Goran Višnjić as Nikola Tesla in Doctor Who 12.4, Nikola Tesla's Night of Terror.
image descriptions below the cut
—
[1] A still from an episode of Doctor Who, showing Goran as Nikola Tesla in front of Niagara Falls with an audience of men in suits and top hats, only their backs shown to us. Nikola is gesturing towards the waterfall as he speaks. He's a tall, slim man of about fifty in an old-fashioned suit with a tailcoat, pinstriped trousers, a waistcoat and watch-chain. He has a moustache, and brown hair parted in the middle, a few inches long and styled neatly with a bit of a wave.
[2] Goran as Nikola Tesla gesturing towards a device I don't understand well enough to even describe except that it's two corrugated metal cylinders and electricity is arcing between them, blue and dramatic, while he gestures like a magician. His other hand is on a lever, his face obscured by a starburst of blue light.
[3] A close-up of Goran as Nikola Tesla with a lightbulb in the foreground gleaming with warm light. He's looking off-screen and smiling slightly, eyes large and grey-blue, eyebrows raised, creases in his forehead and around his mouth. He's wearing a butterscotch-yellow tie with a wing or tuxedo shirt collar.
[4] A side-on view of Goran as Nikola Tesla bent over a workbench doing something with a tool we only see as a faint gleam of metal. He's bent almost double, intent on his work, a curl of hair falling down above his forehead, his coat gone and his shirt sleeves rucked up to the elbow so that his arms are bare and evidently hairy. The scene's dark, lit only by a candle lamp.
[5] A view of Goran as Nikola Tesla looking at a figure mostly out of view, visible to us only as blonde hair at the side of the screen. Nikola's eyes are a little wide, his mouth slightly open, making him look bewildered, and perhaps wary - I thought of it as his "okay, either you or this situation is bonkers" face. His thumb is just visible at the bottom of the screen, suggesting he's gesturing or fidgeting with his hands.
[6] A view of Goran in a crowded street, no coat, standing almost a head taller than everyone else and gesturing with one hand in a way that signals frustration or defensiveness, his eyes closed, mouth open as he speaks. A few bowler hats are visible around him, and a few of Nikola's companions - Dorothy, a serious-faced woman of thirty or so with tightly curly hair and smart clothing; the Doctor, currently a woman with straight blonde hair looking curiously past Dorothy; and just a glimpse of Yasmin in the background in a flat blue hat.
[7] A side-on view of Jodie Whittaker as the Doctor and Goran as Nikola both paying rapt attention to a glowing green mechanical-looking ball in a dish, with the Doctor pointing her sonic screwdriver at it and Nikola bending down to watch at the opposite side of the desk, hands folded together as if he's fidgeting, intent on her work. The Doctor's in a long light grey coat with a hood, incongruous for the era, and it's clear she'd be a lot shorter than him if he weren't currently courting back pain.
[8] The same scene as before, minutes later - the Doctor only visible as blonde hair in the foreground, Nikola's face transformed like he's realised something wonderful, eyes on the Doctor and leaning forward slightly, or still leaning on the desk. His mouth is open as he talks, his eyes bright, skin creasing faintly at the corners with a real smile.
[9] The same scene as before, seconds later. Goran as Nikola is looking to the side, no longer smiling but serious and thoughtful.
[10] The same scene as before, seconds later. Nikola is looking back at the Doctor and raising his eyebrows in a question at something she said, his forehead creasing, his expression perhaps a little doubtful.
[11] A close-up of Goran as Nikola in a room with warmer and dimmer lighting, his hair coming loose a bit as short curls on his forehead, frowning as he talks to someone off-screen. The angle exaggerates his nose, emphasises the lines around his mouth.
[12] A different view of the scene, zoomed out. Nikola is bent over a worktable beside Yasmin, a young woman with curled hair and a smart navy-blue jacket, and they're looking at each other as though discussing a problem, Nikola folding or rubbing his hands together. The desk of a mess of wires and oddments, lit bulbs in metal cages and what might be the odd green ball from earlier.
