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#Alexander Theroux
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September; it was the most beautiful of words, he'd always felt, evoking orange-flowers, swallows and regret - Alexander Theroux
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ma-pi-ma · 7 months
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Settembre: era la più bella delle parole, l'aveva sempre sentita dentro, perché evocava aranci in fiore, rondini e rimpianto.
Alexander Theroux
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polarboiyeahz · 5 months
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A snip I took from a poem titled “Amelia Earhart” by Alexander Theroux from his book: The Lollipops, Trollops and Other Poems
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sivavakkiyar · 7 months
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Darconville’s Cat, Alexander Theroux
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catmint1 · 7 months
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September: it was the most beautiful of words, he’d always felt, evoking orange-flowers, swallows, and regret.
—Alexander Theroux
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drrestlesshate · 1 year
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Alexander Theroux - The Strange Case of Edward Gorey
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littlepines · 2 years
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alexander theroux
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deepseaidyll · 1 year
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September: it was one of the most beautiful of words, he’d always felt, evoking orange – flowers, swallows and regret.
- alexander theroux
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bookmaven · 2 years
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THE GREAT WHEADLE TRAGEDY by Alexander Theroux (Boston, MA: Godine, 1975). lllustrated by Sam Washburn
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movie--posters · 3 months
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in-love-with-movies · 2 years
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Mute (2018)
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gardenofedenuniverse · 7 months
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Alexander Skarsgard's Futuristic Sci-Fi Thriller Streaming On Netflix
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Ever dreamt of seeing a 6’4″ Swedish actor take on a futuristic, neon-soaked Berlin without uttering a single word? Your oddly specific dream has come true, courtesy of Netflix’s Mute. Alexander Skarsgård, renowned for his charismatic roles in projects like Succession, True Blood, and Big Little Lies, takes a dramatic turn in this cyberpunk mystery.
Ditching his eloquent demeanor, he embraces the silent world of Leo Beiler, a mute bartender on a desperate search. With the murky undertones of the city reflected in its narrative, Alexander Skarsgård’s performance promises to be as captivating as it is quiet. Dive into this Netflix gem and watch as the tall, silent Scandinavian navigates a treacherous terrain with intrigue at every neon-lit corner.
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In a not-so-distant future, the sprawling urban landscapes of Berlin have evolved into a dazzling metropolis, shimmering with both neon lights and dark underbellies. At the heart of this city, we meet Leo Beiler (Alexander Skarsgård), a mute Amish bartender with a tortured past. 
In Mute, Alexander Skarsgård plays a mute Amish bartender with a tortured past
A childhood boating accident took away his voice, and his Amish beliefs prevented any surgical restoration. Now, he communicates through handwritten notes and a profound intensity that only Alexander Skarsgård could deliver.
As if the challenges posed by his disability in such a high-tech world aren’t enough, Leo faces a personal crisis when his girlfriend, Naadirah (Seyneb Saleh), mysteriously disappears. His desperate search to find her leads him deep into the city’s seediest districts, where he unravels a conspiracy much larger than a simple missing person’s case.
Leo’s path collides with that of two shady American surgeons, Cactus Bill (Paul Rudd) and Duck Teddington (Justin Theroux). These two operate on both sides of the law, patching up criminals while getting embroiled in illicit dealings themselves. As their narratives intertwine, Mute transforms from a simple Alexander Skarsgård search-and-rescue mission into a complex web of deceit, crime, and human connectivity.
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Helmed by director Duncan Jones (of Moon and Source Code fame), Mute is a rich visual treat, blending elements of traditional noir with futuristic aesthetics. The movie doesn’t just rely on its stunning visuals; it offers a deep dive into themes of isolation, communication, and the lengths one will go to for love in an increasingly disconnected world.
Mute garnered a range of responses upon its release on Netflix. Critics were quick to praise the film’s visual aesthetic, likening its neon-soaked streets and futuristic ambience to classics like Blade Runner.
Alexander Skarsgård’s performance as the silent protagonist was also highlighted, with many lauding his ability to convey depth and emotion without the need for dialogue. But the fact remains that the movie is still sitting at just 21% on Rotten Tomatoes.
The narrative didn’t resonate with everyone. Some critics felt the story lacked cohesion and that certain subplots detracted from the film’s central themes. The inclusion of secondary characters and their respective arcs drew mixed reactions, with some feeling they enriched the narrative, while others believed they muddled it.
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Regardless of its critical divide, Mute‘s exclusive Netflix release allowed it to find a niche audience. Viewers who appreciate a blend of classic noir storytelling with futuristic settings found much to love.
And while it didn’t achieve universal acclaim, Mute stands as a testament to the potential of streaming platforms to deliver ambitious, visually captivating stories outside the traditional theater system.
