape, to remember, never really leaves. She's just more careful about it.
So when she starts working with Caine - to improve life so people don't go abstracting anymore, and hopefully find a definitive exit - she's not expecting to end up liking her time with him.
Not that she'd absolutely hate it, either. He's… "okay"… Just-- outlandish, loud, he keeps invading her personal space, he keeps touching her, and it makes her die a little every time.
If he's up to listening, though… it can't be that bad, right?
Turns out that no, it wasn't that bad.
Yes, he is outlandish, loud, he keeps invading her personal space and touching her. But she explains what she means to him, clearly and patiently, and he makes an effort to do better. An actual effort.
Sometimes he'd misinterpret what she meant - the ambiguity of human language - and the new games would go horribly. But little by little, his efforts make life overall better. Something reminiscent of actual, real life, the one they've all forcibly left behind.
And he tries, and he tries, and Pomni finds herself enjoying the process as much as the good results.
Pomni likes Caine's eagerness to learn. His enthusiastic attitude borders on silly, and the absurdity makes her laugh on occasion. When faced with the prospect of a "real" exit, she loves his upbeat optimism.
When she's not hanging out with Ragatha, Jax, Gangle, Zooble and Kinger, she begins to enjoy spending quality time with Caine.
Each one of their hang outs is a new surprise. They make a picnic in the tallest mountain exactly in between day and night. They learn to dance - while floating in the air. "Since you asked, here's a DIGITAL camera! Let's take pictures of the Void for one tenth of a second at a time!"
Sometimes he just comes by Pomni's room, and they end up losing track of time. Just chatting about how things have been, what they could be, and what to do next. Ideas and ideas and ideas.
Before Pomni knows it, she's comfortable enough that recalling his old habits makes her not dread them anymore. So when Caine stands close and lightly touches her arm due to oversight, she makes sure he knows it's all right.
And they keep spending time together, and he touches, and touches, and touches her. Pomni, in turn, feels lighter, and lighter, and lighter. Peaceful, at ease. Dare she say, happy, even.
Life is not perfect. As it stands though, it's good enough. No one has abstracted. No one is at risk of abstracting so far.
Progress is slow, but the research for an exit continues, and she is hopeful. The thought of actually leaving grows closer to reality. But a part of her feels heavy.
When it occurs to Pomni that leaving the Amazing Digital Circus means leaving Caine behind, she is alarmed by how much she'll miss him.
It'll hurt. Badly. So much the thought pains her even now.
The moment Pomni realizes this, she comes to the unexpected conclusion that she may like Caine a little more than she thought she would.
This later leads to an interesting discussion with Ragatha.
By the time Pomni comes to that conclusion, Caine is already down bad.
Neither has any idea that the other is in love with them.
Cue dumbasses trying to deal with their feelings while the potential conflict the escape brings looms over their heads.
Thanks for coming to my TED talk!
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