[13] Nikola and Yasmin in a very different location, dimly lit, with strange red lights in the background and a green light over their faces. (They're on an alien spaceship.) Yasmin is looking down at the floor like she's stunned, mouth open, and Nikola is holding her arm like he's just pulled her back, but his eyes are on something or someone else we can't see. His eyes are wide, his expression startled and openly afraid.
[14] Nikola and Yasmin still on the spaceship, blurry machinery behind them, but Nikola is almost level with Yasmin now and they're standing close, both looking at a third party off-screen. Yasmin's expression is one of distaste and a little anger, and Nikola's eyebrows are drawn down, expression somewhere between bewildered and worried.
[15] A different scene, different lighting - deep blue in the background, warm light on Nikola's face. It's an odd angle, his head ducked as though looking at something, his expression serious.
[16] A different scene, perhaps daytime with electric lighting, Nikola in conversation with someone off-screen who's clearly shorter than him. His hair's a little disarrayed, eyebrows raised and forehead creased, but there's something of a smile to his eyes and his mouth that gentles it.
[17] The same scene, seconds later, slightly zoomed in. Nikola's eyebrows are lower, forehead still creased and eyes a little scrunched, like he doesn't understand yet what the other person means. There's something tender about it still.
[18] A different room, darker, Nikola grinning while the Doctor is mostly off-screen, just a little of her hair visible, except she's raising a hand for a high-five that he isn't reciprocating. Creases are splayed out from his eyes, deep ones around his mouth, his nose sharp from this angle.
[19] A different view of the high-five moment, focusing on the Doctor as she realises he doesn't know to reciprocate - the high-five wasn't invented yet - and starts to lower her hand. Her mouth is wide open, teeth showing, somewhere between a grin and talking, and her body language is open exuberance. The creases around Nikola's eyes are still very visible from this angle, though most of his face isn't.
[20] A view of Goran as Nikola with his eyes closed as if he's blocking something out, and a look of forbearance and faint frustration on his face.
[21] A side-on view of Goran as Nikola, a shorter man in the background and the TARDIS behind them both, its windows glowing white. Nikola's expression is determined and a little grim, more hair curling messily against his forehead.
[22] A view of Goran as Nikola outside, trees in the background, a blurry blue-white sky and what might be yellowish grass. He's wearing old-fashioned aviator goggles on his forehead, where they're pushing his hair up so it's even messier, and he's looking down at something with a troubled expression.
[23] A view of the Doctor and Goran as Nikola in the TARDIS, the scene awash in electric blue and peach-pink, and no other lighting. The Doctor's leant over the TARDIS controls doing something there and looking back at Nikola, who has picked up some sort of contraption and is looking down at it, expression either troubled or focused. The light on his face is blue, throwing his features into sharp and unflattering relief.
[24] A view of Goran as Nikola in the TARDIS still, the lighting blue, the angle of his shoulders suggesting his hands are on his hips, and his expression now one of open joy. His eyes are large, his mouth open and smiling slightly, soft creases on either side.
[25] A view of Goran as Nikola on the street, looking with his head tilted at someone in the foreground - barely visible, except for the bowler hat. Nikola's expression is tolerant, a restrained smile with narrow eyes, and his hands are probably clasped behind his back.
[26] A view of Goran as Nikola on the street, now talking to the Doctor, only the back of her head visible. Nikola's in the same pose as before, hands behind his back, only leaning slightly towards her now, his expression warm as he talks to her. The creases around his eyes are back, and it's another angle that emphasises his nose.
[27] The same view as before, only now Nikola's ducked his head, almost like he's shy, or needs a moment to collect himself. The creases have gone from his eyes, but the smile's still there at his mouth.
—
50 notes
·
View notes
Hey Mr. Soda, I know it's been two years since your last post, but I wanted to let you know I really liked the story. Of course, you don't need to worry about continuing it, or even answering this ask. I just wanted to tell you that your au idea and application were fricken awesome! Hope you're doing well and still creating somewhere else, because you're super talented. Much love!