In the ever-evolving landscape of cinematic storytelling, Mute stands as a somewhat daring venture into the unknown terrains of the future. Despite its polarizing reception, the film beckons viewers with its stunning visuals and the silent yet poignant performance of Alexander Skarsgård. 
Whether you’re a fan of neo-noir, futuristic tales, or simply in for a visual treat, Mute on Netflix promises an experience that lingers, echoing the silence of its protagonist and urging you to dive deeper into the stories that await in the shadows of tomorrow.
Credit: bigfreakingrobot.com
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literarysiren · 1 year
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On the other end of the disability representation spectrum you have something like Duncan Jones' Mute, a deeply uncomfortable movie that makes the strange choice to try and explain the origins of its main character's muteness, even though doing so adds little to nothing to a story that stands on its own.
The movie itself is not necessarily bad--though it is deeply upsetting--but it falls into the pit of feeling like it needs to explain where something our main character has lived with his whole life started, and is a good example of why explaining origins every single time is both unnecessary and a little distracting.
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awkward-sultana · 2 years
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0903, O.L. / Tumblr: @3lsahart / Peggy Toney Horton / September Days, In New England Fields and Woods, Rowland E. Robinson / Unknown / Alexander Theroux / Memory of Water, Reina María Rodríguez / September, Helen Hunt Jackson / Wallace Stegner / Instagram: @kjp / H. Stuart / Unknown / Unknown / Henry Rollins / Margaret Atwood / Diario Cuatro, DC de Oliveira / Virginia Woolf / Unknown / September 1st, D. E. / Beginning and ending with my death, Zeina Hashem Beck / The Whole Word and Other Stories, Ali Smith / Turquoise Silence, Sanober Khan / Victoria Erickson
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oldwinesoul · 7 months
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“September: it was the most beautiful of words, he'd always felt, evoking orange-flowers, swallows, and regret.”
Alexander Theroux
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letterful · 2 years
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friends, do consider this delightfully eccentric syllabus that i’ve stumbled upon in Steven Moore’s The Novel: An Alternative History (& that was built around the unorthodox masterpiece that is Rabelais’ Gargantua and Pantagruel):
“With the motto "Do What You Will," Rabelais gave himself permission to do anything he damn well pleased with the language and the form of the novel; as a result, every author of an innovative novel mixing literary forms and genres in an extravagant style is indebted to Rabelais, directly or indirectly. Out of his codpiece came Aneau's Alector, Nashe's Unfortunate Traveller, Lopez de Ubeda's Justina, Cervantes' Don Quixote, Beroalde de Verville's Fantastic Tales, Sorel's Francion, Burton's Anatomy, Swift's Tale of a Tub and Gulliver's Travels, Fielding's Tom Jones, Amory's John Buncle, Sterne's Tristram Shandy, the novels of Diderot and maybe Voltaire (a late convert), Smollet's Adventures of an Atom, Hoffmann's Tomcat Murr, Hugo's Hunchback of Notre-Dame, Southey's Doctor, Melville's Moby-Dick, Flaubert's Temptation of Saint Anthony and Bouvard and Pecuchet, Twain's Adventures of Huckleberry Finn, Frederick Rolfe's ornate novels, Bely's Petersburg, Joyce's Ulysses, Witkiewicz's Insatiability, Barnes's Ryder and Ladies Almanack, Gombrowicz's Polish jokes, Flann O'Brien's Irish farces, Philip Wylie's Finnley Wren, Patchen's tender novels, Burroughs's and Kerouac's mad ones, Nabokov's later works, Schmidt's fiction, the novels of Durrell, Burgess (especially A Clockwork Orange and Earthly Powers), Gaddis and Pynchon, Barth, Coover, Sorrentino, Reed's Mumbo Jumbo, Brossard's later works, the masterpieces of Latin American magic realism (Paradiso, The Autumn of the Patriarch, Three Trapped Tigers, I the Supreme, Avalovara, Terra Nostra, Palinuro of Mexico), the fabulous creations of Severo Sarduy and Reinaldo Arenas, Markson's Springer's Progress, Mano's Take Five, Rios's Larva and otros libros, the novels of Patil West, Tom Robbins, Stanley Elkin, Alexander Theroux, W. M. Spackman, Alasdair Gray, Gaetan Soucy, and Rikki Ducornet ("Lady Rabelais," as one critic called her), Mark Leyner's hyperbolic novels, the writings of Magister Gass, Greer Gilman's folkloric fictions and Roger Boylan's Celtic comedies, Vollmann's voluminous volumes, Wallace's brainy fictions, Siegel's Love in a Dead Language, Danielewski's novels, Jackson's Half Life, Field's Ululu, De La Pava's Naked Singularity, and James McCourt's ongoing Mawrdew Czgowchwz saga.”
(+ it seems that someone has even gone out of their way to combine all of these into a goodreads list, if that’s your cup of tea!)
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