Okay, my brain refuses to think about anything other than Murderbot, so I looked at every use of the word "friend[s]" in TMBD and... created some pie charts. Normal human activities.
Some Thoughts™ I had while putting this together (under the cut):
In All Systems Red, Murderbot notes that the PresAux crew are all close friends (twice! and goes on to explain their internal relationships which I think is very cute). This is pretty much the only use of 'friends' in ASR, except for when Murderbot says that SecUnits can't be friends with each other.
It seems that this may be one of the first times Murderbot has ever really been around a group of friends before? Murderbot notes that this is not the norm for its contracts and admits that the fact that they are all friends and the way they interact with each other make it actually enjoy that contract (before!!!! the hostile attack, so it already enjoys this contract before they start seeing it as a person etc ghghhhh). [Inference: Friendship seems enjoyable.]
The first character that calls Murderbot its friend is ART in Artificial Condition. Murderbot immediately refutes this (and then goes on to call ART its friend to its clients for the rest of the book). [Inference: Maybe ART is Murderbot's friend. And maybe that is... agreeable]
Rogue Protocol has more than twice as many instances of the word 'friend' as any of the other novellas. Why? Miki. Friendship and its implications for non-humans are a central theme because Miki is friends with everyone. Murderbot initially scoffs at the notion that Miki and Miki's humans are friends. At the end of the book, after witnessing how desperately Don Abene tried to stop Miki from trying to save them, and her grief after its death, Murderbot has to admit that she had in fact been Miki's friend. [Inference: Humans can be friends with bots and can sincerely care about them]
In Exit Strategy, Murderbot tentatively uses the word "friends" for its humans for the first time (several times actually). It questions whether it can actually call them its friends or not and later realizes that it had been afraid what admitting that the humans are its friends would do to it. At the end of the book, Mensah tells Murderbot the PresAux crew are its friends, which is the first time a human has directly said that to it (at least on-page). [Inference: Humans can and want to be Murderbot's friends]
In Network Effect, Murderbot seems to be more habituated to the word 'friend', confidently calling ART and Ratthi its friends, like it is no longer just trying the concept on unsure if it fits. There are many instances in which other characters refer to MB as ART's friend or the other way around and Murderbot's humans refer to Murderbot as their friend several times. Generally, there seems to be less hesitancy, because yes, all of them are Murderbot's friends, why wouldn't they be. [Inference: SecUnits can have friends. This SecUnit has friends. They care about it a lot.]
Conclusion: The Murderbot Diaries tell the story of a construct that does not seem to consider the possibility of friendship for itself and is fine with that - until it accidentally starts caring a little too much and suddenly more and more people annex it as a friend (ew) to the point where it can no longer deny that this is happening and has to begrudgingly admit that yes, it has friends now and maybe that is actually not a bad thing.
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A little love letter to Din Djarin writers... 🤍
I love that some of you write him as soft and gentle while others focus on the darker, harsher parts of his personality. I love that he can be both a quiet, kind man caring for his child or an intimidating, terrifying bounty hunter who is a lean, mean killing machine... depending on what the fic warrants.
I love how you write him with other characters from The Mandalorian or even with those who would never cross paths with him in canon, from Star Wars or elsewhere. I love how you write him interacting with yourselves and us, and some of you even create your own original characters to exist a long time ago in a galaxy far, far away alongside him.
I love that some of you ship him with that one other special person, while others recognise how desirable he is and ship alllllll the ships. Not forgetting those of you which are here for none of those ships and/or even headcanon him as ace. I love that any of those options allow you to explore your own identities and sexualities through him.
I love that you can write the most tooth-rotting fluff or filthiest smut, and all of those things in between. Whether it's for general audiences or explicit and strictly 18+ ... all of your fics have an audience and someone out there who appreciates your writing.
I love how differently you can interpret him, but there are also so many common themes and tropes running through your writing. I love that there is room for all of your Dins here.
I love that he means so much to you and that all of us here hold him in our hearts a little bit. I love that we can all watch the same episodes and come to entirely different conclusions about him. I love how much we love him.
Getting to be a part of this wonderful community and interact with so many people who love the space tin can man as much as I do has truly been one of the best things that happened to me recently. I'm so glad I made this little blog... It reminded me just how good fandom can be. I am blown away by the number of talented people here!
So, I just wanted to take a moment to express some gratitude towards all of you! Thank you for writing your Dins and please don't ever stop. Finally.... last, but not least:
I love Din Djarin!!!
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Sooo... There’s this newer show called Daniel Spellbound and this demon guy named Jayce Chinda in the second season, who I’ve kind of attached myself to recently and very suddenly, but I will add admit, I feel the show could have been much better and I’m sad about that. 😭 You can tell there’s a lot of constraints from budget and time that limited it a lot.
It’s an urban fantasy setting with some cool concepts and good & diverse character designs, and whoever is doing the color keys for the show is on point, but it does end up feeling lacking in most other things to me unfortunately.
Jayce here sadly only mostly looked like the first few pics here. No tail or other horns. 😔 I don’t want to give spoilers, but it definitely felt like his narrative was leaning toward him having a bigger, badder demon form or at least something change, but he did not and I was rather disappointed.
So I gotta do it myself I guess.