Hello, dear anon! This may be a bit long, but bear with me here.
First of all, thank you so much for the message. It means a lot to me that something I made so long ago is still entertaining to people on the internet. This is very heart warming to receive, and you have no idea how much it means to me. I am still creating, just not on such a large scale, and it has been mostly for myself.
HEVS is something was quite close to my heart, and still is, in a way. I fell out of working on it because I was studying at the time, and keeping up the blog was devastating to my sleep schedule. I only planned on taking a hiatus but eventually, and unfortunately, it became an indefinite one.
I have, however, begun re-watching HLVRAI with some friends. I do not think I could ever pick HEVS back up from where I left off. I've grown a lot as a person, as a writer, and as an artist, and looking back on what I made over two years ago... well, I certainly have some notes.
That being said, it is quite possible that I may restart HEVS, from the beginning. Hopefully with some better art, and story direction. I won't make any promises, but this has long been a project that I regret abandoning. If I do start it all over again, I will not erase all the progress I have made here, even if all the links and tags are... a little broken. I'm unsure yet if I will simply start a new chapter here, on this blog, or if I will make a new one to truly begin anew. We will see.
All in all... thank you. For seeing the potential in an unfinished story, and for being so kind as to reach out.
39 notes
·
View notes
i love saito. i love that uchikoshi does not know or care what's wrong with him. i love that everyone else in the game has real life medical issues and his brain issues are just "i don't fucking know he kills people. we're doing a Bit about Love And Family. he's got Murders People disease."
i love whatever's going on in both versions of in the VaiN. and that when someone asked uchikoshi what was with the scene at the end of the hit route with So was he was like "he's fucked up. you know how it is." and that was the full explanation.
everything he does as a-set especially in the arg videos is so so so funny. this man is having the time of his life pretending to be a fucked up and evil teen idol streamer. "this is your idol" "be seeing you. but you won't be seeing me" i will shove him in a locker also i know i already drew it but "this is kaname date he's a real hot piece of twink ass but unfortunately his personality is awful. he lost his memory or something i don't care" is everything to me
love that he's making this incredibly intricate plan to ruin the life of this random fucking guy he CHOSE to bodyswap with on a whim because he... what, he escaped out the window? you really just wanted him to sit there while you killed a guy as rohan, realised the oxytocin release didn't carry over also half your vision is fucked now, swap back, and then kill him so he can't narc? that was Theft Done To Personally Spite You? anyway he's doing all that and he's like "i mean i guess i'll kill my dad while i'm at it" and i love that.
i'm. still thinking about "killed by your own father" why are you pretending to be your own dad shooting yourself in the middle of your last ditch "well whatever plan's fucked may as kill him" moment!! just another one of your "i'm technically not lying teehee" bits?? (and i KNOW the reading that it's about mizuki but that makes even less sense to me. & i'm a 'most cringefail reading possible' truther.) i really do love 'i didn't lie, i kept my promise' just to be a jackass
i love that he's so candid about talking about his murders and says shit like "homicide is my hobby" but when it comes to shooting people he either says some bullshit like "blowing their brains out" or calling them "fireworks" or it's about date "watching them die." the only time he calls it "shooting" is when someone else is doing it. and normally that sort of thing reads as 'distancing yourself from the crimes' but wouldn't that be fucking wild lmao. i think it reads more like it's above just shooting? it's art! perfect, beautiful art of a lonely moment in time.
and all the "(you were) a murderer. a serial killer" "have you been using other men's names for so long that you've forgotten your own" talk feels like it should be leading into a "we're not so different you and i" but it never does. (i'd be tempted to say it's just self restraint on the part of the writing team but i find that VERY hard to believe given the. everything. about every uchi game.) like he hates date but he views himself as above him and he can't pull himself down to date's level, even to upset him. he's just taking hypocritical shots at date because he knows he cares about "justice" and "morality" and garbage like that, without acknowledging their similarities
i'm normal? i'm normal.
20 notes
·
View notes