But yeah, I’m back on my bullshit and have gone and run off with the AU stuff as I usually do and will say in advance that most of my fanart is only vaguely rooted in what was given in the canon if you’re wanting to check out the show and expect something else! I’m just glad to want to draw something again tho, it’s been ages.
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Unnecessary discussion about Chat Noir and the Drums
There’s something I love so much about Chat playing the drums in Horrificator. This is something that’s been on my mind since I was 13, so hold on here.
First, obviously, Adrien also plays the piano - which obviously still has a lot of meaning!! - I’m not here to diss on the piano, there’s a lot of freedom of expression in every instrument type and music expression in general, but there’s a reason why some people are more inclined to different instruments, and I think there’s a lot more to it than just sound, but feeling as well. The role you play. How it feels to play it alone vs. playing it with others, if it’s typically something that you can play alone vs. in a group.
So first, the piano, and how I think it relates to Adrien’s character, plus how it relates to those points.
The piano, let’s be real, is something that a lot of us were forced to take lessons for at some point. It’s something that has ties to high society (there’s a HUGE discussion and so much more to say about that, but let’s not go there) and honestly?? I think it works pretty well with symbolizing the obsession with perfection that Gabriel shoves onto him. I’ve known many piano players, and while some genuinely loved playing it, it was always easier to somehow stumble onto someone with a deep hatred for it after being forced into lessons. Whenever I asked them why they hated it, I got almost the same answer every time: “I need to be perfect.” (Along with people saying that they were forced to lol)
Then there’s the role you play. You can play with people in a band, an orchestra, as an accompanist, a duet, at a bar with a bunch of people singing - whatever - music has many forms, and many different connections. But the piano is something you can play solo, no need for anyone else. It isn’t what you can do with other people that I’m focusing on for this, it’s the fact that you don’t need anyone. You can play alone, and it’ll still be fine. You can be alone, and you’re still fine - perfect even - which is something that Gabriel shoves down his throat, resistant to him playing with his friends by touching on this ideology.
Which is a glimpse into how he sees Adrien, and how Adrien experiences life. He can be alone, in fact he’s more perfect when he’s alone. And when other people are added, the attention to his perfection is taken away bit by bit, until he’s not good enough. He has to play solo in concert halls, on stage for everyone to watch, not in the back of a bar, playing with his friends.
Alright, so now we move to Chat Noir and the drums. The main play of this fake essay.
It would be so easy to just ignore everything and just go “haha, he’s the energetic one, so ofc Ladybug gave him the drums! And they’re an easy instrument to play, etc.” but that’s far from the truth.
Ok, so I’m not a drum player or percussionist in any way, but I am a bass player, and genuinely love the drums so much because they’re incredibly important, and here’s my cheesy analogy: the drums are the heart of the band, keeping everyone on beat, it’s what you feel at the centre of it all. The band is nothing without the drums, without the percussion (The bass is what connects the band to the beat of the drums, kinda like the blood vessels, but sadly this ain’t about bass). Like do you know how easy it is for a band to fall apart if they don’t have a drummer??? You need a drummer. You literally can’t survive without a drummer, because even if you manage to work together, use the bass as a backing, whatever you try, there’s still not much of a heart left.
But besides that, do you know how hard it is to play the drums??? You can’t just throw someone crazy, or energetic there just because “crazy drummers lol” you need someone who listens. Who can set the beat. Someone you can rely on, because they are the person in control, even if they aren’t as flashy as the guitar player. Reliable is the word that comes to mind. The drums can make or break a band.
And wanna know who that reminds me of?
Yeah. I highly doubt that the writers put this much thought into a random five second scene in an episode of season one, but it fits with Chat Noir SO well.
Unlike the piano, the drums are almost solely played in a group setting - you need other people, and other people need you - he needs other people in his life, his friends are needed, but they also need him. Ladybug needs him, along with all the other heroes in Paris, whether he sees it or not. He seems to get in a state of thinking he’s not needed, but i do really think he’s the emotional glue that keeps the team connected, the heart that keeps them beating. If he’s isolated, he can’t quite reach his full potential that he can when he’s allowed to be around others, just like they can’t reach their own without him.
But on top of that, I think the stereotypes of the drums actually works in his favour for the next part.
Breaking free from his dad, and being his own person, letting that fame go and embracing what he wants... well, to some that would look stupid.
Relating it to music, the piano is flashy, you can play it solo, it sounds impressive, looks impressive, and people won’t think you’re just hitting pots and pans in the garage when you say you play it. But the drums are underestimated, a lot of people think you don’t need much practice, that they’re just the guys who sit at the back of the stage, not doing much, but that couldn’t be further from the truth.
Just like Adrien finally being who he wants wouldn’t be stupid, it could never be stupid, but there’s a stigma. But letting go of his flashy, solo life, and being the heart of his friend group is something that I think makes him truly happy as Chat Noir, and hopefully he gets to be like that as Adrien too.
Like Plagg said, Chat Noir and Adrien are both the real him, and I think the drums capture that perfectly. The heart and freedom, the meticulousness (rather than perfection) and steadiness, those are good qualities of a drummer.
I dunno, I just think it fits.
(sdfghjklkjhgf again I should state that acoustic versions of songs exist, and you can play songs without a drum and it sounds fantastic, but I’m not going into that today. Just talking generalization, and playing in a group setting).
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